three random aftg hc that might just make sense
Andrew is afraid of spiders:
and neil is not
well, sleeping in makeshift houses for years, being afraid of insects is just a grandeur for him
one time a medium-sized hairy spider was found chilling on the dorm bathroom ceiling and Andrew was the first one to notice
he just froze outside
Neil was passing by and definitely noticed the stiffness lingering on Andrew's shoulder.
'what.' Neil asked, not really a question and was rewarded with death glare/almost teary eyes from Andrew.
Neil looked inside, saw the spider and 'huh, okay.' was all he said.
a few moments later Neil scooted the spider with a piece of paper and safely threw it out of the window.
Andrew was nowhere to be seen in the process.
then he was found in his room, slowly eating a bacquet of ice-cream, listening to music on laptop with his headphones on.
Neil was then given the permanent job of always checking the bathroom before Andrew until his fifth year.
Neil and his (not-so) secret obsession with tea(s):
now that his path is semi-clear by the moriyama's, his uncle tries to keep contact with neil once a month
and once a year, he receives a special gift package from England; best regards, sh (Stuart Hatford)
that one time he sent Neil a package of the best darjeeling tea
Neil isn't a hot-chocolate person, coffee is the okay-est thing to keep him up in night practices and homeworks.
but TEA? Neil was Shook by the flavor.
he started to try all types of them and tried to convince Andrew into trying some.
Andrew liked milk tea with ungodly amount of sugar
but masala tea, Neil's new favourite was a big no from him.
weekend afternoon is the Best time for tea and he likes to believe he invented the image of it.
so very British of him really
He never misses a chance to try out a new flavour and he prefers tea bags over grinded tea leaves
not to mention he is allergic to Nicky's-concept-of-tea
Kevin actually takes his skin-care routine very seriously:
at first it may seem like he was dressing up for the occasion
until the foxes find out it's literally a part of his morning routine.
cleanser and simple clay face mask goes first
clean shave and aftershave liquid comes second
hair? shampooed twice, sometimes thrice a week and gel-ed up all time outside.
his skin is almost flawless, moisturizer doing it's job really well is just a bonus to his handsome model face.
well, you don't know when the paparazzi's might show up, right?
he has a image to preserve and oh, he does it so, so well.
'at least you can start taking care of that mess of a hair. you ARE an important part of the exy media for heaven's sake!', Kevin's word of wisdom to Neil goes off before any press routine
'yeah, whatever.' and Neil just shrugs him off like that, as if his cute/handsome face wasn't going in waste.
Kevin-media-trained-since-diapers does some sports related modeling campaign too
and he secretly enjoys the positive attention (since the end of Riko drama) but he would never admit it actually.
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so about the header that proceeded today's statement:
Viability as agent: Low
Viability as subject: None
Viability as catalyst: Medium
i didn't know what to think of this part of the entry at first, but the longer the statement went on... was the institute in this universe trying to manufacture avatars?
the dice can't do anything without someone to use them, they can't be an "agent" by themselves, but might be capable of manipulation, so in that aspect their viability is "low."
the dice could be a "subject" in the sense that they could use further studying, but the statement itself was a very thorough investigation of their workings, so in that aspect their viability is "none."
the dice seem to influence their holder to roll them, or at least find more victims to roll them, and could therefore be described as a "catalyst" for someone's becoming. but, as seen in the statement, their owner can give the dice to someone else (albeit not without consequences), so in that aspect their viability is only "medium."
so what about the line following all this, what does "Recommend referral to Catalytics for Enrichment applicability assessment" mean? if we go by this interpretation, i'd say it could mean the institute wanted to find a way to make the dice even more potent as an artifact, maybe even remove that pesky ability for their owner to reject them.
imho all of this this brings a whole new level of context to the events of episode seven, of unknown violent agents going after an influx of objects that seemed straight out of artifact storage. was that the nature of the titular "magnus protocol" first mentioned in episode four, the one that involved the starkwall group? containing or destroying potential artifacts before the institute could get their hands on them?
