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#deadalive
bakedbakermom · 6 months
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the x-files: 8x14/8x15 this is not happening/deadalive hozier: work song
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randomfoggytiger · 8 months
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"Proving" Mulder Knew He Was the Father of Scully's Baby
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(Had to get this out before the next part of Mulder's Alien Baby Baby Trauma series; so... here we go~!)
Mulder knew he was the father of Scully's baby before Three Words began; and his reticence had everything to do with his PTSD, guilt, and fear and nothing to do with feeling replaced by his partner's child. His ending monologue in Existence further proves this, concluding Mulder's emotional turbulence: "I think what we feared were the possibilities. The truth we both knew."
But how is that to be proven?
Cutting Out Context to Bait the Mystery
According to the script (uploaded here by @x-files-scripts, thank you~), Scully very casually mentions how far along she is separate from her concerns about (and to) Mulder. Mulder doesn't react to this information at all, meaning whatever his reticence and withdrawal were rooted in had nothing to do with feeling replaced as the father of her child.
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Throughout their conversation, Mulder tries to keep Scully from digging deeper into his emotions or trauma, deflecting with humor or emotional separation. Scully finally directly addresses his distance; and (though a bit out-of-order from how it aired), the scene below makes two things very obvious:
SCULLY: Mulder --
MULDER: (cutting her off) -- whatever you're going to say, Scully, I'm sorry. I don't mean to be cold. Or ungrateful to you.
SCULLY: I don't know if you can truly understand what it was like.... And now to get you back....
MULDER manages a smile, finally. But only barely.
MULDER: You act like you're surprised.
Scully manages a chuckle, but she's truly worried about him.
SCULLY: I prayed so many nights. And my prayers were answered, Mulder.
MULDER: In more ways than one.
MULDER looks to Scully's stomach. Which she touches.
SCULLY: Yes.
MULDER: I'm so truly happy for you. I know what it means to you --
SCULLY: Mulder --
MULDER: (cuts her off again) -- but I'm having trouble processing any of this. I don't know why I'm here, or where I fit in anymore. I feel strange. Like this can't be happening.
SCULLY nods. Anything she had wanted to tell him will wait.
SCULLY: That's what I've been saying to myself for the last eight months.
What Scully "had wanted to tell him" had nothing to do with her child's paternity nor was that even a concern because she, as mentioned above, says "the last eight months" effortlessly. (An important note: because they kept no show bible, the writers forgot Mulder was missing three months and buried another three; but the intent behind that line is the same even if there isn't or wasn't a numbers problem to quibble over.)
"The last eight months" comes at the tail end of the conversation without a remark or quip from Mulder's perspective, meaning this wasn't news enough for him to comment on or even react to. Scully's statement bookended their discussion, meaning she wasn't drawing it out longer or forcing information down Mulder's throat that he wasn't ready to process. Since that is the case, both knew the problem wasn't her pregnancy (though it was a stressful factor) but was another, bigger concern.
Devil's advocate: Scully was trying to tell Mulder the baby was his-- Gillian Anderson's expressions debunk this theory, but we'll press on-- and the months referred to was how long Mulder was "gone": in which case, Scully being hugely pregnant would have been a huge tip off for her partner regardless; and Mulder, for as much as he is avoiding the obvious this episode, is not stupid.
By cutting up the script-- taking out important context and removing crucial lines-- the audience is left to speculate on information that what was intended to be understated yet obvious (though unconfirmed until the finale episodes.) Chris Carter and Spotnitz have already stated they'd baited Scully's pregnancy as much as they could (one such interview here, credit to @babygirlmulder1018 for the upload~) while always planning for Mulder to be the father. The problem with their method is that they sacrificed necessary clarity for ambiguity, leaving the actors to scramble or fill in the butchered gaps as much as they could with implied body language. Three Words Mulder's affectionate, though fleeting, glances at Scully's belly or Scully's heightening worry for his well-being are debatable clues, all dependent on the viewer's interpretation (even when rewatched with hindsight.) The key to any good mystery is to have all the puzzle pieces in place so that it makes sense when you go back and see them all line up. Cutting out important clues early just to bait the mystery is foolhardy, especially when those gaps are never filled-in with any answers; and The X-Files show, while built around unsolved or unresolved mysteries, always provided a likely explanation (even if that explanation was later revealed to not be entirely true.) It's a shame that this premediated action thoughtlessly skewed the reading of the scene so badly that it took away from its original intent-- Scully's worries over her partner as he becomes more and more lost in his trauma-- and turned it widely into a "bet he's jealous or feels left behind because Scully moved on without him" interpretation, muddying it for viewers over the decades to come.
