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#bouroullec brothers
leibal · 2 months
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Maasto Chair is a minimalist dining chair created by Paris-based brothers Ronan & Erwan Bouroullec for Vaarnii. For the first time, Vaarnii is set to make its mark at the Stockholm Furniture Fair, showcasing its distinct line of Finnish pine furniture.
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mybeingthere · 1 year
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Ronan Bouroulec, print parade. Ronan & Erwan Bouroullec (French, born 1971 and 1976) are brothers noted for their design work and show a wide range tables and chairs, tableware, rugs, textile walls, office furniture, ceramics, art objects and urban projects.
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antonio-velardo · 4 months
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Antonio Velardo shares: When Design Stars (and Brothers) Collide by Julie Lasky
By Julie Lasky The Bouroullec brothers, the most influential French designers since Philippe Starck, have broken up. Published: December 26, 2023 at 11:04AM from NYT Arts https://ift.tt/1iDokIJ via IFTTT
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ateliermariii · 5 months
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https://www.bouroullec.com/index.php?p=207
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https://www.designboom.com/design/bouroullec-brothers-at-galerie-kreo-2/
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bodidarma · 1 year
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Bouroullec Brothers
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repeat-norepeat · 4 years
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“Clouds” modular and interlocking fabric tiles for screening and acoustics designed by Ronan and Erwan Bouroullec for Kvadrat.
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lpchouinard · 5 years
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whatdyoucallit · 7 years
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Bouroullec brothers for Vitra
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happywebdesign · 4 years
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grid.establishedandsons.com
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startrekdesign · 3 years
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Papyrus Chair designed by Ronan and Erwan Bouroullec for Kartell 2008
Ronan and Erwan Bouroullec are contemporary French industrial designers and brothers. Their Papyrus chairs were used in Picard, as patio seating for Raffi Musiker’s home in the Vasquez Rocks.
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dezainnet · 3 years
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ロナン&エルワン・ブルレックがVitraのためにデザインしたコロナ以降のオフィス空間のための家具「alcove」(designboom) Bouroullec Brothers launch new generation of VITRA alcove sofa family for post-pandemic office (designboom)
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suzylwade · 3 years
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Make Hay Danish design label ‘HAY' collection for 2021 encompasses furniture, lighting and accessories for around the home. The full collection sees ‘HAY’ partner with a range of well-known designers, including Naoto Fukasawa, the Parisian-based Bouroullec brothers and Norwegian designers Daniel Rybakken and Andreas Engesvik. Highlights of the furniture and light collection include new ‘Pao’ lights - such as the ‘Glass Pendant’ and ‘Glass Table Lamp’ - which take their name from traditional Mongolian tents, as well as new two-seater versions of the ‘Arbour Eco Sofa’ and the curved ‘Palissade' chaise longue. The range of accessories covers items for the kitchen, bathroom, living room and for people on the go. All of the accessories - ranging from dish washing brushes and candle holders to water bottles and phone holders - have been designed with a focus on colour, pattern material. #neonurchin #neonurchinblog #dedicatedtothethingswelove #suzyurchin #ollyurchin #art #music #photography #fashion #film #words #pictures #neon #urchin #productdesign #danish #youngtalent #furniture #lighting #accessories #newtechnology #homewares #kitchenware #colourful #glassspoons #rolfhay #mettehay #hay https://www.instagram.com/p/CQvTN4VFfLN/?utm_medium=tumblr
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mybeingthere · 2 years
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Ronan Bouroulec, print parade.
Ronan & Erwan Bouroullec (French, born 1971 and 1976) are brothers noted for their design work and show a wide range tables and chairs, tableware, rugs, textile walls, office furniture, ceramics, art objects and urban projects.
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ppposhy · 7 years
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Palissade by Bouroullecs 🍃 . . . . . #bouroullec #brothers #pallisade #outdoors #design #inspiration #inspo #print #brochure #graphic #graphicdesign #product #productdesign #3d #furniture #furnituredesign #mural #creative #ootd #greens #instadaily #igdaily #photooftheday #l4l (at London, United Kingdom)
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odedalony · 4 years
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(via Bouroullec brothers create Rope Chair using one continuous piece of cord)
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cooperhewitt · 4 years
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Vegetal Chair
In the mid-2000s, designers (and brothers) Ronan and Erwan Bouroullec, came up with the concept of a chair that would “sprout up like a plant…with its branches gently curving up to form the seat and back.” They also took inspiration from historical seating, such as English cast iron garden benches, American chairs in the rustic style, and the nineteenth-century horticultural technique of shaping young trees over a period of years into seat forms. The Bouroullec‘s preliminary three-dimensional prototype was asymmetrical and somewhat unstable. This led them to rethink the chair and focus on a symmetrical shape and the number of “branches” needed to evenly support a sitter. A design drawing in the museum’s collection offers some insight into the Bouroullec‘s creative  process.
Drawing: Design for Vegetal Chair (France), 2005; Erwan and Ronan Bouroullec; Photocopy, black marking pen on white wove paper; Museum purchase from General Acquisitions Endowment Fund, 2011-30-1
Over the span of four years, after much trial and error, many design changes, and prototyping with the furniture manufacturer Vitra’s product development department, the designers and Vitra utilized the polymer polyamide and injection molding technology to mass-produce the chair. The form is composed of two sections: the curved seat shell and the erect stem-like front legs are cast as one part, the straight rear legs as the other. The whole form appears as an organic overlapping series of flattened twigs on branches, the overall shape and flat surface creating a comfortable, sturdy chair suitable for use indoors or out, that can be stacked for efficient storage.
This chair is currently on view in Wyss Institute Selects.
Cynthia Trope is the Associate Curator of Product Design and Decorative Arts at Cooper Hewitt, Smithsonian Design Museum.
from Cooper Hewitt, Smithsonian Design Museum https://ift.tt/32au4yN via IFTTT
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