the thing about art is that it was always supposed to be about us, about the human-ness of us, the impossible and beautiful reality that we (for centuries) have stood still, transfixed by music. that we can close our eyes and cry about the same book passage; the events of which aren't real and never happened. theatre in shakespeare's time was as real as it is now; we all laugh at the same cue (pursued by bear), separated hundreds of years apart.
three years ago my housemates were jamming outdoors, just messing around with their instruments, mostly just making noise. our neighbors - shy, cautious, a little sheepish - sat down and started playing. i don't really know how it happened; i was somehow in charge of dancing, barefoot and laughing - but i looked up, and our yard was full of people. kids stacked on the shoulders of parents. old couples holding hands. someone had brought sidewalk chalk; our front walk became a riot of color. someone ran in with a flute and played the most astounding solo i've ever heard in my life, upright and wiggling, skipping as she did so. she only paused because the violin player was kicking his heels up and she was laughing too hard to continue.
two weeks ago my friend and i met in the basement of her apartment complex so she could work out a piece of choreography. we have a language barrier - i'm not as good at ASL as i'd like to be (i'm still learning!) so we communicate mostly through the notes app and this strange secret language of dancers - we have the same movement vocabulary. the two of us cracking jokes at each other, giggling. there were kids in the basement too, who had been playing soccer until we took up the far corner of the room. one by one they made their slow way over like feral cats - they laid down, belly-flat against the floor, just watching. my friend and i were not in tutus - we were in slouchy shirts and leggings and socks. nothing fancy. but when i asked the kids would you like to dance too? they were immediately on their feet and spinning. i love when people dance with abandon, the wild and leggy fervor of childhood. i think it is gorgeous.
their adults showed up eventually, and a few of them said hey, let's not bother the nice ladies. but they weren't bothering us, they were just having fun - so. a few of the adults started dancing awkwardly along, and then most of the adults. someone brought down a better sound system. someone opened a watermelon and started handing out slices. it was 8 PM on a tuesday and nothing about that day was particularly special; we might as well party.
one time i hosted a free "paint along party" and about 20 adults worked quietly while i taught them how to paint nessie. one time i taught community dance classes and so many people showed up we had to move the whole thing outside. we used chairs and coatracks to balance. one time i showed up to a random band playing in a random location, and the whole thing got packed so quickly we had to open every door and window in the place.
i don't think i can tell you how much people want to be making art and engaging with art. they want to, desperately. so many people would be stunning artists, but they are lied to and told from a very young age that art only matters if it is planned, purposeful, beautiful. that if you have an idea, you need to be able to express it perfectly. this is not true. you don't get only 1 chance to communicate. you can spend a lifetime trying to display exactly 1 thing you can never quite language. you can just express the "!!??!!!"-ing-ness of being alive; that is something none of us really have a full grasp on creating. and even when we can't make what we want - god, it feels fucking good to try. and even just enjoying other artists - art inherently rewards the act of participating.
i wasn't raised wealthy. whenever i make a post about art, someone inevitably says something along the lines of well some of us aren't that lucky. i am not lucky; i am dedicated. i have a chronic condition, my hands are constantly in pain. i am not neurotypical, nor was i raised safe. i worked 5-7 jobs while some of these memories happened. i chose art because it mattered to me more than anything on this fucking planet - i would work 80 hours a week just so i could afford to write in 3 of them.
and i am still telling you - if you are called to make art, you are called to the part of you that is human. you do not have to be good at it. you do not have to have enormous amounts of privilege. you can just... give yourself permission. you can just say i'm going to make something now and then - go out and make it. raquel it won't be good though that is okay, i don't make good things every time either. besides. who decides what good even is?
you weren't called to make something because you wanted it to be good, you were called to make something because it is a basic instinct. you were taught to judge its worth and over-value perfection. you are doing something impossible. a god's ability: from nothing springs creation.
a few months ago i found a piece of sidewalk chalk and started drawing. within an hour i had somehow collected a small classroom of young children. their adults often brought their own chalk. i looked up and about fifteen families had joined me from around the block. we drew scrangly unicorns and messed up flowers and one girl asked me to draw charizard. i am not good at drawing. i basically drew an orb with wings. you would have thought i drew her the mona lisa. she dragged her mother over and pointed and said look! look what she drew for me and, in the moment, i admit i flinched (sorry, i don't -). but the mother just grinned at me. he's beautiful. and then she sat down and started drawing.
someone took a picture of it. it was in the local newspaper. the summary underneath said joyful and spontaneous artwork from local artists springs up in public gallery. in the picture, a little girl covered in chalk dust has her head thrown back, delighted. laughing.
10K notes
·
View notes
2023 Wrapped!
This is my first ever time doing a year end art summary (using this template)- I always wanted to when I was younger, but never felt I was creating enough work or that it was "serious" enough or good looking enough to be worth compiling. It's been interesting to reflect on a year that included so many creative ups and downs (and life ups and downs in general). If you'll permit me I want to do the little reflection ramble too, even if it's an inadvisable 5 (or now 6) in the morning where I live.
