#but if you execute it in your own way and make it work you can really push the bounds of being an artist

[beejunos]

UNKNOWN TO ME AND YOU | Alastor x reader

Summary: As Alastor's shadow starts to act strangely, hidden feelings are brought to light.

This wonderful story was written from @lustylita's wonderful idea! The story is completely theirs; I just had the pleasure of putting it into words. Their original post can be found here.

Tags: Alastor x gn.reader, hidden feelings, angst

The last couple of weeks have been very strange to you. 

Well, stranger than the hotel usually was. 

Over the past few weeks, you have helped your best friend, Charlie, with her little passion project. The Hazbin Hotel - your only chance at redemption! 

While you couldn't say that you inherently believed in her dream, you would have been a poor friend if you hadn't tried to help her—emphasis on tried. Growing up within Hell's elite, where someone always handed you everything on gold platters, didn't foster any usable skills that could help run a severely understaffed hotel. The very thought of having to clean your own room had almost immobilised you.

Did you really need to vacuum the walls and the ceilings every week? How did the cleaning staff back at your parents' manor even do it? The manor was huge! 

Thankfully, you had not been forced to clean for long because shortly after Charlie had opened the hotel for business, an unwanted guest had come knocking at the door. Alastor and his somewhat reluctant companies, except for Niffty, who seemed to thrive in the chaos, quickly made themselves at home in the hotel. 

The same night they arrived, you and Vaggie had sat Charlie down in their room and begged the princess not to let the radio demon stay. After all, the tales of his deeds had even reached your family's manor in the Envy ring of Hell. But Charlie had been persistent, saying that maybe by staying in the hotel, she could change his ways. You loved your friend; you really did, but sometimes you wanted to shake some sense into her violently. 

There was nothing you could do about the radio demon and how he just took over many of the work duties you had at the hotel. Waltzing in as if he owned the hotel, he had taken one look at your work and deemed it unsatisfactory. 

"No, no, let me do it, doll!" he would say condescendingly, making rage lick up your spine, "We would want this to be done well for Charlie, now, wouldn't we?" 

You had lost count of all the times you fantasised about grabbing a chair and introducing it to his face. 

He made you feel incompetent, and worst of all, he was right. Most of the work you had done that he had redone was of better quality, more detailed, and better planned. If you had been a weaker demon, you would have given up, apologised to Charlie and gone home to your parents, but so, if the heavens would be your witnesses, you were going to crush that smug little bastard of a sinner! 

And so began your imaginary battle with Alastor about who could be the best executive producer. If you had asked Alastor, he would not have had any clues about what you were doing, only that it finally seemed like you were taking your job seriously. That said, he still did not like you. You were a spoiled little demon brat who had never worked a hard day in your life, and worst of all, you were sloppy with your work. 

But time kept ticking. The days passed, the hotel was filled with new residents, and somehow, you and Alastor were able to work together. Nevertheless, you only managed to do it by never being near each other, which worked wonderfully for you because the man could actually be quite okay when he was silent and on the other side of the room.  

You could have continued to live like this for as long as Alastor decided to live in the hotel. There was just this teeny tiny thing that perplexed you. 

Alastor's shadow liked to be around you. 

It had begun quite innocently with the shadow coming over to you one night when you were sitting in one of the armchairs by the fireplace with yesterday's newspaper in your lap since you had started to do the crossword puzzle on the back of the paper. You had been staring at the same clue for what felt like an hour, and you just couldn't figure it out. Out of nowhere, a shadowy finger had tapped on the clue to get your attention, and when you looked up, two empty holes for eyes had looked back at you with the biggest twisted grin full of teeth you had ever seen. 

"Fuck! Don't do that!" you whispered forcefully, not wanting to disturb the peace and quiet that finally had fallen over the hotel lobby. "What do you want?" 

Prepared to be bothered any second now by the radio demon, you got even more confused when the shadow started doing pantomimes. Why in the seven Hells was it swimming across the wall?

You looked on as the shadow began to swim back to you, tapped on the clue and started to swim again.

"Swimming? But it has nothing to do with activities! It is something about effort," you said as the shadow returned to you. Since it could not speak, the shadow just started to nod its head and tapped on the clue again. 

"Is it a word derived from the word swimming?" you asked hesitantly as the shadow continued to nod. 

You turned back to the clue before you—a word for no effort needed and swimming.

"Swimmingly?" you asked the shadow, who gave you an even bigger sinister smile and nodded again before it disappeared up the stairs. Again, you were left in the lobby with only the crackling fire as a company, looking over at the stairs after the strange entity that was Alastor's shadow.

The next couple of weeks just grew more and more strange with every day. Out of nowhere, Alastor's shadow started to just interact with you. It began as innocent waves to you behind Alastors back, and at first, you wouldn't wave back, but when you saw how sad the shadow got if you didn't return its greeting, you started to wave back to it. On a few occasions, Alastor had caught you in the act, which quickly prompted you to swat the air around you as if you were trying to get rid of a fly.

When the waves weren't enough for the shadow, it started to appear around you, helping you in various ways. Once, it even helped you find some important paper you needed for your job that you were convinced Alastor had hidden from you. 

It turned out that Alastor's shadow was much more pleasant company than its physical part, and you often welcomed the shadow's help with your crosswords during the evenings.

However, you were again thrown for a loop when the shadowed behaviour started to change. It began to interact with you even more, seeking you out during the day and staying for long periods at a time, just hanging around you or observing what you were doing. 

One day, it had even brought you a blueberry muffin from the bakery you liked across town. You had no idea how it had even done that. For all you knew, shadows were not physical things and could not interact with the physical world. However, you were promptly proven wrong when Alastor's shadow took your own shadow's hand and pulled you down the hallway to show you the roses that had started to bloom outside of the hotel. 

It was a paradox, a mystery that intrigued you. Alastor's shadow, a creature of darkness, was surprisingly sweet, charming, and, at times, downright romantic. How could such a lovely thing be attached to such a vile being?

It had been like any other day. Alastor's shadow had found you in your office early in the morning, going through all the paperwork that needed to get done that day. In its shadowy hand, it held one blueberry muffin and your favourite coffee mug with a sleepy bear on it, along with the text Bearly Awaken written underneath. 

The coffee had been divine because, somewhere, the shadow had learned to make a cup of coffee exactly how you wanted it.

You continued with your day in the presence of Alastor's shadow, walking together down the corridor, through the lobby, and out the front door as you chatted with the shadow. You had gotten quite good at interpreting its pantomimes and overexaggerated emotions and often found yourself laughing at any antics the shadow pulled. 

It followed you all day as you walked around the city, picking up the materials Charlie needed for her next exercise with the hotel residents. The shadow even helped you pick out the colours for the ribbons and paints. 

At one point, the shadow's long finger had brushed against yours. It had been a cold sensation, almost like being touched by mist, but that had not mattered to you as you blushed before looking away. Missing how the shadow practically folded in on itself when it saw your reaction. 

Was it possible to date a shadow and not the being it was attached to? 

The sun was setting when you and Alastor's shadow got back to the hotel. The lobby was almost empty except for Husk, who was polishing martini glasses by the bar. As soon as he saw the two of you enter the hotel, Husk leapt over the bar and rushed over to you. 

"I don't know where the fuck the two of you have been, but you need to leave now before he finds out that your back," Husk whispered to you as he gripped your arm to turn you around towards the door. 

"And you!" he said towards the shadow, "What the fuck do you think you're doing?"  

The shadow made a high-pitched whine as it stepped closer to you. You were about to ask Husk what he had meant when a loud voice boomed inside the hotel.

"Where are you?"

Husk's hand tightened around your arm as he started to pull you towards the door. You followed after him, paralysed by action, as a stone of fear got stuck in your throat. The shadow looked at you, then back at the stairs and then back at you again with anxious eyes. 

Loud steps could be heard from the hallway above the staircase, and Alastor's shadow began to be dragged towards the stairs as if by an invincible force. It desperately dug its claws into the ground, and the shadow let out a wailing scream as it looked at you with big, pleading eyes. 

Alastor was calling his shadow back to him. 

The shadow continued to fight the force of its master's call, leaving deep claw marks on the floor, and, as if a gunshot had been fired at the room, the force wholly let go of the shadow. The shadow rushed back to you, where it clung to your body like a second skin. 

"Get back here, you disgraceful thing!" Alastor could be heard shouting as a massive hand gripped the hallway doorframe and pulled itself forward. It was the hand of Alastor's most demonic form. 

Beside you, Husk had begun to shake as his claws dug into your skin.

"You need to run. Now!" he tried to push you towards the door, but it was too late. From around the corner, Alastor stepped from the dark into the light, but as he stepped forward, he shrank in size. Still, he looked terrifying. 

His eyes were a deep red with volume controllers as irises, hiding any emotions he may have had. His antlers had grown in size, sharp and imposing, making the sinner look almost regal as he sauntered down the stairs. 

"Thank you, Husker." he said, his voice dripping in venom, "I can take over now." 

Husk was about to protest loudly when he disappeared in a puff of red smoke, and you were left alone with the enraged sinner. 

"What do you think you are doing?" Alastor snarled as you started to shake where you were standing. A small whine could be heard beside your neck as the shadow clung closer to you.  

"I don't know..."

"I'm not talking to you!" Alastor's look silenced you but confused you for a second before you saw his eyes drop down to your neck, where the shadow hid. 

