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#art thoughts
claypigeonpottery · 1 month
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my grandma was a quilter and she said that there were a couple rules about making art which sounded …suspicious lol
but these were her rules:
whenever you can, take a class.
whenever you can, make art with other people. not collaborating necessarily, just spending time together making art
and that was it.
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she was a very practiced and talented quilter, and she took classes and went to quilt groups often
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she taught both me and my mom to sew (despite her being my paternal grandma) and my mom is also a talented quilter
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I can’t count the amount of times I’ve learned something new when sharing the studio with someone (plus it’s a good way to spend time with friends)
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tofupixel · 13 days
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i think its nice to post old art, i dont really like how social media makes art feel single-use and consumable
like doing a painting then putting it in storage for ever when it could be displayed
a lot of my old art i dont think is very representitive of my current skills but thats fine too, it doesnt mean nobody else will find some value in it. (in fact i like tons of art that is not skillfully made, like there is a lot to love about naive art for example)
anyway keep posting and reposting old stuff dont let it get forgotten, it all means something
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Goobleck w a gun !! ^_^ what was originally supposed 2 be a doodle that then got a tiny bit outta hand :3
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very important extras vvv
goobleck mirror dimension
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goobleck mirror dimension 2
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goobleck sideways
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goobleck pequeño
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goobleck in pd
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goobleck is everywhere
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spiderandme · 1 month
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five episodes into one piece. there are so many different little ways in which this show is kinda bad and none of them undo the fact that it is obviously fundamentally good. pacing is fucked, action is fucked, politics are fucked, i would die for luffy
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basiatlu · 2 months
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I wish for all of you who create to enjoy the process and let go of the pressure to finish content solely for others to see and validate that you're worthy of your craft. Don't give up. Make art ♡ that's enough.
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obimaulartfire · 7 months
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I'm at the art museum and I'm wondering; what do you think art looks like in Star Wars?
Just looking at so many post-war and during-war pieces (mostly WWII), I can't help but wonder what art looks like in a galaxy that is constantly torn up by war.
During the Clone Wars, do people make sculptures of discarded droid parts? Are there paintings of stories of battles? Are clones' helmets eventually immortalized in museums?
What of the growing darkness in the Senate? Do others know that the system is corrupt? Is there political art of Palpatine as an evil figure, even before anyone knew that was actually the case?
Are there pictures of bodies, nightmarish, dream-like landscape depicting the horrors of war, and psychologically disturbing imagery? And don't even get me STARTED on how much art there would be of Darth Vader: an imposing figure of the Empire, the shadow of Death. The subtle dissent towards the system in artwork, the fear of being caught for speaking against it, so some artist make subtle declarations of intent and many are dragged away by the Empire for refusing to stick to established ideals.
And after the Empire falls, the collective relief. But for many, the nightmares will never cease. Art may help citizens remember the battles which were covered up in the past.
And the amount of cultures that are affected by all of this, too. Anyways, I would love to hear anyone's opinions on what Art looks like in Star Wars, because I'm an art hoe
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brothermouse · 2 months
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Psst!
Hey!
I think the current trend in LDS art is for artists to look to their cultural and ethnic roots for inspiration, using Mormonism as a lens for their roots or their roots as a lens for their Mormonism. For example, an artist named Ahmed Jamal Qureshu made a piece called “Mazmuur Naafi: The Arabic Psalm of Nephi” where he uses Islamic calligraphy to look at a passage from the Book of Mormon.
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But when the artist comes from a Mormon-centric background, like multigenerational members in Utah because it turns into an ouroboros of culture. And that gets stuff like this piece from the ARCH-HIVE’s latest show:
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I think they’re both great, but I think it’s interesting that they’re both doing basically the same thing.
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lil-tachyon · 1 year
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Got any good resources for clothing drawing tips?
Okay so quick little introduction before I try to answer this question. First of all, sorry for letting this languish in the inbox for so long. I have a lot I want to say about this and I'd really like to make a proper "tutorial" but this week took a lot out of me so what you're going to get are some visual notes on graph paper and some rambling thoughts. Maybe down the line I'll try to flesh this out more into a proper guide, but for now it is what it is.
Second- for many different art concepts I can give you some really great recommended reading for self-teaching. There's a whole section of my website with links to things that helped me learn. Clothing is one of those things where I never found a book or tutorial that really "clicked" with me. It's one of the few areas of art where I feel like it's fair to say I'm genuinely self-taught. So what you're going to get here is very much my opinion, not undisputed common wisdom or whatever. Take it with a grain of salt. This is how I draw, not the "right way" to draw.
