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obscureother · 23 days

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🌑 f/o list:

i got lots of them, look out lolol.

they come from things i fixate enough on. there's a whole process of how they come about, there's even a thing in my noggin called The Processor, developing f/os. i have other fictional crushes, you can ask for those but its a long list so these are just the ones that i pretend exist commonly. those are the f/os for on my blog.

once more, i dont mind sharing f/os!! i believe fictional people arent owned by anyone but their copyright holders lol, but my version of the character is going to be different from yours, our own experiences, headcanons, etc. even if there could be some in common too, so it doesnt effect me or my comfort if other people love them too. other people who understand the loveliness of the f/o are just who i can talk to and relate to!! i would love to talk about them or yours :0

if you dont like sharing, then i wont talk about them with you so you can be comfy or dont have to interact, thats ok too. i know some people dont for comfort reasons or something. or youre just gatekeepers 👀 /j

there are tags you can block for f/os. if you dont like to share or dont like the f/o themselves, you can block them through "🌑 obscure f/o: 🔲" but 🔲 = the f/o's emoji. the f/o's emojis can be found in the long version of the list below. it doesnt offend me if you dont want to see the f/o or their content!

. 🌑 .

f.o. list below the drop down, its kind of long!! also there's gifs, one of them is a bit flashy, so watch your eyes. if you want the short version of the list without the cool gifs, colors, n details:

Gerard Butler's Phantom of the Opera

Bela Lugosi's Count Dracula

Tim Burton + Disney Headless Horsemen. BOTH of them. 🖤💙

too many robert englund characters- Freddy Krueger, Smiley, Inkubus, other ones, uhhhh=

Jason Voorhees

Data

other f.o.

ones being protected for sake of my comfort, not on the f/o list for the time being. . though they /could/ get their own things later or only on certain comments or posts for them.

there could be some pet f/os, but idk. theyre very occasional for me.

"ghosting" or other f/os that i dont know for certain are there, arent developed yet, dont exist very often, etc.

• ------- ⋅☾ 🌑 ☽⋅ ------- •

by order of existence:

their name or what/who they are!

Source (year of source) - where the f/o comes from

est. (year) - when they became an f/o

other notes - just some other notes :0

they have colors just cause i wanted to make them pretty, the colors dont mean anything specifically. the emojis are just for later reference for f/o content.

. 🌑 .

"Gerik" 🥔 (Gerard Butler's Phantom; Erik)

Phantom of the Opera (2004)

technically not the first f/o ever, but he's the one who wasnt what i consider "proto-f/o"

est. 2017?? i dont remember when i was a freshman in high school lolol.

i have a couple of other phantoms too, but they're considered retired and live in some other world now. they just visit sometimes. those were from the Broadway musical, 1943, and 1990.

Vlad Dracula 🦇

Dracula (1934)

(yes, the old Bela Lugosi one. OLD F/O. <33)

est. 2018 or so, pretty close to my POTO obsession.

there's the Count Von Count (from Sesame Street-) f/o too who kind of stemmed off of the Drac fixation?? 2018/2019 or so, he's the queerplatonic comfort. 🦇 💜

Headless Horsemen (i have 2, i love BOTH of them.)

Sleepy Hollow (1999) & The Adventures of Ichabod Crane and Mr. Toad/The Legend of Sleepy Hollow (1949)

Tim Burton's Sleepy Hollow 💀est. 2019, Disney 🎃one est. same year but later!

They have their own lore + f/o headcanoned names, horses, so these horsemen are different from yours and the canon too.

Freddy Krueger 🥓(yes, Fred, oh god-)

A Nightmare on Elm Street (1984-1991, I don't include New Nightmare in my f/o's lore/tweaks? but I do FvsJ!!)

est. 2021. . ??

He DOES NOT have any relations to the remake, he is exclusively the original series and FvsJ content. i BEG OF THEE do not associate him with it RGRHRHH- (no hate towards remake fans, he's just NOT MY FREDERICK. 😤)

for those of you convinced the original's a diddler too, tho. . not my frederick. <3

The Rob Squad:

this is what i call the f/os that come from me becoming a loser for robert englund after freddy lolol.

all of them est. between 2021-2023 i think. so theyre new, but theyre very developed tho.

there are some other f/os of other rob characters, but theyre not developed enough/formed to be for certain??

includes: Smiley, Inkubus, other ones for later, down below:

Smiley :) ⛓

The Adventures of Ford Fairlane (1990)

VERY lore heavy on my f/o, he has so little on him canonically, so i gave him some. My smiley is def not the exact same as yours.

he has NO CONTENT PLZ- i had to make this gif and i dont have good quality video tools >:"0 the head motion looks spooky fast for me idk how to fix iT.

Inkubus 🖤

Inkubus (2011)

other tweaks/lore to him too. like demon and goat forms 👀

im nOT a loser for old men (normally), just this one >:"0 but we do support loving old men here, dont worry bros. <3

Jason Voorhees 🏒

Friday the 13th (1980, im still watching FT13 so what movies get involved with his f/o form are still being developed. he's very. . ghost-ie rn between existing and not yet existing. they take time to develop for me.)

est. 2023

yes, it does get difficult with Freddy around. *sigh.*

relationship not known?? comfort f/o, bit of lore/tweaks for him too.

Data ⭐

Star Trek: The Next Generation (1987-1994 i think??)

platonic?? im not really sure what the relationship is, he's just helpful and comforting.

Spot included.

est. late 2023/2024, very new & developing as of this post.

. 🌑 .

for the one person who sent me an ask for my f/os: @wicked1will0sparkles

#f/o community #f/o comfort #f/o #fictional other #self ship community #self shipper #self ship #self shipping #f/o list #🌑 obscure f/o 🌑

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rrrauschen · 6 years

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bela von block, {1925} episodes in the life of a gin bottle

#film #gif #bela von block #episodes in the life of a gin bottle #1925 #skulls #black and white #silent film #male filmmakers #usa #short film #films #.gif #double exposure

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kwebtv · 3 years

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Trust - FX - March 25, 2018 - May 27, 2018

Drama (10 episodes)

Running Time: 60 minutes

Stars:

Donald Sutherland as J. Paul Getty

Hilary Swank as Gail Getty

Harris Dickinson as John Paul Getty III

Michael Esper as John Paul Getty Jr.

