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#SHE ACTUALLY VALIDATES MY FEELINGS!!
thiamblogger · 1 year
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i love my mum sm and let me tell you why!!
me and her don't really talk much, like we do, but the way i was raised makes it kind of awkward to talk about certain things, personal things. although when i was younger i knew i could trust her with something as important as coming out, since she never cared for anyone else and she'd accepted my sister, even sat with her during her breakup with her gf.
i'm getting off track here, but basically earlier today i came downstairs to grab a snack and she calls my name, so obviously i go to her. she was in the living room and guess what she was doing?? guess.
SHE WAS LOOKING AT PRIDE PARADES FOR US TO GO TO 😭😭
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bonefall · 2 months
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Did Brambleclaw actually disown the Three when the secret is revealed? I don't remember this happening (then again, it's been a while) but it does bug me how all three go "Poor brambleclaw :(( He was such a good dad to us and he has to learn we're not even his biokits :(((( poor guy" while simultaneously shitting on Leafpool and Squirrelflight despite them showing them more care and affection before AND after the reveal. If he does disown them, then.... WOW is the double standard real here.
In-canon? It's something you have to approximate. They don't seem to have a concept of ""disowning"" because blood relation is taken as such an insurmountable, FUNDAMENTAL fact of life. He doesn't write them out of his little kitty will and testament, but his actions ARE disowning.
It's as if the fact he is not their biological father is an automatic disowning. From the reveal onwards, he is immediately cold, distant, and the "betrayal" is mentioned often. The Three also explicitly don't blame him for his behavior, like it's just to be expected that he's Not Their Dad anymore.
Lionblaze in particular stares longingly at him several times, really missing him. And like... that's kinda what gets my goat so much
I do believe Brambleclaw is entitled to his feelings of betrayal. I believe Squilf was ultimately in the right to lie, actually, but he's still allowed to be upset and angry that she didn't trust him enough to tell him something so important. THAT SAID, YOU ARE NEVER ENTITLED TO TREAT OTHERS POORLY.
And that's what GETS me. He isn't upset that it was all revealed in such a painful and embarassing way when this could have been avoided, or that his lover struggled with this lie for so long without him, or that he feels he's lost his children. Squilf points it out in The Last Hope-- He's so ANGRY at Squilf that he will THROW HIS FAMILY AWAY
Lionblaze seems desperate to be his son again. Hollyleaf is gone for months, and Brambleclaw is still huffing about the secret when she comes back from the dead. Squilf is fawning in the hopes it makes him talk to her again. Doesn't matter. Brambleclaw Is Upsetti Spaghetti so the narrative will never examine his role in hurting this family he apparently loved so much.
(Narrative seems to understand full well that when Squilf lies for a good reason, that doesn't invalidate the hurt Brambleclaw felt... but when Brambleclaw is upset for a good reason, it actually DOES validate what he put her and his kids through)
In BB it is explicitly a disowning. He cuts them off as his children, and they reciprocate. BB!Lionblaze does so in a ball of fury, vowing that he has ONLY a mother.
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stinkrascal · 6 months
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the person who i stopped being friends with came to my fucking house to ask me if i blocked her???? oh my fucking god lady you are 35 YEARS OLD??????
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dkettchen · 2 years
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When I joke abt cis guys appropriating transmasc culture this is what I mean, look at them
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hephaestuscrew · 7 months
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The role of Pryce and Carter's Deep Space Survival Procedure Protocol Manual in the characterisation, symbolism, and themes of Wolf 359
TL;DR: The DSSPPM is used as a tool to help establish and develop Minkowski and Eiffel as characters: Minkowski as a strict Commander who clings to the certainty provided by a rigid source of authority like the DSSPPM, and Eiffel as the anti-authority slacker who strongly objects to the idea that he ought to read the manual. The way their contrasting attitudes towards the DSSPPM manifest through the show reflect their character development and changing dynamic. The DSSPPM can be directly used against the protagonists by those with power over them, and the reveal of its authorship gives a particularly sinister edge to its regular presence in the show. But it can be also be repurposed and seen through an individual interpersonal lens.
Note: There’s plenty that you could say about the DSSPPM through the lens of what it says about Goddard Futuristics as an organisation, or about Pryce and Cutter as people. Or you could talk about Lambert quoting the DSSPPM an absurd number of times in Change of Mind, and Lovelace’s reactions to this. But in this essay, I’ll be analysing on mentions of the DSSPPM with a focus on Minkowski, Eiffel, and their dynamic.
“One of those mandatory mission training things”: the DSSPPM as a tool to establish characterisation
The first mention of Pryce and Carter's Deep Space Survival Procedure Protocol Manual (the DSSPPM) in Wolf 359 is also the very first interaction we hear Eiffel and Minkowski have. In fact, the first time we hear Minkowski's voice at all is her telling Eiffel off for not having read the manual:
[Ep1 Succulent Rat-Killing Tar] MINKOWSKI Eiffel, did you read your copy of Pryce and Carter?  EIFFEL My copy of what?  MINKOWSKI Pryce and Carter's Deep Space Survival Procedure Protocol Manual.  EIFFEL Was that one of those mandatory mission training things?  MINKOWSKI Yes.  EIFFEL In that case, yes, I definitely did.  MINKOWSKI Did you now? Because I happened to find your copy of the D.S.S.P.P.M. floating in the observation deck.  EIFFEL Oh?  MINKOWSKI Still in its plastic wrapping.
This is an effective way to establish their conflicting personalities right out of the gate. Minkowski's determination to "do things by the book - this book in fact" contrasts clearly with Eiffel's professed ignorance about and clear disregard for "this... Jimmy Carter thing”. Purely through their attitudes to this one book, they slot easily into clear archetypes which inevitably clash. Everything about Eiffel in that opening episode sets him up as a slacker who doesn't care about authority, but the image of his mandatory mission training manual floating in the observation deck "still in its plastic wrapping" provides a particularly striking illustration.
By contrast, we immediately encounter Minkowski as a strict leader who cares deeply about making sure everything is done according to protocol; the intense importance she places on the DSSPPM is one of the very first things we know about her. Her insistence on the importance of the survival manual might seem somewhat understandable at first, if perhaps unhelpfully aggressive, but it starts to feel less sensible as soon as we start to hear some of the tips from this manual:
Deep Space Survival Tip Number Five: Remain positive at all times. Maintain a cheerful attitude even in the face of adversity. Remember: when you are smiling the whole world smiles with you, but when you're crying you're in violation of fleet-wide morale codes and should report to your superior officer for disciplinary action.