it also makes their "gifted kids program," and sam's link to it as one of the kids being studied, all the more horrifying to think about. was it not just avatars in general they were after, but child avatars specifically? no wonder gertrude got so defensive over the possibility of sam and celia dragging gerry back into the institute's business last episode, we all picked up on her clearly knowing more than she's letting on but now we might know the shape of that information a bit better.
and one final bit of food for thought... this statement had a lot of familiar themes, didn't it? free will or the illusion of it, gambling and not-so-random chance, the statement giver being done in by one final hit from what feels like a bit of an addition... all hallmarks of a certain mother of puppets. doesn't it seem fitting that "chester" would use this kind of statement to warn sam about what harm pursuing the magnus institute could bring to him, considering the one his voice might draw from? and doesn't it seem so painfully ironic that his warning seems to have only driven sam further into that web?
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Finished System Collapse the other day & Murderbot has never been more relatable
First image based on this post by @murderbot-moodboard
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Illustration of Godai and Ichijou featured in the first issue of the official Hero Vision Magazine.
The bottom message reads:
Sakumi Ajimine, Manga Artist: "Having discovered Kuuga, the days I spent with them were happy ones. But soon, we'll have to say goodbye to those days...(saddened). Going forward, I'm very hopeful for either a sequel or a movie!!"
Sakumi (Sakufu) Ajimine makes illustrations for boys love novels and manga. In the early 2000s, she self published quite a few Kuuga and Agito doujins.
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l + ratio + all of your cards are common not a single interesting monster in your deck + you rely solely on fusion and you only have like 1 polymerization + ur still banking on exodia like you didn't lose the right leg + the heart of the cards is fake
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Textpost redraw that only works in a modern setting, so. I gave them silly outfits (and a little bit of lore!)
Some zoom ins on the illusts!
And Lore
Moe is like. A SHUT-IN shut-in. So in any modern setting that isn't "Hey wanna visit my hometown for a sec (events so far have followed canon at least loosely)", it would have to meet Alfonse under Extremely Specific Circumstances.
And finally! Textpost under cut!
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—OCS AND VILLAIN SONGS
hey what’s up you guys welcome back to my channel— i did this post on my old blog ages ago which is unfortunately lost to time now and i wanted to do it again. so this has gotta be like, the third time some of y’all are seeing this but. fuck it we ball.
born from a post made by @unholymilf a loooong time ago that as more or less a question of if ur oc was a boss fight, what song would be playing and it struck me so here is ALL of my brain worms, including some new ones from the last post!
ANDIE— le soleil est près de moi; air.
POV: you’re bleeding out as andie is standing over you, burning white hot, hotter than the sun setting behind her. she is passionate and… reckless, and will swear this was self-defense. even if she struck first. even if she didn’t blink. even as she watches the life leave your body.
BIANCA— tricycle express; gaspard augé, mr. oizo.
POV: bianca is white knuckling her steering wheel, swiping her car against the side of your own for miles down the freeway. she is gonna run you off the road. she absolutely will; it’s unavoidable, and she’s gonna laugh while she’s doing it. this is the song she’s listening to.
CELESTE— vision; m83.
POV: “you will die soon. sooner than you were supposed to, now.” celeste deadpans as she hovers her hand over your forehead and waves. she makes a show of it, though her clairvoyance doesn’t require as much. you wish you had listened to her and thought better of asking in the first place. “it will be violent, and painful. give ares my best. leave my temple.” but you didn’t, and now it’s too late. your fate is sealed.
ELVIRA— old river; orville peck.
POV: you’re stiff, hairs on the back of your neck standing up. you’re being watched. this is a different kind of observation than the one you’re used to— the seeds constantly run surveillance on you, but this doesn’t feel as passive. you’re being hunted. and when you dare to turn on your heels to see elvira standing behind you with a crossbow bolt nocked with your name on it, you almost wish jacob was here to kill you instead. somehow, you know it would be more merciful.
OSLO— pennsylvania furnace; lingua ignota.
POV: oslo isn’t the deputy anymore. they’re the judge. eden’s gate is up a member who is worth a million and the resistance mourns a million more.
FAUSTINA— beyond the horizon; olivier deriviere.
