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#cynic writes
turbo-tsundere · 1 year
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Let’s disturb da balance of the universe
#gonta gokuhara#gokuhara gonta#kokichi ouma#ouma kokichi#danganronpa#v3#ndrv3#pregame#ougoku#if you squint at the second pic#my art#tbh I don't really subscribe to the fanon that the pregame personalities are the exact opposities of ingame ones#(but then does anyone really?)#with v3 writing being overall more nuanced and usually going the 'yes but no but maybe except it's complicated' route#personally I like to imagine that even if they act differently at their core they aren't that different#and their in-game personalities are actually their repressed/subconsciouss true selves - or perhaps their ideal versions of themselves#that they couldn't reach due to being cynical/jaded and disillusioned with society#(nevermind what they wished for comes with its own set of grievances and pitfalls ;p)#that's just my impression given the audition tapes and what-not#BUT for the purpose of entertaiment let's imagine how much of an absolute menace the first combination would be XD#(whether it's a menace for Kokichi or they're a menace to everyone else is an entirely different matter ;p)#side note but drawing this made me realise and appreciate smth - Kokichi's gakuran is dark contrasting his in-game outfit#but Gonta also has his own contrast - the blue/indigo color historically associated with royalty#vs the brown of his in-game suit - color more associated with commoners and plainness but also symbolising being down to earth and friendly#that's really neat actually#esp considering he's from high-status family
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the-awful-falafel · 4 months
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I really hope Rick and Morty as a series will finally move on from portraying Rick's love for Morty / his family as this special, redemptive trait that Morty just needs to open his eyes to. Or portraying it as something Rick just needs to be emotionally honest about, finally admit in a grand gesture, and then everything will be healthy and resolved.
Two things can be equally true: Rick can sincerely care about Morty, deeply enough to be tender with him, showing gestures of affection, being protective of him, being truly proud of him... and can also constantly let Morty down, put him in mortal danger, make Morty feel responsible for his emotional health, treat him awfully and in manipulative controlling ways, and not be there for him when it matters most. His love is real, but is also a fickle thing that Morty cannot always rely on. That uneven dolling out of affection is exactly what entrenches the abuse and damages Morty further. Even now that Rick is slowly improving as a person, his simultaneous love and unreliability persists in milder ways, and the long pattern of abuse leaves deep scars on his grandson.
In my opinion, it makes perfect sense for Morty to see Rick's care for him as this unreliable, dangerous, and potentially non-existent thing, but also to paradoxically crave it nonetheless. Every time he lets his guard down and starts to trust Rick too much, he's been kicked in the nuts for it to varying extents-- even recently. I don't think he actually believes Rick cares nothing for him, but he's been trapped in this cycle of good and bad for so long that his self-worth is eroded and wholly defined by his grandpa's conditional affection, and he's scared of and dependent on it simultaneously. Even if Rick became truly healthy and openly caring from now on, that won't change how he's screwed up Morty with his behavior.
The series isn't going to make any meaningful progress if the writers keeps cycling around the superficial "does Rick care? does Morty know how deeply Rick cares?" question that they've asked since Season 1, instead of progressing to more meaningful, realistic questions about what Rick's love even means after all the past seasons of codependent abuse, and how much it should be worth to Morty in the end. (Ideally, much, much less than it's worth now.)
Yes, Rick cares. Yes, he loves his family deeply. But as with many forms of abuse, that's part of the problem.
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kagooleo · 1 year
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I did this one to celebrate Silver's bday back in 2021, a sonboy to me who deserves the world ;-;
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tearsonmarz · 21 days
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Not going to lie, whenever I watched Smalletho in their double life series, it very much was just a "this is the circumstance" for Etho. And Joel would play into the joke of I love my soulmate, so much that I made a t-shirt with his face on it. But to me it was never a great life series ship, especially in comparison to Ethubs angst and Bdubs pining. (when it first came out ofc)
But through Limited life and Secret Life, and now Hermitcraft s10, the ship has thrived. What once was a pairing through circumstance, turned into a true ship, and now a mockery of what once was as seen through rose coloured glasses. Where Joel who once was "obsessed with Etho", turned into Etho "obsessed with Joel."
Honestly, this post has no other purpose than to put these thoughts into words. Especially since Etho is being such a silly lil guy these days, and only he truly knows what goes on in his brain. The stark contrast just keeps me thinking about them.
