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#and I think that was done on purpose
mothmanadjacent · 4 months
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I’m so upset because I hate Valentino and I want Charlie to at some point cleave the creepy weirdo in two, but his character design is so good. I want to draw him but his character makes me physically ill.
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onionninjasstuff · 9 months
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Part 2
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taxus-fraud · 9 months
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My opponent just called upon the Oracles and scattered most of my pieces across space and time. Does anyone know the best counter in this situation?
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dantevhell · 11 months
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GUYS GUYS GUYS HEAR ME OUT PLEASE
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justarandombrit · 6 months
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Owen "Spent four years pretending to be dead, whilst secretly concocting an elaborate plot to take revenge on his ex boyfriend by gradually dismantling every principal he has ever believed in, thus making his entire life purpose obsolete" Carvour: Here's some advice, Curt. It's called moving on.
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hedgehog-moss · 1 year
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Record numbers of protesters all over France today. Images from Paris, Toulouse, Grenoble, Bordeaux, Clermont-Ferrand, Rennes, Lyon, Lille, Marseille.
Major highways and bridges along with train stations, ports, warehouses and refineries blocked by demonstrators and unions, many universities and high schools blocked by students, Tour Eiffel, Arc de Triomphe & Palace of Versailles closed to tourists, 25% of workers on strike in the national electricity and railway companies, 15% of all civil servants on strike. Protests were organised in every major city and many smaller ones. Could have added a lot more pics of huge crowds in Strasbourg, Nantes, Limoges, Orléans, Nancy, Annecy, Brest, Mulhouse, Pau, Montpellier, Rouen, Le Mans, Bayonne, Toulon, Tours...
And kudos to Brittany for consistently out-Brittanying itself this month, between the nurses who brought out the catapult again while playing the biniou, and the fishermen who sent a tractor to face down the police’s water cannon Transformers-style, your protests have a special place in my heart.
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I don't know how to phrase this any better, but I seriously think that Léa needs to get a lawyer or legal advisor and step away from Twitter for a moment. I get that she feels a moral obligation to provide fans and former fans with a constant flow of all the information that she has available (which is an important thing, and she has been the main source of inside information since this all happened), and I know that she likely cannot pay for a lawyer herself on account of the fact that this whole issue arose because she (alongside others) were not getting paid.
However, regardless of whether or not leaking Quackity's personal information was a purely human mistake rendered lesser on account of the labor laws broken by him and his studio (in her own tweets, as her own argument), it should not have happened. Bottom line is that she rushed to provide the internet with information about the situation, and she made her argument, her voice, and her credibility lesser as a result of that.
Not only did she do what could be argued as a crime in more than one nation (though I am a bit iffy here; I am not a law graduate or student of any sort), but she directly harmed Quackity, and possibly his family, who had no part in this situation.
Her need to get information out as quickly as she can as the inside force led to this massive mistake, and no matter how you want to frame it (because it is still a mistake), it really should not have happened. It harmed both Léa and Quackity (though I would stand to argue one more than the other), and it could have been avoided if there was someone else working behind the scenes, or if Léa had simply checked the screenshot over a few times before posting it.
I'm not certain how to end this post, but I've thought this for a long time. This is a legal situation in which she is one of the primary witnesses. With such a large part of this playing out on Twitter, in a borderline trial of public appeal (not sure how much better I can phrase this, because such a massive part is involving the opinion of fans) she needs to understand how important and influential her words are, and how catastrophic it can be to both her cause and Quackity's if she messes up.
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lokh · 8 months
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WAIT SHUROS DAD SAID HE WANTED HIM TO BRING SOMETHING BACK INTERESTING.... AND WHO IS MORE INTERESTING THAN LAIOS....
