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#Okay y'all what the fuck
inkskinned · 1 year
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she says he won't let her get a dog, which is fine, because they're in an apartment, and that's the kind of thing people say about their partners. he won't let me get a dog. and you're at a dinner party and you tilt your head a little to the side just like that dog he won't let her get, because is this the thing that's going to upset you? you don't know every corner of their relationship, she could be joking, they could have had so many healthy conversations about the dog, right, and maybe she's not letting herself get the dog because of money and time and whatever. but, like, she did say let
and she wants to move away from his hometown and he wants to stay and then he tells you with a wink and a conspiratorial stage whisper don't worry i'll convince her and she laughs about it - so clearly this is something they laugh about. but you do just stand there and stare at him like what the fuck, man. you can't say what you want to say which is why do you get the final say on everything because they're both obviously aware of the other person's stance on this and have obviously had private conversations about it and what are you going to do about it except make a scene and then he'll be mad at you and call you one of those bitches behind your back and she'll cut you off, which is a loss that doesn't feel worth it just because he makes you a little skeeved out every 3rd comment
and they both agree he just isn't the type to get flowers which is fine because everyone shows love differently, and are you really gonna judge someone based on their sense of individual relationship responsibility? maybe he's constantly cleaning her car and writing her poems and making her furniture or something. maybe she doesn't even like flowers and this is perfect, actually. and no you couldn't date him, obviously, ew; but like, she tells you she's happy. you almost send her a tiktok that says don't be 25 and the cool girl that doesn't need anything, you'll hate not getting flowers at 30, but that's like, starting drama & you shouldn't start drama needlessly.
and you're a little older than her but not so much older you can pull the whole trust me on this one babe thing and besides that wouldn't have worked anyway (when does it ever) and besides you have trauma so you and your therapist both agree that you're always looking for a problem even when there isn't one. and you tell yourself that just because you see them for 15 minutes every month does not mean you can identify every single red flag based on a single shitty half-joking(?) comment
and besides, what are you going to do? she says i actually wanted another stand mixer but thankfully he stops me when i'm about to spend too much money and you're standing there like are you okay? is this normal? is this just something people say? and again - what are you going to do?
to your therapist you try to language it - it's not, like, any of my business. but sometimes, doesn't it feel like - you should do something. there's got to be something, right? you've tried dropping little hints but they sail right through and you've tried having a single serious conversation and she got upset because why does it matter to you, yes it's different but we're happy, it doesn't need to make sense to you and you're like. really unwilling to push a boundary about it anymore; because the truth is that you know logically it shouldn't matter to you, as long as both parties are happy.
and besides, you've been wrong before. it's just... like, every time you see them both, something else happens, some kind of shiver down your spine like do you even hear each other when you talk. it's their strange, bickering orbit. just the way he's on his phone through dinner or watching sports instead of helping in the kitchen or, fuck, another one of these little throwaway comments he makes about we'll see about that, babe. she laughs when he calls her passions stupid shit and meanwhile she gets him tickets to see the knicks and he tells you well at least she's smart about something and still! it's none of your business.
you say get the dog anyway and she laughs. like, this is is you being funny. and not you saying - no really. get the dog. get the dog and get out of here. pack up and start running.
#this btw is not including toxic friendships this is legit just something ive experienced MANY times now#writeblr#you ever have a friend in one of those relationships where ur like#u don't HATE their partner explicitly#but ur like. what the fuck y'all#like the weird part of being an adult is that you can't be like . CERTAIN their relationship is toxic#and also if u move too fast or push too hard u can hurt someone who is already in a scary situation so you just are like#frozen there. laughing awkwardly. saying ''haha..... yeah..... couldn't be me....''#and like u can't tell - is this banter or does he actually think like. he's better than her.#all you can do is be there for your friend and hope they wake up to it#or ... that it really IS good#and it's just odd to you#tbh btw id rather have my friends feel safe coming to me if they have a concern about my relationship#like yes it's not ur business but it also IS bc im making u hang out with them and also ur my friend#it's a weird thing to experience as an adult bc it is such a blurry line and when u spend time#around couples that aren't like ACTUALLY ur friends but instead ''extended friend circle'' ur like#.... i don't know y'all well enough and he just called you a cow. and ur okay with that . and i don't know how to respond.#so ur like :) okay. um. go to couple's counselling i think#but also you are NOT supposed to pass judgement so it's like.... this weird limbo of feeling like you SHOULD say something#but knowing you CANNOT#idk that there's a way to resolve it!!!!!!!! it's probably a different approach person to person#edited my tags bc tumblr's new system fucked em up#PS EDIT: btw i should have said:#the pronouns in this can work in any and every direction. every gender and every sexuality and every#type of relationship tbh. even non-romantic relationships where ur like ''what do u mean ur bff calls u stupid''
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mxfrodo · 27 days
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y'all for fucking real. don't fucking write slave fics or x reader fics of aventurine's slavery??? are you guys out of your goddamn minds???
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tumblr is so great because on other websites people argue about ships and creators being problematic but here we argue about the color of a characters sweater that shows up in the background and whether or not it has stripes
LMAOOOOOOOOOOOO THIS IS REAL
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crispycreambacon · 3 months
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Spice In, Time Out!
— ☆ —
Wanna read a semi-crack fic about Beef Boy hanging out with a bunch of puppets? Maybe even do a little ramen challenge with his little blue fuzzy nerd friend? You're in luck, 'cause I wrote 6500 words of exactly that!
