part one here. ze part two to touch-starved stevie that absolutely no one requested hehe <3 but i gots to let my boys have a wee kiss :")
So, hugs with Eddie become… well, a thing.
Not a thing. They’re not a thing, Steve and Eddie. It’s totally the same as when he gets hugs from Robin. Eddie’s doing him a favour as a friend. It’s got the 100% platonic energy of getting a hug from a friend — a hug that usually melts into some form of a cuddle, limbs all tangled together until they can’t tell whose are whose.
Except, Steve doesn’t really do that second part with Robin. Like he hasn’t done it ever with Robin.
So, it’s an Eddie thing.
But they’re not a thing. Not matter how much Steve would actually very much like for that happen. Okay, maybe Steve’s overthinking the whole thing a bit, but he just can’t tell.
Where’s the line? It’s infuriating not being able to discern between platonic and more, just because Steve wasn’t held enough as a fucking baby. Out of all the things he resents his parents for, Steve’s surprised that this is so near the top.
Because, sure, Steve’s had more than his fair share of hookups. He knows that sort of touch. He knows the shape of lust; the scrapes of fingernails down backs, the tight grips over skin, the push and pull of the heat of the moment.
And this thing with Eddie… is not that.
So, really, Steve knows that it’s all friendly. Eddie is just being nice. He’s being a decent dude and helping his friend out — by catapulting himself into Steve’s arms at every opportune moment.
(Steve’s only dropped 3 mugs of coffee because of this so far. It’s only because Eddie says good catch, big boy with a devilish grin every time that Steve manages to catch Eddie that Steve hasn’t completely told him to knock it off. Just yet, at least.)
And he’s different in other areas. He’ll always seem to choose the seat next to Steve on movie-nights now, content to snuggle right up to him. They get thigh to thigh, arm to arm — and Eddie only needs to get about 20 minutes in for him to do a big sigh, like an old dog, and slump over, resting his head on Steve’s shoulder.
Steve notices though. He always notices.
It’s impossible not to— the skin, even if there’s 3 layers between them, burns blazing warm. Eddie’s hair drapes over his arm, a curl inevitably tickling along Steve’s collar. He can feel the rise and fall of Eddie’s breathing, the little shake of when he laughs.
It drives Steve a little insane— insane in the way that makes him think about burying his fingers in those curls again, about pressing his lips against Eddie’s pretty mouth just to feel the smile against his skin, about digging into his chest so he can climb into his chest and live there.
Yeah, it’s— well, it’s safe to say that the effect of Eddie’s touchiness has sent what was once a fleeting thought of a crush into mind-melting levels of affection.
But he can’t fucking tell.
-
To Steve’s credit, neither can Eddie.
Which is not surprisingly considering sometimes he catches himself wondering how the hell he ended up here; in a close-knit friendship with band-geek Robin Buckley, princess Nancy Wheeler, and King Steve Harrington.
Okay, the Robin one sort of makes sense. He thinks that if no matter when their paths crossed, he and Robin would’ve always even some sort of strange friends - her snark complimenting his bitchiness. Also, the whole super queer thing helps too. Even the friendship with Nancy works, in its own weird way.
Steve though? He’s the fucking curve ball.
It works though, the two of them. Surprisingly well, actually — the two of them get on like a house on fire, bitchy quips back and forth. Even better, is the quiet that they can share. Steve loves to come around and do… nothing. Do nothing with Eddie, though.
So, even though Eddie had noticed the tension in Steve with touch, little moments where he turned rigid when Eddie’s usual wandering hands got too comfortable — Eddie chalked it up to the usual. Guys bring too uncomfortable with him, too weird about another guy being touchy. It didn’t matter than Eddie wasn’t even out to Steve yet, he was still might be that type of guy.
Well, Eddie had certainly thought so. Sure, Steve might not be one of those jocks who smacked around boys who looked too long in the locker room, but if he knew a smidge of the truth, who really knows. It would explain the tenseness at least.
But then— ‘Can I… have a hug?’ There had been a dozen things Eddie was thinking that Steve could’ve asked for but that? Wasn’t even in the ballpark. It was so left-field it left Eddie speechless for a whole moment. And Steve had been staring at the ceiling, his hands curled up tight again like- like he thought Eddie might say no.
A ridiculous thought, honestly. Anyone who knew Eddie well enough knew he was touchy; loved giving it, loved getting it. Like an overly affectionate cat, Wayne had once called him, just 11 years old, because Eddie’s need for affection seem to never be sated.