It's not the first time a script has been stripped of its original intent to fit the vision of the showrunners (often to the frustration to the various writers, actors, directors, etc.); but there is a marked difference between the tampering done to, for example, David Duchovny's personal ideas and scripts in keeping with the mythos of the show (Cinefantastique: David Duchovny on "The Unnatural" and "Hollywood A.D.") and specifically removing an important piece of dialogue to intentionally blur a scene for "the mystery" without that action serving any goal other than obfuscation... and, ultimately, confusion.
Mulder Himself Proves He Knew
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According to the script, Scully's concerns started in her partner's hospital room when Mulder's non-reaction snags her notice twice in a row:
"His reaction is so underwhelming that Scully has to laugh" and
"The doctor has to chuckle, looking to Scully. But Scully isn't humored now. She reads something in Mulder past the humor. And Mulder catches her sensing it. That he is deeply troubled."
"Mulder catches her sensing it" is a crucial piece of information, smoothly setting up the scene at his apartment-- Mulder doesn't ice Scully out (always responding to her pleas with mustered up but equal sympathy and sorrow) but he avoids her eyes as much as possible, not wanting to be read, to be "exposed." THAT is what concerns Scully-- never before in their partnership has he evaded eye contact, likely seeking it more often than any other person on the planet. But Mulder (also likely more than anyone) knows that eyes are the window to the soul; and he doesn't want his bared yet.
The tricky part of the ensuing scenes is not to mistake his avoidance of Scully's detection with his avoidance of the baby. Mulder is avoiding everything equally-- but he will still spare a moment for his partner or his baby here and there before snatching away his focus again, dodging any opportunity that might lead to vulnerability.
At his apartment, Mulder turns aside whenever he can or spreads a plaster-fake grin on his face when in conversation;
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but it melts into sincerity after he finally acknowledges the baby in the room. It's not quite happiness, but it is a form of contentment and a little pride (similar to his look on the couch in Empedocles.)
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When Scully wants to commit anarchy over Kersh's tyrannical terms, Mulder squashes that impulse flat, sparing a strained but still sincere smile as he directs her attention to the pragmatic fact of her baby.
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(It's not until "Agent Who?" comes across Mulder's radar that he starts to stiffen against Scully's reticence. Again, not about the baby.)
The last significant mention of Scully's pregnancy is in her kitchen at her apartment. TLG drop in to do their research... and to refocus Mulder on his impending miracle ("a certain blessed event") and away from his crazy mission. Mulder's amused at first with their commentary (as is Scully), giving an exaggeratedly suspicious, comedic squint (which Scully follows up with a witty repartee on his investigative methods)--
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until he figures out his partner's ulterior machinations. (The tensions that trail them both the rest of the episode are because of Scully's interferences and not-- again-- because of the baby.)
Those are the only direct references to the baby in Three Words, although Scully does tag along on his madcap mission with TLG); and Empedocles starts out in the spirit of the kitchen scene above-- Mulder squinting about the pizza man, ribbing Scully lightly, and enjoying getting ribbed in return-- but with the added bonus of some unfiltered, heartfelt moments of a man fully embracing fatherhood.
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So why, if the original intent of the struggle of Three Words wasn't about the paternity question, does Mulder still struggle with doubts the rest of the series. Well... what were his paternity doubts?