Among those thousands of words are a bunch of cool stuff such as:
Puppet shenanigans! Two of them may have planned to kill their friends (disclaimer: that murder will not be shown in the fic)
Actual history??? Yeah that's right you're gonna get hit with a Puppet History-style question so STUDY UP ON THE HISTORY OF RAMEN (or not) 👹
God being the worst! Again! They may have actually killed someone (disclaimer: that murder WILL be shown in the fic)
God/Professor allegations. Whether those allegations are true or not will be up to you
Overall a (hopefully) funny and wholesome bonding time between everyone at this table. They're all friends! :]
If all of that sounds like a jam to you, you can read the fic via clicking here, clicking the title, or searching up "Spice in, Time Out!" by crispycreambacon on AO3.
I hope y'all will enjoy this fic! I'm pretty proud of how it turned out especially since I was honestly not feeling it at the start and even contemplated not publishing it at all. Even if you don't read it, I hope you enjoy the art (bonus doodles down below btw!) and I hope you'll have a schmaculous day!
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tangledinink · 7 months
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i've actually decided that anyone who's made any disaster twin fanwork that includes dialogue along the lines of, "i can't survive without my other half," or "i'm not a whole person without you," or "life isn't worth living without my twin," owes me $50.
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Hey so I'm curious, if y'all have ever thought about this reblog/tags/notes with your favorite spell casting sound (the little music notes/sounds that play as you cast a spell)
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carefulfears · 8 months
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top 5 (or 10 if you have em) scully taking care of mulder moments <3
she said IF i have 10 😭😭😭
1/ sein und zeit
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i fear i have talked about this television scene more times than anyone has ever talked about a television scene....like. one, two, three, four, i was even foolishly invited onto a podcast to talk about it more...
my tags here:
she gets down on the Ground. there's something so primal about it. there's such a lack of pretense and sense of desperation about it. the way he hits the table. we so Rarely see him lash out like that. but it's just too much to Bear. like everything in him is just Breaking the only thing that he's even remotely been able to hold onto amidst all of the unbearable loss and trauma in his life has failed. he's fumbling around for anything that might make it better. that audries fic describing him in this moment as an 'addict out of a fix' with 'newborn anger.' “this is the world? this is it?” it's the way that he spends this whole ep cooking up some elaborate mythology about missing children and how they can be found and then the last shot of the episode is that wide shot of all of the children's graves. sometimes he's just wrong. the world is so much fucking darker and uglier sometimes than the way he sees it. and that's what is crashing down around him in this moment. and she's sitting in the wreckage holding him tight.
this is such brave, brave love. i keep thinking about CSM in the following episode, standing in scully's apartment, warning her. "allow him his ignorance, it's what gives him hope."
she doesn't know what will happen to him, to her, to them, when she breaks down the only method of coping that he has. his mother lost her bedrock too, and she didn't survive. from the moment scully enters, you can watch it break her. she does it anyway. she gets down on the ground, and she cries, and she holds him. god, it all just would've been so different, if there'd been just 1 person, 27 years ago.
(thinking about mulder reaching up to hold scully when missy died, and these tags asking: did anyone hold him, when it was his sister?)
i love the show's message on grief (and trauma), in that this is all that is necessary for "closure." there is no "Truth," (and there really isn't any closure, there's no "beyond" the sea). but it matters that someone knows. it matters that someone bears witness. it matters that someone tells you the truth, even when it fucking breaks their heart. sits in the destruction with you.
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the exhaustion in her voice the next morning, when she tells skinner, "it's been a hard night for him." she's still wearing her work clothes from the day before. she was up all night. she's tired, and she's scared, and she's sad. it's been a hard 7 years. it's been a hard 27 years.
it makes me tear up every time i see it, the way she blocks him in the doorway. she's not moving. this is just so scully. it's not even starbuck, it's just so scully. she would keep him in that apartment where she could cover him and control what touches him forever, if she could. (she can't, so you're not taking him anywhere without her. the way she looks her boss in the eye and tells him he better book her a flight too. brave love.)
2/ demons
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god, this one just makes me sad. this might be the one that makes me saddest. she's dying. she doesn't have it in her, anymore. i talked about this in my newsletter (and i wrote a fic about it once) but this is like...the only time where she never calls him out on what he's doing. she never yells. she never rolls her eyes. she never gets frustrated with him. she doesn't have it in her. she's dying. he will be alone. she won't be here the next time. what can she even do about it?
i always think about this post:
and you know she is thinking about how if she hadn’t been there he would’ve died. and how the next time he does something like this, she won’t have enough life left in her to keep them both alive. she might not even have enough left for herself. and she’ll give whatever she does have left to him, but it won’t be enough to save either of them. she’ll die cold and pale and he’ll burn himself out. and what can she do but hold him? who will he have when she’s gone? what will he do to himself? who will he call?
and these tags:
this is so cautious and tender and apologetic. sorry for all the pain he feels constantly. and sorry that nothing can ease it. and sorry that she is dying and leaving him like this.
she started writing to him as soon as she was diagnosed, begging. begging forgiveness, begging courage, begging grace. begging for him to not feel there was anything more he could've done, to not become the next cause he is lost in. for him to keep going, as she needs to know he's "out there."
but she's seen him hold a gun to himself too many times, and she knows he's coming down with her. and it's such a loss? this is a person she gave up everything, including her life, to follow, because she believed in him and what he wanted to do in the world that much. but things are different now. he won't survive this. he won't be "out there" saving the world.
what can she do? go to rhode island at 5am, wrap him up. stay quiet, stay still, but scream and thrash at anyone who's careless with him. sink down next to him, cover him, hold him. "maybe we need every answer in the world to survive a single question: how long do we have each other?" (x)
(also, her memento mori journal, in general. she sat in that hospital alone, for days, knowing she was going to die. and she wrote letter, after letter, after letter, to him. so that he would have something. so that he wouldn’t be left alone with nothing, again.)