"Come back here and stop resisting," Alastor snarled again and stepped towards you. The shadow gave away a low whine as it clung closer to your body, and you realised it didn't want to return. In a fit of temporary insanity, you placed a protective hand over the arms of the shadow around you and stepped away from the sinner.

"No!"  

"What do you mean no? It's my shadow," asked Alastor as he looked back at you in confused rage.

"He doesn't want to be with you anymore," you snapped and turned your nose up. You stepped to the side to walk around the sinner, effectively walking away with his shadow, but as you walked past Alastor, his hand shot out, and he tried to grab your arm. But you were faster; with your other hand, you slept Alastors hand away from you and the shadow.

"Will you stop it! Don't you understand that we want nothing to do with you, so just leave us alone!" 

With determined steps, you started walking over to the staircase to get as far away from the deer demon as possible. However, you didn't get far until you felt the shadow clung even more to you as it let out a pitiful sob. Its head had fallen over your shoulder as it looked up at you with longing eyes—a gaze it shouldn't be giving you since you had just saved it from its cruel master.

"What's the matter?" you asked it as you tried to caress its cheek, and out of the corner of your eye, you saw something that you never thought you would see. 

Without a smile and ears hanging low against his head, Alastor looked at you with the same miserable longing that the shadow looked at you with. And that's when you remember something your mother used to say to you when you were a child, a long time ago. 

Our deepest desires, our most precious wishes and longings, hide in our shadows. Everything we want follows us within our shadows as the weights of our souls.  

You wanted to kick yourself for being so foolish, for not understanding until now. Maybe a small part of you had always known, but it had been easy to ignore in your imaginary rivalry with the sinner. But a shadow never lies. Even the ones who can think and act on their own. They will always mirror their owner's heart's wishes and act upon them when the host won't take charge of getting what they desire. 

"You're in love with me," you whispered. It was not a question but a statement—a statement that seemed to hang in the air for an eternity but not long enough. 

“How? What? When?” you asked, desperate for answers.

Alastor walked hesitantly towards you, looked you deep into your eyes and did something you never thought he would do. He kissed your cheek. 

Your breath hitched in your throat as his warm lips softly touched your cheek, and when he pulled away, you could still feel their presence against your skin. As if you were branded by their sweet touch. 

"Come now," was the last thing he said to his shadow as he walked around you and back up the stairs. Alastor's shadow made a melancholic chirping noise before it let go of you and followed its master.

You were left alone in the big hotel lobby. Wishing that it was your lips Alastor had kissed and not your cheek.

I really hope it lived up to the expectations, but I loved writing it! It got a lot more angsty than I first intended...

#alastor x reader #hazbin hotel x reader #hazbin hotel #hazbin hotel fanfiction #alastor x you #x reader #alastor the radio demon #hazbin hotel alastor #hazbin hotel alastor x reader #hazbin alastor x reader #hazbin alastor x you #alastor x reader angst #hazbin hotel alastor x reador angst #hazbin hotel angst

[louisupdates]

FULL ARTICLE ON EUPHORIAZINE

By Saskia Postema 26.4.2024

Mere days after winning “Artist of the Year” at the inaugural Northern Music Awards, Louis Tomlinson is celebrating the only way he knows how – by giving back. Tomlinson just dropped a surprise album, which includes a curated list of live performances over the past years. It’s a risky move, as live albums are notoriously difficult to make worthwhile. But there’s no doubt about it: Tomlinson is deserving of that award, and the recordings on Louis Tomlinson: LIVE deserve to live forever.

After an initial stop-start to his solo career, Tomlinson has certainly flourished since finally getting to hit the stage. He’s been touring extensively over the past few years, performing a mix of tracks from his first two albums. Both were solid records that heavily referenced anthemic, rich sonic soundscapes. In fact, Tomlinson previously admitted that he wrote certain tracks with a live show in mind. Indeed, songs like “Face The Music,” “Out Of My System” and “The Greatest,” from his No. 1 selling album Faith in the Future, absolutely benefit from the live instrumentals compared to their studio versions.

It isn’t often that live performances consistently seem to not only live up to but objectively improve the perfectly engineered studio recordings. Perhaps it’s the love that the album so clearly captures for live music that does it. The singer-songwriter is an avid fan of his own fans and gets to share a collective experience of joy with them. Just listen to the crowds serenading Tomlinson in return during “Chicago,” recorded live in – you guessed it, Chicago. From Tomlinson’s perspective, audiences across the world have always been part of breathing life into these live recordings. Now, people get to live that same experience with him by listening to this record that is woven together with impeccably mixed joyful screaming in the background.

Tomlinson’s storytelling isn’t hindered by the crowd’s reaction. Rather, it is bolstered by it. In both power ballads like “Common People” as well as raucous tracks like “Silver Tongues.” The live setting seems to function almost akin to a prism – each song shining brighter, richer, fuller. Perhaps the only track that is tighter in the original version, is the seductive “Written All Over Your Face.” Nonetheless, the instrumental break and palpable, wild excitement make for an enjoyable listen.

Similarly, right in the middle of the highly addictive “All This Time/We Are Beauty” mash-up, a fan can be heard screaming “I love you” if you listen closely. The sheer adulation of the crowd is decidedly earned. Tomlinson has worked hard to prove himself, despite never having lacked the talent. Perhaps merely the confidence that he could do it, would do it, has done it. Nevertheless, he’s been open about the tension between his own love for music, and his at times debilitating need for perfection. As he’s settled into his career, a quiet undertone of determination and grit, of relief and fulfillment – of gratitude remains in every single show.

On “Saturdays,” you can actually hear Tomlinson mumble that the view’s never been better from where he’s stood on stage. It’s a high-maintenance track with all the right ingredients for a Tomlinson classic. There’s confessional lyricism, emotive delivery, and a gradual yet powerful crescendo in musical arrangement. It needs to be sung with conviction, and it’s clear that Tomlinson pulls power from the audience to deliver.

Notably, none of the covers that Tomlinson frequently incorporates in his concerts made it onto this live album. With that in mind, perhaps this release signals that Tomlinson has finally embraced his own artistry. Because if anything, Louis Tomlinson: LIVE is a reckless celebration record. An ode to joy, the synergy between artist and audience, and the impact of well-timed, flawlessly executed live guitar solos.

#louis press #louis tomlinson #louis tomlinson live #26.4.2024 #album review

[dangermousie]

Something that struck me extra on this LLTG rewatch - how subtle yet unmistakable the narrative is about the fact that being sheltered and spoiled as a woman is a recipe for disaster.

NN, ill-educated STEM feral child, gets how important marriage partner choice is more than all the rest of them, properly brought up in womanly virtues.

No, I don't mean she yearns for true love (she gets it, eventually, but that is not what she hopes or looks for) - but what she gets and a lot of the rest of the young women we see do not, is that you want a husband you can like and get along with, who can let you be yourself (and who is also acceptable socially because she's pragmatic.)

That is why her first choice, until it's OBE, is Yao - he's sweet and he's a friend and she knows she'd be the boss in that marriage. All the ladies in the capital swoon for Ling Buyi but she is never consciously swayed. She doesn't realize he likes her and she's not someone to build fantasies/pine for someone she can't have (in a way, knowing the man likes her is a necessary precondition for her to be even able to open her heart - she's spent too much of her childhood fruitlessly yearning for familial love to want to repeat that in her marriage.) Yao openly adores her so this allows her to consider him as a partner (that is why Scholar dude never had a chance btw, his courtship style is negging and NN is the last person that would work for.)

In fact, even after she knows Ling Buyi likes her, she is NOT excited to marry him because she doesn't want someone too high a status compared to her and someone as strong-willed as him because what she sees, and a lot of the rest of women looking for husbands in this story do not, that if there is a huge status disparity and a man is used to getting his own way, there is a risk of having yourself subsumed. A lot of the latter half is the two awkward, scarred by various trauma young people navigating boundaries of their relationship and what is OK for them and what is not (Ling Buyi IS used to barking orders, NN is overly defensive about even the slightest suggestions - they eventually meet in the middle and it's lovely but it's even more lovely that the drama shows it takes work and conversations and compromises.)

The thing that she gets, perhaps because she's a pragmatic survivor, is how the choice of a husband is the most important thing for a woman in that society. Her life fully depends on that, even more than of e.g., an Austen heroine, because in addition to those hurdles, this is a polygamous society (so how many other women brought in and how husband treats the legal wife versus concubines etc also is an issue) AND a society where if your husband goes down, you and your kids will be executed/enslaved along with him. We see how badly wrong marriages can go - Yao's eventual wife's first marriage is a great example, where she marries a man who abuses her and kills her family. Or even that one woman who marries a general who dotes on her and is a great husband, but commits treason and is executed (and she's only spared by the grace of the emperor.)

And the fact that all those women swoon for Ling Buyi and want to marry him SHOWS how the sheltered/spoiled thing has fucked them up. Remember princess whatever? She is dead set on marrying Ling Buyi and it's insane to me. Yes, he's good-looking and quasi-son of the emperor who dotes on him (since it's safe to do so, he's outside the dynastic fight) but that's great for about three minutes and boasting at parties. She is so sheltered from reality, she does not think what it would be like to be married to him. I don't mean his revenge quest since nobody knows. I mean if he was exactly who he appears with no other goals. Ling Buyi dislikes her and makes it known. He's rude to her (he's rude in general. Hell, he's rude to his parental family, openly! And emperor lets him get away with it), he clearly looks down on her and at a couple of points he genuinely threatens her and her family with murder. He's not charming or gentle or considerate. THIS IS NOT A MAN YOU WANT TO MARRY OMG!!! It has clearly not occurred to her to think past being carried into this house, envy of all her girlfriends - day in, day out with a rude, violent man who is the emperor's favorite (so you can't really seek help from your family if he doesn't treat you well), who dislikes you and who is entitled to take other wives.

