#I’ve never read the comics so my only experience with these characters is the show

[bisexualmultifandommess]

So what I need is for season 2 is Crystal and Charles to slowly start loosing feelings for each other in the first ep or maybe they’ve already lost them (but angst maybe that Edwin hasn’t realised) and Charles starts to develop feelings for Edwin and Niko comes back and Crystal starts developing feelings for her.

We get some jealous Charles and Crystal because Edwin and Niko start getting attention from new characters but Edwin and Niko kind of don’t realise/ignore it because they love Charles and Crystal so much.

#I saw that first meeting between crystal and niko and thought they’d fall in love #but nooo crystal was just mesmerised by the colours lmao #I want edwin to show his protective side for charles a little more too #like he definitely was protective of him this season but charles had more protective moments #I need edwin to go feral because someone hurt or upset his boyfriend #I’ve never read the comics so my only experience with these characters is the show #dead boy detectives #dead boy detectives spoilers #edwin paine #edwin payne #charles rowland #crystal palace #niko sasaki #painland #payneland #edwin x charles #charles x edwin #niko x crystal #crystal x niko

[pellaaearien]

Hey so here’s a really mean Sandman thought I had...

I just finished reading The Kindly Ones for the first time. (Yeah.) And I must say, it was a very interesting experience from the perspective of someone who both watched the show first and has also been hanging around deeply into fandom enough that I’ve absorbed spoilers/meta/whatever else surrounding the end of the comics before reading them to draw my own conclusions.

Now I have. And I think I’ve come to some interesting ones.

First off, naturally, Neil Gaiman has written the ultimate tragedy. Everything comes full circle, every decision made with the best possible intentions has the worst possible outcome, and it was always going to be this way. It’s a masterstroke, and as I read I was less sad than admiring at the completeness of it, the way everything slots into place so neatly.

Ever since I spoiled myself for the ending (which I’m glad I did,) I’ve read quite a bit of Kindly Ones meta. Many words have been spilled around the subject of “if someone had just SEEN what was wrong...” but MANY people did! Fiddler’s Green. Matthew. Nuala. And, of course, Hob, who Dream walks out on - again - because he’s being too perceptive. Again.

I was also reading the book with the foreknowledge that this is all an elaborate suicide plot on the part of Dream. After all, as Death says at the end, “the only reason you got yourself into this mess is because this is where you wanted to be.” And, later, when Dream says he has made all the preparations necessary, “You’ve been making them for ages. You just didn’t let yourself know that was what you were doing.” To which Dream replies, “if you say so.”

So we have lots of people saying lots of things about Dream, but what do Dream’s actions say for themselves? Because I must admit, reading the book knowing how it was going to end threw a lot of those assumptions into a new light.

Let’s go back to the conversation with Death. Dream says: “I did not plan this, my sister. I had imagined that I would be able to keep events here in check. I intended to play a waiting game, in which, ultimately, no harm was done.”

This I believe. One of the things that never sat right with me was Dream sitting back and letting his creations suffer, if his intention all along was to destroy himself. I don’t believe that’s in character for Dream in any incarnation.

What was Dream’s motivation? Dream is tired. He says so himself. He’s been tired for a long time, probably even before his imprisonment and having to basically remake the Dreaming and since then he hasn’t had a moment’s peace, what with Season of Mists and Orpheus and everything else. I think meeting Daniel planted the seed in his mind, that there was an out. As Death says, “...the stuff you do. Where you do it, and you won’t even admit to yourself it’s what you’re doing.” 

Meeting Daniel was that moment for Dream. Someone who could take over his responsibilities in the Dreaming. He can’t just walk away, like Destruction and Lucifer. That’s not who he is. I think Dream’s plan was to wait for Daniel to grow up some, and then... something. ??? profit. Maybe he would’ve gone to the Fates himself and taken their punishment for Orpheus. (Because he does, as Nuala astutely points out, want to be punished for Orpheus).

BUT, Daniel gets stolen while he’s still a baby. So Dream sends Matthew and the newly-remade Corinthian after him. Lyta, meanwhile, instigates the Furies, so now they’re on a ticking clock.

(I don’t, personally, think that Dream freed Loki with the intention of setting all this in motion, but that’s up to reader interpretation.)

Dream makes preparations. It certainly seems like he’s making peace with the fact of his death. He visits Nada (a small boy in Hong Kong), does a census of the Dreaming, acknowledges his servants, feeds pigeons, examines his properties in the waking world, and reviews various treaties and agreements to which the Dreaming is subject. He is responsible. He’s getting his affairs in order in case things don’t fall the way he expects them to.

When his Griffin is killed, Dream tells Furies: “I can create another, who would not even know that it had ever died.” Cold, perhaps, but very in keeping with the type of backwards kindness we’ve seen from Dream throughout the series. He also says: “This is my world, ladies. I control it, I am responsible for it. You with neither destroy it nor will you destroy me.”

The last part, as we know, is simply true. The Dreaming can be restored endlessly, and even if the facet known as Morpheus is destroyed, Dream will continue. But it’s the first part that’s significant. I control it, I am responsible for it. That part says to me that he would not allow his creations to suffer. He is responsible for them. And yes, he could restore them with a thought, but why bother? If he’s trying to get himself killed, why doesn’t the story just end here and now? With the Furies and Dream alone in his throne room?

Clearly, he’s waiting for Daniel. He can’t allow himself to be removed without a successor in place. Once the Furies leave, he immediately calls Matthew for an update. Matthew comments on how cold Dream sounds - he’s feeling the pressure.

Fiddler’s Green is killed. Does Dream say “I can create another?” No. He immediately goes in search of Lyta, to hopefully negate the wrath of the Furies. A stopgap, as the Furies would find another avatar in time, but Dream is taking action. He is not passively letting his doom collapse around his ears.

He’s foiled by Thessaly (all my homies hate Thessaly). While they are estranged exes, Thessaly admits that protecting Lyta from Dream was “not entirely” to hurt him: she struck a deal with the Three for a bit more life. Hurting Dream was an added bonus. She knows Dream well enough that he won’t break the rules in order to kill Lyta.

Dream is visibly upset by this. He won’t break the rules, but Thessaly’s actions (and his own, by extension) mean that more destruction will be wrought in the Dreaming. Lucien takes him to task for it:

Lucien asks why he isn’t restoring the things the Furies destroyed, but it makes sense to halt the source of the destruction first, rather than needing to fix things over and over again. Dream is at a loss. His plan was foiled and now he has no way to hold off the Furies. And Daniel is still missing. He could summon his sister right now (as he says, “by his own hand or another’s”) but that would leave the Dreaming in disarray, and he won’t do that.

Now to add Nuala’s summons into the mix. While Death will later point out that yes, Dream could have rejected the summons, I think it’s important to remember that he does actually try, at first:

“I must most earnestly beseech you...” That is begging. That is literal begging from Dream of the Endless, and it doesn’t stop there.  “You do me a disservice, Nuala,” Dream says, after Nuala quotes his promise back to him. He tries to get out of it! But Nuala won’t let him, throws his words in his face, and thereby seals his fate. Because Dream of the Endless, if nothing else, keeps his word, follows the rules. As he says later: “If we did otherwise, we would not be ourselves.” 

He can’t just leave his realm like Destruction. He can’t ignore the rules and kill Lyta anyway. He can’t go back on his word and reject Nuala’s summons. If he did that, he would no longer be Dream.

So, he sets Daniel up in his new role as best as he can with the time he has left, and then he takes his sister’s hand to prevent any further damage to the Dreaming. Death accuses him of planning the whole thing, and perhaps that’s true. Perhaps he saw where the pieces were laid on the board and manipulated them to his advantage. I certainly don’t deny that ever since Orpheus he had intended to take himself out of the picture, one way or another. But I truly don’t think he meant for it to happen like this. I don’t see him as a cold-hearted chessmaster, forcing himself into a corner until he has no way out, with his creations’ existences hanging in the balance. I think he had a plan, and tried to stick to the plan as best he could, as the true tragedy spun into place around him: it was always going to happen like this.

Are y’all ready for the mean thought?

Because thinking about it this way, if truly all he wanted was a way out, he could have expedited the process at any point. As I hope I have shown here, to the contrary, his behaviour reads to me as someone who held out until the absolute bitter end, until he literally had no other choice. What are we to make of this? On the one hand, we have Death’s accusation about  “...the stuff you do. Where you do it, and you won’t even admit to yourself it’s what you’re doing.” Maybe that’s true. Death knows Dream, and knows what she’s talking about.

On the other hand, we have a scene, way back at the beginning, with Hob. (Hob who, incidentally, doesn’t seem all that surprised to see Dream outside the confines of their century meetings, given that he thought their toast during Season of Mists was a dream, but I digress.) (Dream also goes to see Hob the instant there’s any inkling of trouble, again, as he does in Season of Mists, but I digress a second time.) And Hob is, as in 1889, too perceptive by half. As Dream is walking away, Hob says:

“You take care of yourself.”

What if Dream went to Hob, knowing his friend, being perceptive, would guess that something was up?

What if he just wanted to be reminded that someone cared whether or not something happened to him?

He gave Hob a promise that he would take care of himself. And so he did, in the face of overwhelming odds. (Odds that he may or may not have set in motion himself, true, but that just makes it more extraordinary.) Until he couldn’t any more. Until taking care of the Dreaming took precedence over taking care of the aspect, Morpheus.

Because Dream of the Endless always keeps his word.

#the sandman meta #the kindly ones #dreamling

[unquietspiritao3]

musings on rpf

Been thinking a lot about RPF since the CoC3 outtakes. I think because it’s brought me a very small bit of exposure with people who aren’t familiar with the concept, and I also know from talking to friends that for many of them, Taskmaster is their first RPF fandom.

There are a lot of misconceptions about RPF and people who write it, and there’s both healthy and unhealthy ways to approach it. All this stuff that I, as a Fandom Old and veteran RPF writer, know and take for granted, but that other people may not have worked out yet. So I thought I should write some of it out explicitly, as best I can.

(And, too, part of this is me thinking, What would I want to convey if someone who inspired one of my stories reached out to me for a direct conversation about it? Not that I think that would ever or should ever happen, but it’s hard not to think about when you’ve had an experience like this.)

The biggest misconception is that RPF comes from unhealthy parasocial relationships. (I’m specifying ‘unhealthy’ because there are actually healthy ways to have a parasocial relationship, and nearly everyone has at least one. Other people have written about this in more detail here and here.) I’m not denying that in some cases, this misconception could be true, but by and large, the circle containing the fans who have an unhealthy parasocial relationship with a celebrity and the circle containing the fans who write RPF about said celebrity are a Venn diagram without much overlap. By and large, RPF writers are not delusional. By and large, we are incredibly aware of the difference between the real person and the character we’re writing, and we do not want to violate that real person’s boundaries. (If they want to go to AO3 and read fic titles and summaries—and perhaps more—then that’s their choice, of course.)

Taking myself as an example, I’ve talked here before about how I jumped into writing in the Taskmaster fandom with a very basic knowledge of the comics’ lives off-screen. I don’t feel particularly attached to any of them. I don’t feel like I know them. Even with James Acaster, whom I know the most about (the majority of it learned after I started writing!) and whom I relate to the most, I don’t imagine that we could be ‘friends’ or whatever if we met. In fact, I sometimes suspect I wouldn’t like him much if I knew him in real life. That’s not what this is about.

Another misconception is that all RPF is porn. Okay, yes, almost all of my Taskmaster fic is rated Explicit, and a lot of it is kinky porn. But there is a reason for that, which I’ll get to at the end of this little essay. Also, yes, Taskmaster RPF in general is extremely kinky, but I don’t think anyone can seriously argue that we are projecting that energy onto an entirely sweet, innocent, wholesome show. Anyway, the point is, there’s plenty of non-explicit RPF. Including most of what I wrote before Taskmaster. That’s not what this is about, either.

What is it about, then? For me, ultimately, it’s about the same thing any creative project you make and put out into the world is about. It’s saying, “Here’s something of me. Do you relate to it?”

The celebrity it’s based on only provides a germ of inspiration, taken from something in their public persona which I relate to. To fill out the character, I water that little seed with things from my own life or simply musings on human nature, and then I put that character in a situation I find interesting and see what grows. Keeping the name/likeness/biographical details (to an extent) of the celebrity is simply a shortcut to finding the other people who might relate when I put it out in the world.

You see, my goal for my RPF is not to have the celebrity read it. If they’re going to be bothered by it, I hope they don’t read it. I certainly don’t want anyone sending it to them or anything like that. While it was hilarious for Alex to say what he did, and it’s been a positive experience overall, I never expected or wished for it to happen.

My goal, especially with explicit and kinky porn like ‘A big boy like you’, is to let my readers know, If you see yourself in this, it’s okay. There’s nothing wrong with you. And to get that same feedback in return.

#meta #being perceived

[2stepadmiral]

So I’ve been getting back into Bionicle lately, I loved it as a kid and I’m on a whole nostalgia trip right now, rebuilding my Toa and Bohrok and rereading the comics/watching the movies, and as much as I still love it, it makes me sad for anyone who didn’t get to experience it as it was coming out.

Like take the MCU, for example. If you weren’t old enough to start watching the MCU before the first Avengers came out, you could still experience the MCU in its golden times. And if you have young kids, who are just getting to the age, where they can start the MCU, they can still kind of experience that by watching the movies in order and building up to Endgame. It obviously won’t be the same, but I feel like if you do it the right way and paste it right, you can kind of re-create that experience in a reasonable proximity.

The same goes for Star Wars, you can have your kids, watch the original trilogy, then show them trailers for each of the prequels before letting them watch those to get them. Excited, then let them go back and watch clone wars and rebels, and let them read the expanded universe books at their own pace. It won’t be the same as growing up with the prequels coming out and being excited to see new Star Wars movies after seeing the original trilogy when you were little, but it’s still a fairly decent facsimile.

But with Bionicle, that feeling cannot possibly be re-created.

You can’t recreate the feeling of being 11 years old and finding out that Mata Nui is dying, and that the Toa Nuva, your traditional heroes, were defeated by the new villains, and that the six Matoran you grew up with since the franchise started are the new Toa who have to pick up where the Nuva left off.

You can’t recreate the shock of finding out that the eccentric village elders who have advised your heroes for three years were once Matoran themselves who became a team of Toa a thousand years earlier, defeated the main antagonist, went through a Jekyll and Hyde mutant phase, and then turned into the Yoda type elders.

You can’t recreate the horror at finding out that Makuta won in the end, his convoluted, millennia long plot resulting in himself gaining control of the universe. You can’t recreate the disbelief that the story abandoned the Matoran on that dark note to explore an entirely new planet with entirely different characters, species, and culture. You can’t recreate the relief when Mata Nui showed up, his presence, carrying the promise that the original storyline would tie into the new one sooner later, and the grim ending was only a temporary pause. You cannot re-create the excitement at seeing the story climax with the final showdown between Mata Nui and Makuta. A final battle that you had never imagined possible, but one that only feels right and full circle.

You cannot re-create the horror and sorrow when Matoro failed to reach Mata Nui with the Mask of Life in time to save him. You can’t re-create the disbelief and terror at wondering where the story can possibly go after that point. You can’t re-create the disbelief and sorrow and morning as you read the pages of that comic, as you see Matoro put on the mask and start to become part of its energy. You can’t re-create the stunned, heartbreaking silence that you felt as the death of Matoro, who you would known for six years, who you had at least peripherally grown up with, whose journey you had watched unfold as he went from a simple but well-known and even iconic Matoran, to a new Toa of Ice, unfolded on the pages of that comic in that curious new art style that you would never quite gotten used to. You can’t recreate the feeling of mourning you share with his friends as they learn that Matoro has died, that feeling of almost being part of this universe as you share in the sorrow of the characters (Matoro’s sacrifice was way better than Tony Stark’s, sorry but not sorry).

