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#Ruby Modine
sierrasmorton · 1 year
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RUBY MODINE as SIERRA MORTON SHAMELESS.
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mossy-fae · 9 months
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Lip and Sierra S7
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redwiccanrobin · 5 months
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maybethistimemegz · 7 months
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TJ MIKELOGAN'S HALLOWEEN 2023 EVENT ↳ Day 2: A Halloween comedy
Happy Death Day (2017)
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breakingfinite · 2 months
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stardestroyerss · 2 years
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They have the cutest pictures together ❤️
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sesiondemadrugada · 2 years
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Happy Death Day (Christopher Landon, 2017).
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toomuchlovereviews · 7 months
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Happy Death Day (2017)
⭐️⭐️⭐️⭐️⭐️
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I am a sucker for a vintage movie adaptation that’s twisted with horror. Plus, this had the essence of stupid horror, which I also adore immensely. Yes, this movie captured my soul.
After a while I realised that this was the movie where the main character cuts another person off mid-sentence with a raspy “You are GAY!!” but I didn’t see it!!! Maybe Air Canada cut this film down for clarity or cleanliness but damn, I wish they included it.
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Watch this if:
You like a little gore sprinkled in your mystery (this movie honestly felt like a puzzle, and you are just as frustrated as the MC when reaching a dead end)
Similar titles:
Freaky (2019) (Vince Vaughn in genius in this one, Freaky Friday horror remake)
Scream (1996) (fine, have a classic)
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corikane · 1 year
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Horror 2fer: Happy Death Day
Horror 2fer: Happy Death Day
Happy Death Day (2017) by Christopher Landon Happy Death Day 2U (2019) by Christopher Landon Since I used my amazon account to look into Paramount+ last month (we didn’t have that before), I have Prime for another week. So, I thought I’d take advantage of that and watch some of their horror offerings. I remembered that once upon a time I liked the trailer for Happy Death Day – and was…
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darkmovies · 1 year
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Fear (2023) Date de sortie : 27 janvier 2023 Réalisateur : Deon Taylor Scénario : John Ferry, Deon Taylor Avec : Joseph Sikora, Ruby Modine, Iddo Goldberg
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duranduratulsa · 2 years
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Up next on my Spooktober Filmfest...Happy Death Day (2017) on amazing blu-ray! #movie #movies #horror #comedy #happydeathday #Blumhouse #ChristopherLandon #JessicaRothe #RachelMatthews #phivu #RubyModine #charlesaitken #jasonbayle #cariellasmith #missyyager #trantran #israelbroussard #2010s #bluray #spooktober #halloween #october
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sierrasmorton · 9 months
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SHAMELESS (2011 - 2021) 08X11 | A GALLAGHER PEDICURE
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mossy-fae · 9 months
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Lip and Sierra S7
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lgspears · 8 months
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I would like to see Vicki Vale in live action again for The Batman Part 2 with either Michelle Mylett, Jessica Amlee, Jude Demorest, Camila Banus, Linsey Godfrey or Ruby Modine in the role working with Robert Pattenson as Batman.
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rookie-critic · 1 year
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Fear (2023, dir. Deon Taylor) - review by Rookie-Critic
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Sometimes you see a trailer for something, and you know that, most likely, it's not gonna be good. I hate to say it, and I try not to judge any particular book by its cover, but we all do it, we can't help it. It's almost impossible not to put a perception on something. I know I shouldn't, because it's happened so many times just in the past couple years where I was anticipating something being bad or just ok, and it ended up blowing my socks off. It's almost gotten to a point where I'm more inclined to go see something if I have a negative knee-jerk reaction to it. Still, sometimes that inclination is right, and it most definitely was in the case of Fear.
This film, that clearly only got a theatrical release because its only release competition was Brandon Cronenberg's Infinity Pool, a very niche psychological thriller, and the star-studded, but massively undermarketed rom-com Maybe I Do. I could talk about how the film is edited in way that seems like they ran out of production time/budget and didn't have enough footage to make a cohesive plot, I could talk about the rushed digital effects that look like they were made in just shy of two weeks by college freshman in Adobe After Effects, I could talk about the ADR that was clearly added in with complete disregard for whether or not a character that is supposed to be speaking on screen's mouth is even moving, or the absurd amount of re-used dialogue. I could talk about a million different little technical things I noticed while watching this movie, but really I think the most crushing thing for Fear is that it is a horror movie, one that desperately wants to be taken seriously, that just flat out isn't scary. The premise, that your deepest fears manifest themselves in reality at the lodge where the film take place, and that's what eventually kills you, while interesting from a baseline perspective, seems to be of mostly tangential interest to the filmmakers. [MILD SPOILERS AHEAD] They have a sliver of a unique idea in giving some of the ensemble more abstract fears (stuff like "my friends not being able to trust me" or "not being in control"), but its almost like they just get bored after taking those concepts three-quarters of the way to their conclusions and just kill those characters off through some half-hearted, supernatural other thing than actually having their fears kill them. Even the character whose fear is literally just blood has a completely unrelated death. He doesn't drown in blood (his significant other in the film's biggest fear was drowning, they could have easily knocked out two birds with one stone there), he doesn't even bleed out (even though he does get stabbed and one of the hallucinations he has is his stab wound bleeding profusely), none of that vastly more on-theme stuff happens. His neck gets snapped. That's it.