Anyway, I love NN and her pragmatic mind and that she makes Ling Buyi EARN her consent and her loyalty and her love. (But then she is ride or die for him, isn't she?)

#cdrama #love like the galaxy

[ghouljams]

i woke up w more brain worms thanks for giving more w ur response <33

but yknow how Tabitha was kinda the new Master for the super mutants in the Mojave… yeah that but König. his ass would be a cult leader too ur so right. you’d hear the radio signal went down and got a bit too nosy and mosey your way up to him like hello need fix? and he’d snatch you and keep you around. like coming to fix his radio was basically a marriage confession!!! and like how are you gonna fight him anyways he’ll just keep bringing you gifts (and bones..) until you say yes :)

ghoul ghost either is running around w a mutated horse (maybe a dog too :3c) or is wandering and doing random bounties (that man would be side questing, no allegiance just vibes)(at the moment i don’t have anything on him but we’ll see after work)(i saw what you said.)

gaz could easily be a synth too i just saw that.. and yeah i was gonna say he could be a minuteman but like ncr ranger makes a lot more sense in my pea brain!! he’d follow his courier around to help w deliveries(his ass just wants to see them shoot things, ur so right about the deathclaw thing) and would try and convince them to come home to cali with him, where it’s safer and he has a home there (totally not trying to trap them, ), like why would you ever wanna go to the strip babes? that place is gross and nasty :( (he’s gambled there a few times, like i can see soap def having fame on the strip and they’re buddies)(also he definitely wants like a whole family and poor courier just wants to figure out where this gambling chip goes to for some money)

clawing at elder maxson’s face w malicious intent btw, but he’s giving price and i don’t like it. that man would be a brotherhood elder who has his own agenda or just a very well respected knight, bc tell me he wouldn’t kick major ass in power armor (that man would be in love when he goes into a town to retrieve a piece of tech and go nuts over the pretty lady who runs the repair shop and offers to fix up his gun)(or maybe he’s w a scribe! who knows ill def have more later though)(im thinking about the ghosts guys rn a lot though)

Best friend Tabitha!! I love her. Bad radio show queen. König gets mad that the radio sucks, kills Tabitha and takes over. You're free to go Raul, have fun, stay safe out there(Raul is immediately executed for helping Former Best Friend Tabitha).

Now König is leader of a tidy cult, he's got some big changes to make, namely: we are militarizing this bitch, and putting some decent programming on the radio. More music, less talking. Also let's make this place a little safer for the humans, start getting some trade going(and catching pets).

Now most humans know not to go investigate the radio signal but you're fresh out of the vault, and eager to see who it is that keeps the radio running. Especially when the in between programing sounds so nice! König's voice following you across the wasteland, promising freedom and shelter for humans and mutants alike. He needs a little help fixing up the radio, but luckily you've got some radio know-how under your belt. Maybe he'll give you a couple caps for fixing the thing!

Well. The programming certainly takes a turn after you fix up the radio. When songs aren't playing your soft moans and whimpers are filling the air waves. König fucking you live on the air so everyone can hear how wonderful and superior super mutants are. Listen to how much pleasure his pretty new pet is in, begging him to come and fill you with his potent mutant seed.

"Some of you may wonder where my pet is today," König lowers the microphone so that slurping and gagging noises can be heard, followed by a short whine of pain and period of heavy breathing before the slurping sounds resume and he sets the microphone back on the table, "aren't they talented? I told you, humans are good for something, and very easily trained."

#cod x reader #x reader #könig #könig x reader #könig cod #könig mw2 #könig call of duty #konig x reader #konig cod #konig mw2 #konig call of duty #konig smut #cod konig #fallout au

[hldailyupdate]

Mere days after winning “Artist of the Year” at the inaugural Northern Music Awards, Louis Tomlinson is celebrating the only way he knows how – by giving back. Tomlinson just dropped a surprise album, which includes a curated list of live performances over the past years. It’s a risky move, as live albums are notoriously difficult to make worthwhile. But there’s no doubt about it: Tomlinson is deserving of that award, and the recordings on Louis Tomlinson: LIVE deserve to live forever.

After an initial stop-start to his solo career, Tomlinson has certainly flourished since finally getting to hit the stage. He’s been touring extensively over the past few years, performing a mix of tracks from his first two albums. Both were solid records that heavily referenced anthemic, rich sonic soundscapes. In fact, Tomlinson previously admitted that he wrote certain tracks with a live show in mind. Indeed, songs like “Face The Music,” “Out Of My System” and “The Greatest,” from his No. 1 selling album Faith in the Future, absolutely benefit from the live instrumentals compared to their studio versions.

It isn’t often that live performances consistently seem to not only live up to but objectively improve the perfectly engineered studio recordings. Perhaps it’s the love that the album so clearly captures for live music that does it. The singer-songwriter is an avid fan of his own fans and gets to share a collective experience of joy with them. Just listen to the crowds serenading Tomlinson in return during “Chicago,” recorded live in – you guessed it, Chicago. From Tomlinson’s perspective, audiences across the world have always been part of breathing life into these live recordings. Now, people get to live that same experience with him by listening to this record that is woven together with impeccably mixed joyful screaming in the background.

Tomlinson’s storytelling isn’t hindered by the crowd’s reaction. Rather, it is bolstered by it. In both power ballads like “Common People” as well as raucous tracks like “Silver Tongues.” The live setting seems to function almost akin to a prism – each song shining brighter, richer, fuller. Perhaps the only track that is tighter in the original version, is the seductive “Written All Over Your Face.” Nonetheless, the instrumental break and palpable, wild excitement make for an enjoyable listen.

Similarly, right in the middle of the highly addictive “All This Time/We Are Beauty” mash-up, a fan can be heard screaming “I love you” if you listen closely. The sheer adulation of the crowd is decidedly earned. Tomlinson has worked hard to prove himself, despite never having lacked the talent. Perhaps merely the confidence that he could do it, would do it, has done it. Nevertheless, he’s been open about the tension between his own love for music, and his at times debilitating need for perfection. As he’s settled into his career, a quiet undertone of determination and grit, of relief and fulfillment – of gratitude remains in every single show.

On “Saturdays,” you can actually hear Tomlinson mumble that the view’s never been better from where he’s stood on stage. It’s a high-maintenance track with all the right ingredients for a Tomlinson classic. There’s confessional lyricism, emotive delivery, and a gradual yet powerful crescendo in musical arrangement. It needs to be sung with conviction, and it’s clear that Tomlinson pulls power from the audience to deliver.

Notably, none of the covers that Tomlinson frequently incorporates in his concerts made it onto this live album. With that in mind, perhaps this release signals that Tomlinson has finally embraced his own artistry. Because if anything, Louis Tomlinson: LIVE is a reckless celebration record. An ode to joy, the synergy between artist and audience, and the impact of well-timed, flawlessly executed live guitar solos.

#louis tomlinson #louis update #louis tomlinson live #euphoria #article #april 2024

[themummersfolly]

Brotherly Art

alt. title: Love Is Stored In the Infodump

This is the first of a three part series on Thrawn's relationship to art. He's such a nerd, I love him so much.

-----

People who meet Thrawn often think he’s quiet. People who know him, at least for any length of time, often wish he was.

Thrass understands the complaint, but he doesn’t share it. When his brother gets onto certain topics, the stiff poise and awkward reserve melt away; his eyes shine with more than bioluminescence, and he lays out his opinions with the enthusiasm of a child and the earnestness of a professor. True, no one else can get a word in edgewise. But Thrass has spent enough time in university to appreciate the free dispersal of knowledge by someone passionate about the topic. And Thrawn rarely looks so alive, let alone happy. Thrass wants to see him happy.

“-but in 68 BCA, you start to see a shift in the assembly technique, as though the makers’ perspective on the physical possibilities of their craft has begun to shift. The history books say they didn’t have any contact with outsiders until at least 50 BCA, but I think we can see from the pottery alone that the date of first contact can be pushed back by almost a decade. It shows up in other artifacts, but it’s most clear here that their whole conception of their place in the universe underwent a seismic shift-” Thrawn looks up from the zoomed-in picture of a potshard on his questis and glances at Thrass. “This isn’t boring, is it?”

Someday, Thrass reflects, he’d like to meet whoever told Thrawn his interests were boring. There’ll be an assault charge, of course, but he’s fairly certain he can talk his way out of the worst of it. “Not at all. I like hearing what you think.” His own questis pings. “Delivery’s almost here.”

“Ok. I have to use the fresher anyway.” A look of urgency crosses Thrawn’s face and he practically vaults the couch on his way. Thrass shakes his head. Trust Thrawn to get so wrapped up in a topic he forgets to pee. Thrass gets up to clear the table for their meal and brings Thrawn’s questis with him. When he sets it down, the jolt causes the screen to switch back on. He blinks. Instead of the potshard, the screen is a solid, alarming blue.

“Thrawn, I think something is wrong with your questis.”

Thrawn emerges from the fresher, still drying his hands. Thrass hands him the device.

“It’s gone all blue. If I broke it, I’ll replace it-”

“Oh, no, it’s fine.” Thrawn breathes a visible sigh of relief. “That’s just the lock screen.”