And above all, you can’t re-create the feeling of having to wait two months for the next comic or the next book, or the movie to find out what happens next, and filling that time by making up your own storyline, and acting it out with your own toys.

Largely because the story unfolded through books and comics, and through the new wave of toys, and through the movies in some years, trying to re-create, even a close facsimile of that feeling just isn’t possible. And it breaks my heart for any kids I might have one day that I’ll never truly get to share this wonderful franchise with them.

#bionicle #toa #toa nuva #toa metru #toa inika #toa mahri #toa mata #makuta #makuta teridax #mata nui #metru nui #voya nui #mask of light #kanohi #tahu nuva #kopaka #jaller #hahli #matoran #matoro #turaga #glatorian

[lej222]

ASLFUA ending theory

I’ve recently re-read this webtoon, along with the Korean raws, so there will be SPOILERS for those who are not up-to-date with it. I will also compare it the the Korean drama, 25 21, so if someone hasn’t watched it, please skip those sections. Thank you. :)

So, let’s start off by clarifying that I love After School Lessons for Unripe Apples. I adore the relationship between Cheol and Miae, and I love them both as characters. I need to address this here, because otherwise some might think this is a hate post. It is not. What I will conclude at the end of my post is my interpretation of how the story will end, and it is an objective conclusion, not my subjective feelings. Please understand before accusing me of favoring certain characters over others. 

This webtoon is very similar to the Korean hit-drama, 25 21 in many ways. They are both set in the same time period, they are about youth and friendship, and are centered around a boy and a girl and their blossoming relationship. The girl is positive about life, full of energy with an eccentric personality, while the boy is more cautious because of his own bad experiences in the past, and he starts to see the beauty of life again and be more himself after meeting the girl. Of course, these similarities are coincidental as we know that Unripe Apples was published before 25 21. At the beginning of 25 21, we get to know that the main characters are no longer together in the future. Despite hoping that the narrative will keep them together, we have to resign to the fact that the show will be about their youth and they will eventually get separated. Let’s not talk about how that happened, because the execution was quite clumsy, but the main idea is the following: two young people meet when they need each other the most at a certain point in their lives - they develop a friendship which later becomes romantic love - life and circumstances force them apart, and the love they shared will only be a memory while they experience new things. Now, let’s look at what we know about Aslfua:

In the second chapter of the webtoon, we are told that Cheol is someone Miae will never forget. This message is reinforced again in chapter 4, when they end up being in the same class. This leaves the readers wondering: why is the wording like this? In fact, the meaning is the same in the original Korean text. If Miae and Cheol get married one day, why are we told that she would never forget him? Because, if the foreshadowing is intentional, Miae and Cheol will one day part ways. I know that it is hard to imagine for us readers, who watch their story unfold in front of our very eyes, but this is a very likely outcome. From the very beginning, Cheol is introduced in every way as Miae’s first love. Miae often compares their moments together to the comic she reads, My First Love Next Door Is Number One. The comic is a blatant symbol of their relationship- they live next door, the main character is like Cheol, and he is the first love of the girl. The narrative keeps emphasizing when something significant happens, that Cheol and Miae are 16 years old, with sentences like “this is the age when everything is embarrassing”. It’s not a coincidence in my opinion that the emphasis is always there. Because it keeps us not forgetting that this is a certain period in their lives, which will one day pass. But if they do not end up together, you may ask, what was the point?

Well, in my opinion, the story has always been about Miae and Cheol helping each other, while the romance has been secondary. Cheol meets Miae at the lowest point in his life. For him, meeting her is more than a romantic relationshp, meeting Miae is a start of a significant turn in his life. Cheol becomes friendlier, more expressive and acts more like a young boy. Miae, on the other hand, learns to be more responsible when she is with Cheol, and he helps her out many times. The time that they spend together might be short for all we know, but it is truly something they will never forget. Interesting that the author has drawn them together in high school, wouldn’t that be a spoiler at this point? Well, it wouldn’t if they do not go to the same high school, in this case it would be a what if scenario. There are also a lot of illustrations on her social media, but they are not strictly romantic. This leads me believe that while Cheol and Miae will indeed fall in love with each other, it will be just a short period of their lives. Yes, heartbreaking, but very realistic if you ask me (as an adult, I’m speaking from experience). 

So, here comes the more controversial part. If Cheol and Miae do not end up together, what about the other characters? It’s a very interesting question. Because, for a long time, the webtoon did not have a clear second male lead. Second male leads are usually introduced only for the sake of creating drama between the main characters. We know from the start that they will not end up with the main character, but they are usually fun people with an unrequited crush, who are introduced at the beginning as part of a love triangle.We could observe the same pattern in Cheese in the Trap, the author’s other work. In Ho was shortly introduced after the male lead,they had a personal grudge against each other, fell in love with the same girl, etc. He was included in promotional art, but it was obvious he was destined to lose.

Let’s look at Unripe Apples from the same perspective. Jinseop is shortly introduced after Cheol, he has a fun personality and personal connections to Cheol. Does he end up as the second ml? No.He seems like the perfect candidate, but he only becomes Miae’s friend without romantic feelings. What about Jungwook? He’s Cheol’s friend, goes to the same academy as Mae, he is handsome and kind, another perfect candidate. But no. He never has any romantic feelings towards Miae. So, here comes the strange part. We are introduced to a boy way long into the story, Seo Jisu. His apperance seems random at that point of the narrative until we realize: but he has been there all along. In fact, if Korean theories are true, he has been in the story since chapter 1. Miae gets back her pencil, but it wasn’t Cheol’s doing. Soemone drags Miae away from the crowd at the sports festival. She dances with a faceless guy who keeps saying random things. They are sent out to the corridor for not paying attention. He finds Miae’s nametag and wears it. And, if the theories are true from the Korean raws, he went to the same elementary school and confessed he liked her in front of the whole class before transferring. So, this guy was truly everywhere in the narrative even before we were aware of his existence. But why?

If he was truly destined to be the second ml, why wasn’t he introduced earlier? Why was this character needed when we already had at least two boys who could have fulfilled the same role? Jinseop already created tension between the main characters, so what was the reason? Also, Jisu is weirdly separated from certain parts of the story. He doesn’t go to the academy, in fact, we never see him outside school. Jinseop is tied to Cheol’s past, and we see him a lot outside of school with Miae. And how does Miae see Jisu? She thinks he’s weird, while others characters think the same of her. Even though they recently made connection, she looks at him a lot, while they are not even friends. Miae had already had a lot of male friends from the cast, why was one more added? And why don’t we know anything about him? 

Well, here comes the final conclusion. I think Jisu will be the one Miae will stay with at the end. Otherwise I do not see why the author chose to drop so many hints of him even before his introduction if it wasn’t going to be important. If Cheol and Miae get separated, which is supported by the narrative, the most likely outcome is that she introduced Jisu to be Miae’s final love interest. Again, I’m not saying this because I prefer him over Cheol. I love both characters. I relate a lot to Cheol. It is my objective conclusion based on the narrative, if the author wants to portay a realistic coming-of-age story. It would be pointless if she created Jisu’s character only to create drama at that late point of the story, and honestly, bad writing, especially with how she built up his character in the background. Obviously, I can be wrong. The story will still be good even I’m wrong. But it’s an interesting possibility to think about. 

#aslfua #after school lessons for unripe apples #mi ae hwang #kim cheol #hwang miae #cheol kim #seo jisu #miae #cheol #jisu #unripe apples #theory #webtoon

[youngerfrankenstein]

So today I watched two movies where the deuteragonist goes kinda nuts and turns into a dragon thing, before the protagonist has to calm them down.

They were both a pretty fun time!

Promare is something I had been meaning to watch for quite a while but somehow never got around to. Glad I finally did!

Promare has quite possibly the Worst oppression allegory I have ever seen. A bunch of people are discriminated against because they burned half the world and killed billions (with a B!) of people. Also it’s not actually anything inherent to them it’s a bunch of alien parasites that will destroy the planet. However, since this is basically just an excuse for robots to fight other robots on fire… I can’t say I really care in the end. Promare is ENTIRELY style over substance, and I mean that in the best way.

The plot is breakneck and stupid. Most of the characters barely register as such. The dialogue is so dumb. And it FUCKING RULES! I’ve seen the film described as “Anime the Anime” and that does kind of sum it up. Everything feels like a ten year old boy smashing his action figures together and you can’t help but get swept up in the enthusiasm.

Helped by the absolutely (excuse the pun) FIRE soundtrack. The energy almost never lets up, and on-the-nose engrish lyrics just add to the experience. Even if you don’t watch the movie holy heck listen to the soundtrack.

The characters may be paper-thing but holy hell are they fun to watch. Our protagonist, Galo, himbo extraordinaire is as ridiculous as he is somehow charming. You can’t help but admire his drive to help people. And his foil, the ironically icy Lio, here to set fires and fight for his rights. Aina, a nice, spunky girl set up as a love interest for about five minutes before it turns out her character has more of a story based around her relationship with her sister. Which is a nice change! In fact the only romance in the story arguably involves CPR for plausible deniability. And our hero remembers to open the airway thank heck. Though whether intentional or just ship tease who knows? And who cares. You can guess who the villain is about ten seconds after he shows up and he is as much a blast to watch as the rest.

And really, this is a movie with a secret robot used to save the day called the Deus X Machina. A movie that ends with two shirtless guys setting the Earth on fire to stop the Earth from being set on fire. It doesn’t take itself too seriously and really neither should you. Let it sweep you away for almost two hours and you will feel much better afterwards.

-

I started reading Nimona around the time it was wrapping up as a webcomic. I have a copy of the graphic novel on my shelf. I was excited when I heard the movie had been greenlit (less so when I heard it was Blue Sky Studios), disappointed by the cancellation and, well, I’m happy it’s here now. While I’ve gotten grouchier over the years, it does make me smile to see these guys on my television, even if they’re not quite the same people either.

Because the movie is very different, and yet much of it feels similar as well. Certain scenes, like the board game, are almost directly from the comic, others are from the comic but not quite the same. The characters are different, Ballister is less jaded, Ambrosius less delusional and Nimona less, well, monstrous. She seems to more beat the snot out of people than commit mass murder. In the comic she’s every bit the monster people fear her to be, though a sympathetic one, and perhaps one who will heal someday. While the ending of the movie is far happier, it fits the new tone. And honestly? I need to stop making comparisons and judge the damn movie on its own merits. Of which it has many!

Our setup is fairly simple, Ballister BlackBoldheart is a new knight of the realm, who immediately gets framed for the murder of the queen and disarmed (heh) by his boyfriend Ambrosius Goldenloin, while on the lam he is approached by a shapeshifter called Nimona who is up for a little mayhem and hijinks. Together they try and clear his name.

My fist fear when I heard Blue Sky studios would be the ones releasing the movie was that a lot of the humour would be Quite Bad. And while there definitely is plenty of that, I think more gags hit than miss. Hell the movie got quite a few laughs out of my dad and he’s a fair bit less likely to chuckle than I am. It is quite a funny movie, which is good because it helps the harsher moments hit harder. Because there are also plenty of those, especially in the final act.

Speaking of, the film is somewhat surprisingly well paced. Scenes tend not to overstay their welcome and the movie flows well. What else flows well? The animation! (My segways not so much) Everything is very smooth, which is rather necessary for all the shapeshifting, and there’s quite an interesting scene made to look as if subway tiles are telling the story of Nimona’s origins (ish).

And the main trio really are quite fun to watch. Ballister, always the underdog, now a public enemy and trying to both clear his name and perhaps open his mind a bit. Ambrosius, golden boy, trying to do the right thing and not always doing a great job. And, of course, Nimona, who’s just here to break shit, though it is quickly clear there’s more underneath, also a pretty blatant trans allegory.

The relationships Ballister has with both the other two are sweet as heck, but also riddled with mistrust that they all have to work to overcome.

And while the movie does get a little preachy at times, it’s a kid’s movie. What do you expect? Rah rah fight the power, all that jazz. I may be too jaded for it but it certainly works.

—

Would recommend checking out both or either if they sound like something you’d enjoy!

#Promare #Nimona #I should polish this up more but ehhhhh #Quick thoughts I guess

[ordinaryschmuck]

What I Thought About The First Doctor's Run

Salutations, random people on the internet who certainly won’t read this! I am an Ordinary Schmuck. I write stories and reviews and sometimes draw comics and cartoons.

So, I’ve made a discovery…Almost every episode of Classic Doctor Who is available FOR FREE on Tubi! You know what this means?!

“More people can watch the early beginnings of the most iconic sci-fi series of all time?”

That AND I can finally review Doctor Who as a whole!

I won’t lie, this has been something I’ve wanted to do for a WHILE. Either as a ranking of each Doctor or a ranking of their best episodes, I’ve been wanting to go in depth with this series for SO LONG. And since the odds are I WON’T become a writer for television like I’ve always dreamed, I might as well talk about my favorite TV shows! Starting with the son of a bitch who started it all: The First Doctor.

Here’s what I know about the First Doctor: Next to nothing. My experience with The Doctor as a whole started all the way with Number Nine, with the only taste of One being through that Christmas Special a few years back. He’s definitely more cynical and rude than present Doctors, but this is way back in his early beginnings. NO ONE knew what direction this character would take years later and just focussed on making an interesting character NOW. Er, then? Now? Then?

Eh, bibbly-bobbly.

The point is that I’m going to TRY and not be biased with One, look at him as if I were right there in 1963. Unfortunately, unlike everyone ELSE in the sixties, I don’t have access to all the episodes. During 1968-1978, most tapes that held Doctor Who episodes were reused for new film or deleted completely for space, leaving NINETY-SEVEN episodes erased from time forever and causing twenty-six serials either gone completely or incomplete. It’s basically what streaming services and studios are doing nowadays, but without pirating sites as a safety net to preserve the art from being COMPLETELY lost. Now, there are some audio tracks saved for commercial release that feature still images or commissioned animation, but that’s not the case for every episode, unfortunately. So things are going to get a little…weird for this review. For now, I’ll say that I’m going to stick to what’s on Tubi and improvise with what’s NOT on there. Also, I’m not going to go through every single episode. Just share my thoughts on each serial as a WHOLE, mainly because those practically add up to modern episodes anyway, just an hour or two longer.

Now, with that said, let’s take a step back in time as we discuss the first adventures with our first Doctor.

Decades Old Spoilers Below

THE SERIALS

We’ll begin by going in order of each serial, starting with his first adventure and ending with his last. Helps go through this journey together.

The Unearthly Child: Okay, full disclosure, this one’s NOT on Tubi, so I had to look it up through…other means. But to be fair, it’s not like I could just IGNORE The Doctor’s very first adventure. It’s here we see a sort of formula that still remains constant to this day. The Doctor meets new companions, they become shocked by how the TARDIS is bigger on the inside, they go to a place that’s filled with a temporary cast of disposable characters, and are forced to solve a problem for them or die trying. Of course, some things are different, and not just the inside of the TARDIS. The fact that The Doctor had a granddaughter was mind blowing and left me wondering what happened to her since she never showed up ONCE in the revival. And The Doctor was…surprisingly inactive despite being the titular character. He caused more problems than fixed them, like being the reason everyone was trapped in the Stone Age and later becoming the person who needed to be rescued. Honestly, Ian proved himself more as the leading man than The Doctor did throughout the whole ordeal, calling the shots and even being the one who came up with the plan that got them OUT of danger. Even when taking account that this was just the show starting out, it seems weird that the titular character isn’t the one who leads the group and is instead the whiney bitch that the others just tell themselves to ignore. As for the adventure, it’s pretty dull. Granted, you need to introduce audiences to the concept of time travel by showing them something easy to grasp like going back to the stone age. You gotta save weirder stuff for the future episodes. But the characters getting chased around by cavemen isn’t really that engaging, and it REALLY drags down a lot by part four where the conflict feels stretched out to meet the full twenty-three minutes. Overall, not that great of a first introduction but most of the best series of television rarely start off perfect. The question is if it makes me want to see more, and…it honestly doesn’t. If not for the knowledge of what the series would eventually become, I’m not sure WHY someone would stick around. But the Doctor Who fan in me is strong so I say we keep charging on.