Third- drawing clothes is not something fundamental like perspective or rendering where there are actual hard-and-fast "rules" you can learn to guide you. It's not even like anatomy where there are approaches that have been worked out and passed down by artists over generations. I think about drawing clothing as a synthesis of several different skills- a little bit of anatomy, a little bit of perspective, a little bit of rendering. Honestly a smidge of graphic design. You're employing a "cloud" of your artistic skills towards a specific end. What this means is that the TLDR of this post is going to be "do what you would normally do to improve at drawing but apply it to clothing." So don't expect something life-changing, instead just open your mind to maybe trying some new things you hadn't thought of before. Also this is going to be more about drawing than painting, that is more about "lines" than "shapes" but the two skills overlap and the same concepts should be broadly applicable. But my examples are going to be drawings.
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Okay intro out of the way. Clothes are mostly just tubes of fabric, fabric wants to fall down. The human body and sometimes wind and water and other fluids will stop this fabric from falling down all at once and instead give it a shape. Keep this in mind. It's helpful to know how clothes are actually constructed if you want to know how they will deform when falling across the figure. Where a garment is simply a length of fabric, it's very flexible. It can bunch together or be stretched taught. This is most noticeable at the parts of the body that open and shut like hinges- knees, elbows, and armpits. The behavior of garments at these areas of the body is highly dynamic.
At seams where different sections of fabric are stitched together, movement can be come more limited. Seams are usually imperfect- pieces of fabric of slightly different lengths might be stitched together or fabric may shrink over time around a thread causing it to pucker and wrinkle. For these reasons, seams often act as the originating areas for folds and wrinkles, even when a garment is not in a particularly flexed/active state.
In a two-dimensional image, it can be helpful to describe a garment in terms of silhouette and wrinkles/folds. The silhouette is the actual boundary of the garment, where the fabric comes to an end. The wrinkles/folds are where different parts of the garment pass in front of each other or where the fabric becomes bunched up to the point that light can't reach inside and occlusion shadows form. You should always keep the overall silhouette of the garment in mind to inform the bigger shapes you draw, but you will use wrinkles and folds to demonstrate how the garment twists and deforms. These are the basic tools in your arsenal. Keep it simple.
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There are lots of different ways to approach wrinkles. My advice and my personal preference is to draw wrinkles as shapes and not just lines. Specifically, tapered shapes (like triangles) and be really good both for implying motion and the varying depth of a fold/wrinkle. Experiment with different shapes of varying angularity, fill texture, etc. Your hands and eyes will guide you towards what looks and feels good. There's no right way but I would advise you to exaggerate! Ask yourself- what's the biggest shape I can draw here? How can I twist it to make it bigger, crazier but still describe the form in a way that makes sense? It can be exhausting to just try to perfectly copy a reference and also using your imagination like this when doing studies will help build up your visual library for when you're drawing/designing clothing from imagination. In general I would advise you to focus more on drawing something that looks good (ie is composed of shapes that you find aesthetically pleasant) than is "correct."
Quick recap: Garments fall down, you can simplify an article of clothing into a silhouette described by folds and wrinkles. What next? Observe! Take notes! It is worth your time to think about how common articles of clothing are constructed. Jeans, t-shirts, dresses, etc. I used to do some hobbyist sewing and clothing alteration and I think that hands-on work with clothes has really affected the way I think about drawing them. You don't have to go that far but like- look at the world around you. Stuck on the bus, in school, in a meeting, etc? Even if you can't draw, look at how your pants bunch up around your legs, look at the sleeves of someone sitting next to you. I mean, don't be weird about it, but these are valuable observations. Think about how you would draw those things! Really getting good at drawing clothes involves studying them in the wild, understanding how they work, building up your visual library. Look at a faded denim jacket- at the puckered places where the indigo has rubbed away or the permanent creases that hardly see the light of day and remain a deeper blue. Look at petrochemical techwear outfits that break into jagged, high-sheen triangular wrinkles. Soak it all in!
Save pictures of and take notes on outfits you like, designers you like, garments you like. Keep track of these things. Come back and study them over time. Have fun with it! I have folders and folders and folders of images of clothes that I come back to constantly. Over time and with lots of study you'll learn what you want to draw when you draw clothes and that's half the battle. You'll have images of buttons, pockets, belts, laces, fabrics, seams, dancing around in your head that you can deploy at will. It's delightful.