Luca Marinelli as Primo

Hannah New as Victoria Holdsworth

Giuseppe Battiston as Bertolini

Sophie Winkleman as Margot

Verónica Echegui as Luciana

Francesco Colella as Leonardo

Donatella Finocchiaro as Regina

Giovanni D'Aleo as Francesco

Nicola Rignanese as Don Salvatore

Niccolò Senni as Stefano "Fifty" Nizzuto

Anna Chancellor as Penelope Kitson

Amanda Drew as Belinda

Andrea Arcangeli as Angelo

Mauro Lamanna as Dante

Silas Carson as Jahangir "Bullimore" Khan

Jo Stone-Fewings as Dennis

Laura Bellini as Gisela Martine Zacher

Sarah Bellini as Jutta Winklemann

Charlotte Riley as Robina Lund

Brendan Fraser as James Fletcher

Recurring

David Agranov as J. Ronald Getty

David Bamber as Bela Von Block

John Schwab as Lang Jeffries

Norbert Leo Butz as Gordon Getty

Kiersten Wareing as Cockney Pauline

#Trust #TV #FX #Drama #2000's #Donald Sutherland #Hilary Swank #Harris Dickinson #Michael Esper #Luca Marinella #Brendan Fraser #Silas Carson

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brideofcthulhu10 · 4 years

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Okie doke so I have a lot of asks piled up but I’m gonna need to take my time with them. So in the meantime I’m gonna give you guys a few of my own personal writings while i weed through my writers block. I hope you can understand, I have fourteen prompts to get to but I am a little muddied on getting through each one.

David Headcanons

Italian food used to be his favorite when he was alive. Santa Carla was flooded with immigrants from all over, especially a high concentration of Europeans so he had experienced real Italian cuisine from the few family owned joints that would come and go. When he was turned he tried to defy his vampire roots after learning that garlic didn’t hurt him- only to find out it didn’t hurt him EXTERNALLY. The tragic tango of pasta primavera in his stomach had him sick as a dog for days! Since he’s opted for other cuisines, but secretly he misses when he could freely ingest copious amounts of garlic

Outside of rock, David really loves classical music. Particularly foreign opera. Why? Because it is some of the most intense sounds you will ever hear. The melancholic arias of tortured souls left on the brink of tragedy soothe his untamed internal rage. However, he often doesn’t get to because as soon as he does Paul pitches a fit.

“Aw whaaat? Classical? Who invited the old lady to the party?! “

“Will you shut up and let me listen to my music, asshole?”

“Ooooh excuse me! Yes of course, Lord Snooty von Dickweed. Would you care for your pet poodle and a plate of caviar? Hey! Maybe we can find your balls, dude”

Of course he could just kick him out but it’s far too much of a hassle. He’s genuinely pleased, albeit subtly so, when he managed to snatch up a walkman off a victim so he can listen to his music in peace.

We’ve seen him smoke, but no one really gathers just what a chimney this guy is. David smokes practically every hour, when one burns out he just snags another. Any reason is a good reason to pull out a cigarette. Stressed? Smoke. Hungry? Smoke. Tired? Smoke. Happy? Smoke. But worst of all are his nicotine withdrawals. Seriously, do not approach him when he’s run out of cigarettes. It doesn’t matter who you are. Last time Paul tried to tease him while he was waiting for nightfall, David nearly threw him out into the sun. Withdrawal is far worse as a vampire than it was for him as a human. His restless legs get far more jittery, his back can cramp, it’ll give him an agonizing headache, and his hunger is somehow amplified.

Surprisingly, he can’t stand the 1931 film of Dracula with Bela Lugosi. Not that Lugosi doesn’t do a good job. In fact, it’s far too good. While not appearing visually the same as Vlad Dracul, the bastard who just so happened to be responsible for turning him and his friends back in 1906, his personality is extremely close. Just watching him slink in the shadows, waltzing about in that chilling Hungarian-Romanian accent boils David’s undead blood. If he’s going on the Universal monsters, he prefers Boris Karloff in Frankenstein.

Over the years David has picked up Russian and French. When you’ve been unchanged in an abandoned wreckage of a hotel for over eighty-one years, you learn to pick up a few things. Currently he’s learning German which he finds rather easy so far although he finds himself speaking a tad choppy at times. Sometimes he’ll use the wrong language and end up asking Paul to bring him the wine bottle of blood in Russian. Needless to say he was utterly confused and had to be retold in English.

Despite what one might assume, David does not enjoy having sex with multiple partners. Not polyamory, just sex in general. He finds that hollow humping up against some seasoned tart behind a bar before bidding adieu does nothing for him. If there’s no intense intimacy there’s less really keeping him invested. Now love isn’t exactly what is required, but there has to be some sort of connection to give him the desire to pursue a lover. Quality over quantity. Getting to know his partner is an exciting endeavor that allows him to take control, dominating him or her until they are utterly helpless to his will. A quick fuck is nothing but a way to kill time, which frankly he can find so many more productive things to do when he’s bored that require much more brain power and a lot less sticking himself in something, sorry, someone that he honestly doesn’t know where they’ve been.

Halloween, of course, is his favorite time of year. However he also has a soft spot for Christmas. Frankly the whole peace on Earth and goodwill towards men crap makes him sick simply because no one had ever given a crap about him, but the entire feeling of it all did give him a sense of calm. The lights are a stunning sight for sure, and he'd even have a few less shitty humans mistaking him for one of the teen runaways living on the Santa Carla streets. Well, he wasn't , but he wasn't about to tell that to some sweet old lady handing out rusty tins of fresh brownies. Who the hell could waste brownies? Not him. His favorite memory goes back to 1904 when he and the boys managed to scrape up enough dough between pick pocketing gigs to share a room at a decent hotel. The managers wife even brought them up the leftovers from their own Christmas dinner, half a roast bird, a plate of rolls, a fat bowl of mashed potatoes and some gravy. They of course were grateful, and Paul couldn't help but flirt just to kiss ass. Dwayne got Paul a new knife, Marko got David this pretty swanky looking cigarette case he snatched off some rich dick who mistook him for a shoe shiner, David found some old iron ring they couldn't sell and gave it to Dwayne, and Paul got a few bottles of rum for them to get Yuletide hammered. Sure it didn’t sound like much of a big deal, but sitting on a real bed for once by a fireplace slamming back booze and roast chicken while whooping Marko’s ass in black jack was the first time in a long time he had genuinely laughed. Since then its been particularly blase, but Marko and Paul will often make a tradition out of a few bottles of booze, throwing some cheap decorations around the hotel, and they all spend the night playing card games over some take out roast chicken and a few quick sides.

#lost boys 1987 #lost boys imagine #the lost boys #lost boys fanfiction #fanfiction #fanfiction writing #lost boys #fanfic #80s movies #lost boys david #lost boys head canon #headcanon #fandom #fanfiction author

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mulvs · 4 years

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Request!!

Hey there!

I am dedicating this blog solely to writing fanfiction.

I seem to struggle with writers block and would really appreciate requests from you guys! I will list the people I most enjoy writing for but feel free to request anyone, I may not be able to write it for you if I don’t know the person requested or feel I wouldn’t do a good job portraying what you want. But I shall try my very best!

