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#IM TRYING TO WRITE AN ID HERE!!!!!!!!!
archersgaymerblog · 2 years
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I was trying to find a clothing term that I’ve seen in traditional Ainu wear for the ID for the last lil comic I posted on my art blog (couldn’t find a specific term for the vests I’ve seen Ainu wear in photos!) but it sent me down a hole of looking into more Ainu backstory and the like. Found a really good interview from an Ainu woman, and I think I’ve mentioned the conspiracy theory before, but if anyone’s wondering why canon Volo is. Like that (weirdly… white).
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It’s because there’s a literal conspiracy theory that the Europeans colonized Hokkaido first. Heavily disproven, but still taken as fact to some. So that’s fuckin fun I guess (huge sarcasm cannot stress enough)
IDs for the two images:
The first image states: “JD/RD: The Ainu have been depicted as "mysterious proto-Caucasians" unrelated to Japanese people. However, DNA research shows that Ainu are the direct descendants of the Jomon, the ancient people who created Japan's first culture and one of the world's oldest extant potteries. This means that the Ainu and present-day Japanese are biologically related. Would you comment?
The first image states: “JD/RD: The Ainu have been depicted as "mysterious proto-Caucasians" unrelated to Japanese people. However, DNA research shows that Ainu are the direct descendants of the Jomon, the ancient people who created Japan's first culture and one of the world's oldest extant potteries. This means that the Ainu and present-day Japanese are biologically related. Would you comment?
KD: The findings were only new to those who wanted to cling to the myth of a lost Caucasian tribe. Some anthropologists have reluctantly supported the theories that came into question because of DNA evidence. True scholarship is open to change, and the advent of DNA research was threatening for some. Other anthropologists knew DNA would revolutionize the field, and were excited by what that might mean. What has been done so far is only the beginning. I don't think that it is an exaggeration to compare DNA with finding out that the world isn't flat.”
The second image states: “Another origin myth that is losing credibility is the belief that the Ainu are some kind of lost tribe of Caucasians. The myth was created by early European scholars from the mid-nineteenth century, and because this was a respected view of Europeans, the myth can still be found as fact in some textbooks and reference books. There is some legitimate basis for the 'mistake.' The Ainu of the period looked nothing like the Japanese. The Ainu were muscular with skin tones similar to the darker French or Italians. They were very hairy, with thick and wavy hair, luxurious beards, and abundant body hair. Eye color was mostly brown, but could be 'bluish' or 'greenish,' no doubt a Russian influence. Most importantly, the very young were reported not to have the Mongolian 'blue' spot on their lower back. Today, because of intermarriage with the Japanese, the above features are not always present, but I have very thick wavy hair and in the summer I get a very dark tan, my eyes have a more European look, and my body build is somewhat muscular. For all these reasons during my youth I was subject to verbal taunts of "dojin." While the dictionary meaning is “native," it is often used as a pejorative term.”
END ID.]
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cappydoodle · 1 year
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rereading my own fic and yeah I'm a comedic genius I think
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bulkhummus · 1 year
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How to give yourself a haircut: 
Step 1. Decide you want a haircut. Wonder who that person is every time they walk in front of a window, a mirror, a camera, and wonder why they’re following you. 
Step 2. Buy hair clippers at half the price at an ocean state job lot because you are forty thousand dollars in debt working toward something that still feels like nothing. Ignore that the gas to drive the extra ten miles further than target probably equals out the price.
Step 3. Eat a cold turkey sandwich in the bathroom while your friend who promised to help you complains about their partner who is giving them everything they want but don't realize they hate. Feel weird that you know why. Wonder what they know about you that you don’t yet realize about yourself. 
Step 4. Plug the damn thing in, and wipe the crumbs from stale sandwich bread off your chest. That too isn’t right, but a pair of clippers for those are much too expensive and complicated and are not sold at the ocean states job lots 30 minutes from your home. 
Step 6. Console your friend who is nervous on your behalf. 
Step 7. Let your friend console you when you shave off the first bit and you realize it’s too late to go back. It’s just hair they say. It’s always just hair. It will grow back if you don’t like it. Don't worry about not liking it. Worry that it won’t look straight. 
