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#but im never going to say this to them
aspen-rider · 1 month
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:(
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inkskinned · 10 months
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at some point it's just like. do they even fucking like the thing they're asking AI to make? "oh we'll just use AI for all the scripts" "we'll just use AI for art" "no worries AI can write this book" "oh, AI could easily design this"
like... it's so clear they've never stood in the middle of an art museum and felt like crying, looking at a piece that somehow cuts into your marrow even though the artist and you are separated by space and time. they've never looked at a poem - once, twice, three times - just because the words feel like a fired gun, something too-close, clanging behind your eyes. they've never gotten to the end of the movie and had to arrive, blinking, back into their body, laughing a little because they were holding their breath without realizing.
"oh AI can mimic style" "AI can mimic emotion" "AI can mimic you and your job is almost gone, kid."
... how do i explain to you - you can make AI that does a perfect job of imitating me. you could disseminate it through the entire world and make so much money, using my works and my ideas and my everything.
and i'd still keep writing.
i don't know there's a word for it. in high school, we become aware that the way we feel about our artform is a cliche - it's like breathing. over and over, artists all feel the same thing. "i write because i need to" and "my music is how i speak" and "i make art because it's either that or i stop existing." it is such a common experience, the violence and immediacy we mean behind it is like breathing to me - comes out like a useless understatement. it's a cliche because we all feel it, not because the experience isn't actually persistent. so many of us have this ... fluttering urgency behind our ribs.
i'm not doing it for the money. for a star on the ground in some city i've never visited. i am doing it because when i was seven i started taking notebooks with me on walks. i am doing it because in second grade i wrote a poem and stood up in front of my whole class to read it out while i shook with nerves. i am doing it because i spent high school scribbling all my feelings down. i am doing it for the 16 year old me and the 18 year old me and the today-me, how we can never put the pen down. you can take me down to a subatomic layer, eviscerate me - and never find the source of it; it is of me. when i was 19 i named this blog inkskinned because i was dramatic and lonely and it felt like the only thing that was actually permanently-true about me was that this is what is inside of me, that the words come up over everything, coat everything, bloom their little twilight arias into every nook and corner and alley
"we're gonna replace you". that is okay. you think that i am writing to fill a space. that someone said JOB OPENING: Writer Needed, and i wrote to answer. you think one raindrop replaces another, and i think they're both just falling. you think art has a place, that is simply arrives on walls when it is needed, that is only ever on demand, perfect, easily requested. you see "audience spending" and "marketability" and "multi-line merch opportunity"
and i see a kid drowning. i am writing to make her a boat. i am writing because what used to be a river raft has long become a fully-rigged ship. i am writing because you can fucking rip this out of my cold dead clammy hands and i will still come back as a ghost and i will still be penning poems about it.
it isn't even love. the word we use the most i think is "passion". devotion, obsession, necessity. my favorite little fact about the magic of artists - "abracadabra" means i create as i speak. we make because it sluices out of us. because we look down and our hands are somehow already busy. because it was the first thing we knew and it is our backbone and heartbreak and everything. because we have given up well-paying jobs and a "real life" and the approval of our parents. we create because - the cliche again. it's like breathing. we create because we must.
you create because you're greedy.
#every time someones like ''AI will replace u" im like. u will have to fucking KILL ME#there is no replacement here bc i am not filling a position. i am just writing#and the writing is what i need to be doing#writeblr#this probably doesn't make sense bc its sooo frustrating i rarely speak it the way i want to#edited for the typo wrote it and then was late to a meeting lol#i love u people who mention my typos genuinely bc i don't always catch them!!!! :) it is doing me a genuine favor!!!#my friend says i should tell you ''thank you beta editors'' but i don't know what that means#i made her promise it isn't a wolf fanfiction thing. so if it IS a wolf thing she is DEAD to me (just kidding i love her)#hey PS PS PS ??? if ur reading this thinking what it's saying is ''i am financially capable of losing this'' ur reading it wrong#i write for free. i always have. i have worked 5-7 jobs at once to make ends meet.#i did not grow up with access or money. i did not grow up with connections or like some kind of excuse#i grew up and worked my fucking ASS OFF. and i STILL!!! wrote!!! on the side!!! because i didn't know how not to!!!#i do not write for money!!!! i write because i fuckken NEED TO#i could be in the fucking desert i could be in the fuckken tundra i could be in total darkness#and i would still be writing pretentious angsty poetry about it#im not in any way saying it's a good thing. i'm not in any way implying that they're NOT tryna kill us#i'm saying. you could take away our jobs and we could go hungry and we could suffer#and from that suffering (if i know us) we'd still fuckin make art.#i would LOVE to be able to make money doing this! i never have been able to. but i don't NEED to. i will find a way to make my life work#even if it means being miserable#but i will not give up this thing. for the whole world.