3/ the end
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"as mulder appears. the look on his face is of a man who's seeing, smelling, and tasting the loss of everything he has worked for. it's the look of utter defeat. angle on scully at the door. she sees only mulder right now...she moves to him now. putting her arms around him, holding on to keep him from breaking. off this, we fade out. the end." (script)
i think so often about the script notes of this scene. the description of mulder, as absorbed in destruction. everything that he's worked for, literally reduced to (cigarette) ash. scully only focused on him.
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in the final angle of the season, you can really see how she's standing in front of him. her fingers clutching him. but when she first grabs him, it's so tentative. it almost feels like she's trying to see if he's still there, if he exists, if his work doesn't.
this is...the whole thing! there's a reason why this was "the end." the final image of this iteration of the series, before everything changes. this is what it is all about. it's mulder walking headfirst into the devastation of the world. drenched in loss. seeing it. smelling it. tasting it. surrounded by it. and it's scully knowing what he'll find even as he's still moving (this script note, from the hallway: "reverse on scully. returning the look. knowing what mulder is going to find. and what it will mean.")
following behind. eyes on him, while he takes in the ash. just holding on for dear life; trying to keep him close, whole.
(also, i love the moment before the fire, at his apartment, after diana was shot. the way scully tells skinner that he can reach her at mulder's if he needs her, because that's where she'll be. he doesn't even have a bed, or anywhere for her to stay!! she's not leaving him.)
4/ paper hearts
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oh, starbuck. we are really in it now.
paper hearts is an ahab and starbuck episode, yes. but mostly it's about grief. mostly it's about harsh awakenings. mostly it's about confrontation with fear, scully's included.
one of the most haunting moments of the series, to me, is when they speak to the father of the 14th victim, twenty-one years after his daughter went missing. and through tears, the father says, "i used to think...that missing was worse than dead, because...you never knew what happened. now that i know, i'm glad my wife's not here. she got luckier."
in that moment, as mulder looks over at the photos on the mantle, missing is not worse than dead. it is not worse than knowing. and later that day, in his first scene, roche calls it exactly as it is: "i understand you take this very personally, mulder."
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i've written about this scene in the hallway so many times, because it's truly the crux of this episode (my favorite episode).
from my newsletter:
There’s something so viscerally deep about this episode that’s hard to put into words, but to me, it is most palpable in the moment in the hallway when Mulder asks Scully if she believes that his sister was abducted by aliens. And you can see in his face that he knows the answer, and he’s challenging her to come out and say it. You can see in Scully’s that she would rather admit to anything else.
he's challenging her. he's taking their entire dynamic, and throwing it in her face. not to be cruel. not to disrupt. but just to say...so what now? isn't this what you believe?
i don't think that they've ever been so fragile, as in this hallway, honestly. they rarely threaten to break it all down. their entire lives are built on him walking up to tragedy and saying: it was aliens. it was XYZ. and her following behind saying: no. it was a killer, it was a man.
what does that mean? what is she really saying?
this episode is hard on scully. mulder has never been more haunted. there has never been a bigger reminder of what they are actually doing. they are not just chasing little green men, having adventures, studying sewer worms. they are trying to make sense of something that will never make sense. they are trying to find a "truth" that they do not want to know. they are living their lives in mourning, in bereavement, in remembrance, of a missing little girl, and scully is terrified that they'll find her. that it will be exactly like roche threatens. that missing is not worse than dead.
and there is no one else. there is no one else that even knows how haunted he is. how stuck he is, in that childhood bedroom, like he said all those years ago. how deeply sad it is.
it's all of the little things. it's the "you did good work, mulder" in the beginning. it's the way she asks if he's okay to go tell the 14th victim's family. it's way she exclaims "oh my god" when roche says that he just wants to see mulder's face, when he finds samantha's body. one of the few times that we ever see scully lose control, but she just stands up and screams, opens the door and wordlessly waits for mulder to get up and get out of there.
it's the way that she hears "help me, scully" and digs in the dirt, with her bare hands.
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(you can tell in his eyes here that he's been crying, and it really gets to me. there's so much that we don't see.)
in the end, they're back in the basement. nothing left but one scrap of tattered fabric, one more lost failure. it's over. she just comes down to check on him.
the progression of scully's face in this last scene is just unbelievably gut-wrenching to me. her smile, when she tells him to get some sleep, and he laughs. the way it disappears when he holds her, and can't see her anymore. with his mother, flashing that smile and hugging her was all that it took to convince her not to worry. when he repeats the same actions with scully, she looks like she could break.