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spookygibberish · 19 days
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Dogstock are typical of what are often deemed the ‘evil’ races in many other fantasy works. They were created by some higher force to be slaves, they are carnivorous by nature, they resemble animals other than human in dentition and build. They growl and bite and walk behind.
The Uhasr (a dogstock culture) are descendants of such slave-infantry that was abandoned when the empire that used them to capture the steppes decided the land wasn’t so profitable after all, and more pressing matters drew their attention elsewhere. Like tools left spent on the ground, the unneeded, excess dogstock were left to survive on their own in Hochkiskuph. The native peoples, of course, did not welcome them any more, or see them any less as oppressors when the hand released the lead. To the Hochkiskuph peoples, the Uhasr are a predatory ghost, an echo that consumes them even in absentia. To the Uhasr, one human is much like another, differing in number and equipment, but never in essence. Uhasr are a species of wild animal with a human face. Humans are prey on two legs. Humans smoke and poison uncovered dens on principle, Uhasr abduct and consume men and women and children all the same.
A common trend I have noticed in media which aims to humanize monsters, is that it often relies on passivity. Humanity is contingent upon kindness. The monster that is A Person only so long as they are a harmless thing at heart, something which can be understood and befriended. Their violence is reluctant, their hearts noble. Grace is a concession to the dominated. Only the toothless beast, declawed and pinioned and caged, is one which has earned its personhood. The ontological enemy supersedes the ontological man.
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quaranmine · 9 months
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i think the whole cringe is dead, radical sincerity, depth of genuine emotion, earnest effort, and unironic love thing that tumblr has going on the past few years has transformed my outlook on things and changed me for the better. but it does mean that now the people i know irl will give me strange looks for being too sappy or too poetic or too dedicated or too excited about about something because they're still stuck in their "well i only like this ironically" phase. guess that's their problem tho not mine <3
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tanoraqui · 1 year
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the real problem with The Silmarillion is that the creative sandbox is SO big, from the literal world map to the many-millennia timeline to the characters who are half historical figure constructed from 6 different half-contradictory drafts, half mythical archetype, and don’t even get me STARTED on the theological philosophy… that there is NO chance anyone else will remotely properly write the fic in your head. In other fandoms, I can be pretty sure that at least the people in the carefully chosen 12-person discord server I belong to all have the same fic in their heads that we jammed together at 2am, with the same interpretations of character and theme which we’ve debated and discussed at length. But The Silmarillion? You can spend 3 hours discussing a single character in like a 5-year period and walk away completely happy with shared headcanons BUT SIMULTANEOUSLY certain that their interpretation of the character is fundamentally different than yours, such that any fic they write would suffer from notable if not severe “he would not fucking say that” disorder…and that both your and their interpretations are completely reasonable reads of the text, so you can’t even be mad.
So you HAVE to write ALL your own fic or it’s AGONIZING.
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darcyolsson · 1 year
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panic at the discos three viciously different songwriting formations have accidentally created this really interesting thing in their discography where if youre familiar enough w the band you can easily tell who wrote which songs within the first 30 seconds
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bonefall · 5 months
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do you ever worry your own writing might come off as misogynistic though? it seems deceptively easy
When you have anxiety, PTSD, OCD, or multiple of these things, every move you make is something you will self-doubt. It can become endless if you let it, and you can be frozen by absolute indescision.
Embrace the void and reach enlightenment with me; There are many ways to read a story, and no writer can pre-empt every possible interpretation. Not even myself.
If they think my work comes across as misogynistic? Let them. Salty amoebas are often wrong on the internet, but the block button and xkit are beautiful transwomen who are also my friends.