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confessedlyfannish · 1 month
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Writing Prompt #12
Bruce is reading the paper when the pour of Tim's coffee goes abruptly quiet. It would be hard to pinpoint why this is disturbing if it wasn't for the way the soft, tinny sound the vent system in the manor makes cuts out for the first time since being updated in the 90s. The pour, Bruce realizes, has not slowed to a trickle before stopping. It has simply stopped. And there is no overeager clack of a the mug against the marble counter or the uncouth first slurp (nor muttered apology at Alfred's scolding look) immediately following the end of the pour.
Bruce fights the instinct to use all of his senses to investigate, and instead keeps his eyes on the byline of the article detailing the latest set of microearthquakes to hit the midwest in the last week. Microearthquakes aren't an unusual occurrence and aren't noticeable by human standards, which is why this article is regulated to page seven, but from several hundred a day worldwide to several hundred a day solely in the East North Central States, seismologists are baffled.
Bruce had been considering sending Superman to investigate under the guise of a Daily Planet article requested by Bruce Wayne (Wayne Industries does have an offshoot factory in the area) when everything had stopped twenty seconds ago. That is what he assumes has happened (having not moved a muscle to confirm) in the amount of time he assumes has passed. His million dollar Rolex does not quite audibly tick but in the absolute silence it should be heard, which confirms the silence to be exactly that—absolute.
While Bruce can hold his breath with the best of the Olympian swimmers, he has never accounted for a need to remain without blinking without being able to move one's eyes. Rotating the eyeballs will maintain lubrication such that one could go without blinking for up to ten minutes. But staring at the byline fixedly, he estimates another twenty seconds before tears start to form.
These are the thoughts Bruce distracts himself with, because he doesn't dare consider how Tim and Alfred haven't made a (living) sound in the past forty-five seconds. About Damian, packing his bag upstairs for school after a morning walk with Titus that was "just pushing it, Master Damian".
There is a knife to his right, if memory serves (it does). In the next five seconds—
"Your wards and guardian are fine, Mr. Wayne," the deepest voice Bruce has ever heard intones. For a dizzying moment, it is hard to pinpoint the location of the voice, for it comes from everywhere—like the chiming of a clocktower whilst inside the tower, so overpowering he is cocooned in its volume.
But it is not spoken loudly, just calmly, and when he puts the paper down, folds it, and looks to his right, a blue man sits in Dick's chair.
He wears a three piece suit made entirely of hues of violet, tie included. He has a black brooch in the shape of a cogwheel pinned to his chest pocket, a simple chain clipped to his lapel. Black leather gloves delicately thumb Bruce's watch (no longer on his wrist, somewhere between second 45 and 46 it has stopped being on his wrist), admiring it.
"You'll forgive me," the man says with surety. "Clocks are rather my thing, and this is an impressive piece." He turns it over and reveals the 'M. Brando' roughly scratched into the silver back. He frowns.
"What a shame," he says, placing it face side up on the table.
"Most would consider that the watch's most valuable characteristic." Bruce says, voice steady, hands neatly folded before him. Two inches from the knife. To his left, there is an open doorway to the kitchen. If he turns his head, he might be able to get a glance of Tim or Alfred.
He doesn't look away from the man.
"It is the arrogance of man," the man says, raising red eyes (sclera and all) to Bruce, "to think they can make their mark on time."
"...Is that supposed to be considered so literally?" Bruce asks, with a light smile he does not mean.
The man smiles lightly back, eyes crinkling at the corners. He looks to be in his mid thirties, clean-shaven. His skin is a dull blue, his hair a shock of white, and a jagged scar runs through one eye and curving down the side of his cheek, an even darker, rawer shade of blue-purple.