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this post:
Episodes like this make me think how alone - not just lonely, but truly alone - Mulder was before her. Nobody lost sleep over him falling apart under the fist of decades old trauma. Nobody grappled with him, let him wrestle his grief against them, and still stayed. Nobody visited him in the hospital, flew to Alaska, lied for him, stayed by his bed for days straight without an extra change of clothes. Nobody else knew he was suffering or wanted to, knew it more than he knew. That end of Paper hearts where she tells him to get some sleep, he laughs at the ridiculousness of it, but also out of incredulity at having someone to wish for better on his behalf. The heartbroken look on her face as he’s laughing into her waist seems to be her coming to the same realisation; “Who looked after you before? How long did you feel like this on your own?”
she is heartbroken. there is so much grief, in being starbuck. there's grief in being needed. there's grief in following ghosts. there's grief in loving someone who is so encased in pain, in loss. he will not go home and get some sleep. a well-placed joke, that smile, a hug, does not convince her that he's okay. he hurts so much, for so long, and he has one person who knows it. and all they do is keep moving: closer and closer to that breaking point that she is so afraid of, and they can't stop.
5/ redux ii
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remember when dana scully lied on her death bed and looked up at mulder as he told her that he was not willing to jeopardize skinner to save himself, and she replied, "well, then, you have to lay it on me."
the way he smiles and shakes his head, chokes out "i can't...i can't do that." through tears...they are so kind to each other. all that she has left in the world is her reputation, and she says: take it. take it all. take everything.
she cries when he won't do it.
6/ herrenvolk
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okay, i wanna get into some slightly lighter ones, so y'all remember when she nearly fully knocked skinner into the wall, because mulder came in with a (checks notes) scratch on his face?
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this is just so scully.
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she is so panicked. she just wants to slow him down, to stand between him and the world for even one moment longer.
these tags:
she's almost begging him not to go in. the extent of her worry is heartbreaking. she loves him. it frightens her to know what awaits him.
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one of the biggest conflicts of scully's character is that she just cannot stop him, she cannot shield him, she cannot protect him. the way she leans up here, and pulls him to her shoulder. covers him with a blanket. this is what she can do.
there is so much grief in being starbuck!! in loving someone who walks blindly into a world that you do not trust. in following someone into the worst night of their life: over, over, over. years, years, years. in being first mate, holding the responsibility on your shoulders of having to steer in a safe direction, only having one to choose from.
(i also think it's really special, all of the little moments where she checks in. in the previous episode, in the hospital hallway, the way she says "are you okay?" so softly.
in paper clip, when she makes him stop, and says "no, wait, hold on a second...i don't think you've had time to process everything that you've been through."
remnants of the girl who told him she'll cover for him and he should just go get a beer, take some time for himself, after jersey. who suggested he talk to someone, when jerry lamana died. she's always wanted so much for him, but she understands more now. there's still room to pause, for a moment, before he carries on.)
7/ anasazi
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ladies, would you shoot your man with a gun, to keep him from endangering himself, while he was being laced with LSD, and then drag him across the country singlehandedly, while he was unconscious, despite him being twice your size? and this, too, is taking care.
the way she says, "i was certain they would have killed you, mulder." and the fear in her voice, his hand on her knee. (she is so young. she really doesn't know what to do, not as often as she seems like she does). the way he says, "thank you. thank you for taking care of me." they are so kind to each other. it'll break your fucking heart.
(i remember asking y'all a few weeks ago, if mulder and scully ever say "i'm sorry," if they ever apologize to each other. and we came up with a couple of times. i'll tell you what, though: not as often as they say "thank you.")
8/ fire
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girlbosses when they singlehandedly solve serial murders, to get their best friend's shitty ex away from them!!! okay, i put this one on here because we were talking about it yesterday, but scully really does handle the entire situation with phoebe so perfectly, and that's hard to do, when you're dealing with friends and abusers.
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trish, i loved this part of your post yesterday:
scully gives him the space to talk about it, never says too much but she says enough. her phrasing is SO important. she repeats what he just told her in a way that frames it as wrong.
she's a little rabid, lol. we can see it on her face when she's alone, or when mulder's not looking. but around him (around phoebe too) she's calm. she listens, she addresses what he tells her as bad, without pressing. when he tells her that she's off the case, that he doesn't want to expose her to what phoebe is doing, she asks one time: are you sure you don't want help?
he says yes, and she does it anyway. she catches that fucking murderer so that this woman can go home. just, like, an inspiration to us all.
trish's tweet:
really, truly, genuinely. scully solving the case in fire was the absolute best course of action she could have taken. get that woman out of here, an ocean away from mulder. (give him freedom, let him heal, teach him what real love feels like)
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(her eyes locked in on him here, phoebe behind her. the way that when phoebe leaves the room, scully says, "you alright?" instantly.)
meeting phoebe just a few months into their partnership made her so fucking crazy like...i make fun of her for being sick in the head in regards to everyone he meets (men and women alike) and never wanting anyone around him other than her but like, my god, can you blame her!!! he's such a gentle person and people are so cruel and it makes her eyes bug out of her head.
yeah, i really don't have much else to say here, you guys. she solved a murder herself, a case that she wasn't even supposed to be working, so that his old gf would go away and stop being mean to him. she doesn't play!!
(also! while we're on the subject of abusive exes, honorable mention to scully cornering diana into an empty room and telling her to "just think" about who mulder is, who he was when she met him, compared to where he is now. "and then try and stand there in front of me. look me in the eye. and tell me mulder wouldn't bust his ass trying to save you.")