CHARACTERS:

INGLOURIOUS BASTERDS:

- Sgt. Donny Donowitz

- Lt. Aldo Raine

- Sgt. Hugo Stiglitz

- Hans Landa

- Shosanna Dreyfus

- Frederick Zoller

- Bridget Von Hammersmark

- Lt. Archie Hicox

- Major Dieter Hellstrom

- PFC Utivich

- PFC Hirschberg

- Cpl. Willhelm Wicki

- Perrier LaPadite

- PFC Omar Ulmer

STAND BY ME:

- Gordie Lachance

- Chris Chambers

- Vern Tessio

- Teddy Duchamp

- Richard “Eyeball” Chambers

- Ace Merrill

- Denny Lachance

- Billy Tessio

- Charlie Hogan

MISS PEREGRINE’S HOME FOR PECULIAR CHILDREN:

- Enoch O’ Connor

- Miss Alma Peregrine

- Jacob Portman

- Emma Bloom

- Abraham Portman

- Olive Abroholos Elephanta

THE MAZE RUNNER:

- Gally

- Newt

- Thomas

- Minho

- Teresa

- Frypan

- Alby

- Ben

- Zart

- Brenda

- Aris

- Janson

- Jorge

- Vince

- Lawrence

TWILIGHT:

- Bella Swan

- Edward Cullen

- Jasper Hale/Cullen

- Emmett Cullen

- Rosalie Hale/Cullen

- Alice Cullen

- Dr. Carlisle Cullen

- Esme Cullen

- Victoria

- James

- Laurent

- Jacob Black

- Seth Clearwater

- Leah Clearwater

- Sam Uley

- Charlie Swan

- Paul

- Emily

- Jared

SONS OF ANARCHY:

- Jackson “Jax” Teller

- Tara Knowles

- Gemma Teller

- Nero Padilla

- Clay Morrow

- Harry “Opie” Winston

- Lyla Winston

- Juan Carlos “Juice” Ortiz

- Filip “Chibs” Telford

- Kerianne Telford

- Bobby “Fat Elvis” Munson

- Alexander “Tig” Trager

- Happy Lowman

- Wendy Case

- George “Ratboy” Skogstrom

- Herman Kozik

- Rane Quinn

- Otto Delaney

- Keith McGee

- Cherry

- Luann Delaney

DIVERGENT:

- Eric Coulter

- Tobias “Four” Eaton

- Peter

- Will

YOU:

- Joe Goldberg

- Karen Minty

THE SOCIETY:

- Gareth “Grizz” Visser

- Allie Pressman

- Cassandra Pressman

- Campbell Eliot

- Sam Eliot

- Kelly Aldrich

- Elle Tomkins

- Will LeClair

- Bean

- Helena

- Harry Bingham

- Gordie

- Luke

RIVERDALE:

- Sweet Pea

- Jughead Jones

- Archie Andrews

- Cheryl Blossom

- Toni Topaz

- Kevin Keller

- F. P. Jones

SHERLOCK:

- Sherlock Holmes

- Moriarty

- John H. Watson

- Mycroft Holmes

- Inspector Lestrade

- Molly Hooper

- Mary Morstan

SUPERNATURAL:

- Dean Winchester

- Sam Winchester

- Castiel

- Crowley

- Lucifer

- Charlie

- Bobby Singer

- Gabriel

- John Winchester

- Mary Winchester

- Jo Harvelle

- Meg Masters

- Arthur Ketch

- Bela Talbot

- Kevin Tran

- Jody Mills

- Adam Milligan

- Chuck Shurley

I am more than happy to attempt any character on this list or not. PLEASE SEND REQUESTS! :) I am also happy to do cross-overs and ships, as well as writing two characters together. Every type of request is welcome, be it, polyamorous, gay, lesbian, smut, fluff, kink, mental illness or any other subject that may be difficult to ask for, all is welcome here and I will do my very best with the knowledge I have!

I look forward to writing your stories! Request away!

Mulvs :)

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themuppetmasterencyclopedia · 5 years

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Count von Count

PERFORMERS

Jerry Nelson 1972-2012

Matt Vogel 2013-present

DEBUT 1972

PATTERN Large Lavender Live Hand

Count von Count is a mysterious but friendly vampire-like Muppet on Sesame Street who is meant to parody Bela Lugosi's portrayal of Count Dracula. He first appeared on the show in the Season 4 premiere in 1972, counting blocks in a sketch with Bert and Ernie.

The Count has a compulsive love of counting (arithmomania, an affliction of legendary vampires); he will count anything and everything, regardless of size, amount, or how much annoyance he causes others around him. In one song he stated that he sometimes even counts himself. When he finishes counting, The Count laughs and announces his total (which sometimes appears on screen). This finale is usually accompanied by a crash of thunder and a flash of lightning, even on sunny days. (According to The Sesame Street Bedtime Storybook, the Count has a personal cloud that hovers over his head and provides the thunder and lightning.)

Many of the Count's songs, including "Counting Is Wonderful" and "The Batty Bat," are in the style of Roma music.

The Count lives in an old, cobweb-infested castle that he shares with many bats. Sometimes he counts them. Some of the pet bats are named, including Grisha, Misha, Sasha, and Tattiana. He also has a cat, Fatatita, and an octopus named Octavia. He also plays a large pipe organ, and in some illustrations he is seen playing the violin. In recent years, the Count has appeared on each episode to announce the Number of the Day, playing notes on his organ to count up to the featured number.

The Count's most recent girlfriend, Countess von Backwards, is known for counting backwards. He had previously been linked to Countess Dahling von Dahling and shared a brief romantic tryst with Lady Two. His brother and mother have appeared on the show, and he also has an Uncle Uno.

The Count's profile on Sesame Workshop's website does not use the word vampire but does suggest that he may be a distant relative of Count Dracula. However, the book Sesame Street Unpaved describes the Count as a "Numerical Vampire." In contrast, the 2001 Sesame Street Muppets Drawing Guide insists "The Count is not a vampire."

Nevertheless, the Count resembles Bela Lugosi's portrayal of Dracula in voice (speaking in an Eastern European accent and pronouncing his Vs as Ws), appearance, and sometimes mannerisms. For example, in early sketches, the Count waves his hands to exercise hypnotic power over other Muppets and holds his cape over the lower part of his face while moving. In addition, an early skit revealed that the Count shows no reflection in a mirror. Unlike vampires as traditionally depicted in legend and motion pictures, however, the Count often relaxes in the sunlight (as seen in "Counting Vacation" and "Coconut Counting Man," among others).

EARLY DAYS

The character was created by Sesame Street writer Norman Stiles. Performer Jerry Nelson recalled his immediate enthusiasm for the character in a 1999 interview:

“ Norman told me he was writing this piece with this new character who's called the Count... He's a vampire, but not a real vampire... He just has a jones for numbers. He's obsessed with counting things. So I went, "Oh, cool," and I went to Jim [Henson] and said, "You know, Norman's writing this new character called the Count." Jim said, "Let me hear it." So I went (in my Count voice), "Yes, I vould love to do it!" and Jim said, "Yes, you can do it." ”

The Count is now a friendly, non-threatening figure on the Street, but his early appearances in 1972 had a more sinister edge. He had hypnotic powers, and was able to stun other Muppets by waving his hands. After counting, he uttered a villainous laugh as lightning flashed in moody colors. He was often accompanied by creepy organ music. As the character matured, the sinister aspect of his personality was toned down, and his laugh became a throaty, Lugosi-style chuckle.

