The art style of Cloud Castle is absolute ass bro why are their eyes so big
Idk man it just looks.... off
I wish they brought back the og art style like Blue Scarab Hunt because that was gorgeous
Well if you’re referring to the book's artstyle as a whole, then calm down buddy the illustrations as a whole are pretty good all things considered (believe me some of the illustrations in the later books are waaaaayyyyy iffier)
But if you are referring to Danilo Barozzi’s illustrations in the book then uhhhhh… yeah I don’t blame you, I didn’t like the big anime irises either, she didn’t cook with this one,,,
The interesting thing is Barozzi also did pieces for Secret of the Snow and those looked fine (she did well enough that I have to squint to determine which ones were done by her). My guess is either she did a lot of the illustrations for the latter half of SotS and we just got used to it, or it’s because the artstyle of special editions 2 and 3 were more… experimental? Books 4 onwards developed a very specific… look for the artstyle that adhered very closely to the main book illustrations of Spanish Dance Mission onwards, thus the illustrators had to follow suit, resulting in whatever looks off to look especially off.
(Even with this set of pictures, I’m only about 70% sure these are Barozzi’s because of how alike yet different the styles are from each other in the book. The first one could be Barozzi’s, but it could also be Giuseppe Facciotto’s, since he also did illustrations for SotS and his stylization means he sometimes puts the eyes really close to each other in a way that’s weird but still makes sense somehow.)
On the contrary, books 2 and 3 (and I would probably even include book 1 there) had a more experimental look to the illustrations, which seems to be based more on (and this is just a theory of mine) Giuseppe Facciotto’s iconic work for the covers of Mouseford Academy books 2-12, 14, 15 and 17 in the English books (he did waaayyy more covers for the Italian Mouseford books— he was basically the cover guy for the Mouseford books for a WHILE) as well as the books from Spanish Dance Mission to Lost Letters. If you’re wondering why those covers go as hard as they do, then now you know why.
(These aren’t all of Facciotto’s works for the covers we know in English but you can see that he popped off <3)
But yeah as you can see with special editions 2 and 3, the art direction seems to be heavily inspired by Facciotto’s artstyle.
However, when Barbara Pellizzari’s works became the aesthetic poster child of the books’ brand, that was reflected in the illustrations and how their aesthetic changed, as seen in the main books and how they look currently, special editions 4-9, and the Treasure Seekers trilogy.
This new profile thing of the girls? This was done by Pellizzari (coloring was done by Flavio Ferron), and thus it became the main reference for how the girls look in the book’s illustrations.
And it’s not just in the general direction to the artists for how to draw the Thea Sisters, but also in the direction given to the colorists. Alessandro Muscillo was the colorist for the special edition books since book 1 and the Treasure Seekers trilogy, and you can see that the direction for the style varied through books 1-3, like maybe direction was experimenting with the mood the illustrations were to convey, beginning with the cartoony and bright colors of book 1, easing into the more grounded and layered palettes of books 2 and 3
Then book 4 was when they transitioned to using digital art /j
I jest, but seriously book 4 was the debut of the coloring style we end up keeping for the rest of the special editions and for all of Treasure Seekers, which is very… bright :D
(I would show more picture examples but I manually took pictures of my physical copies for the Cloud Castle and SotS illustrations and gwuh I’m too lazy to grab my entire collection just to take pictures,,)
Bright as in like… the colors are very defined and saturated. I dunno how to describe it, but when you see it, you get what I mean. It’s very bright and pretty and colorful and it stands out. There are still variations that happen on occasion (Star Fairies in particular uses a good dose of airbrush for the lighting and shadow effects, and Crystal Fairies looks like someone had a bit of fun using sparkle brushes), but other than that, it’s very bright. I don’t hate it, but I do acknowledge that yeah, if I was introduced to the series when it had fully transitioned to the new style, I never would’ve gotten into the series in the first place, because the older books had something that didn’t make it feel specifically catered to girls. The colors were bright, but not too bright. Colorful, but unified. They weren’t that complicated, and they didn’t have to be because the colorists (plural, there were at least 3 per book once upon a time) were popping the hell off with the colors they were given. But y’know, the newer books’ consistent style did give me a good spot to practice drawing mouse furries so I’m not complaining too much about the newer style, haha.