9/ deadalive
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oh, you guys remember that time she raised him from the dead, right?
scully at 8 months pregnant, sitting in that hospital chair, holding his hand, for days. knowing he can’t feel it, knowing that there’s nothing that says he’ll ever wake up. that it’s impossible. that there is no science…yeah. she just sits there and holds his hand.
i love the moment when she finds out, and she comes barreling through that hallway. she hits skinner first, and starts yelling, “i want to see him. no, i need to see him,” slams her fists into his chest.
then she moves onto doggett. repeats, “i need to see him” through tears. and the way doggett says… “i know. but i wish you wouldn’t.”
she’s loved. they want to protect her, protect her image of mulder as she knew him. but they also both know she will fucking plow them down.
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i always think of this fic and feel so ill:
“I pulled you six feet out of the ground,” she whispers, dangerously low. “Because I couldn’t live without you. I gave birth to your child.”
she fed his fish while he was in a casket. she planned a funeral and decorated a nursery alone, at the same time. she ran herself ragged all over the country, trying to keep his work going. she raised him from the dead.
(i also feel that i can throw in here, as related, the time that she busted him out of prison and then abandoned everything in her entire life including her career, her family, and everything she owns, to go on the run from the law and live secretly in seedy motels for years to be with him.)
10/ fight the future
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there are too many contenders for my last spot, so i’m gonna keep it simple, and go with the most special movie moment. (of all movies).
from my newsletter:
“Mulder watches the spaceship as it flies overhead, his face glows with a heart-melting grin of childlike wonder and awe.”(x)
That’s exactly what it feels like to me, it’s an innocence and excitement that was so present in season one, that was all over him when he told Scully to come look in the second episode, but that’s rare to see in the later seasons. It’s rare to see at this point in their story, after all that’s happened. They are stranded in Antarctica, both of them injured, both of them freezing in the cold, and they are holding each other and gazing up at the sky. What a perfect thing in their big momentous feature, to bring it all back to what it started with.
there’s such a reverent sentimentality to it, in the simplicity. she had stopped breathing, a few minutes earlier. but when he passes out, she pulls herself up, and grabs onto him. keeps him alive, keeps them both alive, just by holding him close. that’s really the heart of it.
(also, i find it so moving that this film is the only time in the franchise that scully considers leaving, not working with him anymore, and it’s because she thinks she’s not good for him. that she’s holding him back. she never considers him as anything other than wanted, something worth believing in.)
some honorable mentions to: little green men, which i’ve written about here. (especially her secret-signaling him to their secret meet-up place, just to ask if he’s okay). the erlenmeyer flask, which i’ve talked about here. (she literally stops him in the street to tell him that she should have listened to him, and she’s sorry, because she should have trusted his instincts. that means so much, you guys). her telling colton she hopes he falls on his ass after he was making rude comments about mulder in squeeze, screaming at a serial killer that she’ll gas him into hell herself and no one will stop her, if mulder isn’t okay, in beyond the sea….she has threatened and shouted at and smacked around so many people for fucking with him, and this too is care!! (anger meaning you’re worth being angry over, etc etc)
how desperately she became frantic to find their son, after 17 years resigned to never ever looking for him, never ever endangering him that way…because she became convinced that it’s the only thing that would help mulder.
and how important samantha is to her. it matters. it matters, that sam is remembered. that someone else in the world knows. someone knows that they played baseball in the summers, that they fought over the television, that he’s looked for her in every room he’s ever been in. someone else cares about her; not as a white whale, not as a photo on a desk, as a little girl who broke her collarbone because she played on swings too hard. scully listened to her journal, and cried. listened to how much she suffered. how much she just wanted to see her big brother. (scully kept a journal like that, too, once. underwent those same tests. almost died at the hands of those same men. wrote her testimony to that same person.) it’s taking care of mulder, to love samantha. and she does.
#i got really really tired by the end but it is what it is#i want y'all to know#that i almost put 'trust no 1' on here#the way that she yells at doggett that she wants to see mulder 'SO BAD'#but in the end: writes to him that she just wants him to be okay even if she can't see him or hear from him#or even if he can't read what she sends him#and the way that she looks over at william in the stroller and puts her hand on his face#just like...that one semblance of mulder that she still has in her life and that she holds onto- in this baby#and he's growing up without his dad and she NEVER wanted that.#and mulder is writing to her that he just wants to come home to her and to will.#and how her voice shakes and she screams when she talks about how badly she just needs to see him. she feels so alone.#and there are only so many solar system onesies and star mobiles and lullabies from the florida woods that she can give#but ultimately she just wants him to be safe and alive and that's what she tells him and that's what she fights for with everyone else#but it's just so fucking unbearably sad and i couldnt do it after the first few i put on here ksjdfk#i would also say!! that her leaving him post-iwtb and their break-up was in a way taking care of him#getting the fuck out of that house. trying to save herself from that trap of grief.#then coming back when it was less haunted and he was healthier and it was able to be their home again#refusing to suffocate there just because he was. salvaging SOMETHING for him to come back to- and ALWAYS being available for that.#asks#sein und zeit#demons#the end#paper hearts#redux ii#herrenvolk#anasazi#fire#deadalive#ftf
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front-facing-pokemon · 9 months
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if dorian didn't show up, do you think louis would have shot minnie?
I do. I know some people think either he wouldn't have or he would've missed so that's why the writers had him shoot Dorian instead, but mmmmmm no, I don't personally think so. I like to think that if he had taken the shot, his shaky hands would've caused him to shoot her fatally.
Mostly because I'm already so normal about the fact that of the Ericson crew, Marlon and Louis are the only ones with a body count. Well, that we know of, but shown to us in the game, at least. Plus, we know it's Louis' first kill.
