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#RAP Recycling
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What is Asphalt Recycling Plant?
The use of reclaimed asphalt, or recycling, has become a necessity. Governments increasingly want the reclaimed asphalt from old roads re-used in an effort to be more environmentally friendly. Recycled asphalt also can provide you with cost savings on several fronts.
To use this valuable secondary resource, ZOOMLINE offers the Asphalt Recycling Plants to help your recycling and cost-saving efforts. Regardless of the system you choose, modern ZOOMLINE plant technology will provide a quality recycling process and product.
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Asphalt Recycling Plant | Hot & Cold RAP Recycling, RAPpro 100% Recycled Asphalt Hot Mix Plant, Recycled asphalt hot mix plant, RAPpro 100% Recycled Hot Mix Asphalt Production Plant.
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stevecoregirly · 8 months
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Someone needs to humble Blackpink and their fans real quick because why are these people acting like Jay Park 0.2 ? Half of the Kpop industry has literally admitted to Bts paving the way (even legendary idols like SNSD and Wonder Girls), yet the gg who can't even sell out concerts without giving away free tickets and lying about it, is claiming to pave the way? The arrogance and ignorance is so serious with BP, like it's actually not only disrespectful but so tone deaf of the members themselves. Do these girls really, truly believe that they're the best and have paved the way? Like where do they even get the arrogance, this is what I'm confused about. If these girlies were hitting #1 all day on all bb and Spotify charts, then fine but their songs barely chart without heavy media play or looping. Like this is the biggest difference between bts and bp - even when BTS write songs about their achievements its actually about their achievements, awards, music and lyrics bp on the other hand only flaunt their looks and money and non existence 'charting'. Make it make sense. I'm trying hard to respect the members but it's really hard because the girls are so so tone deaf. Not to mention, how Blinks were dragging V's new solo but their own fav release this ddu and hylt recycled with childish ass lyrics and it's celebrated?
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parcai · 2 years
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french class is so fun bc the institution like the HEAD OF THE FRENCH DEPARTMENT HIMSELF has randomly put musical intermission into our actual course curriculum, it's literally called la pause musicale and like every week we just randomly listen 2 the weirdest fucking french music laugh at it + that's it that's the whole assignment we don't do work that day.
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Mood: Hijos de la Ruina vol. 1
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This Blue dress with Golden on it is worn on Emilia Clarke as Daenerys Targaryen in Game of Thrones Season 2 (2012) and later altred worn on Yvonne Strahovski as Daenerys Targaryen in Princess Rap: Battle: Maleficent vs. Daenerys (2015)
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djducats · 1 year
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I was a tiny bit wary... check this out and see how pleasantly surprised I was. The Coca-Cola Company Partners with Mark Ronson and Madlib to Launch Rec...
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bumblebaubles · 1 year
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savewithalex · 2 years
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Wu-Tang Clan Staten Island 1992 New York City Tee You got the whole gang in the front . Has light cracking but still intact ! Size Medium $60 Includes Free US Shipping DM For International Rates DM To Bundle And Save 🔓 #wutang #rap #music #fashion #clothes #recycle (at Palm Desert, California) https://www.instagram.com/p/CjZKrHsJhPA/?igshid=NGJjMDIxMWI=
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sectornin · 2 years
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More Paper, No Problem [30 sec]
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grandlinedreams · 4 days
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|| this man is an exposed live wire in my brain ok
|| notes: uhh prequel to [this] and [this], semi Canon compliant, pre-s1 but mentions of pre-war Cooper, I love the dynamic 😔👌✨️
|| warnings: hopefully IC Cooper, asshole x asshole dynamic we love to see it, weapons/supply dealer!reader, Canon typical violence, mention of blood/reader is injured kinda, spoilers? Abt Cooper's backstory, kinda enemies to friends/lovers
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He doesn't know why he's here.
No, that's a lie ㅡ he does know why he's here, he just doesn't want to admit it. To himself, or to anyone else, for that matter. That he needs help.
Those fancy little bullets for his gun are hard to come by, few and far between when he can't get them by looting and places like Ma June's enjoy extorting as much as they can for so very little.
There's a difference between business transactions and highway robbery, even now. Which is why he's here ㅡ he'd gotten talk about a place that sold weapons and weapon-related supplies at a fair rate, and necessity had made him swallow his pride to go and find out for himself.
Which is why he's not just turning around and fuckin' leaving.
The building is crammed between two others, as ramshackle as the rest being made of recycled tin and wood that's rotted by time and rain in places, but still suggests a stability that won't crumble if somebody breathes too hard on it.
Cooper's spurs jingle as he walks, lost momentarily to the chime of something over his head when he pushes the door open. He looks up, forehead creasing.
Is that a bell?
Rusted but still in working order, it clatters again when he shuts the door, looking around. It's about as put together as any other kind of shop, an eclectic organization to it ㅡ a couple of rifles, a pistol or two, along with an admittedly impressive assortment of knives ㅡ but it's the shine of something on the floor that makes Cooper stop.
