Tumgik
#Don't play the queer game if you don't want queer characters???
spookieloop · 2 months
Text
You know, it's kind of baffling to me when people insist that THEIR Durge would never have so much as liked Gortash, romantically or otherwise.
Even without the new lines, The Prayer for Forgiveness has always been there, proving that, at the very least, The Dark Urge admired Gortash so much that it caused a crisis of faith.
A crisis of faith in Bhaal's own child literally carved from his gore, made specifically to be Bhaal's perfect child.
This has all been said before, but The Dark Urge is an ORIGIN character (and being able to change their appearance makes SENSE, when you consider the propensity of shapeshifters in Bhaalist lore. Literally the form you choose for Durge is just the form Bhaal chose).
Claiming "My Durge would have never liked Gortash" is like saying "My Gale never liked Mystra," or "My Wyll would have never signed a contract with Mizora," or even "My Karlach would have never worked for Gortash."
Maybe your TAV wouldn't have ever done those things, but Origin characters have solidified backstories. Even if your Durge is a COMPLETELY DIFFERENT person post-tadpole, the facts of who they were BEFORE the events of the game are as in-game factual as Gale's past relationship with Mystra, Wyll's contract with Mizora, or Lae'zel's upbringing with the Gith.
If you want to headcanon something else for your playthrough, cool, but insisting that events that are CANON cannot be interpreted in a way that you don't enjoy doesn't make sense.
164 notes · View notes
dimiclaudeblaigan · 1 month
Text
If there is at least one thing I can credit FE for doing better than Tales in localization, it's not trying to actively go out of their way for an entire game to avoid subtext or direct text between two men that is romantic or implied romantic. Funny when it's so present that the attempt doesn't even work; infuriating that it was attempted to begin with.
So as much as I often have issues with some of FE's localizations, at least they have a leg up on loc Tales for that.
#DCB Comments#imagine changing entire sentences and vocal tones just to try to avoid it#if anything I'd say at least in FE the locs just... keep what's there like#they could've toned Soren and Houses Yuri down and they didn't. they just kept their lines or in some cases#especially with Houses Yuri I'd say leaned into them#have to specify bc Houses Yuri got to keep his bi agenda. Vesperia Yuri had the unfortunate issue of#the loc not wanting to keep his gay and trying reeeeally hard to avoid it#including altering entire sentences to avoid any woe is them misunderstandings about men having feelings for each other#meanwhile Houses Yuri is free to call men cute and lo and behold everyone loved that for him#they removed and altered a LOT of Vesperia Yuri's personality traits#(including any ability to express real sadness or fear bc woe is them if he's not a cool edgy man)#but they also really changed his tone toward Flynn PLUS some of what they say to each other#and twisted it to make it sound like Yuri was either angry or wasn't actually emotional abt him#forget the way they brought Grant George in for the DE release and made him sound just completely DEAD with zero personality#like. I can tolerate playing Houses dubbed despite my gripes with it (story based stuff)#it didn't feel like they were trying to alter LBGT+ aspects and they even for some rly leaned into it#basically if you haven't played Vesperia Yuri is... really gay coded. the loc pretended not to notice#in fact he's queer + gay coded bc and doesn't fit male gender norms and the gacha games LOVE that with his hair/outfits#Rays mind you is JP only bc it was shut down very quickly in the west and Vesp Yuri's story in Rays is uh#basically it centers around Flynn he loses his shit to protect Flynn and they do the usual like#don't-admit-it's-gay-outright in fictional media by using the ''Yuri's important person'' shtick#but he activates a special power in the middle of utterly raging to get Flynn back from their enemies#funny thing? that game never made it to that arc. I was told in about five months the western ver would've gotten that#but in some way I'm glad it didn't bc who knows how they would've tried to spin that#It's BAFFLING to me how you can get characters in Tales like JAY but the locs shake in their boots at the idea of queer gays#but given how allergic fictional media is to admitting a male character is gay -gestures to Ike and Vesp Yuri-#I'm not surprised I'm just actually angry that the locs try to censor homosexual relationships as much as possible even when they barely ca#if anyone does know Vesp Yuri and is confused on why I'm calling him gay coded despite what the dub did with Judith feel free to ask#bc I do ship them a little bit myself! but I just recognize that canon wise I really can't see him as anything but gay-demiromantic#but again at least FE locs don't shake in their boots anymore abt same sex pairs including men (side eyes Lucius/Raven)
5 notes · View notes
absolute-snzaster · 9 months
Text
ok I'm officially tired of waiting for literally any other person on snzblr to get into the same weirdly specific visual novels as me so fuck it, here's the a/ndromeda s/ix snzcanons that literally no one asked for! under the cut because I write so many fucking words oh my god
Cal:
dad sneezes, because of course he does
fully vocalized, throaty, with two separate and clearly enunciated syllables
literally sounds like "AAAH–CHOOO!" what can I say, the man's a classic.
probably owns a fucking monogrammed handkerchief. or several
kind of looks like he's allergic to life but I feel like he'd lose his voice from all the dad sneezing so idk
one million percent the kind of stuffy, straightlaced bitch you want to see get absolutely wrecked by the worst stress cold of his life
Damon:
the tiniest, highest-pitched, most adorable little kitten sneezes you could possibly imagine
HATES it.
can, will and has threatened the life of anyone who dares to mention it
this does not stop at least 50% of the crew from doing so anyway.
regularly.
June:
soft, wet, whispery/unvocalized sneezes
occasionally has (equally whispery) hitchy buildups, but never hitches more than twice per sneeze
probably the type to sneeze into cupped hands. or a crumpled tissue/several tissues/handkerchief in said hands
sniffly, probably rubs his nose a lot
has allergies and specifically stifles his allergy sneezes for whatever reason.
stifles by pressing one finger under his nose and somehow it actually works?
this might just be because he's my number one favorite best guy (sobbing crying I love him so much ough) but I could totally see him having the kink and being SUPER embarrassed about it. just so blushy and flustered and aaaaaa 🥰🥰🥰
I feel like I had another thought about this but I forgot it bc too busy thinking about June blushing 😊
he would just have the shyest smile after he sneezed like especially if somebody blessed him oh my GOD I would die for him my sweet sweet boy
Ryona:
long, breathy buildups and soft, satisfying releases
doesn't necessarily have the kink, but does seem like the type to really just enjoy a good sneeze
I could see her having the kink tho. just bc she probably knows how to cure a cold in like 3 minutes if she wanted to
also probably knows what plants to use to make people sneeze... 👀
I picture her sneezing into tissues, but like... weirdly oversized tissues. just for the Aesthetic™
Aya:
soft, rapid fits
uses tissues. will give anyone shit for using anything else (hands/sleeves/etc because she thinks it's gross, and handkerchiefs because she thinks they're dorky :PPP )
sneezes eight times in a row, like, regularly. it's specifically eight
always looks surprised before/between/after sneezes
probably allergic to cats. probably puts her face on them anyway
would tease a partner to within an inch of their life if she found out they had the kink, and then indulge the almighty fuck out of it. like possibly to the point where it'd be like kind of a lot for them actually. it's really just another form of teasing
she'd fucking love that she could turn someone on just by sneezing tho
Bash:
really snotty colds. probably gets a pretty bad cough with them too
absolutely the type to get laid up with man flu. just the most melodramatic when he's sick
probably goes to Ryona the second he gets a cold all sniffling and going "helllllllllp :("
can make his tattoos flash when he sneezes as a party trick but disables it when he has a cold bc it makes his head hurt
once accidentally did said party trick during sex. liked it a weird amount
not above using his grease rags as snot rags when nobody's looking
maybe even when they are looking, honestly.