Like yeah, Clementine and AJ become part of the crew and they have bigger body counts, and if we're counting indirect kills caused by actions, then Tenn has a count... and I guess everyone has blood on their hands for blowing up the boat... but I'm talking about killed directly with a weapon like....... I lied, I'm not normal about that at all, Louis and Marlon are the ones who have killed someone in Louis' route. I'm also not normal about the fact that Louis kills Dorian and then even as he's clearly in shock, he tries to go with Clementine to get AJ, and then later on when they talk about it, he says it feels like bile but not quite and he's glad he has it in him to do it.... listen, listen, listen... I'm obsessed with that.
Anyway, so if Louis shot Minerva, I think he would've accidentally killed her and can you imagine? He's already enough of a mess after killing the woman who pinned him down and tried to cut his finger off [or succeeded] but he knew Minerva, they were friends before the twins were taken. Even Violet couldn't kill her even though that would've been the smarter thing to do, and we know thanks to meta knowledge that killing her would've saved lives, but Violet couldn't, and I don't think Louis would intentionally either.
Speaking of Violet, if Louis killed Minerva, I hate to think about what that would've done to Vi. I think she might've actually left at that point, like what was planned before it got changed to her being burned. I don't think she would've attacked Louis over it, though, like yeah she attacked Clementine in the cell but Louis? I don't know, but I don't think so just because it's Louis and he'd be a mess about it anyway.
Though if he did kill her, it would be a neat parallel to draw... y'know, because Louis forgave AJ for killing Marlon even though he was pissed and heartbroken, and Violet was annoyed with him the entire time... but could she ever forgive Louis for killing Minerva? Y'know? We already have a similar parallel with AJ shooting Tenn, but still.
If Clementine killed Minerva in that moment, though, then I could see Violet attacking her since in her eyes, Clem proved her right.
So yeah, I get why they added the Dorian kill to his route. It adds another compelling element to Louis as a character, but we also need Minerva alive for episode 4; Louis can't kill her, he can't miss, and he's not going to stay with her because we need Violet to stay on the boat and him to be on shore for all routes.
#asks#twdg louis#twdg minerva#twdg clementine#twdg violet#twdg marlon#twdg tenn#honestly whenever i see someone say louis is the boring option i'm just like '.......that's your opinion but also how can you say that??'#then again i'm sure other people look at me saying violentine just isn't for me and they say the same thing so y'know... i can't talk haha#also time is such a weird thing because i look at the entire cell scene in louis' route and like... i'm not even mad about violet anymore#like yeah i still don't believe she was brainwashed like i'm sorry y'all only believe that because kent said something about it#not because there's all this evidence toward it in game like vi being pissed at clementine makes sense she doesn't need to be brainwashed#for it to work like her being vulnerable and easily manipulated into submission makes perfect sense especially with minerva there#it's like everyone was pissed that she attacked clementine and people needed a way to excuse it so it's not violet's fault when like...#that's literally what makes it interesting like calm down it's okay if violet is pissed and scared and behaves accordingly#also my controversial opinion of the day that i'll hide here in the tags so maybe people won't find it sksksk but#I personally find the concept of vinerva and the doomed tragedy of it more compelling than anything violentine did#like i'll defend violentine and i do believe it's an important and good ship it's just not my personal favorite#anyway but then the whole thing with lilly and minerva is so good and louis screaming FUCK YOU at minerva?? amazing love it so good#i love when the soft character who never chooses violence is so pissed off that all that anger they have boils to the surface and it's raw#like... he's SO mad he's SO furious he's SOOO UPSET like he wasn't even like this when marlon died or anything like he hit his limit#and then shooting dorian through the mouth while an accident is just well done i love it and i love his reaction of mortification#and apologizing and YET he still tries to go with clementine he's trembling and can barely string together a sentence but he wants to go#he wants to help her he wants to save aj THAT is the gut reaction he has after everything that just went down#'louis isn't loyal or good for clem because of the vote' babe tell me you don't understand any nuance of louis' character without telling m#it's fine IT'S FINE you don't have to agree and i just have to remind myself that it's fine not everyone likes louis we're okay#this drives me crazy in the best way like y'know what? i love the cells scene in louis' route all of it even the stuff i used to rant about#even the stuff that used to piss me off now i'm just like 'no wait past cj was dumb she wasn't looking at it this way aaaaaaaa' sksksks#that was my tag ted talk about the cell scene thank you
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blujayonthewing · 4 months
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aside from it being literally a jewish song by a jewish artist, Hallelujah being covered and presented as a christmas song is also just...? really fucking weird?? obviously it's not about christmas but it's also not even about god in a way you could construe as having anything to do with christmas or jesus even if you squint????
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finnpeach · 2 months
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Hunt
(T/HRONE OF GLAS$ SPOILERS AHEAD! IF YOU HAVEN'T READ PAST Q/UEEN OF SHADOW$ BE WARNED!)
My love for R/owan is boundless, and the series would be infinitely better if he was sick.
This is a multi-part fic of A/elin and R/owan training on a mountain and YEAH! HE HAS A COLD!
not much sneezing yet but it will come I promise
likes comments reblogs always loved and giggled over <3
****
Aelin stalks through the underbrush with lethal silence. Leaves covered with dew from the early morning mist streak across her face, dotting her cheeks. Her prey, a mountain hare the size of her head, nibbles on the sparse grass a few yards away.