Paternity Doubts
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Mulder knew (logically) that his partner wouldn't run into the arms of another man or through the doors of the nearest IVF clinic just because he was chucked six feet under; but that reassurance gave him nothing to stand firmly on since both of their lives revolved around clones, aliens, and even a little girl that was born (and died) to serve an agenda.
Scully had been used over and over against her consent and was ultimately stripped of her fertility; and even though Mulder once said "never give up on a miracle", the IVF had failed, and there had been months of regular extracurricular activities since without even a thought of a baby on either of their radars. But somehow, the minute he vanishes off the planet, she finds out she's pregnant? The exact same somehow he was abducted and somehow returned and somehow resurrected? It doesn't add up; and Mulder's motto has always been "I want to believe."
"I have the same doubts you do, Scully," he said in the Pilot; and those doubts haunt him in Three Words; and (although they are temporarily set aside during the off-screen conversation Mulder has with his partner before Empedocles) they remain, along with his fears, buried under the surface-- as demonstrated by his opening monologue in Essence: "Is it the product of a union? Or... an answer to prayer-- a true miracle? Or is it a wonder of technology, the intervention of other hands? What do I tell this child about to be born? What do I tell Scully? What do I tell myself?"
Furthermore, the events of Essence and Existence make a bit (only a bit) more sense if those events-- Zeus Genetics, Billy Miles, Lizzie Gill, Krycek, the Super soldiers, and other such nonsense-- are put through another lens: trauma.
The Other, Bigger Concern
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If Mulder knew the baby was his, why did he distance himself?
Simply put, PTSD.
Three Words very specifically chooses Mulder's flashbacks as his first scene (post here), providing motive to any future decision he makes. Being torn apart for three months and buried another three before being resurrected on a chance is a lot to grapple with; add in a pregnant partner who is clearly expecting a miraculous baby amidst a set of tragically unmiraculous events and looking to her recently resurrected partner for not only their old relationship but more and you get a PTSD-riddled, paranoid, and very panicked Fox Mulder.
Empedocles begins after the aforementioned off-screen conversation; and quite plainly establishes Mulder in his new paternal role, bringing Scully (and the baby) gifts like he has any other significant moment in their relationship (and also because it's no longer acceptable to bring triumphant caveman hunting trophies back to the domestic den.) This episode not only goes out of its way to give him a first-time "feeling his baby move" scene, but further cements Mulder's role by showing him standing sentry outside of Scully's door, doting on her hand and foot back at her apartment, and including their baby nonverbally in Scully's gratitude speech. These benchmark moments are then followed up by him briefly forgetting his baby in Vienen, not wanting to leave its side in Alone, and cycling back to his paternity worries in Essence-- further proof that his initial distance and on-again-off-again dance is rooted firmly in trauma rearing its ugly head to continually mess up his temporary peace.
That trauma follows him (mostly unacknowledged) the rest of Season 8, coming to a head (and exploding) during the events of Essence and Existence. When his security in Scully's science and himself are completely eroded, Mulder is left blindly grappling for any explanation from any nearest and newest source currently in front of him (handing off Scully to his sworn enemy should have been the tip-off point to both she and Skinner, prompting them to put a stop to his spiraling before doing anything else... but I digress.) His hot-and-cold attitude is back (referring to their child as "your baby") even though his fiercely protective love and interest hasn't faded one bit ("will do anything to protect it.")
Deep down, Mulder always knew (or at least hoped) the baby was his-- "the truth we both know," after all.
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So, What Does This Mean?
Probably nothing in the grand scheme of things, but a rippling domino effect in the minutiae. It explains Mulder's distant-then-doting attitude, the manifestation of his PTSD and impending parenthood, and even why he was happy to have Scully firmly glued by his side throughout Three Words (even if he couldn't meet her eyes at times.) Scully's pregnancy was a change for both: almost overnight she needed more from their relationship. However, once she realized how displaced and harried Mulder was, Scully relaxed the pace for both of them (off-screen...), allowing Mulder to finally recover, regroup, and continue on. Once that understanding was reached (again: off-screen), Mulder started to take his journey more gently (upsetting and resettling himself whenever Scully's health scares or his impulsive actions blasted him up, down, and sideways) while Scully refigured how to fit their new normal into the life she built in his absence. Like always, teamwork and their unspoken; and, overall, it makes Season 8's there-and-gone-again MSR bits that much more in-character and enjoyable.
