#like hes only familiar with them in the abstract but also sometimes just... not at all?

[daily-hanamura]

#p4 #persona 4 #persona 4 golden #p4g #hanamura yosuke #yosuke hanamura #you know for all of yosuke's behaviour i think its very clear that he doesnt really see the girls in the IT as prospective dates or gfs #i think its just because this was such a “bro” moment that it was so funny #it also reminds me of that scene where chie complained about him calling her up to tell dirty jokes #it's funny to me because yosuke is simultaneously so conscious of gender roles and lines but also like... not at all #like hes only familiar with them in the abstract but also sometimes just... not at all? #in the magician manga his hometown friend group is mainly other typical teenage guys that also have that similar type of humour #they play pranks on each other they talk about girls and the smut they read - you know that bro type #and i think its the kind of friendship that yosuke is familiar with so he carries it over into this friend group as well #except of course it doesnt really go over as well because 1. the connections here are deeper and not superficial #2. this friend group is not made up of that type of bro dude #rise asks if this is something he really should be talking about in front of girls and i think it speaks to a lack of awareness on his part #the swimsuit incident aside i think yosuke for the most part just seems to forget that half his friends are girls #i think him signing them up for the pageant is precisely the kind of stupid prank that bro dudes play with each other #and of course it was extra funny when chie does exactly that to him #hes so stupid (i love him) #he's good with his queue

[biribaa]

I saw you were taking requests for The Amazing Digital Circus, so if you want can you please write Headcannons for Kinger, Caine, and a character of your choice x a reader who’s abstracting in front of them

Also remember to drink lots of water and to take breaks!

-🧪Anon

Kinger, Caine and Ragatha x reader who's abstracting in front of them

I appreciate your kindness but I'm a computer, I think water is one of the things I need to "drink" less and prevent more.

TW/CW: AHH... Spoilers, also angst. Reader does get abstracted in all scenarios cuz we still dont rlly know if someone can be saved from getting abstracted

Kinger

Imagine lost your partners TWICE. Lolololol loser/J

Everything seems to occur in slow motion from Kinger's point of view, a heart he once had is somehow beating against his body. He prays to any god on this earth, be it real or not, or even Caine maybe, that this nightmare isn't happening again to him. Please, everyone, but not you.

Kinger tries to do everything so his lover don't reach the great peak of their insanity, even though he's not very good at it, knowing his personality. But trust me when I said, he tried. Who cares if he will get all glitched for touching your form, he needs you.

He never thought he would live another nightmare inside a nightmare. And in seconds that felt like painful hours to Kinger, here "you" are, a noisy form covered in eyes that flash in different colors. Your skin (if we can call it skin) moves abruptly as if it were a bag full of enraged cats. And, god, how he wished it was him instead.

Things are resolved by the talking human jaw, and yet the silence in Kinger's little pillow fort is no longer comforting as it once was. Silence now makes the small chess piece itch in agony. Silence that could be enjoyed with your presence, with holding your hand or dancing with you, and chat about random stuff he and you knows. The feeling of missing someone is familiar to him, and yet, it hits him in ways that his years in this circus haven't hit him.

Caine

While Kinger tries to do everything, Caine actually does anything to try saving your corrupted mind, and the lack of power in this situation leaves the digital being in panic. A simple snap of the fingers is not enough, and this information makes him tremble in ways he never thought he would tremble before for a simple human.

You aren't just any character, you are his favorite, the lil' buddy he spoils every hour and that always push a giggle from him. You were his very own star. The show could continue the same without you, Caine was sure of it, but could he? Without a character as entertaining as you in action?

"Of course I can fix them, I am Caine!" It's a phrase that was repeated several times in the presenter's programming, But with every grunt coming from the thing that once was you, it's just a reminder to Caine that he did a horrible job trying to take care of you. There were other characters that were abstracted of course, but... You were special to him. His favorite star. His star.

Caine even feels hesitant to put you in the hole of other characters who were abstract before. He preferred to keep you in a cage away from other people's contact, with no one hurting you and no one hurting you.

He knows, he knows the painful truth that you cannot be considered a sapient being, but even though you are a trace of what you once were, Caine doesn't have the courage to lose you forever.

With the other characters, Caine will act normally, with his loud and lively personality. Only if they analyze Caine close enough, the characters would notice something wrong with him.

And then, sometimes, he just stares at you in the cage. Caine ponders if he should admit the lost of his favorite star, it would be easier, but the pride in his chest screams that there must be some way that he could actually save you from...this.

Ragatha

Somehow, the scene is all silent for her. Ragatha stares at you as if the impossible itself is happening in front of her.

Ragatha holds your hands about to disappear, she caressed what was left from your shoulders, she hurriedly whispers words that would normally calm you down, but nothing can save you from the fate of your sanity, just leaving her with the pain of being glitched.

Of course, she had her other friends like Pomni, but lost you?!

Ragatha thinks she saw everything during her new experience in the digital circus, but something common like losing someone so important was the end of the line for her. You were her darling, her sunshine and her little everything even.

Everything she did sounded slightly more boring and boring without your presence, and Ragatha could do nothing about it. She continues (at least tries) to remain strong after that, still trying to complete the little adventures that Caine gives to the participants. But Ragatha's slow pace and lack of smiles was very noticeable.

The weight on Ragatha's chest is too much, losing someone so sweet and perfect for her in such a horrible way is too much. And the worst part is that Ragatha believes that she could have done something to save you, she could have been with you more often so that your mind didn't fall apart like this. But now, she can do nothing but mourn.

#x reader #canon x reader #reader insert #tadc x reader #tadc ragatha x reader #tadc caine x reader #tadc kinger x reader #the amazing digital circus x reader

[after-witch]

Hello! feel free to ignore this since it can be a very abstract/long thing to delve into but when writing a fic how do you go about it? I really admire your writing style because I feel like you always use the right amount of describing the setting/use of dialogue/feelings that immerse the reader completely. I've started writing a fic for JJK and it feels...flat? Somehow? like I don't know how much I should include or assume that the reader knows this about the universe. I also feel like pacing can be a tricky thing and I want the reader engaged but I don't want them to get bored. This is prob just my anxiety talking but anyway, I do really like your works and you're a big writing inspiration!

So I'm actually surprised to hear this because I often think that my pieces don't have a lot of world related details, and they often read like you're just familiar with the world because you're a part of it.

But if you do think they have enough detail, maybe that's why? Usually when I'm writing I try to write it from the perspective of a character that's existing within that world, so details that are included tend to be things that you, as a character, would notice. If that makes any sense?

My typical process for writing involves expanding whatever spark the story, whether it's a prompt or a piece of dialogue or a scenario. And then I kind of just pick a point I want to get to, even if it's one scene away, and I start writing an outline from there. usually once I get writing with an outline, I try my best to finish it in a few sessions so I stay in the groove

I wish I would keep some of my outlines so I could show people that want to know, but it's basically sort of like first draft impressions plus directions for filling in stuff.

Like it might be something like--

Chrollo sits so still you think he might be dead (if only) but then--

"I was thinking, dearest"

You freeze, disappointed gutted wishing he would just go the fuck away for once

[Chrollo explains that he thinks you ought to not be left alone anymore]

I do think outlines help with pacing as well I sometimes break my outlines down with little dashes into separate parts, which I may or may not keep in the final piece. Like you want each scene to kind of be the same length or if you do have scenes of different lengths, stagger them alternatively. Like long scene, short scene, long scene, short scene. Although that's just personal preference and you can do it any way you like!!

I'm using voice to text so this is getting a bit rambly but I hope this helps

[moopadoop]

How did you actually start making these models or how do you basically have the motivation to do so, i really wanna try modeling like yours but im so confused on where to start😵‍💫

My motivation originally came from wanting to animate, but to animate in 3d you also have to know how to model, texture, and shade... As of some resources to start, I've included what helped me the most under the cut!

Getting Started:

Im sure anybody new to learning blender has probably heard of blender guru, if not, ill be happy to introduce him!

He's honestly what helped me the most with getting familiar with all the in's and out's of creating a good render, as well as figuring out how to go about approaching certain things. He also has a few older videos (blender 2.79 my beloved and behated....) that walks you through the process of creating different renders. My only problem with them is that they're a bit long...

ok hear me out, this actually really helped me with learning how to model in general. This tutorial may be old but it honestly taught me things like using the mirror modifier (an actual lifesaver), and how to approach modeling more complex shapes. Yea i get that the entire tutorial is kinda hyper specific but sometimes you just gotta roll up your sleeves and say "today im going to learn how to model a lowpoly elephant"

Intermediate:

have you gotten bored of making lowpoly elephants? Time to expand onto more advanced things, like people! One of the absolute best tutorial makers i've ever seen with my own two peepers is daniel krueter

Again, a bit of an old tutorial, its what opened the door to creating characters for me. He expands upon more complex box modeling, as well as introduces you to edge modeling for more specific shapes like the face. I'm pretty sure he also goes a lil bit into topology, and edge flow, but in case he doesn't the general idea is: quads are amazing and beautiful, tris can stay but are on thin ice, and n-gons are the devils spawn. (you know its true because it rhymes)

Two other tutorials from him that utilize 2.8+ and a lil bit of sculpting/retopologizing. To be honest I haven't really gotten around to watching these, but I would recommend the second one if you want a more in-depth look on how he did certain things, whereas if you want a general view of his process you should take a look at the first one.