“You set your lock screen to The Blue Screen of Death?” In fairness, it’s not the strangest thing his brother’s ever done. Thrawn shakes his head.

“It’s a painting by Cli’ure’akoio, one of her Color Studies. I’ve got downloads of all her older work, this one’s my favorite. Most people just see skin tone when they look at it, but a blue this saturated and even is really difficult to produce outside electronic media. And look how she applied it, it’s hard to tell here but there are no visible brushstrokes. That’s what makes this picture unique: she’s taken something absurdly simple and executed it so perfectly it’s like she’s daring people to say they could do the same thing, openly flexing on her critics-”

And just like that, he’s off on an extended explanation of the experimental paintings of Cli’ure’akoio.

Later, as Thrawn scrolls through his questis looking for a particular painting, Thrass peers over his shoulder. Most people’s image files are full of family members, tookas, or scantily clad individuals they deny any knowledge of; Thrawn’s is full of art downloads.

“Do you have any pictures you took yourself?”

“Oh, certainly.” He pauses on a blurry picture of a stack of duracrete slabs. “I took this at the sculpture festival last year. I usually stick to downloads, though. I don’t take very good pictures.”

Thrass shakes his head. “Have you ever thought about collecting any pieces yourself?”

Thrawn doesn’t look up from scrolling. “I don’t have the room; I live on a light cruiser. Besides, most of these cost more money than I’ll ever see.” There’s a wistfulness in his voice that only someone who knows him well would pick up on. An idea takes root in Thrass’s mind; he files it away for later.

Thrawn’s shore leave is over entirely too soon, in Thrass’s opinion. He hurries to the shuttle station to see him off, careful not to drop the package under his arm.

He spots his brother on the edge of a knot of CEDF personnel, waiting for the shuttle to blackdock. Thrawn stands outside the chattering conversations of his peers, hands behind his back, waiting his turn to contribute to the discussion. He turns when he sees Thrass approaching.

“I was worried you wouldn’t make it,” he says by way of greeting. Thrass envelops him in a hug.

“Had an appointment I had to keep. Besides, I have a going away present I have to give you.”

He takes the package from under his arm and presents it to Thrawn. By now the others have taken note and gathering around to watch.

“Open it.”

Thrawn strips the wrapping away and stares at the transparesteel case. Then he registers its contents and his mouth falls open. “You didn’t-”

“I told her what you said about her Color Studies. She says she’d be honored to have this piece in the hands of someone who can appreciate it.”

One of Thrawn’s peers looks over his shoulder at the painting. “I don’t get it.”

“It’s one of Cli’ure’akoio’s latest series, Studies In Color and Texture.” Thrawn looks like he’s tearing up. “Each tile is done in a different pigment and brush stroke.” He holds the painting in its case as though receiving a holy covenant. “This is for me?”

Thrass nods. “I had it mounted in a protective case. It’ll be as safe as anything on the ship- probably safer.”

Thrawn meets his eyes, a significant effort for him, Thrass knows. “I’ll treasure it forever.”

“It’s a good start to your collection.” A tone clangs over the loudspeakers, announcing the arrival of the shuttle. “There’s no time now. But when you get home, you’ll have to explain the series to me.”

Thrawn won’t be able to wait until his next shore leave, Thrass reflects as he waves goodbye. His next letter is likely to be several densely packed pages, expounding on the technical aspects and deeper meaning of the work of Cli’ure’akoio, fit more for a graduate level art history paper than a casual conversation.

Thrass can’t wait to read it.

#star wars #fanfic #fanfiction #thrawn #grand admiral thrawn #mitth'raw'nuruodo #mitth'ras'safis #thrass #thrawn/art #thrawn is autistic coded #short fiction

[outeremissary]

I was really sleepy when I was answering asks yesterday and I almost forgot to check if you were doing the problematic oc ask too!

Balth is your oc I’m most familiar with! But if they’ve already been asked tell me about whatever critter is infecting your brain most rn 👀💖

Ahh, I appreciate the ask!! Somehow, no one did ask about him!! At any rate, I feel like this blog is full of Balthazar's sympathetic moments and not his Chaotic Fucking Evil Moments, happy to finally correct that <3

Lies constantly

Vengeful

Selfish

Past history of gold digging

Former con artist

Endorsement of experiments on animals

Enjoys watching other people suffer

Loves making people worse

Willing to sell out friends when they cease to be useful

Told a suicidal man to do a flip on the way down

Made fun of a suicidal man's family's deaths

Invades woman's memories to see her at her most vulnerable, mocks her for it

In general just willing to kick anyone when they're down

Doesn't like Regongar's puns

Profited from infant sacrifice

Murdered his own cult

Lied about having a cult

Problematic trans rep?

Accepted demonic gifts multiple times

Supported two different Lamashtu cults

Really does unconditionally forgive Tristian

Sincerely thinks Tristian did nothing wrong

(except cause problems for him but see two points above)

Funded demonic library

Misappropriation of public funds for personal projects

Harboring smugglers

Has been called the worst and most evil person in the Stolen Lands multiple times

Had a cult dedicated to him being The Worst (until he murdered them, see above)

Recruits enemies terrorizing area to work for him

Leading on poor Sharel

Frequently manipulates others into killing on his behalf

Takes credit for the work of others

Refuses to help with camp chores

Troll alliance

Hates animals

Obnoxious PDA

Abuses aasimar heritage to take advantage of others' trust

The public executions

The secret executions

Comes from working class family, often uses his success to close opportunities for others instead of opening them

Jaethal minister

Belittles Regongar's mental health problems

Ghosts Regongar instead of breaking up with him

Mocks Linzi's writing constantly

Enchantment specialist. Mind control is the way <3

Endorsement of experiments on nonconsenting wererats

Identity theft

Identity theft coverup

Asshole southern elitist, frequently belittles local culture as backwards

Propaganda

Lying to the public about a plague

Gaslighting rioters into fighting each other

24 year old bullying a 17 year old... Lander Lebeda is literally a minor

Plus that's just high key pathetic

The murders

The assassinations

Doesn't like dessert :(

Funding foreign dissidents

Endorsement of troll torture

Bad at communicating emotional needs

Using other people as shields in combat

Will throw anyone under the bus for anything

Really only heals Tristian in combat

Supports filicide for dark ritual purposes

His friendship with Jaethal in general

Problematic bi rep?

Attempted to recreate Bloom

Everything that happened during the Divorce Era

There's probably still a warrant out for him in Absalom

Due to [redacted]

Defacing a priceless historic tome (only known copy)

Anyone can die if it's for Tristian's sake

Sells out allies when they stop being convenient

Surtova supporter

Covering up Lander's death

Lander Undeath Incident

Torture is fine

I'm not even sure he seriously thinks torture works he's just horrible

Bread and circuses babyyyyyy

Mean to Nok-Nok

Literally kicked a dog

And there's an incomplete list of Balthazar Crimes! I'm sure I'm missing so, so much but honestly he's problematic more than he's not so. You know.

[prompt]

#because of timing I actually thought for some reason you sent the Kas anon asdfjoiasd #ask game #ask me emithing #balthazar lucienne #bearvanhelsing #cw suicide mention #god. the balthazar crimes requiring me to add that. #the kas crime list is so long but the balthazar crime list is Longer.

[dailytomlinson]

Mere days after winning “Artist of the Year” at the inaugural Northern Music Awards, Louis Tomlinson is celebrating the only way he knows how – by giving back. Tomlinson just dropped a surprise album, which includes a curated list of live performances over the past years. It’s a risky move, as live albums are notoriously difficult to make worthwhile. But there’s no doubt about it: Tomlinson is deserving of that award, and the recordings on Louis Tomlinson: LIVE deserve to live forever.

After an initial stop-start to his solo career, Tomlinson has certainly flourished since finally getting to hit the stage. He’s been touring extensively over the past few years, performing a mix of tracks from his first two albums. Both were solid records that heavily referenced anthemic, rich sonic soundscapes. In fact, Tomlinson previously admitted that he wrote certain tracks with a live show in mind. Indeed, songs like “Face The Music,” “Out Of My System” and “The Greatest,” from his No. 1 selling album Faith in the Future, absolutely benefit from the live instrumentals compared to their studio versions.

It isn’t often that live performances consistently seem to not only live up to but objectively improve the perfectly engineered studio recordings. Perhaps it’s the love that the album so clearly captures for live music that does it. The singer-songwriter is an avid fan of his own fans and gets to share a collective experience of joy with them. Just listen to the crowds serenading Tomlinson in return during “Chicago,” recorded live in – you guessed it, Chicago. From Tomlinson’s perspective, audiences across the world have always been part of breathing life into these live recordings. Now, people get to live that same experience with him by listening to this record that is woven together with impeccably mixed joyful screaming in the background.

Tomlinson’s storytelling isn’t hindered by the crowd’s reaction. Rather, it is bolstered by it. In both power ballads like “Common People” as well as raucous tracks like “Silver Tongues.” The live setting seems to function almost akin to a prism – each song shining brighter, richer, fuller. Perhaps the only track that is tighter in the original version, is the seductive “Written All Over Your Face.” Nonetheless, the instrumental break and palpable, wild excitement make for an enjoyable listen.

Similarly, right in the middle of the highly addictive “All This Time/We Are Beauty” mash-up, a fan can be heard screaming “I love you” if you listen closely. The sheer adulation of the crowd is decidedly earned. Tomlinson has worked hard to prove himself, despite never having lacked the talent. Perhaps merely the confidence that he could do it, would do it, has done it. Nevertheless, he’s been open about the tension between his own love for music, and his at times debilitating need for perfection. As he’s settled into his career, a quiet undertone of determination and grit, of relief and fulfillment – of gratitude remains in every single show.

