christ sometimes I just wanna. steal a time machine & go back & sit down next to my 9-year-old self and just like. let them pull out their pokemon card binder & gush about their holographic gyarados or whatever. I'd just smile & ask questions about motherfukcing bulbasaur & tell my kid self that I thought they were a neat person, & someday they'd find other people who thought so too.
like i'm a grown adult who honestly finds most kids stuff boring, but. damn if i could go back & hang out with my baby self & listen to them ramble...just so they knew someone was listening. i would in a heartbeat. thinking about u kid
11K notes
·
View notes
In my sleeplessness last night, I decided to note down every time Uncletello says "I'll fix it" or some variation of it since it's used quite a bit! I didn’t do every time Donnie’s repaired something or tried to find a solution because that’s like the whole comic 💀 so I just focused on the use of the word fix in relation to him. THE RESULTS:
Donnie’s always been the one who handles repairing things and helping his family and doing things for them is his love language. But, his idea of “fixing” really picks up when he’s sick and when he’s trying to get his brothers back. He’s the fix it guy and he tries to do what he does best when he gets anxious. He mends, repairs, he improves and adjusts, he fixes, or at least he tries to, even if the thing he sets out to fix seems impossible or large, like fixing the planet or aging or DEATH. Anything for his family, even everything. I just think it’s interesting that that word in particular is used so often with him!
I also think it’s interesting that during Donnie’s death absence, Casey uses “fix” in the same grand and determined way that his uncle does. It makes me think that Casey’s come to associate “I’ll fix it” with “everything is gonna be okay” because that’s what it means whenever Donnie uses it. He says that everything is gonna be okay, and in one way or another, he usually ends up being right.
OH. MY GOD
1K notes
·
View notes
On the topic of FCG potentially being reincarnated--it makes sense as an option the party might organically consider attempting, but, as we saw with Laudna's death (and even Percy's way back when), input from the player is a really operative aspect of whether a character will be resurrected. Marisha clearly did not want to let Laudna go, so they pursued a long road to bring her back. Alternatively, Taliesin was totally willing to let Percy go if he thought the ritual offerings wouldn't be enough (shoutout to Vex's nat 20 persuasion check for this one).
And Sam? Well, Sam, as a player, loves to fail. Because failing is interesting, usually far more interesting than succeeding. We're talking about a guy who openly derides luck points and fervently refused to use the halfling luck feature except in the ONE instance where succeeding the roll would have had a worse outcome than failing. Regardless of how I or anyone else feels about losing FCG and/or wanting them back, Sam does not strike me as the kind of player who would want to bring FCG back after going out like this, available reincarnation or not. I would both suspect and anticipate that this will be FCG's final showing, just based on what I know of Sam as a player
743 notes
·
View notes
Mentioned this before but as much as I adore the medic Leo headcanon, my favorite type of it is when it’s basically just Leo knowing the most surface level of stuff and carrying around a super basic first-aid kit in his pack. So he knows how to use gauze, and he’s got a ton of Jupiter Jim branded bandaids, and if you really needed it then he can hit you up with some ibuprofen but other than that? Nothing.
But. I love the idea that that changes post-invasion.
They’re pretty sturdy, all of them, so they can take more than one beating and really only need a bandaid for the fun of it. But the invasion hit harder than ice packs and “lots of rest” would help with, and I can bet that a post being beaten to a pulp Leo would have a lot of time on his hands to reflect and, maybe, learn a thing or two as he waits to get better.
It’s nothing excessive, not at first, but he watches veterinary videos, and live surgeries, and other videos in that same realm (because the books are, uh, a bit too jargon-y for him) multiple times over. Just so he knows. Just in case he needs to know.
In his pack, there’s a first-aid kit. With the use of a mini portal for extra space, the kit has grown to include everything from scalpels to butterfly stitches to sutures to even fiberglass patches.
And obviously the Jupiter Jim brand bandaids stay too.
429 notes
·
View notes
How I (roughly) imagine this scale:
1- I see myself as a faster reader than the average person. I can breeze through a text quickly and still understand almost all of it
2- I read at a "normal" speed. I need to pace myself but can consistently read and comprehend a text in a reasonable time frame
3- I see myself as a slower reader than other people. It takes me a long time to get through a text and if I try to go too fast I won't understand it
Obviously this can vary by your mood, the type of text, etc. and this is a very imprecise scale with some overlap, I'm just casually curious!!
459 notes
·
View notes
There’s actually some wonderful terrible parallels between the way Kabru evaluates Laios and how the Winged Lion evaluates Laios and the Lion KNOWS this and lowkey points it out in canon and Kabru hates it so much he fully leaves the conversation.
Do you think this keeps him up at night sometimes.
329 notes
·
View notes
I try to generally be constructive and engaged with the show I love on here, so on this day, I’ll just say that one of the most thematically important aspects for me from the original ATLA is Aang’s emotional core of real shame for running away when he was hurt by the monk’s decision to send him away. People who feel the kind of deep-seated shame that Aang feels from this decision can understand how that kind of all-encompassing shame is not built around a simple failure or a lie they tell themselves; it’s constructed from real misbehaviors and transgressions of their own sense of ethics—lashing out, telling lies, attempting to hurt others intentionally—that then have consequences (abuses, abandonments, or deaths) which seem to far exceed their expectations or even basic logic.
The combination of the misbehavior with exaggerated existential punishments (along with a lack of support and amend-making in the immediate wake of the events) is what transforms a sense of guilt (I fucked up) into shame (I am a forever fuck-up). Then shame, that sense of being a secret monster ‘no matter what I do or how good everyone thinks I am,’ invites all the avoidance strategies (Aang puts on big smiles, makes lots of jokes, constantly tries to make everyone happy, hops from town to town without building deeper connections). One doesn’t want to acknowledge one’s true feelings or let others in to see those feelings and experiences because it’s too painful to face the grief at the same time that you have to look at yourself for being responsible—even when you recognize it wasn’t totally your fault. It’s just that if you had just been good, less emotional, less human, then maybe the world wouldn’t be so messed up. Of course, in a zen view of things, the world will always be messed up in the same way it will always be beautiful. These are constant facts that always coexist in balance, and this is the truth that Aang learns and that undergirds the whole series.
So I always loved that Aang ran away. It was his sin and his salvation. And it becomes this constant tension for the series—he gets hurt in Bato of the Water Tribe and starts to run away from Katara and Sokka, he runs away to the Guru in the Crossroads of Destiny and his best friend is attacked, he and the gaang retreat after the Day of the Black Sun failure, he runs away to meditation in Sozin’s Comet when everyone wants him preparing for war. Aang’s reluctance to be a hero and the attachments and petulance for which he gets criticized are what metamorphasize to become his most noble attributes. They allow him to empathize with others shame and, ultimately, wield the kind of compassion that can deconstruct the power and perfectionism of imperialism.
So yes, Aang ran away from his temple 100 years ago. It wasn’t the mentally healthy choice. It wasn’t the ethical choice. It wasn’t the wise choice. It was human and emotional and shameful and real. Aang is a better character for it. ATLA is a better show because of it. And we are better people when we understand these kind of tragic emotional experiences that people are trying so hard to grow through.
324 notes
·
View notes
we do not have five entire books full of percy's philosophical thoughts for rick to pull this shit. if annabeth was in character, she would be looking at this architecture and consider what she'd do different (and since she's redesigning olympus, she'd maybe also consider if she'd use any designs there). her fatal flaw is hubris and it should be a staple characteristic of hers.
214 notes
·
View notes