Vexx:
angry, breathless fits that leave him doubled over and gasping every time
almost sounds like coughing... or snarling
sneezes into a loosely closed fist. with gloves on, usually
[redacted] used to worry about him when he got fits and would always try to rub his back and lend him a handkerchief
he would always try to laugh and act like he was way too cool and sexy to use a handkerchief.
he still has one of the handkerchiefs
7 notes · View notes
insertdisc5 · 5 months
Text
🎮 HEY I WANNA MAKE A GAME! 🎮
Yeah I getcha. I was once like you. Pure and naive. Great news. I AM STILL PURE AND NAIVE, GAME DEV IS FUN! But where to start?
To start, here are a couple of entry level softwares you can use! source: I just made a game called In Stars and Time and people are asking me how to start making vidy gaems. Now, without further ado:
SOFTWARES AND ENGINES FOR PEOPLE WHO DON'T KNOW HOW TO CODE!!!
Tumblr media
Ren'py (and also a link to it if you click here do it): THE visual novel software. Comic artists, look no further ✨Pros: It's free! It's simple! It has great documentation! It has a bunch of plugins and UI stuff and assets for you to buy! It can be used even if you have LITERALLY no programming experience! (You'll just need to read the doc a bunch) You can also port your game to a BUNCH of consoles! ✨Cons: None really <3 Some games to look at: Doki Doki Literature Club, Bad End Theater, Butterfly Soup
Tumblr media
Twine: Great for text-based games! GREAT FOR WRITERS WHO DONT WANNA DRAW!!!!!!!!! (but you can draw if you want) ✨Pros: It's free! It's simple! It's versatile! It has great documentation! It can be used even if you have LITERALLY no programming experience! (You'll just need to read the doc a bunch) ✨Cons: You can add pictures, but it's a pain. Some games to look at: The Uncle Who Works For Nintendo, Queers In love At The End of The World, Escape Velocity
Tumblr media
Bitsy: Little topdown games! ✨Pros: It's free! It's simple! It's (somewhat) intuitive! It has great documentation! It can be used even if you have LITERALLY no programming experience! You can make everything in it, from text to sprites to code! Those games sure are small! ✨Cons: Those games sure are small. This is to make THE simplest game. Barely any animation for your sprites, can barely fit a line of text in there. But honestly, the restrictions are refreshing! Some games to look at: honestly I haven't played that many bitsy games because i am a fake gamer. The picture above is from Under A Star Called Sun though and that looks so pretty
Tumblr media
RPGMaker: To make RPGs! LIKE ME!!!!! NOTE: I recommend getting the latest version if you can, but all have their pros and cons. You can get a better idea by looking at this post. ✨Pros: Literally everything you need to make an RPG. Has a tutorial inside the software itself that will teach you the basics. Pretty simple to understand, even if you have no coding experience! Also I made a post helping you out with RPGMaker right here! ✨Cons: Some stuff can be hard to figure out. Also, the latest version is expensive. Get it on sale! Some games to look at: Yume Nikki, Hylics, In Stars and Time (hehe. I made it)
Tumblr media
engine.lol: collage worlds! it is relatively new so I don't know much about it, but it seems fascinating. picture is from Garden! NOTE: There's a bunch of smaller engines to find out there. Just yesterday I found out there's an Idle Game Maker made by the Cookie Clicker creator. Isn't life wonderful?
✨more advice under the cut. this is Long ok✨
ENGINES I KNOW NOTHING ABOUT AND THEY SEEM HARD BUT ALSO GIVE IT A TRY I GUESS!!!! :
Unity and Unreal: I don't know anything about those! That looks hard to learn! But indie devs use them! It seems expensive! Follow your dreams though! Don't ask me how!
GameMaker: Wuh I just don't know anything about it either! I just know it's now free if your game is non-commercial (aka, you're not selling it), and Undertale was made on it! It seems good! You probably need some coding experience though!!!
Godot: Man I know even less about this one. Heard good things though!
BUNCHA RANDOM ADVICE!!!!
-Make something small first! Try making simple: a character is in a room, and exits the room. The character can look around, decide to take an item with them, can leave, and maybe the door is locked and you have to find the key. Figuring out how to code something like that, whether it is as a fully text-based game or as an RPGMaker map, should be a good start to figure out how your software of choice works!
-After that, if you have an idea, try first to make the simplest version of that idea. For my timeloop RPG, my simplest version was two rooms: first room you can walk in, second room with the King, where a cutscene automatically plays and the battle starts, you immediately die, and loop back to the first room, with the text from this point on reflecting this change. I think I also added a loop counter. This helped me figure out the most important thing: Can This Game Be Made? After that, the rest is just fun stuff. So if you want to make a dating sim, try and figure out how to add choices, and how to have affection points go up and down depending on your choices! If you want to make a platformer, figure out how to make your character move and jump and how to create a simple level! If you just want to make a kinetic visual novel with no choices, figure out how to add text, and how to add portraits! You'll be surprised at how powerful you'll feel after having figured even those simple things out.
-If you have a programming problem or just get confused, never underestimate the power of asking Google! You most likely won't be the only person asking this question, and you will learn some useful tips! If you are powerful enough, you can even… Ask people??? On forums??? Not me though.
-Yeah I know you probably want to make Your Big Idea RIGHT NOW but please. Make a smaller prototype first. You need to get that experience. Trust me.
-If you are not a womanthing of many skills like me, you might realize you need help. Maybe you need an artist, or a programmer. So! Game jams on itch.io are a great way to get to work and meet other game devs that have different strengths! Or ask around! Maybe your artist friend secretly always wanted to draw for a game. Ask! Collaborate! Have fun!!!
I hope that was useful! If it was. Maybe. You'd like to buy me a coffee. Or maybe you could check out my comics and games. Or just my new critically acclaimed game In Stars and Time. If you want. Ok bye
27K notes · View notes
ohnoitstbskyen · 3 months
Note
Often when people talk about appearance of characters in media, especially that of women, some use an argument along the lines of "Why would I want to look at someone ugly in the games I play/shows I watch/etc.?"
From what I saw, and if I'm not wrong, you prefer to not engage with that kind of argument, but if you absolutely had to, what answer would you give that could have a chance to make those people see and maybe agree with your point?
I mean, the reason why I wouldn't engage with that argument is that it is always, universally, without exception, an argument made in bad faith, by people who are lying when they utter it. And it takes only the briefest examination of reality to determine this.
The argument they pretend to make is that "there is no reason to desire things that are not pleasurable in entertainment," in response to which I present The Concept Of Horror Media, or the success of Jackass, or South Park, or literally any subversive prank show, or sports as a concept, or the genre of tragedy, or the phenomenon of people rubbernecking. I present true crime podcasts and biographies of John Wayne Gacy and Mortal Kombat fatalities, I present unflinchingly earnest documentaries about war and disease, I present cringe comedy, I present the entire online media genre of pimple popper videos.
Human beings desire so much more than beauty, so much more than aesthetic pleasure (and indeed we can take aesthetic pleasure in so much more than beauty). We find entertainment in disgust, horror, fear, revulsion, sorrow, embarrassment, pain and, yes, "ugliness" all the time, and we have done for as long as we have had sentient minds to entertain.
So this argument "why would I want to look at someone ugly in a video game" is simply a lie. It is an argument made in bad faith by people whom I will guarantee you against a bet of real money constantly look at things which are "ugly" for entertainment.
It is a lie, it is a stupid lie, and while I'm sure that many or most of the people who peddle that lie don't realize they are lying when they do it, it remains a lie which isn't worth dignifying with a response.