His head cocks as he studies the stain, the still-slick shimmer to it that makes him crouch and drag two gloved fingers against it, studying the residue. Coppery, with a hefty dose of some kind of chem to clean it, but still unmistakable ㅡ blood.
Well damn. He doesn't know what's happened here and he's pretty sure he doesn't care to, much beyond the fact that if the runner of this place is dead, that puts a damper on things. Or maybe not ㅡ if nobody's here, what's to stop him from taking what he wants?
"If you're thinkin' of stealing," comes a call that snaps his head up as it echoes from further back in the building, "I'd advise you not to. Less you wanna meet your maker, then I'd be happy to assist."
It's a flat bravado that both amuses him and piques his interest, and he leans against the counter to rap his knuckles. "Not stealin'," he drawls, "just wonderin' what kind of business model you've got if you make customers wait."
"The kind where patience is still a virtue, that's what." Foosteps, unhurried ㅡ and then Cooper is staring at you as you round the corner. You've got a jumpsuit of some indistinguishable color opened to rest around your hips, dingy tank-top underneath ㅡ and a stimpak in your hand. No doubt for the mess of your other arm, bicep wrapped with gauze that's already seeped into a bloom of bright red.
Well now. Cooper wasn't sure what he'd been expecting, but you still manage to surprise him. Enough that he's staring, which makes you scowl.
"I know that look," you challenge, "if you think I'm easy picking, you'll get a new place to breathe from, courtesy of the hole I'll put in your head."
Cooper's head cocks. "Well now sugar," he says, "that's not very nice now, is it? Wasn't even thinkin' of that." He turns, jerks a thumb at the half-assed cleaning of the mess on the floor. "That's your doin', I reckon."
You nod. "Don't get trouble much," you say, "but when I do, I make sure to prove a point." You jam the stimpak into your arm, and he watches the tension melt from your shoulders. "Now, what can I do for you besides point out the exit?"
Well damn, Cooper thinks again. You've got a pretty face, but it's at odds with the attitude coming from that nice little mouth of yours. About as welcoming as a rattlesnake and probably just as quick to anger, from the way you bristle as he eyes you.
"Need supplies," he says, and you snort.
"What a wellspring of information you are. What kind of supplies?" You eye him, brow furrowing. "You're a bounty hunter, aren't you? Get your kind in here all the time." You tap a worn boot against the floor, hands now on your hips. "Hope you got means to pay for shit, because I don't do tab and I sure as fuck don't do charity work."
Cooper isn't sure if he likes you or he hates you. Bit of both, he guesses. The like is tentative and the hate is more solid ground, because he hates just about everybody. Makes it easier to do what needs to be done.
"Well, sweetheart," he leans into the counter, tips his hat, "depends on what you got to show me that's worth buyin'."
You stare, unimpressed by whatever angle he's going for. He's handsome, you'll give him that ㅡ but not much else. He also reminds you of somebody, with that hat of his and the way he talks ㅡ the low, drawn out drawl that you've only seen in those movies you manage to scrounge up here and there for your amusement.
Rolling your eyes, you hold up a finger and shrug your arms back into the jumpsuit, though you don't bother to zip it up. "Gimme a sec."
You don't know why you're doing this. Entertaining the notion that if you show him good enough product, he'll become a regular. You like regulars, but most of what you get seem to run on about six months worth of visits and then vanish.
Probably dead. Such is the way of the world, and it's still enough to get by. But you like new faces.
To his credit, he doesn't flinch when you slap the first pack onto the counter, followed by a second, and then a third.
"This is baseline stuff," you explain. "Your usual grade of bullet. Black powder, the standard kick." You shove the first pack at him, let him inspect the bullets. "Then you've got these."
The second pack shoved over, thin fabric parted so he can eye the neat little row of what would be hollow-point bullets if they didn't end with a tiny, pointed bulb of red glass.
"Explosive rounds." Your expression is unreadable. "They do the job, but they need special packing. Unless you wanna be blown up before the damn things even get loaded into the gun."
Cooper hums, eyes the bullet he holds up, the barely there shift of powder in the glass. He watches as you push the third over. "And these?"
"Same, but they pack even more of a punch. I'd recommend only shooting them at shit you want up in smoke." You shrug. "Or people, deathclaws, whatever the fuck you do out there."
Cooper studies you. "Where did you get this stuff? Thought bullets were hard to come by."
You give him a flat look of annoyance. "I make 'em myself."
Cooper stares, then smirks. Another little tip to his head. "Really now," he says, watches you bristle like a viper, ready to strike. Wonders if those fangs of yours pack a punch, what he'd need to do to get you to spit at him. "How 'bout you show me, darlin'? Wanna make sure what I buy is good quality."
You should tell him to shove it. Tell him to get the absolute fuck out of your shop, take his fuckin' yeehaw personality to someone else in the mood to deal with it ㅡ but you don't.