On “Saturdays,” you can actually hear Tomlinson mumble that the view’s never been better from where he’s stood on stage. It’s a high-maintenance track with all the right ingredients for a Tomlinson classic. There’s confessional lyricism, emotive delivery, and a gradual yet powerful crescendo in musical arrangement. It needs to be sung with conviction, and it’s clear that Tomlinson pulls power from the audience to deliver.

Notably, none of the covers that Tomlinson frequently incorporates in his concerts made it onto this live album. With that in mind, perhaps this release signals that Tomlinson has finally embraced his own artistry. Because if anything, Louis Tomlinson: LIVE is a reckless celebration record. An ode to joy, the synergy between artist and audience, and the impact of well-timed, flawlessly executed live guitar solos.

#louis tomlinson #euphoria #article #review

[louistomlinsoncouk]

⭐⭐⭐⭐⭐

Mere days after winning “Artist of the Year” at the inaugural Northern Music Awards, Louis Tomlinson is celebrating the only way he knows how – by giving back. Tomlinson just dropped a surprise album, which includes a curated list of live performances over the past years. It’s a risky move, as live albums are notoriously difficult to make worthwhile. But there’s no doubt about it: Tomlinson is deserving of that award, and the recordings on Louis Tomlinson: LIVE deserve to live forever.

After an initial stop-start to his solo career, Tomlinson has certainly flourished since finally getting to hit the stage. He’s been touring extensively over the past few years, performing a mix of tracks from his first two albums. Both were solid records that heavily referenced anthemic, rich sonic soundscapes. In fact, Tomlinson previously admitted that he wrote certain tracks with a live show in mind. Indeed, songs like “Face The Music,” “Out Of My System” and “The Greatest,” from his No. 1 selling album Faith in the Future, absolutely benefit from the live instrumentals compared to their studio versions.

It isn’t often that live performances consistently seem to not only live up to but objectively improve the perfectly engineered studio recordings. Perhaps it’s the love that the album so clearly captures for live music that does it. The singer-songwriter is an avid fan of his own fans and gets to share a collective experience of joy with them. Just listen to the crowds serenading Tomlinson in return during “Chicago,” recorded live in – you guessed it, Chicago. From Tomlinson’s perspective, audiences across the world have always been part of breathing life into these live recordings. Now, people get to live that same experience with him by listening to this record that is woven together with impeccably mixed joyful screaming in the background.

Tomlinson’s storytelling isn’t hindered by the crowd’s reaction. Rather, it is bolstered by it. In both power ballads like “Common People” as well as raucous tracks like “Silver Tongues.” The live setting seems to function almost akin to a prism – each song shining brighter, richer, fuller. Perhaps the only track that is tighter in the original version, is the seductive “Written All Over Your Face.” Nonetheless, the instrumental break and palpable, wild excitement make for an enjoyable listen.

Similarly, right in the middle of the highly addictive “All This Time/We Are Beauty” mash-up, a fan can be heard screaming “I love you” if you listen closely. The sheer adulation of the crowd is decidedly earned. Tomlinson has worked hard to prove himself, despite never having lacked the talent. Perhaps merely the confidence that he could do it, would do it, has done it. Nevertheless, he’s been open about the tension between his own love for music, and his at times debilitating need for perfection. As he’s settled into his career, a quiet undertone of determination and grit, of relief and fulfillment – of gratitude remains in every single show.

On “Saturdays,” you can actually hear Tomlinson mumble that the view’s never been better from where he’s stood on stage. It’s a high-maintenance track with all the right ingredients for a Tomlinson classic. There’s confessional lyricism, emotive delivery, and a gradual yet powerful crescendo in musical arrangement. It needs to be sung with conviction, and it’s clear that Tomlinson pulls power from the audience to deliver.

Notably, none of the covers that Tomlinson frequently incorporates in his concerts made it onto this live album. With that in mind, perhaps this release signals that Tomlinson has finally embraced his own artistry. Because if anything, Louis Tomlinson: LIVE is a reckless celebration record. An ode to joy, the synergy between artist and audience, and the impact of well-timed, flawlessly executed live guitar solos.

#louis tomlinson #press #26apr24

[adobe-outdesign]

Stealthy color for the Neopets review?

Stealthy was introduced post-customization, and while the idea of dressing your pet up in ninja clothes isn't anything new, the actual execution of the colour proved to be pretty neat. In addition to the clothes, Stealthy pets also have a dark blue base with bright blue pupil-less eyes. This looks great and helps to justify this as a paint brush colour instead of just a bunch of clothing sets.

The big issue that stealthy tends to have, at least in my opinion, is that a lot of Stealthy pets Aren't. Overly busy and detailed accents, amour, overly-bright palettes, and more are some things that tend to bog down the lesser Stealthy pets. The only one I think works despite having this attributes is the Stealthy Xweetok, which is based on Noh theater—otherwise, the colour tends to work best with minimal, subtle accent colours, a dark palette, and fairly practical clothing.

Favorite Species:

Hissi: There's nothing particularly special about this design, but I think it really captures the vibe of Stealthy perfectly. The hooded cloak works perfectly with the Hissi's body type, and the clothes are simple and practical. My only nitpick is that the subtle brown elements probably should've just been black, as the extra color doesn't add much to the design.

Mynci: I talked about the Stealthy Mynci already in my Mynci review so I won't go into too much detail here, but I like this design a lot. It's simple, it's practical, the gold and green palette works well with the blue base, and the gilded areas matching the shape of the Mynci's nose is a really nice touch.

Peophin: The Stealthy Peophin gets away from the ninja aesthetic a lot more than some pets, but I like it and I wanted to include it as an example of different ways the colour can be applied while stil looking good. In this case, the Stealthy Peophin has a lot of metallic gold accents against a black base, with netting across the body in patches and a tie around the muzzle that feels fitting for a horse. The whole design makes a surprising amount of practical sense for something that lives in the water.

Least Favorite Species:

Acara: This is what I was talking about when I said Stealthy pets tend to get too busy for their own good. The Stealthy Acara is really a mess, with a confusing mix of gold, green, and red accents all tossed together haphazardly, a snakeskin-like texture on parts of the outfit for no discernible reason, almost random placement of the gold accents, and a mask that leaves giant gaps around the eyes and reveals the mouth, which looks out of place. On the plus side... uh, at least the base colour looks fine?

Chomby: Yes I'm cheating and including two species instead of one, only because there are so many Stealthy designs that are a mess. In this case, the Chomby just has everything going on. Metal accents, random charms (complete with clipping error on the back spines), stitches, an incoherent colour palette with purple, green, orange, and pink accents all at once, and an overall look that could be spotted a mile away. All of the random doodads are part of the shirt and hat too, so you can't remove them in customization. Like the Acara, the base colour is nice, but that's it.

#neopets #neotag #hissi #mynci #peophin #neopet reviews

[axolotluv]

What's with art communities and forgetting people can just do things for fun and not be professional about it??

#ax speaks #advice is ALWAYS catered to “how to survive as a professional artist” #like yeah cool this is all great but I just wanted to know how to make my art cool not the rules I need to follow to get hired #good anatomy does not equal good art #good dialogue does not equal good art #encourage creativity divergence and experimentation #shade with black. make big thick messy lines. make your lighting completely nonsensical #make weird uncomfortable dialogue. narrate casually. space out your words strangely for effect. write in the second person #of course all of it can be executed badly that's why professionals tell you to stay away from it #but if you execute it in your own way and make it work you can really push the bounds of being an artist #the question should always be “goes it feel good” rather than “is it correct” when creating something #the next time someone asks you for drawing advice don't tell them to make the lines less shaky or to use more muted colors #tell them exactly what you would do to make their art look sick as hell #or if someone asks for writing advice don't tell them the structure of a story or what words to use #tell them exactly what your favorite parts are to focus on like dialogue or how you came up with the part you had the most fun writing

[countess-of-edessa]

probably my least trad trait ever is how irrationally annoyed the idea of changing my name on marriage/giving my children someone else's name makes me

#i just feel like there's no good solution #except theoretically hyphenating but in reality it pretty much always looks stupid #and i would not do it #but like the idea that your children can carry the surnames of both of their parents is a nice idea even if it fails in execution #instead it's (1) take someone else's name which i hate it's not my name and it's not like im joining his family we are creating our own uni #(2) don't take his name. but you still have to give his name to your kids. and now you and your kids don't share a last name. #I don't know why this makes me so irrationally upset #i mean i do and it's because I have literally the exact same feelings as 100% of men do on both of these matters #but because they're men it doesn't matter and it works out for them either way. they can just feel like that and get what they want. #and because i am a woman I don't have a good solution available #I mean it's not like anyone wants to marry me so who even really cares i just heard a podcast where people debated whether the fact that th #wife didn't change her name on marriage was a foreshadowing of her later murder of her husband and idk

[phoebelovingcare]

THE NEXT PERSON WHO SAYS IT DOESN'T WORK GETS PUBLICLY EXECUTED VIA HAMMERCAR (check reblogs for further info)

"what's it like to use nightshade/glaze?"

so based on my own experience I thought I'd make this more transparent since I know a lot of people hesitate to take action on some things if they do not know Exactly what happens. it's me i'm people. So;

Nightshade takes about 30 minutes on its fastest setting. The end result tends to look like mild jpeg artifacting, very slightly creased paper, or just brush texturing. Looking at it normally, it is undetectable. Glaze is very visually similar, given the strategy, except that Glaze's longest time setting is 5 minutes.