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APPEARANCES

He made cameo appearances in The Muppet Movie (in the finale) and The Muppets Take Manhattan (in the wedding), and has also been featured in the Sesame Street movies Follow That Bird and The Adventures of Elmo in Grouchland. He also appeared in The Muppets: A Celebration of 30 Years and A Muppet Family Christmas.

The Count made a special appearance on episode 518 of The Muppet Show, emerging with his Sesame co-stars from the Three Bears' cave when Ali Baba shouts, "Open Sesame!"

On November 14, 1988, Count co-hosted The Today Show with Meryl Sheep.

On December 11, 2008, the Count was interviewed on More or Less, a BBC radio show about numbers.

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NOTES

The Count's New York license plate number is "12345678910" in the movie Follow That Bird. However, in Count All the Way to Sesame Street, a book based on Follow that Bird, the Count's license plate number is simply "123."

The Count was a DJ for his own radio station on the album The Count's Countdown, and hosted a music video show in Count It Higher: Great Music Videos from Sesame Street.

In a Number of the Day segment for 0, The Count stated: "Oh hello, it is I, The Count. I'm called the Count because I love to count. Err, that, and I inherited my father's royal title." Despite this claim, the title of Count is one of nobility rather than royalty. (sesamestreet.org) Thus, The Count's claim to royalty might rest on his having inherited a lesser title of a royal ancestor.

According to the book Sesame Street Unpaved, after Jon Stone read the first script of a Count skit, he sent it back to the writer, Norman Stiles, with a note scribbled atop: "Good character, bad bit". That skit was never produced.

In Count it Higher: Great Music Videos from Sesame Street, The Count says that his favorite song is "Count it Higher". However, the book Sesame Street Unpaved states that his favorite songs are "Born to Add" and "Count on Me." Sesame Workshop's "Muppetbook" page also includes the song "99 Red Balloons."

The Muppetbook page also states the Count's favorite TV shows are 24 and 60 Minutes.

The Count's car is the Countmobile.

According to the 1998 book Sesame Street Unpaved, the Count is "written to represent an adult with the psychological age of someone who is 1,832,652 years old -- and still counting".

According to Sesame Street Stays Up Late!, the Count knows the exact time, and therefore knows when the new year arrives.

In Episode 4109, the Count states that he used to be a professor of counting from one to ten at the Institute of Technology at Moldavia.

In a few appearances (including The Street We Live On, episode 4109 and "Five By"), the Count sports a purple cape instead of his usual green one.

In Jerry Nelson's later years, Matt Vogel took over the puppetry of the Count while Nelson continued to provide the voice. This lasted until Nelson's death in 2012; Vogel debuted with his first vocal performance of the character in the 2013 video "Counting the "You"s in YouTube."

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FILMOGRAPHY

See Count von Count Filmography

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VIDEO GAME APPEARANCES

Sesame Street Countdown

Numbers

Get Set to Learn!

Search and Learn Adventures

Elmo's Number Journey

Count TV iPhone app

Elmo's Musical Monsterpiece

Kinect Sesame Street TV

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BOOK APPEARANCES

Books starring Count von Count

The Sesame Street 1, 2, 3 Storybook (1973)

The Sesame Street ABC Storybook (1974)

The Sesame Street Book of Fairy Tales (1975)

Big Bird's Busy Book (1975)

See No Evil, Hear No Evil, Smell No Evil (1975)

Bert's Big Band Paint-with-Water Book (1976)

The Sesame Street Postcard Book (1976)

Cookie Monster and the Cookie Tree (1977)

The Sesame Street Block Party Coloring Book (1977)

Sesame Street Goes West (1977)

The Sesame Street Mystery Coloring Book (1977)

Who's Who on Sesame Street (1977)

The Sesame Street Bedtime Storybook (1978)

The Exciting Adventures of Super Grover (1978)

A Day on Sesame Street (1979)

Down on the Farm with Grover (1980)

Early Bird on Sesame Street (1980)

Look What I Found! (1980)

Molly Moves to Sesame Street (1980)

The Sesame Street Dictionary (1980)

The Sesame Street Pet Show (1980)

Special Delivery (1980)

The Tool Box Book (1980)

What Did You Bring? (1980)

Oscar's Rotten Birthday (1981)

Prairie Dawn's Upside-Down Poem (1981)

The Sesame Street Circus of Opposites (1981)

The Sesame Street Sun (1981)

What Do You Do? (1981)

City (1982)

A Day at School (1982)

#jim henson #the muppets #count von count #information

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official-bademeister · 7 years

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Liebe Hörer draußen an den Radiogeräten, der-allerschürfste erstrahlt mit neuem Design! Es war auch allerhöchste Zeit und wir sind wieder mal banal - tut uns furchtbar Leid.

Hier sind die Ärzte! (und alle so: yeah!) Unter’m Strich findet ihr alle neuen und alten Features erklärt (bis auf den About-Us-Tag, der ist noch in Bearbeitung, sorry). Wir hoffen, die Arbeit hat sich gelohnt und es gefällt euch!

Wo komm ich her? Wo geh ich hin? Und macht das Leben überhaupt einen Sinn? Ist morgen vielleicht schon das Ende der Welt? Das sind so die Fragen, die man sich stellt.

Vielleicht bekommt ihr ja die Antwort auf alle Fragen dieser Welt bei uns. Schickt uns einfach eine Ask!

Submitten könnt ihr alle Eintragsarten bis auf Audio-Datein hier.

Es gibt Leute, die sagen, wir wären nicht gut Wir wären nur so mittel, da packt mich die Wut Wer so was behauptet, der lügt wie gedruckt Der gehört getreten und angespuckt

Unser About-Us-Tag ist zur Zeit noch in Arbeit, sorry! (Aber bald werdet ihr ‘ne Menge Infos über uns Admins genau dort erfahren.)

Ihr sitzt bestimmt den ganzen Tag am Bildschirm und ihr surft durchs Internet!

Link 1 aka. ANOTHER ÄRTZTE BLOG führt direkt zu https://belafarinroddieaerzte.tumblr.com/

Link 2 aka. STEFAN ÜBLACKER &DAS BUCH Ä führt direkt zu seiner Facebookseite

Link 3 aka. 33RUNDEN.DE - EIN BLOCK VON MUSIKLIEBHARBERN FÜR MUSIKLIEBHABER führt direkt zu einer Homepage, für die ich unter anderem Konzertberichte schreibe oder auf der ich Konzertfotografien veröffentliche.