Some of you who followed me on Twitter probably know that I only "learned to color"- or rather found a way that worked for me enough to finish things consistently- in 2022, and rather late in 2022 at that. This is pretty much the first year where work I considered "finished" or "polished" included things that weren't greyscale, and it's absolutely the first year where I had attempted to do something in color almost every single month. When I look at this and see the range of hues it has, I really feel an incredible sense of achievement. I would not have imagined 14 months ago that I could stitch something that looked like this together, and 12 months ago I can't say I'd have felt confident either.
Despite having a huge artistic slump in the back half of the year (along with a sharp downturn in my mental health in general) I was astounded to find that for the first six months I had so much work that I loved and was proud of that it was hard to put this together because I constantly felt like I was leaving favorites out- works that I thought were iconic or were huge milestones or I just really loved. That was unbelievable. And that was only sifting through the "nice" stuff- I didn't even consider a mountain of sketches and doodles that I adored! Even in my busiest months and the months I was recovering from a major medical procedure (I got top surgery!!!) I had something to show, and May being a WIP is less because there was nothing in that month than because Aurien and Vio were the only ones who were fitting in the damn frame (side note: I'd be more thoughtful with template than aesthetic if I ever did this again).
Even in the five months I was convinced I had done absolutely nothing, I found again and again that I had more than I thought for every month (except November, where it turned out everything I thought I'd done was early December. you've been spared DUrgetash). I was creating even when I was convinced that I was never going to be able to draw again. And I was creating enough that I got to be picky filling this thing out and choose Tristian for October just for a laugh when other options were out there, and enough that I had options when I was struggling to fit something I wanted into the template frame.
Side note: Miss Leonelle, you were tragically robbed by the damn frames.
In making this I also saw again and again the connections that I made throughout the year. I have had the incredible fortune to make wonderful friends this year and to build on bonds that I already had- even some where I perhaps didn't deserve the chances I was given. @mountainashfae is all over this summary- in April, May, June, August, and November- and I've often felt I spent as much time on Vio as Balthazar this year, but there were at least seven other baronesses, KCs, and other incredible OCs I had the privilege of drawing this year who I desperately wanted to fit onto this and was not able to for one reason or another. I'm so happy to know so many creative, passionate people and to be allowed so close to the things they hold so dear. To everyone who has shared their creations this year- not just with me, but with anyone on the internet or in real life or quietly in DMs or in a Discord or wherever- you're incredible, and I hope you're proud of what you've done. And if you struggle with that, I hope you can be proud of the way you're growing even now.
If you've stuck with me this far, thank you. Sincerely. I really appreciate that there are people who enjoy looking at my silly little drawings and reading my occasional rambles, even if I'm a little erratic on putting things up and usually a bit distant by choice from fan communities. And if you continue to stick around, I hope that you continue to have a good time.
I don't know what to expect from 2024 when I've got a laundry list of projects from 2023 I haven't finished, but I'm hopeful about what it'll contain. There's a lot I want to do- more full illustrations, working on other media, trying more ambitious projects- but for now it's enough to just think about picking up the things I've left off and continuing to tie up those loose ends.
Here's hoping we all can find something we want in 2024, as terrible and unknowable as the new chapter is.
18 notes
·
View notes
Goddamn Alador's face here.
He said he hasn't had a day off in 5 years and it fucking shows in his appearance & demeanor -- things that were chalked up to just be his personality but are maybe actually signs of his suffering -- but when you see Odalia threatening to really put the kids to manual labor the palpable fear on his face is devastating. (Like, her own kids!!!! It probably would've fallen mostly on Amity as she's the one skilled with abomination, but also probably would've resulted in forcing the twins to get abomination sigil sealed instead of studying any of their actual interests)
I feel bad hating him before, like yeah he was neglectful to the point of not talking to his kids prior to this pivotal moment of him finally standing up to her, but with this context revealed he probably hasn't really had a chance to talk to any of them since like... Amity's bday party where they forced her to ditch Willow, lest they become worked like cattle too. He's beaten down and mistreated but if he just shoulders it all himself at least the kids won't get too much of the overflow abuse, right?
Makes you wonder what his side of the bargain was to keep her from exploiting the kids, or how it got to that bargain to begin with. If the closeness they displayed back at Hexside was ever genuine, or if Odalia sought him out specifically thanks to Oracle magic and seeing a wealthy future and it was all some long con, or if maybe it was genuine at one point but then eventually over time it rotted from the core and suddenly Alador found himself locked into this nightmare.
This reveal alone really gives a lot of justification to all of Alador's previous behaviors, and thanks to King of all people he finally got to get out of dodge and save the kids in the process. Good for him. Happy divorce, dude
326 notes
·
View notes
do you think names are important?
absolutely. i think it's so very special that we all get a specifically chosen sound to represent us--it's like your own little slice of the universe. it's one of the first things you can ever call your own. and the fact that as we get older and wiser we get to discard what doesn't fit us and choose names that suit us better?? precious. so so precious.
69 notes
·
View notes