The man turns the watch back over and taps at the engraving. "Let me ask you this," he says. "When we deface a work of art, does it become part of the art? Does it add to its intrinsic meaning?"
Bruce forces his shoulders to shrug. "It's arbitrary," he says. "A teenager inscribes his name on the wall of an Ancient Egyptian temple and his parents are forced to publicly apologize. But runic inscriptions are found on the Hagia Sophia that equate to an errant Viking guard having inscribed 'Halfdan was here' and we consider it an artifact of a time in which the Byzantine Empire had established an alliance with the Norse and converted vikings to Christianity."
"The vikings were as errant as the teenager," the man says, "in my experience." He leans back in his chair. "I suppose you could say the difference is time. When time passes, we start to think of things as artistic, or historical. We find the beauty in even the rubble, or at least we find necessity in the destruction..."
He offers Bruce the watch. After a moment, Bruce takes it.
"The problem, Mr. Wayne, is that time does not pass for me. I see it all as it was, as it is, as it ever will be, at all times. There is no refuge from the horror or comfort in that one day..." he closes his hand, the leather squeaking. And then his face smooths out, the brief severity gone. He regards Bruce calmly.
"You can look left, Mr. Wayne."
Bruce looks left. Framed by the doorway, Tim looks like a photograph caught in time. A stream of coffee escapes the spout of the stainless steel pot he prefers over the Breville in the name of expediency, frozen as it makes its way to the thermos proclaiming BITCH I MIGHTWING. Tim regards his task with a face of mindless concentration, mouth slack, lashes in dark relief against his pale skin as he looks down at the mug. Behind him, Bruce can see Alfred's hand outstretched towards the refrigerator handle, equally and terrifyingly still.
"My name is Clockwork," the man says. "I have other names, ones you undoubtedly know, but this one will be bestowed upon me from the mouth of a child I cherish, and so I favor it above all else. I am the Keeper of Time."
"What do you want from me?" Bruce asks, shedding Wayne for Batman in the time it takes to meet Clockwork's eyes. The man acknowledges the change with a greeting nod.
"In a few days time, you will send Superman to the Midwest to investigate the unusual seismic activity. By then, it will be too late, the activity will be gone. They will have already muzzled him."
"Him."
"There is a boy with the power to rule the realm I come from. Your government has been watching him. The day he turned 18, they took him from his family and hid him away. I want you to retrieve him. I want you to do it today."
"Why me?"
"His parents do not have the resources you do, both as Batman and Bruce Wayne. You will dismantle the organization that is keen on keeping him imprisoned, and you will offer him a scholarship to the local University. You and yours will keep him safe within Gotham until he is able to take his place as my King."
This is a lot of information to take in, even for Bruce. The idea that there could be a boy powerful enough to rule over this (god, his mind whispers) entity and that somehow, he has slipped under all of their radars is as frustrating as it is overwhelming. But although Clockwork has seemed willing to converse, he doesn't know how many more questions he will get.
"You have the power to stop time," he decides on, "why don't you rescue him? Would he not be better suited with you and your people?"
"Within every monarchy, there is a court," Clockwork. "Mine will be unhappy with the choice I have made," he looks at Bruce's watch, head cocked. "In different worlds, they call you the Dark Knight. This will be your chance to serve before a True King."
Bruce bristles. "I bow to no one."
"You'll all serve him, one day," Clockwork says, patiently. "He is the ruler of realms where all souls go, new and old. When you finally take refuge, he will be your sanctuary." He frowns. "But your government rejects the idea of gods. All they know is he is other. Not human. Not meta. A weapon."
"A weapon you want me to bring to my city."
"I believe you call one of your weapons 'Clark', do you not?" Clockwork asks idly. "But you misunderstand me. They seek to weaponize him. He is not restrained for your safety, but for their gain."
"And if I don't take him?" Bruce asks, because a) Clockwork has implied he will be at the very least impeded, at worst destroyed over this, and b) he never did quite learn not to poke the bear. "You won't be around if I decide he's better off with the government."