And anyway, 99% of the time they don't mean "ugly" they mean "woman who I don't find fuckable" or they mean "fat" or they mean "trans" or they mean "queer" or "non-white," they mean someone or some thing which falls into a category which they feel entitled to hate, and they are trying to enforce the normality of that hate.
You cannot logic someone out of a position they didn't logic themselves in to, and there is very rarely anything you can say to these people to make them reconsider. They are reacting emotionally, they are reacting on the impulse towards disgust and hatred, and they will rationalize a lie to excuse it.
1K notes · View notes
portraitofadyke · 4 months
Text
I think Our Flag Means Death is a very unique show in a way that they don't care to cater to mainstream media. And yes, by mainstream media I mean the general straight people.
I think it's very important that we have feel-good shows like Heartstopper. A few years back, a tv show about two queer boys in high school would be unthinkable. But its plot generally revolves around explaining queerness. Sure, it's nice. It's definitely the show I would watch with my family if I were a teenager and wanted to come out again (I had to watch glee with my mom to do that. not optimal). It's the show where teenagers find love and themselves, but sexuality is constantly discussed, explained, sanitized. It's the show straight people will watch. And that's good. We do need shows like that.
But Our Flag Means Death doesn't even bother trying. It's a show about mostly middle aged people, most of them not white, most of them queer in one way or the other. It's really a game of spot the hetero, like someone said. And the characters are not sublte about it. They have sex for fun, something most characters don't have in tv shows, definitely not queer characters. They make dick jokes. They are not all conventionally attractive and they know it, and the writing doesn't care. They are all people before they are queer representation.
Stede's storyline in s1 is in a part about discovering himself and his sexuality, but it's not obnoxiously repeated. Instead, it's played in a natural way. Stede's storyline is ALL about finding himself, yet it's not just about that. Just like Ed's storyline, it's about toxic masculinity and allowing himself to have fine things and self-hatred and finding his place in a world, something most of us can relate to. Hell, none of us were even sure the main characters were going to kiss and end up together, we were all so sure it's a queerbait. But this show doesn't bait its audience. It's not afraid of weirdness. It embraces it instead. There is a nonbinary character. No, they are not a mermaid. Call them jim. That's it. Yes, Lucius and Pete got engaged. Everyone there knows what mateolage is, congrats. Olu and Jim never break up and then Archie shows up, then Zheng, and we all know. We all know.
Two men nearing fifty have a deep, romantic moment where one of them appears as a mermaid, and it's treated as the profound scene it is without ridiculing it. This would never fly in a 'mainstream' media. It would have to be downplayed. Here, it saves Ed's life.
The show tells you racists suck, but it doesn't tell you in a condescending, finger-waving way catered to the white people. Instead, it sets your ship aflame and burns you alive, runs a knife through your hand, puts poison in your drink and kills you.
This is a show for adults, for queer people of all kinds, and it does not give a fuck if anyone else gets it. It's so rare to find a tv show that caters to us, yet alone a tv show that's genuinely good and caring and so well loved.
This is a show that basically straightbaited its audience in the first season, that's how much they don't care.
Idk, I just feel that it will take ages for another show like OFMD to exist in a world full of MCU and media that tries so hard to be liked by everyone it loses its personality and charm. Rant over
802 notes · View notes
buckttommy · 6 days
Note
i don't think i really understand pr and what actors should and shouldn't say. why is what oliver's saying so wild?
Hi, it's okay. I'll walk you through it. The tl;dr version is written in bold.
So. PR, or, Public Relations, is the dynamic between the general public (us) and any entity that has interests to protect (in this case, that would be the network + 911). PR teams are designed to ensure the relationship between the public and [their entity] is as harmonious as possible. Happy relationship, happy consumer, happy company.
Because keeping the peace is the intention of good pr, pleasant ambiguity is the name of the game. People can speculate, and people can guess, but no one should ever be able to look back at your words and claim that you've given a definitive answer on anything—good or bad—because definitive statements can harm the entity's bottom line, whatever that may be.
Oliver is very good at keeping the peace between the network and the public. We know this because we have seen evidence supporting this fact for years. He always says a little bit of what everyone wants to hear—he'll keep things vague (plausible deniability) for the sake of the network, while also giving nods of support and encouragement to the fandom without promising anything. You know how he's talked about being cautious and aware of what he's saying in interviews because he knows the impact it could have? Okay, well, aside from wanting to avoid "queerbaiting" allegations, this is part of the reason. PR is a very delicate game and he plays it very well.
Or at least he did.
Right now, Oliver is using binoculars to identify the line, making sure the line is exactly where he left it, and then taking a giant wrecking ball to it. Because now, Oliver is saying things that should absolutely not be said in interviews, or to anyone in the general public, at all. Now, he's elevating the conversation from pure speculation, to actively confirming and placing the blame at people's feet for things that have gone on behind the scenes.
Saying that Buck's Queer storyline was floated years ago? Huge no-no. Why? You were on tumblr yesterday. You can see why. People were angry, and people were hurt, but most importantly, people started to ask questions. We started to look at past arcs, past moments in Buck and in Buck and Eddie's relationship (because, whether you like it or not, Buck's queerness is and always has been tangentially linked to the existence of Buddie) to try and pinpoint when/how his queer arc could have launched. Now. Most of us have been here for years, so we can easily look back at the show and see where it's pretty damn obvious how Buck's Queer arc could have launched, depending on the arc(s), the characters at the time, things that were going on outside of the show (re: Oliver liking Buddie edits before/after the shooting), etc.
But we're not the only ones who are reading these interviews. Other people—casual fans, new fans, people who don't give a damn at all and are just clicking around on the internet—are going to look at these interviews, they're going to look at the things Oliver is saying, and they're going to have the same questions that we had. When could this have happened? And, more importantly, why didn't it? To keep it simple: everyone is going to start looking a little closer at the man behind the curtain, and the network does not want that.
Now, sure, it could be argued that, "hey, 911 isn't with FOX anymore, so maybe Oliver is allowed to say these things." But that's not really how it works. Sure, he might have a bit more leeway (as in, a microscopic, so-small-it-might-as-well-be-insignificant amount of leeway) to say whatever it is he wants, but this isn't the first time a major transfer/acquisition has occurred, and there are safeguards in place (such as NDA's—Non-Disclosure Agreements—which often do not expire for years post-acquisition, depending on the entity they're protecting) to prevent him from harming FOX's bottom line. So, that reasoning rings hollow. Especially because, now, it's not just FOX he's pulling into the fray either.
In the article that dropped today, he openly acknowledges this thing between Buck and Eddie in Season 7. And at this point, we're well into ABC's era. So the fact that he's saying, "I went to Tim and asked if there's something I can play with when Eddie says he's going on a date"—that's odd behavior from him. Not necessarily bad, just odd. And after years of toeing the line, the question that has to be asked now is why? And, more importantly, why now?
Does this mean that Buddie is going canon? Not necessarily (and, before anyone freaks out, I'm not saying it's not going canon either; I'm just saying this isn't an indication). But The Buddie Problem, at least, in the way Oliver is addressing it, is something the Higher Ups would want to keep quiet for as long as possible, for whatever reason. Maybe because they intend to go forward with it. Maybe because they don't. But the fact that he's cracking the shades open and letting light through is deeply fascinating.
But, despite all this, it's important, also, to realize that, even with demolishing the good PR line he's always walked so carefully, Oliver still isn't promising us anything. He's still treading carefully regarding how we, Buddie shippers, will interpret his words. He's not claiming Buddie canon is a go and it'd be remiss to think that's the implication here when it's not. He's not that stupid, and he's not that cruel. But all of it is very curious.