Instead, you sigh and tug the packages back, moving away from the counter. "Well c'mon then," you prompt, irritated. "Don't have all goddamn day."
The back of your shop is half a home and half a workshop, sprawled mess of equipment rusted with time but otherwise well maintained, smell of grease and hot metal and gunpowder that clings to everything.
You don't have to look back to know he's followed you, the jingle of his spurs as he takes his time, eyes missing nothing. The boxes of empty casings and empty glass bulbs ㅡ and the Mister Handy that's slumped in the corner, sparks spitting from it.
"Poor thing got shot first with that...situation earlier." Your voice is quiet. "Gotta fix 'im if I can."
Kind of funny, you sound sadder about the damn machine than the fact you'd killed someone over it. Then again, they'd been trying to kill you, so...eh. Justified, in your book.
The rest of the room is a haphazard attempt at something like a house ㅡ a couch with blankets on it, a short stack of books gone yellow at the edges, a coffee table ㅡ and sitting on it is a shitty little television, staticy and without color ㅡ but that doesn't matter. What matters to Cooper is that he knows what it's playing.
Your flitting around fades a little as he watches himself on screen ㅡ forever ago, a lifetime ago. Before the bombs, before vault-tec ㅡ when he'd been happy.
He'd loved his life, his family ㅡ and they'd loved him too.
"I've got enough stuff to make another round of flash-baㅡ" You stop, blinking at the way he's staring at the television. "Somethin' wrong? I know this isn't much, but it's my way of living, soㅡ"
"Stop your yappin'," Cooper rasps, and you glare as he shakes himself out of whatever reverie he was lost in. You scowl.
"Look, I know this doesn't seem like much of anything, but this is my business, and my shop." Your eyes narrow. "So try to be a little fuckin' nicer if you want me to sell you anything."
Whatever patience he'd had left promptly snaps like a bowstring as he snatches your arm, grips it tighter than he should. "Listen, sweetheart," he hisses, "what exactly is stopping me from just takin' what I want and leaving?"
Something whirrs behind him, distracts him just enough for the cool, sharp kiss of metal at his throat.
"Do it," you taunt, expression unreadable, grip tight on the blade you hold to his neck. "You're not the first one to try, and you won't be the last."
And there, Cooper notes, are your fangs, ready to sink into his skin. The two of you stare at each other for a good, long minute while the Mister Handy spits and sputters. And then Cooper huffs something like a laugh. "Glad to see you've got some bite to you, darlin', but I still think I could handle you."
A threat and something a little less hostile all in one, even as you yank your arm out of his grasp. "You couldn't handle me even if I came with a fuckin' manual," you snap back, but there's a playful gleam to your eyes. "You gonna buy anything or just lookin' to be a pain in my ass?"
A crooked grin tugs at Cooper's mouth. "Both."
The truce between the two of you is tentative. An understanding in the barest sense, because neither of you are dumb enough to pass up a lucrative, beneficial deal. He gets his supplies, you get caps. Simple.
You won't go as far as to say you're even friends, up until the point that you greet him on a visit with, "You know, you remind me of somebody."
He eyes you. "Really now. And who would that be, sweetheart? You workin' with more ghouls than just me?"
You snort. "Careful," you tease, "you almost sound jealous." Your tone quiets as you drum your fingers on the counter. "Nah, you remind me of that one actor, Cooper Howard."
Cooper stills. Watches you warily, turning a spent bullet casing over and over between gloved fingers.
"He played a cowboy," you say, nodding to yourself. "Talked like you do, too. Good movies, at least the ones I've gotten my hands on." You eye him, playful light to your eyes. "Wouldn't happen to be a fan of him too, would you?"
Cooper debates. He's not sure if you've put the pieces together and if you have, you're polite enough not to say it. He appreciates that, makes that fleeting temptation of putting a bullet in your head all the more temporary. He likes you. Be a shame if he had to cut ties.
"No," he answers. "I can safely say he and I are nothin' alike." Not anymore. He lets himself lean over the counter, too close to your face. Intimidation, maybe, or perhaps just because he likes being able to look at you like this. "Got anythin' else to tell me?"
Your eyes flick over his face, down to his lips as you lean a little closer, the suggestion of your mouth just shy of his. "Yeah," you murmur, quiet. "Next time you come by, work on your fuckin' manners."
