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#Stray meta
awellboiledicicle · 2 years
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Since there are Companion children--or at least new robots that need to learn, ie Yosh in midtown-- i can only assume that a new companion is booted up with a standardized ai modeled by the parent[s] and then it’s a process of teaching. The base isn’t the bare-boned Helper # whatever code, but it’s about halfway between that and an Adult Companion that’s been around for a few hundred years. So having a kid in this context is like having a kid as a human, but pretty much more instant. I assume smaller bodies are chosen for first frames if only because they’re simpler to control than a full sized or oversized frame, and as they mature they can choose to upgrade themselves or stay in the smaller frame. And that comes with time, yes, but also emotional maturity.
This is why Zbalthazar is shown as shorter than the other Outsiders--he just liked the smaller frame. And Seamus, meanwhile, learned enough to want a larger frame before Doc went missing--but emotionally i feel like he’s still clinging to a state of time when he was still learning from Doc and trying to stay there. Not because he’s regressing mentally or anything, he’s just... trying to hold onto the time when his father was there to guide him when he wasn’t sure of something.
I also imagine it’s far easier to have a kid in midtown than anywhere else, because 1: no zurks, 2: parts available to choose from because they probably manufacture quite a bit of things at Neco aside of trash, 3: they have time to space out a kids development with things like music and fashion instead of just survival. I assume Antvillage could make kids and raise them fine, but it’s cramped and while we see several bots that could be considered juvenile, we don’t really know. Slums bots probably have to weigh not only how being there will impact the kid, but what happens if the parent[s] get Zurk’d? Are there going to be parts left, after older bots are repaired, to upgrade someone if they feel they want to change their body? How do you prepare a child for the zurks without rendering them terrified of literally everything not covered in bright lights? Or how to explore around their home without clinging to the Guardian? Not to mention, anything culturally important you could teach them is limited by however many books got rebound and copied--or what your memory still has. Others could help, yes, but how do you know they will?
I have thoughts.
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rexcaliburechoes · 2 years
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I'm gonna play stray again so I can have more educated thoughts on it, but the game, aside from its love of humanity being shown in the companions- how humanity thrives even in the darkest times- is answering the question of what is in a legacy.
okay, I know I know, Hamilton is so out of fashion. it has many issues re American history and how Black ppl are treated and I know all of its critiques but let me have this, please.
but like... who tells the stories of humans when they die off, who sows the seeds of a future without the humans? humans had made a mark on history, good and bad. the obvious choice here is "who lives, who dies, who tells your story", but the line that is seldom referred to that I'm thinking of is "what is a legacy? it's planting seeds in a garden you never get to see."
humans might not have been able to see how humanity thrived on. b12 comments that they are the last human consciousness, which then implies that the companions evolved their code after the humans had died.
that is a response to who sees the flowers after the gardener has died. the companions, arguably more human than the humans, that will tend to the plants, just as their forebears had before them.
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stinkykittypet · 2 years
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I like to think that every time the cat dies, the player has created a timeline where all hope is lost and the robots fall into depression
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azapofinspiration · 24 days
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Admittedly, something I’ve liked in the past couple of chapters is that even with an occasional barb or complaint thrown in, there’s been a surprising lack of hostility between Dazai and Chuuya.
Like, we’ve had crumbs of this — of them caring for each other and looking after each other — before but it’s been so consistent in the last few chapters and it feels so very in our faces as well, front and center.
Like, Chuuya keeps trying to almost console and reassure Dazai or at least help him figure out what’s wrong. Dazai’s never been as open or expressive, this chapter especially with him practically thinking out loud, that I can recall. Dazai’s showing behaviors that I don’t remember seeing before but fromChuuya’s words they’re habits of his.
They’re not constantly shooting insults or attacking each other (whether with words or physical moves). They’re basically just chilling as the danger is supposedly past (until Dazai got his revelation).
And I think it’s because they’re presumably completely alone for once.
They’re not in the Mafia base. They’re not in enemy territory with unconscious looks and their retrieval target close enough to possibly hear or see them if they wake up. They’re not stuck in a place surrounded by a dangerous ability or where the location of their allies is unknown, but could come across them at any time.
This might be the first time in the main manga where we can get a glimpse of what they’re like simply with each other.
And it’s really not so bad.