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russenoire · 1 year
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that scene in season 1 where teruki hanazawa exorcises ekubo mid-sentence... and shigeo's eyes widen in shock?
i really want to talk about it, specifically the explosion meter accompanying it.
normally, when the teenager's emotions aren't obvious to the audience, that meter relays to us a sense of what he is actually feeling. but we cannot trust the meter here. we see it jump up a few points at teru's 'psycho wave' sending the sleazy ghost to the shadow realms, and remain steady at 50% upon shigeo's recollections of the spirit's unsavory nature. the boy outright tells teru that he isn't bothered. and it's funny!
but shigeo isn't being honest with himself here either.
his face briefly gives his feelings away before resettling into its normal flat affect. (to be fair, what he's really feeling isn't teru's business. this kid is trying to provoke a fight out of him, after all.) after he's basically tortured into exploding, shigeo spends three hours in the pouring rain, searching everywhere for ekubo.
three. hours.
these are not the actions of someone who isn't bothered. letting himself get drenched to the point of sickness,
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even though he literally holds the power to shield himself from it,
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reads to me like unconscious self-punishment for allowing all this to happen.
after a large chunk of his short life spent denying and fearing them for good reason, shigeo's first impulse is often not to use his psychic powers -- even after his integration at the story's end. i wish this was discussed more, because many watchers cannot fathom why this boy with world-breaking psychic abilities would ever refuse to use them.
also: the explosion meter lying to us / representing shigeo's detachment from his own emotions alexithymia may occur elsewhere in the series as well, especially when he's not close to an explosion; i'm reminded of the tiny dent ritsu's provocation of him makes in it a few episodes later.
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kaladinkholins · 5 months
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(concept art of young taigen - source ; art credit: @abigaillarson)
i cannot get over this concept art of young taigen. god.
just look at this angry bratty boy, too many feelings that he doesnt know what to do with! an abused 9 year old kid in poverty always playing with sticks in the dirt, obsessed with greatness and dreaming to escape his decrepit village—and he does!
he does escape. he runs away. this angry little boy, all claws and teeth and biting words uttered with a lisp, going on the run into a world he's never seen before until he makes his way to kyoto. and knowing him he probably forced his way in to be accepted by the dojo, growling and kicking even as he's thrown out, back into the streets, too stubborn to take no for an answer and never knowing when to give up.
taigen calls mizu a dog, weak, an orphan, a scrawny street urchin. but i can't help but think that he feels so bold to use those words because he had them spat at him too.
because taigen had the idea of "this is how the world is" beat into him from birth. he learned quickly that if you couldn't beat the world you could join it. but that meant losing your way, your values, your principles. and isn't that what true honour is? not just titles and status and glory?
we don't get to see what taigen, as a child surrounded by peers encouraging and goading him on, would've actually done if that meteor hadn't fallen right in front of them at that very moment. would he have really tried to throw that stone on mizu, killing her? we don't know.
but we do see what taigen (his true self, with no one around) does, when presented with the same opportunity. when mizu passes out in front of him, unconscious and near death, vulnerable, the path to restoring his honour lays itself out for him on a silver platter. and he wants to take it, wants to kill mizu, to claim what is his and return to kyoto and get back everything he'd worked tooth and nail for. he feels like it's what he should do. but he doesn't.
and later, again he is presented with the chance to betray mizu, likely offered by heiji shindo to get his rank reinstated within the shindo dojo. and again, taigen doesn't take it. he refuses. "stupidly loyal," fowler calls him later. loyal, like a dog.
because now, pulled away from the sneering looks and jeering words of people around him, telling him that this is what the world is, taigen had met ringo and mizu, two outcasts who refuse to follow a predetermined path to greatness. and so inside something blooms in him. something like hope. a chance to live in a world that doesn't kick you down every chance it gets, to live in a world where genuine kindness and and love and friendship and even weakness is possible, allowed to simply exist without fear.
because he'd been running away from the very idea of it the whole time. when he ran from kohama, he never looked back, never wanted to remember what it was like to be a child, afraid and hungry and angry and hurting, without the words to make sense of it, desperately wishing for something. something more. he doesn't know what. but he hears stories of great swordsmen and decides, yes, this must be it. this is what i want: glory, greatness. the twisted seed gets planted and thrives in this barren land.
and when he returns to kohama with mizu and ringo, he at last is forced to stop running. he must face the child within him again, and he tells that child to put down the stones in his hand, tells him to stop barking at anything that moves or looks at him wrong.
the child drops the stone, and taigen buys dumplings instead, gives them to mizu. the child within him, wide-eyed at the prospect of friendship, moves him to pick up a hammer and toss it to mizu. he's smiling inside even as he does it; giggling like a kid hiding a silly prank. as soon as mizu drops the hammer after him, he leaps at her, tackling her to the ground and they wrestle and laugh unbridled like two children playing while the adults aren't around to barge in and yell at them.