So that's why a lot of us are looking at each other, and then looking at Oliver, wondering what the hell he's doing. Because he knows better, and we know he knows better. We know he's very good at playing this delicate game but right now, he's making moves that are... intriguing... to say the least. And it's not just him, even though he's the main culprit. 9-1-1's move to ABC—and this entire press junket since 7x4—has been rife with sensitive information being released to the public, starting with Lou's untrained self revealing that it was supposed to be Eddie and Tommy that were going to get together, and circling back around to... literally every single word Oliver has uttered in the past three weeks.
So. It's odd! As you can see. So I'm sitting back, and I'm waiting and seeing because something is happening behind the scenes, and I don't know what it is (and I don't even think it's bad!) but it is still very much happening. So.
Tumblr media
160 notes · View notes
asleepinawell · 8 months
Note
sorry if this seems a bit out of the blue, but ever since youve been posting about fallen london, im a bit curious about it! What is the game about and where can I get it?
oh no worries! I'm happy to ramble about it
fallen london is a free to play browser game you can find here. the basic premise is that sometime in the 1800's the entire city of london is engulfed in a swarm of bats and then falls through the earth into a cavern a mile below. this is the neath, a huge underground cavern where london sits on the shore of a vast ocean. queen victoria is still around locked in her palace being a typical shitty british monarch, who, amongst other things, decided that 1900 was cancelled and we were just going to have 1899 for a second time
things are a little...different down there. humans are far from the only ones running around. there's devils, rubbery men (think mind flayer vibes), clay men, and the shadowy cloaked figures running the bazaar (and the city) called the masters. death mostly isn't permanent and the dream world is a little too real. also, most importantly, cats can talk! and there are tons of them! and tigers too
it's got victorian, gothic horror, dark humor, lovecraftian vibes. also it's extremely queer as is everything the dev, failbetter games, makes. something I especially appreciate is that you don't have to give your character any particular gender (though you can) and some of the little avatars are very gender neutral:
Tumblr media
since it's free to play it comes with the normal things that type of game has such as real money transactions (completely optional and unnecessary for enjoyment (though some of the bonus side stories you can buy are extremely cool)), limited number of actions you can take (max of 20 at a time and refills 1 per 10 minutes). it is definitely grindy too though there's so many things to do (cannot emphasize the insane amount of content enough) I will usually just switch things up every so often
it's single player for the most part but you can ask friends to assist you in certain actions and there are some specific items that can be sent to other players
(if you like the setting but not the free to play part you can check out mask of the rose which is a visual novel they just released set right after london fell. it's a romance but with full aro and ace options (which I actually preferred) and a murder mystery. that one is a normal just buy the whole game deal and I think it's on most platforms. there's also sunless seas and sunless skies which take place in the same world but are a very different type of game and would require their own post. all of these have great writing in them)
but back to fallen london. it works based off of 'storylets', or little short stories when you usually do a skill check to accomplish something in return for advancing the story, levelling your skills, and reward items. you unlock more and more things as you go and get access to new stories and areas. here's an example of one of the little activities and its resolution
Tumblr media Tumblr media
since it's a game designed to be able to play endlessly there isn't really a way to lose or game over. you can die but dying is just a minigame of its own and sometimes even a thing to do purposefully. (the only actual way to die is the notorious story called seeking mr eaten's name which you may have seen me post about, which is a very unique story that will permanently erase your character at the end. why you'd ever want to do that would also be its own post. it's pretty hard to stumble on accidentally I think and extremely well-marked as a thing with severe consequences that you probably shouldn't do. or should you...)
anyway I'd definitely recommend giving fallen london a try if you're interested in the premise and aesthetic
Tumblr media
518 notes · View notes
besttropeveershowdown · 2 months
Text
The WORST Trope Ever Showdown
Hello again! After the success of the Best Trope Ever Showdown, from which Found Family emerged victorious (by, like... a lot), it is now time to find its corollary. Its parallel. Its foil, if you will.
What is the worst trope of all time?
This tournament, just like BTES, will be run on a bracket format. Each week, tropes will be matched up against each other, and the winner of each matchup will go on to the next round.
Here is the submission form. You can submit as many tropes as you want. Submissions will be open until Tuesday of next week (that's Tuesday the 5th, for those of us who do better with dates), though I may decide to leave them open longer depending on how many I get in the first week. As usual, I encourage adding a link to a TVTropes page, but if your trope doesn't have one or you don't feel the page accurately represents it, you can also leave a brief description of it! (And if you do both, it makes things a lot easier for me during the organization stage)
THE RULES:
Yet again, medium-specific tropes will not be accepted (i.e, tropes that are specific to video games, or fanfiction, or musicals, or any other medium). This is because I want all tropes to be on equal footing as they enter the tournament, and there are some mediums that certain people simply never consume (not everyone plays video games, not everyone listens to musicals, not everyone watches professional wrestling) and thus don't know anything about the tropes of.
Genre-specific tropes, however, are okay as long as they can apply to any or most media.
I'm going to change the rules around problematic and offensive tropes for this tournament, because a lot of Worst Tropes Ever are probably problematic or offensive in some way. However, I also don't want this to become a game of Which Real-Life Stereotype Is the Worst. So, the rule for this tournament is, tropes that are problematic or offensive to a certain group are allowed in if and only if they are about how the group is treated specifically in media. So, All Gays are Pedophiles is not a valid submission because that is a real-life harmful stereotype that many people believe, but Bury Your Gays is because that is specifically about how queer characters are treated in fiction.
Tropes about sex are allowed if they are about sex in general and the role it plays in a story, but NOT if they are about specific parts of the sex act.
TVTropes is very vague with its definition of a trope, and for good reason: it's a very hard word to define. However, for this tournament, genres are not considered tropes, and neither are settings. Anything else you can find on TVTropes listed as a trope is fair game, EXCEPT:
Writing pitfalls are also not tropes. Although TVTropes has entries such as "Plot Hole", "Mary Sue", or "Pacing Problems", those are mistakes, not intentional tropes, and should not be submitted.
Propaganda is encouraged and makes the tournament a lot more interesting! I will also accept propaganda in the ask box over the course of the tournament, but if you want to send some in with your submission, put it on the form!
Have fun and be civil!
@tournament-announcer @tournamentdirectory
160 notes · View notes
veetyuh · 5 months
Text
I'm reminded of that "antishipping isn't purity culture because it isn't conservative christianity" post... And I think I've done some unpacking on why it triggers me so much.
I was an intersex child shoved into the role of a female, in a rural & conservative Christian environment. I've had not just purity culture shoved down my throat, but also the shame of not being able to meet the expectations put on women in that environment.
It's not just cover up, slut. That implies I had something to show off, to begin with. And men still want to ogle you and imagine what your body is like beneath that modest dress. So here, literal child. Have this shapewear to make your figure conform to that of a developing middle school female's under your clothes.
It's contradictory that way. You have to try to be unappealing to not 'tempt' men, but you still need to be appealing in the sense of conventional female attractiveness. Moreover, you must not think about men or sex at all. But you cannot be asexual — your parents demand grandchildren.
Antis do the same with their queer representation. It's the same contradictory expectations... They champion the idea of breaking societal norms through queerness (i.e. the idea of 'queer as in fuck you'), then demand that every nuclear family norm be met. Queer characters must be disruptive without actually disrupting anything. And the contradictions apply to fans, too — you're homophobic if you don't like a canon queer ship, and you're fetishistic if you like queer ships too much. (There are more, but I'd be stuck here forever if I listed them all. 😅)
There's also the obvious — fictional sins being as bad as things done in real life. There's Matthew 5, which includes so many popular verses about thought control that Christians use, and equates bad thought to bad doing.