The strange, controlling, vaguely sinister tone of some of the tips we hear in the first episode is largely played for laughs, emphasised by the exaggeratedly upbeat manner in which Hera reads them. But even these first few tips give us some initial suggestions that the powers behind this mission might not care all that much about the wellbeing of their crew members.
It says something about Minkowski that she places such faith and importance in a book which says things like "Failing to remain calm, could result in your grisly, gruesome death" and "when you're crying you're in violation of fleet-wide morale codes and should report to your superior officer for disciplinary action." (Foreshadowing the Hephaestus Station as the home of immense emotional repression and compartmentalising...) Having those kind of pressures and demands placed on her (and those around her) by people above her in the military hierarchy doesn’t unsettle Minkowski.
Eiffel groans and sighs as he listens to the tips, but Minkowski seems to see this manual as an essential source of wisdom. The main role the manual plays in this episode is to establish Minkowski and Eiffel as contrasting characters with very different approaches to authority and therefore a potential to clash.
When Minkowski demands that Eiffel reads the DSSPPM, he decides to get Hera to read it to him, asking her to keep this as “a 'just the two of us, totally secret, never tell Commander Minkowski' thing”. Eiffel seems convinced that Minkowski won't be happy with him listening to Hera read the DSSPPM rather than reading it himself. This suggests that (at least in Eiffel's interpretation) Minkowski’s orders are not just about her wanting him to know the contents of the manual, since this could theoretically be accomplished just as well by him listening to it. But she wants him to do things in what she’s deemed to be the correct way, to put in the right amount of effort, and not to take what she might see as a shortcut. It’s not just about the contents of the manual; it’s about the commitment to protocol that reading it represents.
“When in doubt: whip it out”: Hilbert’s use of the DSSPPM
In Season 1, the DSSPPM isn't purely associated with Minkowski. Hilbert actually quotes it more than she does in the first few episodes. In Ep2 Little Revolución, Hilbert's response to Eiffel's toothpaste protest is inspired by "Pryce and Carter six fourteen: “When in doubt, whip it out - ‘it’ being hydrochloric acid.”" This tip is absurd in a more direct obvious way than those we heard in Ep1. While this absurdity is partly for humour, it also casts further doubt on the usefulness of this supposedly authoritative survival manual, and therefore on the wisdom of trusting Command.
In Ep4 Cataracts and Hurricanoes, Hilbert starts to quote Tip #4 at Eiffel, who protests "I'm not gonna have one of the last things I hear be some crap from the survival manual". These moments again place Eiffel in clear opposition to the DSSPPM, but also suggest that Hilbert's attitude towards the DSSPPM - and therefore towards Command - is closer to Minkowski's than to Eiffel's.
When Hilbert turns on the Hephaestus crew in his Christmas mutiny, his allegiance to Command is revealed as dangerous. And here the DSSPPM comes up again. As Minkowski dissolves the door between her and Hilbert, she triumphantly echoes his own words back to him: "Pryce and Carter six fourteen: “When in doubt, whip it out - ‘it’ being hydrochloric acid.” Never. Fails." This provides a callback to a previous, more comedic conflict on the Hephaestus, and reminds the listener of a time when Minkowski and Hilbert were working together against Eiffel, in contrast to the current situation of Minkowski and Eiffel versus Hilbert. But it also shows that Minkowski, like Hilbert, is capable of using some of the more absurd DSSPPM tips to defeat an adversary. And it shows Minkowski leaning on those tips in a real moment of crisis.
Once Hilbert has betrayed the crew in order to follow orders from Command, we might look back on his quoting of the DSSPPM as casting the manual in a more sinister light, and again calling into question the wisdom of Minkowski placing such trust in it.
“It's not that I don't believe it, I'm just disgusted by it”: the DSSPPM as an indicator of a changing dynamic
The next mention of the DSSPPM is in Ep17 Bach to the Future:
MINKOWSKI Eiffel's been spot-testing me, Hera. He doesn't believe that I've memorized all of the survival tips in Pryce and Carter. EIFFEL It's not that I don't believe it, I'm just disgusted by it. I keep hoping to discover it's not true. MINKOWSKI Well, believe as little as you want, doesn't change the fact that I do know them. And so should you!
I think this provides an interesting illustration of the way in which Minkowski and Eiffel’s dynamic has developed since Ep1. They still have deeply contrasting attitudes to the DSSPPM, but this contrast is now a source of entertainment between them, rather than merely of conflict.
Given that Hera wasn’t aware of Eiffel testing Minkowski on the tips, we can guess that it’s a game they came up with while Hera was offline. In the midst of all the exhaustion and uncertainty and fear they were dealing with after Hilbert’s mutiny, this was a way they found to pass the time. It must have been Eiffel who suggested it; Minkowski cites his disbelief as the reason for the spot-testing. And yet she plays along, responding each time, even though this activity has no real productive value.
Minkowski is keen to demonstrate that she does know the tips and she emphasises that Eiffel ought to know them too, but their interactions about the DSSPPM in this episode have none of the genuine irritation and frustration that they displayed in Ep1. It feels almost playful and teasing. Eiffel still thinks Minkowski is "completely insane" for learning all the tips and is "disgusted" by her commitment to memorising them, but these comments feel much closer to joking about a friend's weird traits than to insulting a hated coworker's personality. It feels like something has shifted since Eiffel responded to Minkowski’s passion for the DSSPPM by saying “I'm so glad that your shrivelled husk of a dictator's heart is as warm as a decompression chamber”.
Another thing to note here is that Minkowski's respect for the DSSPPM has clearly survived Hilbert's Christmas mutiny and Minkowski's resulting distrust of Command. From Hilbert's behaviour at Christmas, it's clear that the crew's survival is not at the top of Command's priority list. But Minkowski still trusts the book that Command told her to read. She still thinks Eiffel should read it too. The main figures of authority above her are dangerous and untrustworthy, but she still clings to the source of guidance they provided her with.