After that night, Steve’s lack of touch became far more obvious. It’s always hair ruffles or high-fives, yet never hugs. Normally, Eddie would keep to that boundary; some people are less touchy other than others, he knows that.
But… “Sometimes I realise it’s been awhile, since I’ve had some touch.” That’s what Steve had said, his words. Eddie doesn’t even think he meant to say something so heartbreaking. In fact, the guy seemed embarrassed.
It had thrown Eddie for a loop— because Steve gets around. He’s nearly notorious for one-night stands and failed flings, as Robin loves to drone on about considering she’s subjected to all the flirting. What had originally been a point of envy for Eddie, just saturates the bleakness of Steve’s words. Sex but without a moment of intimacy.
So, while Eddie is miles away from being the person who gets into Steve’s pants — not for lack of want, mind you — he does try hike up the touchiness. Little things. Lingering when he taps him on the arm, hooking his chin over Steve’s shoulder to peer over it, leaning up against him when they’re side by side watching a film.
It’s good. It helps Eddie release the pressure of his stupid monumental god-awful crush he has. Yeah, yeah, it’s laughable, even to Eddie. It’s like Gay 101; don’t get crush on straight dudes, especially the ones you’re friends with. And yet…
Steve lets him. He lets Eddie give him touch, more than he lets anyone else. He still tenses; there’s still always a moment before he can remember to relax, like he’s trying to shake off bad thoughts but then he melts. He always melts into Eddie’s touch eventually — in a way Eddie knows Steve actually loves it, drinks it up as much as he can.
And maybe, Eddie is the biggest fool to grace the Earth to let that fact give him some hope. Sue his gooey heart, he’s a romantic. It’s a quiet hope but, it’s there.
Tonight, it seems relaxing for Steve is been harder than usual— several times has Eddie traced a quite long along Steve’s arms, a subtle point that they were far too tense for someone who was wrapped up in cuddles on the couch. ‘Cos that’s 100% what they are now. Eddie will still call them hugs, but usually, when it’s just the two of them, it becomes this.
Steve, tucked up into the corner of the couch, one leg flush along the back of the couch and one hanging off the edge. It’s the prime position for Eddie to crawl up, wind his arms around Steve’s middle and give him a good squeeze and then settle there. Head on Steve’s chest, lying in the cradle of his hips. Safe. Warm.
It makes him warm, oh very warm to know that he gets this. That Steve doesn’t give this amount of trust to many, if any, other people but Eddie — he trusts Eddie.
“Y’know,” Eddie says, cheeks smushed against the plain of Steve’s pec. It feels deliciously warm and Eddie’s fairly sure he can feel how toned it is just through his cheek. Hot bastard. “I’m actually real glad you asked for that hug all those weeks ago.”
He leaves it there ‘cos he knows Steve will ask. Eddie’s eyes stay on the buzzing tv-screen even as Steve’s head shifts, turning to peer down at the boy slumped on his chest. Eddie’s pretty sure he can see Steve’s mouth twitch up into a smile.
“Yeah?”
“Oh yeah,” Eddie affirms, giving a nod and his eyes flick up to meet Steve’s for just a moment. “Think I’ve had some of the best hugs in the world.”
Okay, that was maybe more honest and sappy than Eddie was going for. He is just letting Steve know he isn’t just doing it for Steve — that he enjoys these moments just as much. He lays it on thick, tries for a smarmy angle.
“Swept up in these pillowy arms?” He croons, giving Steve’s bicep a quick squeeze, making the other chuckle softly. “Who wouldn’t think so? I’m a lucky guy.”
Despite the joking tone, there’s no quick comeback from Steve. That’s alright. Eddie’s quite happy if this is one of the times Steve just takes the compliment; let’s the word sink in and hopefully, believes them, even if it’s just a little bit. He watches the film and doesn’t read into the silence.
Not even when Steve says, “Eddie?” all soft. Nearly shy sounding. It doesn’t quite register to Eddie’s ears.
“Mm?”
“Eddie.” Steve says again, a little firmer and that catches Eddie’s attention. He turns his head and rests his chin on Steve’s chest, his brows drawn together in silent question.
But the moment he makes eye contact, Steve’s doing that scrunched up face again. Is studying the ceiling instead of facing Eddie. And just like all those weeks ago, his hands clench up tight. Twists up the fabric of Eddie’s sweater in between his fingers and uses it to ground himself.
Last time, he asked for a hug. Considering he’s currently just about squishing Steve beneath his body weight, Eddie can’t fathom what he might be worked up to ask for. Unless he was going to ask for something more than a hug— which, well, just wasn’t going to happen, even if Eddie really wanted it to.