27 “You have heard that it was said, ‘You shall not commit adultery.’ 28 But I tell you that anyone who looks at a woman lustfully has already committed adultery with her in his heart. 29 If your right eye causes you to stumble, gouge it out and throw it away. It is better for you to lose one part of your body than for your whole body to be thrown into hell. 30 And if your right hand causes you to stumble, cut it off and throw it away. It is better for you to lose one part of your body than for your whole body to go into hell.
And fuck if antis aren't cutting off their entire goddamn arm and gouging out both eyes.
It's not just purity culture they embody, though — it's the satanic panic, too. Good lord the amount of times my grandma wouldn't let me watch Ghost Hunters because she thought I was welcoming demons into the home, or her concern for me watching horror movies because I'd surely become more violent. It's the same shit, different horse.
On a more light-hearted note, they play the same game that Christian demoninations do, too. I was Baptist, and considered the Methodists okay. But the Catholics? No, keep that shit away from me. Why are you worshipping Mary? That's idolatry! How horrible, to openly spit in God's face. When I read antis' DNI lists rattling off forbidden, unredeemable fandoms, it feels the same way, haha.
But what really seals the deal for me is how they smile in your face and promise they're just looking out for you. Christians do that, too. "We want you to get better. We want to help you. You're on a dark path." While they break your bones to force you into their mold. You may not be hurting anyone on your dark path, but they'll convince you that you ARE. You're hurting yourself "spiritually," you're hurting the community, your family, by being an abomination to God. You're hurting everyone and yourself, you just need us to help you realize it. Antis feel the exact same. I block them pre-emptively because I cannot handle having that shit directed at me again.
Moreover, their insults feel the same. The childish "icky," the ad hominems. It's too reminiscent for me. Of my mom hating my icky facial hair and my classmates making fun of my masc traits when they thought I couldn't hear; you are a gross person!!1! Ew!!!
It's funny that antis are so often anti-kink, considering they're so fucking intent on giving me a golden shower and telling me it's rain. I hope they're careful not to choke on the homophobic, pedophilic pastor cock they're sucking.
277 notes · View notes
yamujiburo · 11 months
Text
✨YAMUJIBURO F.A.Q.✨
Should've made this a while ago! I'm starting to get a lot of the same questions in my inbox nowadays tho and I feel bad for clogging up y'all's timelines with the same questions haha
GENERAL QUESTIONS
Who are you?
I'm Kiana, I'm a queer, Japanese Jamaican woman, and a Director/Storyboard artist at Disney Television Animation.
What are your pronouns
I usually go by she/her but I don't really mind any pronouns~
Where did you go to school?
California College of the Arts (but I dropped out when I was hired at Disney)
How did you get hired at Disney?
My bosses found me on twitter through my Team Rocket fanart. They liked my drawing style and asked if I wanted to take a storyboard test. I did, I passed, I got interviewed and moved to LA two weeks later to start storyboarding.
Is this a repost blog??
No, you might know be better as @kianamaiart. This is just my Pokémon sideblog where I post exclusively (for the most part) Team Rocket and Pokémon art.
What does your username mean?
It's a combination of the main 4 Team Rocket members' Japanese names: Yamato (cassidy), Musashi (jessie), Kojiro (james), Kosaburo (butch)
What program and brush do you use to draw?
Default brush in Storyboard pro
**************************************
GENERAL POKEMON QUESTIONS
Who's your favorite Pokémon?
What are your favorite ships?
Any ship with Jessie. Yamushipping, Rocketshipping and Hanamusashipping are my top three!
Who do you ship Ash with?
I was a big Pokéshipper when I was younger but nowadays don't really feel strongly about any of the ships involving the kid characters. I'm also in the "Ash is aroace" camp.
Do you have any trans headcanons?
You can find em here along with other headcanons! It should be noted that I don't usually marry myself to one hc (unless it's for a specific AU I'm trying to build out) and love seeing various interpretations of a character! Trans woman Jessie, Trans woman James, Trans man James, Genderfluid Jessie, give em to me!
Do you play the games?
I've played all the mainline Pokémon games and very much enjoy them! But I am much more invested in the anime and the characters in the anime.
**************************************
HANAMUSA AU QUESTIONS
Where can I read all the comics in order?
Here! I update anytime I make a new comic and list them in chronological order (since I just draw comics at random points in the timeline as they interest me). This post also already answers some of the frequently asked questions about this AU like: How did Jessie and Delia meet? What are James and Meowth up to? How old are Jessie and Delia? etc.
What does "Hanamusa" mean?
Hanamusa is a combination of Delia and Jessie's Japanese names, Hanako and Musashi respectively.
When does this AU take place?
It takes place sometime after the Mezase Pokémon Master/To Be a Pokémon Master series. So all the events that happened in the series, unless retconned within the series, happened. Ash is 10 at the start of the comics.
What's the status between Jessie, James, Meowth and Giovanni/Team Rocket?
Not great terms since they were fired, but also not the worst terms. Giovanni just let the three of them go without any further issues. I will say that I've always loved the theory that Giovanni keeps Jessie specifically around because of her parentage and he as a soft spot for her that he keeps a secret. I feel like Matori was the one that got the three of them fired and Giovanni wasn't able to make an excuse for them this time (without showing nepotism/special treatment) so he was forced to let them go.
If you headcanon Delia as a lesbian, how did Ash come to be?
Delia was young when she had Ash and I hc that she just didn’t really explore her sexuality much! I myself didn’t realized I liked women until I was 18 and didn’t know I liked ONLY women until like 2 years ago. She got married, had a baby and realized after her husband left that she liked women (trans people exist obviously but I’m also interpreting Ash’s father as a cis man).
Who do you think Ash’s dad is?
I don’t know and I don’t really care to explore it. I’m going off of the novel interpretation that he’s just a deadbeat that left to be a trainer, failed and never came back because of the shame. He’s not important.
Isn’t Giovanni Ash’s dad?
That’s a common misconception that people remember wrong from the Pokémon Live show. Delia mentions she dated Giovanni but then left him and his gang after meeting Ash’s father. I also don’t consider the live show canon personally! I follow The Birth of Mewtwo timeline where Madame Boss founded Team Rocket.
Do you think Delia and Giovanni dated at least?
Nah, I think he’s too old for her? I always got the vibe from The Birth of Mewtwo that he was quite a bit older than Jessie and it’d be sus if he was dating Delia when she was married to, and had a child with her husband at 18/19. He’s a bad guy but not a BAD guy.
You mentioned you still ship Jessie and James. Why not make a Jessie, James, Delia polycule?
I have a few reasons I’ve mentioned before! 1. I’m in super deep with this AU already and I feel it’d be very confusing for casual viewers of my stuff if James was added into the relationship haha. 2. I’ve drawn Jessie and James together since 2011 and took this AU as an opportunity to try my hand at writing them as queer, platonic besties bc I love that interpretation of them a lot as well. 3. I’m not poly myself and the way I write this ship is largely based off of my experiences with my girlfriend. I just know I’d favor the Jessie/Delia of it all which isn’t fair and not a good interpretation of a poly relationship. All that said, I DO super enjoy seeing peoples’ poly headcanons and art!
Who does James end up with in this AU?
No one. He's aroace and is happy to be single
Do Jessie and James have all their Pokémon in this AU
I think they have all the Pokémon that they did by the end of Mezase Pokémon Master (all their Pokémon that were left at HQ). Most of their released Pokémon have stayed released and the Alola Pokémon are still in Alola. I bring back Arbok and Weezing post-Jessie and Delia getting married. I may bring back Chimecho, Growlie and Cacnea if I think of an idea I like!
What are Meowth and James up to in this AU?
Hop back to the top of this post under the "Where to Start" section. All your questions will be answered.