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So im still in shock from the new episode but i want to point out that all of the skk angst that came out after 101 and 109 was just destroyed in one go.
all of the art and breakdowns of how much chuuya was suffering having to hurt dazai and it turns out he chose to shoot dazai like 3 extra times (I don't blame him, i love dazai but he does kind of deserve it)
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This was 100% not part of the plan and was Chuuya relieving some pent up aggression
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flowers-of-buffoonery · 5 months
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imagine having your whole existence revolve around the death and last wish of your dear friend who was a mafioso who refused to kill. imagine being a mentor to an orphan you picked up off the street following that last wish. imagine pairing your protegé up with your ex-protegé (who, by the way, is a mafioso with god knows how many kills to his name) because you know they'll make each other better.
their first mission together is a success. your protegé comes out of it having struck a deal with your ex-protegé, and the deal is to have this self-proclaimed killing machine not kill a single person for six months. this fucking dramatic killing machine, having agreed to it, is now a mafioso who doesn't kill.
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I don't think I've ever seen dazai look as at peace as he is in this panel – and no wonder. he's followed his only friend's dying wish, and found himself a boy who, by simply being himself, has managed to bring another person to odasaku's path – the path that dazai found so intriguing, the thing that made it possible for him to have a friend. if there's a single moment he should allow himself to feel some form of satisfaction, this should be it.
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chrxnicdaydream · 28 days
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hc that Dazai made a point of calling Chuuya small when they met because Dazai was used to being the small one.
like, finally there was someone shorter than him. because let’s be real, Dazai was barely taller than Chuuya in Fifteen.
i think people forget how small Dazai was too— not just in height, but also in weight. He was underweight in Dark Era, but in Fifteen & even at present he's barely within the healthy weight range for his height. he was constantly described as a twig in Fifteen, and almost every time he's introduced in the light novels he's called lanky, slender, etc.
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kyoukamybeloved · 7 months
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”In other words, the suicidal maniac wants to live. Is that it?”
“I’ve come to think it’s worth trying.”
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"You used Corruption, believing in me? How beautiful."
skk webweaves: 1, 2, 3, 4, 5
//strange gods - Roxane Gay// the portrait of a lady - Henry James// art from @/_mwk19_ on Twitter// say yes to heaven - Lana del Rey// the grudge - Olivia Rodrigo// litany in which certain things are crossed out - Richard Siken// art from @/suya1414 on Twitter// Kyoto - Phoebe Bridgers// we’re in love - boygenius// writings prompts for the broken-hearted - Eden Robinson// anyway - Richard Siken// art from @/AB0to on Twitter// things I never give myself permission to say - Chelsea Dingman// art from @/ssmi_0215 on Twitter// the whetting of teeth - Jamaal May// no light, no light - Florence + the machine// cosmic love - Florence + the machine// letters to Felice - Franz Kafka// art from @/rokkyun1 on Twitter// the sorrow festival - Erin Slaughter// norman fucking rockwell - lana del rey// remember my name - mitski// art by @bananana2217// townie - mitski// misheard lyrics - car seat headrest// you couldn’t just leave - Trista Mateer// art from @/T__rate on Twitter// your love finds it’s way back - Sierra DeMulder// a pearl - mitski// humpty - mitski// art by @yuyonyu// abandon me - Melissa Febos// where did you go - Hishaam Siddiqi// I should hate you - Gracie Abrams// art from @/qmthtdy on Twitter// killer - Phoebe Bridgers// a poem for Haruko 10/29 - June Jordan// crush - Richard Siken// pandemonium - Lauren Oliver// art from @/1110yu_ku_si on Twitter// catalog of unabashed gratitude - Ross Gay// steamboat - Adrianne Lenker//
hey remember when I said last part would be the final one? yeah uh about that, turns out I still have some inspiration yippee. hope you liked it :)
tags:
@dinosaur-mayonnaise @philzokman @amagami-hime @nnavia @homuncvlus @vinylbiohazard @bunglegaydogs @zamxii @ghostsinacoat @slug-behaviour @vivid-vices @atsuwushi @gorotic @pendragonstar @ricelover888 @oatmilkbasic @thou-shalt-cha-cha-real-smooth @the-gayest-sky-kid @lotus-reblogs @whiteapplesandblackblood @dazaiyuri @evermorehypewoman
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smellypire · 5 months
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the reason why i want kenji and chuuya to interact so bad is that they are both so selfless that it hurts them, they both try to understand other people, help them, and think so much about other people in their life rather than themselves.
the way that that chuuya embraces anger as a defense mechanism and how kenji uses optimistic behavior as a defense mechanism so it can it can bottle up his anger is so interesting to me. then they're both so strong at a young age and had to persevere through so much like ugh.. the way that chuuya forgave verlaine after what he did to him and the way kenji chose to help tecchou after what he did to him..
and it's like you see them interact in wan and anthlogy. they get along so well there and i feel like they would in main manga too. they're both so understanding and like the parralels between corruption & kenji's unhinged side of his ability like.
they would be such a power duo.