"You will," Clockwork says, with the same certainty he's wielded this entire conversation. "Not because he is a child, though he is, nor because you are good, though you are, nor even because it is better power be close at hand than afar.
"I have told you my court will be unhappy with me. In truth, there are others who also defend the King. Together we will destroy the access to our world not long after this conversation. The court will be unable to touch him, but neither will we as we face the repercussions for our actions. I am telling you this, because in a timeline where I do not, you think I will be there to protect him. And so when he is in danger, even subconsciously, you choose to save him last, or not at all. And that is the wrong choice.
"So cement it in your head, Bruce Wayne," the man says, "You will go to him because I tell you to. And you will keep him safe until he is ready to return to us. He will find no safety net in me. So you will make the right choice, no matter the cost."
"Or, when our worlds connect again, and they will," his voice now echoes in triplicate with the voices of the many, the young, the old, Tim, Bruce's mother, Barry Allen, Bruce's own voice, "I will not be the only one who comes for you."
"Now," he says, producing a Wayne Industries branded BIC pen. "I will tell you the location the boy is being kept, and then I would like my medallion back, please. In that order."
Bruce glances down and sees a golden talisman, attached to a black ribbon that is draped haphazardly around the neck of his bathrobe, so light (too light, he still should have—) he has not felt its weight until this moment.
Bruce flips the paper over, takes the pen, and jots down the coordinates the being rattles off over the face of a senator. By his calculation, they do correspond with a location in the midwest.
"You will find him on B6. Take a left down the hallway and he will be in the third room down, the one with a reinforced steel door. Take Mr. Kent and Mr. Grayson with you, and when you leave take the staircase at the end of the hallway, not the elevator."
The man gets up, dusts off his impeccably clean pants, and offers him a hand to shake.
"We will not meet again for some time, Mr. Wayne."
Bruce looks at the creature, stands, and shakes his hand. It feels like nothing. The Keeper of Time sighs, although nothing has been said.
"Ask your question, Mr. Wayne."
"I have more than one."
"You do," Clockwork says. "But I have heard them all, and so they are one. Please ask, or I will not be inclined to answer it."
"What does this boy mean for the future, that you are willing to sacrifice yourself for him?"
There is a pause.
"So that is the one," Clockwork says, after a time. "Yes. I see. I should resolve this, I suppose."
"Resolve what?"
"It is not his future I mean to protect," the man says. "It is his present."
"You want to keep him safe now..." Bruce says, but he's not sure what the being is trying to say.
"I am not inclined," Clockwork repeats, stops. His expression turns solemn, red eyes widening. In their reflection, Bruce can see something. A rush of movement too quick to make heads or tails of, like playing fast forward on a videotape. "Superman reports no signs of unusual seismic activity. With nothing further to look into, you let it go in favor of other investigative pursuits. You do not find him, as you are not meant to. He stays there. His family, his friends, they cannot find him. His captors tell him they have moved on. He does not believe them, until he does. He stays there. He stays there until he is strong enough to save himself."
Clockwork speaks stiffly, rattling off the chain of events as if reading a Justice League debrief. "He is King. He will always be King. He is strong, and good, and compassionate, and he is great for my people because yours have betrayed his trust beyond repair. He throws himself into being the best to ever Be, because there is nothing Left for him otherwise. We love him. We love him. We love him. My King. Forevermore."
The red film in his eyes stall out, and Bruce is forced to look away from how bright the image is, barely making out a silhouette before they dull back to their regular red.
"I am not inclined," Clockwork says slowly, "To this future."
"Because of what it means in the present," Bruce finishes for him. "They're not just imprisoning him, are they."
"They will have already muzzled him."
Clockworks is right in front of him faster than he can process, fist gripping the medallion at his neck so tight he now feels the ribbon digging into his skin.
"Unlike you, Mr. Wayne," and for the first time, the god is angry, and the image of it will haunt Bruce for the rest of his life, "I do not believe in building a better future on the back of a broken child."
"Find him," the deity orders, and yanks the necklace so hard the ribbon rips—
Clack!
"sluuuuurp!"
"Master Timothy, honestly!"
"Sorry Alfred!"