You put in a file, select how much you want it affected and for how long you want it to render. For Nightshade, you also attach a tag to it, that way AI finds what it's looking for with an associated word. You select a folder for the final result to save to, then hit run.

It takes a lot of GPU/CPU. The fans on my laptop sound a bit like I'm running Minecraft, and it refuses to run if you have too many programs open. I could run Youtube and Nightshade at the same time, but Youtube did Not like it. Best to just take a break while you let it do its thing. Run Nightshade before you go out or something.

It does NOT like transparent png backgrounds. Makes me wonder how AI does with 'em. Anyways, running a backgroundless drawing through Glaze and Nightshade respectively makes it turn out like this:

creasing effect is more noticeable, and it adds strange blocky black and white backgrounds to it. If you want good results for your time, be that less than 1 minute or 180 minutes, consider getting rid of the transparency.

I would post a before and after picture of a Nightshaded piece but of course, I would like to post exclusively poison on this site.

As one last note, it took me a lot of effort to find where you're actually supposed to download these tools, so Glaze is here and Nightshade is here. Overall I highly recommend using them if you can. Don't let AI run you off of your sites: run the AI out yourself.

#anti ai #protect your art #nightshade #glaze #webglaze #anti ai art #pheb speaks

[zooophagous]

So why do you hate the advertising industry?

Hokay so.

Let me preface this with some personal history. It's not relevant to the sins of the advertising industry perse but it illustrates how I started to grow to hate it.

I wanted to be a veterinarian growing up, but to be a vet you basically have to be good enough to get into medical school. I do not have the math chops or discipline to make it in medical school. I went into art instead, and in a desperate attempt to find some commercial viability that didn't involve moving to California, I went into graphic design.

I've been a graphic designer for about seven or eight years now and I've worn a lot of hats. One of them was working in a print shop. Now, the print shop had a lot of corporate customers who had various ad campaigns. One of them was Gate City Bank, which had a bigass stack of postcards ordered every couple months to mail to their customers.

Now, paper comes from Dakota Paper, and they make their paper the usual way. Somewhere far, far from our treeless plain there is a forest of tall trees. These trees are cut down and put on big fossil fuel burning trucks and hauled to a paper mill that turns them into pulp while spewing the most fowl odors imaginable over the neighboring town and loads the pulp up with bleach to give it a nice white color.

Then the paper is put on yet another big truck and hauled off to the local paper depot, then put on another big truck and delivered to my print shop, where I turned the paper into postcards telling people to go even deeper into debt to buy a boat because it's almost summer. The inks used are a type of nasty heat sensitive plastic that is melted to the surface of the paper with heat. Then the postcards are put on yet ANOTHER truck and sent to the bank, which puts them on ANOTHER truck and finally into the hands of their customers, who open their mail and take one look at the post card and immediately discard it.

Heaps and heaps and literal hundreds of pounds of literal garbage created at the whim of the marketing team several times a year. And thats just one bank in one city.

I came to realize very quickly that graphic design was the delicate art of turning trees into junk mail.

And wouldn't you know it there are a TON of companies that basically only do junk mail. Many of them operate under the guise of a "charity," sending you pictures of suffering children or animals and begging for handouts and when they get those handouts the executives take a nice fat cut, give some small token amount to whatever cause they pay lip service to, and then put the rest of the cash right back into making more mailers. "Direct mail marketing" they call it.

Oh but maybe it's not so bad, you can advertise online after all. Now that there's decent ad blocker out there and better anti-virus ads usually don't destroy your computer anymore just by existing.

Except now when I search for the exact business I want on Google it's buried under three or four different "promoted search items" tricking me into clicking on them only to shoot themselves in the foot because I searched for the specific result I wanted for a reason and couldn't use those other websites even if I felt like it.

And now we have advertising on YouTube and on every streaming service, forcing more and more eyes onto the ad for the brand new Buick Envision that parks itself because you're too stupid to do it on your own.

Oh thats ok maybe I'll get Spotify premium and go ad free and listen to some podcasts- SIKE we have the hosts of your show doing the song and dance now. Are you depressed and paranoid from listening to my true crime podcast about murdered and mutilated teenagers? That's ok, my sponsor Better Help can keep you sane enough to stay alive and spend more money.

It's gotten so terrible that now you have content farms, huge hubs of shell companies that crank out video after video to get more and more precious clicks. Which if the videos were innocuous maybe that wouldn't be so awful except now you have cooking hacks that can actually burn your house down and craft hacks that can electrocute you being flung into your eyes at the speed of mach fuck so some slimy internet clickbait jockey doesn't need to get a real job.

It of course goes without saying that animals are also relentlessly exploited by clickbait companies that will put them in compromising situations on purpose to create a fake fishing hack video or even just straight up killing them for sport by feeding small animals to a pufferfish that rips them apart for the camera.

And all of this, ALL of this doesn't even touch how adveritising is the death of art in general. Queer topics, any kind of interesting art, any kind of sex or substance use topics are scrubbed clean and hidden at the behest of advertisers.

Sex education, a nude statue, topics such as racism or sexism or bigotry in general have tags purged or hidden from search, even life saving information about SDTs or drug use, because if someone saw that and complained then Verizon might sell fewer tablets and we can't fucking have that.

Conservative talking heads often bitch and moan that they're being censored on social media. The stupid part is, they're right! They are being censored! But it's not by a woke mob, it's by ATT and Coca Cola not wanting their adspace sharing screen time with their stupid fucking opinions.

However, they won't ever figure that out, because the talking heads they get their marching orders from like Tucker and Jones ALSO rely on the sweet milk flowing from the sponsorship teat and they aren't about to turn on their meal ticket so they have to come up with even stupider shit to say for the train to continue rolling.

I managed to rant this far without even getting into the ads I see for the beauty industry. The other day a botox ad described wrinkles as "moderate to severe crows feet" as if wrinkles are a symptom of a fucking serious disease! Like having a flaw in your skin is a medical problem that you need thousands of dollars of literal botulism toxin to fix! I was incandescent with anger.

Advertising is a polluting, censoring, anti educational and anti art industry at it's very core. It destroys human connections, suppresses human thought and makes us hate our own bodies. It ads no value, actively detracts from value, and serves no real purpose and I believe it should be almost if not entirely banned.

[tojancy]

‘ Earned it ’ ft. r.sukuna

haunted by jujutsu sorcerers, you come to Sukuna for help. after begging to work under him, he agrees. what could the King of Curses possibly have in store for you..?

ɞ⁺ contains: heian era!sukuna x curse user! fem!reader, afab!reader, four arms sukuna, degradation, praise, cussing, riding, choking, hair pulling, mean sukuna, mentions of killing, mentions of blood, making out, unprotected sex, creampie, suggestion of overstim

ɞ⁺ w.c: 3.6k

ɞ⁺ note: thank you to my favorite @sttoru for beta reading! this took forever. hope you enjoy!

“Couldn’t you just kill her?”

What?

Standing before you is a man that embodies terror—a tremendous body and another pair of arms to make him even more distinct. The name Ryomen Sukuna is a chilling one, so many stories embellished around it. Hearts tremble with fear of each fable. You have heard of all his atrocities, cruelties sorcerers were subject to. But, as you stand in his presence, you begin to realize that these tales barely scratch the surface of his menace.

Adults employed his name to compel sleep, a whispered threat to coax children into slumber. You were no exception, truly. But you were always fierce, a soul unafraid. 

Right. That’s what got you into the mess you’re in right now.

“I’m sorry, my lord. But if that’s your wish, then I shall go ahead and-”

“No-! Wait… please,” you surprise even yourself, words spill forth at their own accord. Your throat grows dry at the way both of them turn to look at you. struggling to maintain composure, you implore, “Please, just one chance. I promise I can make myself useful. I’d do anything. Anything.”

An amused chuckle thunders in Sukuna’s chest. It’s a cruel sound, imposing fear upon your senses. “And.. what exactly makes you think a meek sorcerer like you could be of any use to me?”

He’s almost offended by the notion. Sukuna is in need of no one. Especially not you; a sorcerer that came begging for his help. How ridiculous.

“I-I’m a first grade!” you exclaim, “I can do so many things, I-”

“Shut it.” The nearly-amused expression has been dropped, a somber tone to replace that. Your eyes widen immediately, a telltale sign of the terror you feel. “You are a weak sorcerer. You are nothing. Do you have any argument to make?”

“No, my lord,” your eyes meet the floor in a hard glare, cursing your misfortune. 

You came to Uraume with hope, recalling a past acquaintance. You had not anticipated the drastic change in her. Standing against jujutsu sorcerers was no wise choice. You found yourself haunted down with no other choice.

Perhaps finding a protector would help—someone whom all sorcerers fear, compelled by their dread to leave you unharmed. None other than the King of Curses himself. If you devoted yourself to his service, showing unmatched loyalty, maybe then he’d protect you.

If only life is so forgiving.

You believed Uraume could help. You convinced yourself that alignment with Sukuna's subordinate could forge a safer path for protection. For safety. Yet, the last outcome you could have predicted was a suggestion for your execution.

“Good,” is his sole utterance. Uraume stands a few feet away, silent unless addressed. 