It's also worth noting that Minkowski has not just learnt the advice in each of the 1001 tips, but she has memorised (nearly) all of them by number. If it was just about the information that the manual provides to inform responses to potentially life-or-death situations, then knowing the numbers wouldn't be necessary. Nor would it be particularly useful to know them all exactly word-for-word. Minkowski's reliance on the DSSPPM is again suggested to be about more than the potential practical use of its content. It's about showing that she is committed and disciplined and up to the task of leading. She does have some awareness of the strangeness of many of the tips, but this doesn't diminish the value of her adherence to the manual for her:
EIFFEL You're insane.  MINKOWSKI I'm disciplined. Although I will admit they do get more... esoteric as you go higher up the list.
There's only one tip Minkowski doesn't seem to remember, and that's revealing too:
EIFFEL 555? Minkowski DRAWS BREATH - and STOPS SHORT. [...] MINKOWSKI Hold on a second, I know this. (beat) Dammit. EIFFEL Hey, look at that! Looks like there may be hope for you yet. MINKOWSKI Quiet, Eiffel. Hera, what's D.S.S.P.P.M. 555? HERA "Good communication habits are key to continued subsistence. Be in touch with other crew members about shipboard activities. Interfacing about possible problems or dangers is the best way to anticipate and prevent them." This hangs in the air for a second. Then – EIFFEL So you forget the one tip in the entire manual that's actually helpful? MINKOWSKI Shut up.
Communication is a key theme of this show, so it’s interesting that this is the one tip Minkowski can’t remember, perhaps indicating an aspect of leadership and teamwork that she doesn’t always prioritise or find easy.
Eiffel saying “Looks like there may be hope for you yet” seems like just a throwaway teasing line, but it’s got a profound edge to it. A lot of Minkowski’s arc is about learning how to provide her own direction and support her crew outside of the systems of authority and hierarchy that she’s grown so attached to. So perhaps Eiffel is right to see a kind of hope in her failure to remember every single DSSPPM tip – she has the potential to break free of her reliance on external authority.
“Which one was 897, what was the exact phrasing of that Deep Space Survival Tip?”: the DSSPPM in interactions with Cutter
The Wolf 359 liveshow, Deep Space Survival Procedure and Protocol, is literally named after the manual. This suggests, before we’ve even heard/watched the episode, that the DSSPPM will be a key symbol here. Which is interesting because I'd say the liveshow has two main plot points: (a) Eiffel's failure to read the DSSPPM or follow orders in general, the resulting disruption to the mission, and his crewmates' frustration with this; and (b) the looming threat of Cutter, the necessity of keeping information from Command, and the risk of fatal mission termination.
Even without the knowledge that Cutter is one of the co-authors of the DSSPPM (which neither the Hephaestus crew nor a first-time listener knows at this point), there's a kind of irony in the contrast between these two plotlines. On the one hand, Minkowski repeatedly berates Eiffel for not having read Pryce and Carter's Deep Space Survival Procedure and Protocol Manual, which was made mandatory by Command. On the other hand, she is aware that Command in general - and Cutter specifically - represents the biggest threat to the safety and survival of her crew.
Cutter uses the DSSPPM against each of the Hephaestus crew in their one-on-one conversations with him. For Minkowski, he uses it as a way of emphasising the expectations and responsibility placed on her:
MINKOWSKI There are always gaps between expectation and reality, but-- CUTTER But it's our job as leaders to close that gap, isn't it? Pryce and Carter...? MINKOWSKI 414, yes. Yes, sir, I know.
Cutter knows that Minkowski will know those tips and he knows abiding by them is important to her. She's quick to demonstrate her knowledge of the DSSPPM and agree with the tip. There's something deeply sinister to me about Cutter's use of the word 'our' here. His phrasing includes them both as leaders who should be ensuring that things are exactly as expected. It’s almost a kind of flattery at her authority, but it comes with impossibly high expectations. This way of emphasising the importance and responsibilities of her role as Commander is a targeted strategy by Cutter at manipulating Minkowski, designed to appeal to her values.
In Hera's one-on-one, Cutter uses a DSSPPM tip to interpret her behaviour and claim that he can read her motives:
CUTTER This thing you're doing. Asking questions while you get your bearings. HERA Sir, I'm just curious about-- CUTTER Pryce and Carter 588: Shows of courtesy and polite queries are an efficient way to gain time necessary to strategize.
Unlike with Minkowski (or Eiffel), Cutter doesn't prompt Hera to demonstrate her knowledge of the manual. That wouldn't work as a power play against Hera, who would be able to recall the manual (or, rather, retrieve the file, however that distinction works within her memory) but who doesn't care about the DSSPPM like Minkowski does. Instead, Cutter implies that Hera’s behaviour can be predicted - or at the very least seen through - by the DSSPPM, which seems like a cruel attempt by Cutter at belittling her.
For Eiffel, Cutter uses the manual as a weapon in a different way again. He asks Eiffel, "which one was 897, what was the exact phrasing of that Deep Space Survival Tip?", something which Eiffel clearly doesn't know, but Cutter of course does. This puts Eiffel on the back foot, trying to defend and justify himself, allowing Cutter to emphasise his position of power yet again.
The DSSPPM plays a double role in the liveshow. On the one hand, as Minkowski reminds Eiffel, proper knowledge of the manual "would've saved [the crew] from these problems with the nav computer" – some of the tips can potentially save the crew a great deal of hassle, stress, and risk. On the other hand, the same manual is used by Cutter to manipulate, unsettle, and intimidate the crew. There are these two sides to the information given to the crew by Command - two sides to the manual which Minkowski still values.
In another duality for the DSSPM, the manual is sometimes used as a symbol of the relationship between the crew members and Command, and sometimes used to indicate the dynamics between the individual crew members, usually Minkowski and Eiffel. Before Cutter’s appearance in the liveshow, Minkowski and Eiffel’s discussions of the DSSPPM reflect interpersonal disagreements between two people with fundamentally different attitudes:
MINKOWSKI Oh come on, why do you think I keep trying to get you to go over these things? Do you think I enjoy going through them? EIFFEL Yes. MINKOWSKI Well, alright, I do. But this knowledge could save your life.