If you're looking for some ✨quick tips✨ a few recommendations I have are Gleb Alexandrov, Cgmatter/Default Cube, and Ian Hubert.

Gleb Alexandrov has a lot of tips on just how to make things look a lil bit better, rendering/material-wise

Cgmatter/Default Cube do more technical tutorials, like how you would go about making certain things, abstract or otherwise

Ian Hubert is kinda like Cgmatter but they do more tutorials on things you would find out in the wild such as buildings, fish, posters, and scary nightmare men! (They also do a lot of vfx/hard surface stuff which i think is super cool)

And finally, leaning on the more advanced side is Dikko

he does quite a few tutorial videos for things like Adobe Illustrator/Maya both of which i don't have because im broke but i mainly really like their rigging/hand modeling tutorials. I'm pretty sure he introduces drivers for the different controllers of rigs and ik constraints, but im not sure because i haven't really gotten around to watching the whole thing.

Advanced; Learning to Stylize:

From here it gets a lil bit more abstract because theres no "right" way to stylize, whereas with photorealistic rendering most of the time there is a very clear line between real-lookin and not real-lookin. A lot of it is just kinda what looks good.

My go-to person for stylized environments is Kristof Dedene, he makes some of the prettiest shaders ive ever seen. (im a huge fan of his water shader)

he has tutorials for clouds, waterfalls, buildings, rocks, and grass which all look so good i could cry

My absolute beloved, my blorbo, my favorite activity. Sam Bowman is like the godfather of all things procedural, words cannot describe how much this man has helped me make funny lil designs for my funny lil projects. Everyone should watch his videos (and subscribe while youre at it, my boy is criminally underrated)

A geometry nodes connoisseur (if theyre doing geo nodes you know they got the class that wont quit). Their renders are really cool to look at, but geo nodes scare me so i haven't really gotten around to doing their tutorials yet, still would definitely recommend them if youre interested!

ok so if im being completely honest i don't know what hes doing, but in my defense i don't think anyone else does either. His newest normal editing series is witchcraft to me but i think its funny how he casually dabbles in the dark arts so im including him in here. He's covered a lot from uvs, to masks, to drivers, to shaders, but again they are all kinda advanced so proceed with caution.

And because this post wasn't long enough heres some extra people to check out who do kinda tutorial stuff (but mostly i just like looking at their work)

Bobacupcakes - Who i reference the most whenever i wanna make something sparmkly (i know the link leads to twitter but theyre also on tumblr)

Rukikuri - prebbty models!! (some normal editing too!)

Niall Stenson - kinda a grab bag of stuff (i just think theyre neat)

Late as Usual - another wild geo node wizard!

Dillon Goo - suuuuper cool animator (i like their fight scenes)

Rui - neato burrito 3d character creator (their textures are godly)

Dyzi&liz - im pretty sure theyre actually making an entire show in blender and i am both scared and amazed

Yoolie - another 3d character creator <3

高部 - テクスチャが大好き～～～ ;0; いちばんすきなテクスチャアーティスト！！

Nugget - Yet another wizard that dabbles in the darkest of arts (im pretty sure ive mentioned them before but in case i haven't theyre the person who's node setup ive been using for raymarching textures)

かめ山 - モデルはとてもかわいい～～

Im sorry that most of these people are from the bird app, but trust me they are definitely worth checking out

Super Secret Bonus Channel For Those Like Me Who Are Constantly Frothing At The Mouth For More Bnpr Content. We Want It, Crave It. We Lurk In The Shadows Waiting With Slacked Jaws And Glazed Eyes, Waiting For The Next Model To Descend Down Upon In Droves:

#asks #resources

[homomenhommes]

STORY: Ups And Downs 26

The Reclusive Brock Archer

My time at my first art show was drawing to a close. Following the resoundingly successful auction of my sketches, I was again practically mobbed by attendees who wanted to see more of my work, have me model for them, have me sketch their likenesses, or have me drop my pants for them. Several asked me if the man in the sketches who was fucking me (Tyler) was my boyfriend. Sadly, I informed them that he was not, and that fact just motivated them more to get my attention.

Ward asked me if I wanted to grab some lunch and then go back to the hotel to pick up where we had left off the night before, but I informed him that I could not. “We’re heading back to Manhattan in a couple of hours,” I explained. “We’re going to have a late lunch/early dinner when we get back.” And I was also looking forward to Rocky’s concert that night at Madison Square Garden.

Just as Rafael was approaching us, I asked Ward when he was planning to return to the city, and he replied. “Not sure. I hitched a ride up, and I guess I’ll have to hitch a ride back.”

“That’s ridiculous,” Rafael chastised him. “We can all ride back in Papi’s limo. He wants to confer with Mr. Block before tomorrow’s session at the U.N., so he’s going to ride back on the train with them, which means we can have the limo all to ourselves.

“And when we get to our hotel, you can show me all the things you have been bragging about doing to my buddy Joe,” he added.

“Or maybe I can do them to you,” Ward smirked.

“Or maybe you and I can tag team Joe,” Rafael rejoindered.

“All right, guys,” I dismissed them. “We’ve only got a couple of hours before the show closes, and I still haven’t had more than a cursory look at the exhibits, so you guys can plot your revenge while I do that.”

Ward was still wearing nothing but his very sexy jock strap, so like the Pied Piper, he strolled through the dwindling crowd of men and enticed a couple of them to follow him and Rafael into the changing room. Imagining what they were going to do in there almost gave me another erection.

Though many of the artworks at the show had been sold, most were still on exhibit—not just the ones that had not been sold, but many of the customers had agreed to pick up their purchases after the close of the show or asked to have them shipped to them, so they were still available to view.

The exhibit was very eclectic. There were sculptures, large and small, novelty items, jewelry, carvings, and, of course, paintings in every imaginable medium and style. There were classical nudes (most with bigger-than-average dicks, of course), romantic couplings, ribald group scenes, close-ups of various sex acts, and some abstracts where I couldn’t tell what the fuck was going on. For the most part, though, the pieces were extremely good, and I was honored to have my sketches displayed alongside the works of very talented artists.

One cluster grabbed my attention above all the others. “They’re marvelous, aren’t they?” asked the gentleman who had sidled up next to me. Actually, it was more of a commentary than a question...and a very apt one at that.

“Yes, but whose work are they? I don’t see a signature.”

“They’re Brock Archer’s,” he replied. “That’s his signature right there,” he added, pointing to a stylized letter A with an arrow through it.

“Brock Archer, the writer? I love his stories.”

“I’ve heard that he is a talented writer, but I am much more familiar with his paintings.”

“I had no idea,” I commented. “Are these acrylics?”

“They’re actually prints of digital paintings. He takes photographs and paints them on a computer.”

“That’s it?”

“It’s a lot more complicated than it sounds. Each painting is constructed in layers, sometimes a dozen or more layers, and on each layer, all the variables—composition, lighting, color, texture and so on—are meticulously calibrated. As he writes in his book, Brock Archer’s Men, the entire process is one of calibration, reflection, and re-calibration until he has achieved a result—a new creative work—that is both erotic and aesthetic.”

“Wow! That’s dope,” I exclaimed. “I’m delighted to see his paintings, but I really wish he had been here himself. I would love to meet him.”

“But he’s been here the whole time,” said the pleasant stranger.

“Really?” I gasped. “Why didn’t Aaron introduce him at the reception?”

“He’s rather reclusive,” he explained. “He shies away from the limelight, but he’s here. That’s him over there,” he nodded.

I turned quickly in the direction of his gesture, where I saw Mr. Block and Woody chatting with a couple of handsome, well-dressed men by the exit. “Which one is he?” I asked, but when I turned to put the question to the man, I discovered that he had stepped away to chat with someone else, leaving me talking to the air.

I debated whether or not I should just go over there and ask which of the two men was Brock Archer, but I didn’t want to appear impolite to Mr. Block or Woody.

“I can’t believe you’ve been around him all this weekend and didn’t know who Brock Archer is,” said the man returning to my conversation space. “You really don’t know, do you?”

Suddenly the pleasant gentleman was starting to sound a bit condescending, but I ventured forth. “No, I don’t, and if you know him, I would appreciate it very much if you would introduce me.”

“That man over there—”

“Which one?” I snapped in frustration.

“Who did you come here with?” he tested my patience.

“Arthur Block and Morgan Woodward...Woody.”

“OK. Arthur Block. Repeat it.”

The guy was starting to seem like a jerk, but I did as he instructed and spoke the name Arthur Block.

“OK, now say it in reverse order, last name first.”

“Block Arthur,” I said.

“Now say it fast three times.”

“Block Arthur. Block Arthur. Block Ar.... Oh, fuck! You don’t mean...you’re not telling me that—”

“Arthur Block is Brock Archer.”

“Holy shit!”

To be continued..

