Dracula (1958) - UK film premiere brochure
AKA Horror of Dracula
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Dinka children by the fireside, South Sudan, 2013 - by Carol Beckwith (1945), American & Angela Fisher, Australian
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máscara de ráfia para cerimônia da colheita, burkina faso, 2014, carol beckwith e angela fisher
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'Radicals' exhibition by Carol Christian Poell.
Photography by Graça Fisher.
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Horror of Dracula
directed by Terence Fisher, 1958
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“no, there is not touching during this part. It’s about the simple intimacy of the near touch”
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Stephen Sondheim’s Follies
The legendary 1985 concert performance of Stephen Sondheim's acclaimed musical Follies was presented by the New York Philharmonic at Avery Fisher Hall at Lincoln Center.
The thrilling - and possibly historic - New York Philharmonic concert version of Follies presented at Avery Fisher Hall was a reunion of sorts, albeit one with a happier ending. To cast this all too transitory event, the producer Thomas Z. Shepard brought together veterans of Sondheim musicals stretching from the 1964 Anyone Can Whistle to Sunday in the Park With George - among them, Lee Remick, Elaine Stritch, George Hearn, Liz Callaway and Mandy Patinkin. They were joined by other stellar musical-comedy hands who exemplify the Broadway heyday whose passing Follies mourns - Barbara Cook, Carol Burnett, Betty Comden and Adolph Green. Once this company paraded before the orchestra to the glittering melody of the opening song, ''Beautiful Girls,'' it was impossible to separate the fictional show-biz reunion dramatized in Follies from the real one unfolding on stage. The audience, more than willing to let the distinction slide, simply erupted into pandemonium.
The cheering rarely subsided thereafter, and not without reason. Mr. Shepard assembled this evening to record the complete Follies score, which was mangled on its original Broadway cast album. Although there were still a few elisions (mainly of dance music) in the concert, this version was as complete, gorgeously sung and sumptuously played as Mr. Sondheim or his fans could wish. But there were other reasons for the thunderous response as well. Even in concert, Follies proved much more than merely a star-studded recording session. The performance made the case that this Broadway musical can take its place among our musical theater's very finest achievements. (Frank Rich, The New York Times)
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lutador com o corpo untado com gordura animal aguarda o início do combate. foto de carol beckwith e angela fisher.
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