Minkowski enjoys rules, regulations, and certainty, for their own sake as much as for any practical usefulness. Eiffel very much does not. This is a simple clash of individuals, in which the link between the DSSPPM and Command is implicit. Minkowski doesn't seem to question the idea that the information in the DSSPPM is potentially life-saving, even though she knows Command don't care about their lives. But Cutter’s repeated references to the DSSPPM remind us who made that book a mandatory part of mission training – it certainly wasn’t Minkowski, even if she’s often the one attempting to enforce this rule.
At the end of the liveshow, in a desperate attempt to prevent mission termination, Eiffel promises Cutter that he will read the DSSPPM (the liveshow transcript notes that him saying this is "like pulling teeth"), an instance of the manual being used in negotiations between the Hephaestus crew and Command. All Minkowski’s orders weren’t enough to get Eiffel to read that book, but a genuine life-or-death threat might just about be enough. Perhaps it's ironic that Eiffel reads the survival manual out of a desire for survival, not because he thinks the contents of the book will help him survive, but because he’s grasping anything he can offer to buy the crew’s survival from those who created that same book.
In the final scene of the liveshow, Minkowski catches Eiffel reading the DSSPPM, and he fumbles to hide that he's been reading it, a humorous reversal of all the times that he's lied to her that he has read it. Perhaps admitting that he's reading it would be like letting Minkowski win. Minkowski seems to find both surprise and amusement in seeing Eiffel finally reading the manual, but she doesn't push him to admit it. There's some slightly smug but still friendly teasing in the way Minkowski says "were you now?" when Eiffel says that he was just reading something useful. In that final scene, the manual is viewed again through the lens of Minkowski and Eiffel’s dynamic – Command’s relation to the DSSPPM becomes secondary.
“The first thing I'd make damn sure was hard wired into anything that might end up in a situation like this one”: the DSSPPM as a tool of survival
In Ep30 Mayday, when Eiffel is stranded alone on Lovelace’s shuttle, he hallucinates Minkowski to bring him out of his helpless panic and force him into action. And this hallucination also brings with it one of Minkowski’s interests:
MINKOWSKI Eiffel... I worked on this shuttle. Reprogramming that console. EIFFEL So? How does that help – MINKOWSKI Think about it. BEAT. And then he gets it. EIFFEL Oh goddammit. MINKOWSKI What's the first thing that I would do when programming a flight computer? The first thing I'd make damn sure was hard wired into anything that might end up in a situation like this one? EIFFEL Pyrce and Carter's Deep Space Survival Procedure and Protocol Manual.
Again, a conversation about the DSSPPM gives us an indication of the development of Minkowski and Eiffel’s relationship. Not only does Eiffel imagine Minkowski as a figure of (fairly aggressive) support when he’s stranded and alone, he thinks about what advice she’d give him and he follows it. Rather than dismissing the manual entirely, he looks for tips that are relevant to his situation. He’s not pleased about his hallucinated-Minkowski trying to get him to read the DSSPPM, but that was what his mind gave him in an almost hopeless situation. Some part of him now empathises with Minkowski’s priorities in a way that he definitely wasn’t doing in Ep1. He thinks that the DSSPPM might be on the shuttle because he knows the manual is important to Minkowski. It’s by imagining Minkowski that he gets himself to read the manual in order to see if it can help him survive – he certainly doesn’t think about what Cutter or anyone else from Command would tell him to do.
In the end, the tips Eiffel picks out aren’t all that helpful or informative: “Confront reality head-on”; “In an emergency, take stock of the tools at your disposal. Then take stock again. Restock. Repurpose. Reuse. Recycle."; and “"In times of trouble, an idle mind is your worst enemy”. But Eiffel does use these tips to structure his initial thinking about how to survive on Lovelace’s shuttle. In an almost entirely hopeless situation, Eiffel finds some value in the DSSPPM. But since the tips he picks out are mostly platitudes, the actual wisdom that allows him to survive all comes from his own mind; the tips, like his hallucinations, are just a tool he uses to externalise his process of figuring out what to do.
“Wasn't there something about this in the survival manual?”: Minkowski potentially moving away from the DSSPPM
Given the significance of the DSSPPM in Season 1 and 2 to Minkowski in particular, it feels notable when the manual isn’t referenced. Unless I've missed something (and please let me know if I have), Minkowski – the real one, not Eiffel’s hallucination - doesn't bring up the manual of her own accord at all in Seasons 3 or 4. This might make us wonder if she’s moved away from her trust in and reliance on that book provided by Command.
Perhaps the arrival of the SI-5, which highlights to Minkowski that the chain of command is not a good indicator of trustworthy authority, was the final straw. Or perhaps the apparent loss of Eiffel - and any subsequent questioning of her leadership approach, or realisations about the valuable perspective Eiffel provided - were what finally broke down her faith in that book.
Alternatively, perhaps Minkowski still trusts the DSSPPM as much as ever, but trying to get Eiffel or any of the other crew members to listen to it is a losing battle that she no longer sees as a priority. Either way, Minkowski’s apparent reluctance to bring up the DSSPPM feels like a shift in her approach. 
The associations between Minkowski and the DSSPPM are still there in Season 3, but they are raised by other characters, not by Minkowski herself. The manual is used to emphasise Eiffel’s difficulties when he’s put in charge of trying to get Maxwell and Hera to fill out a survey in Ep32 Controlled Demolition. Trying to force other people to be productive pushes Eiffel into some very uncharacteristic behaviour:
EIFFEL Jesus Christ, what is wrong with you? It's like you've never even read Pryce and Carter! Tip #490 very clearly states that – He trails off. After a BEAT – HERA Officer Eiffel? MAXWELL You, uh, all right there? EIFFEL (the horror) What have I become? [...] Eiffel, now wrapped up in a blanket, is next to Lovelace. He is still very clearly shaken. EIFFEL ... and... it was like an episode of the Twilight Zone. I was slowly transforming into Commander Minkowski. [...] It was a nightmare! A terrifying, bureaucratic nightmare!
This is a funny role reversal, but it shows us the strength of Eiffel’s association between Minkowski and the DSSPPM, as well his extreme aversion to finding himself in a strict bureaucratic leadership position. It also suggests that becoming extremely frustrated when trying to get other people to do what you want might make anyone resort to relying on an external source of authority, such as the manual. I don’t know whether this experience helps Eiffel empathise with Minkowski, but perhaps it might give us some insight into how her need for authority and control in the leadership role she occupied might have reinforced her deference to the DSSPPM.