The Daleks: The first encounter with The Daleks, the Doctor’s WORST enemies, and the serial is much better because of it. It’s actually interesting to see how these villains began with how simple they are to fight, the fact that they don’t INSTANTLY kill others they attack, and how they actually keep PRISONERS. And the serial does a great job at showing how they’re definite menaces to be feared, but not impossible to defeat, creating decent tension as the characters try to fight back literal killing machines. I also love how every character throughout the serial does something important, especially The Doctor who manages to do much more this time than whine and complain as he actually uses his intelligence to help his companions out of this troublesome situation. Although, he’s still the jackass that got them all trapped in this situation all for the sake of exploring a town that they know NOTHING about. There’s definite improvements to his character this time, but The Doctor being the cause for their current conflict is not one of them. And while we’re on complaints, this serial STILL feels like it stretches its adventure out for the sake of making the serial longer than it should be. There’s some definite excitement in the first half with our core four characters trying to escape the Daleks, but this serial still didn’t need to be seven gosh dang episodes long. I feel like there’s some meat to be cut out with making the Thals stand up for themselves, conceiving a plan of attack, and invading the Daleks’ base. Other than that, this is still a pretty decent serial filled with great tension from the Daleks and strong chemistry and dynamics between our core four. It’s definitely stronger than the last serial and a MUCH better introduction to the series. No wonder it’s the one that Tubi has.

The Edge of Destruction: A nice, short mystery where the first half does really well in making you feel as disoriented as the rest of the cast. There’s this solid unease where you’re not sure what’s going on and you’re left to pick up the pieces, bit by bit, to figure out what happened and if there’s anyone or anything responsible for this mess. Although, part two tends to fall a tad short because most of the clues we got were then explained to the audience and then given this big explanation that came out of left field because the biggest clue wasn’t revealed yet. So as a mystery, it definitely isn’t strong. Though, I do like how The Doctor is the one to figure things out and save the day in this serial. Sure, him being antagonistic towards the others wasn’t great but I enjoy how The Doctor has finally warmed up to his companions and that it’s implied that he no longer chooses to be suspicious of them. So while the mystery fell short, I can’t complain when it improves The Doctor’s character.

Marco Polo: Unavailable on Tubi due to the BBC deleting episodes. Yeah, unfortunately, this is our FIRST serial that can’t be seen in its entirety through official means…Though, no one said anything about using transcripts.

HAHA! Loophole! Because while I’m not going to steal audio-only episodes for the sake of reviews, who’s going to stop me from READING. It’s not stealing episodes if I’m just reading what happens! Although, unfortunately, it only gives me a PART of the picture. I won’t understand performances or fully grasp how characters look, but it’s no different from strictly LISTENING. There’s a lot that unfortunately goes missing when a visual media loses its visuals, and for a case like this it’s best to work with what we have. And what I have is the story pretty much described to me by someone else. It’s not preferable, but it IS what I can do for these times. Remember this every time a studio deletes episodes or entire shows off its platforms.

With that said, based on what I’ve read…Yeah, this one DRAGS. It’s The Doctor and company being forced to move from place to place and dealing with Marco Polo as they do. Doesn’t sound too bad, but each place they go to follows a specific formula: Someone does something Polo doesn’t like, he voices displeasure about it, The Doctor and others argue their case, Tegana points out how they’re actually evil, and Marco Polo, who flips from being reasonably cautious and unreasonably stupid, constantly tells them to get out of his face while still dragging them off to the next location. This goes on for SEVEN EPISODES, each one making the whole serial feel way too long and way too repetitive. I kept hoping this would be the end of the serial and we could move on to the next, only for it to KEEP. F**KING. GOING! It’s so dull that I needed TWO DAYS to read through the damn thing. But maybe that’s the problem: I had to READ it. There might be subtleties in the VISUAL performance that better conveys Marco’s personality, even if it DOES seem to flip/flop on paper. Plus, there are some things like the set designs and special effects that a transcript could gloss over and not properly convey. And there are SOME nice bits like The Doctor trying (and failing) to win the TARDIS back in a game of backgammon, which is all kinds of fun. And Susan made an endearing friendship with Ping-Cho. Those two are surprisingly adorable together and it’s nice to see Susan make a connection with someone her own age. Other than that, though, if this wasn’t that great of a story on paper, the original serial better have some MIND BLOWING execution to make it great. Otherwise, maybe fans aren’t losing much if this serial is lost to time.

The Keys of Marinus: A pretty clever idea with this one. The story for this serial is that The Doctor and his companions are out searching for the titular Keys of Marinus, presenting a story that’s a fetch-quest, with each episode dedicated to the characters finding one key. It’s smart because instead of stretching out one adventure to make the serial longer, it connects four adventures through this loose thread, keeping audience interest up as everyone tries to get out of the danger of the week. It’s fairly effective, filled with great moments like Barbara trying to save the core four from being brainwashed into mindless zombies, the entirety of “The Snows of Terror,” and The Doctor solving a murder. It’s all good fun, but not without some problems. An episode like “The Screaming Jungle” feels like it needs more time as there’s a lot of ideas that don't live up to its full potential or come out of nowhere. Like, a living jungle SOUNDS cool, but it only really comes into fruition until the end. There’s also the fact that the search for the last key feels stretched out because the writers didn’t realize soon enough that the finale for this serial was too short so they made the final hunt longer to compensate. But what bothers me the most is that The Doctor just…leaves the hunt just to spend time in a more civilized society. It works out for the murder mystery, but it also feels weird that the titular character bows out for two whole episodes, leaving his companions to do all of the work he neglects. Honestly, at this point, I’d say Ian should be the one the show is named after with how well he leads the party and even comes up with a clever plan to stop the big bads. And I know I keep harping on it, but why name the show Doctor Who when that same doctor hardly helps? Still, “The Keys of Marinus” is a fun serial that leads to solid short tales, even if there were some rough steps along the way.

The Aztecs: Oh, this one’s racist, isn’t it…? You know what? I’m as white as a ping-pong ball and have the patience of a goldfish to do proper research myself to make any judgments to decide something that I have no official standing on. So I won’t be the one to say what is and isn’t racist…Aside from the fact that those are obviously WHITE people playing the Aztecs.

But possible racism aside, this serial is more on the dull side. I do like this conflict between The Doctor and Barbara, where Barbara tries to change history for what she thinks is for the better (Which means changing the history and culture of Aztecs–Let’s not get into it) where The Doctor tries to convince her that there’s no way to change history. Future episodes continue to dive deep into the idea that history cannot be altered no matter what the characters want, and it’s interesting to see one of the first instances where the characters learn this the hard way. I also love how it ends on this idea that while they couldn’t change what happened, they still touched the lives of those they’ve made relationships with, meaning that it ALL wasn’t a loss. It’s a shining light of optimism within the tragedy that becomes a reoccuring theme through a lot of future episodes, and I love it each time. But other than that, this serial is another one that DRAGS. It’s just The Doctor and his companions screwing around with Aztecs for two hours while this boring subgroup conspired against them. It makes the whole serial feel like it’s running in place for too long, and I feel like if it cut out ONE episode or maybe shorten it down to two, the serial could be stronger for it. It’s also weird how Barbara is, like, a different person in this. Like, I get it, she’s acting like a goddess, but she seems TOO good at her performance, almost as if the writers wrote her as an ACTUAL goddess and not a character PRETENDING to be one. It feels off a lot of the time, and it’s just one more thing that makes this serial weak. Even though I like the idea of characters trying to fight hard to change history, that’s something done MUCH better in the future. It’s a charming first attempt, but not one I’m willing to revisit.

The Sensorites: A pretty…substandard serial. The titular Sensorites start off pretty scary and intimidating, being unlike anything the show has produced so far in this run. It presents a bit of uncanny horror for a good while…But then the serial reveals that they’re mostly peaceful creatures, aside from a few devious outliers, who actually need help. It’s a decent twist that also leads to The Doctor being the most active he’s ever been. The way he goes about finding a cure for this mysterious illness and taking charge in dealing with any dangerous Sensorite made it feel like, for the first time, he deserves to have the show named after him. I like it…but it doesn’t stop the serial feeling like it’s a little aimless at times, almost as if it’s drifting by for six episodes. We get some good stuff from it, but storywise it feels like we’re just bouncing from scene to scene as if the writers are making stuff up as they go and presenting coincidences that foil some villains’ plans. And then there’s this out of nowhere idea that this subgroup of humans lived under the Sensorites for so long, but there was never any indication of this and it’s presented in the VERY LAST episode, making it an almost pointless idea that went nowhere. I’m glad to see The Doctor become more  of a leading man, but I would have preferred it in a better, more coherent serial.

The Reign of Terror: MOST of the serial is intact…aside from two episodes. Meaning that it’s incomplete and not available on Tubi, so…ONTO THE TRANSCRIPT!

On paper, this whole thing seems like a drag. It starts interestingly enough with The Doctor being separated from his companions as they’re taken prisoner during the French Revolution. It leads to Ian, Barbara, and Susan trying to escape while The Doctor tries to reunite with them (instead of pissing off for half the serial), creating this situation where everyone’s putting in the work as they share the same goal. The problem is that, like the REST of the serials before, the characters fart around for too long just to stretch the story out to reach a goal. They will escape and then get recaptured for the sake of forced tension, and by the time Susan and Barbara were in prison again I just wanted the serial to come close to an end. Thankfully, by then, there were two episodes left, but it doesn’t change how it’s all two episodes too long. The only thing to catch my intrigue later was Barbara wishing they could help Robespierre from getting killed and The Doctor reminding her that they can’t change history. I still love an idea like that, but here, it happens near the very end and there’s barely enough time to appreciate it or dive deep into it. In fact, this could have been a great “Can’t mess with the past” episode, but it’s just…the characters trying to escape a situation and spending too long on it. The worst part is that this is the Season One finale, the time to go for broke, and it’s just…the same old thing with the same old problems as previous serials. Maybe it worked better visually or even through audio, but on paper it’s just as slow and boring as ever. Hopefully the next season starts big.

Planet of Giants: Huh. Guess it did. Just…literally.

Jokes aside, I am impressed with the set design in this serial. I can tell everyone worked so hard to set the scale, making you feel how small these characters are. Sure, you can tell exactly HOW it was done, but for the sixties this all must have been mind blowing work, especially for a TV show. As for the story, it’s…adequate. The characters are trying to prevent these two men from making an insecticide that could do more harm than good while also trying to find their way back to the TARDIS to reverse their size. It’s not the BIGGEST (ha) danger in the world and it’s something they could have stopped easily at normal size. If they focussed on growing again, they could have stopped the main evil prick within seconds, so the majority of the serial is just them messing around by trying to stop him while they’re an inch tall. And there’s also the fact that Barabara held the idiot ball throughout the serial, touching something in a lab when she shouldn’t have and keeping that information to herself for far too long. Like, WHY didn’t she tell the others she was infected with the insecticide? We never got an answer for that and it’s kind of frustrating as it adds unnecessary tension to a serial that doesn’t really need it. The characters trying to get big again is more than enough, we don’t need a nefarious plot about an insecticide gone wrong or one of the characters getting sick from it. But while the story definitely could use some improvements, the set design really does carry it, being an impressive visual display even if it’s for an inferior serial.

The Dalek Invasion of Earth: OOOOOOOOOOOOOOOOOOOOOH, so THAT’S what happened to Susan…Anyways, the best way I could describe this serial is two steps forward and one step back. The cinematography is impressive, looking like a feature film at times with dynamic shots and cool ways that the camera follows the characters. BUT the direction seems to be all over the place. Most of the time, it’s fine, but then you get stuff like actors interrupting or talking over each other or moments where peripheral view is…not a thing. There’s even a part where a Dalek is looking RIGHT AT THE DOCTOR as it’s moving away…and it just continues moving onward as if nothing happened. It’s actually kind of hilarious at times. And speaking of the Daleks, this serial did a great job showcasing how threatening and evil they can really be. The twisted way they used humans as slaves to destroy a planet is sick and seeing how that broke the human mind and ruined their families proved that the Daleks are nothing to be messed with. The problem is that the serial shows how easily they can be messed with. Like, even if they doubt the intelligence of normal Earth people, it’s not a smart plan to have a way for them to escape their prison cell WITHIN THE CELL ITSELF! And how is it that they can blast away people no problem but struggle with the robot slaves they made? I don’t know how it’s possible, but this serial manages to make these tin salt shakers MORE and LESS terrifying. On the upside, our heroes are at least competent in this adventure. Much like the last encounter with the Daleks, everyone does something of value, only this time they’re all split up to accomplish their own task that actually helps the others in a way they wouldn’t expect. It DOES feel like some plot lines are a little aimless with some of our cast waffling about a little longer than they should, but it all leads to a great ending when they reunite once more. 

And, of course, there’s the sad departure of Susan. It’s performed well and does a decent job of making me FEEL a little sad when The Doctor allows Susan to leave so she can live a life of her own without being forced to travel everywhere with him. I liked it…though I do have issues with how the reason that she wants to leave is because she fell in love with a man she’s known for a few days. It’s part of the writing of the sixties, I know that, but it doesn’t change how WEIRD it feels that Susan is willing to give up everything she knows for someone she recently met. So while I enjoyed the scene, it felt very flawed, which is the same for the whole serial. I enjoyed it a lot, but there were a few imperfections here and there that made “The Dalek Invasion of Earth” a messy, albeit fun, serial.

The Rescue: This was a blessedly short serial. The big twist was fairly easy to figure out after Part One, and if this serial was stretched out for more than two parts it would hurt it significantly. We don’t need four parts of the characters farting around, picking up little clues, and then solving the big crisis within minutes. So having the story last for about two episodes leaves for a brief adventure that works well on its own while also introducing the audience to Vicki. And I’ll admit…I’m not too sure about Vicki in this serial. She comes across as a less competent Susan who cries more and doesn’t have the same intrigue Susan did as being The Doctor’s granddaughter. It’s obvious that she’s there as a replacement for the “The Young One” in the group and it doesn’t work for me. What DOES work is how The Doctor is presented, as he acts much more like The Doctor I know now. He’s active towards figuring out what’s going on, caring towards Vicki and consoling her when she needs it, and is the one to confront Bennett in the climax of the serial. I do like how it’s sort of a slow burn with The First Doctor, showing him eventually grow from the bitter old man who couldn’t care less about anyone else to a more kind and proactive character due to the adventures he went on with his companions and the people that they meet. I still say it was off to name the show after the guy who didn’t do much, but The Doctor’s slowly earning his role as the leading man and I enjoyed that this is one of the earlier starts of them becoming the hero we know now. So while this is a standard serial, it does give us one of the better presentations of The First Doctor.

The Romans: *INSERT DATED ROMAN EMPIRE JOKE HERE*

Anywho, this one’s pretty entertaining. There’s basically two sides of this serial’s story: The Doctor and Vicki hanging out with Nero and his hysterical nonsense and Ian and Barbara being stuck in the slave trade…Yeah, probably sounds like the tones would heavily clash with this one, but it surprisingly flows well. You laugh at the hijinks of The Doctor acting as a close friend towards Nero while feeling empathy for Barbara and Ian as they’re forced into the worst possible position in Rome. There’s even equal attention to both plotlines, making them balance each other out fairly well that leads to the serial feeling fast but fun. The only thing that drags it down is how it begins and ends. The cut between the TARDIS falling and The Doctor and Ian chilling out in Roman attire felt jarring. Same goes for the reveal that they willingly stayed in Rome for a whole month instead of focussing all attention on fixing the TARDIS. I suppose it would come across as a pleasant holiday, but then they say they’ve been hanging out in someone else’s house while they were away and that’s…odd. It’s odd that it worked out like that for a whole month. Same goes with the ending, where The Doctor feels giddy at causing the fire of Rome. Even for the First Doctor, it doesn’t seem right that they would take joy in causing such destruction and mayhem. But aside from the problems in the beginning and the end, everything in the middle of the serial offered great entertainment for a pleasant viewing for me.

