HEAVY TF2 TUMMY ‼️‼️‼️
on it boss *i proceed to tumble down a comically long staircase for an uncomfortably long period of time*
bonus low effort mini... bonus... image. that. i . used ms paint to put words on:
how it FEELS to receive heavy tf2 tummy ask in inbox
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Kanej is the biggest proof that the reason I only ever read queer romance isn’t bc I don’t like straight people/romance, it’s just that queer authors usually do a better job at creating a relationship without falling into shitty dynamics. Bardugo did that with them, too
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mmmhhhh don't you love immortal gay couples who meet up nearly once in every century and fight about whether or not they're friends and at one point they meet shakespeare and one of them inspires shakespeare AND they are also (partly) written by neil gaiman.
*points at crowley & aziraphale and hob & dream*
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Idk how I feel about hythlodaeus become such an important character. Him showing up on the moon was a neat reference. Him being a major player in elpis was overwritten
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On the one hand, even if a certain character “wins”, as in gets what they want out of the board vote and becomes CEO for the foreseeable future, there’s no way it’s going to be framed as a victory for that person because that’s just not what the show is. On the other hand, with the way that some people talk about it, and the fact that it’s called “succession”, if one of our main characters gets crowned definitively, people will still see it as a “win”, and I could see Jesse and the writers wanting to head that off and making a point to not to do that. I mean I don’t think they’d sacrifice an ending they really wanted out of fear of people misinterpreting it, but they had to be considering that to a degree. All this to say is that while it might be shocking to some, I would not be surprised at all if it's annoyingly open-ended, and to be honest I don't think I'd mind that much.
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at some point it's just like. do they even fucking like the thing they're asking AI to make? "oh we'll just use AI for all the scripts" "we'll just use AI for art" "no worries AI can write this book" "oh, AI could easily design this"
like... it's so clear they've never stood in the middle of an art museum and felt like crying, looking at a piece that somehow cuts into your marrow even though the artist and you are separated by space and time. they've never looked at a poem - once, twice, three times - just because the words feel like a fired gun, something too-close, clanging behind your eyes. they've never gotten to the end of the movie and had to arrive, blinking, back into their body, laughing a little because they were holding their breath without realizing.
"oh AI can mimic style" "AI can mimic emotion" "AI can mimic you and your job is almost gone, kid."
... how do i explain to you - you can make AI that does a perfect job of imitating me. you could disseminate it through the entire world and make so much money, using my works and my ideas and my everything.
and i'd still keep writing.
i don't know there's a word for it. in high school, we become aware that the way we feel about our artform is a cliche - it's like breathing. over and over, artists all feel the same thing. "i write because i need to" and "my music is how i speak" and "i make art because it's either that or i stop existing." it is such a common experience, the violence and immediacy we mean behind it is like breathing to me - comes out like a useless understatement. it's a cliche because we all feel it, not because the experience isn't actually persistent. so many of us have this ... fluttering urgency behind our ribs.
i'm not doing it for the money. for a star on the ground in some city i've never visited. i am doing it because when i was seven i started taking notebooks with me on walks. i am doing it because in second grade i wrote a poem and stood up in front of my whole class to read it out while i shook with nerves. i am doing it because i spent high school scribbling all my feelings down. i am doing it for the 16 year old me and the 18 year old me and the today-me, how we can never put the pen down. you can take me down to a subatomic layer, eviscerate me - and never find the source of it; it is of me. when i was 19 i named this blog inkskinned because i was dramatic and lonely and it felt like the only thing that was actually permanently-true about me was that this is what is inside of me, that the words come up over everything, coat everything, bloom their little twilight arias into every nook and corner and alley
"we're gonna replace you". that is okay. you think that i am writing to fill a space. that someone said JOB OPENING: Writer Needed, and i wrote to answer. you think one raindrop replaces another, and i think they're both just falling. you think art has a place, that is simply arrives on walls when it is needed, that is only ever on demand, perfect, easily requested. you see "audience spending" and "marketability" and "multi-line merch opportunity"
and i see a kid drowning. i am writing to make her a boat. i am writing because what used to be a river raft has long become a fully-rigged ship. i am writing because you can fucking rip this out of my cold dead clammy hands and i will still come back as a ghost and i will still be penning poems about it.
it isn't even love. the word we use the most i think is "passion". devotion, obsession, necessity. my favorite little fact about the magic of artists - "abracadabra" means i create as i speak. we make because it sluices out of us. because we look down and our hands are somehow already busy. because it was the first thing we knew and it is our backbone and heartbreak and everything. because we have given up well-paying jobs and a "real life" and the approval of our parents. we create because - the cliche again. it's like breathing. we create because we must.
you create because you're greedy.
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i like the concept of the angelic hierarchy but i do think it'd be really funny if angels were real and it turned out to be total bullshit like the time that guy came up with a hierarchical social structure for wolves that everyone lost their minds over and then a few years later was like "wait guys i was wrong"
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I drew the same comic twice because I didn't think the first one was funny enough. I don't know if the second comic is funnier though??
Here's both of them
Side by side because i couldn't decide which one to put first - knowing the punchline changes the experience?? pick your adventure. read either one first.
which ones funnier i honestly can't tell
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i love to write. i love to write down my feelings in some form of art. that's probably why i write my vents how i write my vents. i love using metaphors and comparisons. i love turning my feelings into something people look at and think "wow. that is some good writing." i love it.
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one of the wildest things about being a long term prisoner of a fandom is watching a ship/topic/take that was once considered rare suddenly become commonplace right before your eyes
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