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kosmic-kalamity · 4 months
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more doodles based off of an au idea i doodled here (words r typed out under the cut)
i just might be getting attached to this idea,,,,,,
clay
- he/she
- had returned to branch only a few days before the escape from the tree; the two got separated, and he believes branch to be gone
- [she] went grey for a few years, but recovered over time with viva's help
- seen as the weird hermit troll due to no longer singing + living on the edge of the village
viva
- she/they
- poppy was lost in the escape from the tree, and king peppy never recovered; she had to step up as queen earlier on [in life]
- is constantly on the verge of going grey, but keeps it together for her people
- the snack pack, instead of being their friends, are just cooper's friends; cooper is like a [little brother] to them
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seveneyesoup · 5 months
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ngl i’m still worried. like i Do have complete faith in ncuti gatwa but what i Don’t have is much faith at all in rtd’s writing about race
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francesderwent · 6 months
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let's get back to the classic catefrankie blogging we were doing before we were so rudely interrupted by my gauche airing of my personal crisis
so I think actually it's easier to talk about this coming at it negatively, because I think what we're circling around is less some inherent strength of masculinity or femininity as they were meant to be, and more some particular flaw that masculinity or femininity are prone to falling into. so I think for men it is irresponsibility - the irresponsibility of Adam standing by while Eve is tempted and threatened by the serpent, passively going along with her sin and then blaming her for it, instead of protecting her like he should have. the irresponsibility of perpetual-adolescent young men, of absent fathers, of detached husbands. but for women, what's crystalized for me over the last couple days is I think it is cynicism: the cynicism of Eve looking at her perfect situation in Eden and thinking that it can't be trusted and can't be relied upon to continue, so she has to take matters into her own hands. the willingness to quickly believe the worst, even of the God who loves her and walks with her in the garden. the cynicism of disappointed spinsters, of bitter mothers, of controlling wives. so men must work against their tendency by taking up responsibility, by purposely setting down roots and sticking to their commitments, making the choice to live for something other than power and pleasure. and women have to work against their tendency by clinging to the goodness that they find and believing in it, resisting the instinct to ferret out flaws and dwell on them broodily.
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eldritchgray · 10 months
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I've been thinking about Mikey as a character, specifically how we see him in SAINW and The Last Ronin, and it's so interesting to me how he turns out really cynical and honestly kinda mean when his family is no longer there.
Obviously an apocalyptic setting would affect anyone, but Mikey's change is something I can't stop thinking about. How he goes from an optimistic goofball to a bitter, cynical, old man.
I'd be interested to see how Mikey might change with his family still there, and how they'd react to it. Like if Mikey had an arc similar to 03 Leo's and ended up the same, though probably to a lesser degree, as he was in SAINW or Ronin
Basically what I'm saying is: what if Mikey got an antihero arc, because you KNOW that turtle is capable of incredible violence. And how would his brothers recon with it
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corvase · 1 year
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hi there! do you have any prompts or ideas for when a cynical person realizes they're in love and kinda freak out about it? or maybe them struggling to put their feelings into words in front of their partner/ friend?
cynical characters in love prompts
feel free to use:)
“i can’t believe i’m f— i’m falli— you know i can’t even say it.”
rather than happiness or feeling free, when they realize it, dread spreads through them
“how can i believe it’s love when i don’t even know if it’s real?”
“what’s… what’s this feeling in my chest? eh, maybe it’s indigestion” meanwhile it’s love
“you.. LIKE ME???” “i’m a little wary but so far, yes.”
“you’re my favorite person. i didn’t know you could have those.”
“i don’t know how to do this.”
them literally losing it when the love interest looks at them. like they lose all composure
i love the idea that although they’re cynical they would simultaneously not care to admit it
^ like “okay, yeah, i fell in love. so what???? people fall in puddles, and pools, and you know, other things!!! don’t hold this against me!”
or they’re even more tame like “i’m in love with you, you know. i’m surprised, too.”
“i think…” “you’re in love with me?” “… no, that’s definitely not it.”
“i don’t know how to… i just… i just don’t want to get hurt.”
“oh gosh. i… i think… i’m in love ?? is that how that works?”
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compacflt · 5 months
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So Miles is pitching for a Top Gun: Rooster and I dont think we need a sequel tbh but if we do get a sequel to TGM what would do you think it would look like/you want it to be like?
i don’t care. the storys over.
Let’s do an indy 5/cars 3 situation (gotta keep the IP alive) where mav is in an old persons home with dementia and multiple replaced joints and divorced but somehow the navy still needs him and just him to train the new 20 year old female protégé (maybe amelia for tie-in bonus?) after rooster volunteered to fight in ukraine in 2022 and got shot down and killed a week into the war… And somehow it’s maverick and only maverick who gets behind the yoke to save the day (OMG Tom cruise wins against all odds again)
fun for the whole family and it makes a lot of money 🥳🤑
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erazonpo3 · 1 month
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canon v fanon is the trend/meme of the day ig and I've been musing about my characterisation of different pokemon characters because on one hand there's not very much to draw from in the games (the anime can be a bit hit or miss, the manga is, respectfully, licensed fanfiction) but it's also really fun to sort of read between the lines and build on limited foundations
but the thing about that is that the same foundations can still lead to very different and equally valid interpretations, and I'm honestly less concerned with "is this canon compliant?" and more "does this capture the character's essence and tell a compelling story with them?"
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