Even with your eyes cast down, you can feel Sukuna’s eyes surveying you, the weight of four eyes is not an easy one. His gaze is empty, one of menace. You do not appear weak, though relative to him you certainly are. However, he trusts Uraume's judgment, convinced there must be a valid reason for your presence.

“I’ll…  think about it,” You hear. Your head lifts abruptly, disbelief mingling with hope at the prospect of succor etched on your face. A sigh escapes you, looking at his hard features. Despite your awareness that Sukuna's motives lack benevolence or goodwill, you grasp at any opportunity presented.

“Thank you,” your knees buckle beneath you. Tears of relief flood your eyes as you continue. “Thank you, thank you, thank you.”

“You can flee now,” he replies curtly. You weren’t expecting much more anyway. “Uraume, lead her out.”

The curse user complies, leading you from the chambers of the King of Curses. Reaching the exit, you extend a hand toward Uraume before she returns inside.

“Th-thank you…” You muster.

“I’m not the one you’re to thank,” Her gaze is hard as ice,  empty as one’s could be. You were hoping for some warmth, a semblance of assurance in a world so cruel. But who were you kidding; you held no significance to Uraume, who had long forsaken her humanity to serve solely the King of Curses. “Lord Sukuna has the highest authority over your life right now. Don’t screw your chances.”

The door slams in your visage before you can reply. You swallow. Uncertainty begins to bubble into you. What if he changes his mind? What if this was some kind of ruse? 

But it wasn’t, and not too long later you find yourself in Sukuna’s chambers. You hear he’s beaten yet another jujutsu sorcerer, this one remarkable. It’s a surprise to no one. You hope you’re not next.

You’re even given a room to yourself, one you barely leave unless for food. The concept of running into Sukuna terrifies you. 

A loud knock comes from the sliding door, making you flinch. You hasten to it, crouching before the wooden barrier. Your palms lay flat against the surface as you slide it open with ease. Uraume towers above you, her gaze fixed.

“Lord Sukuna requires your immediate attendance,” she tells you.

“I-I’ll be right there,” your breath falters, looking up at the white-haired woman. Uraume stands still. You realize she’s only waiting for you to gather yourself and accompany her. 

You’re quick to oblige, standing up and trying your best to dispel the embarrassing fear displayed over your features. With swift movement, you grab your kosode’s belt and wrap it tightly around your middle. You stand before Uraume, who looks you up and down before simply turning around and walking, expecting you to keep up. 

Anxiety plagues you, your mind racing with all the possibilities of what reason Sukuna would summon you. You’re so preoccupied that you don’t realize Uraume's route isn’t the same one you took to his chamber last time.

Sooner than you anticipate, Uraume takes an abrupt halt by a door. You nearly collide face-first with the finely painted wood. Recoiling, your eyes study the door. Patterns adorn the wood, carved carefully by the hands of a professional. 

The detail on the door captivates you, it makes you wonder if Sukuna has truly observed it even once in his life. Your appreciation of it is short-lived, as Uraume calls you and pulls you out of thought.

“Pay attention or face expulsion,” she hisses before knocking at the door.

A grunted “You may enter,” resonates from inside. The curse user beside you immediately falls to her knees, and you follow path. Her hands lift to the door, which weighs more than yours, and she opens it with a fluid gesture.

“She has arrived, my lord.”

“Very well,” Sukuna utters. Emboldened, you look up, and the sight you’re met with makes your face heat up. There he sits, expression unyielding and gaze inscrutable, his torso is bare—save for the black marks that adorn his chiseled body. On any other day, you would have stopped to admire the sight, but today your eyes go back to staring at your bent knees. “Come in.”

Uraume knows she’s not the one intended, while you know that you are. With great force, you’re capable of pushing yourself up and walking toward the man sitting on the floor.

The door shuts as soon as you step foot into the room, making you flinch. “W-How can I help you, my Lord?”

Quietly, Sukuna hums in thought. His scrutiny of you, trailing to your feet and then meeting your eyes once more, kindles a patent tension within. There’s a sick, twisted desire within you—a desire for the man who would kill you without second thought.

“You said you can do many things, have you not?” He raises a single eyebrow. 

“Indeed, my lord,” You muster. The chamber you stand in is spacious, slowly realizing that you are within his personal quarters—a place few may enter, as you understand it.

“Let’s test that out, shall we?” he says with a sinister smirk. “Do you know how to relieve muscle tension?”

“Certainly, my lord. Do you need any assistance with that?” You speak a little more than necessary. But he doesn’t mind too much. Your vocal cords make a soothing voice anyway. 

“I’d like to see what you're capable of,” he states, malice evident in his tone, prompting you to brace for the potential consequences.

He gestures for you to approach the curtained futon, elevated on what appears to be several stacks of wood. It feels peculiar to see him prone on his stomach, but it affords you an unmatched view of his well-defined back—truly a sight to see.

Whether he trusts you or deems you harmless remains uncertain. Common sense suggests the latter, though you prefer to believe the former to spare yourself from embarrassment.

A small bottle sits beside his bed, a bottle of fine oil. With refined movement, you pick it up, spilling a fair amount on your hand before spreading it gently over his back.

You work silently, kneading hardened flesh. His unique anatomy intrigues you, especially navigating around two sets of arms. Your fingers continue to glide between the muscles, working your way into easing any knots.

Once your fingers reach his neck, a low grunt leaves his lips. You’re surprised… But even more so, the feeling lingering deep within you is becoming harder and harder to ignore. Your thighs squeeze against each other in hopes of relieving some of the heat that’s itching at your core. 

With every stroke of your skilled fingertips, the tension threaded in his muscles ease, all the while the tension between the two of you grows unbearably palpable. 

After a few moments, you grow hot. you pause and slightly loosen the belt of your kosode to cool down. The movement doesn’t go unnoticed by Sukuna, who peeks upwards subtly. He has no shame, raising his head further and looking you up and down. The loosened kosode exposes cleavage, and Sukunua overtly stares.

He pushes himself up, sitting on the bed. Shadows of his frame dance against the curtains surrounding his bed, the room dimly lit by candles. Posture straight, an expression of attendance on your face, you keep your eyes on him and await what he has to say. 

You’re dangerous, Sukuna realizes. You’re not going to make this easy on him. His self-restraint is wearing thin.

“Sit,” He beckons you with a large hand. Albeit hesitant, you oblige and sit on the lifted futon in an awkward position.

There is no denying the way his gaze makes you feel. There’s a sense of vulnerability, and a sense of excitement. You choose to remain silent, waiting patiently for his next move. 

Slowly, he leans his head in your way. Your eyes immediately flit away, heat rising into your face.

“Heh,” He smirks widely, leaning away. “You’re quite amusing, you know that?”

You grow embarrassed, displeased by the way he’s talking. You’re about to comment but ultimately choose to stop yourself from saying something that could get you in trouble.

Sukuna leans forward again, this time a little further from you. The hand he places on the bed for balance dips the fabric down. “Look at me when I address you, human.”

It’s humiliating how he talks to you. For some inexplicable reason, it arouses you all the same. You’re quick to oblige. Sukuna can feel his cock harden in his pants at the way you bat your lashes his way. He knew there was something so enticing about you the moment he saw you walking behind Uraume, even more now under the dim lights and in the revealing silk. He wants a piece of you.

Cancel that. He wants all of you.

“You have a pleasing appearance,” He tells you, eyes instinctively falling to your lips. “A fine figure too. Why don’t you put that to good use, hm?”

“What would you suggest, my lord?” You rouse. “I’m at your service.”

Sukunas face draws closer to yours once more. A single hand rises to your face, cradling your cheeks between his thumb and forefinger. “Interesting… You’re not dumb, are you?”

There’s a clear implication behind his words; take the hint, or don’t. You take a leap of faith, diminishing the space between your faces and pressing your lips firmly against his.

The hand that once held your face now rests on your neck, holding you in place. His tongue swipes against your lower lip, prompting you to give him entrance. He keeps his eyes open, watching over you with amusement you fail to see as your eyes are shut close.

Your mouth is warm and inviting, compelling him to savor every bit of the fiber inside. But he’s interrupted by you pulling away for air.

“Fucking brat,” he curses, pulling you back in before you can gasp another much-needed breath. His palm falls from your neck and skims the skin of your shoulder. In contrast to his typical demeanor, Sukuna’s movement is agonizingly slow as he pushes the cloth off your skin. Little by little, until your torso is exposed to the biting chill of the air, shivers cascade along your spine, eliciting goosebumps across your flesh.

Adrenaline rushes through your veins. Your heart throbs as your hands find his neck, the other on his shoulder. Closer. Your tongues dance, and the taste of you is addicting. Closer. His hands run over your bare skin, feeling up your curves. Closer. Nothing seems to be close enough. You need to be one with him.

Once content, Sukuna pulls away. The smirk on his face is enough reminder you’ve got nothing on him. “You’re weak.”

“‘M not,” you retort stubbornly, struggling to regain your breath. “You caught me off guard.”

“Yeah, right,” Sukuna’s hands fall to your hips. You would have never foreseen a scenario where you contest his words. Not without your head cut off before you completely utter your words. But this brazen attitude of yours is exciting to Sukuna, who can feel the pre staining his pants, cock now painfully hard. Just from kissing.

He maneuvers you with ease, leaning comfortably against the wall before placing you over his middle. You gasp once moved, eyes wide in surprise. You give no signs of struggle, though, so Sukuna continues.

Starting with the loosened belt, then the silk kosode. You’re bare under, left exposed to four eyes’ devouring gaze.