Thank you for reading~
Enjoy!
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television-overload · 10 days
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TXF text posts pt. 7
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i-am-a-stupid-robot · 6 months
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Mulder's gone. Mulder's back. Mulder's dead. Mulder's buried. Mulder's unburied. Mulder's not dead. Mulder's technically dead but also not. Krycek. Mulder's going to turn into an alien. Mulder's dying. Mulder's not going to turn into an alien. Mulder's alive. I'm. Hhhh.
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soufflegirl · 9 months
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( deadalive + work song )
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carefulfears · 9 months
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amazing that mulder came back to life not through god or science or the paranormal, not through any of the universal systems of control that he spends his life pondering, but through how fiercely the people in his life loved him. loved him beyond seeming insane or questioning the limits of the world, the way that he loves everything. skinner pulled him out of the ground because he just "couldn't live with the doubt." scully shoved her way past anyone to grab onto him, to sit and hold his hand in a hospital room for days when she knows he can't feel it, to stand in a surgical bay at 8 months pregnant and try anything (the realm of "extreme possibility" is much greater now). doggett runs through a parking garage, takes the hit.
krycek says, "we all have a life in our hands. i have yours, you have mulder's, scully has her unborn child. it's who's willing to sacrifice," and offers a choice, but ultimately they all make it out alive.
ultimately, of the dozens of people that were abducted and came back, of those that died and lived again, one remained human and flesh and blood.
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backintimeforstuff · 9 months
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Really want to know what Bill Scully's reaction was to the whole Deadalive thing ??
Cause I bet he was so pleased to finally get rid of his sorry-son-of-a-bitch brother-in-law Spooky Mulder but then Dana just phones him up one day like so,, update,, guess who's BACK FROM THE DEAD
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cecilysass · 1 year
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Fic Recommendations: DeadAlive
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So I really like post-DeadAlive fics. Not because I’m a big resurrection story fan (Jesus / Osiris stans, no offense) but because I can’t get enough of angst, repressed feelings and baby daddy reveal drama. I am going to post a version of my very own later this week. Meanwhile, I read a lot of these, so I thought I would share some recs. Here are a few of my favorites.
Slow Returns - o666666  You just don’t know how often I reread this. I love it so, so much. This one puts the emphasis on Scully’s trauma, and it’s so angsty, and it’s so sweeeeeet. I tear up every time.
DeadAlive AU - @markwatneyandenesemble I always say I actually think this should probably be called Three Words Canon Divergence or something, but whatever it is, I love it. The premise is two specific changes to canon. When Mulder comes back from the dead: (1) he has memories only to 1996 and (2) Scully isn’t visibly pregnant yet.
Author Skuls seems to feel about about this subgenre like I do, because she seems to have written a lot of post-DeadAlive, and I’m not complaining. Here’s a little DeadAlive Skuls tasting trio:
the smaller odysseys - skuls (@ghostbustermelanieking)  An AU DeadAlive fic in which Doggett convinces Skinner to keep Mulder’s resurrection a secret from Scully for longer. This ends like awwwwwwwww.
ashes and dust - skuls (@ghostbustermelanieking)  A largely canon-compliant DeadAlive / Three Words deep dive.
inches between them - skuls (@ghostbustermelanieking)  Another Skuls fic on this subject, also exceptionally sweet.
Doctor, Copper, Sailer, Corpse - Scarlet Baldy This is a series of first person vignettes from Scully POV. Extremely angsty and a little painful, with a very self-destructive version of Mulder here, but ultimately a hopeful ending. 
Ray of Light - OnlyTheInevitable (@gaycrouton) Honest conversation, then hot pregnancy sex—a Three Words fic we can all get behind. Which I think is actually one of the suggested positions for pregnancy sex.