Step 8. Strain the muscles in your neck as you reinvent yourself. Spend the most time on the parts behind the ears, toward the nape of your neck even though you will never see it. Spend fifteen minutes sandwiched between two mirrors and wonder why you don't cancel out standing between them. Feel the clippers buzz against your scalp and rattle your brain. Wonder what else it might rattle loose. 
Step 9. Stare at the hair in the sink for too long and regret not putting down a garbage bag to catch the scraps of you. 
Step 10. Feel your friends' hands rub over your shaved sections. Feel their fingertips that are cool and cold against the warmth of your skull and how they don’t tangle in the longer bits. Remember the longer bits that you kept because not keeping any of it also felt wrong somehow. 
Step 11. Dunk your head under the faucet because your shower head still isn’t working even after several calls to the person who is supposed to deal with that. Feel the cold water on the back of your neck. Dunk under it three times. Become a clean slate before the god in your head. Know that it is your divine right to not feel the hair on the back of your neck. Get the collar of your only clean shirt soaking wet. Spend the rest of the afternoon in a too tight sports bra. 
Step 12. Go to your evening class in your damp shirt and see that someone has dyed their hair neon orange and gelled it into a mohawk. Laugh at the god in your own head, but thank them for driving you to ocean state job lots too.
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orcelito · 11 months
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i've seen ppl talking about Meryl & how little we know about her family, but the geo-plant arc of trigun chapters 10-12 gives us some really useful pieces of info, i think
first, we see her thinking of herself as Cold Blooded, just like the dude that wanted Badwick to kill his own parents
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[ID: Meryl stands with her gun drawn and a troubled expression on her face as she thinks to herself, "Exactly as you described him... the cold-blooded type..." In the next panel, she closes her eyes and wonders, "Am I really... any different?" End ID]
at the start of this arc, Milly wrote one of her massive letters to her family, while Meryl mentioned not knowing what she would write to hers. then we see Milly get PISSED at Badwick after she learns he threatened his parents at gunpoint, which leads to this page:
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[ID: Meryl, held back by Milly, tells her, "Milly... I envy you... My father would have wanted me to get justifiably angry at a person who points a gun at his parents. That is an important thing." She flashes back to the moment in the chapter before where Milly is attempting to punch the son, Badwick. Milly calls in concern, "Ma'am?" Meryl continues, "But I... I just stood there and took it all in without even budging. I am such a cold person. I chose this path of blood and tears without thinking about the rest of my life. All I can see is what is right in front of me." The page shows the face of the father, dressed in basic battle gear, who is watching silently. Now in tears, Meryl laments, "Why could I not see... that when I closed myself off to him, something was wrong? I..." In the last panel, Milly stares down at Meryl in surprise as Meryl slaps her own cheeks and exclaims, "No... Nevermind!" End ID]
this entire situation is obviously striking something in Meryl's heart. some kind of insecurity she has about her distant relationship with her own parents. she shakes herself out of it, determined to not fall into a funk, and then jumps into defense of the land.
after the battle's over & the father's fallen to his ass, we see these pages:
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[ID: In the first page, the father, off screen, tells Meryl and Milly, "There are no words to express how thankful I am for your help." Meryl replies with a smile, "Ah. There's no need." The father goes on to tell her, "Ms. Meryl... I know it was rude of me, but I overheard your conversation earlier. Having raised that rebellious son, I don't know if I have the right thing to say, but... All people are different, but the bonds between parents and children are inseparable. It is a great burden, but also the most precious thing in the world..." In the second page, the father concludes, "... Choose your own path, and walk it with confidence. All of life... is connected. You must live your own life, and your parents will love through you." As he speaks, we see Meryl listening to him with a surprised expression. End ID]
this entire arc feels like a metaphor for Meryl's own situation. after these pages, we see Badwick turning in the deed, then finding out that his parents were entrusting the property to him after all. he's the problem son, someone who separated himself from his parents due to his disagreements with them (likely stemming from his dead younger brother). yet at the end of the day, his parents still love him and entrusted their life's work to him.