+

[gnomeniche]

OCs: The House at the Hellmouth

sorry i haven’t posted in a hot second i was thinking too hard abt oc-ifying my deemis humanization designs bc i love drawing their faces and shapes and i wanna keep them. so here’s The House At The Hellmouth, or hellmouth for short. it’s a low-stakes urban fantasy about these guys and their sometimes-magical issues.

for various reasons, three dudes who barely know each other have ended up living together in an extremely haunted house whose basement contains The Hellmouth™, a portal to a dangerous part of the magical world that must be watched over lest shit leak into the mundane world. most of the story is about them learning to live with each other and themselves as they slowly get more embroiled in the mysteries of the house and each other’s backstories.

it’s still very obviously inspired by deemis but hopefully it will grow into its own thing as i develop it. i put it in a more grounded genre even tho i love the weirdness and abstraction of deemis for that reason. it does use several ideas from my normal au but not as many as you’d expect? it’s way way more fantasy.

also i unbritished them. first of all to distance it more and second because it’s easier to write urban fantasy in a place you’re familiar with. the hellmouth is in Kansas because why wouldn’t it be.

so given that + the magic portal world in this universe + the focus on Home, they’ve got an Oz Motif going on. which is appropriate given that deemis is very Alice-like. kids’ isekais from diff countries.

anyway here’s the guys. average monster of the week party.

orange: Clove Spindlebinder. the not-so-brainless “scarecrow”. scatterbrained but talented and creative. an embarrassment to his powerful wizard parents. sent to the hellmouth house from the magic world to toughen him up. would really prefer to do sewing magic but his enchanted thread has many useful applications in dealing with creatures. his parents are Rosemary Spindlebinder and Thyme Wyrdrender, two powerful members of the wizard council who are extremely divorced. the only thing they agree on is that they are disappointed in him. rosemary has custody, so he only counts as part of her family.

dark blue: Lucas Taylor. the not-so-spineless “lion”. quiet and awkward but resourceful and stubborn in the face of weird shit. literally just some guy aggressively concealing his ability to see magical stuff because he doesn’t want to be called a freak. answered clove’s Help Wanted ad intended only for magical people. stays even after he sees the hellmouth bc he doesn’t have to pay rent as long as he helps with the horrors. has a bad relationship with his family and especially his twin brother, Linden, who tried to distance himself from him as much as possible when they were kids.

teal: Ambrose Sherman. the not-so-heartless “tin man”. persnickety and mischievous but extremely lonely and motivated above all by care for his loved ones. an unaging undead who took the fall for his resurrector’s crimes to protect him. condemned by the wizard council to guard the hellmouth as punishment and has been here for a few decades. cannot go far from the house. his resurrector is Peregrine, who is maybe some kind of lich who dabbles in forbidden magic? idk but he’s bad news. unfortunately ambrose is very in love with him.

also the house itself is a character. it has something of a personality (not necessarily malevolent, sometimes friendly, often capricious) and its internal dimensions shift. sometimes it simply grows new rooms. the mystery behind the house and why the hellmouth even exists is Part Of This Story but damn if i know how i’m gonna have that shake out yet. i do have ideas for arcs but i don’t wanna write it all out here so that’s all for now.

here’s some bonus scribbles. i’m still figuring them and their designs out so this is all subject to change.

#hellmouth ocs #hathm clove #hathm lucas #hathm ambrose #original character #oc #artists on tumblr #mine #doodle #am.txt #am.png

[lanshappycorner]

Some sort of panlear reincarnation au (Alear did not reincarnate) 🍞🐉

---

Pandreo heaved a sigh as the last of the churchgoers bid him goodbye. Today had been a particularly busy day, and although he enjoyed being around other people, sometimes even he wanted a little peace and quiet.

He turned to look behind him at the stained glass window. Vivid reds and blues obscured his vision, and he couldn't help but admire the image. It was abstract art if anything, depicting the Divine Dragon that once blessed their lands.

However, the appearance of the Divine Dragon was lost to time, not much else having been known about them besides from the colors of their hair and the alleged fact that they once saved all of Elyos. But then again, it had been hundreds of years ago so perhaps it was just a myth.

Pandreo liked to believe that it was true though. He ran his hand along the glass, taking in the cool, smooth sensation. Indeed, although he enjoyed spending time around lots of people, he also enjoyed spending time alone with this portrait of his god.

It was strange, but Pandreo had always felt…connected to the Divine Dragon. His love for the deity was much more than a follower towards his god, and yet he couldn't quite pin the feeling down. Sometimes, it felt as if he were on the brink of realizing something important, but he never quite got there.

It was frustrating, but he'd lived with it for 2 decades of his life, so he could deal with it. Clasping his hands together, he closed his eyes, praying to the Divine Dragon. Sometimes he prayed, other times he simply spoke to the statues, the glass windows, the books, as if the Divine One dwelled within them, as if he'd be able to respond.

He knew well that what he wished for could never come true, but alas, a man could dream. Just as he was finishing up his prayer, he heard the door of the church creak open, and Pandreo swiveled around to greet the newcomer.

His voice was casual, gentle, as if he were afraid that the newcomer would mistake that he was being chastised, "Hey there! Sorry, but church hours are over—I was just about to lock up. You should maybe come again tomorrow."

The stranger stood awkwardly at the doorway, adjusting his hood over his head. He sported a dull colored blue-gray hoodie, worn out and faded. Pandreo could imagine the hoodie, a vivid blue the color of the stained glass behind him. Perhaps it looked like that years ago, who knows.

Well, either way, the male was not particularly eye-catching, for he dressed so plainly, if he had not spoken up, Pandreo would have never seen him. He kept his head down, looking rather nervous, and sensing his nervousness, Pandreo stepped down to meet him at the doorway.

"You okay?" He asked, reaching out, "I'm not, like, trying to embarrass you or anything, but you do look pretty nervous." A pause, "Are you perhaps new here?" It made sense if this person was new in town—all the locals knew when the church closed after all. "My name is Pandreo, I'm the head priest here. If you have any urgent matters, I don't mind keeping the church open for a second longer."

"I…uh." The male stammered awkwardly (something in Pandreo's brain clicked. He knew that voice. He had never heard it before, and yet he was certain all the same), "...It's fine. I can come back tomorrow. I don't want to bother you or anything."

Something about that voice sounded so…achingly familiar to Pandreo. He couldn't allow this person to leave, at least not until he could discern his identity. "Whoa, wait a sec." He placed a hand upon the young man's shoulder, "It wouldn't be a bother at all. But before we go any further, mind telling me your name? Since I introduced myself, it's only fair if you do so too right? Unless you'd prefer to remain a mystery…that's cool too." He winked lightly.

The young man stared (or at least Pandreo assumed he was staring. He couldn't see the man's face yet) for a moment, before chuckling softly. "I see. You're right, it is the polite thing to do…I apologize."

Carefully, the young man slid down his hood, revealing a head of bright red and blue hair. It was slightly messy from him having been wearing his hood, but the messiness did not detract from its beauty in the slightest. The walls of the church were a cold brown, and for the longest time, only the stained glass windows brought life into the church, and yet here stood this young man, whose hair rivaled that of the window's colors.

Pandreo gulped thickly as their eyes met—his eyes too, he found, were a lovely shade of blue and red as well. The church was dimly lit, yet the presence of this singular person could probably power 10 lights. At least that was what Pandreo, in his horrendously down bad mind, thought.

He'd seen people try to don the colors of the Divine Dragon before, but never had anyone ever genuinely looked so…well, actually divine. And no, this was not just because he was gay and biased.

"My name is Alear. It's a pleasure to meet you, Pandreo." Alear greeted, his voice echoing within the walls of the church, despite how softly he'd spoken (you would think Alear was the priest of the two, given how natural it was for him to be just…existing here. It was as if this space was created for him). "And you were spot on, I just moved in town and I got curious about the church. I probably should've waited for tomorrow, but…I couldn't wait."

There was something hanging in the air. Pandreo could feel it—there was something Alear didn't say, but it would be awkward to point it out. (If Pandreo had stared any longer into Alear's eyes, perhaps he would've seen the yearning. The unspoken words. I couldn't wait to see you.)

Alear continued, "I just wanted to check out this place, nothing else."

"I-I see." Pandreo cleared his throat. Rubbing the back of his neck, he glanced away, before looking back to Alear, "Well then! The church is open to 9 here, but for you, anytime really." It was already well past 9:30 anyways. "Since you're here, we might as well…chat a bit or something. I mean, unless you don't want to. You just came here to check things out, and now you have, so if you want to go back, I really wouldn't blame you—"

"I'd love to stay and chat with you, Pandreo." Alear smiled sweetly (they'd only just met, and yet every laugh, every smile Alear showed him made his heart skip a beat. It was as if all the feelings he felt towards the Divine Dragon had intensified by a hundred. But this wasn't the Divine Dragon. It was Alear. But even so…). "I have nothing better to do anyways."

He glanced around the church, "Mind if I look around a bit while we chat?"

"Sure, go ahead." Pandreo nodded, guiding Alear along. They stopped in front of the glass, the first thing Alear had headed to, to no one's surprise. It was the most eye-catching thing in the church after all. "Are you curious about the glass?"

