Comparing the adaptations of Scott Pilgrim
Scott Pilgrim is one of my favorite series of graphic novels, it has everything I could want. Action, comedy, romance, it’s centered around music and is chock full of references, and best of all, it’s Canadian! Seeing things that would make sense to someone from this country makes it feel more personable. However, while I am a huge fan of the novels, they weren’t my introduction to the franchise, that would go to the film adaptation from 2010.
While the books were written and drawn by a Canadian, the movie was directed and co-written by English filmmaker Edgar Wright. Wright is best known for movies Shaun of the Dead, Hot Fuzz, and Baby Driver, Wright is known for having a very distinctive style when it comes to camera work. The film adaptation of Scott Pilgrim has a stacked cast, some who have since become very famous. The cast includes Michael Cera, Mary Elizabeth Winstead, Kieran Culkin, Allison Pill, Anna Kendrick, Aubrey Plaza, Chris Evans and Brie Larson to name a few.
The movie was in development at the same time as the last book, so there are quite a few notable things. Firstly, nothing from the last book appears in the film, though author Bryan Lee O’Malley had made contributions among other things. The film was originally going to end with Scott and Ramona breaking up, after the final book was released (which ends on a more positive note for the main cast), the ending was changed so that Scott went after Ramona to try again.
Outside of the major differences near the end, the bulk of the movie is very accurate to the books, to the point where some of the lines in the film are taken word for word from the books. Since they had to fit roughly 5 books into a 112-minute movie, some things did have to be cut or changed. To name a few, the book series is more spaced out, with Scott even celebrating his birthday, meanwhile the movie takes place over a much shorter period of time. In the book version of the fight against Ramona’s first ex, Matthew Patel, Scott’s friends already know of his ability to fight, and even help him out. Ramona’s second ex, Lucas Lee, is a much nicer guy in the book, with him and Scott taking a break to talk, he is more of a jerk in the movie, tricking Scott about the break to punch him back to the ground. In the book Sex Bob-Omb does gigs, in the movie however, they participate in a competition, which also changes the fight against the 5th and 6th exes, the Katayanagi twins from multiple physical battles, to a music battle. Most of the changes in the movie are small in the grand scheme of things, however, the movie wasn’t the only adaptation.
To coincide with the movie’s release, Ubisoft made Scott Pilgrim vs. The World: The Game, a side-scrolling beat-em-up with a retro art style. The plot loosely follows the plot of the books, with the story largely put to the sidelines, focusing on gameplay. The game is a bit more faithful to the graphic novels, with some details and changes from the movie being absent in the game. To match the retro style, the music of the game was done by Anamanaguchi, a band that mixes chiptune with traditional rock instruments. The game was originally availble for the Xbox 360 and PS3, but due to licenses, these versions were delisted from digital stores in 2014. To celebrate the movie’s 10th anniversary, the game was rereleased and ported to modern platforms (PS4, Xbox One, Switch, PC, Google Stadia (now defunct), and Amazon Luna). Additionally, there is an upcoming anime adaptation that was announced last year, that has both Bryan Lee O’Malley and Edgar Wright involved, which feels like a long time coming since the short animation for Adult Swim that was made to promote the movie, and personally, I’m excited for the anime, since it’s being made after the story was completed.
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SQUARESPACE - Everything To Sell Anything (Director's Cut) from Ian Pons Jewell on Vimeo.