In Ep34, we get a suggestion of another character having a strong association between the DSSPPM and Minkowski. After the discovery of Funzo, Hera asks Minkowski what the manual says about it:
HERA Umm... I don't know if this is a good idea. Lieutenant, wasn't there something about this in the survival manual? MINKOWSKI Pryce and Carter 792: Of all the dangers that you will face in the void of space, nothing compares to the existential terror that is Funzo.
It’s interesting to me that Hera asks Minkowski here. We know from Ep1 that “Pryce and Carter's Deep Space Survival Procedure Protocol Manual is among the files [Hera has] access to”. Two possible reasons occur to me for why Hera might ask Minkowski about the DSSPPM tip here. One possibility is that Hera thinks that retrieving the manual from her databanks and finding the correct tip would take her more time than it would take for Minkowski to just remember the tip. Which suggests interesting things about the nature of Hera’s memory, but also implies that - at least in Hera's view -Minkowski’s knowledge of the DSSPPM is more reliable than that of a supercomputer.
The other possibility is that Hera could have recalled the relevant DSSPPM tip incredibly quickly but she doesn’t want to, maybe because she resents having that manual in her head in the first place, or maybe because she wants to show respect for Minkowski’s knowledge as a Commander. Either way, we can see that Hera – like Eiffel – strongly associates Minkowski with the DSSPPM.
And Minkowski, even if she wasn’t the one to bring up the manual here, recalls the relevant tip immediately. Perhaps she is moving away from her trust in that manual, but everything that she learned as part of her old deference to the authority of Command is still there in her head. She might want to forget it by the end of the mission, but that’s not easily achieved. The way Minkowski’s friends/crewmates associate the manual with her emphasises the difficulty she’ll face if she tries to move away from it.
“One thousand and one pains in my ass”: The authorship of the DSSPPM
In Ep55 A Place for Everything, Eiffel effectively expresses his long-held dislike of the DSSPPM when he comes face-to-face with both of its authors:
EIFFEL What? What the hell are - wait a minute - Pryce? As in one thousand and one pains in my ass, Pryce? (sudden realization) Which... makes you...? MR. CUTTER (holding out his hand) W.S. Carter, pleased to meet you. 
It’s significant that the two ‘big bads’ of the whole series are the authors of the manual which Minkowski and Eiffel were bickering about all the way back in Ep1. It’s not the only way in which the message of this show positions itself firmly against just accepting externally imposed authority and hierarchy without question or evidence, but it does reinforce this ethos.
By being the authors of the manual, Cutter and Pryce have had a sinister hidden presence throughout the show. Long before we know who Pryce is and even before we hear Cutter’s name, their manual is there, occupying a prominent place in Minkowski’s motivations and priorities, and in her arguments with Eiffel. It’s not at all comparable to what Pryce put in Hera’s mind, but it is another way in which these antagonists have wormed their way into the heads of our protagonists.
Minkowski will have to come to terms with the fact that the 1001 tips she spent hours memorising and reciting were written by two people who would have killed her, her crew, and even the whole human race without hesitation if it served their purposes. We never get to hear Minkowski’s reaction to learning the identities of Pryce and Carter, but I think processing the role of their manual in her life will be a long and difficult road that’ll tie into a lot of other emotional processing she needs to do. Her assertion to Cutter that, without him, she is “Renée Minkowski... and that is more than enough to kick your ass!” feels like part of that journey. She doesn’t mention the DSSPPM at all in Season 4. She’s growing beyond it.
"Doug Eiffel's Deep Space Survival Guide": The DSSPPM as a weapon against those who wrote it
Last but not least, I couldn’t write about Eiffel and the DSSPPM without mentioning this scene from  Ep58 Quiet, Please:
EIFFEL As someone once told me: "Pryce and Carter 754: In an emergency, take stock of the tools at your disposal, then take stock again. Repurpose, reuse, recycle." And right now? You know what I got? I got this lighter from when Cutter was using me as his personal cabana boy. [...] and I've got myself this big, fat copy of the Deep Space Survival Manual, and you know what I'm gonna do with it? [...] Eiffel STRIKES THE LIGHTER. And LIGHTS THE BOOK ON FIRE, revealing Pryce just a few feet away from him! EIFFEL I am going to repurpose it... and reuse it... and recycle it into a GIANT FIREBALL OF DEATH! And he swings the flaming book forward, HITTING PRYCE ON THE SIDE OF THE HEAD. [...] EIFFEL That's right! Doug Eiffel's Deep Space Survival Guide, B-
No one other than Doug Eiffel could pull off the chaotic energy of this moment. It doesn’t get much more anti-authority than lighting the mandatory mission manual on fire and using it as a weapon against one of its malevolent authors. It might not be the wisest move safety-wise, and it certainly doesn’t improve the situation when the node gets jettisoned into space. But there is still a powerful symbolism in taking a symbol of the hierarchical forces that have tried to constrain you for years and setting it alight to fight back against those forces. Eiffel takes his own approach to survival and puts his own name into the title, an assertion of his agency and rejection of Command's authority.
The DSSPPM tip that he uses here is one of those he considers when stranded on Lovelace’s shuttle. It’s understandable that after that experience it might have stuck in his memory.
I can’t help feeling that the line “as someone once told me” has a double meaning here. The immediate implication is to interpret “someone” as being Pryce and Cutter – it’s their manual after all – which makes this line a fairly effective ‘fuck you’ gesture, emphasising how Eiffel is using Pryce’s manual against her in both an abstract and a physical sense.
But I think “someone” could also mean Minkowski. Eiffel uses a singular rather than plural term, there’s already an association established between Minkowski and the DSSPPM, and, in Mayday, it’s his hallucination of Minkowski that gets him to read this tip. She's probably also recited this tip to him at other points as well. Under this interpretation, this line is as much a gesture of solidarity with Minkowski as it is a taunt to Pryce. I like the idea that these two interpretations can run alongside each other, reflecting the duality of the use of the DSSPPM that I talked about in relation to the liveshow.