The Web Planet: AAAAAAAAAAAAAAAAAAAAH! MY EARS! For whatever bizarre reason or another, SOMEONE decided to give these giant ants the most ear-piercingly irritating sound for how they communicate. It was already grating by the first episode, yet they still thought it was a good idea to use the same sound, continuously, FOR SIX EPISODES! Halfway through the third, I genuinely considered skipping the rest of the serial entirely because I couldn’t STAND those f**king ants! Thankfully, I remembered that subtitles were a thing, so I just played the rest of the serial on mute and just read the subtitles. Trust me when I say that is the only way to make the damn thing watchable. And even then, it’s not that great of a serial anyways. It’s the characters helping these anthropomorphic bugs with slightly less annoying (but still pretty annoying) voices in a rebellion against the ants. I’m all about it, because screw those things, but it’s still a bog-standard adventure with some admittedly impressive costumes and effects for the time. I don’t know, maybe it’s because I couldn’t stand LISTENING to this episode, but I would have been completely fine if this was one of the few serials lost to time.

The Crusade: Speaking of which, HALF of this serial is missing and not on Tubi either. So ONTO THE TRANSCRIPTS (Gosh dang it…)

I think the problem with this serial is made clear with how it begins. We have new characters talking about political nonsense as if we, the audience, should already know the context of what they’re saying. Then when we’re introduced to the core four, they’re thrown into the middle of a battle with no proper set-up that their conflict of Barbara getting kidnapped happened so fast that it barely registers. This slow pace of boring politics with characters we don’t know and fast paced attempts of Barbara trying to escape her kidnappers remains throughout this whole serial. MAYBE it was handled better visually, but the way the serial constantly introduces new characters to discuss politics while The Doctor and his companions are barely there makes the whole thing feel like its priorities are disjointed. There should be more focus on Barbara trying to escape while the others go out to save her, but there’s so much attention on the politics and trying so hard to be historically accurate or whatever and it…doesn’t keep my interest. Not to mention that the constant new characters to keep track of as they steal attention is not all that entertaining and causes the whole serial to seem like it forgets who the show’s really about. I just wanted it all to end, as I feel like this is one of those serials that aren’t better on paper nor through execution.

The Space Museum: This one starts off pretty confusing, first intentionally and then unintentionally. I’m just as lost as the characters are, wondering what happened to them and what’s to come of it. It effectively puts me in the mindset the serial wants me to have, but then they give this explanation that just makes my brain hurt when I try to think about it too long and hard. Thankfully, the premise that the serial tries to sell is simple enough to shrug off the nonsense of time and relative dimension or whatever the hell. Basically, The Doctor and his companions saw a vision of what COULD BE their future, and the whole serial is them trying to make sure that never comes to be. It’s a solid premise that’s effectively tense in a lot of scenes as the characters seemingly get closer to what could be an inevitable future. Added with some fun moments of The Doctor being a giggly old goof as he screws with his enemies and it’s a fun time. The only weak part is this subplot involving the most ineffective rebellion I’ve ever seen, where it’s a miracle that they survived this long until they received help from Vicki of all characters. Though, even then, the subplot does well to show how independent Vicki can be in a situation AND adds to the theme that a person’s future can be changed if they changed the lives of others. It’s a decent message that helps make the serial a surprisingly good time. And yeah, that ending sting made me excited for the next one. Speaking of…

The Chase: This was…not what I was expecting. In the last two encounters with The Daleks, it was a big, tense adventure with the characters struggling to find a way to beat them. Here, it’s more like “The Keys of Marinus,” a collection of small adventures as the characters are chased through space and time as they try to escape The Daleks. It’s less of an epic adventure and more of a mixed bag of fun escapades and…awkward distractions. For example, watching the characters get stuck in a haunted house or fighting a robotic Doctor can be entertaining, but them interacting with this weird, underground civilization or this man from Alabama just drag it to a halt. Thankfully, the worst of it is only in the first half, making it a serial that starts slow but picks up momentum as things go on. There’s also some decent money put into this, having some impressive sets that change each episode, some crazy special effects for the sixties (the part where there’s two Doctors still looks good), and some creative camera angles that give a more cinematic feel. I dare say that this would be an impressively put together serial that is mostly fun despite some awkwardness.

But the real meat of this is that “The Chase” ends with the departure of Ian and Barbara. I will admit, the pacing upon their exit felt a bit too fast, with their decision to leave coming out of nowhere and their return home not giving us enough time to appreciate them appreciating Earth. Although, as weird as the pacing is, The Doctor’s heartbreak to see them go is well-acted and believable. You can tell that he’s less upset about the risk that comes with using The Daleks’ time machine and more upset about the idea that they want to leave in the first place. It’s odd that he feels more upset over two humans than his granddaughter, but this is still a moment that introduces the tragedy of The Doctor. They’re a character that’s always on the move, going from one part of the universe to the next and having to say goodbye to every friend and companion they ever make. They WANT to keep company, but know that their companion’s departure is always inevitable. Yet it breaks their heart just the same. I FEEL that tragedy here way more than with Susan, where The Doctor seemed more than willing to let her live her life. But with Ian and Barbara, these two humans who left an impact on him, they’ll stick with The Doctor’s heart for a long time.

The Time Meddler: The premise of this one is great. A time-traveler disguised as a monk is screwing with time to make himself the most important person in the universe. And The Doctor, being the biggest defender of time and space, tries to stop him. It’s a perfect idea that fits perfectly with who The Doctor is while giving him a true foil that he won’t have again until meeting The Master. It’s actually a ton of fun watching what’s basically the Beta Master trying to mess with history just for the pure selfish reasons of self-importance. And I do say that the serial perfectly captures that idea…by Part Four. Yeah, the majority of the first three parts are about hinting at what The Monk has been doing and padding out the runtime with characters screwing around in the woods or the monastery. By the time we get to Part Four, it does work well with the premise, having The Doctor and The Monk try and outsmart each other for victory with The Doctor, of course,  coming out on top. And I’ll admit that it was great seeing The Doctor take charge without someone else stealing the show as the leading man. What, do you think that the new guy STEVEN is going to take Ian’s place as the take-charge companion? Get the hell out of here…

But, yeah, while the first three parts DRAG, “The Time Meddler” at least ends on a high enough note where I say it was worth the watch. I’ll likely only return to that final episode instead of watching the whole thing, but what are you gonna do?

Galaxy 4: Unfortunately, this is another that’s been deleted from history. HOWEVER, it’s still on Tubi…Sort of. Because the audio logs are still intact, they had the whole serial reanimated by Digitoonz Media & Entertainment. And it’s…distracting. Not because the animation is bad. I mean, yeah, it’s not GREAT, but what’s distracting about it is that the animators tried their hardest to give this serial a cinematic feel, having grandiose backgrounds and doing things the actors and set designers wouldn’t be capable of doing. It’s entertaining to see, but leaves me questioning what the original episodes would have looked like. Because there is NO WAY this animation is an EXACT reenactment of what happens. But I’m not really complaining because there are some good stuff that comes from making this serial animated, like having all of Maaga’s forces exact copies of one another or actually seeing the destruction of the planet as Maaga is forced to watch it fall apart around her. I like a lot of this stuff, despite the distractions. As for the story, it feels blessedly quick, albeit simple. I saw the twist of Maaga and her weird ass clones being the real evil a mile away, but this WAS likely one of the first instances when a story presents the nice looking creatures as evil where the ugly looking ones are good. I can give it a little leeway for that, especially since “Galaxy 4” makes it clear that it’s MAAGA who’s the real villain whereas her clones are more or less drones following orders to appease their crooked master. There’s actually a bit of tragedy to the clones where they don’t get a chance to think on their own and do what their master says because it’s all they know. It effectively makes you feel bad for them as you also feel grateful that Maaga dies knowing it was all for nothing. And, again, it all goes by fairly quickly, making a serial that feels short and to the point. I couldn’t ask for better and I REALLY wish there were more lost episodes that were animated. Would have at least made for a more unique experience than reading transcripts to ones that are lost.

Mission to the Unknown: Speak of the devil! At least it’s only ONE episode…And a pretty decent one at that.

This is the first time where we don’t follow The Doctor or any of their companions, but instead some one-off characters. This would happen on occasion, with one of the most popular examples being the episode “Blink,” showing great tension as we watch these characters try to survive without a Doctor to save them. It’s no different here, as “Mission to the Unknown” features two men trying to warn the galaxy of a master plan of the Daleks, setting up a future serial while also standing well on its own for a quick adventure that ends in unfortunate death. It doesn’t give us enough time to really CARE about them, but that might have something to do with me reading it too fast. It’s still a solid episode that leaves one fearing for what’s to come later.

The Myth Makers: And another for the transcripts. Son of a bitch…

It’s not easy to tell strictly through text, but I think this is meant to be a more comedic adventure. In past serials like “Marco Polo” and “The Crusade,” they bore me by forcing in politics and dull characters, likely for the sake of “Historical accuracy.” Here, it’s The Doctor and his companions dealing with idiots on both sides of the Trojan War, with historical accuracy most definitely thrown out the window as people are more familiar with the version in Homer’s Odyssey. It is much more entertaining to see The Doctor try to appeal to the whims of a meathead like Odysseus and watching Priam and his family bicker about Cassandra and the legitimacy of her visions, rather than getting lost in the politics. It’s fun, but I’m curious if it’s meant to be. You have obvious comedic moments like Steven’s quickly failed rescue attempt and Menelaus wanting a drink after hearing The Doctor’s Trojan Horse plan, but the majority of the lines also don’t strike me as TOO humorous. That’s largely because the way an actor delivers a line versus how it’s written can give two different reactions, and it’s why READING the lines doesn’t leave as big of a comedic punch as hearing an actor say it in a funny way.

“Well, then listen to the audio versions.”

I’VE READ SO MANY TRANSCRIPTS AT THIS POINT! I’M IN TOO DEEP NOW!

But I will say that if the point WAS to make this adventure more comedic, then it makes the inevitable fall of Troy feel all the more tragic. I didn’t want the Trojans to die! They were FUNNY! And because they made me laugh a little, it hurt seeing them killed, even if I should have expected from the beginning.

One thing I didn’t expect, though, was that this was Vicki’s departure. Which I wouldn’t have minded if not for how it’s weirdly unceremoniously done. There’s no final goodbye and it feels like it breezes past The Doctor saying he’ll miss her. And her reasoning is just…dull. She leaves because she liked a boy, much like how SUSAN left. I guess there WAS a bit of foreshadowing given how Priam changes Vicki’s name to Cressida, a female character in retellings of the Trojan War who famously falls for Troilus. But even then, it still feels weak and even strange that Vicki would willingly choose to stay in a time she doesn’t live in for Troilus, a boy she knew for about two days. I know it’s something that just…happens back then in 60s fiction, but makes for an off addition to an already entertaining serial.

The Daleks’ Master Plan: SWEET MOTHER OF ALL THAT IS HOLY, this is the LONGEST serial yet! Possibly the longest serial in the show’s history! And the weirdest part is that only three episodes of it still exist, which is crazy not only because of the length but also because it features The Daleks. Even back then, it’s pretty clear that The Daleks are the fan favorite villains of the series, with the writers inserting them in when they can. And you would think that major characters such as them would be more valuable to protect, but no. All we have are mostly audio logs…And transcripts for yours truly.

Which is a shame too, because…this is a frickin’ GOOD one! Quite possibly the best serial I’ve ever read yet! The plot is basically characters playing keep away from each other, chasing after this insanely impressive element that The Daleks want to use for another doomsday weapon. And I just loved that the second The Doctor saw The Daleks, he knew that they needed to be stopped. He wasn’t forced into it or was trying to survive The Daleks attacking first. After three whole adventures of dealing with them, The Doctor finally put two and two together to realize that The Daleks just existing is enough to know that nothing good can come from it. So he takes charge on an adventure that’s definitely a little too long but reads as incredibly grand. It’s sort of a repeat of “The Chase,” where The Doctor and company go from place to place, planet to planet, so they can avoid The Dalek’s capture, but there’s some things that make this serial stronger. For one, the stakes feel real this time, with characters who assist The Doctor and Steven on their journey getting killed unceremoniously or tragically. You’re given enough time with Bret, Katarina, and Sara that when they meet their end for the sake of saving the group, it makes you feel a little something. The whole serial comes to a close with this idea that while victory was met in the end, The Doctor and Steven still take a moment to reflect on the lives they lost to win. It really sets how grim and deadly this adventure was, showing characters could die whether they’re ones you care about or even enemies to The Doctor. Speaking of, this serial also works in giving more unique foes outside of STRICTLY The Daleks. You have Chen, an arrogant and egotistical dilweed who’s maniac drive to be ruler of the Universe and doing anything to get it makes you enjoy his untimely demise all the more. There’s even a surprise return of The Monk, who sets himself more as this pathetic failure of a villain as he stumbles constantly to one-up The Doctor only to be outsmarted every turn. Both mix things up well while also making it clear that The Daleks are the real threats as Chen and The Monk follow every command due to fearing for their safety. It helps make the serial feel like a more unique adventure compared to past ones with The Daleks, adding more life, energy, and intensity to it. The only time I was taken out of the whole thing was this random Christmas special that got inserted halfway through. It distracted from the plot way too long and was filled with jokes that were probably funny VISUALLY and maybe AUDIBLY, but not so much when you’re reading it…like I did. Still, that’s ONE episode in a twelve episode long serial. Being entertained with eleven out of twelve episodes is still a great feat that makes “The Daleks’ Master Plan” a masterclass serial. Now can we go back to actually WATCHING these episodes again?

The Massacre: Guess not…

And this one’s one of the worst, if not THE worst. “The Massacre” has the same problems as “The Crusade.” So much of this serial is focussing on the politics of the historical event taking place, watching these characters you barely give a shit about with the main cast you love getting pushed to the sidelines. Except that while “The Crusade” had the charming cast of THE DOCTOR, Ian, Barbara, and even Vicki, “The Massacre” focuses on Steven. And I’ll get into the specifics in a moment, but I do NOT care for Steven. So to have four episodes focusing on boring historical politics and a character I do not like, it’s pretty easy to pick up why I dislike this serial the most out of all of them. I’m not kidding when I say that the best part about it is the moment where it seemed like Steven was leaving. Before you say anything, it’s not because it gave me hope that Steven was gone for good…Okay, it’s partially because of that, but it’s mostly because of this moment where The Doctor reflects on the people in his life and how he misses them. He even corrects HIMSELF when getting Ian’s last name wrong, showing us that he cares enough to get it right now because he misses his friend. It’s a bittersweet moment that proves how much The Doctor loves each companion they’ve made, even the first few people they’ve met in this first life. It was beautiful…and then it got undercut immediately to introduce Dodo and shove Steven back in as he changed his mind. The one thing I liked about this serial, and it’s ruined by itself. Yeah, this one’s definitely the worst, and I’m not missing it.

The Ark: FINALLY, something I don’t have to READ!