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tired-hellowl · 3 months
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here' a comprehensive list as to every problem I have with the current *unecessary characters known as 'Glitz and Glam'
Do they expand the story/worldbuilding in any meaningful way? Do they explore a new hidden dynamic/past conjunction with a differing character and is that explored meaningfully? What was the point of having them animated when Mammon can portray the same level of humiliation/degrading/on stage lack of positive reinforcements. 😐
I'm so sorry but I view these characters as necessary garbage that caused some animators arthritis via too many patterns, not enough screen time to have meat and potatoes worth of dialogue, or really any pretense within the story whatsoever and yes this extends towards every female character on screen but let's not worry about that !!! Even if they are IMPLIED to be from the ring of envy-a color or ring we haven't seen nor meaningfully conveyed to the audience that it even is possible to go in/exists- it isn't conveyed to the audience well enough besides the visual implication of colors???? Instead of having shitty b-plots that go nowhere via Stolas and Blitz goofing off in seeing stars, Moxxie and Millie getting C-plots for no reason, or loona getting a rabies shot- all of that time could have been exploring hell, going to different rings, focusing on other characters besides the main 5, literally I would prefer a quiet episode like BoJack Horsemans 'Fish out of Water'where we can actually see the personalities of the main characters be appreciated and shown to us but that's never gonna happen :/
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What I've been worried about is not even the on screen racism/out of touch 'rap/hip-hop parody' leaves a terrible taste in my mouth, if that isn't enough then the sexualization/implication of an incest type dynamic and nothing else besides fetish bait with these characters constantly grabbing one another and not really acting like siblings moreso someone who has never had siblings attempting to write sibling banter and failing terribly :/
Why do you have a problem with 'Klown Bitch' it's so catchy! Uhm, no??? I feel bad for anyone who attempts to defend helluva/hazbin as good modern musicals let me grit my teeth in silence as to the glorification over white people dominating black culture
HERES A HISTORY OF FEMALE HIPHOP ARTISTS: X
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Pictured above is very old concept art about twin characters and its the same hairshape viv kept to transfer over to glitz/glam- despite clearly being over designed and way too much going on Alá vivzie style. It just goes to show she recycles even from herself and not every design is always new hot and fresh :/ AND SPEAKING OF CONCEPT ART-
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Also also don't forget salems' concept designs thst got passed even though they loon toony, loony, clown enough, and definitely majorly way easier to have animated besides the mess that is the current design meta ???
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Love how you can clearly see the silhouettes being so easily identifiable comparably towards the actual amalgamated mess that is their current limbs attempting to hold onto their toothpick body for their head.
All this screams to me is viv using the artists thst try to come onto helluva and they try their best with what their given, viv only picks the best bits SHE thinks is worth her time rather then thinking about the audience or animating anything else besides overglorified white people rap 🤔
Also the episode literally presents its full internalized misogyny/racism within this episode because vivzie herself literally admitted to typing into script with a full chest that
'Women just ain't funny'
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. . .
why present misogyny within the series if you as a creator aren't willing to tackle the subject matter? Why write about it or present it as if you're smart over including the joke in your script when it isn't even funny because it just further pushes women out of the entertainment/comedy business which mind you IS ALREADY VERY WELL MALE DOMINATED SO PUTTING OTHER WOMEN DOWN TO PUT YOURSELF UP ISNT HELPING YOUR CASE VIV???
So then what was the point of adding female clowns if all you were going to do with them was make fun of them out of their expense and then profit off of the fact that they are incest coded????????????
?????????Are we watching the same fucking series????????
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iamadequate1 · 3 months
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OK, people are still being jerks
It's just a stupid show! Why do you care or give money to this when Bad Thing is happening in the world?? Omg, you are so embarrassing!
I tell you, a Bad Thing has been happening every day of my life on this earth, and I still want some enjoyment out of my squishy mortal existence.
There is an emotional burden to living. We can't live our lives stressed and in anxiety all of our waking moments. We need entertainment, leisure, and play. This helps our brains rest.
But if we're going to Go There because of these "activists", let's talk about fascism a bit, shall we? So many of us read 1984 in school, right? With the Newspeak and novel-writing machines? It's a dystopia that cuts language down and prints out its entertainment without a creative process behind it. Fascism is anti-intellectual and has a disdain for the arts, only wanting to recycle the past. Fascism marginalizes those with less power. Fascism wants to control all of the mass media. Fascism reveres corporations. ... fascism is bad, btw.
Representation in media is important. Stories are a big part of how we pass down history, share culture, and build community in a society. No, the shows that people are upset about losing may not be Shakespeare, but most things aren't. I was going to go on a longer rant here, but you know what? You Get It or you Don't. The arts and telling inclusive stories are Important, even if it's not Life-or-Death. People can care about more than one thing at once.
If we're looking at what's happening with Max right now, they're cutting out queer shows, shows with large BIPOC casts, and shows with female leads. We're watching these streamers and companies dissolve into one another (WBD/Max wants to merge with Paramount, remember). We're watching shows that aren't led by cishet white males disappear and shows that aren't cookie cutter, strictly-by-the-numbers IPs or procedurals or cheap reality shows disappear. Maybe we'd be allowed to get bare minimum tokenism if we're lucky, and if we're extra lucky, get some marketing! There are some exceptions in streamers... now. Two years ago, HBO Max was the place where new stories could be told safely, and nothing is stepping in to take its place now. Sure, some bad shows may have been canceled back in the day, but that isn't what's happening right now, is it?
