Gertrude Käsebier (1852-1934) ~ [The Artist’s Daughter, Hermine, and her Children at Tea]; Waban, Massachusetts, 1910. Platinum print. | src Getty museum
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Gertrude Käsebier ~ A group of two women, one boy, and three young girls having tea outdoors, ca. 1905. One of the girls attends to a kitten with a bowl of milk. (George Eastman Museum via getty images)
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Autumn, 1910. George Henry Harlow.
Pigment and platinum print.
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Late Afternoon, Venice, 1907
Edward Steichen (American; 1879–1973)
Photogravure, printed 1913
Christie’s, New York
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The White Screen (1910) by George Henry Seeley
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Monday's Photography Inspiration - Robert Demachy
Robert Demachy was a French Pictorial photographer of the late 19th and early 20th century. He is best known for his intensely manipulated prints that display a distinct painterly quality. He was influenced by the Impressionist painters and spent most of his time making photographs and developing his theories on photography, both technical and aesthetic.
Léon-Robert Demachy was born…
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Charles-Louis Klary Pictorialist Study of Four Classically Dressed Women, ca. 1900
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This image is one of several examples of a largely ignored facet of Old Japanese Photography, a genre called “Taisho Art” or “Taisho Pictorial Photography”; the pictorialist movement in Japan reached its peak during the reign of Emperor Taisho (1912- 1926) thus the name attached to the genre.
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Alfred Stieglitz, American 1864 - 1946
https://platinumprince.com/individual-pictorialists/2019/6/9/alfred-stieglitz-american-1864-1946
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Taizo Kato :: Four Flowers, b. 1924. | Laurence Miller Gallery
Taizo Kato (1887-1924) was born in Japan and immigrated to the US in 1906 at the age of 19. He owned and operated The Korin, a business enterprise that encompassed a camera store, a film processing lab, and a gallery where photography was presented alongside ceramics and paintings. (...)
Pictorialism was embraced as the namesake and organizing concept of the Japanese Camera Pictorialists of California, a group of photographers formed in Los Angeles’s Little Tokyo neighborhood in 1926. While Kato's early death in 1924 preceded the formation of the group, his photographs, along with his efforts in the community to contextualize photography with other art forms, undoubtedly laid the groundwork for the organization.
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Pictorialist ph Robert Demachy (1859-1936)
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Sheila Metzner Form and Fashion
with texts by Ralph Lauren and M.Raven Metzner
Arena Editions, Santa Fe 2001, 220 pages, 130 four-color illustrations, 25 x 31,4 cm, ISBN 1-892041-39-1
euro 50,00
The renowned fashion photographer shares her competing nudes and still life's in this first-ever major retrospective of her remarkable photographic work. In Sheila Metzner's photographs, beauty is truly more than skin-deep. She is known for creating rich and refined images for the fashion and television industries, and her textural surfaces and attention to aesthetics have made her work popular since the 1970s with clients as diverse as Fendi, Ralph Lauren, Chanel, and Victoria's Secret. Recasting history for her own demands, Metzner hovers between the pictorialist aesthetic of Alfred Stieglitz or Edward Steichen and the modernist edge of such photographers as Man Ray and Charles Sheeler. The end results, while paying homage, are uniquely Metzner's own and have left a major impression on the history of photography. Metzner's photographs are included in the collections of the Metropolitan Museum of Art, the Museum of Modern Art, the International Center of Photography, the Museum of Fine Arts, Houston, the Chrysler Museum, the Agfa and Polaroid Corporations, Saks Fifth Avenue, and the Norton, as well as in many personal collections.
15/06/23
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The Artist (1910) by George Henry Seeley
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🔸 Arthur F. Kales - “The Call of the Sea” circa 1916. San Francisco Bay. Born in the Arizona territory, Arthur Kales received a law degree from the University of California at Berkeley in 1903. While living in the Bay Area, he became interested in the burgeoning Pictorialist movement in photography that flourished there, and his images met with immediate success. Kales moved to Los Angeles to work in advertising but returned to San Francisco in 1917. In the following year, he nevertheless joined the Camera Pictorialists of Los Angeles. For fourteen years beginning in 1922, Kales wrote about Pictorialist photography in western America for the journal Photograms of the Year. #victorianchaps #portrait #1910s #goodolddays #vintage #history #edwardian #beauty #nostalgia #oldphoto #sea #retro #pastlives (at San Francisco, California) https://www.instagram.com/p/Ch4VmOagfO1/?igshid=NGJjMDIxMWI=
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