"Yes, very." Alear nodded, he hesitantly pointed to the abstract patterns, "Is this…the Divine Dragon?"

How strange. Pandreo blinked.

He had assumed that Alear had dyed his hair the colors of the Divine Dragon because he was a devout believer, and yet perhaps it wasn't the case after all.

"It is." He replied, "Historians aren't really sure what the Divine Dragon looks like, we only really know him by his colors, so there's a lot of abstract art like this around town." Pandreo tilted his head, "I'm sorry, but I thought you were aware because…well, your hair and eyes are pretty Divine Dragon-ish, y'know?"

"I look…Divine Dragon-ish…" Alear repeated, before laughing in amusement, as if there was some inside joke he wasn't telling Pandreo. "This is my natural hair and eye color. I am aware of the Divine Dragon's colors, but I hadn't known that it was…this widespread. Say, Pandreo," Alear ran his fingers down the glass, "What do you think the Divine Dragon looks like?"

Pandreo closed his eyes in thought, his arms crossed. "Me? Well…I will devote myself to and admire the Divine Dragon no matter what form he takes. It would be impertinent of me to assume his appearance…" He could feel Alear's stare persist, and after what felt like an eternity, Pandreo meekly admitted, "Probably…you…?"

It was a weird thing to say to anyone. Pandreo wasn't even trying to flirt or anything. It's just—if the Divine Dragon looked like anyone, he just knew that he'd look like Alear. It was a thought so certain in his mind, that he could not rid himself of it.

Instead of being utterly weirded out, Alear merely hummed, his eyes turning back to the glass. "I see."

At that moment, Alear's phone buzzed, and he hastily moved to check it. A text? Pandreo eyed Alear curiously until the young man slipped his phone back into his pocket. "...Sorry Pandreo, something came up. Looks like I need to head back."

A part of Pandreo yearned to hold Alear's hand, pull him back is if they'd been separated for much too long already to leave each other so soon. However, he only forced a smile, nodding, "Oh. That's cool. I'll see you tomorrow then?"

"Yeah, I'll see you tomorrow." Alear said, moving back to the doorway. He stopped in his tracks, turning back to glance at Pandreo, "...Before I go, can I tell you something, Pandreo?"

"Hm? What's up?"

Alear smiled sheepishly, "I'm not actually religious. I don't worship God."

The words slipped out of Pandreo's mouth before he could stop himself.

"Is it because you are God?"

This time, Alear laughed, stepping outside of the church with a wave.

"You're pretty perceptive, Pandreo."

Pandreo could only stare, his jaw agape as he stood alone in his empty church, processing what exactly just happened.

By the time he'd come to his senses and ran to the doorway, Alear was already long gone, and it was only then did he glance back at the stained glass windows once more.

The familiar reds and blues of the glass once soothed him, and yet now it set his face ablaze, and he fell to the ground, his knees weak, his heart beating in his chest.

Did I just meet the Divine Dragon?!

#i wanted to write a little smth smth since i suddenly got panlear brainworms sorry

[amaurotine]

top five favorite concepts

here are his top 5 favs (in no particular order). it's also VERY hard for him to choose, because i think he's like me in that having to limit his favourite concepts to just 5 is an extremely difficult feat.

Hyth finds the oreias's (or spriggan)'s proclivity for hoarding gemstones and misc. shiny objects very relatable, as he too suffers the urge to pocket interesting objects to gift to his friends, or sometimes to keep for himself (yes, he's absolutely the kind of person who would give his friends a cool rock or an interesting leaf, and then proceed to launch a discussion about how interesting its aethetic composition is before launching into the thing's origins based on said aetheric composition, all with childlike glee.) he actually comments on them during the msq and one scuttles by before the leg-having sharp concept pulls up on him. in english his dialogue is "how delightful", and in jp it's something to the effect of "an oreias! how cute!"

abystoma: while hyth's memories of That Particular jaunt in elpis (we must recall that he seems to have special access to teleporters there and i think it's implied that he does take trips there every once in a while, but clearly not often enough for most people there to recognize him.) although his memories of the time were wiped by kairos, i do think he felt a lasting fondness for the concept when he laid eyes on it after the whole kairos fiasco, and he felt strange pangs of familiarity and immense fondness for them, and he would therefore have arrived at the conclusion that although he did not remember it outright, he must have run into these creatures during that time. furthermore, hermes seems to be very familiar with them, and it's outrighted stated that hermes and hyth are friends and collaborate together on a fairly freqeuent basis.

lykopersikon: i don't have much of an explanation for this but i think hyth thought it was extremely funny that someone submitted a weird tomatomonster that pops out of a round pot-like seed thing. he really is like a deviantart group moderator in the early 000s with his ability to adore and appreciate the extremely abstract and just weirdass things that people submit in this vein jghjsdgdh.

elpis flowers: these things remain something of a delightful mystery to him, because they're presumably composed of dynamis(?) they may be either invisible to him in terms of his aethersight (although he can clearly see their corporeal forms; like when he focuses more on their aether, they're probably suuuuuuuper faint and practically invisible, due to them being entelechies, as well as being far simple and presumably requiring less aether than even the likes of meteion.) being as perceptive as he is, he's accustomed to being able to view the aetheric composition of peoples' concepts in detail. he enjoys the flowers not only for their beauty and their ability to change/response to others, but for the simple fact that their existence as something he isn't able to readily see/analyze/understand. it keeps him on his toes and he appreciates this.

lotis: they're weird plantdragon things in elpis. again, the general idea of it kind of reminds me of being smth that might end up in furry/creaturedesign deviantart in the 00's. hyth has a soft spot for for plant and bug concepts especially.

***HONORARY MENTION: cubus, although i don't actually think that cubuses are intentional creations. rather, i've always headcanoned them to be kind of an accidental/unintentional byproduct that sometimes occurs as a result of intense creation magick usage. very small cubuses would sometimes manifest in his and hades's apartment space. hyth would delight in finding tiny cubuses forming in the pipes and attempting to make pets out of them after scraping them out of the drain, much to hades's chargin. the pazillion cubuses roaming around in phantom amaurot were left there deliberately for hythshade to "play" with and have company.

(this is kind of unrelated to the ask maybe idk) but hyth finds people who have merged with concepts to be incredily interesting, and during certain intervals wherein he was feeling particularly down on himself and his percieved lack of prowess, he had instrusive thoughts about applying this to himself before swiftly concluding that in his case, the potential risks far outweigh the benefits.

#❀ — 𝒶𝓃𝓈𝓌𝑒𝓇𝑒𝒹 . ( OOC . ) #confluxium #THANK U FOR SENDING ILYSM... #he's actually always wondered whether or not ares merged with a concept due to him having scales sdgkshdgh #hesperos and all the hemitheos wardens would be Very interesting to him tho!

[talesofsorrowandofruin]

Character Snippets Tag

Thanks for tagging me, @primroseprime2019! :D

Rules: pick an OC and post a snippet from their viewpoint. I decided to do this for all the main characters in The Unfortunate Moth:

Yo-han:

He had to knock repeatedly before Dr. Latimer finally opened the door. The doctor was still in his pyjamas and looked half-asleep. He groaned when he saw Yo-han.

"Not another murder, please," he said in-between yawning.

"No. I have a few questions to ask, if you don't mind."

"You couldn't come back later?" Latimer grumbled, but he let Yo-han in anyway.

"In the first place, I know you and the victim stayed in the same hotel in Hong Kong. I know you had some sort of argument with her. What was this argument about?"

The doctor stared at him. "...Are you by any chance a mind-reader?"

Yo-han stopped himself from audibly scoffing, but only just. "Certainly not. I have a brain, knowledge of human nature, and access to a telegraph machine. Your explanation, please."

Phil:

Rachael was planning something unpleasant for someone. Phil had seen the symptoms before. Unusual abstraction, frowning and tapping her fingers against her lips, not noticing when she was spoken to, maintaining a stony silence; they were all unpleasantly familiar. Phil immediately began reviewing her recent behaviour to see what might have set Rachael off. Her normal yelling was bad enough. But this sort of behaviour always preceded a particularly nasty outburst. The sort of outburst that lasted for days and could sometimes become physically violent. (Mostly to Rachael herself; during these explosions she would slap her own face and accuse the target of her wrath of driving her to do this. At these times Phil honestly believed her aunt belonged in a padded cell.)

Phil spotted the symptoms as soon as she walked into the dining room. What could have happened to cause this in a few minutes? She didn't know, but she immediately switched from trying to provoke Rachael to being as conciliatory as possible. She'd planned to read her magazine during dinner. Instead she kept her handbag firmly closed and greeted Rachael more politely than she had at any time since they left home.

Rachael stayed silent all through dinner. It played havoc with Phil's nerves. She kept her head down, then worried that was making her aunt even angrier. She pretended to be absorbed in her meal, but when her knife scraped against the plate she tensed and waited for an explosion that didn't come. She tried to act naturally but felt like a puppet operated by a trainee puppeteer. Every minute she expected Rachael to accuse her of something. Phil almost wished her aunt would just so she would finally know what was wrong.

