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#amateur painter
newyorkthegoldenage · 3 months
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George Gershwin relaxed after composing by painting. Here he is in his New York apartment with his first oil painting, February 1, 1932. He finished it in three days.
Photo: Associated Press
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Acrylic on canvas - 2022
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markonpark · 9 months
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The Artiste. Larger 8" x 10" photo of a man painting a portrait of a woman.
On Etsy: www.etsy.com/listing/1537037955/
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4leafrovers-dump · 2 years
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My first celluloid
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daisuki-da-yo22 · 2 years
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Nyanko-sensei is ready to eat ✌︎('ω')✌︎
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fandomsandfeminism · 4 months
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When people look at abstract art and go "uh I could make that"
Fuck, I wish you would!
I wish you would let this inspire you. I wish that seeing a piece of abstract art would move you to self expression.
I wish you would go to the craft store, buy a cheap canvas and some cheap paint and let yourself play with color and form just to see if you can.
I wish that there were more amateur painters, trying their hand at geometric abstraction and color field painting. That would be so fucking cool.
"I could make that" should be a joyous revelation, not a snarky dismissal.
You could make that? Holy shit. please. Please make that.
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Jack Bush
Kenneth Noland
Piet Mondrain
Pat Lipsky
Joan Mitchell
Helen Frankenthaler
Kikuo Saito
Marilyn Kirsch
Mark Rothko
Adolph Gottlieb
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First time posting my art! I'm a total beginner with watercolors, so I'm making this blog to document my progress!
If you know me irl, no you don't
(also this is a side blog, so I can't follow anyone back! Sorry!)
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Cave dweller - acrylic on canvas - August 31st 2022
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patricia-taxxon · 6 months
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i think the one thing that AI art dissidents need to hear is that like, you're allowed to just dislike it as art. Most of it just sucks, like an amateur painter got a hobbyist to paint detail onto their uncomposed unbalanced sketch until it looked superficially like Dota 2 concept art. You're even allowed to feel betrayed when you like a piece of art and then discover it was synthesized from a prompt, the closest parallel would be connecting to a song or picture and then finding out the artist themselves only made it to chase a trend & didn't actually care. it is fine to want a direct line of communication in art. you do not need to propose a system for visual art that emulates the state of copyright & the music industry, what is wrong with you people
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sakkiichi · 8 months
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FROM ME TO YOU.
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Because good things take time and it’s not too late for happy birthdays.
ft. Albedo x gn! reader.
cw/genre: fluff, birthday special, reader is an amateur painter.
this is just something spontaneous that I came up with… I just… kinda gave free reign to whatever flashed through my mind once I was before the blank document, parting from a very vague idea I had haha.
if you enjoy this, reblogs and comments help more than likes !
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Autumn’s cold always arrived early in Dragonspine.
The faraway rays of a molten copper halo fuse with the peaks outlined on the horizon.
Magic is the word you’d use to describe such scenery; seconds that seemed to both be suspended in the helpless passage of time, and slip between your fingers; like golden sand inside an hourglass too small to savor every snapshot brought by the incandescence of crepuscular skies.
On instances like this, you wished your painting skills were better; if only to capture the glow of early dreams threaded through the asters of twilight.
For now, however, this will have to do.
Why did you wait until so late for this, you are unsure.
True, wishing a happy birthday to someone as the clock strikes twelve is not an uncommon occurrence.
And you’re kind of doing just that, more or less.
Except…
Well, it’s usually when the special day starts that calls are made, starlit whispers are uttered between lovers, and secret kisses are exchanged.
So you can’t help but wonder… is it too late?
For this? Or to back out now?
A sigh escapes your chapped lips, into the dimness of dusk, the stillness of frozen peaks, the stars.
Stars.
Your gaze is drawn to the easel you’ve set before you, fingertips delicately trailing over the four-point asteroids decorating a heaven made of brushstrokes.
Gold pinpricks, almost aglow beneath the darkening penombre of sundown, over a backdrop of ultramarines and indigoes, akin to sunlight over the depth of a frozen sea; a mirror image of the sky now hovering over snowy plains.
Looking up, you find a firmament of constellations. Stories, sketched in the silver flames of light years away suns, above an infinity of obscurity.
Those tales, however, had a tendency for lighting up paths that fell victim to the constant fluttering snowflakes.
“Hello, dearest.” A voice, smooth, liquid dawnlight over dewed cecilia petals, greets. “Am I late?”
The sound of crunching snow fills the fire-lit silence, the torches from his camp casting him in tepid hues.
“Albedo!” You call him, turning around.
And when you do, you swear he alone outshines every galaxy you could ever dream of rendering on canvas.
Tendrils of midnight sun and honeycomb seem to meld together in the blonde locks framing the alchemist’s porcelain-like face. Spotless, argent light from distant stars kisses his skin, fading into flecks of sparkling acacia blossoms to halo his gaze.
Summer skies.
That’s the image his eyes always evoked: clear skies, endlessly blue, over meadows to lie on, the low grass soft beneath your forms, as hands entwined and fingers pointed above, determining the shapes of the occasional cottony clouds.
What a paradox, how someone who spent his days surrounded by ice could make sparks ignite in your heart, cheeks heating up like the embers that remained after the coziness of a homey hearth.
“Is there anything you needed my help with, love?” He asks, gloved hand running its thumb over the back of yours.
Your gaze flits from your intertwined hands to his smiling lips, taking in his features in full.