Conclusion
The DSSPPM is a symbol of external rules imposed on people by those with power over them. These rules can be strange, arbitrary, and even sinister, but for those with a desire for certainty and control, like Minkowski, they can be tempting. And they can have their uses, as well as the potential to be repurposed. Attitudes towards these rules provide an effective shorthand as part of Minkowski and Eiffel’s characterisation. And the clash between these attitudes, and how that clash manifests, can tell us something about how the dynamic between those characters develops and changes.
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roseofcards90 · 6 months
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The fact that people were so willing to completely dismiss what happened in After Pain and Harrow after they saw It's Not My Fault and Deep Cover paint Mu and Kotoko in a worse light really shows that some people don't have literary comprehension 😭
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silusvesuius · 1 day
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N*loth is literally prime NPD representation and that's just how it is. Dat's just how i feel . if iiiiiii hear anyhing ab him needing to be humbled or put in his place i'll just tear my hair out right here and match his look. not even trying to lift him up or defend him i'm just defending the mentally ill skajrim characters nobody wants to understand,
#text#literally sick to my stomach from people sayin that shit omfg#no i'm exaggerating but be serious#my sk*rim NPD trifecta is n*loth + s*ddgeir + m*raak#s*ddgeir is the one you all should be humbling cause he's just gay (derogatory)) and materialistic#i swear n*loth didn't do anythign to any of you people he doesn't even like fancy stuff even tho he has the bag#people see a smart bih with a rocket science degree and just wanna say she needs to be '' '' put in her place '' '''#my hyper sk*rim character rambling. .. but seriously tho...#i think 2 this site its: traumatized character = 'sad wet cat'#intimidating woman = 'MAMA DOM'#and character with blown out ego = 'actually pathetic'#like i'll start swinging idc#m*raak is a good personification of NPD cause he doesn't wanna believeee there's someone better than him in his 'skill'#notice how he's Always throwing shit on U for no reason#he's so mad. lols#the entire DB DLC is about m*raak's NPD and how it consumed him. very artistic..#but n*loth i find to be extremely realistic even in the little things#how his NPD isn't an escape from anything but just pillars of his existence#+how his ego doesn't help w/ not caring about wat others think about him.. he neeeeds that validation to feel good 2#but not to survive. his Ego can carry him on it's own#i'll defend n*loth's mental illnesses with my life idrc abt m*raak's diagnosis tho just cause he annoys me from the gameplay LMFAO BYE#if i sound crazy when i post shid likethis it's cause you don't LOVE sk*rim like i do.........rubbing my temples
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scalpelsister · 9 months
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also this isnt really proper shade at larian or anything and the writing of this game is SAURE good so dont take it this way but.
i sure do wish. Minthara was not villain batted as hard as she was. Her being locked to "evil" runs and being mutually exclusive with several party members. Her being nothing more than a miniboss for your average player- who does not even know shes a potential party member! Her being so chronically unloved by the community because... shes the "evil" companion. Hell, even the amount of people saying frankly really edgy shit about killing her or hurting her completely unprompted lmao. Like I genuinely think shes been pretty unfairly demonized both by the community and by the meta of just like... the game itself because she's really actually..... kind of, dare I say, sweet? if you get to know her. ugh.
#also if i had two nickles. shes sylvanas all over again lads i fear#idk obviously larian handles her character much better than wow ever handled sylvanas but its genuinely like#kind of eerie how similar they are and how hard they where both villain batted considering how evil they actually are#ESP compared to their male counterparts#like i would argue that neither of them are any more evil- and likely are even less evil- than a lot of the men in the same game that#are not villain batted at all.#like every character in warcraft is a war criminal so sylvanas is hardly uniquely evil on that front#and i have a hard time buying that minthara is anymore inherently evil than astarion lol#idk again larian handles trauma much better and it feels... inauthentic to accuse them of not treating minthara well because shes#traumatized. thats def not the argument im making here but it IS really sad to relate to / find catharsis in another traumatized elf#only for her to be. villain batted just like the last one :/#idk. its just a bummer.#like again thankfully its not a thesis of larians like. karlach and shadowheart and laezel are all beautiful and wonderful examples of like#traumatized women allowed to be angry and validated for being angry#BUT im selfish haha i want my bestie minthara to be able to have a happy ending w the rest of us and i dont want to see her demonized for#idk being a traumatized angry woman like!! it seems outta place for that to be the message but#whatever im rambling ive lost the plot#my post
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uhbasicallyjustmilex · 9 months
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fire and the thud came on my spotify shuffle while me and my sister were listening to music this afternoon, and at the end of it she turns to me and goes “who was that? the lyrics sound like the kind of thing you’d write” and honestly i think it’s one of my favourite unintentional compliments i’ve ever received
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THE BEST OF PRIORITY: THE CITADEL (PART 2)
Featuring: Cmdr. Sophie Shepard, Lt. James Vega, EDI, and Maj. Kaidan Alenko With: Councilor Donnel Udina, Councilor Tevos, Councilor Laiel Sparatus, Cmdr. Armando-Owen Bailey, and Kai Leng And a Special Guest Appearance by: The Illusive Man But sometimes the way a thing goes down does matter, Sophie. Later- when you have to live with yourself. Knowing that you acted with integrity- then it matters. Mass Effect 3: Legendary Edition (2021)
#mira makes gifs ✨#sophie shepard#james vega#EDI#kaidan alenko#shenko#fshenko#mass effect#mass effect 3#me3#mass effect legendary edition#dailygaming#james’s panicked face as the shuttle goes down you will always be famous to me bc you are so relatable#at this point i just know the normandy crew is not letting shep EDI or james near anything mechanical anymore#(something mechanical explodes around them on literally every mission at this point- cars.. bombs.. ships.. you name it!) :)#the way i didn’t even realize EDI and kaidan were wearing matching armor on this mission until i got to the elevator and i- 🥹 (blue crew!!)#but like- the way when soph gets off the elevator and kaidan has the gun drawn and she tells them to lower their weapons??#and EDI and james don’t even hesitate? THOSE ARE MY BABIES!!! THATS MY SQUAD RIGHT THERE!! THE LEVEL OF TRUST BETWEEN THESE THREE!! 🥹🥹🥹#and they don't raise their weapons again?? not until soph raises hers?? like it's the level of trust between her and them for me 🥹#i will say i talk a lot about how me3 shenko canon doesn’t really follow my own shenko canon (and my canon coup is MUCH DIFFERENT)#but something i noticed about the coup that i really liked? when kaidan has his gun drawn on shep you can see his hands shaking a little#it’s SO SUBTLE (and it’s easier to notice when you’ve got the video slowed down) but like?? the way his hands aren’t steady??#when he has the gun drawn on someone he loves?? i cried a bit making that gif ngl 🥺#the soft little ‘you won’t’ from shep after ‘i better not regret this’ makes me 🥺 every time.#there’s a canon reason soph doesn’t take the renegade interrupt but part of it is bc i like kaidan’s convo on the docks better :)#speaking of the docks the intro to the convo is a bit nonchalant but i like kaidan’s speech about integrity/living with your decisions#and the conversation between him/shep about what happened on the landing pad (though i wish it was a tiny bit longer!!)#there’s no ‘i feel like you would have taken me out’ line in the soph™️ canon but we supplemented it with some rewriting bc loose canon™️#(she never draws a gun on the landing pad either but that’s a story for the actual canon 🙃)#and yes i gif’ed the ass shot. there’s only one valid ass shot in the series and it’s this one! and you can quote me on that! ✨
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sexysilverstrider · 5 months
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i love how carmine lives for gossip like any teenager and arven is oblivious as a rock when it comes to romance
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ohmydumbledear · 1 year
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hold up i'm still reeling over the fact that Aabria actually acknowledged the Orym/Dorian potential out loud like what dhdheizjzkzln thank you ma'm thank you
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starplusfourletters · 7 months
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(way too many) thoughts on the ahsoka show
It was fine? I was really afraid there would be something I hated. And there was nothing I hated. Sad but true that that’s the bar for new SW material atm.