and then his gaze catches on mizu's lips, he stares into mizu's eyes, a sparkling blue, inviting like the open sea in good weather.
it's a man's desire that takes hold then, the child in him sinking away again, and he curses himself for it, because it ruins the moment.
everything goes to shit from there, and then it's back to being a man, back to putting on his grown-up's armour to play hero.
it fails. the shogun dies. fowler's beatings reopen all the wounds left by heiji shindo's torture. "honour is meaningless," mizu tells him. "nothing comes from being a samurai but death."
the words follow him, and he follows the words.
as everything burns down, he runs, leaving the fire behind him, and sees akemi, as well as the verdure of spring behind her, calling him. he does not hesitate then to hold his hand out to her, inviting her to come with him. "i don't want to be great," he says. "i just want to be happy."
what is happiness to him? perhaps he doesn't know it yet, or perhaps he does. but really, i believe happiness is what the child in him always wanted but never received. happiness is a home.
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cienie-isengardu · 8 months
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"She [Mother] would applaud my actions" << & >>" Mother would be so proud"
MK1 Smoke vs Sub Zero (Bi-Han) << & >> MK11 Sub Zero (Kuai Liang) vs Noob Saibot
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topaziraphale · 8 months
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"Stop saying Crowley won't help Aziraphale in S3 he'd go back to him in a HEARTBEAT and nothing would stop him" I get it no one likes the idea of Crowley being bitter after what happened for a long period of time but like can we at least acknowledge that he's currently going through probably the most emotional pain in his life since falling? Can we agree that he's opened his heart entirely - something you couldn't pay him to do unless the world is literally ending and he's desperate - to Aziraphale, and got shot down? Can we understand that he did it AGAIN only to lose Aziraphale again? Not that what Aziraphale did isn't without Crowley's own shortcomings (hiding the truth of Heaven's cruelty from him) but like,,,,
The appeal here isn't Scorned Crowley Doesn't Love Aziraphale Anymore, or Never Wants To Help Him Again, the appeal here is Crowley learning enough self respect to not just walk back right to Aziraphale like nothing happened after Aziraphale has had a pattern of consistently refusing him. Going years ping-ponging between "We're not friends I don't even know him" to "That's what friends are for right?" and "We're friends, why would you even say anything?" and "Friends? We're not friends. We are an angel and a demon!"
Like I get it, Crowley is a heartbreakingly forgiving person. Of course he's gonna forgive Aziraphale, I'll be surprised if he didn't forgive him by the time he walked out the bookshop door, but gdi he could at least grant himself the luxury of being at least a little irritated for longer than however long it takes to make a globe and some books float and angrily cry out to God in his flat. But due to the change of pace and dynamic that is establishing part of the conflict for Season 3, I just really like the idea of him for ONCE prioritizing himself and being like "Okay, fine. We'll get back at it when you're ready, then," instead of just taking Aziraphale back like his words and actions meant nothing to him, when clearly they have an effect on him.
What is Aziraphale going to learn if Crowley just accepts what he did so quickly, like he always has the entire time they've been friends? Idk maybe I'm just projecting too much darkness on their dynamic but I mean, if the pattern of Aziraphale pushing Crowley away/disrespecting him one day and then being fine with his friendship the next + Crowley never stopping to be like "Hey, that's not cool, at least give me a little credit" or smth was fine all along and will continue to be fine in the future, then why, after 6,000 years of being friends and loving this demon, can Aziraphale still not accept that Crowley is just fine the way he is, and instead got excited to promote him to an angel in a heartbeat once the opportunity presented itself? You can't blame all of it on Heaven when Aziraphale has demonstrated his free will/defiance to Heaven so many times. Or, I don't know, I guess maybe we can? Maybe I'm just craving too much angst to the point where I'm letting it cloud my analysis of canon. Idk.
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daily-grian · 1 year
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fun fact: I have exactly zero idea what day we’re on. The only way i keep track is I know we’re a couple of days behind @daily-ethoslab (beloved) or something.
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canisalbus · 8 months
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Look, I know it's supposed to end badly. But I need to admit that in my head, they declared a mutual "fuck this shit" to the world and society. Packed all the stuff they could one late night and escaped to a remote open plain in the middle of some thick woods where they spent the rest of their lives healing and living freely in nature.