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Hope this helps! If anyone has more advice to add, please do! If this tutorial helped anyone, please show me your drawings! If you'd like more stuff like this from me, just send me an ask or an email and I'll answer it when I can.
Peace,
Logan
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strickenspirit · 9 months
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I hate it but an attempt was made. Not liking either my acrylics or the canvas paper, can’t figure out which specifically. Maybe try again some other day 😕🖤
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emmbrr · 1 year
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i sometimes wish my style was simpler so i could make work faster but maybe that’s just the pressure of social media talking. maybe i wish i were like a renaissance painter who disappears for 5 years and comes back to show one finished painting
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Just a thought
I wonder if any hobby artists follow me? I'd like some advice because I wanna draw and sell drawing for some pocket change that would really make a difference to my quality of living but I don't know how to go about it.
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radicallxser · 1 month
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HEY BEGINNER ARTIST OR INSECURE ARTISTS OR ANY ARTIST, I DON'T CARE IF YOU WRITE, DRAW, SING,
YOUR ART IS VALID.
IT IS NOT CRINGE. CRINGE IS A SOCIAL CONSTRUCT TO SHAME OTHERS, AND FUCK SOCIETY.
IF YOU LIKE IT, DO IT.
IF YOU WANT IT, MAKE IT.
IF YOU HATE IT, TRY AGAIN.
I WANT TO SEE IT, OTHER PEOPLE WANT TO SEE IT. YOU MAY NOT KNOW THAT, BUT IT'S TRUE. ART ISN'T FOR PEOPLE WHO ARE GOOD AT IT OR HAVE EXEIRENCE, IT'S FOR EXPRESSING YOURSELF. AND IF "YOURSELF" IS A SELF INSERT OR A FURRY OR A UNIDEFIABLE BLOB OR WHATEVER, I DON'T CARE.
I JUST WANT YOU TO KEEP GOING AND KEEP TRYING BECAUSE IF IT MAKES YOU HAPPY, FUCK EVERYTHING ELSE.
anyways-
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Peedee on ice ^_^ and a double date !!!
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"Rhombuses are significant if you try hard enough" - Ashton tryna convince me to add a rhombus choker to Ashe ^_^
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blackstarchanx3new · 2 months
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Literally why does he look like that.
I get it's a mimic of the Phantom hourglass art style...Who's proportions are a lot like this but C'MON.
It just looks silly...😭
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basiatlu · 5 months
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On Theft in Art
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First: thank you to the anon here and the other many people who brought this to my attention! I know you did it out of support of me and I love you for it.
I was ready to keep it private as I didn’t want anything negative to come up and be associated with my art. But as I was asked across different platforms concerning the art in question I realized it really bummed me out. I’m here to have a good time in the fandom and create with you all. We have a good thing here in the community and I didn’t want any smoke with another artist - a mutual even.
So to help me feel a little better about it I want to turn this into an opportunity to teach others on the differences between Reference, Inspiration, Reinterpretation, and Theft
Reference: (usually) a visual source of information in order to better understand something. Example here is of my reference board and the art I am currently working on.
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My favorite example of a professional using reference photos is by Hirohiko Araki (creator and artist of JoJo’s Bizarre Adventure), who uses fashion editorials and photoshoots ALL the time it’s awesome - tysm @yumiaiyuma for showing me this goldmine
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Study and Inspiration: here is a great example from the wonderful Stephanie Pepper. Notice the caption stating these are studies, the movie it is from, and I will even go on to say that this artist is influenced or inspired by the prolific works of J. C. Leyendecker (but what’s key is that Stephanie Pepper has developed and practiced to the point of deviating from his work and become a style of art completely her own - and she’s so recognizable in my opinion!)
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Personal Example for Inspiration:
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An Example of Reinterpretation: note - Both these classical artists whose works are being recycled are dead and no longer missing out on potential work and income. Where stealing ideas and art from current artists hurts them financially and mentally and emotionally. Howl as The Fallen Angel by _mimimaru on Instagram is an interpretation of a 1847 painting by Alexandre Cabanel and is now considered public domain // the Mickey Mouse self portrait was by Charles Boyer and is a parody of the famous illustration by Norman Rockwell and was commissioned by Walt Disney, himself.
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Now here’s the part that is concerning to several people, myself included.
Recently, an artist found the reference I used, and decided to draw Andromeda, Bellatrix, Narcissa, and Regulus staring at Sirius getting supposedly punished by Walburga Black off screen.