People creating these stories deserve a living wage, even if they don't pump out Record Profits, and storytellers (and the audience!) should have some safety in being able to finish the story in some manner. Almost all of the financial difficulties facing Max now are due to mismanagement at the executive level, not quality of products. Any show that does something new or tells a different perspective does not last. It's not even about "numbers." Our Flag Means Death outperformed everything, but here we are. OFMD is a rarity now that it has the loud and passionate fanbase to make waves.
So, here are some petitions for three shows canceled this week on Max. (Remember Max is planning to throw over $125M at a season of TERFy wizards) Fandoms should support each other!
Our Flag Means Death
Rap Sh!t
Julia
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paperclipped-mongoose · 5 months
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Convincing Enough For You?
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Pairing: Angus Macgyver x F! Reader
Summary: An important mission came up, and during the briefing it became clear that Mac didn't think you were the right fit for the flirtatious role.
Word Count: 1.6k
Warnings: 18+ MINORS DNI, Use of Y/N (not excessive), First Person, Fight Flirting, Arguing, A malfunctioning MacGyver, A villain who likes to take advantage of women, Couple Arguments. Let me know if I missed anything!
A/N: Hey Guys! This my first MacGyver Fanfiction, I love writing the series and characters so let me know if you guys like it! Comments and messages mean the world to me! If you've got any ideas for future fic's my idea box is open! ENJOY!
“I’m not sure if this is the best idea, Matty. You know how they feel about each other.” Riley trailed after her boss as they made their way down the hall to the war room. She had been let in on the game plan for the next mission early because Matty needed her input.
“They’re adults. They can put their feelings, undefined they are, away in order to do their job professionally.” Matty could hope. Ever since you joined the Phoenix Foundation there had been a certain animosity between you and a certain human encyclopedia. You were never sure if it was flirting or trying to get on each other’s nerves. 
Matty could hear the sounds of shouting from the war room down the hall. “Oh, get your head out of the clouds! You know all too well that if it wasn’t for Bozer and Jack you would have blown yourself up, gotten shot, or made some kinda poisonous gas to kill yourself. You think you’re way more aware than you are. But newsflash: you’re not!” You paused to take a breath, you had made sure to choose your words carefully, they were nothing if not the truth. Mac could make a plane out of a recycling bin and some potatoes, but he routinely got his ass saved by Jack in the field, and Bozer in his own home. 
Mac stood in front of the coffee table, his arms crossed tight across his chest. “At least I actually do things to save our asses on missions. Or were you the one who made infrared glasses so we could see the cameras when Riley couldn’t access the system?”
Something about Mac’s defensiveness made you want to egg him on continually. Maybe it was because you liked to hear him talk, even when it wasn’t in a positive way. There were days where the two of you were civil and even friendly, but those days were boring. No conversations would be had, and the day inevitably turned into awkward silence and stares. 
Neither you nor Mac liked it that way. 
So you picked on each other. It was clear there were never any ill intentions, but sometimes it rode the line and, you were sure, made your coworkers wonder if you and Mac were actually mad. To be fair, it was a question that rarely had a simple answer. But that was just the way the two of you were. Complicated. And you wouldn’t have taken it any other way. 
“Can we go one meeting without you two saying something distasteful to each other? One meeting. That’s all I’m asking.” Matty pulled up her screen on the wall before shooting a pointed look at those who stood around the room. Jack observed the screens as they came up, and Riley sat on one of the chairs doing her best to ignore you and Mac, knowing how this would go, and something told her Matty wouldn’t get her wish for peace.
“This is Bryan Snyder.” A rather unpleasant-looking man was pulled up on the full screen along with his Phoenix records. “Hacker extraordinaire with a rap sheet a mile long of gambling offenses.” Matty flashed a couple photos across the screen of Bryan surrounded by presumable winnings and women. 
Riley finally took a cue from Matty and spoke up. "He's had incidents filed with multiple casinos, all stemming from his pension for picking up women who've just fought with their partners, while the partner is around."
Jack scoffed as he found his way to the empty seat next to Riley. “Sounds like he's made a game out of picking up girls on the rebound."
Jack’s comment earned a grin from Riley, who added: "At least he looks like he tips well."
Your leg bounced involuntarily as you fiddled with the few paperclips in your hand—not bending them, just linking them together one after the other to make a chain. It drove Mac mad, and you knew it. He was one who did things with purpose, so idly fiddling with some paperclips without reshaping or bending them clawed at him internally. “So what is our position in this?” you finally spoke up. “I didn’t know the Phoenix Foundation did personal vendetta work for ex-girlfriends.” 
Matty shook her head watching Mac who silently but unsubtly stared you down as you wrapped the paperclip chain around your wrist to make a bracelet. “Not a vendetta. A prevention service for the Parisian government. Snyder holds a virus on his laptop that, if released onto the broadband servers of France, would cause nationwide blackouts and hold millions of people’s information hostage.”