“The Ark” surprised me for a second. I knew going in that it was a four-part-long serial, but by the time Part Two met its end I was confused. It seemed like the story was wrapping up as The Doctor and company cured a ship of the common cold and went off to a new adventure. Only for the TARDIS to appear in the same exact spot many years later with a new problem caused by their actions in the past. Already, I love this premise. We almost never return to the same place twice with The Doctor, where after they save people from this great threat they always head off, assuming everything is fine. This is the first time we actually see what happened to the people that The Doctor saved, only to find out something worse happened to them. It’s a solid premise with good enough execution. I like that this whole thing started with an accident. Dodo just happened to have a cold and didn’t expect the consequences that could come to a species that never experienced it. It puts The Doctor and company in a situation where you don’t BLAME them for what happened but you understand that they have to clean up this mess they caused. I also find it brilliant that the first half of the serial has The Doctor and his companions dealing with rouge Guardians and the second is rouge Monoids, giving this message that both parties aren’t innocent creatures and that peace can only be made when they learn to live together instead of treating one species as slaves. It’s a bit muddled as we don’t really see much of the extent that the Guardians treat the Monoids and how disrespected they are. It gives the idea that the creepy-looking creatures who look different are more at fault, especially since the human Guardians are the ones who assist The Doctor in both halves. There’s never any assistance from the Monoids, which makes it feel like peace might not be the best option. I wouldn’t harp on it if not for the fact that several serials back in “Galaxy 4,” we had the same message of “The ugly ones aren’t evil” with decent results. Still, the idea and meaning is clear as no one’s really, wholly good. Just could have used some cleaning up on showing the good side of the Monoids, making “The Ark” having a strong story ARC.

HAHAHA–Kill me. Next one!

The Celestial Toymaker: All but the last part of this serial is missing, so…onto the transcripts.

I mean it, kill me.

(I don’t actually mean it. Just…been doing this for a while)

This serial introduces The Toymaker, a character that would only reappear once more…fifty-seven years later with the incomparable Niel Patrick Harris playing the role. And speaking as someone who got introduced to this character through NPH doing random accents and a random ass dance sequence to “Spice Up Your Life,” I wasn’t sure what to expect from the version in the sixties. Turns out, while he’s not as bombastic and jovial as Niel Patrick Harris, The Toymaker is still the most unique villain that The Doctor and others have come across so far. The Doctor isn’t kidding when he says that The Toymaker loves using people as his playthings, sending out dolls, board games, playing cards, and all sorts of other traps to entertain himself with The Doctor and his companions. And while Steven and Dodo aren’t the best duo in the world,, they’re at least paired up with despicable and hilariously incompetent antagonists as The Toymaker sends out his toys against them. You’re entertained by them, but at the same time you feel bad for them when they fail because they’re all trapped souls captured by The Toymaker. Or are they? The serial cleverly keeps you guessing whether or not these toys were once people, leaving it up to interpretation on if it’s all a part of a trick he’s playing. It adds a bit of tragedy to the goofs and gags, which I certainly appreciate. Then you have The Doctor’s game with The Toymaker that adds intensity, as he’s trying his best to stall to win the game until Steven and Dodo find the TARDIS. And, sure, I would have loved MORE to actually SEE The Doctor beat The Toymaker in a battle of wits as opposed to watching Steven and Dodo going through a goofy, silly adventure, I’m not complaining too much for the end result. “The Celestial Toymaker” is still an incredibly entertaining serial that has every character working well together to survive and being competent as they win their own game. Although, I do have to call nonsense towards Fourteen in “The Giggle.” Saying that cheating is the last thing The Toymaker would do when that’s all he does in this serial…Nonsense.

The Gunfighters: This serial finds the characters in a wild, wild west adventure, and this one’s definitely meant to be a more entertaining ride rather than an epic adventure with huge stakes. You’ve got fun stuff like Steven being forced to sing at gunpoint, an outlaw playing dentist as he rips out The Doctor’s tooth, Dodo fainting as she attempts to hold a man at gunpoint, and British people trying to do western accents. It’s definitely a good time, but it also feels like the writers leaned too hard into this being a western. All the tropes and cliches seem present and it’s definitely enjoyable, but it doesn’t feel like a Doctor Who story. The characters are pretty much in the background as we follow the narrative threads of these outlaws and a sheriff. Sure, they’re entertaining as well and don’t make the serial drag like “The Crusade” and “The Massacre” did, but at the cost of abandoning who we really follow this series for: The Doctor and his companions. What’s crazy is that ten (eleven?) regenerations later, The Doctor would go on another wild west adventure, facing down a space robot playing bounty hunter as The Doctor protects a town that’s inexperienced with this kind of threat. Not only does that episode have a concept that works perfectly for this show but it makes the story revolve around The Doctor and his companions trying to save this town. In “The Gunfighters,” The Doctor and company are pretty much absent for most of the story, either being dragged along by characters with more narrative importance, or stepping out of the entire climax. And yes, there are instances when the show follows random characters for the entirety of a story, but that’s still done in a way that it feels like it matches the show. Like how in “Mission of the Unknown,” where we follow characters trying desperately to stop The Daleks. Goofy or intense sci-fi nonsense and seeing The Doctor and co. reacting to history is what makes Doctor Who one of the most engaging science fiction shows ever made. While a western can be entertaining, something like “The Gunfighters” tends to make you forget what show you’re watching.

The Savages: Deleted. And a shame too, because this is another good one. The concept of this civilized society using living people as an energy source is already chilling, and the serial does well in showing how messed up it is for the supposed Savages. Though, if this was written in Modern Doctor Who, I feel like  the results of this power draining would be MUCH darker. Especially if Steven Moffat wrote the episode (The sick bastard). As is, it’s still great with how they made the power draining as dark as it could be for the sixties, all while adding a classist message that still manages to work NOW with its themes of the high and mighty sucking the life of what they think is savage. I love it and I also adore how The Doctor quickly picked up on how sick this whole idea is, wanting to shut the whole thing down immediately. THAT’S The Doctor I know, and it’s pretty fun that what saved the day is their leader taking some of The Doctor’s essence. Even when temporarily beaten, The Doctor still wins.

It’s all pretty great, but do you wanna know what’s better? STEVEN! IS! GONE!

Again, I’ll get to WHY later, but I am so glad to see Steven go. He wasn’t really the best companion out there and it is pretty nice that in his last adventure with The Doctor it’s all about Steven finally learning how to be useful. It’s to better sell that he’d be a capable leader to these people and…under his leadership, they’d probably die, but I can take it. Seeing Steven gone makes me willing to accept any nonsense of making him a leader and it’s nice that the show lets him leave with dignity. Even with the worst companions, it’s great the show at least treats them as people and lets ones like Steven leave happy enough instead of injecting him out the airlock or something. His departure is very welcomed and makes this serial stand out a little higher.

The War Machines: The final serial available on Tubi, and it’s…alright? Yeah, I honestly have no strong feelings one way or the other towards this one. The premise itself is what I love to see in Doctor Who, as this machine meant to help humanity ends up wanting to conquer it, with The Doctor being a key factor in securing the victory only to become the machine’s downfall. It’s all decent enough, with actors doing well at portraying these disturbingly obedient human puppets and there being some impressive puppetry on display with WANTON’s war machines. But as decent as it all is, none of it really WOWED me. The techno babble that The Doctor used to explain how he outsmarted and bested the war machines lost me due to how convoluted it was. Same goes for how WANTON was able to hypnotize human beings. I don’t even know if it was ever explained because of how much non-scientific science was thrown in this entire serial. It’s the central part of this entire premise, and it makes little sense how a computer was able to hypnotize anyone, even if it was supposedly advanced.

Another thing that bothers me about this serial is that this is supposed to be Dodo’s exit. She’s out for half the adventure and doesn’t even get to say goodbye in person. She just takes a nap, lets her replacements do most of the work, and then she’s gone for good. It feels cheap and gives her the weakest exit out of any companion in this run. Possibly the weakest exit ever. It’s another little aspect that makes the serial not BAD but not outstanding, either.

The Smugglers: Not much to say about this one. Just a fast romp as The Doctor and his companions fend off pirates in their hunt for a legendary treasure. It drags a little bit and there’s a lot of flip-flopping in terms of certain characters’ loyalty, but it has some fun moments, like The Doctor outsmarting opponents and Ben and Polly proving their worth as companions fairly quickly. Not a spectacular adventure, but entertaining enough.

The Tenth Planet: Here it is. The final serial in the First Doctor’s run…And it’s incomplete.

Yeah, the final adventure with William Hartnell’s Doctor, and you can’t see it in its entirety. You can watch the first three parts, but the fourth? Not a chance. It’s quite disappointing and, you know what? If I could cheat with his first adventure, I can cheat with his last. Let’s use “other means” than Tubi to watch those first three episodes and read what happens next.

And I’ll just say…it’s ALMOST perfect. It has a STRONG premise, introducing the Cybermen, a longtime enemy of The Doctor. It was so fascinating to see how humanlike these monsters began, moving and speaking like everyday men just with a slight robotic lean to it. It actually makes the more robotic, emotionless Cybermen more chilling in the modern age as it now becomes clear that the Cybermen perfected their goal to be more robot than human. The serial also cleverly makes it where the Cybermen aren’t the ONLY threat. I truly love that the bitter and impulsive General Cutler is just as much of an antagonist as the Cybermen are, with his desire to kill them before they kill Earth being potentially more damaging if he ever got away with his plans. It goes along with a recurring theme of this show in the modern age where those who try to be the victor in an unnecessary war tend to destroy themselves. Cutler dies because he attracted Cybermen attention with the warhead and the Cybermen die because their planet burned up when they could have asked for assistance with their problem instead of destroying the Earth for survival. It’s handled really well, with Polly and Ben still continuing to be useful additions to the cast as they do all they can to stop both Cutler and the Cybermen. Mainly because they have to with The Doctor checking out for when things get their most deadly.

Speaking of, the one thing that holds the serial back is The First Doctor’s exit. This was his final adventure, and he doesn’t do much aside from telling people what to do and taking a nap. By the time his regeneration begins, it all goes by so fast that it feels like he’s being rushed out the door. In a way…he kind of is. Due to age catching up with him, William Hartnell was forced to leave the show because his memory problems and exhaustion were getting difficult to film around. So now they had to get him out of the show for his own good, all while making one last serial as a final goodbye to this actor. However, it doesn’t change how…off his farewell feels. He’s not the triumphant hero who stopped The Cybermen and he didn’t get any final words to make his goodbye feel haunting or bittersweet. Future Doctors got this chance, even ones who decided to leave on their own accord like David Tennant or Matt Smith. It’s actually kind of sad that William Hartnel didn’t get the same treatment and that the writers would only learn their lesson for FUTURE generations. His flawed departure is the one thing that holds back what is admittedly a well-made serial.

And that’s it. That’s the last adventure with The First Doctor. But before I talk about my overall thoughts with this man, I should first discuss some other characters. Characters who are important to any Doctor no matter WHO (haha) they are…

THE COMPANIONS

Doctor Who would not be the show that it is without the companions. They’re frequently the audience surrogates, experiencing new adventures alongside The Doctor while assisting them across space and time. One thing that Chris Chibnall did correctly is point out that the companions are the true power of The Doctor and are worth talking about within the same breath. However, it DOES get a little tricky on who’s considered a companion or not. And trust me when I say it’ll get trickier as time goes on. So, for the sake of sanity, I’ll say that a companion is a recurring character who travels with The Doctor in the TARDIS and is there for more than one episode (Or serial, in this case). With those rules that I’ll probably break in the future out of the way, let’s begin with each companion as they left us.

Susan: I have…complicated feelings towards Susan. She had great chemistry within the group, did well as the wide-eyed, naive child who was excited for everything, and I was truly sad to see her go…But while my heart was sad, my ears were eternally grateful.

Yeah, as sweet a character as Susan is, she wouldn’t. Stop. F**KING. SCREAMING. Every time danger happened, she would always go, “AH! AH! GRANDFATHER! IAN! BARBARA! AH-AH!” Everytime. And when Susan was part of the group, having fun with them, being just as silly as the others, THAT’S when Susan worked. She was “The Young One,” acting as someone who the others would look after but still treat with respect as they knew Susan was capable of so much more than SCREAMING. As a member of the group, Susan worked great. As someone who could face danger…Let’s just say that my ears will be bleeding less now that she’s gone.

Ian: It’s weird that a college professor has more of a hero’s heart than the titular character of our show, but I’m not entirely complaining. Ian was a solid companion, willing to take charge for the sake of the group and having some great interactions with The Doctor. You could tell he wanted to strangle the old man, but also enjoyed The Doctor’s company as they shared a similar spirit. They both consider themselves leaders of the party and find conflict when one has an idea they believe is better than the other’s. After a while, they learn to work together and you feel that trust they have thanks to them realizing they’re basically the same kind of men who want the same kind of things. It DOES tend to feel that Ian steals the show at times, but it doesn’t change how much of an entertaining and perhaps even inspiring character Ian can be. He went through so much for The Doctor and the others, being the hero that they need and being charming as hell when doing it.

Barbara: Barbara’s sort of the character that has a well-defined relationship with everyone in the TARDIS. She’s a supportive, motherly figure to Susan and Vicki, treating them with respect while calming them down during intense times. With Ian, she’s a good friend and ONLY a friend. I’m actually glad that she was never forced into a love-interest role with him. There were so many moments where that could have been a possibility with how often those two are paired together, but it’s nice that they remained as close friends who can rely and help one another when the time comes. Not every man and woman needs to end up dating in the end. As for how Barbara is with The Doctor, where Ian and The Doctor are the same in a goal-driven level, The Doctor and Barbara are the same through an INTELLECTUAL one. They often share the same kind of thoughts and curiosity for each adventure they go on, and when they argue, you can tell it’s between two people who are of the same mind but with different opinions. It’s done well and I appreciate seeing these two interact the most. I also appreciate that Barbara stood strong in the face of danger, being just as valuable of a helping hand as the others are and not being a damsel in distress. Sure, she was like that SOMETIMES, but for the sixties this was likely the most independent a woman could get on television. Barbara was a strong character, and likely my favorite amongst the original companions.

Vicki: I was very worried that Vicki was going to turn out to be Susan 2.0, and in a lot of ways, she is. She was very much the young one who was commonly paired up with The Doctor or Barbara as she oozed with childish naivety. Even her exit was nearly identical to Susan’s, except that Susan’s was handled better because The Doctor at least said goodbye. Still, while very similar to Susan, there were some things that I did like a little more with Vicki. For one, she didn’t scream as much…thank FRICK! And two, she was a bit more proactive. Instead of screaming for Ian, Barabara, and The Doctor, Vicki found solutions herself and was frequently the one who helped save the day. I appreciate that, as it helps set her apart more from Susan and gives fans a different kind of naive character that’s endearing in her OWN way. I will say that it feels weird that The Doctor treats Vicki with more respect than his actual GRANDDAUGHTER at times, but this one isn’t screaming too often, so I don’t blame him. Vicki’s a little too much the same, but in some ways, I’d definitely say she’s a bit of an improvement, as mean as it is to admit.

Katarina: Does she count? She doesn’t really go past a single serial…Aw, screw it. She traveled in the TARDIS and helped the group for some time. I’ll say she counts.

And there’s not much to say about Katarina. She was along for the ride for such a short time, not really given a chance to stand out between the young characters like Susan or Vicki. There is this bit of naivety due to her seeing technology for the first time and mistaking The Doctor as a god, but there’s not enough time to develop that idea further and show her capabilities. I will say, though, that she gets the DARKEST exit of any companion I’ve seen. It’s sudden and unceremonious, dying because of some stupid maniac trying to escape his personal Hell. What’s worse is that it’s left to interpretation as to whether or not her death was an accident. Because she was from the distant past and had no knowledge of technology or buttons, it’s unknown if she sacrificed herself to stop the others from going back to The Daleks or because she didn’t know what button opened the door. A character that got to see the universe for the first time, thinking she was a part of something perfect, only to die in an unpredictable circumstance. She had a short amount of time, but I’m with The Doctor. I hope she found that perfection.