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noose-lion · 11 months
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Chuuya is literally capable of calculating advanced physics and statistical formulas in his head. HIS HEAD. He does it in seconds, little to no hesitation, while fighting.
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kaurwreck · 7 months
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If you're considering when Dazai noticed Chuuya wasn't a vampire, keep in mind that if Chuuya were a vampire, he wouldn't have killed the guards in Meursault. He would have turned them into more vampires.
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Also, if you think that it cheapens the scene in which Dazai drowns Fyodor and Chuuya for Dazai to have known Chuuya was human: it doesn't. Regardless of whether Dazai knew Chuuya would survive (he did; see his explanation of how he would kill Chuuya in Fifteen, the light novel, and further how he approached Verlaine in Storm Bringer):
Imagine how fucking miserable it must have been to do that to someone he loves and trusts. Imagine how difficult for Dazai to lean into and trust Chuuya to be okay, not only after Dazai drowned him, but in such close proximity to Fyodor, whose ability is touch-based. Imagine Dazai recalling that when he was 16, his botched timing meant that Chuuya was tortured. Imagine Dazai reminding himself that Chuuya suffered then because Dazai didn't trust him, didn't let him in on what he was doing, thought only he could pull the strings up until he was too late— and yet Chuuya remained okay anyway. Imagine Dazai considering how time and time again he's received Chuuya's unadulterated trust and choosing to reciprocate with unequivocal faith. Imagine Dazai being unable to express any of this to Chuuya typically, except for in moments when the demands of the circumstances and Chuuya's inability to respond together loosen his inhibitions and his tongue.
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Further, usually when Dazai's batshit machinations are exposed, his eyes flatten, his voice slickens into condescension, and he palpably slips into a version of himself that even unnerved Mori. But, in Twilight Goodbye/ep 61, Dazai's eyes were honeyed and light, his voice playful, and his mannerisms bright and animated. Those were not his typical machinations, because rather than attempt to control the variables, which he admitted he couldn't, he responded to what happened as it unfolded, and trusted those he loved to do the same.
He trusted Chuuya, Chuuya trusted him. Because of that, everything was okay. It's not cheap that Chuuya was never a vampire, nor would it be cheap if Dazai knew as soon as Chuuya tore through Meursault that he wasn't really a vampire. Angst is not the source of Bungou Stray Dogs' intensity; hope, faith, and love are, and they're just as heady.
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lazyflower48 · 2 months
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Dazai and Ranpo: The Two Geniuses of the ADA
The thought about making a post about Dazai and Ranpo's teamwork has been plaguing my mind for a while now, and so I finally found some time and decided to go through with it.
So let's talk about one of my favourite underrated duos for a moment. The two geniuses of the ADA- Dazai and Ranpo. Two people who make a wonderful team and are actually, in my opinion, the backbone of the agency.
What I find interesting is that (though I believe that Dazai respects and admires all members of the ADA) Dazai openly admires Ranpo A LOT. He's always quick to praise Ranpo (basically fanboying over him and it's quite adorable to see Dazai gush over someone like that other than Oda) and in 'Dazai's Entrance Exam' we see him being surprised over the fact that Ranpo's ability is not actually an ability and we see him further praise Ranpo's intellect after finding that out.
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Despite the fact that Dazai is a huge mystery, even to the people around him, Ranpo figured out that there was something up with Dazai in just a single glance (in 'Dazai's entrance exam'). And despite knowing that Dazai was probably hiding a sinister past, he didn't press him any further for details (probably in order to respect his privacy or his wish to not disclose his past OR maybe due to the the fact that knowing Dazai, he most likely wouldn't answer truthfully even if questioned about it)
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What I also love is that even though both of them are extremely intelligent, their intellect differs in such a way that Ranpo is a master of deduction and Dazai is a master of manipulation (as stated by Kunikida in 'The Daily Routine of the Detective Agency'). However, one thing both of them share in common is that they both felt isolated due to their nature.