“Can I-” Steve starts. He sucks in a breath, almost like he’s gathering courage. But he’s not, because he’s not about to ask for what Eddie hopes for, he’s not, he’s—
Unless…?
“Can I… have a kiss?” Steve asks, barely audible. The sentence is murmured, soft words that hit Eddie like a gentle kiss in itself — imprinting right onto his heart. Steve Harrington wants a kiss — from him!
“Oh.” Eddie says, in a breathy delightful way. He’s fairly certain the little monkey in his brain is clapping its cymbals at double-speed as the words process; or maybe it’s his heart, which feels like it’s leapt up his throat.
“Oh?” Steve echoes, a smile already playing at the edges of his mouth, because he can see Eddie’s want. Because he knows him.
“Yes.” Eddie says suddenly, with a frantic nod, pushing up closer so their faces are aligned. “Yes, absolutely, you can.” He affirms.
Steve huffs a quiet laugh at the eagerness and then his arm that had been slung around Eddie shifts. It moves up til his hand caresses along the line of Eddie’s jaw, tilting him just how he likes.
Eddie holds his breath. Counts the freckles he can see this close. Tries to feel Steve’s heartbeat through where they’re pressed so closely together; can Steve feel his? Thundering and hurried, beating so hard Eddie thinks he might bruise the inside of his ribs.
Then Steve kisses him. And shit, Steve’s lip are better by ten-fold than every daydream Eddie’s ever had about them. They’re warm and so soft — plush and pressing against his own and Eddie is freezing. Fuck, wait, how does this go again? Right, Eddie’s never… well, kissed anybody before.
Steve pulls back and Eddie screws his eyes up — not ready in the slightest for the disappointment of his own shoddy kissing skills. Fuck, did he really just freeze? Steve — Steve Harrington — asks for a kiss and Eddie decides to stab himself in the back by not figuring out how to fuck to kiss back.
“You call that a kiss?” Steve teases and Eddie’s well aware of the parallel — of the irony of Steve repeating his own words back at him. But he can’t make himself laugh even though it’s funny. Instead, a little groan wiggles out his throat.
“I’m sorry,” Eddie says, earnest. He forces his eyes opens — he needs to see what’s Steve’s thinking. Where he’s expecting disappointment or perhaps regret, is only patience. Maybe a touch of concern. Eddie continues, despite the humiliation that makes his throat sticky.
“I haven’t- I don’t do this often.” He coughs awkwardly clearing his throat and hoping it hides the next word. “Ever.”
There’s a jump in Steve’s eyebrows, a moment of surprise in his eyes that lets him know he did, indeed, hear that final word. It makes Eddie feel… well, it’s nice that Steve had expected him to have been kissed by now. Even if he hasn’t. He tries to take it as a compliment.
“That’s okay,” Steve assures. Absentmindedly, his thumb rubs soothing along Eddie’s jaw. It makes Eddie shiver, some outrageous amount of joy clawing into every nerve. Steve likes Eddie. He wants to kiss Eddie.
“Do you want to try again?”
Eddie nods before the questions even out of his mouth. Steve smiles, all sunshine. This time when he draws Eddie in, he notices the way Eddie holds his breath — the rigidness in his body.
Steve kisses him again, another short and soft one and then whispers against his lips, “Relax.”
‘Cos isn’t tonight just full of the parallels, Eddie thinks. He listens, tries to focus on how sweet Steve’s kiss is than his panicky heart, forcing out a breath between the kisses. His hands along Steve’s sides find a grip, grounding and good, and by the fourth kiss, he begins to feel a bit melty.
It’s good. It’s really good. Kissing Steve is top 5– nay, the top moment of his life so far. Somehow, it’s made all that much better knowing the build-up behind it. Knowing that Steve knows he isn’t just kissing him for a heat of the moment — that Eddie wants kisses here, kisses before bed, in the morning, on dates. Eddie wants Steve.
And with the way he kisses, Eddie’s pretty sure Steve wants him just as bad.
It doesn’t take long for Steve to reach what Eddie decides is an ultra pretty fuckin’ state; lips swollen from kisses, cheeks flushed, hair a little mussed up. He bets he looks no better. The thought makes him grin, enough they have to break the kiss ‘cos Eddie can’t stop his stupid happy grin ‘cos shit— he actually gets to have this Steve.
“What?” Steve asks, somehow half heart-eyed and half suspicious at the mischief in Eddie’s eyes.