Words, Words, Words - Circe Invidiosa (@invidiosa ) I’m not much of a Doggett fan, but I love this fic about Doggett breaking things down for Mulder. This is subtly written and moving— a heartbreaking Mulder characterization, in my opinion. home run - kittenscully Another great “Doggett gets involved” fic. Also very moving. Apparently this is how I like my Doggett. The Laws of Coming and Going - Buckingham A gentle Mulder-centric fic focused on his good intentions and slow moves back towards connecting with Scully. Very in-character and sweet. Hour of Lead - DarlaBlack (@sigritandtheelves) This is an excellent read — but watch out for the bleak, tear-out-your-heart ending. It's only painful because it’s canon compliant, so warning: you have to remember what happens with Scully’s longed-for miracle baby in canon. Waaaaah. So much angst. Untitled - @wtfmulder I see you, you wildly touching little drabble. This is set between Three Words and Empedocles, and it’s meant to explain the seeming change in Mulder’s attitude, and why does this make me cry?
What have I missed? Y’all have other post-DeadAlive fics you like? Have you written any? SEND THEM MY WAY.
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alexa-crowe · 2 years
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i woke with her walls around me nothin’ in her room but an empty crib
“Work Song” | Hozier
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agent-troi · 4 months
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Chapters: 1/1 Fandom: The X-Files Rating: Mature Warnings: Graphic Depictions Of Violence Relationships: Fox Mulder/Dana Scully, Fox Mulder & Dana Scully & William Scully-Mulder Characters: Fox Mulder, Dana Scully, Walter Skinner, John Doggett, Monica Reyes, William Scully-Mulder Additional Tags: Alternate Universe - Canon Divergence, Episode: s08e15 DeadAlive, Mytharc (X-Files), Canon-Typical Violence, Angst, Telepathy, Hopeful Ending, Pregnant Dana Scully Summary:
Three months after being returned apparently dead, Mulder rises again— as an alien supersoldier.
@today-in-fic​
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blood-horror-gifs · 1 year
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Dead Alive 1992
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bakedbakermom · 8 months
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randomfoggytiger · 10 months
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Mulder's Alien Baby Baby Trauma In-Depth (Part I): Per Manum, and Waking Up to Miracles
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Waking Up to Fatherhood - The Past
Before Mulder's abduction, there were two brief times that Scully almost became a mother.
Both were linked to her stolen ova; but one little girl was born weak and sickly, her only purpose to be a lab rat for her government and to be loved in-between these tests by her adoptive parents. Mulder could not be a father to this hybrid, having failed to be a brother to a clone once already. And, sadly, in spite of all of Scully's training and all of Mulder's attempts, little Emily Sims could not be put back together again.
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Later-- we will never know how much later-- he finally told Scully about her other remaining ova, the ones that didn't work. But she wanted to try, anyway.
So, before Mulder's abduction, there was a short period of time where he almost became a father.
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It was a simple ask from her partner; and one that Mulder took time to contemplate-- whether by his request or hers or mutual understanding we will never know. But ultimately, he'd made his decision back in Home, Pennsylvania-- "I never saw you as a mother before" (though he'd later covered that intimacy in the motel with a biting "Night, Mom.") The donation was a mere formality.
It's established in a Per Manum script here and here (thanks @dunhamhairograpy and @x-files-scripts) that Scully was rushing into the process faster than Mulder, not having taken the time to think far enough down the road. But her partner-- whose mind was more often engaged elsewhere in the hunt for the Truth-- had. He'd thought about work, and he'd thought about them. But mostly he'd thought about the answer being "yes."
Scully cracked, crumbling in desperate joy and clinging to Mulder in sheer happiness. Her eyebrow popped up as self-preservation and distance engaged, doubts swirling at all the calculations, the changes, the unsaid conversations; but Mulder continued to hold her, luxuriating in the rich satisfaction of granting his partner her greatest wish.
