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#and i think it's an interesting motif
blairwld · 1 year
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There’s only one Serena Van der Woodsen. Yeah, no, not tonight
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poorly-drawn-mdzs · 8 months
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Up High!
[First] Prev <–-> Next
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shadeswift99 · 1 year
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Immediate observation about Limited Life: People are being a lot less wary about early deaths than they have in any series before. The combination of more lives to lose, keep inventory being turned on, and especially less immediate consequence to lives lost is resulting in players treating these early sessions much more like a regular SMP than like hardcore mode.
The catch is, it’s a delayed consequence, not a nonexistent one. I think in the later episodes we’re going to see a lot of people wishing they’d played it safer as their time ticks into the red.
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Cannot stress enough that idc abt corrupt priests, I care abt *corrupting* a priest. Getting that sweet innocent man to give in to his desires and whimper and beg for me? ......Yes plz
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alpacacare-archive · 1 year
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Not to post knight papyrus on main or anything but
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somnimagus · 1 year
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old yosuke/yusuke outfit swap doodles i did simply because their names are one vowel apart
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+ swapped all of p4 and p5's clothes for fun after! it's kinda interesting to see how much clothes affect a character's vibe.
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when i originally posted these some people pointed out ryoji/ryuji and the makotos, so i did a quick doodle of them too. quality dropped a bit on this one though
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merlinmerlot · 7 months
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if i had a nickle for every time i became enamored with the deceptive rogue elf x uses-humor-as-a-coping-mechanism-for-his-self-loathing ship, i would have two nickles. which isn't a lot,
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carlyraejepsans · 3 months
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Do you enjoy underfell? I thought you disliked aus /genq
i don't dislike the concept of AUs itself, I'm just not a fan of like... the subculture that spawned around them in the UT fandom specifically and how it eventually took over almost all canon content (especially when it limits itself to the bros)
i like aus visually! i am an artist at heart after all. it's just that, if I'm going to care about them as stories and not just fun design ideas, my bar is uhh almost impossibly high the further you move from canon lolol.
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chiropteracupola · 1 month
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And now my fur has turned to skin / And I've been quickly ushered in / To a world that I confess I do not know / But I still dream of running careless through the snow...
[a bisclavret for @mortiscausa’s ’march to camelot,’ for the prompt ‘monstrous’]
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raayllum · 2 months
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You think I've done awful things, and I have. But I'm not evil. It's me. You know me. I'm still the same person.
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I actually think these lines / scene from Claudia is one of her most interesting in the entire show, so let's talk about it, beat by beat.
You think I've done some awful things, and I have.
This line, along with others from Viren (his "I had to" is another form of justification, and what's to justify if you done nothing 'wrong' or nothing to be blamed for?), i.e. "In the name of love, you will perform acts so unforgivable, you will never forgive yourself" as well as Claudia's explanation in 4x01 ("I had to do things... I never imagined I would be able to do" with tears in her eyes) and Terry's assertion ("I've seen you do a lot of awful things, dark magic things") is like... while Claudia still doesn't see the error, I'm willing to bet, with the bulk of her actions (elves and dragons are still clearly not wholly people to her), she's still done things that she considers awful. Things that crossed her previous moral lines, beginning, I'd bet, with the deer in 2x09, and that which only escalated from there.
Claudia still thinks she's a good person (which we will get to in a second, believe me) but she doesn't think she's squeaky clean. She knows, just as Viren knows (and just as Callum knows/believes) that she's done genuinely awful, terrible things.
A character feeling bad about doing something, or a character recognizing that something they've done is terrible ("It's horrific, Viren" "We have no other choice"), is not a get off scot free card in this show, and it never has been. Not for Claudia, and not for anyone else.
While Claudia has been manipulated by Aaravos, everything she's done is of her free will, and without lying to herself about the exact nature of them (even if there's still plenty she's in denial of like the plague, but I digress).
Claudia is like 5 different cognitive dissonances in a trenchcoat, but she's not stupid, either.
But I'm not evil. It's me.
This to me shows the mask slipping the post, because if there wasn't even a hint of possibility at being evil, you would feel no need to declare otherwise. I forget where I've said this before but Claudia cares (esp in arc 1, less so in arc 2 but it's not nonexistent) about being a good person. It's kinda like how Viren doesn't really care if he's good or not, but he wants to be important (matter). Bonus points for Claudia's hypocrisy/shields being worn down over time ("She kidnapped you and Prince Ezran, how can she be good?" -> attempting to do the exact same thing an episode later). She's cracking, but desperately trying to convince them (for mostly manipulation reasons) and herself (genuinely) that she's not, that instead...
You know me. I'm still the same person. I am.
TDP has always been very interested in identity, most notably for characters like Callum, Rayla, and Soren in arc 1, but it's fun to see it be expanded and interrogated further by looping Claudia in during arc 2. S5 and arc 2 places a lot of emphasis in particular on the idea of knowing yourself ("That's not my name. I am Elmer") or knowing others ("She's not the elf, she's Rayla") / preserving your sense of self in the face of change or hard circumstances ("But violence tests us" "Callum, you're the 'destiny is a book you write yourself' guy").
Claudia highlights this twofold. She asks the boys to know her, despite how much time and bad blood has gone by. She appeals to the many years of friendship they had in contrast to their few months turned years of being foes. It's barking up the wrong tree (Callum's Spellbook asserts that even as of s2/s3, "I feel like I don't know who she is anymore" on his end) but I am actually inclined to believe her.
This may be a misread, simply because from S1 but especially S2 onwards I always figured Claudia would end up precisely where she is now, so I don't know if it's the consistency influencing my judgement call possibly clouding more intense changes (she refused to use Harrow against the boys in 2x02, to a degree) but... I don't think almost anything Claudia does in S5 is something she wouldn't have done the bulk of in S1, other than threatening the boys, and she's done that multiple times by the time the end of S2 and S3 rolls around, most notably towards Ezran.