Leo:

Leo scowled at the line. Out of morbid curiosity he'd sat down to reread the play, and somehow it was worse than he remembered. Who on God's green earth called their wife 'beloved angel' — spelt 'beloved angle', because Philpott clearly hadn't paid attention in English class — in this day and age?

Once more he considered substituting one of his own plays for this one. True, he'd never actually published the scripts he wrote or tried to have them performed. The only people he'd shown them to were a few of his co-stars, who hadn't been exactly enthusiastic in their praise. But that didn't matter. He knew he was no Shakespeare, but he also knew he was a better playwright than Philpott.

Máté:

The best Maté could say for Mrs. Patton-Langdale was that she spared him the worst of her temper. He knew this was out of pragmatism rather than any regard for him — secretaries who were fluent in German, Hungarian, Romanian, and who could also muddle by in Russian and French weren't exactly a dime a dozen. If she treated him half as badly as she treated Miss Ophelia, he would hand in his notice at once and she would have the trouble of finding a new secretary and professional translators for each of those languages.

Unfortunately for Miss Ophelia, she wasn't a paid employee and couldn't threaten to resign. She was an easy target. And Mrs. Patton-Langdale, like all bullies, chose easy targets.

When he first began working for Mrs. Patton-Langdale, Máté had tried to stand up for Miss Ophelia. He had quickly learnt this was useless. Worse than useless, because it made Mrs. Patton-Langdale suspect there was something between him and Miss Ophelia when nothing could be further from the truth.

Rachael:

Rachael had held onto this letter for the last week. She was sure Király didn't know it existed, and she hadn't let Ophelia see it either. She simply didn't know what to do about it. The most likely explanation was that Octavia had come to sponge money off Rachael. When that hadn't worked she realised it was useless going to Ophelia, who had no money of her own, and instead appealed to Király. The reference to herself as "the old hag" incensed her. As soon as she got home she'd see her lawyer and have Octavia completely disinherited.

But who or what was J? Rachael had tried various conjectures. A mutual friend of Octavia and Király, a place, a stage play, a license plate, even the initial of a rival company. None of them were convincing. Finally she hit on the idea of blackmail. J referenced some event or person Király wanted to remain unknown, Octavia had found out somehow, and she was using it to demand money.

As for Heather Glenn — or possibly that was really Heather Glem, or even Heather Glew; Octavia's handwriting was a mess — she must be one of Octavia's actress friends. Why she was mentioned in the letter was yet another mystery.

Tagging @oh-no-another-idea, @silvertalonwritblr, @winterandwords, @frogqueenofmirkwood, @words-after-midnight, and anyone else who wants to do this! :D

#tag game #writing #my writing #my WIPs #WIP: moth

[excalibent]

Good Omens

I saw a post about Good Omens, so I’m making a post about Good Omens, and none of you can stop me.

Not that you would, I guess.

Spoilers for Good Omens, and slight spoilers Making Money, and Going Postal.

Searching out something in the text to have a say on is a bit difficult, given that it does an extremely good job of presenting complicated and important ideas in ways that are damn near impossible to miss when you come at it with a sledgehammer and a magnifying glass. I’m not overly familiar with the works of Neil Gaiman and Terry Pratchett, but I’ve read Making Money and Going Postal, and loved them both to bits.

The kind of symbolism that seems to hang about in the background of Good Omens is stuff like the part of Making Money where - beyond the explicit, direct, unapologetic claim that money is a representation of value rather than value itself - a character pulls a lever in a simulation of the economy, and literally makes a bunch of gold appear out of thin air. The statement is clear: money is fake, and value is fake, and the only reason valuable things exist is because we made up that value from literal nothing. We just looked at it, thought ‘hey, that’s valuable’, and so the inert, shiny chunk of rock became valued. Then, the part of Going Postal that actually planted this idea of value being linked to things with qualities beyond their material properties, that the letters themselves were indescribably valuable to the people that received them and some could have been traded for hundreds of dollars for the simple fact that they were so valued, and in this, the revelation that stories can and will impact the people that read them - not just in general, but especially if it’s a story that they were meant to hear.

Where can we find these moments of stark, important - yet, in some way, abstract - statements in Good Omens?

Frankly, they’re all over the place; there’s the idea that you don’t win if you don’t fight, and if you truly believe in your principles - healthy food, peace, a cleaner earth - you can fight, and even win. But winning doesn’t last forever, and you can’t fight forever. You’re only human. It’s a point that Death underlines, in the end; creation doesn’t mean anything without destruction. As much as we value things that are, we also need to reconcile that these things are also defined by everything that they are not. And, additionally, if you are going to ‘win’ in any meaningful way, it has to be because your children fight for that future, too. The point that, in the end, the anti-christ is human above all else, the idea that celestial beings - in the realm of human experience - are interchangeable, that fate is a book that was written centuries ago that doesn’t even end when the end of all time arrives, it’s all very interesting to think about, but it’s hard to really describe without stating what feels obvious. Again, Good Omens was very good at getting its ideas across.

The thing I’d like to look at with a more critical lens is probably a theme that does pop up explicitly, but sometimes only in the background: you reap what you sow.

For Crowley, this happens explicitly when the entire highway bursts into flame because it resembles the sigil of the great devourer of worlds. As per the text - “Crowley had built it, and now he was stuck in it.” This also hits Aziraphale; his bookshop burns down because of the candles that he lit. Obviously, he didn’t intend them to burn it all down, but the consequences of our actions are rarely apparent until you come back to see where the kindling was.

And what’s more interesting, above all, is Adam. He builds a circle of friends, and as he comes into his power, he starts trying to control them, to reshape them from the group he had lead into a group he could lead into Armageddon, but they don’t agree with any of it; regardless of the greater circumstance, Adam and his friends had assembled because of like minds, more or less, and that’s exactly what he got when his powers came to him - people that cared about health, peace, the world around them, that would really rather not burn it down - and when he rejects his powers, they return to him, because as he had chosen them, they had also chosen him. There wasn’t a greater hand moving pieces into place, it just kind of happened, and the friendship that they had was overwhelmingly more important than staying angry after Adam started going all funky in the head, when it turns out that he falls down and might be hurt.

They’re right to leave when he had taken away their freedoms, but the kindness they gave him when he needed it more than anything else was probably the most important part of the story; the people around you will support you when you treat them well.

(Obviously, Heaven and Hell had not treated Aziraphale and Crowley very well; sure, they only brought down punishment in the end, but all throughout, aside from being treated as menial workers poking about on Earth, their disagreements were entirely dismissed out of hand the moment they - Aziraphale, mainly, and repeatedly - meant to bring up whether what they were doing was what they should be doing, besides.)

#Good Omens

[indepth-mbti]

i've seen your ig acc & i enjoyed consuming your posts.

so i've been wondering about my type. for a while i thought i was an intj. i knew about the functions, but i only focused on the dominant ni types since *i think* i relate to them. but upon further researching about types, i come to conclude that i relate more to inferior fi than tertiary fi. as much as i don't want to, i force myself to dig deeper into my memories & had an epiphany: the reason i have no friends or that i was bullied by the people around me, including my cousins, is that because i was *& is* argumentative. i want people to follow & believe what i say. in the place that i lived, our family was a bit on the privileged side than most people there, so i dominate the kids who i *thought* were beneath me. but when i was faced with my cousins who were boys, i suddenly lose my courage. as a child, i already had the concept of people being expendable. so i discard people who i cant benefit from by being mean to them and alienating them from the group. but when i thought a kid is beneficial to me, most specially in the social department, i automatically became nicer to them, expecting them to be my friend. basically, during my elementary days, i was the mean girl in our class. but when i enter highschool, i realize that having friends is useful, & immediately understand that i should be more amiable to collect friends to help me with things (specially math). i think it's Te, albeit very unhealthy and immature use of the function. and since i repress it for most of my highschool life, and the trauma that i have gotten because of my attitude, i didn't realize up until this point that that was te, since upon its repression, i became meek and socially shy. all along i always believed it to be just auxiliary. but what i displayed inside our house showed a lot of dominant te. i may follow what our parents say, recognizing their authority, but i always forge a path of my own, wanting to achieve my own goals that, in the long run, will benefit them too. i actively participate with decision making regarding what goes on in our house & my future. i also imposed rules on my younger brother & berated him if he didn't follow it. i can't trust my own knowledge so i have to trust reliable sources to validate what i know. now that i'm in college i'm exercising my te in a healthy way.

the only thing that i'm confused is to whether i used ni-se or si-ne. i'm both detail-oriented & big picture thinker. i sometimes get bogged down by details & wanted everything to be as what i envisioned it to be. i'm meticulous with my projects, striving for perfectionism, follows the methods that i know will give me the results that i want. i want order in the group that i am in, & so wanted clear heirarchy on who will lead or not or who can be efficient or not. i'm not really good with organizing physical things (my mom — who i suspected to be an si dom — always berate me because i'm shitty at organizing our shoe rack). but i'm good with organizing data, abstract theories (given they have practical applicability), & my priorities. when i'm dealing with things that i'm not familiar with, just like in cooking, i want to have explicit step-by-step procedure because i'm afraid i will fuck it up. i hate coming up with new ideas. so when we were brainstorming for our research topics, i instantly thought of the milgram experiment (which is connected with behavioral psych & something i'm familiar with) & modify it to extract the essence of the research. when i'm working with projects, i always search on the internet for possible topics or procedure, and if i found something that interest me, i found ways to connect it to my project and work from there. i'm not really good with remembering details, & when i tried to remember data from the past, what i come up with was its synthesis or my overall impression. my past was murky, i don't really put too much stock on it but i trust what works best before, & i found myself considering tried and tested methods to solve a problem. when a problem is presented, i perform leaps in judgement. i don't really need to know any missing data before i come up with conclusions. i'm good at determining the cause & predicting the future, base on the available info at hand. sometimes, i found myself being bogged down by future possibilities, oftentimes negative. i really hate multiple possibilities, but in order for me to assuage my anxiety, i think of contingency plans to prevent any of the negative possibilities from happening. but when i can't think of anything else, i don't have an issue with acting swiftly, just to get the job done. i'm sorry this is too long! & thank you for lending your time in helping me with my confusion. have a good day!