She knocks her arrow, slipping in a breath. She can’t wait to see the look on Rowan’s face when she brings back a hare this size. Slowly, she pulls the bowstring back, kissing against her face. The hare turns, startled, breaths coming fast. Now or never–
“hh’rZzSHHh’uh!” 
Aelin gasps at the sound that echoes around the mountain. It cracks like a whip, scaring even the crows nesting in trees. The hare takes off and she desperately releases the arrow after her prey. The point finds its home in the thick trunk of a tree rather than the soft neck of the hare.
There goes breakfast. Her stomach growls pitifully. Seething, she rises from the brush and goes to retrieve her arrow. 
Five minutes later, Aelin stalks back to the makeshift camp she and Rowan had assembled the night before. The Fae prince had forced her to run from the castle to these distant mountains, shifting in and out of her Fae form to master control, where he then informed her they would be camping for a week out in the elements. And she was to hunt their every meal in between training.
It was a pathetic time, especially with the rain that has settled across the mountain. Damp and cold to her bones, Aelin approaches their campsite. Rowan, appearing much drier than she, sits by the fire she had sparked earlier that morning. He looks oddly run down, like he hadn’t slept much the night before.
Aelin is sure he hadn’t. The mountains were too misty to sleep outside without waking up damp, so they had packed just one tent to keep their baggage light. Lying beside Rowan, last night she had been the private audience to his tossing and turning, grumbling, and finally his snoring. 
“You fucking bastard. You scared off breakfast,” she hisses as she approaches, throwing her bow and bundle of arrows down by the tent. Rowan does not look up from the dagger he cleans in his hands.
“And how – snf! – pray tell, did I scare breakfast from here?” He grumbles. Aelin catches the way he sniffles thickly, his nostrils twitching up with the force of it.
She drops her satchel, full of only a bundle of pathetic berries.  “You sneezed.” She tries not to give in the warmth that pools in her lower stomach at the memory of the sound. It’s the first time she had ever heard him sneeze, and she was not disappointed. “For someone so keen on silence, I expected you’d know how to sneeze more quietly.”
Rowan doesn’t even grace her taunting with a reply, or a snarl. He just continues rubbing a cloth down the length of his dagger. Strange. He must be feeling really tired if he didn’t bother to punish her for such a remark. 
She sits down across from the fire, on a log they’d rolled over so they didn’t sit on wet grass. Feigning interest in destemming the berries she’d picked, she studies him through the crackling flames. 
His white hair is loose around his shoulders, creating a curtain that shields the dark tattoo running along his tan face. The tips of his Fae ears poke out just behind the white strands. After weeks of training with him, sleeping out in the elements beside him, she’s learned that he prefers to tie his hair up. It’s so rare to see him with it down.
“More hand to hand combat training today, or magic training?” She asks, breaking the silence that is only marred by the crackling flames.
Rowan sets the dagger aside. “Your job was to hunt. And since you still haven’t caught anything, your job is still to hunt.” He settles his sharp green eyes on her, brows set. If he didn’t piss her off so much, she might actually tremble under his gaze.
She raises her palms in defeat. “Fine, fine. But if you sneeze and scare off my prey again, I won’t be sharing the catch with you.” Even if she’d very much like for him to sneeze again, she’d rather eat first.
In one swoop, she picks up her bow and arrows and satchel again before setting off. With her Fae senses, she could scent a herd of deer in the southwest. Now that would show Rowan. Perhaps she’d bring back a buck, and spear him with its antlers.
As soon as she leaves the camp, nearly out of earshot, she hears the same thunderstrike from before. Perhaps Rowan had been waiting for her to leave.
“hhzjHSHHhieWw!”
A shiver runs down her spine as more startled crows caw in the trees.
****
Two hours later, Aelin returns with a small doe slung across her shoulders.
It’s mid afternoon. She had been lucky a herd was still grazing so late in the morning down by the clearing. She’d been even luckier that Rowan had either gotten his sneezing under control, or learned how to be quiet, because nothing had startled her catch this time.
“Lunch,” she declares to Rowan, dropping the deer to the grass. He hasn’t moved from his spot by the fire. “Is served.”
“It was supposed to be– snf! Breakfast,” he mutters, reaching the dagger at his side from earlier. His voice sounds dulled, like he’s congested.
Aelin rolls her eyes. “Well, it’s not like you helped. And I got us a catch to last us days.” She pats the stomach of the doe proudly. It isn’t very old – there’s still a sprinkling of fawn spots across her back. Aelin feels a twang of guilt for not singling out an older one.
Rowan pinches the bridge of his nose, breathing through his mouth. Aelin hardly has time to prepare before he jerks down towards his crotch, a light mist spraying across his trousers.
“hiHh–... yHhZzSHhhyuu!” A familiar, rushing heat spreads through Aelin’s gut. She swallows, watching as he rubs his nose on his wrist and glares up at her. Is he going to get mad at her for his sneezing?
Rowan chooses not to comment on it, something Aelin is secretly grateful for. “You were– snf! instructed to catch something small. We’re moving camp this afternoon.” He angles the pommel of the dagger towards her.
“What?!”
“Rain is coming tonight and will flood this area. I told you this morning. And now you’ve wasted a young doe’s life.”
A flame of rage flickers to life inside her chest. This is all his fault. “Well, I wouldn’t have wasted jack-shit if you hadn’t ruined my catch earl–”
“Aelin,” he growls, a no-nonsense sound. The tips of his canines poke past his lips. Aelin shuts up immediately. 