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They may have limited interactions but their interactions are always my favourite, for instance-
1. Dazai's entrance exam - Dazai's admiration and respect towards Ranpo
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2. Season 1 - Murder on D-Street - Dazai showing a good understanding of Ranpo's deduction process and acknowledging that Ranpo caught onto more details than him
3. Season 2 - "Mountains or sea?" " Sea. "
Showing their unspoken communication. They can read each other's minds at this point lol.
4. Season 3 - Ranpo basically acknowledging that Dazai would be a tough opponent to go up against by comparing Fyodor to him (sort of praising his intellect in a way)
5. Season 5 - The Strongest Man in the Agency- Ranpo
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Dazai keeping an eye on Fyodor while leaving the rest to Ranpo
Dazai relying on his allies- trusting Ranpo to negotiate with Bram in order to undo the vampire curse.
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6. Dead Apple - Ranpo seeing through Dazai's plan beforehand.
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7. 55 minutes - Seeing through upcoming events beforehand, one thing Dazai made sure was to inform Ranpo about the whole fiasco on Standard Island in order to save the Agency in the end.
Also, sidenote: I found out that the Dazai and Ranpo duo is named Souheki, which translates to double jade. Now, I'm not sure if this information is fanon or canon (feels more like fanon tbh but I really like it because it's a pretty name)
Anyway, one thing we can say for sure is that as long as the two geniuses of the Agency- Souheki work together, the ADA will most likely remain undefeated cause no one really does it like them
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Lastly, just some food for thought. I've always wondered how Dazai would react if he found out that Ranpo met Oda TWICE and the second time he met him was right before Oda went on to his certain death.
Honestly, I would LOVE to see more fleshed out and direct interactions between these two.
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stinkykittypet · 2 years
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It is very likely that the main cat in Stray is a female, as domestic cats in the wild will travel in female-only groups, kicking out males when they reach maturity
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azapofinspiration · 11 months
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Chuuya who doesn’t let himself want things because he has to put everyone and everything else first, who feels like his own wants shouldn’t matter because he has power so he needs to be responsible and prioritize those weaker than him.
Dazai who doesn’t let himself want anything because the moment he gains it he will lose it, who can’t handle opening himself up to that kind of pain and vulnerability because he’s been taught that that is a weakness.
Both Dazai and Chuuya whose experiences tell them that the moment they want, everything begins to go wrong and they’ll lose the things they care about.
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I made some funny comics a little while ago about the potential effects of Fukuzawa's ability on Chuuya's, and how it perhaps could make it revert to a pre-Arahabaki state.
I realized later that some of you lack the context for where that came from, and that I might be creating confusion, so this is a (hopefully) comprehensive walkthrough of things we learned in Storm Bringer that lead to this conclusion.
tldr; The lab created "Arahabaki" by manipulating an ability into a destructive force. That ability existed before the lab, and the nature of that ability is heavily implied to be the power to enhance other abilities through touch.
Explanation and sources below (so you can judge yourself) ⬇
- spoiler warning for Storm Bringer, hopefully written in a way that you'd understand even if you haven't read it yet -
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In Storm Bringer, Chuuya meets the scientist that was responsible for Project Arahabaki, Professor N.
Project Arahabaki, N explains, was the Japanese government's secret project to create an ability singularity they could have control over and freely use as a weapon.
What are singularities? Singularities are what happens when abilities clash in specific ways and create a new, unforeseen reaction. The easiest way to create a singularity is to pit two contradictory abilities against each other to create a paradox; examples included the ability to always deceive and the ability to always perceive the truth, and to have two ability users who can see into the future (*coughs* Oda and Gide) try to one-up each other. The result is usually much more powerful than the original abilities on their own.
Some singularities are said to have been explained as god-like interventions, because of their often destructive nature. This is what inspired the name "Arahabaki", after the mythical being (here's a post of the subject and I'll it link at the end too) These events are described as very rare.
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Like mentioned in that passage, there is another way to create a singularity: to have a single ability user use their ability in a way that contradicts itself. This is what the lab was trying to do.