Does Ash travel with anyone at this point of his life?
I don't have anyone in particular in mind! I could see him making new friends (Nemona???) or traveling with different combinations of old friends. Like him, Misty and Goh, him, Dawn and Cilan, him, Serena and Lillie etc.
Will Delia ever get over her phobia of snake Pokémon
Not fully! I think overcoming fears is fine and good but I think real PHOBIAS are much harder to get past and I don't want to cheapen it. She slowly gets used to Jessie's Seviper specifically and gets to the point where she can pet it comfortably with Jessie in the room. But otherwise, still scared and would need that same amount of time per Pokémon
Is Jessie gaining weight or is it just me?
Not just you! Jessie puts on a bit of relationship weight overtime as you'll see in the later comics in the timeline. Jessie grew in poverty, never knowing when her next meal would be and that continued into her life as a Team Rocket member. Once she was able to settle down (with a woman who runs her own restaurant no less) she's able to live a healthier lifestyle with regular meals and puts on some weight because of that.
Does Jessie ever feel self conscious about gaining weight?
Nope! She feels happier and healthier and hotter. She's also unreasonably excited to clear out her old clothes and get a new wardrobe.
Would Jessie and Delia ever have kids together or adopt?
Nah, Ash is enough for them! I have come up with hypothetical kids for them but they're not canon to this AU. Just a fun little thing for me.
Will you ever put this on webtoon?
Nah. People mostly ask me this because they want to read everything in the order of the timeline but to my knowledge, you can’t reorder chapters or installments which would defeat the purpose. I also don’t think nintendo fan stuff would fly there. Also, also it’s just extra work and another place to upload and I want to keep this all fun for myself~
586 notes · View notes
portsandstars · 2 months
Text
youtube
Revisiting Red Spring Studio's Interview with Blerdy Otome - Select Quotes
It's been almost a year since RSS had this interview, but I think that many people have not listened to it, or recently revisited it. I thought I'd highlight some quotes from it, though the entire interview is worth watching! Some of these quotes I have lightly modified for clarity or succinctness but the majority are direct transcripts.
23:30: "Touchstarved is a horror romance visual novel where the entire cast is made up of characters where you're like, "I can fix them!" but you actually can't. I think that Touchstarved is a very complex and mature story with really really complex themes and interwoven routes and obviously it's very sexy at the same it's a romance - and I think it's one of those games that I've always wanted to see exist and I think that a lot of the team has always wanted to see this game exist as far as being this kind of like dark, broody, moody, but also very deep, right, and authentic and honest exploration - Monsters, and the feeling of being a monster - feeling of being an "other", right, whether you're queer or POC or anything like that… we've created a game that's not only really fun and action-packed and bloody and all that kind of stuff… but very heartfelt in a way that I hope readers can pick up on.
Imo, this line of reasoning ("you can't fix them", and the cast's monstrous nature and how it intrinsically ties to/is an analogy for being queer, or POC) - makes me think that even in the good endings for the game, your character won't be minimizing the character's monstrousness. For example, even if your character has the Power of True Love, it's not going to make Vere nonviolent or absolve Kuras's guilt.
25:35: "These themes are pretty complicated in a way that's messy and honestly bloody and I think for that reason is why we're looking at a mature rating - that said, when we set out to make the game our goal wasn't really to be explicit, it was much more to focus on sexiness . . ."
Just clarifying that there won't be explicit sex scenes in the game.
28:55: "What are some aspects of the story that you are most excited to showcase?" "I'm so excited that people get to die terribly, that just gets me so pumped up. Like in previous jobs I have not been allowed to brutally murder . . . main characters permanently and it's very important to me that I now have the power to write really just messed up awful endings…Don't worry, there's also good endings there too, they just get as much passion and all that stuff as the bad endings… but the bad endings, oh my gosh, those are some of my favorites."
This line makes me curious about whether the main characters are just MC, or if the other characters will brutally die as well!
30:50 "A little while ago we posted Kuras's character reveal and people really like the fact that he can't cook so for me it's really cute and innocent seeing people obsess over that fact and I really just want them to see the contrast between that version of Kuras in their head and what he's actually like in his route. Like I just really want to see them react to like the terrible things he's going to do. . . They're all awful in different ways that I'm really excited for people to see it - it's very funny to see everyone be like _Literally name any of the characters of the cast and be like "they're my little meow meow" and it's like, oh. good. I hope this continues once they learn more about the characters. Obviously they're all wonderful - right, the characters are all awful but they're also all wonderful".
32:26 : "the theme of monstrousness and how each character kind of approaches it differently . . . because they're all monsters, even if they're not literally monsters . . .it also plays into each character's brand of horror in their own way as well that ties into their monstrous nature."
This line especially (to me) hints at how Leander is likely not SPECIFICALLY a monster, but a human with a monstrous nature.
34:30: - Ais was the first character they made and each of the other characters build upon him, so they spent a lot of time getting him right. Vere was the easiest to create and they made him in a weekend. Kuras was the hardest to create (especially visually).
38:00 "This is a romance game and a big draw of the game is making a love connection with these characters - do you all plan on including platonic friendship routes in addition to romance routes, or is it strictly romance?" The way that we planned out this game is that we wanted to focus on the intimacy of these individual relationships between the main character and the love interest and the route that they're on, right, so this is the way we had planned the game from the beginning. We really like poly romances, for example, and friendships, but we think that it wouldn't have made much sense for the characters in the story that we had written for them because this entire story - with who the main character is and why they're having to turn to these mysterious monstrous strangers - there's a level of intimacy involved in the themes and stories that we really focused on for how we're writing…
It's almost like a narrative design intentionality we did early on because each route that you'll be able to play from the main five cast is very driven and each character is like a ticking time bomb in their own way. So if you choose to romance Vere, Kuras's route still continues and you can see the effects of what not choosing Kuras is in Vere's route when you're playing Vere's route. So the world is meant to be very interwoven and interconnected where you can see the ripples of everyone's choices even when you're not romancing them and in that way we've designed this cast that's woven together. So if we did want to do a poly route, we would probably have to do entirely new characters . ."
43:30: "One of the fundamental goals of this game was to have, as you've been saying, a living world - a world that's evolving, and one of the ways that we wanted to communicate that was with the idea that these characters are not doing great… um, they're all in very very bad situations, uh, they're all essentially doomed if you do not go with them and it's seeing that carried out in each route that I hope will be really interesting for people.. it will be very sad, in a good way".
ARGHHH this is the WORST. This means that if you choose a character, you're essentially dooming the others. Though this will undoubtedly manufacture delicious angst, I'm soooo sad at imagining each of the other characters faltering and ultimately failing on their paths because you didn't chose them. Though, I wonder if there are some routes where multiple characters turn out ok, or if the entire cast is doomed as soon as you don't select them (in different ways depending on the route)?
54:30: "I also want to clarify too that even though we've been talking about blood a lot and all that kind of stuff and death and we love those parts of the story, um, if you get those endings there's a reason why, you know what I'm saying - you have to actively try to get those endings - poke the bear with a stick."
Definitely referencing Vere's bad ending in the demo. Personally I am too curious to avoid them, but it's encouraging that some of the MC deaths appear to be because you deliberately make dangerous choices, rather than simply "tricking" the player and surprising them.
Let me know what you think of these quotes, and the whole interview is definitely worth a watch if you haven't seen it!
144 notes · View notes
devsgames · 5 months
Text
Playersexual
"Playersexual" is a term I only recently learned about and it's fascinating to me. For those who don't know, it usually means a character whose sexual orientation is basically open to whatever the player happens to be playing as. Trans? Yeah they're romancible. Man? Romancible. Woman? Sure, romancible. As long as you're the player they don't really care.