POV: faustina is the last line of defense between you and the mother church. she’s a penitent, too, you must understand. the consecrated red ribbons she’s wrapped in are suffocating her the longer she takes to excommunicate you and she will try every prayer at her disposal to stop it—to stop you.
JEN— krack; soulwax.
POV: jen is chasing you through the fib building after she snitches on your whole operation to the iaa. you are an enemy of the state, but more importantly— you’re an enemy to agent jennifer daniels. she wants you dead, and you will be soon enough. especially if it’s up to her. and as of right now, she has you cornered in an interrogation room with nowhere to go and a gun to your head.
LOTTIE— arsonist’s lullabye; hozier.
POV: hawkins is ablaze, and lottie is at the scene of the crime staring into the flames.
LINDY— señor (tales of yankee power); jerry garcia.
POV: there’s barely anyone left to call a gang, and dutch knows as much. but he won’t admit it— that would require him admitting guilt for the losses, too. and he should be so lucky he’s still breathing; lindy wants to empty an entire revolver clip into his thick skull but knows she wouldn’t live long enough to feel the satisfaction. so she does the next best thing, and turns her back. there isn’t anything left for her, anyway. she would risk a lifetime of looking over her shoulder over having to look at him.
MAGS— change (in the house of flies); deftones.
POV: you’re being experimented on in an umbrella sanctioned lab and in walks mags— who you thought was on your side. after all, well fed devils behave better than famished saints. but not this one, she’s much worse.
MILDRED— god unbounded; uboa.
POV: you have just returned from the dead because some weirdo with a god complex and a proficiency in reanimating corpses decided that she needed the practice. and now that’s your problem, because you definitely have come back Wrong. but you’re back! surprise!
NICOLE— heart in a cage; the strokes.
POV: you’re witness to an absolute bloodbath as nicole goes crazy on the field. she’s completely lost herself, she isn’t in control anymore. she was always dangerous but now she’s lethal. she’s already gotten some of her own killed, and somebody needs to take her out before it gets worse. she’s a wild animal. and to her, you’re fresh meat.
SIBYL— summit song; nicole dollanganger.
POV: she drowns you in her scrying pool and you are never heard from again. it’s your own fault, really— anna henrietta told you to leave her be and you didn’t listen.
ROSALIND— goodbye; soap&skin, apparat.
POV: she begs mike for the coordinates of where it happened and he doesn’t budge. he never will. he doesn’t trust her not to take a shovel to the earth and dig him up. so in her state of delirium, she walks through the desert and screams and cries and repents. and becomes her own biggest villain.
ODETTE— graveyard; midnight syndicate.
POV: odette quite literally haunts her family estate, left to fall into disrepair. she’s a grief stricken wraith born of despair who brutally attacks anyone who dares step into her tomb. she’s a master illusionist even in death, so if you choose to fight her instead of just leaving, just make sure you first remove the mirrors from the wall.
okay whew that was a TASK but i’m gonna make this a tag game cs i wanna see Y’ALL make ur ocs evil and give them a soundtrack so hehe @florbelles @unholymilf @shellibisshe @ghostfvcker @benwishaw @loriane-elmuerto @leviiackrman @jackiesarch @rosayoro @statichvm @teamhawkeye @bloodofvalyria @red-nightskies @confidentandgood @simply-jason @scalpelsister @devilbrakers @lxmbert and you!
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source: @incorrectdeltoraquotes ‘s post
we need uncle steven and uncle doom content
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Just wanted to plant an idea if you wanted a bit of fuel: Mahiru asking Yuno to come to her cell before everything goes down.
Edit: I forgot the ask didn't say it but this is part of Kyanako's incredible Order Of Attack AU!
Didn't mean for this to become a mini Mappi study but here we are ✨ Thank you for the request! I fully intended to write them hanging out, but it's more right before they hang out lol. Went a bit on-the-nose with foreshadowing, but isn't that the fun part? It has become Emotional Over Mahiru Hour...