I really liked ep5; ep5 will probably get a rewatch. I liked the casting. The visuals were pretty cool. Huyang was a treasure.
So we’re really going with “the Force is in everyone so everyone can use the Force if you just try hard enough”? I… kind of hate that. That somehow feels ableist of me to say. But this is a heckin fantasy universe I feel like some people Really Are That Special, y’know?
Exception that proves the rule: A Force-less Sabine is still VERY SPECIAL. In Rebels, she can hold her own in a fight just as much as Kanan or Ezra. She’s extremely competent without the Force. She’s somehow less competent in this show
She really is just the worst here in ways that I do not remember her being in Rebels. I guess arguably Ezra was the one with Terminal Protagonist Syndrome in that show? And she caught it from him before he left?
I feel like what this season WANTED to be about – and honestly it’s the lowest hanging fruit possible for a show titled “Ahsoka” – is the tension between Ahsoka’s past / her relationship with her master and her future / her relationship with her apprentice. But I don’t think they actually hit a balance there, because they just did not make her relationship with her apprentice very compelling. Three reasons for this:
1. My bias. There are very few things that start with “Ahsoka &” that would get my attention more than “Ahsoka & Anakin.” Feel like I’m not alone on that one tho
2. Established canon. It’s already an uphill battle because Ahsoka and Sabine don’t have much of a relationship in Rebels. I’m honestly not sure they ever have a conversation. I remember Sabine being like “wow she’s cool much cooler than my idiot adopted brother”, and maybe that would be a place for a mentor figure relationship to start, if Sabine weren’t already DROWNING in mentor figures. It’s not that they have nothing in common, they are just straight up not a focal point of Rebels S2.
Hey you know who canonically has latent Force abilities? And maybe needs some training? And whom Ahsoka would have a Complicated feeling about without even needing a prior established relationship? Someone with mutually incompatible daddy issues? Someone deep enough in the cultural zeitgeist she literally would need no introduction?
Yes I KNOW it’s never gonna be canon and I should just go back to AO3 but it’s RIGHT THERE HRRRRRGGGGHHHHH
3. But a lot of the issues with Ahsoka & Sabine as a focal point are of the showmakers’ own creation. You’re telling me they have a relationship now? Fine, CONVINCE me of that:
First they shoot themselves in the foot by not giving us any information about how Sabine became Ahsoka’s apprentice originally. Why did Sabine want to become a Jedi when she didn’t want that in Rebels? DID she want to become a Jedi? What did she want to learn from Ahsoka? Why did Ahsoka decide to take an apprentice at that time and not any time before or after? How did she feel about it? And why pick Sabine, who is, and this is true, Not Very Good at the Force? Who approached whom, or did they run into each other accidentally? I suppose answering some of these questions might require answering “where was Ahsoka between 3 BBY and 4 ABY?” and they aren’t ready to do that yet, but guys. GUYS. If you’re trying to tell me how Ahsoka and Sabine fix their relationship, you gotta tell me why I care first.
I know I'm harping but I really cannot emphasize enough that "fuck it I'm gonna go round two on Found Family" is an arc-defining character beat for both Ahsoka AND Sabine and the fact that the audience doesn't get to see it really makes me question whether the powers that be themselves know what it looks like
Then we get vanishingly little information about why they broke up, and all of it is provided by Huyang. And what I’m picking up from what we have is “Sabine got too Revenge Quest-y, and Ahsoka got nervous.” I don’t even know where to begin here – maybe with the fact that if Sabine decided to go on a murder rampage, she wouldn’t need the Force, lol. We know Sabine’s family died, she wanted to go to Mandalore, and Ahsoka didn’t want her to. So… did Sabine go? How did she end up back on Lothal? Who left who? Was Ahsoka worried for Sabine’s safety, or that she was getting too Dark Side-y, or both? What juicy terrible intergenerational-trauma-driven things did they say to each other when they broke up? I want to compare and contrast this with Ahsoka leaving Anakin, but I do not have the information to do so because there are zero details and the info we DO have is from ANOTHER CHARACTER. Again, if this season is about this relationship, TELL ME WHY I CARE.
To me this is the same cardinal sin as Picard S1 – implying that some really interesting stuff happened when the audience wasn’t watching, and that it explains why the characters are behaving the way they are, and then… not disclosing that information. EXCEPT PICARD GAVE US MORE THAN THIS fjdghjfghjkhkd
I was not on Tumblr when I was watching Picard S1. Probably for the best.