“Not exactly your help.” You offer, your own lips a moon shaped brushstroke of vermillion. “I just… would like you to see something.” Your hand squeezes his, as you swing your linked hands between the both of you. “It’s your special day today, after all, isn’t it?”
Your rhetoric is met by the alchemist’s windened gaze, followed by one of his subtle smiles.
Tugging him along, you guide him to the candle lit spot where your easel is propped up.
Why are you feeling nervous all of a sudden? You internally chide yourself, biting the inside of your cheek.
Relaxing your shoulders, you turn to face your lover, gaze averted when you mumble:
“It’s not much but…” You scuff one of your boots on the dirtied snow. “I just… I remembered your painting, ‘You and I’ and… well… you know… I…” Your lids close, your nose scrunched up in that way he always found utterly endearing. “I wanted to make a painting for you too!” You finally sputter, stepping aside so he can see your masterpiece.
From that moment on, Albedo would forever believe no starry night could ever come close to capture the sheer magic of your art.
Gilded speckles abound in your make-believe heavens, each of them a shade slightly different than the previous one. They rest against a backdrop of cyans, accentuated in baby blue around your handmade constellations, the piece’s finale, a violet horizon. Outlined against it, two figures seem to dance, their happy ending created by them, rather than foretold by the celestial bodies staring in envy at a proximity that doesn’t burn, but warms and completes.
“I know it’s not the best but-“
“It’s perfect.” Is the kreideprinz’s awestruck answer, as his svelte hands hover over the frame. “You’re perfect, [Y/n].” He blurts, still staring at your work.
Then, he meets your eyes again. Your face is in his tender hold, a fleeting frosted kiss landing on your lips.
“I love it.” He assures. ‘I love you.’ His dilated pupils confess.
“‘From me to you’. Its title.” Your hand reaches up, resting on top of his. “You know… I hope you didn’t think I had forgotten about today… I just… kinda wanted this to be your last memory of your day.”
With that, both your gazes fuse in a watercolor of each other’s lips, of the anticipation of feeling them against your own.
“Happy birthday, Bedo.” You utter, before leaning in.
And then, the night, the snow, the starshine, all fade away, in a myriad of rose colored frenzied blazes. Your hands lost in the ash blonde strands at his nape; his, pulling you closer by the waist. Your kiss is a nebula of pulsating light, undimmed by even the most ruthless blizzards, lighting up the ebony of the pines obscuring the moonlight. Frozen air is exhausted in your lungs, but you don’t care right now, not when you’re kissing your prince charming under the lights of an aurora that’s still hours away.
A few moments pass, with the stars orbiting marking the approach of midnight.
A snow-kissed breeze caresses both your faces when you part, causing a shiver to rake through your body.
Your prince’s arms wrap around you.
When you look at him, matching chuckles fill the night air.
Moments like this were worth waiting all day for.
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daisuki-da-yo22 · 2 years
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I just did this a couple days ago and I have nobody to show it to 👉🏽👈🏽🥺
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whencyclopedia · 4 days
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Claude Monet
Claude Monet (1840-1926) was a French impressionist painter who transformed modern art with his emphasis on light brushstrokes, bright colours, and uncluttered nature. Famed for his landscapes and series of paintings that captured the same view in different momentary atmospheric conditions, Monet is heralded as one of the greatest and most influential artists of all time.
Early Life
Oscar-Claude Monet was born in Paris on 14 November 1840. The job of Monet's father, Claude-Adolphe, is not known except that it was a humble one and that the family often struggled financially. In 1845, the Monets moved to Le Havre on the northern coast of France where Claude-Adolphe worked in his brother-in-law's thriving wholesale grocery business. Oscar-Claude's favourite subject at school was art, and, fascinated by the boats in the busy harbour, he often sketched them. From 15, he made money by selling caricatures, some of which were displayed in a local shop window each Sunday, which became a minor local attraction. Monet's aunt, Marie-Jeanne Lecadre, was an amateur painter and she encouraged Oscar-Claude, introducing him to the artist Amand Gautier (1825-1894).
Another artistic influence was the landscape painter Eugène Boudin (1824-1898) and the pair went painting together en plein air (outdoors), as opposed to the traditional method of painting in the studio. Still only 17, Monet produced his first outdoor painting, View from Rouelles, in 1858. Monet later described the experience:
Boudin put up his easel and set to work…for me it was like the rending of a veil; I understood; I grasped what painting could be…my destiny as a painter opened up before me. If I have indeed become a painter; I owe it to Eugène Boudin…Gradually my eyes were opened and I understood nature.
(Hodge, 15)
In April 1859, Monet gathered together his savings from his caricatures sales and went to study art in Paris. He enrolled in the unconventional Académie Suisse and started to make friends with artists like Camille Pissarro (1830-1903) and Paul Cézanne (1839-1906). More caricatures helped eke out his savings.
In June 1861, Monet's studies were rudely interrupted by conscription into the French army. Joining the African Light Cavalry, he was shipped off to Algeria. The bright colours of North Africa left a lasting impression on the young artist, who continued to sketch when he could. Then, after contracting typhoid in 1862, Monet was invalided back home. Six months later, Aunt Marie-Jeanne bought her nephew out of the army. Now 22, he dropped the Oscar from his name and began to paint again. It was at Le Havre that Monet met the Dutch artist Johan Barthold Jongkind (1819-1891), whose work he already admired for its broad and bold brushstrokes and which captured effects of the weather on seascapes. As Monet noted, Jongkind "became from this moment, my true master; and it is to him that I owe the final development of my painter's eye" (Hodge, 19).
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