1 - Die Blogbeschreibung

2 - Links zur ärzte Homepage, Farin Urlaubs Fotogalerie, der KTA Homepage und zum dieaerzte-archiv

3 - Blog Status

1 - Links zur jeweiligen Homepage von Bela, Farin oder Rod (einfach auf’s Ikon klicken!)

2 - Events aka. Tourdaten

3 - Hier könnt ihr meinen Blog durchsuchen oder direkt in einen der vier vorgeschlagenen Tags gehen.

Zu guter Letzt: Das App-Layout!

#dinge von denen (ihr etwas wissen solltet)

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mezitli33 · 5 years

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VEYSEL BARGELD HERUNTERLADEN

Navigation Hauptseite Themenportale Zufälliger Artikel. Ein Jahr später, am 8. Dezember mit Gringo. Von David Molke am Diese soll über sein eigenes Label Bela Boys releast werden. August unterschrieb er zusätzlich einen Vertrag bei Universal Music , die den Vertrieb für sein Label übernehmen.

Name: veysel bargeld Format: ZIP-Archiv Betriebssysteme: Windows, Mac, Android, iOS Lizenz: Nur zur personlichen verwendung Größe: 38.32 MBytes

Ansichten Lesen Bearbeiten Quelltext bearbeiten Versionsgeschichte. Diese soll über sein eigenes Label Bela Boys releast werden. August unterschrieb er zusätzlich einen Vertrag bei Universal Musicdie den Vertrieb für sein Label übernehmen. Veysel — Bargeld [Audio]. Oktober veröffentlicht wurde.

Ganz im Stil von bekannten Fernsehsendungen erklärt Frank Riede, „welcher Rapper eine Zukunft auf der Leinwand hat und wer sich besser ein neues Hobby suchen sollte“.

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Sie sind hier Vesel. Groove Attack powered by Hiphop. Jetzt ist es also endlich offiziell: Bei einem Streit tötete Veysel einen Mann und musste dafür eine dreijährige Haftstrafe aufgrund von Körperverletzung mit Todesfolge antreten.

Offizielle Deutsche Charts – Offizielle Deutsche Charts

Veysel s letztes Album Audiovisuell erschien und liegt damit doch schon ein ganzes Weilchen zurück. Im Frühjahr kündigte Veysel sein erstes Album Audiovisuell an, das am August sein eigenes Label Bela Boyz gegründet.

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Ansichten Lesen Bearbeiten Bwrgeld bearbeiten Versionsgeschichte. Einfach kurz einloggen oder Benutzerkonto einrichten.

März verkündete er seinen Abgang vom Label Azzlackz, der im Guten erfolgt sei. Er hat am 8.

Dritte Staffel offiziell bestätigt „4 Blocks“ bekommt eine dritte Staffel. Möglicherweise unterliegen die Inhalte jeweils zusätzlichen Bedingungen. August unterschrieb er zusätzlich einen Vertrag bei Universal Musicdie den Vertrieb für sein Label übernehmen.

Bargeld (Testo) – Veysel – MTV Testi e canzoni

Wer kann schauspielern, wer nicht? Kurze Zeit später bot er Veysel einen Vertrag an, den dieser unterschrieb. Egal ob alles, nur Deutschrap, nur US-Rap – ganz wie du wünschst! Januar in Essen ; bürgerlich Veysel Gelin [1] [2] ist ein deutscher Rapper und Schauspieler kurdisch-zazaischer Abstammung.

Juli Nargeld Cem feat.

Selbstverständlich schaut sich der Profi auch eine Szene aus veysep 4 Blocks “ an: Diese soll über sein eigenes Label Bela Boys releast werden. Dezember mit Gringo.

Veysel – Bargeld lyrics

Diese Seite badgeld zuletzt am Sie alle haben sich auch schon mehr oder weniger als Schauspieler betätigt. Veysel — Bargeld [Audio]. Von Gast am 27 August, – Durch die Nutzung dieser Website erklären Sie sich mit den Nutzungsbedingungen und der Datenschutzrichtlinie einverstanden.

Ganz am Schluss zieht der Schauspiellehrer noch ein Fazit.

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März um Deine Deutschrap-Playlist powered by Hiphop. Veysel wuchs im Essener Stadtteil Altendorf auf.

Veysel – Bargeld

Dieser Song fiel dann dem Rapper Haftbefehl auf, als er neue Talente für sein gerade gegründetes Label Azzlackz suchte. Seine Haftzeit verbrachte er sodann damit, an Texten zu arbeiten. Von David Molke am

The post VEYSEL BARGELD HERUNTERLADEN appeared first on Mezitli.

source http://mezitli.info/veysel-bargeld-12/

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filmaffe · 7 years

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In diesem Jahr fanden vom 05. bis zum 09. Mai 2017 zum 17. Mal die Independent Days in der Schauburg in Karlsruhe statt. Mit dem Schwerpunkt auf Kurzfilme freier und angehender Filmemacher wurde ein strammes, aber ansprechendes und vor allem vielseitiges Festivalprogramm vom Karlsruher Filmboard e.V. und Veranstalter Dr. Oliver Langewitz geschnürt. Hier war wahrlich für jeden Filmfan etwas dabei. Filmaffe Jörg war zwei Tage vor Ort und berichtet euch von seinen Eindrücken.

Das Programm

Gezeigt wurden 163 Filme aus 45 Ländern an fünf Tagen und in 18. Kategorien. Dabei waren auch sechs Langspielfilme. Obendrein gingen einige Filme auch in den Wettbewerb um insgesamt 10 Auszeichnung, die an der großen Abschlussgala am Sonntagabend verliehen wurden.

Jeder Filmblock stand unter einem Oberthema. In der Regel wurden sieben Filme pro Block, im Animationsfilm-Block „Die wunderbare Welt des Trickfilms“ waren es gar 20 Kurzfilme, gezeigt. Langweilig wurde es dabei nie, denn jeder Film hatte seine eigenen Stil, seine eigene Perspektive und Herangehensweise. So folgte auf ein schweres Drama, eine seichte Komödie und wechselte dann erneut die Grundstimmung beim dritten Film. Stets wurden die Filme in der Originalsprache und häufig mit englischem Untertitel gezeigt.

Willkommen auf den Independent Days

Irgendwo zwischen „Entwurzelte Heimaten“, „Heimat-Blues“, „In the Warfield“ und „Fremde Welten & ferne Galaxien“ fand ich meinem Platz im Kino. Es waren die Festivaltage zwei und drei, genauer gesagt, der Donnerstag und Freitag der Independent Days. Mehr war zeitlich nicht drin und doch wollte ich alles rausholen, was geht. Tatsächlich bewies ich Sitzfleisch ohne es zu merken. Denn die Zeit verging wie im Fluge. Kein Wunder, denn die Filme waren abwechslungsreich, unterhaltsamen und selten wirklich schwach. Obendrein blieb bei so einem durchgetakteten Programm oft kaum Zeit zum durchatmen.