But okay, they have a history, the show is gonna be about them, sure let’s move on. AND THEN THEY SPEND LIKE HALF THE EPISODES NOT EVEN IN THE SAME GALAXY. The time they do spend in the same room is 75% generic sniping. As someone who came into this way more invested in the Ahsoka & Anakin relationship, ep5 was very much NOW BACK TO THE GOOD PART
And the couple of beats they do have together have me going HUH? After ep2 I spent most of a day debating myself on whether there’s a missing scene, between Sabine getting stabbed and waking up in the hospital, where we see Ahsoka actually REACT. On one hand, Ahsoka would be upset, maybe we as the audience can fill in the gaps and we don’t need to spend time on it. On the other hand, maybe we do, tho? At the time I was thinking about how we haven’t seen Ahsoka truly emotionally vulnerable since TCW with the exception of “Shroud of Darkness” and maybe “Twilight of the Apprentice.” She has a very normal range of emotions, and she expresses them in very controlled ways, and I just wanna see what she looks like when that breaks down, ya know? What’s weird to me is that in ep4 when Ahsoka thinks Sabine is dead we do get this beat; she gets Real Mad there for a second. So maybe what we’re learning is it was a double beat and they should have cut the stabbing thing entirely I mean come on they had to have known they were gonna catch flack for that. Then again, having that moment shows the audience that Ahsoka does give a shit, more than she wants to admit and more than she typically shows Sabine, which is a fun compare/contrast with Anakin, and it might have given me a better understanding of the relationship if it had come earlier.
The other big beat is Sabine deciding to help the baddies. That is just such a devastatingly terrible decision. So bad, in fact, that I feel like we’re supposed to be drawing parallels to Anakin. Their whole “screw over the galaxy to save one person” thing. Except 1) Sabine is not Anakin and 2) in order for that to be interesting, Ahsoka needs more information than I think she has. She knows Padme died around the same time Anakin totally lost his shit, and that’s about it. Which is actually a fun little thought experiment: what assumptions does Ahsoka make about the causality there? The only people who could have given her more intel are Palpatine, Obi-Wan, and Vader – unlikely. So IF the show is about the lines between Anakin and Ahsoka and Sabine, Sabine’s choice here could be central to that, and crucially to Ahsoka’s understanding of that, except it’s just for the audience I guess?
I do really like that Ahsoka’s extremely chill about what Sabine did, though. Ahsoka “Eh Shit Happens” Tano. Somehow her lesson from all this is “masters support their apprentices literally no matter what. Citation: Mine did.” That’s an unhinged take and I expect nothing less from my blorbo.
WHICH IS WHY WE SHOULD HAVE AT LEAST GOTTEN A FLASHBACK TO THE SITUATION IN WHICH AHSOKA DIDN’T SUPPORT SABINE HRRRRRRRRRGGGGGGGHHHHHHHHHHH
I realize that I’m really tearing into this thing pretty much just for not being something it isn’t. Like, it’s not BAD. But maybe its weaknesses stem from not committing to being about any one thing. It’s kind of about intergenerational trauma, it’s kind of a Rebels Part Two, it’s kind of a Filoniverse installment, it’s kind of a worldbuilding exercise. And that’s not necessarily too much material for an 8-hour show. It’s more like the powers that be DECIDED that was too much material.
TLDR, footage of me after pretty much everything star wars that’s come out since the Disney acquisition:
youtube
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todayisafridaynight · 8 months
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seeing info only about the kiryu and majima statuettes but absolute radio silence on the ichi one is utterly sending me. Theyre hiding the fact theyre gonna make ichi pale as a cracker again
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corfisers · 4 months
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it's so fascinating to me how little there is to work with if you want to go with the (most likely) intended reading of yashiro as a cis man. if you ignore what other characters are saying, all the instances of "bitch" being thrown at him, men comparing him to a woman as an insult, and just focus on his own feelings regarding his gender and masculinity, there's… nothing really? the few times when he explicitly says that he's not a woman go hand in hand with "therefore it's okay to hurt and abuse me, to be rough with me, to want to leave me, etc etc". the way he talks about men usually reads as "men and me" with a level of separation there. all the "what type of women do you like? is this how it is with women? are you gentle with women? women women women?" there's no attachment to being a man, not that i can see at least, so reading saezuru through the lenses of sexuality and gender rather than just sexuality is this weird experience of "i know what you want me to think, but thank you for leaving so much room for the other interpretation"
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brookheimer · 10 months
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very funny that one of the main responses to the lizzo fat-shaming accusations is “but SHE’S fat!!!” as if internalized fatphobia doesn’t exist. like, you do realize that fat people have had that worldview beaten into them by literally every single person around them their entire lives, and famous fat people even more so. celebrity body positivity is so frequently performative — less about genuinely feeling positively about your body and other bodies that look like yours, more about trying to claw your way to having value in the eyes of society through any means possible. it’s out of spite and the desire to fit in. it’s not about conventional beauty not mattering, it’s about trying to expand the lens of societal atttactiveness to include you. lizzo was never trying to dismantle beauty standards as a concept, as a hierarchical way of perceiving society, as a value system. she just wanted to be valued within it — and that’s understandable, because we all want that, we all need to feel desired and worthwhile and valuable. but the best way for an outsider to become an insider is to know the hierarchy inside and out, then to enforce it yourself. if you’re able to gatekeep beauty and value from others, that implies you have access to it yourself. the only way for fat people to be valued within modern societal beauty constraints is to carve out a spot within that hierarchy and guard it with your life. i’m sorry if this is news to people, but so long as our perceptions of beauty remain the same, fat people will never be viewed as equally human — and especially fat women will never be viewed as equally woman. our beauty constraints are premised on a dehumanization of fatness. there is no way to exist as a fat person within that sphere without perpetuating those constraints yourself to prove to skinny people that you deserve to be there. this is why celebrity body positivity is so infrequently helpful long-term or big-picture — it’s not about setting all bodies equal to one another, it’s about raising your particular body equal to those at the top of the hierarchy. so of course lizzo bodyshamed her employees, her backup dancers, her assistants — that’s exactly what enabled her to become a “voice” for “body positivity.” without a position of power in that hierarchy, not only would her calls for body positivity not be heard, they likely wouldn’t exist in the first place; how are you going to feel positive about your body in our ever-competitive pyramid of beauty unless you have people below you to feel better than?
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