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Let’s be clear: this isn’t a matter of tracing or claiming my image as their own. I do not mind at all if myself and another artist end up using the same reference. It happens all the time. Referencing and studying is not stealing. Reinterpretation is great for meme art challenges and paying respect to old classics. Even being inspired and doing one’s own version of another artist’s idea is totally cool, especially if you tag and/or shoutout the artist that inspired you.
I genuinely love and appreciate everyone who has brought this to my attention and who has been supportive and defensive of me with this. That reaction means more to me than anything else in this whole ordeal, if I’m being honest. So thank you all so much, with all my heart.
In closing: Do I hope this is all one gigantic coincidence? Absolutely. It’s one of those very uncool things that hurts my heart as an artist. I just want everyone to enjoy art and inspire each other so we can all grow. I do not want any malice to come from this either. I just wanted to inform everyone that I am aware of this, and give some of my thoughts on it. I also wanted to use this as a way to educate everyone on artistic process and why these things might happen sometimes.
Edit: me and the artist have chatted and we see it as a silly coincidence ♡ and honestly I'm happy and so relieved with that. But I think a lot of this info is still good to be mindful of in a creative community where we circulate ideas and content regularly.
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beartitled · 4 months
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Bear i genuinely need to know if you are on 15 coffees. How did you do that so detailed and nice????? How did you nake it so cool???? How do you have the talent and motivation???? How long did you draw to achieve this godly skill???
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💕💞❤️💖💕Awwwww thank you 💕❤️💖💕💞❤️
Fun fact I actually don’t drink coffee (😨*shocked audience sounds*😨) or at least drink it very rarely, I dunno it just makes me more sleepy? for some reason? which is hilarious in this context
Hehe man I need to concentrate, but I can’t stop smiling
I’m very happy that people actually liked my picture book, it legit sends me away because it’s a personal project which took a ton of effort
Like fan arts, megadrawings, fan comics those are also mean a lot and made with love, but this project feels like showing a part of your soul
And when you see people actually enjoying it- just- ❤️💕💖💞💕❤️*ecstatic bear noises*💕❤️💖💕💞💕 *happy tiny jumps*💖💕❤️💕💖💞💖
(oki lemme put all my thoughts under read more, bc I didn’t expect to write that much 💥)
Answering the questions
I just love detailed stuff✨ Plus when you work on something for a long time, you can kinda think of something or subconsciously add even more visual details
Motivation comes from just a wish to finish something most of the time
When I work on big projects (that take months for example) I tend to go into 💪grind💪 state, where you just dedicate your entire time to making something
It a very interesting thing, because your life literally becomes this project for a few months, you wake up with a goal and make your day as productive as possible (after I finish something I can have a mini crisis, like wait this thing is over, wait I can do something different.. no I NEED A PURPOSE 💥💥💥 *aggressively starts yet another comic*)
Also I feel like uni played a major role in my productivity rate, bc you can have multiple projects in one semester and plus to that an assignment that just adds on every week
Imagine like inktober, but you decided to take 5 more prompt lists and every drawing you make is criticised by professor (so you need to make edits or redo your entire work)
This type of constant pressure just kinda makes you a different person in a way, at least it was my experience with it
And how much time (hehe don’t make me blush it’s not godly 👉👈), well entire life basically + almost 4 years of uni
Also wanted to say for people who are starting or just feel overwhelmed by other artists skills:
🫵Everyone starts with crappy pony drawings 🫵 (at least I did) (man if I ever find my first drawings I will show them)
The funniest thing is, I started drawing not because I wanted it to be good or to impress people
I just wanted a pony picture 💥 in a funky dress 💥💥 and my mum said “I’m tired of drawing horses for you, go do it yourself” 💥💥💥 and I did 💥‼️💥‼️💥💥
A lot of people chuckled at me bc the drawings were crappy, but I didn’t care 💥📣🗣️I’m the one holding a paper horse in a dress, not you 💥📣🗣️
So like, don’t sweat it, no art is bad – you put effort, you made it, it’s already worth attention and love
The idea of “good” is flawed and very vague anyway
The feeling of doubt is also normal, everyone has it time to time, without it we wouldn’t be able to improve
Just don’t let those thoughts consume you: appreciate your work and yourself 🫵❤️
Anyway thank you for this ask, it’s very sweet of you ❤️
Makes me incredibly happy that someone likes my stuff 🥺❤️💕💖🥺❤️💞
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