It's just unbelievably underwhelming on almost every front. It's a horror movie with no horror, a slasher film with unoriginal, uninteresting death scenes, it packs no punch, offers no lasting impact, and the acting isn't even bad enough to be funny. In fact, a couple of the performances borderline on good (Andrew Bachelor, a.k.a. King Bach, whose production company helped make this film, actually delivers a decent performance, and TI has at least one decently funny moment). I think the only thing I've seen recently that was worse was Jeepers Creepers: Reborn, but I can barely even call that a film, so that was a pretty low bar to pass. Please, if you were thinking about seeing this, don't. Save your money and your time, it's not worth it.
Score: 2/10
Only in theaters.
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fearsmagazine · 1 year
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FEAR - Review
DISTRIBUTOR: Hidden Empire Releasing
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SYNOPSIS:  Rom has gathered friends for a much needed getaway at the Strawberry Lodge in homes of a celebration weekend, if he can muster the nerve to propose to his longtime girlfriend, Bianca. However, even though they’ve all been tested a new nightmare emerges in the form of a contagious airborne threat. Trapped in the lodge, a darker force awakens and preys upon their worst fears. As their phobias come to life will they be able to take control of the situation and survive the sheer terror.
REVIEW: Filmmaker Deon Taylor doesn’t reinvent the genre, but he does, during the height of COVID, create a solid story, interesting characters, some amazing camera work, to deliver a film that embodies the best of the 70’s and 80’s genre films with just a hint of sensuality and a slight nod to exploitation.
Taylor got lucky in finding a location that was the inspiration for his plot. The Strawberry Lodge is an actual place on the west coast, and apparently there's a town nearby where they executed witches, indigenous people, and prospectors. He weaves that into a tale about the lodge, at the heart are the witches. There are elements that are reminiscent of films like “Bur, Witch, Burn!,” “The Sentinel,” and many of Argento’s witch films. The plot isn’t overly complex to have any glaring loopholes, the characters feel genuine and the dialogue flows. There are natural sounding humorous lines that offer comic relief without breaking the fourth wall. The narrative has a slight morality tale element, but it's not preachy, making no disparities about witchcraft. It’s simply this place and what was done here that gives rise to evil. I loved it
FEAR has a solid ensemble cast. They lull the viewer into the grove of the film with performances that feel like you’re watching a group of close knit friends who are getting together yet again to celebrate something. Taylor works with his actors to capture comfortable, seamless performances. Every performance has depth and range. The viewer is hooked so that as things evolve into madness; you're there for the ride. The viewer feels for the characters and it ratchets up the intensity and terror. Talented cast, skilled director, equal excellent performances.
I adored the production values, cinematography, framing, editing, score and sound design. Right from the beginning Taylor employs some effective camera work to set the viewer on edge. He nicely frames and edits the scenes between the characters which raises the energy of the film as he gets the viewer intimately acquainted with the characters. Along the way he triggers the viewer's sense of dread with small touches to indicate the awakening peril. I appreciate how he used many genre tropes, but reimagined them in subtle ways to fit his film, making them feel fresh. Along the way he picks up the pacing by cutting back and forth between scenes to enhance the rhythm of the tale. Much of the terror comes from the fabulous sound design. It is an in your face sound that adds depth and revulsion to the scene without being insanely graphic. It ignites the imagination and the horror. I found his main creature design fascinating. When you think about the state of mind that comes with anxiety and fear, his creature is at the core of this swirling nightmare. It looks like the physical manifestation of that chaos. The film nicely blends all the music in the film, and composer Geoff Zanelli’s score accents the sound design and the effects. It lays a nice foundation for all the different emotional moments.
I often discuss a film in terms of “the filmmakers,” like the director and production team. In this instance it truly feels like a group effort between those behind and in front of the camera. Director Deon Taylor is like a master card player as he lays out his hand with enough shock and awe to thrill the audience. He takes a mature and serious approach to the genre and the story he is telling, serving up a solid, fright filled thrill ride. He sets up rules for his horrorverse that are diverse and not moralistic, never getting in the way of being entertaining. I’ve enjoyed his previous films, such as “Dead Tone,” “Chain Letter,” and “Intruder,” and right now FEAR is my favorite film of all his films I’ve taken in. Well worth assembling your friends and checking out this scarefest at your local cinema.
CAST: Joseph Sikora, Andrew Bachelor, Annie Ilonzeh, Ruby Modine, Iddo Goldberg, Terrence Jenkins, Jessica Allain, Tyler Abron, and Tip 'T.I.' Harris. CREW: Director/Screenplay/Producer - Deon Taylor; Screenplay - John Ferry; Producers - Roxanne Avent, Omar Joseph, and Heather Kritzer; Cinematographer - Christopher Duskin; Score - Geoff Zanelli; Editors - Martin Bernfeld & Peck Prior; Production Designer - Dara Waxman; Costume Designer - Chloe Philbert; Visual Effects Artist - Doug Spilatro; OFFICIAL: www.fear.movie FACEBOOK: N.A. TWITTER: N.A. TRAILER: https://youtu.be/VgaG0PbziYY RELEASE DATE: In theaters January 27th, 2023
**Until we can all head back into the theaters our “COVID Reel Value” will be similar to how you rate a film on digital platforms - 👍 (Like), 👌 (It’s just okay),  or 👎 (Dislike)
Reviewed by Joseph B Mauceri
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