“Heh,” is what he says, feeling your wetness against his abdomen. “Is the wanted criminal so needy already? How sweet.” 

“I’m quite sure you share the desire, my lord,” you whisper, drawing a chuckle from him. You bend forward until your face hovers tantalizingly close to his ear.“Do you not want a taste of me, my lord? I can show you what no woman has ever done.”

While the title ‘my lord’ has come from many to him, it rolls off your tongue differently. You’re so confident in your skills, and he has a feeling you’re not lying.

“I very much doubt that,” he lies, causing you to pucker your lower lip in disdain. You’re set on proving him wrong, prepared to showcase the extent of your capabilities.

Lifting your weight from his form, you turn around and give him your back. He stares down at you, an amorous grin adorning his face. Delicately, you trace your fingers over the prominent bulge in his pants. There is no mistaking the grunt that escapes him at the contact. The bulge largens. The tension grows. You swallow quietly.

“May I?” You whisper, barely audible.

“By all means,” he responds, his smirk persisting despite the furrow in his brow. Tender fingers slip beneath the waistband of his pale trousers, gradually coaxing them downward.  

The sight makes you stop in your tracks; his cock springs to life, a lengthy shaft you’re not so sure you can take. The thought of going back on your words fleets momentarily across your mind, but you refrain. There’s svelteness to the way your fingers graze this tip, tinted with an angry pink. You spread the warm pre-cum over it for lubrication, softly pumping your hands over his shaft.

Surprise intensifies in you when it grows larger, making your insides churn. Your fingers continue their work, eliciting louder sounds from him.

You’re fascinated by it, a beautiful length framed by trimmed pubes. It starts with a color marginally darker than his skin, gradually merging into the angry pink hue that tints his tip. You can’t not stare.

You turn back around, looking at the man sitting before you. The King of Curses with all his mind with a troubled expression, his resolve long worn off.

“You’re taking too long,” He threatens. “Get on it already, woman.”

No less is expected from the King of Curses; he’s straightforward as one could be. A yelp escapes your lips when his hands land a firm grip on your hips, forcefully lifting you up.

You’re placed on his length without any warning, causing a loud cry to break out of you. Tears gather in your eyes at the sudden stretch. You feel him, all of him; thick and long and painful and good.

Drawing a sharp breath, you attempt to adjust to the stretch.

“Can’t take it?” His smirk taunts you. “Pathetic.” 

“I-I can,” you steady yourself with two palms against the curves of his abs. “Let me get- ah–!”

Your moan synchronizes with the groan he emits, his hands maintaining a firm grasp on your ass cheeks as he lifts you upwards for friction before abruptly slamming you back down. The way your gummy walls wrap tight around him nearly makes him dizzy. Sukuna is almost sure this pussy was made for him and only him.

“Fuck–” he grunts, head thrown back as you move steadily. His hand grabs your waist for guidance as you huff and puff, trying not to be too loud but it’s so hard when he hits all the right places. Your heart thrums in your chest, body shaking at the euphoria that’s clouding your senses.

There’s rhythm to the sounds of breathing, creating a symphony of pleasure as you roll your hips, pace fastening every second. Sukuna’s hand is light against your hip, a thumb extending to rub your clit in a gentle manner, drawing circles over the soft bud.

“Oh– M’lord– I’m..” words bleed into moans you can no longer contain. Every thrust hits deeper, and every movement makes you squeeze tighter around his cock. Your eyes roll back, and Sukuna swears he could get off to your expression alone. 

When a cold grip meets the writ of one of his lower arms, Sukuna’s eyes flee your face in curiosity. His hand is heavier than you expect. You softly raise his palm, desperately leaving it at your neck.

He chuckles. He loves the desperation in your eyes, the way your hips thrust sloppily, the way you claw at his chest for a symbol of control as you try your best to stay true to your words. Warm digits wrap around your neck and squeeze it lightly. 

“C’mere,” he breathes, pulling you by your neck. Your lips clash into his with a gasp. God, you’re intoxicating him. Teeth tug at your bottom lip despite your mouth being agape. The moan that escapes you is happily drank down by him.

Humidity clouds the place, shiny sweat dripping down your neck. You’re in too much ecstasy to think anyway.

Sukuna sucks at your bottom lip, his hand moving from your neck to cradle the back of your head then tug at your hair.

You’re magic, the sight of you inebriating him utterly. You’re a trigger, back arched towards him in desperation. All to feel more. How greedy. You’re deadly, bouncing on him like that’s what you were made for, resolve renewing to keep up for as long as you could.

“Fuck- attagirl,” his eyes shut, dopamine rises, and all he can do is feel. “Good- shit– yeah, yeah–”

“‘M close-” your moan is pitched, walls tightening around him. “Ah– I’m– ‘m so close-”

Your entire body shakes, legs trembling and nearly giving out. A harsh slap lands across the skin on your ass, his fingers kneading the flesh before landing another slap against it. You can still feel the heat of his palm even as he moves it to hold your face harshly. “Don’t be fucking weak. H-shit–”

It turns you on, he realizes. To be treated like a ragdoll and pushed around. 

“Like that huh?” another spank. “Like being hit? Tch, wh-what a fucking brat”

“Yes–!” You gasp, movement accelerating over him, drawing half of him out just to enroll him in your warmth again. He can sense your orgasm approaching, walls dangerously tight around him. His tip hits your good spot, and you go at it and at it again, moaning loudly as your nails bruise his chest.

A string of curses escapes his lips, neck stretched as your head inches closer, pressing a kiss to the skin. He groans louder, moving you faster on his dick as your pace wasn’t enough.

“Hah– I– I’m gonna– Sukuna-sama I—”

Your mouth falls open, and breath fast. You see stars, cumming all over him. The fiber of your insides pulses around him, surrounding his cock with your essence. 

Nails dig into your flesh, and Sukuna’s body tenses. A desperate whine escapes you when you feel the white ropes spilling inside you. Your movement persists, set on milking every last drop he has to offer.

His chest rises and falls, a palm coming to cover his face while another pair sits on your hips. You attempt to move, trying to pull yourself off his cock. But his hands pull you back down with potent. You’ve grown sensitive, so his action draws a loud whine from you.

“Where to?” He sneers at you. “You’re not done yet, are you? ‘This all you can do?”

It’s an obvious challenge. Despite the fatigue you’re starting to feel, you’re not one to back down from challenges. Least of all ones pronounced by him.

#✧˚₊‧𝐧𝐚𝐧𝐜𝐞 𝐰𝐫𝐢𝐭𝐞𝐬 #jjk #jjk smut #jjk x reader #jjk x reader smut #jujutsu kaisen #jujutsu kaisen smut #sukuna #sukuna x reader #sukuna smut #sukuna x reader smut #ryomen sukuna #ryomen sukuna x reader #ryomen sukuna smut #sukuna ryomen #sukuna ryomen smut #sukuna ryomen x reader #ryomen sukuna x reader smut

[doberbutts]

Recently Youtube's algorithm really wants me to watch Schindler's List and I never had so the other night I sat down and actually watched it.

Having a lot of thoughts about it but a major one I keep coming back to is how even an immensely and deeply flawed human being can go against "just following orders" and instead put in the work to actually help.

It may never be fully enough. It may never save as many as you'd hoped. But when you have a choice to either follow orders or save your fellow humans in front of you, I hope you choose the latter.

Schindler died in poverty. He was not a renown war hero nor was he at all famous or widely beloved. But he saw that he could help, even in some small way, and so he helped.

He was a Nazi who saw what the Nazis were doing to Jews and said no more. Enough. If I can even spare those under my charge, maybe a few extras, then at least I will have tried to do something about this.

I think a lot of people do not fancy this type of activism. It is messy, dangerous, and often completely thankless. Schindler survived as long as he did after the war due to those he saved helping him with donations. He was not popular in his hometown due to his association with Nazis, he was not popular in Germany, he was not popular in Argentina. His businesses all failed. His wife left him. A movie about his deeds was released several years after his death, where he would receive none of the benefits. He went to prison multiple times for simply refusing to hate Jews.

I think a lot of people like to think they're activists, but are sorely unprepared for doing this type of work, and then in truth become activists in name only. This is hard work. But without him, another thousand or so people would be on that death toll.

He took his position of extreme power- a Nazi owning a factory almost entirely operated by Jews, making oodles of money off that cheap slave labor- and said you know what? No. I'm not doing that. I can't save everyone, but as long as they are within my factory, you will not kill my workers. As long as I'm here you aren't harming one hair on the head of any Jew under my care. You're not sending or keeping them in Auschwitz. You're not randomly executing them for entertainment. They're people. You're not murdering them.

"Just following orders" they say. But they didn't have to. They could have helped. They could have did what he did, look around and say "what the fuck am I doing here", and stop. He did. They could have. They didn't.

#I think it's also intereating that he did not do it out of compassion at first #he did it because it was smart capitalism #jewish labor was super cheap and they were desperate to be considered fit to work because otherwise execution was waiting for them #only after the cleansing of the ghetto did he say whoa okay holy shit yeah no I'm not doing this anymore #that's also true of the real man the movie is about #I also think it's interesting that not everyone he saved thinks he was a good person #but even still despite his flaws they respect and admire what he did for them #his motives were not always pure #but the fact of the matter is that when he saw what was happening he chose to act against it #he did not shrug and saw welp orders are orders #nor did he succumb to hopelessness when it became difficult to keep up what he was doing