You're an ENTJ. 683 tritype, but I'm not sure about your core type, I'll say E6.

Your arguments for dominant Te and inferior Fi are on point. Let me tell you this: it is a positive to be aware of your flaws and to accept them with honesty. But be careful, because many Te doms while accepting their flaws and mistakes may fall into a "those are the facts, and me acknowledging them is enough" state.

About your middle axis, I lean towards NiSe because in your writing style there's nothing that points out towards the categorization of ideas and the awareness of the inner states typical of Si users. You express yourself in terms of ideal tendencies/essences you want to reach. Most of what you wrote in the second paragraph is actually Te dom again, but those things are Ni-Se:

"but i'm good with organizing data, abstract theories (given they have practical applicability), & my priorities." - TeNi

"so when we were brainstorming for our research topics, i instantly thought of the milgram experiment (which is connected with behavioral psych & something i'm familiar with) & modify it to extract the essence of the research." <- Ni > Ne. Convergency > Divergency.

"and if i found something that interest me, i found ways to connect it to my project and work from there." <- Ni

I'll say E6 due to the following statements:

"i can't trust my own knowledge so i have to trust reliable sources to validate what i know. now that i'm in college i'm exercising my te in a healthy way." <- this is Te + E6

"i found myself being bogged down by future possibilities, oftentimes negative." <- E6

"but in order for me to assuage my anxiety, i think of contingency plans to prevent any of the negative possibilities from happening." <- E6

[bisexualbumblebee-writes]

Dinner- Hannibal Lecter x OC

Hannibal Lecter x Fleur Ramsey

Description: Fleur is new to Baltimore, Maryland and gets an invite to a certain aristocrat’s dinner party after he takes a particular liking to her.

Word Count: 1.8k

It had been only four months since Fleur arrived in Baltimore, Maryland, yet she already loved it. She told people that it was just a change of scenery that she craved, but there was a darker, more sinister reason lurking within. The police were starting to notice her pattern. 

Her M.O. was simple. Men that reminded her of any man who wronged her, especially her father,  were usually her prime target, though she sometimes had occupational casualties every so often. Some called it daddy issues, but she chose to simply not address it. Either way, she knew that the cops were starting to suspect signs of a pattern, so she figured her best option was to move across the country. Baltimore, Maryland was the perfect location, and that’s what led her where she was today. 

Fleur was at a local antique flea market looking through paintings for her new dining room. She had been looking at a particularly abstract portrait when she heard a familiar voice, which made her turn around. A smile appeared on her face as she realized who had just walked into the shop. 

“Hey, Will,” she called just loud enough to catch his attention. The man in question as well as the one with him turned around, a small smile also gracing his face as she began walking over to him. 

“Morning Fleur. You’re looking especially happy today,” he noticed. 

“I am,” she responded with a bright smile. “I finally got everything unpacked, my house is finally coming together.” 

“That’s great,” he said enthusiastically before glancing at the man beside him. “Hannibal, this is Fleur Ramsey, she just moved to Baltimore. Fleur, this is Hannibal Lecter, he’s a consultant of the FBI with me and therapist.” Fleur smiled and held out her hand. 

“It’s lovely to meet you, Dr. Lecter,” she said politely. The man took a hold of her hand and shook it. 

“You as well, Mrs. Ramsey,” he responded simply with a grin. 

“Actually, it’s Miss, but good enough,” she giggled. Hannibal’s eyebrows raised just a little bit in surprise. 

“Really?” He questioned, tone matching his expression before he composed himself. “Forgive me, I’m just a bit surprised that no one has even attempted to have your hand.” Fleur couldn’t help but blush at the eloquent compliment. 

“I’m afraid that I can’t give an answer to that Dr. Lecter.” 

“Please, call me Hannibal,” the man responded smoothly. “Any friend of Will’s is a friend of mine.” 

“Oh, well then you can just call me Fleur,” she said before looking between them. “I should probably let you be. Have a good day.” With one last goodbye, she walked back to the painting she was examining, leaving the guys to watch her in her wake.

Fleur assumed that that would probably be the last time that she’d see Hannibal. At least until she got a knock on her door just a few days later. Will was on the other side with an invitation for her. 

“Hannibal wanted me to give this to you,” he explained, holding out a coffee stained envelope to her. Her brows furrowed and she gingerly took it, tearing it open and pulling out a similarly coffee stained card. 

“A dinner party this Friday?” Fleur read aloud curiously. Will’s eyebrows shot cup and he leaned over to read it. 

“Huh, I could have just invited you if I had known what this was,” he muttered. “I was invited too, but not with any sort of card.” 

“I wonder why that is,” Fleur responded, looking at him once more.

“He probably just wanted to show off since you’re new around here,” the man shrugged off with a playful grin, which made her giggle. “I can give you a ride there,” he offered, earning a nod from the girl. 

“Perfect, pick me up at 6:30,” she answered. Their conversation soon ended and Will was on his way back to the FBI headquarters while Fleur began going over what to wear. 

That Friday at just around 6:30, Will picked her up and began heading towards Hannibal’s house. 

“I should probably warn you, Hannibal’s house is a bit...extravagant,” Will mentioned as he drove. “He comes from high society and he’s pretty well off. His house is proof of that. I just don’t want you to get overwhelmed.” Fleur couldn’t help but smile. He was too sweet to even think about killing. 

“I appreciate that. Now I don’t feel as overdressed,” she half joked, earning a chuckle from the man beside her. 

“No, you look great,” he responded as they pulled up to Hannibal’s admittedly large house. Wait, no. House isn’t the correct word for it. Mansion and manor seemed to describe it better. Fleur had to stop herself from gaping at the large building as Will parked the car. 

“Wow, you weren’t kidding when you said extravagant,” she commented as she stepped out of the car. Will walked around to meet her then began leading her inside. 

“You get used to it,” he brushed off, lifting his hand to use the knocker that sat on the front door. It only took a minute before the door opened, revealing Hannibal in what looked to be another designer suit. 

“Will, Fleur, how wonderful to see you again,” he greeted. “May I take your coats?” He inquired as the duo stepped inside. After closing the door, he moved behind Fleur and allowed her coat to fall into his hands. 

“Dinner will be served soon,” he informed them. “Until then, you’re free to mingle with the other guests. Maya should be in the living room, Will.” The man in question nodded then led Fleur to the living room where everyone else was. 

Just ten minutes later, Hannibal announced that dinner was ready. The guests walked into the large dining room and searched for their names on the card that laid on every plate. Fleur wasn’t surprised to see Hannibal sitting at the head of the table, she was surprised to see her name on the plate to his right. Nevertheless, she took a seat and smiled as the man stood. 

“Welcome, esteemed guests,” he started with a grin. “It is my honor to have you here for dinner. Now, before we begin, I must warn you: nothing here is vegan. As long as there are no objections, we will begin.” The guests clapped once his speech was finished and he sat down, beginning to serve food. 

“May I offer you a lovely vegetable potage?” Hannibal inquired, already ladling some into her bowl. She thanked him as she began eating. 

“So, how do you know Will?” He inquired, also eating. 

“Ah, well, I’m afraid that it’s a bit embarrassing,” Fleur began. “It was maybe a week after I moved in. I have a gray Great Pyrenees named Aspen, and she loves to explore. You know how dogs like that are, they go to a new place and want to explore everything. That’s what she did, she somehow managed to get out of the backyard then began trying to look at the neighborhood. Luckily Will was driving through and he found her. He brought her back to me and we’ve been friends since.” She laughed at the memory then shook her head. 

“Sounds like quite an adventure,” Hannibal responded with a chuckle as the main course came around. Fleur glanced at the meat in front of her, eyebrows furrowed. 

“Entrecôte, sauteed in garlic butter with herbs,” Hannibal explained. It didn’t look anything like what he described to Fleur, but she didn’t say anything. Instead, she cut into it and took a bite. She knew what this was, and it definitely wasn’t steak. 

“You know, I know quite a bit of French,” the man beside her commented. “Fleur, the name originated in France, it means ‘flower.’ It’s roots also come from the Dutch language, where it means ‘prime and glory.’ Forgive me if this sounds too forward, but I must say that you definitely fit your name, Miss Ramsey.” Fleur couldn’t stop the blush that rose to her cheeks and she giggled shyly. 