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When he was assured that Scully wouldn't step back just yet, Mulder lost his focus in daydreams, a secret contentment spilling out of his beautiful soul. Thrilling hopes and dreams of his own little Mulder-Scully poured from his eyes; and a softer, more paternal smile settled onto his mouth. This is the face of a man who accepted, fully, the anticipation and responsibility of fatherhood-- it's a heartbreakingly tender moment that he treasured to himself, as he had (until Amor Fati) never shared his deepest joys and sharpest pains completely with Scully.
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(Side note: This is why I set the IVF arc before S7: Mulder still acted on his trademark guarded manner here, an aspect of himself that is set aside after Amor Fati--another post for another time. That revelation changed his outlook, his life, literally his mind. Here he was still reclusive, reluctant, shy-- all things that were swept away in the aftermath of listening to the world and realizing he only wanted to hear Scully.)
Scully still clung, hoping against hope she was reading this-- him-- right; and finally, finally she stepped back, doing her best to project an air of nonchalance. Anything to keep this-- this IVF this-- as low-key as she could, perhaps so as not to spook Mulder or perhaps not to spook herself; but her delight could not be wholly contained.
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Her partner saw right through her, giving a little twist of his lips even as his eyes fixated on her flashing emotions.
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To relieve Scully's sudden jitteriness, he quipped "At that part I'm a pro" and dipped, leaving her with the solitude she craved to pull her scrambled pieces back together.
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However, despite his overthinking and her underthinking, both are a tad overwhelmed-- Scully noticeably so, though Mulder still shrugged off the moment and released a tense sigh before turning his enthusiastic smile back at his partner. There was no fear or reluctance in his posture, and only heightened reservation in hers; so it's safe to assume Mr. and Mrs. Spooky would have relaxed naturally into their impending parenthood long before Spooky Jr. arrived. Both wanted this, yes; and there would still have been some awkward bumps ahead, but it would have led them closer together. They were partners, after all.
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Alas, that was not to be.
In the last IVF flashback, Scully walked back into her apartment, quiet and glum. When Mulder popped up on her couch-- having fallen asleep (and still trying to take up as little space as possible on her little people couch, even when unconscious)-- she is surprised to see him there.
Mulder explained, still a little slurred, "Scully? I must have dozed off. I was waiting for you to get back." Ever the gentleman, he offered a reasonable explanation for his presence in her space: even if he owned (and owns) a key to the place, Mulder wouldn't use it without a good reason or life-saving crisis (see post here.)
Her eyes were red-rimmed with more tears on the way; and the top of her hair was messed and staticky, likely having rested on her car steering wheel as the first onslaught of tears struck (as she'd cried before in Elegy and The End.)
Realizing she'd been irreparably caught, Scully shrugged into an acceptance of her grief, pulling her mouth tight in a shallow attempt to placate her partner's concerns. Tears still barely held back (not having expected Mulder to be there to catch her in the act), she slowly walked forward, stoically (if uncomfortably) willing to give Mulder his fair and equal share in this failure.
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Nothing escaped her partner's wild, wide-eyed stare, realization sinking his tentatively celebratory feelings. For a moment he just observed, eyes falling before sweeping back up to ask ,"Didn't take, did it?"
"I guess it was too much to hope for," Scully replied, pain cracking through at Mulder's overt disappointment. Her "Starbuck" guilt rose up to accuse her: when Scully loses, she's "failed"; and this personal failure went deep. Discouraged-- and not strong enough to fully engage with Mulder's pain, though she knew it was there-- Scully gave up hope.
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Mulder was having none of that-- the same facial expression, too-- as he swept Scully up in his arms, not allowing her guilt to add to the burdens on her back. It's a zany comfort all Mulder's own: none of that, Scully, of course it wasn't too much to hope for; sure, we might never get that wish, but that didn't mean it was worthless to hope all the same.
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But, again, his deeper disappointment cracked through once Scully could no longer see and blame herself for his pain.
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"It was my last chance," Scully keened, straining with everything in her not to lose control, not to completely despair.