I kept things vague, but TW for mentioning her boyfriend's state of potential self-harm
Mahiru tried not to act superstitious, she really did. As much as she loved the idea of little luck charms, or avoided easy signs of misfortune, it was easier to keep quiet about such ridiculous things.
Maybe catching a bride’s bouquet meant no guarantees; maybe there was no real harm in stepping underneath ladders, maybe a coin tossed into a fountain had no real magic to its wish. However, the one thing she knew for sure held power was a lucky presence. Being in the right place at the right time could alter everything. And today was the right time for something. There was this waiting in the air. The prison had been holding its breath. Mahiru knew it was time to release it all.
“You must be so lonely, why don’t you let big sis Mahiru keep you company?” She beamed at Amane.
She often recalled the good fortune that she and a certain young man had crossed paths on the university terrace. She used to laugh with him about the wonderful coincidence of bumping into each other outside of the bakery, then the convenience store.
Though she’d never spoken about it to him, she was also grateful for many occasions where she walked in on him at the precise moment to talk him out of something reckless. She always told him that they’d do everything together. He didn’t need to be alone anymore.
“I wish to be alone. I need peace of mind to think.” Amane turned away from the cell door.
It was a good thing, too. Mahiru’s smile wasn’t as convincing as she said, “o-oh. Of course.”
She made her way around the panopticon, hearing Fuuta pace his cell in anticipation. He must have felt it too, this holding of breath.
Or perhaps not. He turned down her offer for a bit of company, including a few more colorful words than Amane had. Mahiru just apologized for bothering him and headed back to her cell. She wasn’t sure where Mikoto was at this hour, but she didn’t feel like smiling through a third rejection.
She shook her head back and forth. She wished the motion could rattle the voices inside, she wished she could shake them all away. With her arms secured in place she could no longer cover her ears. She used to hum to keep them at bay, but lately they’d been too loud to stifle. They just kept on talking.
Their words told her the two were right. Nobody needed her company. No – nobody wanted it. Being together hadn’t helped her boyfriend. In fact, being together had been the very thing that got him killed. No wonder Amane and Fuuta wanted to avoid her.
So then, this was for the best. She would rather deal with the brief sting of refusal than stumble in one day to find them hurt… or worse. As much as she tried to avoid the superstition of it all, the voices reminded her that her very presence could mean life or death.
“Mappi, are you alright?” Mahiru hadn’t realized a tear had slipped down her cheek until she hurried to swipe it away in front of Yuno.
“Hah, I’m fine! Just fine.” It was impossible to fool her, Mahiru had learned, but that never stopped her from trying.
At least she always spoke tactfully. “Rough morning?”
Mahiru shifted her arms in her uniform, making a small sound of agreement.
“Can I do anything to help? What if I stay with you for a bit? I can do your hair, and…”
The voices were right. Amane and Fuuta knew it, too. Presences did hold power, and Mahiru’s was cursed.
But she would sound foolish admitting such a fear to Yuno. She'd heard plenty from the voices about how stupid and airheaded she was, there was no use in getting the same lecture from someone as grounded as her.
Mahiru managed a weak protest, unable to explain her real reasoning. Yuno was insistent. She didn’t give much of a choice. Could she feel the strangeness of the prison, as well?
At last, Mahiru allowed her shoulders to sag. Yuno was lucky. And kind. Having her nearby would do her good. Amane and Fuuta would be alright. Mahiru had tried spending more time with them after verdicts were announced. Now, she made a mental note to pull back. If her love couldn’t save anyone, at least she could spare them from her curse. They would be safe.
“Yes. Please stay. The truth is... I don't want to be alone.”
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Where is this angry-at-everything-all-the-time-Jason. Between him and Bruce he’s the only one being reasonable.
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So I just found out that Dr. Fossil is voiced by 80s Donatello.
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hello new self portrait just dropped which means this is officially what i look like now
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She’s everything. He’s just Ralph.
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everytime someone mentions an au concept of some sort i always go "OH YEAH I LOVE WHEN-" and then i have to STOP because i remembered i only spoke about 30,000,000 words of this au with one friend and that the other little people in my phone unfortunately do not intrinsically know the deep lore as i think of it live in my brain
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