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lucabyte · 3 months
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you dream of devouring your friends whole
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ruporas · 11 months
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post-trimax vash meets stampede wolfwood
[ID: Black and white comic of Vash and Wolfwood of their Stampede versions. The comic starts with Wolfwood continuing off a conversation, saying “I didn’t mean t’say anythin’ bad to her. She just took it the wrong way. But anyway...” Wolfwood speaks with a hand gestured flippantly while Vash, who’s seated next to him, just listens. Vash thinks to himself, “Talks more about himself... Honest expressions... Immature, though he was pretty immature too.” He smiles and continues to think, “And yet...”
A panel of Vash’s eye directed now to the sky. He thinks, “Some things are bound to be the same with us...” He thinks of a memory, the version from Maximum of him and Wolfwood, back shown as they chatted underneath two moons, one moon with a hole through it. Vash continues, “Isn’t that right, W-“ His thoughts are interrupted by Wolfwood coming into a view, a close up his deadpan expression. Vash utters out “-olfwood..?” with a nervous expression. He starts to explain, “Um. Sorry if it seemed like I wasn’t listening, I was! So, let’s keep talking?”
Vash smiles and puts his hands together as he says, “okay?” Wolfwood glares at him with gritted teeth and Vash immediately remembers, “Right, he’s more short-tempered...” He continues to think, “Maybe Plan B works with him—“ before he’s grabbed by his coat collar aggressively and changes thoughts, “OK, never mind, brace for impact..!” But he’s surprised when he’s tugged instead, him and Wolfwood flops against the ground. Wolfwood puts an arm over Vash and says, “I don’t need to be entertained, blondie. If yer tired, we can go to sleep.”
Two close up panels of Wolfwood and Vash’s eyes looking at each other, Wolfwood taking off Vash’s glasses as he says, “Am I wrong?” Vash thinks to himself, “Actually... I was being genuine when I said I wanted to keep talking. I don’t feel tired at all. But, I think you know this body more than I do.”
Vash’s thoughts continue, “I can’t deny the me you’re fond of from being taken care of. And I could never deny your kindness. Even though...” Vash finally smiles and says, “You’re not wrong...” Wolfwood smiles back before tugging Vash closer and says, “Then, let’s sleep.” Vash asks, “Should we get a blanket?” Wolfwood asks, “Why?” before kissing Vash on the cheek, “I’ll keep you warm.” Vash puts his face into both his hands and flushes. Wolfwood smiles cheekily and asks, “What?” Vash responds, “I was caught off guard..” Wolfwood says, “You’ve said worse though.” Vash responds, “Did I...” The panel phases out and the dialogue returns to Vash’s thoughts. He thinks, “I want to stay a bit longer. Talk a bit longer.
You’re tired here too. The future is always going to be unfair to you. I want to protect you from it. I want to hold you close so you won’t go far.” The thoughts overlap the scene of Wolfwood now sleeping peacefully against Vash with an arm over him, Vash’s jacket draped against him as a blanket. Vash looks at him and a small thought bubble thinks, “He can fall asleep first...” His previous thoughts continue, “I know I can’t. I already had that chance.” A close up of Vash putting his hand over Wolfwood’s. He continues, “I wasn’t capable once, I can’t be sure I’d be capable a second time. And in a way...”
Vash’s thoughts continue with the back drop of the sky, Stampede’s sky of two moons without holes, “Some things are bound to be the same. But I know you’ll be loved again and again in a way I’d never know.” A split panel, one half contains the sleeping face of Wolfwood from Stampede, the other of Wolfwood from Trimax. In turn, the Vash lying down looking fondly at Wolfwood shifts to the post Trimax Vash while the other versions, Stampede and earlier Trimax, are faintly drawn next to him doing the same. Vash closes his eyes and finally drifts to sleep as the final text reads, “Goodnight, Wolfwood.”
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heartorbit · 1 year
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i wanna make a prsk major arcana...
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no i am not over how one of the first things kris does of their own accord without our input is to lay down their life for this weird ipad kid they met five hours ago no i am not over "hell yeah i am here to humiliate you fucker" no i am not over "did you miss me? because i missed you!" no i am not over how much not only susie but also kris (and ralsei) genuinely care about their new adopted little cousin guy and the fact that he went from having no friends at all to 3 ride or die bffs who were willing to do what every adult in his life failed to do which is stand up for him i-
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dogboots · 8 months
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normal about these two...