Meryl sees all this go down, hears these words, and it touches something in her heart. so we see her go from talking about writing to her family like this in chapter 10:
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[ID: A single panel of Meryl with her eyes closed and a peaceful expression on her face. She tells Milly, "That would be the normal thing to do... especially when I've been away from home for so long. But I don't know what to write beyond 'it's dry'..." End ID]
to this bit at the end of chapter 12:
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[ID: Meryl approaches a mailbox with luggage in hand. She slips a letter inside, then sighs with a smile. Milly yells, "Maa'aam! What are you doing?! We're already late!" To which Meryl replies, "Ok! Ok! Ok! I'm coming!" End ID]
the experience was enough for her to accept that she might not be the closest with her parents (or just father? considering she only ever mentions a father in this all), but it's still worth reaching out even if she doesn't have much to say.
this arc is the most we see about Meryl's backstory in the manga, but I think we can draw a few things from it. we have a definite mention of a father, but no others. no mention of siblings or any other family members. she's distant from her father, too busy following her heart & goals, but she doesn't have a bad relationship with him. just Distant. she feels disconnected from him, even Cold, for her focus on her work & the practicalities in front of her. but even with that disconnect, she still cares enough about him to feel guilty when she realizes she's been doing this.
and then considering later, when we see the flashback of a man giving her the gun... i'd assumed that was possibly a senior at her work (probably tristamp giving me that perception, from Roberto), but keeping all the rest of this in mind... it really could have been her father.
i went looking to try to find that part. did not find that one exactly, but i DID find this one from trimax chapter 34:
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[ID: A nearly bald man with a kind face and what appear to be shooting ear muffs around his neck tells Meryl, "Consider guns delicate. Women, most of all, should make use of them. One shot will level the playing field between you and a big, strong man." End ID]
if this is indeed her father, it would explain why she knows how to shoot like she does. perhaps her father taught her as she was growing up out of the wish to help her protect herself. maybe they weren't incredibly close, but he still clearly cared about her & wanted what was best for her and her safety. the kind of father that's content to let her do whatever her heart wishes, since her happiness is his happiness.
and then chapter 12 ends with this page:
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[ID: A black framed page with a single panel at the center. The panel shows Meryl from behind, running with her luggage in hand. The text boxes to the sides state, "All of life is connected by a river... And the beginning of the river... is now." End ID]
she continues on her own path, not looking back, but she is still connected to the ones in her heart... including her father.
(Manga panels referenced from @trigun-manga-overhaul !)
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crescentfool · 20 days
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i've been doing a bunch of tartarus runs in reload lately, and it got me thinking about how i miss certain ways FES's clunky gameplay can characterize minato… (ramble about the great clock mechanic + leveling up party members in reload vs fes under the cut)
when i got to yabbashah block in tartarus (block 3), i remember commending the developers for adding the great clock mechanic. it's a much more convenient way to keep party members at the protagonist's level- so when you think about p3 from the perspective of trying to make it easier for people to play, the mechanic succeeds in this respect.
but now that i'm in adamah block, and that i've done lots of my once-a-month tartarus runs… i think that i got a little too dependent on it, and the way that i played through reload feels like a vastly different experience from how i played FES.
in reload, my party's levels are very lopsided. minato, yukari, akihiko, mitsuru, and fuuka are all level 90+, meanwhile junpei and aigis are at level 79, and then… poor ken and koromaru are at 71 and 64 respectively. (i never got to have a great clock for them…)
meanwhile, in FES, my party's levels were much more evenly distributed and were at least level 90. i did all of this manually for every monthly tartarus run because i enjoyed having options available for the taratarus guardians and monthly operations.
with how i perceive minato, i feel that the way i played FES feels more in-line with his character than me dawdling around waiting for the great clocks in reload.
