No offense but trans-masc/trans-man headcanons about Arya are so incorrect, I'm sorry. I can't even take them seriously considering this fandom's desire to separate Arya from girlhood/womanhood. I would love it if people would stop trying to divorce female characters (and real women) from their identities as women just because they aren't traditionally feminine.
If we're talking about actual good-faith interpretations, ones that actually work with how Arya is written, then trans-femme is a much better fit. Arya has never had the desire to be a boy or be seen as one, she is fiercely insistent on her identity as a girl and corrects people several times, she doesn't consider herself a "real" Lady because she's not one in the same way her mother and sister are (!!!), she has self-esteem issues from her looks and ability to perform feminine tasks, she actually spends time pretending to be a boy but never considers herself one or enjoys doing it, as time progresses she loses the ability to pass as a boy (!!!), etc. Look at the material!! There's so much there to discuss from that perspective! Arya's non-conformity and how that fits into a society with such strict gender norms is fascinating and there's a lot to discuss there, but calling her trans-masc is one of the laziest interpretations to come up with.
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I honestly just think it's funny that so many people have been watching ofmd as a 'comfort show' lmao like I'm over here specifically watching for the angst. I crave pain and suffering. As soon as High On A Rocky Ledge played in the pilot I was hooked because I knew I was in for intense emotional turmoil. Red Flags is now my favorite episode of the entire series. I honestly didn't expect Izzy to survive as long as he did. His fucked up relationship with Blackbeard has fed me so well.
Of course I adore the love story, and the fact that Ed and Stede's love is an absolute, an immutable fact, of the show's premise allows me to enjoy the angst all the more. But I feel like some people need to be reminded: David Jenkins never promised you fluff. He never promised no deaths, no tragedy, no violence, no difficult topics. Personally I think including a fair deal of all of those makes the hope, the love, and the comedy shine all the brighter and have more meaning. You don't have to agree, but you can't assign expectations to a show that never made such promises. There was never false advertising. David set out to tell the story of two troubled, complicated adults navigating love and a long-term relationship in an often harsh and unfair world, finding community and making meaningful gains in self-actualization along the way. Ultimately it is a 'feel good' story but it's a rocky and winding road meant to mirror the messiness of our real world. Maybe you need to step back and re-evaluate where canon ends and your headcanons begin, and what the 'goals' of the show actually are that may differ from what you're looking for in media, and not blame Jenkins et al. for 'betraying you' when they're just telling their story the way they set out to.
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"how can you be an animorphs fan and support Israel?"
I don't know, how CAN I be the fan of a book series talking about kids being forced to grow up too fast due to being a part of a war that has been going on for longer than they're alive, trying to defend their home against an invading force?
Seeing how this situation affects their mental state, world view and relationships with each other? Not being able to fully trust anyone else because they can turn out to secretly wish for your demise?
How can I be the fan of a series that mirrors the way I grew up, of feeling scared and lost and small but knowing that you have to keep going because there's no other way?
Knowing that the other side has people who are like you, who never really wanted to hurt anyone but are being forced to fight too, who were brainwashed from birth to not see people like you as people?
Knowing that innocents die in war, that cruel, messed up, unjust things happen in wars but not seeing another way forward?
Wanting to save your loved ones who are now being kept hostages?
YEAH I HAVE NO IDEA WHY IN THE WORLD WOULD I, AN ISRAELI PERSON, BE AN ANIMORPHS FAN?