Eindrücke wechselten sich ab, Emotionen kochten hoch und wurden wieder besänftigt. Es wurde eine Achterbahnfahrt durch die internationale Filmlandschaft. Ein Culture Clash und ein Blick über den Tellerrand, der wenig nahm, aber dafür eine Menge gab. Ich drang ein in die Geschichten und wurde für kurze Stunden Teil einer Filmszene, die sich ambitioniert, motiviert, idealistisch, aber auch kritisch und selbstreflektiert auf das Medium „Film“ zeigte.

Man merkte, hier wurden Filme von Menschen gezeigt, die etwas erzählen wollen, die sich noch ausprobieren, die aufmerksam machen möchten. Der gesellschaftskritische Verweis war und ist ein Leitthema der meisten Kurzfilme. Es ging um anders sein, um Ausgrenzung, Eingrenzung, Vertreibung, den Wandel von und die Krisen in Regionen sowie die Verarbeitung von Trauma, Liebe und gesellschaftliche Tabus.

Die Location & Atmosphäre

Trotz der Tragweite mancher Themen, waren die Independent Days geradezu familär und bodenständig. Und doch lag ein Hauch von Glamour in der Luft. Die Schauburg, ein Karlsruher Programmkino der alten Schule, war als Location ideal. Abgetrennt in oberen Kinosaal waren die Festivalbesucher auf ihrer Etage für sich und doch nie abgekoppelt vom eigentlich Kinobetrieb: Der große Kronleuchter, den man beim Treppenaufgang umrundet, war Lichtquelle und Leitsignal zugleich. Lautes Lachen und konzentrierte Gespräche waren zu hören. Vereinzelt standen Personen herum, tranken einen Kaffee, verschnauften kurz und holten sich neue Energie für die nächste Filmrunde. Eine rote Wand war aufgebaut. Auf ihr prangte das Logo des Festivals – mehrfach. Hier trafen sich die Promis, die irgenwie noch keine sind und doch ihren verdienten Ruhm abholten, sich ablichten ließen. In einer anderen Ecke standen Liegestühle und Hocker. Eine Chill Out Lounge, die kaum genutzt wurde. Warum auch? Saß man doch im Kino schon genug. Die Stehtische am Kinosaaleingang wurden hingegen zum Treffpunkt und Wartebereich.

Independent Days Filmfest 2017 in Karlsruhe / Schauburg

Wer jedoch wirklich eindringen wollte in dieses Festival, der musste einen anderen Ort aufsuchen: Den Kinosaal. Nicht selten blieben die Besucher zwischen den Blöcken dort sitzen, vertieften ihre Eindrücke des kürzlich Gesehenen mit dem Sitznachbarn, ja diskutierten gar mit dem ganzen Saal. Es glich einem Filmabend unter Freunden, nur das nicht fünf, sondern schon mal 30 Menschen in eine gemeinsame Fachsimpelei abdrifteten. Man schnappte auf, man warf selbst ein und am Ende waren wir uns alle einig. Hier sind wir richtig, hier wollen wir sein.

DIE GEWINER der Independent Days 2017

Die insgesamt zehn Preiskategorien, in denen einige Filme nominiert waren, wurden teilweise von regionalen Partner (u.a. die Sparkasse Karlsruhe und die Badischen Neuen Nachrichten) gesponsert und mit Preisgeld dotiert. Neben klassischen Kategorien, wie beste Hauptdarsteller und bester Film, sind bei den Independent Days vor allem zwei Kategorien sehr interessant: Der „Female Award“ stärkt und unterstützt weibliche Regiearbeiten und der „Newbie Award“ prämiert das beste Erstlingswerk angehender Filmemacher.

Filmpreis der Kulturstiftung der Sparkasse Karlsruhe: PITTER PATTER GOES MY HEART – Regie: Christoph Rainer (aus Österreich)

Filmpreis der Stadt Karlsruhe – Die GOLDENE ID 2017: GAME NIGHT – Regie: Jan van Gorkum (aus Niederlande)

Georg Fricker Filmpreis: SOULS DEAD – Regie: Victor Krasovskiy (aus Weißrussland)

Roncalli-Forum-Filmpreis: ON THE PULPIT – Regie: Tomasz Wisniewski (aus Polen)

Indie Award für den besten Langfilm: ALPTRAUM – Regie: Manuel Lobmaier (aus Schweiz)

Female Award für die beste weibliche Regiearbeit: IM PERFEKT – Regie: Zsuzsanna Koszti (aus Ungarn)

Newbie Award für das beste Erstlingswerk: TRUE – Regie: Simon Schneider (aus Deutschland)

Best Short Shortfilm: METUBE 2 – Regie: Daniel Moshel (aus Österreich)

Best Actress: Susi Stach – Film: DEADLOCK/STILLSTAND; Regie: Bela Lukac (aus Österreich)

Best Actor: Lucas Prisor – Film: SAMIRA; Regie: Charlotte A. Rolfes (aus Deutschland)

Meine Highlights

In der einen oder anderen Kategorie hätte ich einen anderen Film bzw. Darsteller erwartet, dennoch sind die Entscheidung für diese Gewinner weitestgehend nachvollziehbar. In den nächsten Tage werde ich noch mal eingehender auf meine persönlichen Filmhighlights des Independent Days Filmfest eingehen. Bis dahin könnt ihr euch hier einen Überblick über alle gezeigten Filme verschaffen.

FAZIT:

An den zwei Tagen, an denen ich auf dem Independent Days Filmfest anwesend war, hatte alles für mich eine angenehme, private Atmosphäre. Das lag einerseits an der Location, andererseits auch daran, dass alle anwesenden Filmemacher kontaktfreudig zum Teil der Festivalbesucher wurden. Auch das Team um Festivalleiter Dr. Oliver Langewitz war jederzeit ansprechbar, hilfsbereit und von jedweder Fachsimpelei bis hin zum ausschweifenden Small Talk zu haben.

Trotz dieser Nähe, dieses scheinbaren Mikrokosmos, der bei den Independent Days eröffnet wird, erkennt man die internationale Tragweite des Karlsruher Filmfestes. Filmemacher haben dort nicht nur aus Spaß an der Freude ihrer unabhängig produzierten Filme eingereicht, sondern weil sie wissen, dass dieses Festival wichtig ist. Nicht nur für die Region Baden-Württemberg, sondern auch weltweit. Da wünscht man sich, dass dieser mittlerweile feste Bestandteil im jährlichen Kulturprogramm der Fächerstadt auch in den nächsten Jahren weiter erhalten bleibt, ja sogar noch weiter wächst.

von Jörg Gottschling

Merken

Wir waren auf den "Independent Days Filmfest 2017" in der Karlsruher Schauburg - und es hat nicht nur Spaß gemacht. Mehr im Festivalbericht: In diesem Jahr fanden vom 05. bis zum 09. Mai 2017 zum 17. Mal die Independent Days in der Schauburg in Karlsruhe statt.