I think this term, combined with playing a lotta Baldur's Gate 3 and Starfield, sorta helped me come to terms with understanding why I often dislike really "open" romance systems where every character is Playersexual.
I'm a queer, bi/pansexual person, and that informs how I perceive interactions in and out of games. I totally understand the affirmation and liberation that comes with being able to romance whoever the heck you want. To some people, that's where the fun is at, and I get it. It's valid.
For me I just I feel weird when Playersexual is the orientation of characters in a game world that is also trying to get me emotionally invested. In my eyes, it tends to strip the perceived agency other characters might have; it makes them feel less like real people with wants, needs, attractions and preferences. They end up being more like a checklist or object to be interacted with until I choose all the right option and unlock the kiss or sex cutscene, or the mechanical bonus a relationship brings or whatever the case may be.
To me, characters that feel 'real' have sexual preference. Honestly I feel that if they lack that they sorta lack a fundamental element that informs them as a person and a character. Like, any queer person can tell you that when you're queer things are different. Interactions are different, how you act on the world is different, how you assess situations and the way you engage in conversations are different. Queer people interact with a predominantly straight world different than straight people do. Similarly, being a straight person in a world full of straight people affords interacting with the world fundamentally different than if you were queer. I think to say "every character is maybe queer" steamrolls this fact and sort of undermines that queer experience to an extent.
Plus I think its just like, a missed stroytelling opportunity! The straight dude turns my masc ass down because he's not interested in men? Oh hell yeah, if he's polite about it I think that's really cool! He feels like more of an actual person that way, and what might ordinarily be perceived as a 'failure to romance' feels like it could be spun into another step in our journey as friends together. Maybe we'll crack jokes about it later, or he'll have a change of heart once he gets to kmow me better. It might be awkward, but we had an experience together and set some friendly boundaries, and built an understanding. After all, people having boundaries are often what makes people people in the first place.
So when I play a character and a game tells me everyone in a game is queer, then I'm either lead to believe 1) my character is incredibly charismatic (trust me, that's not usually the case) 2) queerness doesnt exist as a concept in this universe (weird in its own way and also usually not true) 3) eh i dunno we didn't think about it too much just choose someone as a partner already (boooo!).
Look if everyone in my party has strong opinions about me pickpocketing someone and stealing 5 bucks from them, I'd expect them to have opinions about who they share a bedroll with >:(
160 notes · View notes
arklayraven · 3 months
Text
I can't sleep rn while this annoyed/pissed off. So time to remind people OM is canonly a queer game as hell and to tell the queerphobes and transphobes to FUCK OFF. (Seriously, why are you following me if you hate queer and trans people/characters? Get out of here.)
This is a official post by OM devs over the creation of OM and their MC. Read the left section well.
Tumblr media
"OM isn't a queer game" many like to say.
The game, writers and characters beg to differ.
From someone kind who felt they knew all about the game and characters well, even tho they played it themselves.
Tumblr media
Let's go back to that official post by Solmare about OM and this section specifically.
Tumblr media
Hope you read that well, and the person(and many who think/believe this) learns how damn wrong they are.
Also...God don't bring up my Asmo and act like you know all about him. Another thing from that kind person.
Tumblr media
Firstly, canonly none of the characters have set labels. But they are all in fact canonly queer. Whether you like to believe/accept this or not. It's fact, was fact from day one.
Asmodeus is the most openly proud queer boy in the series, and gender nonconforming too at that, even if he uses only he/him pronouns(but he's been shown to be fine being called princess, queen, etc. So he's clearly open to all gendered/less pronouns/labels I feel).
He drips of gender fluidity, and going against gender presentation norms(Babe has presented so fem and nonconforming for awhile now. Learn to look at him and appreciate him better). So take note of all of that, and never say again he's not queer, because that's a damn fucking lie.
Also I hate how bi is used as default for queerness as a whole for characters who are interested in more than one gender, and wish for the day people stop using it as so. (Use MSPEC or just queer if you wish to sound more inclusive of all possible labels/identities for a canon queer character with no canon label set.)
Second, back to what I said before, ALL THE CHARACTERS IN OM ARE QUEER. If you ship your MC or yourself with them, know that's a canon queer character you're pairing them/yourself up with. And you can't erase their queerness and identity. Especially if it makes you personally feel bothered or crap.
And before you say anything, dating them, as a straight woman, doesn't automatically make them straight now too. They are still queer, but are dating you, who happen to be a straight woman. (stop being damn queerphobic challenge.)
I'm already tired of this crap, so gonna end this now and fast.
OM is a canon queer game, and was made with a MC who is genderless to be inclusive of ALL PLAYERS. This opened the door quickly for men, nonbinary, etc players to enjoy the game too, and be part of the fandom as well. There's as much men and nonbinary players in the series like women are, but only difference is in the fandom mainly. Many people choose to see which fans or MCs are more accepted in the community, and which ones to show more love/attention too.
If you tried to expand your horizons more, you will surely quickly find people who identify as men, nonbinary, etc in the fandom as well. And learn how we're here, always been here, just greatly drowned out or ignored by a vast majority of people just because of who we are. (Lots of people with dislike for MCs who are men, or just plain damn queerphobia and transphobia in the works.)
The more people try to ignore the clear fact men and nonbinary people play OM too. The more easier it is for them say OM and its characters aren't canonly queer, and they can feel special/happy about playing the game. That they want to believe was just made to cater to women only. But in reality it was made to be catered to all players, no matter their gender identity or lack of, and same for romantic/sexual attraction.
Also another thing I forgot to add to put more facts that OM is a queer game to be inclusive of ALL PLAYERS.
Tumblr media Tumblr media
Already, the undateables from day one are canonly queer too. If you need to be reminded and stated that as well.
That's pretty much it on this annoying tiring topic.
Enjoy playing OM, the canonly queer game made for ALL PLAYERS. <3
97 notes · View notes
vroomvroomwee · 7 months
Text
I think OFMD has a much much bigger impact than we realise.
Recently, there's indeed been an increase in diversity, especially with queer characters, in media. But it's always somehow along the lines of pushing a little bit just to test the waters, just enough so that people will think you're progressive, while not daring to anger the Conservative audience. Somehow, dancing on the line between inclusive and not diverging from the norm which creates a sort of compromise if you will, a product that doesn't give either side what it wants.
The people who are searching for themselves in these modern characters are left shallow, are left to settle with the barest minimum, inclusivity that's half-assed and not so much well intentioned as it is a cashgrab to lure you in.
And David Jenkins completely swerved around that. He decided he's not going to play that game of fetch with his fans. No no no. He went all out. No more pretense. No more selfishness and greed. And this next part that I'm going to mention is the point of the post.
David Jenkins cracked his audiences. He disected their brains and figured out their wants and wishes. These past couple decades, ever since franchises like POTC, Harry Potter, and Marvel came out, Hollywood has understood this notion where it believes people want to see quality rather than soul. That it wants to see big explosions and high-tech suits and resolution upped to the max. That might have been the case up to several years ago, but lately, with new audiences coming up, these things have changed.
Now that everything in the real world is continuously and relentlessly going to shit from every direction, with newer generations getting a picture of what's to come and wanting no part in it, losing hope every day, people don't really care about those things anymore. They don't care about how big your budget is or how oscar-worthy your movie is. They care about comfort. They care about safety. They care about love.