I've been having a lot of intense feelings about them as well. The tragical elements are so baked in to their story and setting, it's hard to imagine a happy ending for them. But every now and then I find myself thinking of scenarios and AUs where they both live and grow old together. For coping purposes, I suppose.
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sanjifucker42069 · 7 months
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Looks Like Lingerie to Me - Part Two
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Word Count: 1.4k
Part 1
A belated and awkward part 2. I’ll start writing part 3 in the morning (it’s like 1am lmao)
For those who need a visual aid, here. (oof feels like wattpad or quotev but girlypops i am cringe but i am free. it isnt a perfect representation, but its pretty accurate. titilating, no? ;) )
Warnings: Lingerie lmao…this is pretty short, and is just a set-up for part 3. A lot of this is my own feelings surrounding cis men in lingerie. As with part 1 gender neutral reader. Yeah! Hope you enjoy!
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Sanji couldn't stop thinking about it. You thought he'd look hot in lingerie? You thought he looked slutty?
It had overtaken every waking moment. Any time he wasn't focused on a task all he could see was the dumb stare you gave him, eyes focused on his thighs.
He'd love to wear lingerie for you if it meant you'd stare at him like that.
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The Going Merry was docked, the Straw Hats carrying out their duties, and Sanji had a plan.
"I'm gonna go shopping. You coming (Name)? Sanji can carry our bags." Nami preened, looking absolutely glowing at the prospect of new clothes. Sanji bit his lip. He wanted to go with Nami and you, really he did, but if either of you caught on he'd die of embarrassment.
"You okay, Ji?"
Huh?
You were asking something.
"What? Oh, yeah, love. I'm fine. I'm afraid I have business to attend to on the island."
You blinked at him before smiling that dazzling smile up at him. He was smitten, his fortitude nearly wavering. "Of course. You do what you gotta do!"
Business his ass. Instead he hurried to check out the town.
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A small, seedy shop tucked away in an alley. Sanji entered the store warily. A small, old woman trotted out from the back. Sanji blanched. He didn't want to discuss this with a grandma! 
"Hello young man, here for something for your wife?"
Sanji felt himself flush. He tried to wander around the store. "No, no-"
"Your girlfriend then?" 
Ah. This grandmother didn't know when to quit.
"Not exactly?"
The old lady grabbed his arm. Sanji raised a brow, turning back to her. She was grinning at him, eyes narrowed and sparkling with something he couldn't place.
"Is it for you? Such a handsome young man as yourself." 
What? Sanji's face was on fire. He was flustered beyond belief. His hands were lightly shaking, eyes darting around for anyone else in the store.
"Come with me darling. My name's Bea." The old lady chimed, dragging Sanji with her. "What colour were you thinking?"
"Oh, um." Sanji was panicking, voice high. Did she even have lingerie for men? "Blue?" 
Bea hummed. "I do have blue, but I have a lovely pink set that would just make your skin pop."
Pink? Sanji didn't think it was possible to flush darker, and yet here he was. "I, uh, would it even fit me?"
"Of course sonny! You're quite slim." Bea swatted at his arm, patting his biceps for good measure as she led him through the store. "So, tell me about the lucky one."
"They're beautiful." Sanji began dreamily. Where should he even start? "The most gorgeous creature I've ever laid my eyes on. They have this laugh that just brightens up any room, and such a sense of humour. I’ve been smitten with them since I met them.”
“You two aren’t together?”
Sanji shook his head sadly. “No, no. We’re just good friends. They, uh… Do you know what shirt stays are?”
Bea laughed, patting the cook on the arm. “Say no more.”
She let go of him when they reached the back of the store. Sanji watched nervously as she carded through a rack of, well, did it really constitute clothing? Skimpy piece after skimpy piece were revealed.
And then he saw it.
It was a gorgeous baby pink. Bea ahhed as she removed it from the rack, holding it up to inspect it. She turned to face him, sizing him up next to the set. Sanji felt his throat go dry as he really took it in.
The set was a simple baby pink bralette, made from some kind of sheer lacy material with a flower motif. The plunging neckline was created to draw attention to the cleavage, and it was adorned with some delicate string of pearl-like decoration to highlight the collarbones. The panties were the same sheer material, clear that they weren’t to hide much. The sides of it were accentuated with cute ruffles that further added a feminine touch. Sanji felt lightheaded. 