#Filmfest #Kurzfilme

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rrrauschen · 6 years

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bela von block, {1925} episodes in the life of a gin bottle

#static screens #film #gif #bela von block #episodes in the life of a gin bottle #1925 #short film #silent film #black and white #usa #male filmmakers #films #.gif

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fabioferreiraroc · 4 years

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Egon Schiele revolucionou o modo de ver a pintura figurativa

Com apenas 20 anos, Egon Schiele quebrou radicalmente com a história da pintura figurativa retratando o estado psicológico das pessoas, em vez de suas características físicas.

Em seus primeiros anos vivendo com seu pai, mãe e duas irmãs em um cruzamento ferroviário na pequena cidade austríaca de Tulln, Schiele mostrou um talento para desenhar evidente, mas foi uma tragédia pessoal que o impulsionou, de uma vez por todas, a uma vida dedicada à sua prática artística.

Seu pai, que frequentava bordéis durante a juventude (como era habitual para os homens austríacos da época), foi dado como louco por decorrência de alguns surtos psicóticos e, logo após o diagnóstico, em 1905, faleceu com sífilis, doença sexualmente transmissível.

Sua psicose e morte afetaram profundamente o Schiele de 19 anos, mas simultaneamente desbloquearam uma feroz curiosidade em torno da sexualidade, da mortalidade e do funcionamento interno da mente humana no jovem artista.

Egon Schiele | Female Nude on Her Stomach, 1917. Graphische Sammlung Albertina, Vienna The Yorck Project (2002)

Esta abordagem resultou em uma porção de desenhos subversivos, que davam a entender que ele e seus “personagens” eram seres angustiados, doentes, confusos e sexuais.

Desde a trágica morte de Schiele, em 1918, aos 28 anos, muitos comentários negativos rondaram as obras do artista, cuja visão vanguardista e de mente aberta do corpo humano e da sexualidade não tinha precedentes no campo da arte aclamada pela crítica.

As inspirações de Egon Schiele

No decorrer de sua carreira, Schiele continuou a exportar características dos seus problemas psicológicos para as suas obras, que foram cada vez mais admiradas pela comunidade criativa de Viena – e em particular, seu mentor Gustav Klimt – na virada do século.

Seu interesse pelo sofrimento humano e pela sexualidade foi marcado por um período de sua vida na prisão, que ocorreu pela repressão à sua arte erótica, e também pelo seu tempo no exército austríaco de 1915 até sua morte durante a Primeira Guerra Mundial.

As pinturas e os desenhos que resultaram da sua carreira prematura que durou 8 anos, foram pioneiros na abordagem da pintura figurativa onde os traumas psicológicos e as fixações de seus personagens se tornaram evidentes na presença física: corpos contorcidos, pele machucada, gestos eróticos e características faciais andrógenas.

Egon Schiele | Self Portrait with Raised Bared Shoulder, 1912

Egon Schiele | Crouching Nude in Shoes and Black Stockings, Back View, 1890-1918

Embora a habilidade de Egon fosse inata, ela floresceu quando ele se mudou para Viena em 1906, logo após a morte de seu pai, para estudar na prestigiada Academia de Belas Artes da cidade.

Por mais que estivesse matricula em uma academia de renome, não foram as aulas passadas na universidade que estimularam o talento do artista, e sim suas noites boemias na cidade – uma cena influenciada por pessoas como o psicanalista Sigmund Freud e o pintor Klimt – que estavam em desacordo com a autoridade intensamente moralista da época.

Em 1907, Schiele e Klimt se aproximaram, e o artista mais velho levou o jovem sob sua asa, apresentando-o não só ao seu círculo de artistas, reunidos no movimento secessionista de Viena, mas também a colecionadores e críticos influentes.

Female Lovers, 1915 Direitos: Albertina, Vienna

A academia

Após virar amigo próximo de Klimt, Schiele começou a se rebelar na Academia. Depois de largar os estudos em 1909, ele fundou o Neuekunstgruppe com seus amigos da escola de arte – incluindo Oskar Kokoschka, Max Oppenheimer e Paris Von Gütersloh – e foi Schiele quem escreveu seu manifesto, motivado por Klimt.

Em 1910, Schiele afastou-se dos padrões geométricos encontrados nas pinturas de Klimt, e estabeleceu seu próprio estilo. A mudança foi gerada, em grande parte, pelo interesse de Schiele pela mente humana, inspirado e influenciado por Sigmund Freud e suas próprias lutas psicológicas e obsessões, como a tristeza extrema e o sexo.

Essas preocupações manifestavam-se em auto-retratos que revelavam um profundo envolvimento com sua psique. Neles, ele explorou sua sexualidade, bem como sua angústia.

Egon Schiele Male Nude, Yellow, 1910 Private Collection | Seated Semi-Nude with Hat and Purple Stockings (Gerti), 1910 W & K – Wienerroither & Kohlbacher

Schiele ainda mais abertamente, no entanto, sondou seu interesse no erótico através de retratos de mulheres e homens jovens. Polêmica, muitas dessas musas estavam na adolescência, e uma era sua irmã Gerti, com quem ele estava muito próximo.

A importância das obras de Egon Schiele

O corpo de trabalho que Schiele deixou para trás após a sua morte causada pela gripe espanhola em 1918 foi extremamente influente. Ele não só colocou as bases para o movimento expressionista vienense (cristalizado no manifesto que ele escreveu para Neuekunstgruppe), mas também empacotou uma abordagem expressiva da pintura representacional em escala internacional, que se espalhou em exposições por toda a Europa.

A qualidade expressiva de seu trabalho – cujas figuras contorcidas e suas pinceladas acentuadas emergem com energia emocional e, por sua vez, se afastam de uma representação direta – passou a inspirar múltiplos movimentos que se desenvolveram após ele, incluindo o Expressionismo Abstrato.

Até hoje, os desenhos e pinturas de Schiele são símbolos poderosos de luta psicológica, honestidade emocional e liberdade sexual.

Veja também

A sexualidade na obra de Egon Schiele

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fabioferreiraroc · 4 years

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A participação das mulheres na história da arte

Essa matéria trata de uma pesquisa historiográfica e crítica sobre a participação das mulheres na história da arte no Brasil nos séculos XIX e XX.

O conteúdo foi desenvolvido pela equipe do Instituto Tomie Ohtake, com a presença de cinco professores convidados e sete educadores que fazem parte do Instituto. A matéria está ligada a exposição Invenções da mulher moderna, para além de Anita e Tarsila.

Contexto histórico

O processo de institucionalização do ensino artístico no Brasil teve início com a chegada da corte portuguesa, o que impulsionou diversas reformas que buscaram alçar a antiga colônia, estruturalmente e culturalmente, ao posto de sede do Império.