FES's gameplay loop left me with the very strong impression that minato has to work twice as hard as everyone else in SEES does. it makes sense because, yeah, he's the leader, but something about having minato run through tartarus multiple times with different groups of people just to make sure that they are adequately prepared speaks volumes about his character, to me.
and while the tired mechanic is present in reload to some degree, most notably with allowing you to freely raise your courage stat when you visit edogawa after school… the tiredness system doesn't hit the same way that FES does, i think.
the way your party members in FES will call it quits when they return to the entrance floor at tartarus when they're tired, versus minato, in spite of all his tiredness and sickness, still pushes through tartarus because it's his responsibility…. idk!!! i miss that! i feel like this really hammers home the difference between minato and the rest of SEES, how minato doesn't really see himself as a human with needs worth respecting as long as he's useful to someone.
i don't think that tartarus being tedious (in FES especially) is not what most people would describe as fun, and i can respect people thinking it's a slog. but, regardless of how it feels to play, it doesn't change that FES's gameplay loop is a fundamental building block in how i perceive minato…
of course, i do recognize that you can just opt to NOT use the great clock in reload (and it's great when players are offered the choice to not partake in mechanics)! i definitely think that if someone really wanted to, they could manually level up party members, but i do feel that kind of playstyle isn't necessarily "incentivized" to the type of people who are into playing games for Having a Good Time. it's kind of like… "why would you do that when there's a much more convenient option available to you."
in any case! despite my woes, i do want to emphasize that i'm glad that reload has a much more smoother gameplay loop than the original P3 did, because it does make the game more accessible to people. having played both FES and reload, it feels very strongly apparent to me how the core gameplay formula of persona has really been refined in the past 18 years (to think og p3 was 2006 and reload is 2024.. time flies!). and reload has made revisiting a story that i love so dearly much, much easier because the gameplay just bops!
at the same time, due to my "i miss characterization informed by weird and dated FES gameplay quirks" woes, i still think that playing FES is worthwhile. (really, i feel this way about all iterations of p3! i think it's worthwhile to see what each version and side media has to say even if it doesn't Land™ for you.) but i also understand why people wouldn't want to play it, so i will keep writing posts about things i liked from FES's gameplay because i'm still very fond of FES (especially in respects to minato. these mechanics are so telling about him!!!) 💪
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wikiangela · 7 months
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wip wednesday
tagged by @jesuisici33 @callaplums @daffi-990 @loserdiaz @thewolvesof1998 @disasterbuckdiaz @fortheloveofbuddie 💖💖
made a bit of progress on the sick fic so here it is🤷
prev snippet
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“Maybe we should get you to a doctor.” Buck muses, wrapping the blanket over Eddie’s shoulders.
“I don’t need- I just closed my eyes for a second. I’m fine.” he grumbles, fumbling with the blanket too long to want to actually throw it off, but he does in the end – he’s cold and refuses to admit it, and he’d rather sit here and pretend he’s fine. He’s impossible.
“Eddie, that cough did not sound fine.” he points out. 
“Buck-” he sneezes, and then wraps the sleeves of his hoodie over his palms. Buck raises his eyebrow, and Eddie pointedly avoids his eyes, as he not-so-discreetly wipes his nose with a sleeve. 
“I bought tissues.” Buck reaches for the bag and digs out a box, then tries to give it to Eddie, who, instead of taking it, just levels him with a stare, as he sniffles loudly, and swipes a sleeve under his nose again. “Seriously? You’re gonna be gross and disgusting just to prove you’re not sick?” That’s a new level of stubborn Buck hasn’t seen from Eddie yet. He can’t believe this is the man his heart decided it wants. And that even while sick and gross and stubborn and ridiculous, a part of Buck is still endeared by him.
“I’m not.” Eddie insists, sounding so congested Buck swears he can feel it in his own sinuses. “Let me just finish my coffee, and then I-” another sneeze. “Have so much to do today.” he finishes, but at least this time he reaches for the tissues, looking anywhere but at Buck, cheeks red.
“Yeah, no, all you’re gonna do today is rest and take some medicine.” Buck says decisively, then takes the bag in his hand, and slowly starts walking to the kitchen. “Get comfortable, and I’ll just put this all away and be right back. I bought meds, tissues, and something to cook you some soup-” he starts listing off, getting louder the further he gets. “Oh, and stopped by the farmer’s market to get honey. Did you know that honey has antioxidant and antibacterial properties?” he asks excitedly, ready to tell Eddie every single thing he found in his quick research. Buck learned a long time ago that with Eddie he doesn’t need to hold back and can rant and ramble all he wants, and Eddie is happy to listen to him.