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lelelego · 8 months
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had a dream and drew it :o)
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cozylittleartblog · 27 days
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top hat, white tie, and tails ~
commission for @superfan44 , who wanted to see James redrawn in another famous Fred Astaire photo :)c it was fun doing this style again
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elijah-loyal · 3 months
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bawling rn i so hope i'm wrong bc it's sounding a LOT like jon is indeed trapped in the computer
which means he didn't escape. he didn't escape Somewhere Else. There is no Somewhere Else thats warm and safe for him.
He's still Watching, will always still be Watching, because after all, the Watcher is ceaseless after all
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mister13eyond · 5 months
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dont normally post about drama but this seems relevant:
im seeing a lot of people jump to "james somerton was never good anyways" in retaliation for the hbomb expose, but there's a really fine line to tread there before you get into stepping on the toes of the people he stole from, you know?
some of his videos and analysis did seem genuinely intelligent, thoughtful, insightful, and well-written. yeah, it turns out those are the result of him stealing from other people. but that doesnt mean the original writers WEREN'T intelligent, thoughtful, insightful and good writers. he had plenty of garbage opinions interspersed throughout, but the reason many people (myself included) were suckered in by him is that the queer creators he stole from DID have really important and interesting analysis. the parts of his videos that were good were stolen, but by discounting his essays entirely we're throwing the baby out with the bathwater and insisting those he stole from didn't have anything important to say.
the parts he himself supplied were trash, but he stole the work of some genuinely brilliant and insightful writers and passed it off as his own- and that writing still exists and is still brilliant and insightful; we just know now who was actually responsible for it and who to thank for that work
lets just be careful when we smugly proclaim that we always hated everything he had to say- because a lot of the words we're discounting were never his to begin with, and the last thing those authors need is to have their work trash talked because it ended up in the mouth of someone dishonest
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moeblob · 2 months
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Sorry I forgot Hanneman suggested Byleth undress after they show up with a different hair color. And I miss Hanneman. And also while swapping between Houses and Hopes and seeing Hanneman pop up to help in a Hopes paralogue is just devastating since he doesn't ever actually join you at all and I am denied my old man rights.
So I had to draw this. Thank you for understanding.
#fe three houses#byleth#hanneman von essar#i like that Byleth just kinda stares at him and he realizes WHAT HE SAID and the implications and is like#step back uh forget that I said that#like man so zoned in on research he blurts that out and has to backtrack mentally to AH socially bad to say that my bad#if i need to tag this as anything lemme know even though it is a conversation in game basically (minus the marriage)#also if you have never married hanneman i genuinely enjoyed his s support and was VERY surprised and hes just#honestly one of my favorites overall in 3h ?? and im still bummed i cant play as him in thropes like thats just mean#also i think if byleth was like oh well if its awkward to see someone undress randomly#then marriage would solve the awkwardness this is truly the best deduction#which is really funny that i can see it happening with both leths despite my hc of them#with fyleth as bi and myleth as ace i think both would just be like AH cool we can avoid awkwardness by marriage#and hanneman just wants to go lie down in a ditch because he said something like that#and and byleth doesnt even know about religion while working at church school they dont know about school regulations#that wasnt really on their mind to check ok just saying you could tell byleth no to something#and then they just go oh school policies i understand unfortunately#and the person is like no we just meant its frowned upon to do archery practice in the tea garden its not technically illegal just dont??
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uselessimpulses · 4 months
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happy new year : )
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ohitslen · 10 months
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Sharing a meal
I wrote something for this below the cut if you’re interested :)
They never eat anything too tasty, surviving with packeted rations and canned food in their journey. Sometimes they would stop at a little restaurant and eat a nice meal; it really tasted like something gourmet after days of going with grain bars and dry jerky.
There were fleeting moments in between conversations in which one of them would remember some dish, from back in the day when things were easier and they didn’t worry about too many things. They never went deeper into the topic, just mentioning how they missed a good meal.
Staying at an inn or any motel was an expensive thing to pay for. However sometimes they had some extra money from an odd job Vash did or from Wolfwood’s undertaker services, and they would always rent a room as a treat for themselves.