(Tiny baby E’s (it’s literally from 2020 what’re you on about mate) her first mouse Violet drawing using Barbara Pellizzari’s artstyle in Treasure Seekers 1 as an anatomy guide!!)
With that said tho, yeah I miss the old books -m- dunno if it’d fit the aesthetic of the special editions but m a n we could’ve had it and it probably would’ve looked cool
Also the illustrations go way harder in the older books, like Prince's Emerald? I've talked about Prince's Emerald and how it goes hard before, and I still stand by it and say that it does in fact still go hard
Maybe it won't fit the uh splash of color they gave the hardcovers, but imagine they grabbed Giulia Basile's coloring work for the graphic novels and used that as sort've a basis for the coloring style of the hardcovers. Not exactly the same-- would probably still add a touch of whimsical watercolor and/or paint to the very cel-shaded style, but we could've had something pretty dope -m-
Anyway that's my ramble simultaneously defending the hardcovers' artstyle and reminiscing on what could've been haha
cloud main quest: wow! after a full day at this wacky amusement park full of dance-offs, low poly fighting sims, and silly spooky haunted hotel, i’m ready to take a quick nap so i can enjoy a nice evening off in the funnest place on the planet and maybe even go on a little date with someone special
im so scared this spiritual medium dm'ed me on insta n said she wants to tell me smth about me ♡ i said sure n she said that there is a lot of negative energy surrounding me n that i should protect myself :(
jing yuan working with blade and kafka to unlock dan hengs memories and his true form.... dan heng stressing that hes not his previous incarnation, that hes a different person.... jing yuan telling him that the only way he can just forget about the past and the crime he committed as dan feng is by helping him right now.... them working together... jing yuan saying they still work well together.... dan heng seeming uncomfortable by it......
The tat would’ve looked great without the rising sun design in the background. People really need to start doing research on things before they get them marked onto their bodies for life… but even the woman in the qrt had mentioned that a client had reached out to her inquiring about getting the symbol tattooed onto her and that she didn’t really care about the history behind it. She just wanted it anyway (probably for aesthetics.)
I'm up to Corel Prison part of Final Fantasy VII Rebirth which means I've lost Barret from my party temporarily (and if you have played through you will probably know what has triggered these thoughts)
But oh boy am I becoming more painfully aware by the moment that the rest of the party currently is three (petite) girls, a (constantly-confused looking) twink, and two cats.
Barret please hurry up and come back! Also Cid please show up soon! And Vincent! We need the non Easy Target looking party members.
Lately I've been thinking about how tik tok has some odd views on friendship. Lots of people complain about not wanting to burden themselves with anyone else's problems and whatnot (in relation to friends sharing their issues, and asking for help and/or support) and like I get it to an extent sure, but it feels so individualistic, egotistical, self centered even.
To me it's like wanting all the fun of having a friend but without the responsibility of caring for them and their well being in any way other than superficially. Like, the moment someone wants to get real for a minute, needs help and is not all fun and games anymore they're suddenly being disrespectful, they're not caring for your peace and are instantly a bad friend like ?????????????
VOICE I Mai Fuchigami
CAREERI Playwright
The EW-55 is a writer Doll by Cyber Media, primarily intended for
narrative design and scriptwriting. In order to address isues with Doll-produced prose, such as dullness and a lack of congruency, the EW-55 is specially equipped with an information procesing system possessing a degree of randomness, allowing the EW-55 a chance to generate new ideas from any received information, thus simulating the process of "inspiration" experienced by human writers.
As a Doll screenwriter, Nora's works spanned the fields of film, television, literature, games and many others. In order to give her the chance to collect more material for future work. Nora's studio decided to enter her into Project Neural Cloud.
"I'm Nora, though that's a pen name. Idle chatter aside, I'd like a quiet environment... My deadline is approaching and I haven't written a thing yet."