Parte desse processo foi a missão Artística Francesa, uma comitiva de artistas, arquitetos e artesãos que chegaram no Brasil em 1816 com o objetivo de criar um sistema oficial das artes que pudesse integrar, padronizar e orientar a produção segundo o modelo acadêmico francês, pautado nos princípios do neoclassicismo.

Obra do artista Jean Baptiste Debret que retrata o Brasil durante a missão artística francesa. O artista fez vários registros entre 1816 e 1831, época em que viveu no país.

Antes disso, o ensino das artes acontecia de modos diversificados e informais, por meio das relações entre mestre e aprendiz que produziam objetos vinculados, principalmente, ao barroco colonial e à arte sacra.

Somente a partir de 1892 as mulheres começaram a ser aceitas na Escola Nacional de Belas Artes do Rio de Janeiro, nome que passou a designar a Academia Imperial de Belas Artes após a proclamação da República.

Muitas mulheres optavam pelo ingresso livre e não pela matrícula oficial devido aos exames de admissão, que exigiam conhecimentos aos quais elas não tinham acesso nas poucas instituições de ensino secundário que as aceitavam.

As escolas particulares de arte começaram a aceitar mulheres antes, mas cobravam um valor equivalente ao dobro daquele cobrado dos homens. Além disso, a maioria dos artistas que tinham acesso ao ensino vinha de famílias com alto poder aquisitivo. No caso das mulheres, grande parte possuía outros artistas na família, representados pelos pais ou maridos.

Mesmo com permissão do ingresso de mulheres na academia ter ocorrido em 1892, apenas em 1896 foi criado um ateliê de modelo vivo exclusivo para elas e, ainda assim, houve resistência à matrícula porque tal prática não era vista com bons olhos pela sociedade devido ao fato de o modelo se portar nu.

Aula de anatomia no Instituto de Artes da UFRGS em 1928, uma escola inspirada no modelo da Academia Imperial de Belas Artes.

Alunos e professores do Instituto de Artes em 1925

Formavam-se miniaturistas, pintoras de naturezas-mortas, de porcelanas e outros tipos de artes que não exigissem a representação do corpo humano. As duas primeiras mulheres que se matricularam na aula de modelo vivo foram Julieta de França e Nicolina Vaz de Assis.

Ainda que muitos artistas construíssem suas obras à margem do ensino oficial, o modelo neoclássico francês exerceu forte influência na produção artística do século XX ao reforçar o distanciamento entre a arte erudita e a arte popular.

É importante mencionar que, mesmo com a dificuldade de acesso a documentos e pesquisas sobre o assunto, é inegável a existência de uma produção que não se enquadrava no modelo de arte imposto pelos aparatos institucionais, como os objetos produzidos pelas populações indígenas e africanas, a artesania popular e incontáveis outras modalidades expressivas encontradas ao longo do território nacional.

Julieta de França em seu Ateliê. Acervo do Museu Paulista da USP, São Paulo. Reprodução de José Rosael.

Nicolita Vaz de Assis e a modelagem final do busto-retrato do Barão do Rio Branco. Acervo Museu Nacional de Belas Artes.

Arte feminina?

Durante muito tempo as mulheres estiveram presentes na produção artística apenas como modelos e musas. Isso se deve, principalmente, às dificuldades de acesso aos equipamentos de ensino da arte e a barreiras sociais que impediam que se dedicassem profissionalmente a essa ocupação.

De modo algum isso significa que elas não produziram e, principalmente, que suas obras não tiveram as qualidades que justificassem a sua inserção nos livros de arte.

Quando as mulheres começaram a participar dos salões de arte, no final do século XIX, a crítica abordava sua produção em relação à de outras mulheres e, eventualmente, em relação à produção de artistas homens vistos como amadores. Assim criou-se uma categoria exclusiva que ficou conhecida como “arte feminina”.

Esse filtro isolava as qualidades estéticas das produções femininas e impedia que fossem avaliadas segundo os mesmos critérios utilizados na abordagem de obras feitas por homens.

A crítica era voltada a identificação de características femininas expressas nas obras feitas por mulheres, como a pincelada leve, o olhar feminino, a delicadeza e outros termos que, sob a análise coerente, não se sustentam nas obras em si.

Abigail de Andrade | Um Canto do Meu Ateliê. (Essa obra ganhou uma medalha de ouro no Salão de 1884, no Brasil imperial.)

Dentre os gêneros da pintura ensinados e estimulados pela Escola Nacional de Belas Artes havia uma hierarquia clara, seguida pelo retrato; paisagem; natureza-morta e, por último, pela pintura de gênero.

Durante muito tempo a pintura histórica foi um campo de atuação restrito aos homens, do qual as mulheres eram excluídas pela ausência de domínio da anatomia humana, pelo fato de que não tinham acesso ao ensino da arte, e especificamente ao estudo do nu.

Com o surgimento de uma nossa classe média urbana e as transformações do contexto politico e social no Brasil, as cenas de gênero começaram a ganhar mais visibilidade. Essas mudanças representaram, também, maiores possibilidades de inserção das mulheres no campo da produção artística.

Mais tarde, com a chegada do modernismo e o enfraquecimento da rigidez temática formal do academicismo, as questões de gênero já não eram mais colocadas como um critério de hierarquia na produção artística, exemplo visto claramente no surgimento de nomes como Anita Malfatti e Tarsila do Amaral, que se encontram em posição de grande relevância na história da arte.

Anita Malfatti | A Estudante, 1915.

Tarsila do Amaral | Abaporu, 1928.

Algumas obras e artistas brasileiras

Nair de Teffé

Nair de Teffé von Hoonholtz, mais conhecida como Nair de Tefé, foi uma pintora, cantora, atriz e pianista brasileira. É notada por ter sido a primeira caricaturista mulher do mundo, e por ter sido primeira-dama do Brasil de 1913 a 1914, como esposa do marechal Hermes da Fonseca.

Caricatura de Juscelino Kubitschek.

Caricatura de Réjane.

Lygia Clark

Lygia Clark, pseudônimo de Lygia Pimentel Lins foi uma pintora e escultora brasileira contemporânea que se autointitulava “não artista”.

Lygia Clark foi uma das fundadoras do Grupo Neoconcreto e participou da sua primeira exposição em 1959. Com o passar do tempo, trocou sua pintura gradualmente pela experiência com objetos tridimensionais.

Lygia Clark | Bicho Linear, 1960.

Georgina Albuquerque

Georgina Moura Andrade de Albuquerque foi uma pintora, desenhista e professora brasileira. Considerada uma das primeiras mulheres brasileiras a conseguir firmar-se internacionalmente como artista, Georgina foi também pioneira na pintura histórica nacional.

Georgina de Albuquerque | No cafezal, 1930. Pinacoteca do Estado de São Paulo.

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Fonte

Instituto Tomie Ohtake

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