She's still the same person, but her circumstances and therefore her responses have gotten steadily, consistently worse. But this has always lived inside her. She's the same person (but worse), they know her and see her more clearly than they ever did before, and both of those things are precisely the problem.
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demonzoro · 6 months
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i am once again wishing that reiju was written in a more interesting way in fics. i think she wld be fucked up in the way of "every day i tightrope a line of protecting my brother against a family that wld gladly revoke my favored position" and "am i my brother's keeper". contradictions in contradictions. unable to empathise/incapable of excising her sympathy. equal parts wondrous and revolted by the depth of human emotion that sanji feels. the only one in her family that takes after both her parents' will - her father's soldier and her mother's daughter. yeah sure you could write her as tepid and simply dust your hands off after damning her for her compliance in the abuse cycle but what if we made her interesting.
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puppyeared · 4 months
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i feel like. theres designing a character with certain themes and motifs in mind, and then theres making a gijinka for the water bottle on my nightstand
#me when im the only person on the bus wearing a mask: i should make a furry plaguesona#its hard to explain bc. most of the time i try NOT to give my characters a 'strong' theme like making their whole design around#one thing like apples or even broad stuff like baking or cottagecore.. idk if its partly for flexibility or because i cant imagine them#making it their whole personality. not bc i find it cringe or overblown but more like ive learned to associate design with character depth#i had a cutesy uwu persona for most of highschool because i thought it would make me more. likeable? easy to remember? since#memorable character designs are easy to recognize. and one way of doing that is simplifying it with a theme or symbol so you form an#association. but since im a real person its exhausting keeping up that appearance all the time and denying myself things when they dont#fit my 'aesthetic' or 'theme.' i think ive grown past that bc i just collect stuff because i think it looks cool and dont let myself dwell#on how it might 'fit' with my image. but i cant help feeling bad doing it to my own characters bc it feels like im making them too one#dimensional. despite knowing that theyre not real and design alone doesnt reflect depth i cant help feeling like its wrong#despite that i love seeing motifs because it feels like it reflects the characters soul and paradoxically gives them depth. it makes them#interesting to look at too and honestly its pretty fun combining things that fall under a similar category when designing#i struggle find a balance between those two things#actually this reminds me of noelles christmas theme.. i dont remember her saying anything abt liking christmas despite a lot of#her design and character tying back to it. it makes me wonder if she would have feelings about that or doesnt think abt it too hard#or if its like a matching family shirts situation and shes just going along with it??#maybe i should just do whatever i want with my character designs since theyre not real and im thinking abt it too hard#although. this probably has something to do with deep seated identity issues huh#yapping#oc talk#oc
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cycle-hit · 2 months
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i watched the entirety of the silence of the lambs for this comparison. and the answer is i think i was insane for seeing hannibal lecter's mask design in mahiru's but THE HOLES ARE THERE. AND IT SEEMS LIKE FUUTA MIGHT HAVE ACTUALLY BEEN THE ONE TO GET THE "MOUTH PART BEING OPEN" BIT OF IT WHICH IS INTERESTING. SINCE HANNIBAL'S MASK IS A REPURPOSED GOALTENDER MASK,,,LIKE THE ONES IN SPORTS,,,plus to add to mahiru sharing the mask theres another species of goaltender mask called
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yamanaka not put cannibalism motifs in every character challenge (IMPOSSIBLE). no but seriously i go hog wild for how every character in milgram somehow has a cannibalism motif in one way or another. i fuckign LOVE cannibalism motifs
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blobbei-art · 3 months
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Haven't drawn anything so have these Bedman designs I did a while ago!
I wanted to design an outfit for him he could be wearing if he lived and was awake like Delilah. The intention is that he would resemble his bed and wear comfy clothes he could sleep in. The jacket contrasts this, maybe it was an expensive item he saved up for.
The top ref sheet came from frustration I wanted to get rid of by experimenting with art style/stylisation.
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laniemae · 5 months
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thinking a lot about static and tv imagery/ distortion in magic and meme
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These scenes are right at the very end of magic and at the very beginning of meme. It’s like these two MVs blend into one with this. Like the image of Amane staring blankly at the screen and mikoto picking up some sort of camera are so similar it’s uncanny. I have a lot of theories on what static/glitching could mean in regards to all prisoners who have it, but amane and mikoto have so similar motifs of tv imagery it’s uncanny.
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Hell we’ve even got a straight up tv and static on the album cover for magic! I’ve already covered my theories on the tv imagery in meme but the more I think about it it’s also very present in Amane’s stuff as well and extremely similar in terms of aesthetic.
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The tv static imagery also continues into double with the “glitching” scenes having parts where it gets very static-y like in meme, but at an even higher intensity. With Amane it’s less noticeable but there is an old tv reminiscent of the one in the magic album cover in the part with the cat if that’s anything.
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There’s also to mention how at the very end, it directly parallels magic with very similar colours and lighting, but without the static distortion.
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I’m gonna talk about it a lot more in a future post about this but basically I somewhat interpret tv glitching and stuff as a sign of disassociation between fantasy and reality, and in magic she was looking at the screen of her perfect mindscape. And in the purge march she’s fully aware of what happened. But maybe not entirely, as she’s still in her band uniform from the mindscape.
with mikoto I still have to think more about this and I do still believe it may do with him being stalked or something, as he directly interacts with the camera multiple times. But it’s still interesting to think about.
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divinekangaroo · 1 month
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Movies/books which seared me:
hana-bi
melancholia
the aunt (patrick white)
never let me go (ishiguro)
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