Steven: I. Do. NOT care for Steven. It feels like the writers were trying to make him Ian’s replacement as the heroic figure that was often at odds with The Doctor. Except that Steven is very much NOT that. He’s more like this bumbling buffoon who caused more problems as he constantly needed to be rescued by The Doctor and even Vicki at times. The very SECOND that proves how useless he could be was during his introduction when he ran to get back his teddy bear during a grueling escape from The Daleks. You COULD make the argument that the writers wanted to slowly develop Steven into a more heroic character, but there was barely any progression with him constantly being the butt of every joke. The only time he felt useful was during his last appearance, which I can appreciate. Again, they let him leave with some dignity intact and I’m grateful that he and The Doctor left on good terms. The two of them had a lot of one-on-one times with Steven having a great amount of trust towards The Doctor despite the constant jabs The Doctor gave. The Doctor admires every companion he lets tag along, and I love that it’s no different with Steven, even if I was more glad to see him gone.

Dodo: I…am incredibly indifferent towards Dodo. I don’t HATE her, I guess I could say that. She never really made my ears bleed like Susan did, but, at the same time, she wasn’t really the most useful companion. Dodo was either a damsel for The Doctor to save or someone that CAUSED a problem instead of leading to a solution. In a way, she’s more of what I expected Vicki to be: A downgrade rather than an upgrade who never really got a chance to shine as a worthy member of the group. Even Steven seemed more proactive than her, and that is a crime. And I’m pretty sure even the writers weren’t sure what to do with her either, given how they just…kicked Dodo out of the series without any proper exit. If Steven could get a proper ending, then so could Dodo. Regardless, I wouldn’t exactly say I’m going to miss her. Not too much, anyway. I didn’t mind her existence in the show, but I won’t lose sleep with her being gone. Sorry.

Ben and Polly: Yeah, might as well lump these two together. They weren’t on this run for long, and I assume they’ll be more dynamic characters when we talk about Number Two. For now, I’ll say that they’re fairly useful, saving the day with cunning and bravery. I wish Ben was a LITTLE less whiny and Polly a lot less of a damsel, but who knows? Maybe they’ll improve with The Second Doctor.

But that’s enough with the companions. Let’s finally talk about the man who started it all…

THE DOCTOR

The Doctor, no matter the iteration, is one of my favorite fictional characters. I ADORE a character who solves problems through wit, prefers not to use violence but will if pushed to their limits, and is the kindest being in the universe who will also destroy you if you hurt anyone they love. The Doctor is a being of many contradictions, who’s personality may fluctuate throughout the generations but still, at their core, is a caring being who won’t let ANYTHING stop them from doing what’s right.

…So to see The Doctor start off as this old fart who constantly complains while everyone does everything, causes problems for others, and sometimes cowardly bends to the will of enemies was a definite SHOCK to the system. The Doctor did NOT start out as the nobel hero I know them now as. It was actually kind of frustrating to see him stand off to the side while Ian took charge of everything. THIS would be the person who defeated countless enemies all over the universe? The person who sets out to save lives and regrets the ones they lost? That all started with someone who purposely trapped him and his companions on a distant planet just so they could explore? I couldn’t believe it, but thankfully the writers knew this neat little trick to storytelling: Character development.

Slowly but surely, The First Doctor does become more and more like the character I now adore. He fought Daleks after knowing how dangerous they are, weeped for the friends he had to let go, and outsmarted enemies rather than overpower them. He even gained The Doctor’s silliness and sense of humor. Just look at his grin as he scared enemies off after pretending to be a Dalek. The man relished in the chaos he brought, and it was fun to see…Except when he got giddy for being the one who caused Rome to burn down to the ground. Still have no idea what that was about.

Now, things weren’t always perfect. The First Doctor, while improved over time, still never became the heroic badass I know him NOW as, relying on his companions to do most of the work while he’s off having his own fun. Still, that’s where him being the FIRST comes into play. I can absolutely buy that it would take a few regenerations before he became The Doctor I know and love. As is, I’ll say that The First Doctor is an interesting, albeit off-putting, look into what The Doctor USED to be. It wasn’t always good, but I had my fun and I’ll miss this goofy old man.

And with that, we close off The First Doctor’s run. Most of it was fun, a lot was more dull than I expected it to be, and there were both good and bad surprises given to me through this journey into The First Doctor's adventures. It was great to finally see how this show I love started out, and it’s only the beginning from here. Tune in next time when it’s out with the old and in with the…significantly less old as we talk about The Second Doctor’s run.

#doctor who #classic who #classic doctor who #the first doctor #the doctor #doctor who susan #ian chesterton #barbara wright #doctor who vicki #long post #it was nineteen pages on one google doc #sorry #what i thought about #doctor who reviews

[tripleglitchwriting]

REQUESTS OPEN!

3/5 slots taken

Hello everyone, I’ve decided to open requests. Though, there’s only a very specific set of things I will write.

This is my first time doing requests, so I’m learning as I go. I may change the rules as things come up. While I grow as a writer and begin expanding my comfort zone I may also change the request rules.

The stories I write may vary in length depending on how I feel about them, mostly because I’m still getting a feel for writing fanfiction as a whole.

UPDATE FOR FEBRUARY 2024:

I am still experimenting with my online presence as a whole, and interacting with people has been difficult for me because I can’t gauge how others feel across the screen. Therefore, I’m going to se some rules down for boundaries here:

- Fics will come out as I have time for them. I tend to procrastinate and get myself worked up about getting things done, so I’m hoping this will help me relax a bit.

- I am allowed to turn down any ask. This seems super obvious and more like an unspoken rule for everyone, but I feel the need to write it down because I would feel bad if I didn’t.

Note: Only transformers gn human reader

I WILL WRITE:

-vore (maybe, depends on how I feel)

-fearplay

-mild gore

-first contact AU

-platonic relationships

-fluffy stuff

-Merformers

I WILL NOT WRITE:

-humanformers (as of right now)

-NSFW (that includes pedophilia, zoophilia, non-con, etc.)

-Reader with powers. Probably.

-romantic relationships (only because I’m not confident in my ability to do that yet)

-suicidal ideation

-self harm

-abuse

you get the idea ^

———

Here are the series I can write for and my level of understanding of them:

Earthspark: I’ve watched the series and enjoyed it! I would rather avoid writing anything too dark for this series because many of the characters are children.

Transformers: Prime: I’ve watched this series multiple times. I have a pretty good grip on many of the characters, and I’m cool with writing most things for this.

Transformers: Animated: I haven’t finished the series and probably never will. It’s not really my thing, and I don’t have a great grip on most of the characters. I’d rather not write for this one.

Transformers: Rescue Bots: I’ve watched this series so many times and I admit it’s a comfort show. I will write whatever for this series, but not anything that’s too dire if it involves child characters. That goes for every series.

IDW comics (Lost Light and all): I haven’t finished reading the comics but I’ve wrote for it before and I’m fine with doing it again! I really enjoy the characters and the story!

Transformers Robots in Disguise (2015): I don’t care much for the show, (at least we after season 1) but I see no reason why I wouldn’t be able to write for it.

Generation 1: I never watched the series, but I know a solid amount about it and I understand most of the characters.

Transformers: Armada: Didn’t watch it

Transformers: Beast Wars: Didn’t watch it

Bayverse/live action pre-bumblebee movie: Legitimately I hate the Bay movies. The first one was okay I guess but I despise the others.

ROTB/Knightverse: I like rise of the beasts WAY more than the Bay movies and am willing to write whatever for it.

Cyberverse: I watched it, it was good. I guess I could write for it if it’s individual characters

Anything else I haven’t watched and therefore won’t write for it.

Not transformers, but I’d write for Bang Brave Bravern because I like that show.

#transformers #transformers g/t #tripleglitchwrites #requests open

[ankle-beez]

“Fun” fact about The Dragon Prince: The past 2 seasons of The Dragon Prince have required fans to read other material to understand the show. Like there’s comics and online stories that are required reading to get the full experience/context. They introduce characters who then become important in the show. For the 4th season it kinda made sense as there had been a huge hiatus + a big timeskip, but the fifth season has continued the trend. I saw this fact advertised NOWHERE and had to find out from a friend.

I’ve stuck with this show just because I’m so curious about how it will end, but stuff like this is really getting on my nerves. Have other animated shows done this? At least recently?

i don't remember the exact details but there's an extremely crucial plot point in the last season of star vs that they never explained in the show itself and the only way you could get any clarification on it was if you bought and read the version of star's spellbook that they released in stores. shitty way of developing a story-based show if you ask me

#angel.post

[washipink]

Rain by Jocelyn Samara D Year 1: 2010-2011

erSo I recently found out that 1 year ago, a comic that was INCREDIBLY important to me as a trans middle schooler who went to catholic school had wrapped up. This year, I’ve decided I’m going to read through and review Rain by Jocelyn Samara, 1 year of the comic’s run at a time. First up: Year 1, which covers Chapter 1 (The New Girl) through Chapter 6 (Fallen Angel). I’ll be summarizing the story and characters for those unfamiliar, so feel free to follow along.

There’s a LONG-ASS post under that read more. If you have any experience with the comic or enjoy the post, please talk about it with me. It’ll be a good time.

Year 1 Summary

The star of the show is Rain, a transgender 17 year old girl who moved in with her Aunt Fara after her mother’s death. It starts on the first day of her senior year of high school, the first time she’s ever tried to pass as female in front of... anyone???

Based on some of the language used in the character bios, I should be very clear that this comic is from 2010 and written by a trans woman who is most likely older than most of my followers. There may be language used that you personally don’t agree with. I’m not a fan of being called transsexual myself, but there’s nothing wrong with saying it.

Anyway, the basic gist is that Rain passes EXCELLENTLY and attracts a lot of attention from her male classmates, much to her dismay.

But the men aren’t the only people with their eyes on Rain. Lesbian classmate, Maria and her fake boyfriend, Gavin make a bet of 5 United States Dollars out of who can talk to Rain first.

Here’s the rub: During Role, Gavin seems to recognize Rain’s last name. It’s the same as his childhood best friend, Ryan. Gavin and Maria then banter a little bit, jokingly saying “what if that IS Ryan? could ya believe that?”

Little do they know...

One thing about Rain is that its cast of characters is by no means infallible. Even characters that I came to love, like Maria, are kind of insensitive. Just about no one in this cast has ever MET a trans person in their lives prior to Rain. It’s very true to life in that way. You meet a lot of people that are ignorant or accidentally insensitive. And sometimes, they learn to stick up for you.

The realistic portrayal of how trans teens can be treated by other teens is one of my FAVORITE things about Rain.

Anyway, Gavin brings up Ryan Falherty to Rain, which causes her to panic and run away.

And Crash Directly into the fifth member of our main cast, RUDY!!!!

A rather gossipy gay boy that sees up Rain’s skirt and thinks she’s just a REALLY brave gay dude. He tells Gavin and Maria pretty much right away and Gavin does not take it well. The majority of Year 1 is spent on Gavin and Rain repairing their strained friendship after years apart from one another. That begins here, with Gavin confronting Rain about her identity.

Gavin’s super upset about the whole deal, but Maria and Rudy are some of Rain’s biggest shooters going forward. Even if they can ask a LOT of invasive questions.

If I’m being completely honest, there’s no MAJOR developments in Chapter 2. Fara gets a call from Rain’s older Sister about how their older Brother hasn’t talked to either of them in forever. This lays a few seeds for later events, but it is PRETTY unimportant for a while. There’s some really good emotional dialogue in it though.

In Chapter 3, Rudy’s meddling directly causes Rain and Gavin to reconcile. They have a discussion about how the reason she never told him was just that she was scared to lose her only friend.

MEANWHILE, in an attempt to make some actual friends, Fara reaches out to her neighbors and meets Ky(lie) and Heather Coven, a Gender Ambiguous Teen who goes to a different high school and her less approving older sister.

Kylie, also known as Ky, swaps gender presentations incredibly frequently, not really showing any bias for one or the other. So do not expect me to be consistent with their pronouns. Their gender is kinda messy. Almost like he’s some kind of... real person with a real life gender. Crazy.

Anyway, Fara invites them over and she and Heather get drunk, which means she can’t pick up Rain from the mall. Rain needs a place to sleep that night and Gavin invites her to stay with him.

This begins Chapter 4, in which Gavin and Rain realize that things may be different from when they were kids... but there’s a lot that hasn’t changed. Gavin remarks about how much more feminine Rain is than when she was a kid and how that’s WEIRD for him... but they end up playing a game from their childhood pretty much all night. It reminds them of all the good times and ignites within them the hope that they can have MORE good times going forward.

As an adult with friends I’ve had on-and-off relationships to, this speaks to me way more powerfully than ever before. The more things change, the more they stay the same.

The next day, during her hangover, Fara sees Rain’s older brother on an ad for a dating website with his new fiance.

And on the way back to her apartment, Rain meets Ky for the first time. Neither one of them is aware that the other one has ANY kind of Gender going on and they won’t be for quite some time.

The chapter ends with Aunt Fara telling Rain about what happened with Aiken.

Chapter 5 is a simple one, Popular prep girl, Emily is giving out invitations to a Halloween party for her “perfect senior year”

Everyone but Rudy gets one, which causes Maria to give Emily a talking to. She assures Maria that he wasn’t intentionally excluded and it definitely wasn’t because he’s the only openly gay student in the whole school.

Oh, also a dude beats Rudy up for that exact reason, earning Maria’s fury later on. Rain invites Ky to come with the rest of them to the party.

Like I said, pretty simple chapter.

The last chapter of year 1 is Chapter 6: Fallen Angel.

Everyone is showing off their Halloween costumes before they leave for the party. Rudy’s reads as a bit insensitive to rain, as he goes as.... a high school girl.

We’ve all heard this one, right? young queer person that wants to toy with their gender expression uses a Halloween costume as an excuse? It can hit different watching your friend do this when you’re a stealth trans person and especially when you’re one as self-conscious as Rain.

When they reach the address for the party, they find out that Emily... has an older Boyfriend. Like, a WAY older boyfriend. Who lets all these literal teenaged children drink at a party in HIS HOUSE.

also he’s dressed as the devil in case you needed any more signals he was BAD NEWS.

This sounds like a good time for an aside: Fara is on a date with someone she met online. He works at a manga translator and offers to get Rain a meeting with her favorite mangaka.

Meanwhile, at the party, Chase seems to recognize Rain from somewhere. What could this mean?

Anyway, remember how I mentioned the underage drinking? Yeah, Rudy is HELLA drunk. And the results are not pretty.

The whole school sees this and is... BAFFLED. Because of course, Rudy is gay. how could he kiss a girl? Did he do it because he was dressed as a girl? Was it the alcohol? was RAIN Gay? Who knows?

The chapter ends on Rain riding home in tears.

Thus ends the first year of Rain.

Art

Ok, let’s talk about the elephant in the room. This art is... not too impressive. Every character looks like they jumped out of a How to Draw Manga book and Rain’s design is VERY 2010. Backgrounds are infrequent and many panels feature just 2 characters next to each other against a flat color.

But I think that’s okay. While the visual design of Rain is not immaculate, it’s certainly passable. Samara had a story to tell and she didn’t let her art hold her back. She just took pen to paper and let it go. As the comic goes along, you can tell she’s trying different things and experimenting with drawing a variety of poses. That said, the art style never really changes at all during the comic’s run.

Pure Unfiltered Story Opinions

Rain was one of the first real queer stories I’d gotten a chance to read. At the ripe, young age of 12, every word of it was unreal to me. A girl like me made REAL friends in spite of it all and got to be who she was. And now, reading it again, it really holds up.

Rain has a depiction of queer friendships that’s very true to a lot of peoples’ lived experience. Not everyone GETS each other, but they try. Sometimes, they ask a stupid-ass question. Sometimes, you get into fights. 