“Can I... have a hickie?”
now with a part three !
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Based on the variety among sea animals I decided to make some regional variations of the coast strikers (note that these are variations only, not entirely new quivers or clades). The dragons shown here would be the most “defined” archetype of each variety, showcasing most or all traits characteristic of said kind. They all share certain base features, like rudder shaped tails, gills, harpoon tongues, echolocation, double rows of teeth, and flat tail spines that can be detached and thrown. However, some traits change or are more common in each variety:
Deep water
Make up about 5% of the population, and inhabit the smaller communities in deeper ocean. The main activities here are algae and mollusk farming, as well as resource collection from the sea floor, both of which require a more long term stay –despite the dangers of sea serpents and other such beasts–. Slightly smaller than their cousins, they’re better equipped for the depths rather than for flying: shorter wings, webbed talons, very broad tails, and gills being more oxygen efficient, although their dart spines are usually less in quantity and shorter compared to inland dragons. Extra flippers and more fin tissue between spines is common, as well as larger eyes to take in more light. Their most notable trait, is that of translucence. Most commonly, it’s usually just wings and torsos that are see through, but different dragons showcase different levels of said trait, some being completely translucent in rare cases (of course, trading better camouflage for less armor). Coloration typically goes from dark colors similar to coastal strikers, black, red, or sometimes pale colors (the latter present usually in the populations living in the deepest available settlements). Rarely, some slight bioluminescence is present in transparent sections of the body.
Coastal
The representatives of the Roaring Coast quiver, being around 80% of their numbers. Sleek, tall but well muscled, they inhabit the sea side cliffs on the coast and some settlements in shallower waters. Extremely long and narrow wings are perfect for soaring for hours out at sea, with webbed back talons and a flattened tail making them adept swimmers. Their blade shaped spines are plenty and deadly when thrown, and offer some protection to their necks and backs. Fin tissue in between the spines is few or non existent. An odd ability most present in this variety, is the one of spitting ink. Manifesting itself as dark splotches in the throat, this ink is dense and quickly expanding underwater, and very sticky and thick on land, making it useful at deterring predators or confusing prey. Countershading is the standard regarding coloration, with light colors underneath and darker ones on top, the latter usually ranging from black, gray to washed out shades of blueish or purple hues which shine with more vivid highlights under the sun. Most common patterns are stripes or flecks. A perfect balance between the sea and land.
Inland
The remainder of the coast striker population, they live in the rivers and lakes on the edges of the Roaring Coast territory, further inland but still relatively close to the ocean. Shorter but more stout than coastal strikers, with medium length wings, broad whiskered snouts and narrower tails. Their spines are closer to the average AshWing, being more needle shaped rather than a flat blade. Their colors are similar to those of pebbles and gravel (more earthy tones) and messy patterns of spots, blotches, stripes and rosettes. Fin tissue is more similar to that of fish, making itself present more than in the coast variety but less than those of deep waters, as well as having some slight webbing in all talons. Some notable features are some splashes of brighter colors, and semi retractable barbs in limbs and backs –like those of catfish– which can sometimes inject painful venom. These last two traits are similar to the ones present in swamp lurkers; this could be the result of convergent evolution or cross breeding between clades, given the relative proximity of their territories
On a final note, characteristics mentioned here aren’t exclusive to each variety: there could be a coastal striker with slight translucence and barbs, a deep water striker with whiskers and ink, or an inland striker with full talon webbing and jet black scales. These are increasingly likely if one parent has said traits. Additionally, many times these varieties and traits are not so starkly differentiated as are the ones show here, usually being a mild mix between some
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ok sure i'll talk about farleigh start. i'll talk about his tragedy of never being enough as it were and then having to deal with fucking oliver. sure. disclaimer: it's about class (and race) and the horrible reality of the rich. the horrible reality of living as farleigh.
another disclaimer: i'm white! and poc definitely pick up on everything i'm talking about here as it is, and better. i was and am specifically interested in farleigh vs. oliver but it's impossible to examine without considering race. definitely let me know if anything abt this sucks!
farleigh and oliver are similar. it's annoying because every intruder that is not himself is annoying, partly because felix's attention swaying from farleigh is dangerous; there is always a threat of being discarded, even if no precedent existed. the potential is terrifying.
but you'd think he's seen this before, every summer (if venetia is telling the truth) or at least often enough to learn to recognize it fast, so he should know this will pass. part of it is i think still the deep anxiety, and i think he hated every boy that was there before, and it is sort of routine.