Director: Ian Pons Jewell
DOP: Mauro Chiarello
Producer: Jon Adams
Production Designer: Robin Brown
Production Designer: Tristan Mur
Lead Wardrobe Stylist: Ameena Kara Callender
Gimbal Operator: Florian Hatwagner
Casting Coordinator/DA: Emm Le Chat
Service: Radioaktive x Metro
VFX: Black Kite Studios
Service: Radioaktive (UA)
Executive Producer: Sasha Bevka
Producer: Tanya Sokolova
1st AD: Aleksei Smoliar
Production Manager: Yulia Sotnikova
Art Director: David Kharaishvili
VFX Supervisor: Denis Reva
Wardrobe Stylist: Kostia Goncharuk
MUA: Dasha Taivas
Production Coordinator: Olga Avrahova
Production Assistant: Anna Refel
Stills Photographer: Artem Nadyozhin
DIT: Dmitry Samus
1st AC: Vlad Dobrik
Playback Op: Sergey Rupos
Service: Metro (GE)
Executive Producer: Sandro Gabilaia
Head of Production: Maiko Gurabanidze
Line Producer: Masho Tevdorashvili
Unit Production Manager: Tamar Tvaradze
2nd AD: Sopo Parjiani
Production Manager: Tato Pantsulaia
Gaffer: Misha Ramishvili
Rigging Gaffer: Giorgi Marsagishvili
Key Grip: Shalva Leluashvili
Production Coordinator: Pikria Kikodze
Unit Manager: Merabo Rostomashvili
Set Manager: Koka Chkaidze
Transportation Manager: Davit Peradze
Transportation Coordinator: Davit Maghlakelidze
Location Manager: Achi Kevlishvili
Location Manager Assistant: Natia Chomakhidze
Casting Director: Tina Khizanishvili
Casting Assistant: Beka Khachidze
Production Assistant: Nini Iashvili
Production Assistant: Mariam Gugushvili
ProductionAssistant: Irakli Kakabadze
Chaperone: Marisha Jincharadze
VFX: Black Kite Studios
VFX Supervisor: Adams Croker
VFX assist: Guillaume Weiss
VFX assist: George Brunt
VFX assist: Dan Sanders
Colourist: Tom Mangham
VFX Supervisor: Denis Reva
VFX Producer : Tamara Mennell
Music and sound design
Supervising Sound Editor: Lawrence Kendrick
Sound Design and Mix: Will Cohen, Lawrence Kendrick, Joe Wilkinson, Jim Stewart, Adam Smyth
Music Composition “Everything”: Joe Wilkinson
Music Composition “Time": Adam Hare
Music Composition “Future": Jim Cornick
Audio Producer: Laura-Leigh Smith
Music Research: Jon Rust
Talents LA
Podcast Host: Michael Delgado
Voice Over: Candace Camille
Reporter: Nicola Lambo
Motivational Speaker: Micah Bijon
Talents Spain
Doula Guide: Rachel Lascar
Mom: Neema Lahon
Farmer: José Luis Matienzo Frasquet
Boulder Instructor: Roqueta Navarro Xavier
Robot: Mireia Ruiz Callado
Boat Guide: Aniez Atlas
Manicurist: Antony Jaime Perez
Pilot Student: Irene Aguilar
Plane Instructor: Motokazu Kawamara
Talents UA
Writer: Eugeniy Skisov
Biker: Maria Jeniffer
Writer Assistant: Oles Dmytrenko
Talents GE
Cafe Girl: Mariam Sanogo
Lobby Suit: Salome Chitaia
Tarot Reader: Ana Meskhi
Cafe Dusk Fan: Ana Gogiashvili
Dad: Gigi Loria
Chef: Dato Bekoshvili
Cafe Guy: Preston Zein
Finishing Tutor: Tamar Khurtsilava
Wine Man: Tengo Avalishvili
Astronaut: David Chokuri
Flotation Tank Guy: Ituka Bright
Lobby Suit: Vika Kalandia
Lobby Suit: Giorgi Chigogidze
Lobby Suit: Goga Khapava
Lobby Suit: Chy Vic
Lobby Suit: Irma Lapiashvili
Book Signing Fan: Gegham
Book Signing Fan: Ana Taladvanze
Book Signing Fan: Nino Gachechiladze
Book Signing Fan: Kanji Sakemi
Book Signing Fan: Preshels Tudebi
Cameraman: Giorgi Shetsiruli
Boulder Pusher: Indira Reyes
Boulder Pusher: Ana Zubashvili
Boulder Pusher: Jack Hubbell
Boulder Pusher: Mohamed Keshta
Tourist: Milan Lee
Tourist: Nuca Dopadze
Tourist: Nadejda Tsoi
Tourist: Alexander Tsoi
Tourist: Shbi Kbngwa Lenel Richy
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Brock Premieres His Debut Single 'World Might'
As a top music magazine, we're happy to introduce you to Brock, an up-and-coming independent artist from Fort Worth, Texas.