Jack’s face soured at the thought. “Oooh, okay, yeah, so not an angry ex-girlfriend. Got it.”
“We’ve had Riley coding a USB drive that, once plugged in, can give her access to the computer’s system. That way she can corrupt the virus so that when he tries to open it, none of the code will be salvageable. The only thing our team needs to worry about is getting that drive plugged into Snyder’s computer for 8 minutes without him noticing.” 
Another scoff came from Jack. “No offense, Matty, but this guy seems like the kinda nerd to be obsessed with his computer. He’s probably one of those weirdos who treats it like his baby or something.” He immediately turned to Riley who had her computer in her lap. He pressed his lips together and stood up, walking towards the other wall to get as far away from Riley as possible. “I’m just gonna shut up now.”
“Yeah, smart choice.”
“The plan, if you guys will ever let me get to it, is this: Is to send in (Y/N) with a partner to pose as our unhappy couple, Bryan has a stay booked with a casino in Monaco this weekend. It’s his last stop on the way into France. A messy breakup in the middle of the casino should be enough to pique Snyder’s interest, and from there all (Y/N) has to do is get him to take her to his hotel room so she can connect the USB to his laptop, which shouldn’t be so hard given his M.O. After 8 minutes, once Riley’s USB has done its job, (Y/N) will take it out and destroy it so it’s not traceable.” Matty pressed her lips together firmly when she noticed Mac shifting his stance and uncrossing his arms, which normally meant that he had something to say. “Can I help you Blondie?”
Mac took the opportunity and stepped forward. “Why don’t we just send in Riley? If the USB doesn’t work, she’ll be able to disable the virus manually. Plus,” a strong look of disdain settled on his face, “I don’t think (Y/N) can flirt convincingly enough to get him to take her back to his room. It’s dangerous to put the weight of a mission on it without a backup.” 
That got you mad. You stood and eyed Mac in his stupid power stance. His hands on his hips while he stared at the screen as if he was avoiding eye contact with you. You wondered where all of his confidence had suddenly gone.
“Oh? You don’t think I can handle it?” You took a confident couple steps towards Mac. A well-placed hand on his forearm brought his big blue eyes back to you, somewhat confused as to what you were doing but it didn’t seem as if he was going to stop you. 
You took his silence as permission to continue and slid your hand down his arm, bringing your free hand up to play with the suede lapel of his jacket near his chest. You lifted your eyes to meet his for a single, shy moment and couldn’t help the way your cheeks flushed. Who thought it was a good idea to give a man with such a perfect face those baby blues? Fuck.
Mac was malfunctioning, his jaw slack as he tried to focus on anything other than how close you were to him. Or the fact he could feel your breath on his neck, or the way your hands held him. Tantalizing and unobtainable. He was sure if either of you did anything in the oncoming moments he’d find himself too deep to back out. 
You slid the fingers fiddling with his jacket past his chest to his abdomen, felt the shiver run up his spine even though he tried his best to hide it. Your fingers reached his beltline with more confidence than you felt, and…there was a undeniable tension. One that left you wondering if perhaps you should excuse yourself and drag Mac into some unoccupied office down the hall. 
A quick smack below the belt and Mac was half-keeled over, gasping for air as you stepped aside with a prideful smirk. “That convincing enough for you?” 
The rest of the team broke into laughter, the sexual and uncalled for tension that was in the room had gone.
“The Macbook needed to reboot there for a moment huh,” Jack said patting your shoulder. “You’ll do just fine, and your mission partner will be there as your backup, you can trust them 
Matty just pulled on that subtle smirk she wore when she knew something was bound to be entertaining. “Well, glad you’re working on your chemistry, because Mac is your mission partner. Try not to cause a scene before the target gets there, though. Wheels up in 2 hours.”
Mac had finally been able to gather himself and recover from the unexpected tap. “Let’s just hope you’re ready for 2 to be playing that game.”
A/N: Thank You guys for reading! I am thinking about making another part about the actual mission or what the aftermath would look like for your and Mac's relationship.
A/N: Remember I'm always open to talk to people (18+) about MacGyver! I love the fandom and want to interact as much as possible. If your interested don't be afraid to shoot me a message!
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accio-victuuri · 8 months
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SBMS Clowning Series ☀️ v.3
i wasn’t expecting to post this so soon from the last but here we are….
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this is mainly to clown about the fact that shengyang’s scene where he says jian bing is his charger essentially was his own improvisation. we already talked about this before but thought it’s part of the script. it’s so funny how we cpn certain things because of rumors and then what we speculate is actually true. whether it’s indeed connected to yibo or not, what’s true if that xz has that thought in real life.
the person he loves is his charger. he can hug them and hold their hand and he will have the energy again. 🤍 he added that it’s when to people are busy with their work so when they see each other, they will recharge 👀
if you’re wondering, this what was mentioned in the fake rumors before:
A. When two people meet again after being apart for a while,When the time comes, the younger one will hug the older one, and the younger one will hug the older one. For a long time, the older one asked him what (?). Younger one said it was “charging”.