but definitely a huge factor in farleigh's annoyance is the fact that he's a biracial (black for cattons, that's all they see) man in a white rich household. he's alert and exhausted all the time. of course he's angry at oliver, regardless of whether he's the first to crash at saltburn for the summer or the fifty-first.
but the important thing is this.
farleigh is very jealous of and angry and pissed at oliver because farleigh sees all the similarities between them. outsider, in financial trouble, whatever it is, in need of cattons; and yet oliver is preferred. and farleigh seems to be the only one to really consider it. felix does not pick up on the hint when farleigh brings up the birthday party vs. his mother. felix's clumsy "different or... anything like that" is as much about race as it is about class, of course. the "we've done all that we can" bit is felix absolving himself of guilt because surely they had, surely the mysterious collective cattons that he's not really part of had tried all they could do. to him, farleigh is different from oliver, because farleigh has been helped. felix is rich and white and twofold uncomfortable with farleigh, even if he's nice about it, even if he genuinely enjoys his company; he doesn't look too close at farleigh because he feels too guilty to come too close. and farleigh can't do anything about it. he can't nice himself into it. the fucking tragedy of him is that he's never enough in the world of the ultra-rich white, even if (especially because!) he's born into it.
farleigh is very pissed at oliver because farleigh also sees all the differences between them. you know who can be nice poor white enough to fit in? fucking oliver. felix says "just be yourself, they'll love you" when oliver first moves in. farleigh was also probably told the same thing, and felix also probably believed that farleigh could just be himself, but even if the cattons were magically not racist at all (impossible), it wouldn't make a difference to farleigh. he would still self-censor, keep in check, be in dangerous waters (because racism is not just about the individual, but about the system). we see that he'd won himself leeway by years of trial and error by the way he speaks to the family, but it's still within the boundaries of acceptable, built by the cattons. he's part of them because they allow it, and farleigh is very, very aware.
the annoying thing is oliver can be himself. like, truly, genuinely, he can just be. and farleigh can't help but envy that.
as a side note, oliver is obviously jealous of farleigh in the beginning as well, because regardless of the reality of farleigh's situation, he was born into it, and hence, at least in oliver's mind, has his position solidified. oliver's whole thing is unquenchable thirst and hunger for whatever and everything the cattons have (including themselves!). he wishes to have been a catton from birth. to oliver, at first, there's nothing farleigh can really do to lose it. and until he figures out the cattons completely, he can't help but envy that.
but i think farleigh senses something different about oliver early on. at least on the level of the text, we have "you're almost passing [for] a real, human boy", which is so important because farleigh is the first to point out oliver's weirdness. the next to do so is venetia in the bath scene calling him a freak, but it's too late. farleigh is too early.
and i like to think he clocks oliver too early because he sees the jagged edges that he recognizes in himself. i think that one other thing that farleigh envies is oliver's freedom to let go. freedom to let go is very similar to freedom to be, but not quite the same.
to be is about perception: farleigh knows he cannot fall out of line, but would like to, and oliver does not have to worry about it at all (i mean, he does, because oliver also performs for felix, but farleigh doesn't know that).
to let go is about the self: farleigh is too scared to even want what oliver eventually does, to even consider the possibility. oliver can let himself want. oliver can let himself act. oliver just can do things and want things. i'm not sure farleigh can.
and so in this scene, when oliver's wants and actions have landed him nowhere with farleigh, felix, venetia, the cattons, of course farleigh gloats. he can let himself do that, because if the cattons are slowly discarding him, farleigh can allow himself this one small victory. he's relieved because despite the dangerous similarities, oliver is, thankfully, not really the same as farleigh, right?
but like. this movie is a love letter to all things gothic. oliver is a white man. he prevails. the brief performance that oliver put on did eventually end up more effective than farleigh's lifetime of constraint. my heart fucking breaks for him to be honest.
the issue that remains is the fact of farleigh's survival. i like to think that oliver came to respect him. oliver is smart, but farleigh is clever. he picks up on everything oliver does (to refer back to the karaoke scene, farleigh immediately retaliates in the cleverest way, in the moment), and he's the only one to do so consistently (venetia, again, for example, comes close, but too late; oliver doesn't like that, there's nothing to work with). hence, stay with me for a little longer, the paradox: farleigh survives because he was never enough for the cattons, but he is very worthy of oliver's attention. in his own freaky way, oliver wants him. look at that.
so. farleigh. farleigh might come back. he always comes back. and i think oliver wants to try harder next time.
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