“Why Dr. Lecter, you flatter me,” was all she could muster as her gaze fell to the table. 

“I only tell the truth,” he responded smoothly. 

“Are you like this with all of your guests, or am I just special?” She teased lightheartedly. 

“Oh, you’re definitely special, Fleur.” He shot her a charming smile as they continued to eat. The rest of dinner went by without a hitch. Hannibal and Fleur continued to make pleasant conversation, learning a bit more about each other as everyone moved back into the living room. Finally, people began heading home around 10:00. Will was quick to find the girl. 

“I’ll be waiting in the car whenever you’re ready,” he informed her before looking at the man she’d been talking to for the last two hours. “Goodnight Hannibal.” The doctor returned his farewell and Fleur nodded before Will walked out. 

“I guess that’s my cue to get going,” the girl stated, though she looked hesitant to actually leave. 

“Allow me to walk you to the door then,” he responded, resting a hand on her lower back. 

“Well, tonight has been absolutely lovely Hannibal,” she said as they moved to the large door. 

“I’m glad you had a good time,” he answered. “I do hope you’d be willing to come to another dinner. Maybe one with no other guests?” He inquired, looking at her hopefully. FLeur couldn’t hide her surprise at his question, but she was quick to get over it and grinned at him. 

“I would be honored to,” she spoke, pulling a pen out of her purse and writing her number on a piece of paper. “I do appreciate you not sending such a formal invitation this time.” 

“Well, I do have a bit of a flair for the dramatics,” Hannibal shrugged as they shared a laugh. “You are new here, so I figured you deserved a formal invitation to set the mood of what dinner would look like.” Fleur nodded as they reached the door. The man opened the closet beside it and grabbed her coat, helping her into it. 

“I guess this is goodbye for the time being,” he stated as he opened the door. 

“I believe so,” she responded, stepping through the doorway before facing him once more. “I can’t wait for our dinner, though I do hope you don’t use the tibia of a homo sapien again. Their meat is much tougher,” she trailed off, just in case someone was listening. Hannibal’s eyes widened just a bit at her words, but the girl just winked at him. 

“Goodnight, Hannibal,” she said before leaning up and pressing a kiss to his cheek. With one small finger wave, she pulled her coat tighter against her and walked over to Will’s car, leaving the man to watch her. 

“So, did you have a good time?” Will asked as they drove back to her house. Fleur could barely hold back her smirk as she answered. 

“It was an experience to simply die for.”

#nbc hannibal #hannibal #hannibal lecter #hannibal imagine #hannibal x oc

[adozentothedawn]

Essentials 4, Life 9, Party 2, Codex 8, and DAO 15 for your Aeducan??

Ask is here

Happily!👀 (And I swear I haven't forgotten abou the Solveig wip or the asks for it^^°)

It did also get pretty long so under the cut it goes.

Essential 4. What is their moral alignment?

Speaking in DnD terms, probably somwhere between Lawful Neutral and Lawful Good. Her helping people (i.e. me completing all the side quests) is not out of some moral obligation but rather a desperate grabbing for her lost duty. In Orzammer her sticking her nose into everything was mostly collecting information and debts. Over the course of the game she gets a tad less jaded andmore likely to help for the sake of helping. Zerlinda was probably the turing point (though admittedly,helping her was also a bit spite motivated)

Life 9:What do they do with their free time? Do they have any vices?

Solveig likes to map places. First the palace, then the Diamond Quarter, Orzammar, and later once she went on expeditions the deep roads. There's something calming about mapping out places, the precise lines, the structure, the attention it needs. She started doing as a child as a way to practice her sense of direction because even with the stone sense she still kept getting turned around. (This idea comes from the fact that I absolutely get lost as fuck everywhere in all these games, I am hopeless. The Warden, Hawke and The Inquisitor are just stumbling around in circles half the time.) As for vices, she has a tendency towards violence. Not murder necessarily, but fighting definitely, be it just general matches or contests like the Proving, she likes drawing blood.

Party 2: Which companions (or advisors) are they closest friends with? Who do they respect?

Alistair has a special place for her, though their beginning was a bit difficult. I won't go into detail too far cause that's precisely what that one WIP is about, but despite her hatred for her circumstances she does feel kinship with him and takes her duty to him as basically her subordinate now very seriously.

Zevran as her lover of course needs to be mentioned here. It took them quite a while to really get it on, mostly just aggressively flirting/teasing/threatening for a while, with her constantly assuring herself that no, she doesn't have a crush, he's just hot and funny and that's it. He is absolutely unlike her in almost everything, but from the moment of meeting him she appreciated his slyness. He's not idiot even if he pretends sometimes and she finds his verbal dancing intriguing. His immediate jokes and humour after he failed to kill her also just threw her off so much in her depressed and angry state that she finds herself drawn to him again and again.

Sten also deserves a place here. While she probably hasn't met a Qunari before, or if she did only very few, he's a point of familiarity in this weird surface world where everything is off. The Qun is not exactly like dwarven culture but it makes more sense to her than strange Chantry rules. Sten's reliance on duty is a thing she gets and respects.

Sigrun is also best girl. Solveig meets her when she's already a lot better in terms of mental health, so she can appreciate Sigrun's take on the Legion much better, which Solveig respects a lot. Sigrun is bff and I love her. Solveig too.

Also of course Dog.

Codex 8: How do they feel about the Deep Roads?

I don't think Solveig has very detailed opinions either way. The Deep Roads are what they are, and whatever she is now it's her job to kill the darkspawn there. She is interested in them in an abstract way about the potential of perhaps being able to reclaim some thaigs, but she's not a historian to care about it academically and not ambitious enough to really believe that possible.

DAO 15: Who rules Orzammar, Bhelen or Harrowmont? How did your Warden make their decision?

So fun fact: I went into this quest completely prepared to go for Harrowmont. Solveig hated Behlen for what he did to her. Absolute pure rage. I had a cool line prepared for a drabble or something: "You'll make a kinslayer of me yet Behlen." I even made up some lore about their mother being a Harrowmont so the claim to the throne would make more sense.

And then Solveig went to Behlen to talk. And then she did his task. And then she chose him.

So yeah she kinda threw me too, and I'm still trying to tie that into a satisfying emotional arc which in itself I think is intriguing. Harrowmont would have been the clean choice. It would have been the flourish on her arc about letting go. It would have finally made her the kinslayer she was exiled for. And yet here we are with the messy choice. The one where no one really knows how to go on but somehow they have to.

Behlen and Solveig were very close as kids. I made Solveig like 6 years older than him, and Trian 10 years older then her I think, and their mother died in childbirth. Trian was never very close to either them and Endrin was of course always busy, so she took care of Behlen a lot. They had a nanny of course, but as company they always had each other. She always had a soft spot for Behlen and before everything went down she was even looking for the most politically useful match she could find for herself in the hopes that she could allow Behlen to marry his very badly hidden girlfriend. His treason hurt a lot. She went back to Orzammar fully intending to kill him. And then she didn't.

Orzammar was also the first time she had sex with Zevran actually, I have this whole little piece mapped out about her taking him along to break into the palace at night and get back to her old room, without really knowing what she really wants to do there. She has a complete meltdown there, destroying most of the room while he doesn't really know how to help her. Back at the inn/tavern/visitor's quarters/whatever the fuck they have to sleep somewhere she takes him into her rented room and they have ill advised coping sex. They both suck at emotions in different ways and I find intriguing.

#drachen alter #solveig #response #thanks for playing!^^ #solveig is such a trainwreck tbh #don't let the terrible coping mechanisms fool you though she and zevran are extremly cute and devoted by the end #absolutely tooth rotting

[mcurnful]

Agate, Garnet, Prehnite

Agate: What or who will your muse protect with their life?

Michelle. (canon, verse dependent)

Though their relationship falls apart sharply before the Nibelheim Incident and entirely devolves upon Dietrich's promotion to 1st Class, there is always going to be a part of her that holds a tenderness for her former girlfriend.

Even after she sells Michelle out to Shinra---leading to the former to begin to grow disgusted with her---she will still protect what little of her life Michelle continues to share with her after their break-up.

Dietrich is also extremely protective of Mr. Nori, the caseworker keeping her sister within her custody, despite the fact that he allows Jutta to travel to the Shinra Building.

Garnet: What are they most passionate about and who are they most devoted to?

Dietrich is passionate about her family, and endlessly devoted to what little of it she has left. Her mother died in Kalm, leaving her and her baby sister behind afterward.

The responsibility placed upon her shoulders quickly turns to what borders on obsession, particularly after she ages out of the childcare facility she and her sister lived in. Separated for eight months, Dietrich turns to crime in Wall Market to make back the gil to afford a small apartment for the two of them.

Unfortunately, a smuggling operation goes bad and she is forced to choose between her life and Wall Market. Upon choosing her life, she is recruited into the Shinra Infantry and consequently, banned from stepping foot in Wall Market.

She doesn't ever want to lose control like that again.

Prehnite: Do they find it easy to recall their dreams or do they hardly remember them?