“Yeah?” Eddie yells back, voice hoarse and strained. Buck can hear the couch shift as Eddie gets comfortable, maybe even finally lays down. He knows Eddie won’t just give in and admit he’s sick, but this is a start. “Why don’t you tell me all about it?” he sounds genuinely interested, though also really tired. 
“I will, just a sec! I’ll make you some tea with lemon and honey, how’s that sound?” he asks, and gets a grunt in response, though he’s not sure if that’s an answer, or if Eddie’s just trying to suppress a cough in an attempt to hide that he’s sick, as if Buck didn’t already know. He chuckles to himself. He really has his work cut out for him today.
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no pressure tags: @elvensorceress @gayarthur @diazass @thebravebitch @silentxxsoul @shortsighted-owl @eddiebabygirldiaz @arthursdent @diazblunt @911onabc @eddiediaztho @housewifebuck @lover-of-mine @gayhoediaz @rogerzsteven @watchyourbuck @hoodie-buck @monsterrae1 @hippolotamus @ladydorian05 @forthewolves @honestlydarkprincess @wildlife4life @spotsandsocks @eowon @theotherbuckley @weewootruck @thewolvesof1998 @giddyupbuck @disasterbuckdiaz @hoodie-buck @spotsandsocks
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ratspaguetti · 1 month
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Splatoon headcanon- Fuzzy inkfish
Okay so! In splatoon 3, return of the mammalians, I was sorely disappointed when said mammalians where just...hairy and brainwashed, literally that's it, which had let me down so bad, given the fact that slight alteration of character model and brainwashing had already happened before (sanitization) and genuinely, the occasions haven't changed much behavior wise, so this is how I have headcanoned what should have actually happened in splatoon 3!
Behavior
Given the fact that the fuzzy ink fish are now mammalian, depending on the inkfish, they might hiss, scratch, bite, and attack like a wild animal, really depending on the type of animal they are based off of, I imagine most would be bearlike because it is Mr Grizz that made this happen, but imagine, a fuzzy inkling with Spirulas growing out of their head like sheep horns, completely ramming a another inkling a good couple of feet away! Making interesting gameplay! And given Japan seems to love cat girls (can't blame them) give a octoling some cat ears and very agile and bam! Happy fans- (I will probably talk more about behaviors in a different post)
They also do not use weapons! Given the fact they are mammals, they use their animal like features instead to fully attack [this is what will be explored in a different post]
Body
I need bullet points for these because there is a lot I wanna go through
Mammals aren't just fluffy creatures, they also have these cool nest things called bones and warm blood
So fuzzy ink fish will first experience "fever" like symptoms as their ink slowly heats up, and over a long period of time (depending on how much furry goop they have been exposed to and how long they have been a fuzzy inkfish) and go into a hibernation like state, when they come back to, their body will have had the changes, first, they are not hot blooded and have furr in their tentacles
Later on, their body will slowly shift to a more animal like appearance, like hands slowly enlongating and growing large claws, more hunched like posture to more easily run in four legs, growing new teeth that are more mammalian in nature (could be herbivore, could be carnivore) some will grow more furry along their extremities as well, some will even grow more animal like ears and eyes
At this stage, most of these bodily changes are still reversible with enough medical equipment, as the ink fish are still majorly cartilage and ink, so they can be reformed (kinda how they can still change into a squid or octopus)
Yet, when their bones start to grow, these changes are mostly irreversible, bones will form after a good couple of months, this will make fuzzy inkfish tanks compared to normal ink fish, the skeletal structure has downsides however, like the inability to turn into a squid/octopus anymore, given the fact that you can't really shapeshift into something as small as a squid, where would all those bones go??
