Sometimes I think about Urianger's role in and feelings on the Thancred-Ryne dynamic and I think watching it kills him a bit inside. For several reasons.
Like, to begin with there's the guilt he's been carrying with him since he ushered Minfilia to the first, how he effectively killed the person Thancred cared about the most in the world and who's "death" ended up causing Ryne's entire Situation. He looks at what's happening between them and can only think "I caused this" even though that's not really true. No one person is responsible for this outcome, it's a culmination of several circumstances and the consequences of them. Logically, Urianger knows this. But it doesn't matter, because his guilt is overpowering his logic.
And also, like. What Thancred is doing here, the way he's knowingly letting Ryne be and stay hurt because he literally cannot bring himself to tell her his feelings, is the exact same mistake Urianger made with Moenbryda. Of course, the circumstances are vastly different, and the potential consequences to Thancred telling Ryne the wrong things or her misinterperating it is far greater (being a matter of literal life or death), it's still the same sort of paralysis they are trapped in.
And he knows it. He sees it. But he can't say or do anything about it, he doesn't have the right to. He acknowledges the mistake, but he hasn't really improved upon it yet. He still doesn't voice his thoughts and feelings as he should. He's also non-confrontational by nature, he doesn't argue or try to change peoples minds, he probably doesn't think he has any place to.
So, he tries to help in what little ways he can. Because he doesn't want it to become Monebryda again, he doesn't want to know he stole not one but two people from Thancred. So he does what he can. He tells Ryne little tidbits about Thancred, things that help her understand him but are safe to share. Nothing too deep, nothing too personal. Just small things, things that are purely factual, because he can't afford to give her a false image of who Thancred is. He teacher her fun and interesting things, because Thancred isn't in the mindset to provide her with non-essential skills.
I like to think Urianger has brought it up with Thancred at least once, during one of his stays. But nothing would've come of it. Not really. Unlike Y'shtola, Urianger isn't pushy, he'll bring it up once or twice and when he sees this won't go anywhere, he gives up. He wants to help, but he knows that persistance only does do much, and he is not the person who has the resiliance needed to push and push until Thancred finally budges (because he won't budge, it won't help anything but to sour things further by adding aditional stress to an already strained dynamic).
And like. Urianger gets it. He gets it because he's been the same way- not saying what he should to someone he loves more than anything else because she was meant to figure her life out herself, and 'steering' her in any direction by telling her his feelings (regardless of if the 'steering' is intention or not) will go against that. He gets it. He gets it and it's all the more painful for it. He knows it can't just be fixed by acknowledging it or with encouragement, something needs to happen to break the stasis.
I think this is probably why he stayed behind while they went off to Nabaath Areng. This is the very last chance they have to say what they want to, and he can't afford to be the anchor anymore. This is about them, not him, he can't let their resolution be buffed by his presence, so he stays behind. Which was probably for the best. Ryne got nervous when Urianger said he's staying behind, probably not too excited about being alone with Thancred (well, not alone, but WoL doesn't count) so soon after she had ran away crying. But she needs to be nervous. For anything positive to come out of this Thancred and Ryne both can't afford to be too relaxed. As sad as it is, the stress is necessary for anything to happen. He knows it. Does he like it? Absolutely not, but nor does he like his other plots. At least no one dies this time if it goes right.
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Sometimes I think I’ve got a good idea of sans character then I remember deep down I consider him kinder then papyrus and I have to come to terms with the fact that I have also fandom-fied him and it hurts, anyway congratulations on staying true to his character your the strongest soldier out there
lol don't beat yourself up. i wouldn't use "kind" as a qualifier, but i do think papyrus can come across as much blunter than sans. he's loud and banging and over the top in a way that exaggerates his other attributes, and one of those is his social awkwardness. he's shameless! both when he's being positive and uplifting AND when he's being a bitch. sans is more... contained. less vocal. but that's something that applies to his character in general.
more than anything i think—as jaded and more pessimistic as sans has become with time and his reset knowledge—both him and papyrus start from the same core personality. papyrus' kindness is obviously important to his character, but people tend to play it up too much in my opinion. he's just as capable of disregarding people's suffering and unhappiness for his own interests (empress undyne ending, king mtt ending, remaining our friend in spite of our actions) as his brother. he's just... very loud about his positivity and caring for other people and DOES want what's best for everyone... when it's not particularly inconvenient to him. lol.