For that explanation, Professor N gives an example. He first shows a video of a child, whose face is hidden from the camera, holding a coin (described as having a certain melancoly to it), with a moon and a fox engraved on it. The video is from one of the lab's tests. The child is made to recite some activation lines, which are directly taken from one of Nakahara Chuuya's poems, Upon the Tainted Sorrow (which does mentions a fox, as a fun fact).
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The coin then starts glowing, the glow turns into a black mass, and from there the experimentation goes bad: the coin starts attracting things and absorbing them, the space gets distorted, the child's vitals flatline, panic spreads and someone calls for an emergency stop, we hear a scream. The video ends.
N explains that the child in the video had the ability to enhance the ability of others. That child then used that ability on themselves, effectively enhancing the enhancement which enhanced the enhancing, in an infinite loop. That loop created a lot of energy; the surplus of energy was so intense its mass deformed space (physics!) and it created a black hole.
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Here's where it gets tricky: N claims that child died during that accident, that the child was absorbed by the black hole created by their ability. We never actually learn their identity.
But N is a lying liar who lies; he said about one and a half truths the entire book. The only reason he was telling them any of this was that he thought he'd get rid of all of them within the next few minutes. His objective was always to regain control over Chuuya, his pet project.
Plus, during the epilogue, we learn that Chuuya was assumed to have died during the war. That's what his parents think. That's what is officially recorded.
Furthermore.
Project Arahabaki was based off French research papers; someone else had done this kind of experimentation before, and their result was Verlaine.
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Verlaine's gravity-manipulation is a singularity. Better yet: Verlaine also has a Corruption state, named Brutalization. Their abilities are the same, because the lab copied the techniques that were used to create Verlaine when they worked on Chuuya.
Here's a passage of Dazai nullifying Corruption, at the very end of SB:
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"The self-contradicting skill, which was supporting the energy of a singularity". This passage confirms that the source of Chuuya's ability is, in fact, like the child's and Verlaine's, if any doubts remained. "[...] weakening the singularity's output. It wasn't long before it returned to its normal state, and the Gate closed." The Gate refers to releasing Arahabaki, it's basically a limiter, just like the passage above when talking about Brutalization. When Dazai nullifies Corruption, he gives that limiter the opportunity to come back and seal Chuuya's power away again, but does not stop the singularity, only allows it to go back to its stable state.
From all that, we can say that Chuuya's ability wasn't always gravity manipulation, but that it was another, unconfirmed ability that was exploited in such a way that it became a permanent, stable singularity that allowed him to have control over gravity.
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Bullet point recap:
Chuuya's gravity manipulation comes from a singularity, like Verlaine, like that child;
You need a self-referencing/self-contradicting ability to create that singularity;
Such an event is rare;
There is a substantial amount of time spent describing a "random" child that was experimented on during the war;
That child created a black hole through their singularity;
That singularity was activated using a passage from Nakahara Chuuya's poems, while holding a coin that references it;
That child supposedly died;
Chuuya's parents think he died during the war;
N is a pathological liar with an agenda.
So no, there is no "confirmation" that Chuuya's ability was ability enhancement before the lab took him. But an author writes a story with an intent, so I am asking what Asagiri's intent was when writing all this, and if perhaps we weren't indirectly given the answer already.
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What is Arahabaki (Fifteen and Storm Bringer lore, with too many citations)
My own perceived timeline of the true events behind Storm Bringer (was originally gonna be part of this part, also with too many citations)
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flowers-of-buffoonery · 6 months
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I have many Thoughts about kunikida and dazai but kunikida realising something is wrong and immediately going to dazai about it is the Thought ever.
kunikida was with the agency - he could have asked yosano, ranpo, even fukuzawa. instead, he climbs several flights of stairs to go ask dazai - and then he doesn't even ask, he simply acts as though assuming dazai would know the answer.
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at this point in the story, kunikida is entirely in the dark about dazai's past; everything he knows about his partner comes from observation, from paying attention to what dazai says and does.
kunikida knows nothing about dazai save for what he's been able to put together himself, which apparently is: if something's wrong, dazai will know what it is as well as the implications. he will know how to fix it, and kunikida trusts him to do so.
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as much as dazai's antics grate on kunikida's nerves, he's perfectly aware of how capable dazai is. he knows nothing about him other than what he's learnt, and that's enough for him to trusts dazai with his life.
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