But their inability to shapeshift smaller does not mean they cannot shapeshift at all, by or consuming the fuzzy ooze or ink, their body will grow in size, and they take a much more animal like shape, like how a human where to turn into a werewolf, in this form, they do high amounts of damage by the swings of their claws
Their bones and thicker skin would also do that one think most inklings and octolings can't do, get in water, cuz let's be honest, unless the oceans are actual acid, having a body with thicker skin, bones and muscle tissue, probably makes these Fuzzy Inklings/octolings able to actually swim!
Also, when their skeletal structure is growing, they will likely also grow tails (you can't have tails otherwise, yah need the spindle bones to make it, no-?)
I'll continue all this later- it's just my ideas I've been thinking of-
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suffarustuffaru · 10 months
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i just. remembered again that i have a fembaru fic but also the premise is. Very Messed Up hah and also it was written before the canon genderbent au with its official genderbend names for everyone so its also outdated on top of that T^T i had like. Genderqueer subtext going on too. but i also wrote this fic like almost two years ago and havent touched it in forever so im unsure if i should go back to it…. o.o but i would love to finish it one day if only for my own satisfaction hah… i had a very detailed outline for ch 2 (its a twoshot) and several scenes written already anyway!! (and also i would probably update those names, make minor edits, etc etc hmm…)
#just thinking about this wip again………… mmmm….. not super confident in my older ao3 fics but the premise for this one was like. i think i#ended up brainstorming it with a friend or two and then i was like wait holy shit howd this play out. and then i took about two weeks to#write ch1? :o#and then i like. REALLY got into revolutionary girl utena after finishing ch1 so like that def bled into um. the themes.#just. thimking…….. bc ive had so many ideas to explore like. themes regarding gender and misogyny and Choice and destiny and queerness and#all sorts of things….. bc rezero Touches on them and is even Detailed on them sometimes and id Love to go in depth. but im also a bit#nervous to bc 1. writing fic is….. so much work sometimes fr and i am but a lazy writer and 2. the slight anxiety of what if i get flamed#o.o wild to think about…..#like. i have ideas for emilia fics that are. definitely darker maybe a bit controversial but i will go off the walls with writing for the#sake of answering the questions of. can this be done. and is it possible to narratively critique canon and fandom treatment of emilia. that#sort of thing.#not that im the best writer ever akdbdnd but i do like darker fiction sometimes. and i also like being meta about things in fiction. and i#also like writing to get out a tiny bit of salt. etc etc.#i tried to write these kinds of thinngs with my atm sole emilia centric fic that i wrote. uhhh more than a year ago? and i would love to try#again one day bc ive def improved and changed as a writer since then. u know what i mean?? :o#just like. rezero and queerness is very interesting to me.#suffaru post#saving this on the blog bc i talked Too Much about my writing process here HAH#my writing process being: HOW FAR CAN I TAKE THIS IDEA AND HOW OFF THE WALLS CAN IT GET????#in reality tho im really just a massive nerd whos gone down a massive rabbit hole of writing anime fanfic. 😭😭😭😭😭🙏🙏#if you actually read all these tags big thank you HAH
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some thoughts on disability in fanfiction
I have so many thoughts about the common “trope” within the stranger things fandom to give specifically Steve a disability in fanfiction. A lot of my thoughts on this are mixed in with my own complicated feelings about becoming (physically) disabled over the past few years. Which is why i have a hard time writing about it objectively or maybe even fairly. Because some of it brings up a lot of negative emotions regarding ableism I’ve personally experienced. And I’m also still unpacking a lot of internalized ableism so maybe I’m not (yet) able to critique some of this stuff properly. And obviously a lot of these stories are written by people who deal with these (or any) disabilities themselves as a way to explore the topic. I love those! I think writing is such an excellent way of exploring your own feelings. So any of my critisisms aren’t about people using (fan)fiction to write about their own experiences. I’ve read some absolutely incredible works about this topic!!
A lot of these pieces of fanfic featuring Steve with a disability (you typically see either being HOH, having epilepsy or migraines) tend to fall within the larger hurt/comfort trope. And that makes sense, I guess. I also understand the need/desire for disabled people to read or write stories about characters being comforted through the struggles of disability. But I find that often these stories, especially when written by able bodied people, can fall into some harmful tropes.