The brittle brutality gripped the both of them; and Mulder tightened his hold, rocking them into a calm only two souls united in this grief could experience.
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His strength and comfort allowing her to settle back into herself, Scully pulled back just before being hit with a fresh wave of hurt; but Mulder settled that, too, with his special brand of soothing: a forehead kiss.
"Never give up on a miracle," he intoned in accents he'd never used before: solid, unshakeable, unwavering faith tempered by fully matured love.
It was almost too much for Scully; but she dodged last minute to plant a kiss on his cheek instead. (Another reason I believe this took place before Amor Fati: Scully had claimed her right to forehead kisses after his dream confession and revelation. Here she is still too tentative and unsure. Another discussion for another time.)
Mulder consumed her like the ouroboros on her back; and the two closed the loop, clinging to each other-- reclaiming their life and future even with the death of their dreams.
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Waking Up to Miracles - The Present
Mulder spent the last three months being split open, pulled apart, and screaming for Scully's help.
Then one night, he stopped waking up.
When awareness does slowly return, his eyes open in a hospital, groggy and sluggish... and he can't remember what happened to bring him here. But that isn't unusual in his line of work; and he knows memory will return with time.
As usual, Scully is stationed by his bed, hesitantly blissful in the face of-- what he considered to be-- another of his mundane recoveries.
It's too tempting to take advantage of her eagerness; and his playfulness gets the better of him. "Who... are you?"
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After he's deemed she's had the proper reaction-- shock and a possible heart attack-- he mischievously beams back at her, resuming their usual cheerful hospital camaraderie.
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But... her reaction is stronger than usual: a sudden whoosh of relief, swept-aside bedside manner leaving room for open, intimate glee. Her haunted eyes almost speak for her-- "Do you have any idea what you've been through?"-- make him more serious, contemplative.
"I know what I see in your face." Feeling cared for, comforted, to the pit of his soul as his partner begins to stroke his hair, he mouths "I love you", lighting her face up with trembling gratitude.
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And him knowing her, still, and loving her, still, melts Scully. He watches as she sinks down in weighted grief and heady relief by his side, soaking her tears in his hospital gown. Although he tries to move closer to comfort or cradle her, his body, he finds, is unyielding. His sober mood turns somber, trying to catch at the greater mystery snagged under so much heartache. Despite the sleep of recovery tugging at him, there is no way he can rest without making her feel better.
"Anybody miss me?"
His partner's choked laugh and her sturdier grip assure and relax him more than any reply; and he drifts off, content.
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Mulder misses, however, the severity of his injuries, the signs of his partner's advanced pregnancy, and the shadow of her new partner lengthening the doorway.
But those wait, lurking, with his nightmares.
Thank you for reading~
Enjoy!
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dunhamhairograpy · 2 years
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Deadalive: Cut Dialogue. Scully at Breaking Point 😭
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Scully: "Don't do that to me. I don't know how much more I can take."
Mulder: "More than you think. Trust me."
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x-files-scripts · 1 year
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The X-Files - “Deadalive”
Written by Chris Carter & Frank Spotnitz
January 24, 2001 (PINK)
Mulder’s funeral:
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Scully learns that Mulder is alive...
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Reunited:
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soufflegirl · 9 months
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in je souhaite mulder and scully are finally in a place where they can drink beer together and watch a bad movie and just be. they've closed samantha's chapter and scully is fairly happy and mulder is finally at peace. and then requiem happens and mulder disappears and scully is pregnant and alone. and then mulder is dead and she has to bury him and move on without him while carrying their child and she is alone, alone, alone. and then mulder comes back and the world went on without him and what is his place in a world where scully is pregnant and has a new partner and the x-files weren't shut down because he wasn't there? and so his paranoia comes back and he can't sit still, he can't stay in a place, he has to move and prove that the world still needs him. and scully doesn't know how to be around him and how to communicate with him and tell him that she's carrying their child, their child! and it makes me so sad, because scully was fairly happy and then she's suddenly so alone and mulder was finally at peace and then he doesn't know where he fits in anymore
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