Finally, it was a beautiful pastel garter belt that sat in the middle, completing the look. It too was made from the same stretchy, sheer lace. It would wrap around the waist, strategic cutouts to accentuate the waist, hips, and the bellybutton. The central cutout had a simple chain of pearls to add interest and movement. Four satin-looking ribbons led from bottom front and back, with clips attached to hold up stockings.
Oh, maybe his shirt stays were kinda…
Nonetheless, it was breathtaking. Sanji had clearly marvelled at it for too long, as Bea chuckled, causing him to flush red. The old woman, lingerie in hand, led him to a mirror. 
“I’m…I can’t.”
Bea just chuckled, holding the hanger up against him. “Look in the mirror boy, I’ve been making lingerie for fifty years. This suits you.”
Sanji obeyed her, staring at himself in the mirror. What he saw took his breath away. He looked a mess, face red and hair messy. He had to hand it to the old woman, the colour was flattering against him. Even the cut looked good. Sanji shifted from foot to foot, anxiety creeping in. He wasn’t really sure how he felt about looking so…so feminine. 
Sanji was a man. It wouldn’t be right for him to wear something so delicate and gorgeous. Right? Of course women’s clothing was beautiful, the fabrics they used, the stylish designs he’d seen the girls on the ship sport. Men’s clothing just, well it was meant to be masculine and boring. Right? He couldn’t let himself give in to that want to feel pretty, that would be wrong.
Right?
Bea, clearly noticing his inner struggle, scoffed.
“Sonny.”
“Sanji.” “Right. Sonny, I’ve been doing this for a long time.” “You, uh, you already said that.”
“I know that!” Bea snapped, swatting at him. Sanji’s gaze drifted back to the pink lace. “I’ve been doing this for a long time. When I started, well, I made boring beige bras and the same lacy black underwear again, and again, and again. I got bored. I got creative! And when I got creative, I became determined to make people feel pretty. People, Sonny, not women.”
Sanji went rigid, his throat was so dry. Was he that obvious? All he could make out was a simple, “Oh?”
Bea grinned. “Everyone deserves the right to feel pretty.” Sanji opened his mouth to speak but the old woman just held up a wrinkled hand. “Nope. Don’t care if you’re a ‘man’. Everyone. Sonny, one day you’ll realise that being a ‘man’ is more than just grunting like an ape, or never showing any vulnerability, or even having a penis. Man is a state of mind, and Sonny, the sooner you feel comfortable in who you are, the more beautiful life is going to be for you.”
Sanji felt breathless. “Really?”
“Really.” Bea nodded, a fondness in her eyes. “Come, we’ll get you a choker to go with it, I have just the one.”
Sanji felt a million miles away as Bea led him to the shop counter. She handled a delicate pink satin choker with care, presenting it to him. It was a giant bow, a simple snap holding it in place around the neck. Simple, but delicate. If Sanji was honest with himself, he liked it.
“Like a million berry! Your precious one will love you in it!” Bea smiled fondly at him. “So, Sonny, you buying?”
Sanji sucked in a deep breath. When he spoke his voice was foreign to him, a shakiness underlying the wispiness. Sanji felt like he was treading water, unsure and scared of the newness of it all. He could drown at any moment.
“Yeah.”
“Good, good!”
So Sanji paid. Bea took extra care to wrap the lingerie up in a delicate pink tissue paper. His own little present. She then promptly put it in an unmarked bag. She understood, shooting him a wink.
“So, anyone, huh?”
“Oh yes, yes. You see, originally I made them for my girlfriend when I was a much younger lady. She was a farmer’s daughter, wonderful girl, shared many a kiss with her, and then some! Now I make these lovely ones for my current husband. You remind me a lot of him, Sonny. You see he lets me wear this harness thing that I put in his a-”
“Thank you grandma, I’ll be out of here now!”
“Yes, yes. Good luck, Sonny! Stop by with your sweetie and get something nice one day, okay?” Bea waved her goodbyes from the doorway, smiling that same sweet old woman smile. Sanji clutched the bag to his chest tightly. 
Right. Time to put the plan into place.
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pyrrhicprose · 9 months
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Hey guys so I was rewatching OPLA and uh.
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They really carried that well theme through huh?
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