The main issue that comes up for me is the romanticization of taking away bodily autonomy of the disabled person. The character, most often Steve in this case, is written as struggling with a disability and having a hard time coming to terms with this and then another character “forces” them to get better or accept help and by doing so takes away their agency in the situation. I don’t care if it’s “”the right thing to do”” or “”he really needed someone to help him”” if you’re taking away someone’s autonomy in a situation that’s kinda fucked up. (there’s some nuance there in cases of severe mental health issues where someone might hurt themselves, but even there autonomy is incredibly important and I’m largely talking about physical disability here). This also includes a lack of autonomy in who gets to know about a characters disability and how they find out. Disabled people aren’t owed anyone info about their health and people learning about it against someone’s will can be very upsetting. Another prominent trope is using disability as a way to explore self-sacrificial elements of Steve’s character. It’s the ‘he always cares for other people first and forgets to care for himself’-thing that is often explored with his character. Writers will turn this character trait on its head by ‘giving’ Steve a disability and thus forcing him to reckon with needing and being deserving of care. There’s nothing inherently wrong with that as an idea. I think many people who become disabled struggle with asking for help and feelings of guilt surrounding this. Which is what makes this a difficult concept to critique. I have a hard time puting into words exactly what rubs me the wrong way about this. But let me just say there is definitely a difference between attempts at exploring disability and turning disabled people into poor little babies who can’t do anything for themselves and oh isn’t that just so sad? Especially when a story lacks correct information about what a disabled person would or would not be able to do themselves. There’s also so much infantilization going on in those cases.
And there’s obviously disabled people with (very) high support needs, but pity and infantilization is never an appropriate reaction. Also! Plenty of disabled people have worked through that shit and are (no longer or were never) constantly feeling guilty about needing care! It’s a logical emotion to go through in our ableist society, but I feel like we could do with more representation of disabled people who don’t feel like horrible burdens just for existing. I say this because people irl are sometimes genuinely confused when I don’t feel bad or guilty or embarrased about asking for accomodation. There’s almost an expectation that we’re supposed to feel bad about requiring assistance and that’s pretty fucked up. I don’t want to give specific examples because I can’t think of any of the top of my head, but also because I’m not writing this to call anyone out. I feel like this fandom has correctly noticed that Steve’s had one too many hits to the head and I think the desire to explore this as a community could be a very positive thing. We should just be mindful of the actual lived experiences of disabled people and use this as an opportunity to educate ourselves about disability and ableism. Not just use it as a way to project fantasies about being cared for onto disabled people. I think that’s what sometimes can go wrong here. Able bodied people might project their desires about being doted on and cared for (VERY valid desires!) onto these characters. But disabled people have different needs and wants regarding being cared for! You often cannot copy your own desire to have a break from your insanely busy life (again, valid desire) and have someone take over for you for a little while onto disabled people without accidentaly perpetuating ableist ideas. You might also run into trouble when you project your own desire to be helpful and needed onto characters who take care of a disabled person. This can be a bit more of a gray area (imo) because caring for loved ones is obviously a great thing. I just think it’s important to keep in mind whether the focus is on wanting to be the person who helps someone and actually helping a disabled person according to their own wishes and standards. These are some very rambly thoughts, but I hope they can prompt some people to have a look at their own ways of reading and writing about disabled people. I think an absolutely necessary first step is to consider whether you are taking bodily autonomy into account, but there are many more nuances into properly writing about disabled people. There’s also always just the option of... not writing about disability if it’s not something you fully understand. Sometimes the latter might be the best route to take.
I’d loved to hear some thoughts from other disabled people!
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crow-with-a-pencil · 2 years
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References for my oc in the Salad Family au by @intistone !
Their name is Beetle, they live next to a lake, they have some pet shrimp, and more lore will come when I think of it.