And David Jenkins realised that. He realised it much much sooner than some big studios are still failing to do. We all realise the show didn't have much of a budget, hell it doesn't even give a shit about historical accuracy or consistency. But what it did care about were realistic characters. Characters who have different personalities (unlike every new Marvel character lately), who are complex and nuanced, who have different body types, different genders, different nationalities, different races, different sexualities. Everyone is their own person. Everyone has a history and a reason for their actions. And not just that but the WAY David gave a giant fuck you to every queerbait show and movie was impressive and BOLD as fuck. He saw that game of playpretense and decided he didn't want any part in it. Because quite frankly, it's cruel. And by caring about his audiences he managed to take the entire world by storm
Finally, the world might realise what viewers are actually looking for. It's not millions and millions of dollars spent on making the most expensive and grand movie of the year. Its love. It's comfort. This man basically brought a new renaissance to film making. And I cencerely hope studios realise what this means (and also start paying their workers!!)
179 notes · View notes
ineffablydaydreaming · 8 months
Text
Okay i might be a little pissed off. Expect typos, im on my phone.
A character does not need a specific label, have a gender, nor have sex/romantic physical gestures in order to be queer rep
Aziraphale and Crowley are not gay men.
They are played by male actors. They present male most of the time. But that means nothing, because gender presentation =/= gender identity or sex.
Neil has said multiple times that angels and demons are sexless. It's on the book. It's on several of his tweets and answers to asks. This implies that angels and demons are non-binary by default. Gabriel isn't a man, Michael isn't a woman, Beelzebub isn't a woman, Furfur isn't a man.
And now, you could argue that a genderless creature isn't necessarily queer and I agree! Several animals are genderless irl.
But here's what makes them queer: it's not that they don't have a gender, it's that they don't give a fuck about it. Crowley presents female i believe up to three times in the show, Neil was planning a minisode where both he and Aziraphale are fem-presenting in the 60s; Michael is a male angel name and he's played by an actress and (At least in the portuguese dub? Correct me if im wrong) still called "he". Same for Beelzebub, who I think is also reffered to with they/them in english. Hell, God has a female voice and is still called God (the male version of the word!!!) and even Her pronouns are a bit flexible in certain dubs.
What makes them queer is that their genderless aspect isn't just biological, it's their identity, too. These characters are all non-binary, they know it, and they don't mind it.
"But they present male and call each other 'he'!"
As I said, gender presentation does not equal identity and neither does pronouns. It's words: words that get often associated with a certain gender but are, in the end, just words.
Not only that, but this argument also comes from the expectation that non-binary people cannot present themselves in a binary way, which is an absurd thing to expect. People irl have all kinds of different hormonal balances and many enby folk may be hypermasculine or hyperfeminine due to high testosterone or estrogen respectively. And you know what? They might not want to change that, and that is completely fine.
Non binary people do not owe you androginy.
Being trans isn't about appearances, isn't about transitioning, it's about identity. Thinking otherwise is borderline transmedicalist ideology.
Good Omens breaks gender norms all the fucking time in both seasons, something many shows are afraid to do, and it's not just for comedy reasons, which tends to be the norm when shows do it. They do it because it's fun, it's fine, and because they acknowledge that gender norms are stupid.
That's queer as hell.
Tumblr media Tumblr media
My second point, no need for labels. Just like angels and demons don't need gender labels, they don't need sexuality labels. At all. Especially since they're often intertwined.
Just because two characters don't have their specific labels revealed doens't mean they aren't queer or, fuck's sake, don't love each other.
In A League Of Their Own, no characters get specific labels, what they are is simply implied. Greta is very implied to be lesbian but they never say the exact word. Does that mean she isn't queer?
In The Song Of Achilles, no characters get specific labels because hell, the labels didn't exist at the time the story takes place in. Both main characters are implied to be bi/pansexual but it's obviously never told in the text. Does that mean they aren't queer?
In Undertale and Deltarune, no characters get specific labels, but in both games the main protagonist is nonbinary (and is in both cases a human being!) and both games have several mlm and wlw couples and several more nonbinary characters across the storyline, but it's never specifically labeled. Does that mean it doesn't have queer rep?
Neil has said several times that Good Omens is a love story, that Aziraphale and Crowley love each other, that even if they're not 'gay male humans' they still feel love for one another. That's the entire point of season two.
And now, I get it, okay? I don't like authors tip-toeing around labeling their characters either, especially since in most places we are past the age of having to code characters instead of just make them openly queer. I get the fear and uncertainty that often came from some sort of trauma from bbc's Sherlock, I felt it too. I get that for some it may seem as if it's queerbaiting, or pink money, or simply being too scared to say a character is queer.
But that's just not the case with Good Omens. The point is not to avoid labels because they're scary. The point is that, for Good Omens, and aziracrow, labels are useless. They're not humans, they don't have a gender, they don't need the labels.
And you know what?
That's also queer as hell.
Society has to put people into boxes, has to separate folk, has to label everyone. No one can be different, and id you are you need to fit this specific box of different. If you go out, you're too much, you're too rebellious, you're a freak. If they just let people do whatever they wanted it would be hard to marginalize them and keep the system going.
A quote I once heard feels important for this occasion:
"To define yourself is to restrain yourself."
When you define something in strict terms you're putting rules to it. Rules that can be broken. Rules that should be broken. And the rulebreakers get insulted, hated, violated, killed.
Aziraphale and Crowley are breaking these rules by 'existing' as who they are. They're not gay men, they're not lesbian women, they're not bisexual agenders, but at the same time they are all of those things at the same time, whenever they want to, whenever YOU want them to, as Neil himself put it. Because fuck labels. And you're hating them for it, hating them because they're refusing to enter those boxes.
Humans are weird and complex. Let the angels and demons be weird and complex too.
Lastly, queer relationships don't need sex - nor kisses.
There's this expectation that romantic love is only true love if they kiss, if they live together, if they sleep on the same bed, if they go on dates, if they marry, if they have kids, if they have sex. Break one of these and people will raise an eyebrow. Break two and they look at you weird. Break three and everyone judges you. Break all of them and, suddenly, you and your partner have been declared "just friends" by outsiders who don't know you in the slightest.
Welcome to amatonormativity.
Or, better saying, another stupid box, another set of rules.
There's this headcanon that Crowley kisses Aziraphale as a last resort not because it's a gesture if love (even Neil said it wasn't out of love) but because he's seen it in human movies and, in movies, kissing someone in despair is a cliché that often ends in the other person not leaving.
This wasn't a love kiss. But Crowley still loves Aziraphale. Do you know why?
Because angels and demons, most likely, do not need human gestures to show love. They, most likely, comprehend love in an entirely different light.
Maybe Aziraphale is touchy with Crowley because he likes it and that is a good enough reason, but it's an individual reason, just like a person irl might be more fond of hugging their partner than kissing them, and that's fine. Nothing wrong with it. There's no right or wrong way to have a relationship. Acting like there is is reinforcing the rules set by amatonormativity, and it is also completely disregarding the experiences of asexual and aromantic folk. The entire spectrums btw.
Now think about the rules I mentioned earlier. Must kiss, must fuck, must marry etc.
Aziracrow also breaks almost all of them.
That's also queer as hell!!!
Being queer and celebrating pride isn't about having labels. It's about breaking societal norms: heteronormativity, cisnormativity, mononormativity, amatonormativity, etc. Norms that are used to opress us, to put us in boxes, to separate us, to marginalize us, and to kill us.
A show that gives the middle finger to all of these and just tells its story however way it likes, not caring about labeling the characters or having a long monologue about homophobia or showing a explicit sex scene between the two characters or following any of those stupid rules imposed by society, a society ran by cishet folk, is as queer as a show can ever be.
To deny that is to reinforce a narrative that is literally used to opress us.
That's all, bye.
Also, some of you guys are giving "I call beez she/her because of the actress" and that's cringe, but not surprising, ngl.
231 notes · View notes