It was a surprise when they entered the room and saw a small kitchen. The space was a little too cramped but it had everything they needed, it was like a deluxe room when they though about all the places they had been at. None of them had a kitchen at all, maybe they had a tiny stove or a mini fridge, perhaps a table sometimes but never the whole set together.
They both looked at each other to confirm they really were seeing the thing, smiling excitedly.
They could make a meal for themselves.
Vash knew how to cook, he had done some work on kitchens throughout his life. A few times he helped Rem when he was a child, he knows how to defend himself. Yet he didn’t know any recipes by heart, not any that would be inside their budget at least. He could get creative and probably whip up a thing or two if he was given enough time.
“I know what to do” Wolfwood said with a smile that irradiated a melancholic warmth interrupting his thoughts . A smile Vash had only seen when he talked about the things he loved.
Vash didn’t suggest anything in the end and just followed what the other man told him to do.
He went to buy all the things Wolfwood asked him for. Vegetables and some thoma meat. There seemed to be some spices in the room so he only bought garlic and onion as per Wolfwood’s request.
When Vash got back, he found Nick at the table arranging the ingredients the kitchen already had. He was already showered, hair messy and with droplets of water hanging on the tips. Getting closer, he could smell the soap, the cheap shampoo and the lingering scent of nicotine that never seemed to go away. He was changed into a black, long sleeved shirt and a pair of loose dark blue pants.
His overall appearance made Vash think how the edges of the man were less sharp, he seemed more relaxed and at ease, even if it wasn’t entirely the case. He just looked, soft.
“Hey welcome back, did you bring what I asked you for or will I have to use your meat for this?” Wolfwood greeted him without looking up from his task, the ingredients being the most interesting thing in the world it seemed.
Something warm pooled at the pit of Vash’s stomach, he didn’t know why that was and didn’t bother to think about it either, just enjoying the feeling.
Smiling, he placed the bags on the table in front of Wolfwood, taking out its contents. “I’m sure I brought everything yeah, I hope my life can be spared”.
The priest snorted at him and grabbed a potato that was rolling off the table. “Aight then, make yourself useful and start washing these and then chop ‘em to reasonable bitable sizes”. Losing no time, he took the meat and was cutting it while giving out the instructions.
While Vash was washing and chopping, the other was already preparing the meat putting it in a pot with boiling water. Once Vash was finished with all he was asked to do, Wolfwood ushered him to take a shower while the food was done, wanting to have more space in the narrow place. Vash did as told in that as well.
The shower felt great, all of the gross stickiness from the sweat and other things were finally washed off from his body. He felt light and a thousand times more content.
As he opened the door the smell hit him in the face, a delicious scent that surely tasted even better. Wolfwood was stirring the pot, poking some of the potatoes to make sure they were on the right term, and they seemed to be as he turned off the stove.
Vash got closer, mouth already watering just from the thought of how it’d taste “That smells so good! What did you make?” He asked with a big grin plastered all over his face.
Wolfwood pointed at the table with his hand, signaling him to sit down a little dismissively while he looked for the bowls on his own. It seemed like he was the kind that with less people on the kitchen when he was there, the better. “Just a broth, nothing too wow it’s something easy, and on budget”. Vash hummed with wonder and served two cups of water to busy himself with something.
Wolfwood poured the two servings of the broth, it was still hot and the bowl must surely be scalding. Yet Wolfwood’s calloused hands never flinched, placing their food on the table without much trouble along with a pair of long spoons.
“Be careful or you will murder your tongue” he warned and Vash chuckled.
“Thanks for the heads up chef, ‘preciate it” the other just scoffed at the title and sat down across him .
They both mixed the broth while blowing at it in hopes for it to cool down a little. However seeing how they were both starving and didn’t care too much about getting burnt or not, they just started to dig in.
Wolfwood was eating eagerly, having spoonful after spoonful of his food. He was beyond delighted. It had been a long time since he had the chance to prepare the broth he used to have back at the Orphanage.
“It’s…delicious” he heard Vash say in a low and calm tone. When he looked up to see the man, he was shocked to find him with reddish eyes that were glistening with tears. It didn’t seem like when was doing a show or anything of the sorts, he just seemed…at peace.