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a small moment of kindness that touched me today. speaking about our struggles as grad students in class with classmates. our small group is all BIPOC; another latine and two arabs, one who is palestinian. we are speaking very honestly about our fears and frustrations. feeling useless. feeling scared. upset at the world and its horrors. angry at other peoples' silence. but at the same time so so full of joy and hope. i talked about being scared of being forgotten, and we continued on with our group task of creating a liberation health triangle.
professor transitioned us back to the full class and while our professor began speaking again, my Palestinian classmate--so beautiful and with the most wonderful curls--leaned close to me and whispered "I'll never forgot you." I almost didn't hear her so i whispered back, "what?", and as sweetly as the first time she said, "I'll never forget you. And I'll never forget what you said last semester. You were the first person in this entire program who spoke of your frustrations. I felt less alone."
the walk home from class was very cold, but i could not help but let myself repeat the moment in my head over and over again.
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Don't make fun of any accents, ever, for any reason.
The person on the receiving end will most likely fall in at least one of three categories:
Second language
Regional accent
Speech impediment
1. Second language
This person is probably speaking in this language to you because either you don't speak their mother tongue or you speak it worse than they speak the language you are speaking. They are making an effort for you. An accent doesn't make you dumb.
Making fun of someone for attempting to communicate in another language is the height of assholery.
2. Regional accent
Half the time you make fun of regional accents, you make fun of historically disenfranchised accents.
Southern accents? Congrats you're making fun of the way rural, usually poor, people speak. Their speech was highly influenced by black people.
Don't even get me started on making fun of AAE.
Again, an accent doesn't make you any less intelligent.
3. Speech impediment
They know they have a speech impediment. They are probably trying very hard not to sound like that. It is literally not their fault. They have had to deal with people making fun of it their whole life.
A speech impediment doesn't make you less intelligent either.
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boop a doop, I found some new brushes I adore and finally getting around to practicing and getting comfortable with them, so have some practice Ashtons!
No I am not anywhere near caught up 😅
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just love hearing kieran culkin talk about succession/roman because he always talks about, like, the process of it and it’s so interesting — the scenes that are kept, the scenes that are taken out, the choices writers made he didn’t agree with, the choices he made that the writers (originally) didn’t agree with…. always really hammers in not only how collaborative the show is in that input from the actors is taken very seriously but also just how much culkin cares about roman like as a character? which i mean ya know all actors do. but culkin always talks about being a fan of the show first and an actor in it second and i think that’s such a huge thing. like, the way he cares about roman isn’t just as the actor playing him, it’s as a fan of the show — he’s approaching it not just from, like, a This Is My Job angle but also from the perspective of a fan who is just genuinely invested in the character of roman and would feel frustrated if they saw him do something that didn’t feel in-line with his character! kc would hate tumblr just like he hates all social media but he would indeed kill it on here
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still stuck on mhok's trauma, unsurprisingly. i keep thinking about the opening scenes of this show, showing us day losing his sight, and mhok losing rung. i really thought that the show would spend equal time and care on both
my first post about this show was pointing out that the first shot of day is a close up of his eyes, and the first time we see mhok, he's holding something in his mouth. and i thought it was so interesting that we see mhok gagged, because society generally doesn't care what people who've been incarcerated have to say. or poor people. and by and large, it doesn't care about the voices of traumatized people, either
and i was so curious to see what the show was going to do with that. i can't believe the show itself was never really interested in what mhok has to say
and i'm stuck on mhok's time in hawaii. the show highlighted over and over again how poor he is, and we know that he didn't like studying. what are his english skills like? we saw singha there, and i think one other thai person. was that the extent of his social circle? he seemed pretty happy to leave hawaii behind, so did he make no new friends? did he spend his days off just sitting in his room by himself, the way day did when he went to songkla with mhok?
i assume he and porjai were still in touch, but he moved abroad at a time when his ptsd was getting worse, and in the wake of a terrible breakup, and he just walked all of that off? alone???
feeling overly protective and over-responsible is absolutely an understandable trauma response for mhok, but you know what else is? losing a relationship, and feeling like you HAVE to go back and fix it, and that if you can just get a do-over, you'll be able to do everything perfectly this time, and you'll get everything right, and everything will be okay! this makes more sense to me in the final episode than the idea of mhok and day having a happily ever after does
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