Also, sometimes people in your high school get prayed upon by creepy weirdos in their late 20s who think they can get easy tail from CHILDREN. (Trust, people. This gets addressed. This is NOT a fucking glorification and if anyone in the notes says it is, they’re blocked.)

I look forward to seeing where the comic goes from here and I hope you’re ready to take that journey with me.

#Rain Webcomic #Jocelyn Samara #lgbt comics #Transgender #Webcomic #Amy's Rain Review #Long Post #lgbtq #queer art

[thegayhimbo]

Stranger Things SIX Review

Warning: The following review contains MAJOR SPOILERS from Stranger Things Six, as well as Stranger Things Season 4.

Out of all the tie-in comics, this is the one that caught my attention just by the cover and premise. When it comes to Stranger Things, I’ve always been invested in its mythology (i.e. the Upside Down, the monsters, the secret lab, the kids with special abilities, etc). So a comic like this, which centers around Hawkins Lab and Dr. Brenner (who’s one of my favorite villains from the show) was something I was looking forward to.

And the results have been..............mixed.

The story focuses on a girl named Francine/Six who came from an abusive home where she was exploited by her parents for her gift of seeing into the future. One day, she meets a boy named Ricky (AKA Number 3) whom she ends up developing a friendship with. After finding out about Francine's situation and how her dad beats her, Ricky introduces her to Dr. Brenner, who encourages both Ricky and Francine to come to Hawkins Lab under the guise that their gifts could help countless people if they were given an environment to develop their powers. However, during their time at the Lab, they realize Brenner and the people working under him don’t have their best interests in mind, and are attempting to weaponize them and the other kids. Meanwhile, Six/Francine begins having visions of a monster (AKA the Demogorgon) from the Upside Down. While she doesn’t understand what the monster is, she fears it’s part of a dark future for her, which only motivates her desire to break out of the lab before it’s too late.

Observations:

As far as comics go, it’s adequate. The artwork is decent, and the plot moves at a brisk pace. It should be a fast read for most people.

The characters aren’t as fleshed-out as they could be, but it’s still cool to see other psychokinetic kids get expanded upon besides El, Kali, and Henry/One/Vecna. Ricky/Three is the boyfriend of Francine/Six and has the ability to emotionally manipulate others into doing what he wants them to do. Jamie/Nine is gifted in pyrokinesis/heat generation. Jamie also has a twin sister named Marcy, who isn’t gifted but was brought to the lab since she and Jamie are orphans and as another way for Brenner to keep control over Jamie.

Francine/Six’s visions about the Demogorgon turn out to be a red herring. She never physically encounters the monster, nor does she ever discover the mystery behind it or the Upside Down. It’s mostly there to serve as a call-back to the show, and as one more motivator for Six to escape the lab.

There’s an implication that Six’s powers, as well as the powers of other psychokinetic kids, may be connected to the Upside Down. This is something that’s also explored in the novel Stranger Things Suspicious Minds where Alice Johnson (one of Terry Ives’s friends) was being experimented on at Hawkins Lab and began having similar visions of the Upside Down and the Demogorgon. I’ve had a theory for a while that the Upside Down is somehow linked to the powers that individuals like El, Kali, and Henry/One/Vecna harness. I especially think it could be true in Henry’s case when he moved into the Creel House with his family and began developing his abilities. I don’t know if there was some sort of crack between the Creel House and the Upside Down (not big enough that anything like a Demogorgon could get through, but small enough that a malicious presence on the other side could have influence a young Henry) but I believe something happened that activated Henry when he was near the clock, which allowed him to start using his powers.

I also find it convenient how El later banished Henry/One/Vecna to the Upside Down of all places once she tapped into her full strength.

I don’t know whether or not the Upside Down is directly responsible for these kids having gifts, but I believe there's a link between them. I wonder if season 5 will expand on this, or if it’s just a theory that won’t come to fruition.

The comic itself takes place in 1978, about a year before Vecna’s massacre. It's mentioned in an interview by the Duffer Brothers that when they first began writing the show, they already had the idea that all of the kids with special abilities (with the exceptions of El and Kali) were dead prior to the start of season 1:

MATT DUFFER: We always knew that the other kids with the exception of Eight were dead. We always wanted to explore that and exactly what happened. It became a challenge because we knew we wanted to tell that story but it’s basically an origin flashback story. How do you keep that feeling relevant to what’s happening in the season, so when you cut to it, you feel like there’s some sort of forward progression and a connection? We knew it was going to connect ultimately to One.

There was also this tidbit regarding the comics and Henry/One/Vecna:

ROSS DUFFER: It’s funny, because there are various comic books and side merchandise and whenever they come to us with those ideas, we would say, you can take any number but you cannot take One. One is ours. So, that’s been ongoing for the seven years we’ve been working on it, that just don’t do anything with One. We’ve been protecting that [revelation]. It is a relief to finally get him out into the world.

Based on this, I assume the Duffer Brothers told Jody Houser and Dark Horse Comics that if they were going to do a story focusing on the psychokinetic kids at the lab, it had to be set before 1979.

This remark from Jamie/Nine caught my attention when I was reading:

The implication I took from her "babies" comment is there were different generations of gifted people at the lab........which makes sense. It's been mentioned Brenner founded the MK Ultra program in 1953. Henry Creel would later fall into Dr. Brenner's care in 1959, Terry Ives and her friends wouldn't be experimented on until 1969, and El wouldn't be born until a year or two later. I'm assuming there were separate age groups in the 25+ years since MK Ultra was started, and that the "babies" Jamie/Nine was referring to were a group of special kids younger than them.

On top of that, the comic presents the idea that not all of the kids at the lab were kidnapped the same way El and Kali were. Ricky was initially a willing participant in the program, Francine was persuaded by Dr. Brenner to join them, and both Jamie and Marcy were taken in after a fire destroyed their home and killed their parents.

Brenner also claims that the United States isn’t the only country developing programs like the one at Hawkins Lab:

I'm assuming Brenner was thinking about the Russians when he said this, and (incorrectly) believed they also had kids with dangerous powers who were being weaponized against the U.S. It adds another layer to his motivations for pushing the kids at Hawkins Lab beyond their limits.

There is a major continuity error that bugs me: At the end of the comic, Francine, Ricky, and Marcy attempt to escape the lab. The reason they're able to is because Terry Ives (El's mom) breaks into the lab on the same day to rescue El:

The problem is that people who’ve worked on the show, such as makeup artist Amy L. Forsythe, have confirmed that Terry's failed attempt to rescue El took place in 1974. This is also supported by the twin actresses who played El in the season 2 flashback being about 3-4 years old when they filmed that scene (which canonically lines up with how old El should have been during that year). I can't tell if this was a screw up from the comic book writers, or if it's a retcon that came from the show. Regardless, it’s still a glaring plot-hole.

There’s also the fact that in season 4, all the kids (with the exception of Kali/Eight) are accounted for. Numbers 3, 6, and 9 are different from the ones presented in the comic. This is Six from Season 4:

And these are what the other test subjects on the show look like:

So unless Brenner somehow replaced Ricky, Francine, and Jamie with other kids who would take the positions of Numbers 3, 6, and 9 within a year before Vecna’s massacre of the lab, the implication is the events in this comic (as well as its sequel Into the Fire) never happened.

And this brings me to my biggest problem with Stranger Things SIX: Because it’s likely not canon given the direction the show went in season 4 (as well as the continuity errors present in the comic itself), it makes it hard to get invested in the story. Characters like Ricky, Jamie, Marcy, and Francine aren’t going to play any important roles in the show, and it’s doubtful they’ll appear in season 5. It’s possible to view this story as some sort of existing legend surrounding the lab if you’re looking for a way to tie this comic into the overall franchise (similar to the folklore stories present in the novel Hawkins Horrors) but that’s about it.

I do think it’s important to view this comic more through the lens of what it tells us about the ideas the writers had surrounding Hawkins Lab, Dr. Brenner’s treatment of the kids at the lab (which is just as abusive in the comics as it is on the show), and whatever connection supposedly exists between the psychokinetic kids and the Upside Down. On top of that, the Duffer Brothers have stated they plan to give more insight into the MK Ultra program under Brenner in season 5:

DEADLINE: Did Dr. Martin Brenner not know that this kid killed his family and framed his father, or did this kid’s sociopathic potential offer Brenner an opportunity to really mold a weapon without a conscience?

MATT DUFFER: The second, really. He knew what this kid did and also what he was capable of when he was young. Brenner’s going, how can I mold this character, but not just into a weapon? That’s really how he sold it to the government, but for him as a scientist, it’s like, what other worlds can this kid show me about how our universe works? So, he’s really just that scientist who’s not really thinking about the consequences. He just keeps pushing, pushing, pushing, and he’s using the government’s money by saying hey we can fight the Soviets with this kid. It’s something we will get into in Season 5. What happened to that program once Henry became involved and how Brenner evolved it into including multiple kids. We’re going to go back and see some of that in Season 5.

I am definitely looking forward to that.

Overall, I’m glad I read this comic (though I wish I’d gotten it for a cheaper price), but it’s not my favorite.

#stranger things #stranger things six #stranger things comics #el hopper #vecna #henry creel #terry ives #martin brenner #kali prasad #the duffer brothers #number 1 #stranger things season 4 #francine/six #ricky/three #jamie/nine #demogorgons #the upside down #tgh opinions #tgh reviews #stranger things season 5

[soleminisanction]

An earlier ask reminded me that there’s still one sequence of Batgirl (2009) that I’ve always wanted to break down because my frustration with it is palpable so…why not. This is as good a time as ever. Let’s talk about Issue 24 and extended fantasy sequence that makes up the very end of this series.

See, apparently—and I have not been able to find a first-hand record of the interview that confirms this, so take it with a grain of salt—Brian Q. Miller decided that, since the universe was getting reset in the wake of Flashpoint, his Batgirl was getting canceled and Stephanie was getting retconned out of existence for the New52, he would use a fantasy sequence in the final issue show off all the wonderful ideas he never got to do because of editorial meddling or whatever. Which is… fine. Y’know? I get it, it’s utterly self-indulgent but not an invalid way to deal with your book getting canceled before you can finish all you set out to do.

The thing is though, sequences like this don’t just exist in the vacuum of their Doylist explanation. The entire narrative point of fantasy sequences like this, whether they’re fear gas, or lotus eater machines, or especially the Black Mercy, isn’t just to have a cool spectacle for the audience to look at, it’s to take a part of the character’s inner life and put it on display for everyone to see.

So the question I’m asking here is: what does a Watsonian reading of finale sequence say about Our Heroine, Stephanie Brown?

Quick primer for those of you who may be unfamiliar: the Black Mercy is an Alan Moore creation, originally introduced in the story he wrote with Dave Gibbons for 1985’s Superman Annual #11 – “For the Man Who has Everything.”

If you’re my age, you may be more familiar with this story as a fantastic episode of Justice League Unlimited, which has the notable distinction of being the only Alan Moore adaptation that the old warlock actually likes. The basic story of both is the same: Batman and Wonder Woman (and, in the comic, the Jason Todd Robin) arrive at the Fortress of Solitude for Superman’s birthday, only to find that Mongul has trapped Supes under the influence of the Black Mercy, a magical alien parasite that digs its vines into its victim’s chest while trapping their minds in an illusion of their ideal perfect life.

“For the Man Who has Everything” is regarded as one of the best Superman stories ever written so it’s honestly kind of a surprise that the Black Mercy has only shown up a handful of times since then. But I’m not complaining, because it means the concept hasn’t been diluted much… with this appearance in Batgirl being a notable exception, in weird ways that make me really wonder what was intentional and what wasn’t.

See, this whole thing starts when Steph confronts her father, Arthur Brown, alias the Cluemaster, in his prison cell. And Arthur—a second-rate Riddler knock-off whose only experience outside of Gotham was an extremely brief Suicide Squad adventure to Iceland where everybody died—just, has a Black Mercy, an incredibly rare and dangerous magical alien super plant, sitting in his prison cell. As you do.

Arthur then puts Steph under the Mercy’s influence to cover his escape from the cell, but he doesn’t subject her to the Black Mercy for real, he crushes one of the blossoms and blows it in her face, which his dialogue implies is something he regularly does to himself as a recreational experience.

Which means that, despite the following pages making a big freaking deal about “spores in her system” and Barbara gushing about how special Stephanie is for being able to, quote, “fight the Mercy and win,” it’s all a load of shit. Arthur didn’t need to be rushed to the hospital every time he took this drug, so it would follow the Stephanie doesn’t either.  

That would actually make a lot of sense for Arthur as a character—for all his faults, he’s usually written as caring for his family and not wanting Stephanie permanently hurt (a sentiment she generally doesn't return). Hell, his last appearance before this one was trying to get revenge for her death. If that was intentional, it would mean that in the above panel, Stephanie knows that Barbara’s conclusion about her “fighting the Mercy” is full of shit and just, isn’t telling her.

I have no confidence that it was intentional—given the rest of the series I think it’s far more likely that Miller & Co. just didn’t want the icky flower vines to mess up Steph’s boobies and thus came up with a convoluted alternative that they immediately forgot the rules for—but I wish it was because it would actually be an interesting character turn. Black Mercy stories usually hinge on the emotional climax of the enraptured hero choosing to give up the beautiful illusion of a life they can never have in order to return to the hard world where they have real friends and heroic responsibilities waiting for them. Just ask anyone who still cries over this scene:

Stephanie not getting that moment and only escaping because it’s a temporary drug would imply that she’s still very susceptible to her own desires. It’s a way that she’s fallen short compared to others who’ve been subjected to the full Black Mercy experience. And who knows, maybe she could’ve pulled herself out of it if the illusion had lasted longer… but maybe she wouldn’t have. She can’t know. And that doubt could sit with her.

It doesn't. But it could, in a better story.

And then there’s the illusion itself. Keep in mind as we go through this, this montage, in-universe, represents Stephanie’s idea of her ideally perfect life. Just for comparison, in “For the Man Who has Everything,” Superman’s ideal life has him living on Krypton as a normal man, married with children, happy and content in his normal life. Batman saw his parents’ murder foiled and the life that could have unfolded without that tragedy to define it. Green Lantern (Hal Jordan), in another story, saw a world where his parents never died, his family is happy together, and his mentor Sinestro never turned evil.

Stephanie? Stephanie sees herself as Batgirl, posing dramatically and beating up random street thugs in a metaphorical continuation of her current status quo. Then there’s a sequence where she’s fighting the Queen of Fables alongside the four female heroes, all of whom except for Supergirl literally appeared out of nowhere in the last issue with no explanation because we need to pretend that Stephanie is very popular and well-liked and not a stuck-up loner who rarely leaves Gotham City and almost never talks to anybody but her boyfriend when she does.

But y’know, this scene makes sense right? Steph dreams of being a successful superhero and fantasizes about going on grand superhero adventures with other superheroes, fine. That’s all well and good.

Then comes the Blackest Night page which is just... ugh.

I am so glad DC vetoed this idea because it’s genuinely embarrassing. I get (finally! it several painful re-reads) that what Miller has been trying to do with Stephanie this entire book is pretend that she can be Captain America or Superman: a character who doesn’t so much develop or change as they do lead by example and inspire others to have hope for the future just by being themselves. So of course when he hears that Blue Lanterns are powered by hope he neeeeeeds that for his precious Batgirl—an idea that he apparently carried over to the Smallville Season 11 comics, but we’ll come back to that in a moment.

The problem of course being that Stephanie had never been that kind of character before Brian Miller decided she should be, and he did absolutely nothing to work his way up to earning her that status. So shit like this comes across as, frankly, blatant attempts to turn her into a Mary Sue, especially with how badly he refused to deal with her actual history and established character.