He stands, crossing the camp in two strides, and shoves the pommel of the knife against her stomach. She glares beneath his gaze. “You missed the catch because you did not act fast enough. Now you can either carry the doe across the mountain, or… hhH—!” His breath snags, eyes looking off into the distance for a split second. Aelin’s heart hammers in her chest.
He quickly recovers and sniffs again, much to her disappointment, and focuses his gaze on her. “Or you can leave it and realise you wasted a young animal’s life for your pride.” 
Before she can retort, he turns on his heel and she offers a middle finger to his large, muscular back. 
As if sensing her, he says over his shoulder, “And– sNf!– pack up the tent.”
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catboygirljoker · 6 months
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normal normal normal normal i hate the word normal. i hate people using it as a stand-in for "kind" or "compassionate". i hate people using it as an unmitigated positive. im white and able bodied and can pass as cis and neurotypical in a pinch but im autistic bi and trans i am not "normal" and even i have been hurt by uses of that word can you imagine how much worse it is for people who don't pass as neurotypical or cis or aren't white or able bodied. saw someone praising someone else for being "normal" about kink artists and you know what it looks like to be "normal" about kink? it means disparaging it. treating it as inherently dirty and amoral unless in the very specific forms that have become pop culture signifiers. it is in fact very "normal" to be awful to kink artists.
im still mad at that one post thats like "be normal about intersex people!" / "no, no, people are sexualizing intersex people in the reblogs, i meant be NORMAL!" and its like yeah buddy. sexualizing intersex people without their consent in inappropriate situations IS normal. if you wanted people to be compassionate to intersex people and humanize them you should've said that. instead of appealing to "normalcy". like even if the word "normal" DID mean only positive things you fucked up when you used an extremely vague word that means different things to different people in different contexts and expected them to know exactly what you meant
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leconcombrerit · 6 months
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THANK YOU Only Friends for saying that trying to quit for someone or something other than yourself is fine. The addictologist didn't even question it and I might have shed a little tear.
I've seen many people say that Ray had to want it for himself, much like Sand stated, and I get that. I get what you mean. Ideally, that's what would happen. But the situation isn't ideal and, with his self esteem currently being a tripping hazard in hell, Ray can't do that. He can do it for Sand though.
And that's fine too. What matters right now is that he quits drinking. Doing it for Sand puts his recovery on shaky grounds, but shaky grounds is better than sinking lower and lower. As he drinks less, and addresses his issues and trauma and doubts, he might grow strong enough to stay sober for himself. Doing it for Sand is a good enough start, a huge step forward. He could say he wants to quit because he keeps spilling beer on his favorite Teddy bear and I wouldn't care. He could do it for Britney Spears. He could stop drinking for a rock. Whatever. What matters is the first step taken.
It kind of reminds me of a very bad depression I had. As in really, really bad. I couldn't do anything. I didn't even want to do things anymore. What kept me from letting myself rot wasn't self love. Hell, I did it for my dog and for a book -yup, a book. I had been waiting for it to be released for almost a year at that point, so why not focus on that ? A couple months and the book would be out. I kept taking my meds in the meantime, and the depressive episode reached its end eventually. Self love and dreams were beyond reach, but my dog and a book weren't.
So hell yeah, Ray ! Quit for Sand, do it, and then you can keep moving forward. GO RAY GO
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runawaymun · 9 days
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#sorry let me rant real quick in the tags#cw personal#once again hitting an insurance pothole bc the psych says she accepts my OHP plan HOWEVER the therapy group she is contacted with says#THEY don't#they only accept the insurance if it's through my employer but NOT through the government??????????????#so there's still some kind of payment???#anyway I want to scream why is this so complicated#like will she take my insurance or not who's right here#anyway called her back directly and went to voicemail so now I've done all I can for now#why the hell is this so hard man#the person on the phone didn't know really how to explain#once again no one knows what they're talking about#like can y'all not communicate and figure this out?#AHHHHHHHHHHHHHHH#i need to get an ADHD eval before my next PCP appointment in june so that they will continue giving me my meds#and the psychiatry through the hospital has a limited number of visits that insurance will cover#*contracted#not retyping all of that#and once again the only reason this is so stressful is because the psychiatry group at the hospital fumbled the communication ball last tim#and the psychiatrist I was with never put the ADHD on the chart#and now somehow it's MY responsibility to fix that>#UGH#like I am grateful to have some kind of coverage but holy shit is the US healthcare system in shambles#the bureaucracy is INSANE#i had to just sit down and put my head in my hands for a second#and then go 'right okay nothing i can do about that rn moving on'#uGH#literally said 'what the FUCK' out loud a couple times#like not on the phone after I hung up obvs
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philtatosbuck · 4 months
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the writers well and truly hate bonnie i'm sorry but you have to suspend your disbelief so fucking much about the fact that NO ONE ever found it weird that bonnie didn't speak to them over the phone for an entire summer. you mean to tell me not ONE of them tried to call her and found it weird they kept getting sent to voicemail? even if they were all busy and doing well why would a bunch of teenagers accept that bonnie was resorting to email to talk to them exclusively for MONTHS. that's absolutely mad bro the writers hated her so bad jesus christ
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swifty-fox · 1 month
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wanting to participate in making my own Clegan Biker Au but all the experience I got is with racetrack racing and that one family friend who had his leg ripped off by a semi-truck about 300 yards from my house
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