Extra doodles n stuff under the cut
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hauntedwoman · 5 months
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almost pulled over on the way to school three times just to cry and think about how fucked everything in my life is rn
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kj-munch · 10 months
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gonna start allowing myself to post non madcom art here i think.. :]
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opens-up-4-nobody · 7 months
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#hhhhh i just wanna lay in bed watching movies all day. i need some sort of wizard to turn me into a salamander so i dont have to do my job#it takes me all day to relax and for what? its Sunday and i have to grade at e#least 45 lab reports and make a presentation about photosynthesis so i can teach tomorrow so that i can barely tread water#im so behind on grading. and thats not to mention all the other bullshit i should b doing. ugh. i just wanna not do anything#i got covid vaccinated yesterday so im kinda exhausted on top of preexisting exhaustion. anf i would like my problems to stop existing#also i forgot how annoying it is to live in a place with mice. like stop scurrying around in my walls! stop trying to make mouse holes#dont make me murder u bc i will. ill buy mouse traps and thdn youll b sorry#but id rather not do that bc itll b annoying to check the traps and dispose of the bodies. bleh#i just wanna watch surreal movies abt self destruction and cosmic horror#so annihilation and maybe sunshine bc i havent watched it and oh god whats that polish movie uuuuuh#i can't remember. it starts with s i think but all i can think is susperia which is not correct. solaris? i cant remember if i watched#it or just read thr book. idk i like surreal slightly pretentious movies. under the skin is another i lov#god. i dont wanna get up. i still only got 7hrs sleep. i just wanna lay here and decompose#fuck. i have so much to write for Wednesday. and i think i have to share a paper Friday. fuck.#unrelated
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orcelito · 6 months
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Ykno I think it's kind of funny how some people r so against sharing that they're into any fan stuff ever with Anyone they know irl. Then there's me. I'll tell my friends. I'll tell my family. I'll tell my COWORKERS. That I write fanfiction.
Like it's rly not that big of a deal I don't think. I like my funny little guys and I like to put them into situations. It's pretty normal.
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radioactivedragonspit · 3 months
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I can't sleep worth shit and I want to draw Hijack fanart for comfort... but I swear I've explored nearly every AU there is back in 2015/16, and the little adhd infested rat in my brain insists we do something *new* something *fresh* something *never before thought on*.... hhhhhhhhhh. I've been maladaptive daydreaming for so long without producing art that, to the outside, I've done barely any. But inside my own brain I've been there done that and done it again 1000 times. I just gotta find some variation that my mind will agree to cling to and fuel my creative drive. But all I'm getting is a noisy ol dial-up tone.
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july-19th-club · 4 months
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in the martell longcon there’s a post-battle scene where jon and tyrion are like we are going to drag this kid out riding if it takes us all year. and they haul bran’s old saddle out of storage where it somehow survived the past seven years’ worth of sacking and pillaging and dust it up and make some adjustments since he’s not a little kid anymore. and they bug and bother him to quit sitting by windows not talking to people except to give them ominous replies when they try to engage him in conversation. and they all three go down to the stables and go out for a ride. for jon and tyrion it is an enjoyable day off. for bran it is an exercise in trying his damnedest to pretend he’s above eavesdropping on them from where they’re chatting and riding a couple yards ahead to see whether or not they’re talking about him (they are). they have a little race to the treeline, which appears to be on the verge of a win in tyrion’s favor when suddenly bran comes out of nowhere and plows between them and they watch him galloping off up the road, kicking up a cloud of snow in their eyes and they look at each other and grin and when they catch up there’s a second before the smile drops off his face. it’s midmorning, the sun’s just coming through a low cloud layer and he hasn’t done anything like this in years and he forgot what it was like. he didn’t think he could forget what anything was like, and besides, all sensations are stored forever within easy reach, but a sensation remembered is not the same as a sensation in the moment and he has just felt the wind slapping his cheeks and the horse’s legs churning against the ground and the wild glass-clean scent of the snow and it takes him a second to stop smiling and that second is all it takes to give his brother the satisfaction of being right. very pointedly jon asks, and how did that feel? he says, you win. it felt. jon says it felt........? he says, it felt good. when they come back from riding the queen in the north hears them come into the courtyard and looks down to see all three chatting, voices rising easily and echoing off the stone, and she says nothing that evening at dinner and nothing the next day, but if the hallways are a little less steely, if the atmosphere is a little less thin, if her youngest sibling’s replies are a little less curt....she knows who to thank for it.
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