But again, remember: in-universe, this illusion isn’t being imposed on Stephanie, it’s being created by her, by her mind. This is part of her greatest desire. So where other heroes long to be safe and happy, surrounded by their families, Stephanie, apparently, wants nothing less than to be a literal Messiah figure. And I’m not exaggerating there—Blue Lanterns are supposed to be the holiest beings in the universe.

Just… the ego that implies. Yeesh.

After that comes a black-and-white photograph implying a time travel adventure where the three Batgirls (presumably from different eras in their own timelines) go back to 1944 to fly with the (male) Blackhawks. I’m not going to post it because there’s not really anything to say about it and this is already a long post but Stephanie’s stupid utility garter belt is drawn so HUGE it takes up her ENTIRE THIGH almost up to the crotch and it’s super distracting.

Then comes this scene.

Which mostly just drives home how much Steph hates her boring average school life given that she’s fantasizing about being attacked by supervillains at her graduation so her secret identity can be exposed to her entire graduating class. Thing is though, you’d think this should be a nightmare. Her identity has been exposed! She’s being attacked out in the open by supervillains and she doesn’t have her gear or weapons! Her classmates and—explicitly up in the audience—her mother are in danger, because Stephanie is Batgirl!

But because this is a Black Mercy illusion, we know it’s not a nightmare. This is, explicitly, something that Stephanie wants to happen. It’s part of her fantasy life, her greatest desire. And yeah, if we’re being generous, she probably isn’t thinking that people are going to get hurt. In her fantasy, she probably just gets to show off and save the day and be venerated as Gotham University’s Great Hero, like Buffy getting crowned the Sunnyville Class Protector. But even that, the most generous of readings, implies that she has never internalized the lesson that she should have learned back in War Games re: the great power of being a superhero coming with great responsibility. It absolutely flies in the face of anybody’s attempts to insist that no really, she’s only doing this whole superhero thing because she cares about other people SO MUCH.

Following that is page of what’s clearly Neo-Gotham, flashing forward many years into the future, where Steph is wrangling some kid into bed (while wearing her wedding ring on the second knuckle because otherwise you wouldn’t be able to see it and that might imply she’s a single mom) with the Batsignal shining out the window.

Which leads us, at last, to the page I have the most to say about, and the one that is my biggest inspiration for make this post:

I. Hate. This page.

I hate it because it gets regularly reposted without context on Tumblr and Reddit so the Steph simps can gush over how much they wish it was real and how Stephanie should get to be every single member of the Batfamily because she’s just so awesome and not one of them ever stops to think about what any of it would or should actually mean in-universe or out.

This page exists because Brian Q. Miller was originally a writer on Smallville. He joined the team around Season 5, served as showrunner for Season 10, and used the connections he made there to get some comic book jobs, including Batgirl and the spin-off comic Smallville Season 11. In “Season 11,” they finally showed the Smallville version of Gotham City and Batman, who is accompanied by only a single sidekick: not Robin, but Barbara Gordon as an (adult) female Nightwing who eventually becomes a Blue Lantern (hence the Blackest Night page earlier).

Now again, I cannot find the original source for this so I’m going off fandom rumor and wiki trivia, but supposedly, Brian’s original pitch was that the Smallville character would also be Stephanie, making her the only Batfamily member to ever exist in that universe. DC’s editors supposedly made him switch to Barbara instead, which was smart of them, because it’s way more likely that the people picking up the Smallville comic would be excited to see her, one of the most famous pop-culture characters ever invented, and not a satellite character like Stephanie who’s only familiar to a niche market. (This for the record is the same reason Babs is the Batgirl in Gotham Knights.)

So that’s the out-of-universe explanation for why Brian would stick this idea here, but stop and think about this for half a second: why the fuck would Stephanie want to be Nightwing?

Nightwing is not like Batman, Batgirl, or even Robin, it’s not a larger symbol with a legacy behind it. If you say the word Nightwing in the DC Universe, you’re referring to only one of two things: either you’re Kryptonian and you’re referencing a legendary figure from your lost planet’s mythology (either a god or a culture hero depending on the continuity), or you’re talking about Dick Grayson. Every other character who has ever taken on the name in a non-Kryptonian context has done so because of their relationship to Dick: either to piss him off (Jason), because they were inspired by him (Cheyenne Freemont, the Nightwings, Nite-Wing in a negative capacity), or in memoriam/penance after his death (Damian in the first Injustice game).

But Stephanie doesn’t have that kind of relationship with Dick. At this point in her career, they’d barely spoken, and all of their meaningful interactions had been with him as Batman. Nightwing means nothing to her. She has no emotional connection to identity, not even the desire to be “part of the legend” that drove her to chase Robin and Batgirl. So then, why? Why is this part of her fantasy?

Well… because if Batgirl isn’t the second-most popular superhero in the franchise after the Big Bat himself, then Nightwing is. And all Stephanie has apparently ever wanted is to be everybody’s favorite superhero, loved and adored and told how she’s so very special and wonderful, forever.

---

In Conclusion – As you might’ve noticed back in the panels where Steph was getting dosed, Brian Miller actually calls out his own bookending, having started the story with a climax where Steph got exposed to a fear-gas-based-anger drug and ended it with one where she encounters the Black Mercy. Like I’ve said before, the narrative purpose of hallucination sequences like this are to lay the characters’ psyches bare and show us who they really are on the inside. 

In issue 3, Stephanie’s anger/fear gas exposure (and the resulting philosophically frustrating speech) presents Stephanie as someone whose primary motivation is her own self-interest, the sense of control and personal triumph she gets from being a superhero. All through the series, the way she handles her rare rescues (and, even more tellingly, the few people who don’t immediately recognize her greatness) only backs that up.

And now, the Black Mercy sequence, the very last thing to happen in the entire series, just solidifies it: after 24 issues, she hasn’t changed. Her only desire, the only thing she cares about, is that she gets to be a badass superhero who goes on adventure after adventure without worry or care for anyone around her, even after multiple people have literally died over the course of just this book. Who cares? They’re not Stephanie, so they don’t matter. It’s all about her. 

I will never understand what anyone saw in this series.

#stephanie brown #batgirl #batgirl 2009 #meta #dc comics #dc comics meta #stephanie brown critical #batgirl 2009 critical #brian q miller #my writing #my meta #and with this I may finally have this series out of my system #at least until I decide to string all my various essays into a video or something lol

[teeth-farie]

HI HELLO IK YOU’RE CURRENTLY DOING FANDOM-CENTRIC REQUESTS (eating up the Arcana ones like a rabid animal fr THEY’RE SO GOOD) BUT,, I was wondering about your OCs !! We haven’t seen much content of them in a while! Would you mind giving a recap/infodumping about any of them? Mayhaps?

(I may or may not be asking because I’m on another drawing-kick and want to draw some fanart of your little guys, but have no clue where to start shdvHSVDHV if that’s alright with you, of course !!)

AHHHHHHHH TYYYYYYYYY!!!!!! A lot of my ocs I want to revamp and I’m sort of going at it one at a time- especially since I want to write my own collection of original short stories to publish! (Monster/horror romance off) so I’m fixing up some old characters

One including 106, my human experiment oc! I can’t remember if I’ve talked about him, but here’s a sketch I just did of him

He’s a human subject grown in an artificial womb specifically for a experiment to create humans (or human like mammals) able to regrow limbs and organs out of 200 embryos, he was the only viable growth, hence his name. He’s been sheltered in a facility for his 19 years of life, never going outside and being subject to routine organ harvests and examinations. Despite this, he remains rather playful and chatty, and has formed interests in things like Garfield after being allowed to read newspaper comics. In his story the reader would be a recently hired scientist in the facility whose new goal quickly becomes breaking him free.

Again I can’t remember if I’ve talked about him before, but I hope you like him regardless!

AND YES YES PLEASE SHOW ME WHATEVER YOU DRAW I LOVE RECEIVING ART

#mail #oc #106 #art #also fun fact- he’s albino!

[two-hands-toward-the-sun]

Hiding by Florence + The Machine is such a Calliope and Dream song

Hi anon!! Florence + The Machine isn’t my usual type of music but your ask made me 👀👀👀 so I listened to the song and ohmygod. I hope you don’t mind if I write a breakdown of some of the lyrics? I…may have gotten a bit carried away. I’ll stick most of this under a read-more because there is simply Too Much.

I think you hide / When all the world’s asleep and tired / You cry a little

ALL RIGHT STRAIGHT OFF THE BAT WE’VE GOT SOME EMOTIONS HERE. I will say it a thousand times, it speaks volumes to me that though Dream is billions of years old and has had a number of lovers, Calliope is the only one he married. As we see in Brief Lives, Dream does sometimes break down. You know that panel of him sitting in his chair with his hand over his face? Yeah. Fuck. As his lover, as his wife, Calliope may have witnessed something like this or at least suspected it. I’m imagining a situation where Orpheus as a young child has an minor accident, and Calliope and Dream have to just. Stop. And cope with the knowledge of his mortality together.

I know that you’re hiding / I know there’s a part of you that I just cannot reach / You don’t have to let me in / Just know that I’m still here

Now this is GOOD SHIT. It goes both ways with these two!!! Dream would never know what it was like to experience the abuse Calliope survived, would never force her to tell him about it. Calliope would never understand the weight of what it means to contain the world’s collective unconscious, to have to be so rigid with yourself to the point of pain. But these lyrics speak to steadfastness. While we don’t see much indication (either comics or show) that they will be there for each other in the future, in the show we see the tenderness between them so clearly in Calliope pressing her cheek to Dream’s, Dream’s eyelids fluttering shut. It’s VERY easy to expand on that and explore in fic and headcanon that they would again forge a supportive relationship—bolstered by the character development Dream has had since their marriage—and work together to try to heal. I’ve written that myself!

I know you’ve tried / But something stops you every time

Hahahahahaha. Oh my god. I am hitting Dream with a stick.

And it’s your pride / That’s keeping us still so far apart / But if you give a little / So will I

HELLOOOOO. Okay, so I know the initial reaction is to probably apply this to Dream, which, yes, he is one proud motherfucker. But I think Calliope certainly has her own share of pride, although not to the extent of her ex-husband. (I’d say in her episode, we see more of the like, self-worth, I-know-what-I-deserve type of pride. Which is good!!! I adore that about her!!!) She did not want to yield over those thousands of years, either. And she will not beg. She will request—may I visit you in the Dream Realm sometime, so that we may finally talk about our son, and grieve him properly?—but she will not beg. But! If Dream gives a little!! So will she!!!

I know I seem shaky / These hands not fit for holding

THESE HANDS NOT FIT FOR HOLDING. JESUS CHRIST. This is, of course, a lyric that shouts and screams Dream at me. I am in pain. I’m thinking of the way he says, “I owe you that much.” The word owe stands out to me—I think it may indicate that he has become aware he did not always treat Calliope as she should be treated, and he feels he has to make up for that in some way. I’m thinking about how he says, “I’ve learnt much in recent times,” and how that suggests he may have been reevaluating his role in Orpheus’s fate. How he could have acted differently. And with that, I think it made him consider Calliope’s reproach in a new way. It doesn’t seem like too much of a stretch to me that Dream would feel like his hands are not fit for holding Calliope’s anymore.

ANYWAY. That was a whole lot of probably incoherent chatter and I hope at least you enjoyed reading it, anon. Anyone reading this, feel free to send me asks about songs that remind you of the characters or dynamics that I post about often. Although I have to say, if it’s a Taylor Swift song I probably won’t listen to it, sorry.

Thanks again for the ask, anon!!!

#dream x calliope #calliope x dream #dreamuse #the sandman #the sandman netflix #asks #hey nonny nonny

[kayrllylikesblitzwing]

As trotrin has his goofy little moobies ou

I always draw the silly train but never have the patience to finish any drawing with him in it

ALSO look at how INCONSISTENT my art is PLEASE THESE WERE ONLY DRAWN WITHIN THE SPAN OF A MONTH…

Hai welcome back to my blog here’s the worst train ever

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OMG! I HATE ASTROTRAIN!!!!!!!!!

NAw but seriously tbh astrotrain isn’t that bad from the stuff I’ve seen of him and shows and all, maybe he’s actually evil and like eats babies or something in the comics but I wouldn’t know because I don’t read the comics— but from what I can see he’s just a big dude and that’s COOL thats fine

Buuuut when I play him in rps i like to characterize him as a disgusting alcoholic party animal who likes to sadistically run people over and try desperately to pick up women (it’s not going so well) he does have a girlfriend in one rp but in two other rps he is like mortal enemies with that same girl so that’s interesting ig

I cant rlly find a design I like to draw him with so I kinda experiment with everything, like I made my own design for him and then I tried to mix other designs I’ve seen from comics and stuff— I even drew him kinda cyberverse style for a while but TBH all that old art is ABSOLUTE TRASH so I’m not posting it here LOL but yeah that kinda explains why his looks are all over the place

OH Yeah he also has those scars bcuz of something that happened in rp where he kinda got hit by an artillery strike in the face (ouch!) in the second drawing I was experimenting with different designs I liked for the scar and I ended up choosing the top right one but flipping it basically lol I think it’s hot

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i also have this fun little headcanon for really tall characters like astrotrain that the taller you are the more likely you are to have a deformity of some kind because the more a Cybertronian grows the more likely their code is to mutate for whatever reason and cause health issues…. But compared to my other tall characters he doesn’t have it as bad, he just has terrible terrible eyesight which I think my friend said was a thing that’s in the comics for him so that’s neat LOL I think the idea of a huge ass man using tiny glasses to read tiny writing is funny

also he has high blood pressure

Probably from dealing with Blitzwing …

Tysm for readin 😊😊☺️ Byeee

#transformers #transformers roleplay #transformers rp #tf rp #astrotrain #his girlfriend is like 20 ft tall #and in rp we have his height set at like 120 ft #he could accidentally sneeze in her direction and like send her flying

[youngerfrankenstein]

So since I’ve seen some other posts of the type, and I never know when to shut up, my own thoughts. I know that there are definitely people who aren’t sure about reading the Skybound comics so here’s my experience.

I was pretty darn hesitant about trying them out. There were a few reasons, for one, I’m not really a comics person, and more to the point, I don’t really get the point of trying to make a toy series darker or more serious. There was also Robert Kirkman’s involvement when Invincible was a show I had very mixed feelings about.

(I have since tried the first volume of Void Rivals and it’s decent I suppose. May or may not follow up on it. Won’t actively though.)

But back to the point, I was ultimately convinced by seeing enough panels of Optimus Prime being… well, Optimus Prime. (A little funny given one of the reasons I decided not to read the IDW lines is hearing they did him dumb.) They convinced me the comics had nailed at least one character and had some heart to them. I was pretty much won over by realising there was still plenty of cheese at its core though.

I’m not without reservations. The cameo deaths are getting a bit exasperating and I do wonder how it’s going to deal with an issue that is, in fairness, FAR from exclusive to this franchise. That being that it both wants to be about how war is bad, and knows full well a lot of people are just here for the giant robot punch-ups.

I also will say that violence/gore in stories can both be used to make a point and be over-indulgent. They aren’t mutually exclusive. It’s part of the reason I’m not really a fan of Paul Verhoeven’s work, and was one of my problems with Invincible. I’m not sure quite where this comic will end up on that scale, and it’s a different scale for everyone, we’ll see. So far it’s not too bad though, if only because it’s mostly to robots.

With that said I am having a blast with the Skybound comics so far, and I really hope it can continue in quality without burning itself out.

I’ve definitely seen both fans of it and people who dislike it being jerks but like. Saying fandoms can be aggressive and territorial is like saying a bear shits in the woods.

So I guess my point is, if you’re like I was, really on the fence about it, I highly recommend you give it a shot. I may still have apprehensions but I’m really glad I started reading it. It might wind up being my favourite thing from the franchise IF it can keep it up. And if it really doesn’t look like your thing… fair enough. I hope you continue to enjoy the parts of the franchise you do like!

#Transformers #Maccadam #Skybound