Brock's musical journey began when he was young. The emotional landscapes of everyday life and poetry helped him get in touch with his inner thoughts, and he liked songs that made him think.
Brock was always good at writing creatively, and this soon turned into a passion for expressing himself through music. Brock has a wide range of musical experiences, from choir music to hip-hop. He combines his storytelling skills with melodic flows to express complex emotions in a way that everyone can understand.
Brock stands out as a new voice in the music industry because he takes a unique and creative approach to music and is always sure of who he is. Even though Brock is just starting out as a professional musician, he has already built up a solid fan base and continues to draw people in with his thought-provoking and entertaining music.
As an artist, Brock is passionate about sharing his journey with listeners and bringing colour to the world through his music. Brock wants to make a difference in the world and connect with people who share his interests through his art. He has big plans to release new original work.
[caption id="attachment_42247" align="alignnone" width="2000"] Brock Premieres His Debut Single 'World Might'[/caption]
Brock is a promising talent with a bright future ahead of him. With his energy, creativity, and desire to make a positive impact, there is no doubt that he will soon be counted among the most original musicians of this generation.
Who are your biggest musical influences?
My biggest musical influences are Artists such as Kendrick Lamar, MIKE, 2nd Exit, Gonjasufi, LUCKI, NxWorries, Mick Jenkins, Trapo, and Liv.e, James Tillman, Anna Wise, and Jon Bap
What inspired you to write your latest album/song?
I was sitting on a lot of unexpressed emotions. I thought the best way to be constructive about it would be by externalizing it creatively.
What message do you hope to convey through your music?
I hope to convey a sense of freedom and genuineness that the listeners will find comforting or stimulating.
What was the most challenging aspect of recording your latest album?
Discipline. I went to the studio consistently, even on the days I wasn’t in the best headspace.
What has been your favourite moment or experience as a musician so far?
My favorite moment to date was when I went to my producer's dorm to record a quick little session.
I remember him playing through the instrumental once. I wrote a short verse and proceeded to record it. The performance and delivery were crazy. I open my eyes, and my friends look bewildered. I asked them if it sounded as good as it felt. They said yes.
[caption id="attachment_42670" align="alignnone" width="3000"] Brock Premieres His Debut Single 'World Might'[/caption]
How do you balance your personal life with your music career?
I balance my personal life and my music career through self-awareness; I know when I’m going overboard on either spectrum and try my best to honour how I feel. Creativity is all about the feeling, after all.
How do you handle negative criticism or feedback on your music?
I don’t entertain it. Everyone is allowed their own opinion, but my music is first and foremost for myself. If you don’t like it, that’s ok.
What advice would you give to aspiring musicians trying to make it in the industry?
If you stay true to yourself and your sound, the right people and circumstances will present themselves. Be patient.
Do you have any upcoming projects or releases that you're excited about?
I have three projects that I'm currently working on. I’m excited about the journey.
Do you have any plans to branch out into other genres or styles of music?
Absolutely! I do it all. Brock is very well-rounded.
[embed]https://soundcloud.com/brock-wav[/embed]
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The first time Beca gets drunk and reckless at a Bellas Party and Chloe just watches (and writes. and contemplates.)
Beca danced for the longest time, screaming rap lyrics in my ear that she learned when she was nine. I’ve never seen someone have so much confidence. Every time she tells me a story I feel like I’m the only one there, and it’s great. But she’s a product of loneliness and affection that I have grown somewhat attached to and attracted to, in some manner.
She’s someone everyone is in love with, and she has no problem saying so. She doesn’t want anything serious or clingy and yet craves everything she gets. She’s the coolest person I know, and for some reason, she actually has the same sort of magnetism back for me; that’s something I’ll never understand. But it’s also something I crave, and give it back to her.
She sat down next to me and said that she felt most secure, head on my shoulder. She’s shorter than me, and yet loved saying she’d be the big spoon.
She saved me a seat at IHOP the next morning, and chose to sleep next to me in bed. All of this, and yet I know that this is not someone I can want. She is high all the time, and reckless with her affection. All she wants is sex and rap and things that I can’t give her. There’s a void in her, and she’s always trying to fill it.
And even so, I watch her.
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