It wasn’t anything extravagant, quite possibly one of the most simple dishes Vash has ever eaten. It was made with the things that they could afford with the little money they could spare, the ingredients were definitely not of the best quality, the vegetables could have used a little more time on the pot. And it was delicious.
Vash felt incredibly warm inside, similar to how he felt when Wolfwood greeted him when he got back, just a thousand times stronger. The first sip he had of it tasted like the best thing ever cooked in his whole life, something he would have every day of the year for the rest of eternity. He didn’t know why that was at first, but after having a second spoon of it he could tell what it was.
It tasted like home.
The flavor of it, it was homely, the savor of melancholy. It tasted like their conversations about missing the past. The tang of the times they would have a peaceful night in the desert grilling worm meat around a campfire. It reminded him when he got sick and an old lady had given him a bowl of soup. It tasted like the first time Rem had given them a try of what meat and vegetables tasted like. It tasted like all the things he missed, and the things Nicholas most likely missed too.
The familiarity of it made him feel fuzzy and full on the inside, and he couldn’t stop eating. He was slow while doing it, wanting to savor every bit of what he could have while it lasted. It was rich, it was simple and it was perfect.
“…You want some more?” At some point, Nicholas had already finished his own bowl and brought the pot over to serve himself again. He looked at Vash with something soft in his eyes the other could not name, his voice was gentle and gravely, sweet and easy on his ears just adding more to the warmth inside of him.
“Yes…yes please” Vash answered, voice cracking a little. Nicholas served him, the sound of the liquid being poured soothing his soul.
Vash ate again, and Wolfwood was looking at him. The priest was taking small sips of water from his cup, always holding it against his mouth even if he wasn’t drinking anything. Vash didn’t really notice when he had started tearing up, thick streams of salty water running through his cheeks, a pool of them welling up at his chin and falling down the wooden table making a puddle of happy tears.
Vash enjoyed the heartfelt broth. He was happy, that bit of simplicity was enough to make him forget of everything else and just focus on that moment.
It was so mundane. Vash smiled with overflowing tears in his eyes while Wolfwood just watched with a fond smile of his own behind his empty cup of water.
At that moment, they were not in a random room at a random place. They were in a place where they had brought their home to, sharing a meal with each other.
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babydarkstar · 6 months
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so many griddlehark doomers on this website. smh my head…….theyre doomed by fate AND the narrative to be intrinsically intertwined no matter what. i cannot conceive of a finished locked tomb series where theyre not lying dead in each other’s arms or existing together in some fugue state of unbeing. not even death can separate the lesbians that scratch each other bloody and then cry in each other’s arms. they have been fated to orbit one another literally since their conception. one flesh one end, bitch.
#also harrow literally lobotomized to forget gideon and she still couldnt in the end#anyways i often think abt the whole#‘i gave you my whole life and you didnt even want it’#and the thing is like. yeah gideon. she didnt want it because she never wanted to lose YOU who was attached to it#you who she just bonded with. has had a very tumultuous girlbestfriend situationship with#when i think abt how young they are i fucking scream#this is why i hate john gaius. insane man. kill him to death alecto#tlt#griddlehark#tlt spoilers#anyways. thinking about the saddest girl in the whole world tonight :(#this is a john gaius HATE account all my homies HATE john gaius#anyways. why is everybody so so scared that theyre going to have a terrible endgame#baby theyve already been falling through a terrible endgame thru the duration of their entire existence#i will say. if harrowhark ends up with anybody else i’ll have to off myself#i support womens wrongs but ianthe can go be wrong somewhere far away from harrow#im about to go through the entire series again so i can screenshot and prove why im right about this#theres a narrative thread to follow#and never once have i been afraid of them not finding their way back to each other#the thing is like. above everything. these girls exist to orbit each other#gideon thinking harrow is her past when harrow has always been her present and her future#harrow thinking gideon’s death will be her undoing#because to harrow. gideon is unable to die. she WOULDNT die for so long#and when she found something to die for. she went to it with her whole being#but heres the thing. one flesh one end is more than just becoming one body and dying one death#idk im incoherent i need to talk abt this in a post instead of tags#i will. soon
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