B. I'm not in a very high mood today at noon. I'm just too tired. I sent a lot of voice messages, but Xiao Laoshi seemed to be filming and didn’t reply. Wang laoshi sighed.
Teacher Wang’s power bank has arrived. ( the power bank in this case, we speculate is XZ who finally answered his call lol )
XZ: Did Xiao Baili eat anything?
WYB: You don’t care whether he eats or not
C. An incident where WYB walked over to XZ and said he was out of battery, and XZ just holds out his hand. WYB gets flustered.
• Another addition to the XZS and YBO similarity. The percentage thing. So yeah. It’s my favorite thing, collecting all the times they used the same idea in their posts.
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• What’s him and being a rapper? LOL. influenced by his husband?
I miss WYB rapping. I wish his single this year will have a rap part please. 🙏🏼
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• In the recent episode of SBMS, shengyang was pitching an idea to jian bing for one of the ads. So it’s about recycling & waste management, his idea was doing it in the perspective of the garbage. something like “personification”. What a coincidence that in One and Only, Chen Shuo was doing the same thing. Although his was promoting the garbage can. This connection is so funny!
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and the fact that this happened in Happy Camp. Lol. Their garbage classification song 😂😂😂
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• Shengyang’s house number is 28, and the one in front of them is 23. Lol. The numbers!
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-END.
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vasito-de-leche · 10 months
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;NSR MAYDAY - General Headcanons
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Compilation of general headcanons and analysis about Mayday and other Mayday related things.
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I just needed an excuse to fleshen out / analyze Mayday and any HCs I have for her bc I'm thinking soooo much about this game <3 there's also Zuke stuff in here because you can't talk abt one without the other lmfao
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Aside from music, Mayday and Zuke share an interest for fixing, modding and tinkering with machines (any piece of tech discarded out in the streets).
Their approach to reverse engineering all the tech they get is different - Mayday focuses on recycling to build something entirely new and more powerful, while Zuke focuses on fixing and perfecting whatever it is that he's tinkering with, to make it more precise.
This is most notable with their respective instruments. Mayday's guitar is 100% built from scratch, spare parts and passion, it's also modded and tuned to her liking. This means that she's literally the ONLY person who can understand how it works, and why she couldn't replace her old guitar once it was destroyed at the end of the game. Meanwhile, Zuke opts for using NSR-brand drumsticks - the best of the best in the market - which he mods to work better with his way of playing.
The workshop in their base is attributed to Zuke because he's the one who cleared out the area to have all of their little projects located in an organized spot, since most of their living quarters were filled with unfinished projects, wrenches and bolts everywhere and so on. This is because Mayday has a very short attention span and gets attached easily, so she never has the time to finish anything nor the heart to discard her projects - especially when she keeps drawing faces onto everything.
A lot of their equipment was just made by Mayday herself, since she needed speakers strong enough to withstand the power of her guitar without getting fried after every performance. Many of their mutual friends see Zuke as the genius of the duo, but he insists that Mayday is the one doing most of the carry for B2J.
Both Mayday and Zuke got into music because of their loved ones.
It's canon that DK West is the reason Zuke got into music, and I like to think family was also one of the main reasons Mayday got into music, namely rock. One of her dialogues in-game mentions how her grandma used to listen and sing to the Goolings with her using an old radio, despite not knowing the lyrics nor understanding the music.
Whereas Zuke was influenced by his brother's rap career to give music a try, it was kind of the reverse for Mayday - rock music became a big interest for her from a young age, and her family supported her wholeheartedly. They would take her to concerts, buy merch for her whenever it was possible and basically hype her up. Her father can probably name every different phase and era in Mayday's childhood and teenage years based on the groups she was into at the time.
Judging from dialogue, I think it's implied that Mayday was born and raised in Vinyl City, and that she never really travelled outside. So it's not impossible for her family to attend her first concerts (in small, local venues as a teenager, before she and Zuke even met) and her proper debut in B2J. Her family is also the first ones to receive official B2J merch, shirts that she and Zuke designed and that look AWFUL but that they love all the same.
I think this family aspect also ties in nicely with the base game, specifically Yinu's fight since it's the first moment of tension for Mayday and Zuke in which they realize they might not be the good guys for hijacking concerts.
For Mayday, music is a lifestyle, not something to be forced onto people - she goes directly against NSR because of the EDM enforcement and the rock ban, after all. So it makes sense to me that she becomes a bit too engrossed in fighting Yinu's mother, someone who is directly puppeteering her own child and represents parents who live vicariously through their talented kids, to the point where she also forgets that Yinu is a child. A fact that she also initially brushes aside herself since Yinu is part of NSR.
I don't know, I just like when characters are flawed and multifaceted! Mayday and Zuke should be allowed to be hypocrites, as a treat.
Mayday taught herself how to play.