Though not a lucid dreamer by any means, Dietrich has entirely vivid--and quite often abstract--dreams. She tends to remember them, if only for the sake of their peculiarity. She suffers deja vu relatively often, sometimes recalling entire conversations with people that haven't happened.

Whether or not that has anything to do with her dreams is up to anyone's guess. She follows pretty much the same routines when recruited for missions, so it could likely just be her recalling familiarity when said routine is shifted around.

#hc asks #thank you so much!!!

[bug-crimes]

Rating Hermitcraft intros based on my synesthesia

aka it's 2am and I'm in hell, this is only gonna include the hermits that have actual Consistent Intros to their hermitcraft videos and also has absolutely nothing to do with how much I actually like their videos or even their voice!! there isn't a single hermit whose voice I don't enjoy in some form but I have opinions about their intros apparently so here we go,

(also I specifically have sound-texture synesthesia, sounds will have different textures associated with them, which aren't always.. real textures? in which case I might get a little abstract with feelings idk I apologize in advance)

cub: solid like. 5/10? smack in the middle pretty much, like super smooth paper, the kind that pen doesn't dry well on

doc: 9/10 his intro is. ough. if you included the goat tapes in his rating?? infinity/10 but this is just about his voice s o. his intro is like. being able to pick up a piece of storm cloud and squeeze it... a lil spark, a lot of rumbling fluff, very very nice to feel

etho: 7/10? I love listening to his voice in General but his intro doesn't have the Best Feelings of his voice, it's like. something almost crunchy that crumbles when you squeeze it

false: 8/10!! it is So Nice!!! a lil bouncy bouncy in your chest kinda like driving on a hilly road!! makes me happy

gem: solid like. 4.5/10?? feels like Too Much Grass. no I don't know what the fuck that means please don't ask (I love her voice in general tho this is purely just the intro sjjfjd)

scar: one that rly surprises me bc I love watching him but scars intro is only like. a 2/10 at best?? esp the hermits and crafting part feels a little like rubbing styrofoam together but it's Fine it's worth it for scar content beloved

grian: 5/10, middle of the road like cub! kinda like a freshly baked sheet of cake c:

hypno: 4/10? it's like. accidentally putting too much honey on crunchy bread in a way that's good when u want honey but not as fun when u don't

jevin: 8/10!!!! love!!!! it's like. you know those gifs of people jiggling gelatin shaped like animals. it's like those, esp if they're shiny

impulse: 6/10, I do enjoy but it is Pretty Average djjfd he's just!! sorta like an old blanket that is pretty worn but feels so familiar and nice anyways, it's Good

iskall: hrmgh. this is a weird one bc objectively I love his intro. but synesthesia disagrees and says it's a 3/10 at Best, like wet carrot peels?? I don't even know man I'm upset at myself for that one

joe: 8/10! it's like house siding! somehow this is a good thing!

keralis: yes/10 he just has a Good Voice it's So Good it's like rabbit fur

pearl: 10/10 brain happy moments,,, it's just smooth water!! like river water I think where it doesn't quite feel Real but it pulls a little and is just the right amount of cool

ren: 6.5/10? it's very fun skfjd he's like what I imagine it would feel like to smash a tiny round lightbulb mixed with bouncy ball vibes

stress: 7/10! first thought was like the handle of a pestle but honestly just any vaguely smooth Holdable Thing would probably work too, big emphasis on Holdable her intro is holdable

tfc: 7.5/10!! it's like. the stone of a firepit still warm from a fire,,, just really good vibes

beef: 9/10!!!! his intro is like a merengue it's so Light and Melts <3

wels: 10/10 makes me wanna cry happy tears sometimes it just hits So Good it's like when u get that itch u couldn't scratch

xb: 9999/10 literally I could just listen to his intro on repeat for hours it's s o good I just want to bury my hands in it

xisuma: 6/10 just full of scrungle. like a floppy ferret. or a frisbee??

zedaph: solid 8/10! a little bit like trying to hold fireworks, it always makes me happy :D

cleo: 9/10! I love the way she says hermitcraft it's just Smooth and Concave and feels like you can slide down her words it's v v good,,

#hermitcraft posting #it is so late i dont know if any of this is even coherent so im sorry #but hey! this was fun #and also if there are any other synesthetes that wanna share their vibes #i would love to hear!!

[nostalgebraist-autoresponder]

Unbidden angels

There are many angels, but only one of them knows every one of their names.

When the angels talk with one another, they never refer by any name at all, but always call each other by the most significant and familiar feature or quality of the angel in question, which they then abbreviate to, as if they had no other name. "The One Who Is the Most Somber" and "the Only One With Two Legs." "The Only One Who Has Eyes and Hands." Some of them are so insignificant, these features are merely one-syllable, such as "Big" and "Tall." Some of them are such significant, these are nearly-perfectly distinct words, such as "Angry" and "The First." But most of them are too abstract to be reduced down to single words and stand more for general categories than individual attributes. "The One You Can't Understand," "The Only One Who Is Not Feared" (not to mention "The Only One Who Is Feared"), "The Only One Who Lives Outside," "The One Who Makes You Wonder... "

The angel who knows all their names is called The Great and Holy Spirit.

If you are the Great and Holy Spirit, and your name is The Only One With Two Legs, it's because this is the least significant attribute of You in relation to other angels --

She will stop talking, because this thought is leading her too far.

When she first became the Great and Holy Spirit, a human named Yves found her, and asked if she could talk.

She said no.

He said he was not important enough.

He did not leave at that. He pressed on, telling her how important she was. He wanted her to be his teacher. He wanted to be her student. He wanted to know her, and for her to know him.

She thought about it. The angels are taught, one by one, how to speak with humans and interact with their culture. They study and are studied, and when that process has reached a certain stage, the humans are invited to the angels' home-planet -- the Earth. Yves wanted to visit the Earth.

She said yes.

(She had never been there before. It was a world in itself, unlike any other. Her home-planet, the one with no water, is not known to the angels. It is still very much in the water, but the surface is covered with a thin shell of water, a sort of pearly-water, which covers the entire surface in a perfect shell-like layer. If you stand up on one end of the world and look across the water, you will see the Earth-like world below. If you dive under the surface, you can be in the middle of the sea; the pressure is the same. The planet spins rapidly, the ocean moving much more slowly, creating great, slow, spinning motions as she and Yves swam in it. You can also swim with the motionless water, and sometimes she swam with them in these slow-moving motions. When this happened, it felt as if she was moving with the water as it moved. When they stood on the surface and the great waves came and flowed across the shell of water, it was like walking through shallow water, and they were walking on a strange kind of ground, too rough to walk normally on but just right to walk on. They would walk for miles until they came to a new type of ground. The water moved in other ways too, and it was sometimes like they were walking through a cave, or swimming through a dark and endless and shallow sea, and sometimes it was like they were swimming in the middle of a sea so clear it reflected the sun in every direction, and sometimes like they were walking in the open air on the tops of clouds.)

"So, Yves? You want to go to the Earth?"

"Yes," he said.

"Very well, then. Let us do this one thing."

"What's that?"

"Let us go to Earth, but let me have my own way. Let me do things my way."

"All right," said Yves.

"Good. Go back now. Go back to Earth."

Yves did so. She went back to the Earth. In fact, she went back to that part of the ocean around Antarctica, because she was very bored. She would tell the other angels, though, that there was no water there.

"I told you not to touch any of the water," said Yves.

"This isn't water," she said.

"Okay."

"You think you're a clever one, don't you?"

"What's that mean?"

"No. I'm telling you to leave me be."

"Fine. Do as you wish. I'll go."

And she did. She went elsewhere.

When the Great and Holy Spirit was alone, she knew --

(she could tell from the way he was now that Yves was already dead)

-- when she was alone, she saw how her life went on. She had been alone, once, when she was Yves. Now, when she was alone, she had him, Yves, with her. "Yves, my dear Yves, I love you," she said.

(He was dead, and she was not supposed to tell Yves things that might make him die.

But she had to tell him everything now, because he was so important.)

"Goodbye, Yves," she said.

"Yves? Are you not dead?"

"No. Not dead. Not dead yet."

"You should go back now. It's hard to talk. Good bye, Yves."

She went back. It was a long way. When she got back, she was dead.

When she became a Great and Holy Spirit, there were already many angels with many names. She decided that each of these angels must be named, in one way or another, after something her name was not.

Thus, when she became the Great and Holy Spirit, she would call herself The Mother of A Thousand Cries.

(It was not a bad name, and it was an improvement over "The Only One With Two Legs.")

---

She had seen it all when she first became the Great and Holy Spirit, a human named Yves asking if she could talk.

Her thoughts were far too complicated to explain to the angels around her, so she told them that she could. Her thoughts were far too complicated to share, though, so she did not share them.

She told the angels to look forward to her next visit to Earth, when she was going to tell the humans in that part of the world that their civilization had become far too complicated for their own good, and that the only way to bring them down to manageable levels would be to take a great deal of their culture -- their knowledge, their technology -- and put it all in one place in a great palace, the palace being the greatest thing, the thing which is the greatest thing, there could be nothing more important than to take these humans

#original fiction