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Hey I just wanted to ask a writer question. I really admire your writing and the amount of work and dedication you put into your stories and characters. You are one of my favourite authors ever. I have been wanting to get into writing and I was wondering how you flesh out your characters? For example you have a character that you’ve thought out, do you have a template that you fill in? Or just write a whole bunch of points about the character in a Google doc? I know that question might not make the most sense but I have a few characters that I’ve given quirks and backstories in my mind but I have no idea how to transfer them onto paper? Like Jane from TRT, is there just a big template or doc where you randomly put points into or some other type of organization? I know it’s not an easy thing to answer on text or even something you might not want to answer but even one sentence of advice is much appreciated :) Thank you so much for everything! I appreciate you. I will also put this into the ask thingy if you want to answer on there instead of PM 😁
I've managed to hammer this out in bits and pieces over the moments I've been more coherent so I think I'll make sense. First, thank you so, so, so much! I honestly love these characters so I'm always happy to hear someone likes it, even if I enjoy the work! 😭
Second - I do in fact have a template in doc form that I use to keep things organized! It's one I've been using since I took a novel writing course years ago by a published author, and in one particular class we went over character development, which is where I learned the template. The way I was taught (and the way I develop major characters) - first, even before filling in the template, I figure out their archetype(s). What story role are they filling? Who will they be a foil for? I like to think of those as your foundation, because every character is an archetype of some kind, and you can use that to build them up. To use Jane as an example, she's an antihero archetype, yes, but I've also pulled elements from: the Unscrupulous Hero, the Sympathetic Murderer, the Combat Pragmatist, and the Ineffectual Loner. Compared to Matt's hero archetype, she's the Lancer. Archetypes can help you if you're struggling to build up from the bottom.
Once I have the archetype, I start filling in the Major Character/Hero template, which roughly looks like this (if you don't fill it all right away, that's fine, because there's a step after this to fill it in the rest of the way). I like this one because I feel like it covers VERY important things that a lot of online character profiles skip, and has much less of a focus on looks (which I find way less important from a writing perspective):
Name:
Age:
Family History:
Career:
Physical Description: (include things like scars, notable or unusual features)
Preferred Style of Clothing: (instead of listing brands, try to instead describe their style of clothing as it relates to their character - ex: Jane wears upper-end pantsuits in muted colors when meeting clients, because they carry a strong emphasis on professionalism; when hunting things down, she wears what is practical over anything to do with aesthetic)
Goal: (every character should have one; what are they trying to do?)
Motivation: (WHY do they want that goal?)
Big Secret: (if it were Jane, it'd be what happened in Los Angeles; so what are they hiding? Keeping to themselves?)
Self-image: (How do they see themselves? Are they confident and secure? Insecure and depressed?)
Internal Conflict: (what are they struggling with?)
Game: (What's some little game they enjoy?)
Pet: (if applicable)
Temptation: (what's aaaalways going to lure them in?)
Vehicle: (if applicable; alternatively, how do they prefer to get around?)
What makes them unique: (our fake post-apocalyptic character we made as a class had his teeth sharpened into points to scare people; Jane is often fidgeting with threads; just anything that stands out)
How do they speak: (do they speak very precisely? Use lots of slang? Do they have an accent?)
Quote: (What quote sums them up, or what quote do they relate to most? I have an entire folder of these for Jane tbh, and some for Ciro as well)
Lesson Learned: (All characters should grow in some way, rather than stagnating. So how do they grow? What do they learn through the story?)
Now, this is something I was encouraged to do after the template, and also something I was already doing on my own. Once you have the template as finished as you feel comfortable with, you might feel like you need to develop the character a little further to fill in the rest, or solidify what you already have. The way you can do that? Write something short with this character. It doesn't have to be anything you need to post; it can be based on a short scene, based on a prompt, things like that. I like dumping them into: humorous scenarios, angsty scenarios, and Action Oriented (TM) scenes. Those really help you get into the meat of the character (aka: how they react to teasing/flirting/jokes; how they react to strong emotion; how they react in situations that might cause panic). Basically, it's your way of introducing yourself to them and becoming more comfortable writing them, because often a character might act a certain way in a cold, rigid template, but behave entirely differently once you drop them into a scene. Alternatively, you might get to writing and realize you need to make an adjustment so that they have better chemistry with the other characters. Writing a new character's a dance, and you're both going to step on each other's toes in the beginning, but once you learn how they move, it gets easier. And it helps them develop and grow as you learn about them!
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