My personal agenda is to also hype up Mayday for being a music genius at 21, so yeah! I like to think she's 100% self-taught, which parallels Zuke's musical education rather nicely. They're both extremely good in their own unique ways.
She used to play by ear, trying to figure out how to play her favorite songs when she was younger, and later began to actually study music notation and so on.
When spontaneously coming up with new melodies and songs for B2J, she mostly uses her phone to record herself singing, as opposed to Zuke immediately needing to jot down everything.
It took awhile for Mayday to pick up and use Kul Fyra's guitar.
After the events of the game, Mayday ABSOLUTELY needed some time to properly process everything - her dialogue is all about realizing that she was in the wrong and reconsider the reason she picked up music in the first, wondering if she began to rebel against NSR because she couldn't cope with B2J and rock (two things very dear to her heart) being rejected, etc. So she wouldn't have had the heart to use her idol's guitar without coming to terms with a lot of things first.
My favorite headcanon to think about is that the cutscene at the very end, during Tatiana's speech, is of Mayday and Zuke performing after B2J's hiatus, after they both help each other mature and grow up a bit. And Mayday using Kul Fyra's guitar is symbolic of her renewed love in music and taking Tatiana's words to heart - "where I have failed, I want you to go beyond".
Mayday doesn't have any powers unique to herself.
I KNOW, I KNOW - it's kind of UNFAIR since EVERYONE has WORLD BENDING ABILITIES AND WHATEVER. Even Zuke is implied to have inherited DK West's shadow puppets and all, BUT consider THE FOLLOWING....THAT'S THE POINT.....
Every major character in NSR represents a type of musician or figure in the industry - and I'm not sure if it was meant to be read like this or not, but Zuke reads as that type of person who has really good connections with important figures, who had the chance to pursue higher education and afford expensive equipment, who is knowledgeable when it comes to the ins and outs of the industry BECAUSE he was there to see and experience it all firsthand (if we're taking into account the fact that DK West was implied to be a revolutionary activist related to NSR). He's even the one who is the most reluctant to go against NSR and gives them the benefit of the doubt, which can easily be attributed to him being the calm and collected, reasonable half of the duo but also because he personally knows EVE (and DK West if you count him as an important major figure). He's a huge fucking nerd with a degree and it makes sense that he's the one giving ALL the information about the music industry when interacting with all the objects around Vinyl City.
But May? Her dialogue is all about more common things, the way she talks about certain people shows that she knew them personally, that they were friends or acquaintances from all over town instead of the important figures Zuke speaks of. She complains a lot about the fact that from a surface level, NSR does look like a bunch of sellouts and really offers that underdog vibe in B2J. She has NO connections to ANY major character in NSR other than being a fan of Kul Fyra. We know virtually nothing about her backstory too.
So to me it makes sense that Mayday lacks any sort of unique and incredible ability, as she IS part of the little guys that B2J fight for. The underdogs that get brushed aside for whatever reason, because they're not relevant or seen as profitable and so on. She represents the artists who are naive, full of passion for their craft and determination to make their dreams work regardless of how cruel the industry might be.
My personal hot take is that instead of powers and some innate talent, Mayday offers something else: deep connections with people.
This example might not click with everyone since it's how I personally perceived the music and all and I actually know absolutely nothing about music other than It Sounds Good and It Makes Me Want To Dance, but yknow!
When listening to the B2J solos, there are times when Zuke's solo is very aggressive and almost takes over the entire song, which makes sense since it's a solo and they ARE trying to win over EDM. But Mayday's solos blend in so well with the base track of each boss fight, like she really is trying to match their vibe using her own genre rather than fight for the spotlight.
This is most noticeable in Eve's fight - both Zuke and Mayday's solos match Eve's base track perfectly. You can understand why Zuke would match her, since they know each other intimately and when you explore Dream Fever, he's the one giving ALL the in-depth explanations about Eve's vision when creating her sculptures and art. But Mayday would have no reason to match Eve at all, she doesn't understand any of her art let alone know her as a person. And still, the ONE thing Zuke tells Eve at the end of the fight is that if Eve came to know Mayday the way he does, she would like her as well. Zuke is happier being Mayday's friend and bandmate despite the fact that he's Mayday's antithesis, than being part of a big company and records label with his super hot girlfriend.
I like to think that Mayday's solos, the fact that she is Zuke's direct opposite in almost every way, that she's closely tied to the regular people and citizens of Vinyl City and that piece of dialogue from Zuke are a testament to Mayday's ability to really reach out to people through music. Not to say that her power is just friendship, but just the fact that she can adapt and come to understand anyone - as long as it's in a musical setting.
Personally I like it more when Mayday is just a regular girl without unique powers, but you could take these aspect of her and turn them into its own power!
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This White/Blue dress is worn on Nathalie Emmanuel as Missandei in Game of Thrones (2013) and worn again later on Bianca DeGroat as Missandei in Princess Rap: Battle: Maleficent vs. Daenerys (2015)
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