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ehlnofay · 1 month

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Travelling with Martin the second time is more an ordeal than it was the first.

There’s the Blades tagging along with them, now, with their elaborate plans and zealous concern; every time any one of them takes a step they rattle like tin cans, so loudly that if any of the cult is trying to track them down it’s a wonder they’re not all gutted already. Then there’s all the extra bits the Blades insist on – like tents, which Pax is by no means opposed to but slows them down ridiculously, always needing to be set up at night and taken down first thing in the morning, or the horses, which speed them up but Pax resents, all the same. (They always need breaks to rest or eat or what have you, and riding for too long sets them aching to hell, their legs and hips and stomach all quavering with exertion. Pax rides the same horse they found halfway through their first journey with Martin, and she is getting more familiar than she ever wanted to be with its little snorts and stomping gestures. Martin keeps patting it on the nose whenever they’re down on the ground again. Martin rides the paint horse, too – it’s two to a steed, plus bags, which Pax knows would be enough to snap their spines like dried-out twigs but of course the Blades have spelled saddles. Feathered, Martin says, like Pax has any idea what that means.) They all spend as much of the day riding as they can without the horses withering away and dropping dead, unable to divert at all from the roads without riding face-first into a tree branch, the Blades getting all serious and severe at any passing glimpse of another traveller, or the edge of a town, or a suspicious-looking boulder. It’s fucking exhausting. Maybe if they’d dressed Martin in something less impractically fancy, and left their glittering armour behind, they wouldn’t all be so conspicuous. Pax is the only one here with any sense.

In Blackwood, the trees don’t sprawl so low down; you can ride horses well off the road as long as you’re careful of the muck. For the first leg of the first trip with Martin, they didn’t have horses at all – they both just walked, past razed fields and empty buildings, the span of land around Kvatch near entirely abandoned, scrounging what they could and sleeping wherever they wanted. They couldn’t proper restock on supplies until they hit Skingrad – certainly didn’t have tents or armour that reflects every whisper of starlight so bright it blazes, and they were fine. It all feels unnecessary. And annoying. This close to the end, all the little extra things to pay attention to make Pax want to jump out of his skin.

Because they are close to the end. They’re in the denouement, now.

The Blades set up a watch routine, too – everyone crawls into their superfluous tents and leave one person up to keep an eye out, until they wake the next person for their turn, and so forth. Pax hasn’t done watch shifts like this since he left Blackwood. (It doesn’t really work, when you’re alone. Besides, he wakes easy, and he goes to sleep quick. Martin’s bad at it, so swapping watch back and forth when they were together just would have left him confused or lethargic the next day. Not worth the bother.) Pax gets watch shifts, most nights, set in the dark hours just before the sun rises; Martin, though he asks, doesn’t get any. Pax usually wakes him up, instead of whoever else she’s supposed to. It isn’t like he has anything he needs to be especially well-rested for – just sitting on a horse in an enchanted double saddle, same as the rest of them, his too-long hair getting in his face, careful arms loops around Pax’s middle. He won’t even take a turn to direct the bloody thing, because he still hasn’t learned how – the fact that he’s never managed to fall off is a damned miracle, honestly.

So she wakes him up, if the Blades won’t �� and she doesn’t usually go back to sleep, right after, because there doesn’t seem all that much point. They both stay up, around whatever burnt-down firepit was constructed in the night, the small tents arrayed around them; the leaves of the trees rustle, flickered through by some small animal, owl or bat or squirrel living in a hollow. Crickets chirp, loud and endless. It would probably be peaceful, if it could be, but Pax is keyed up, taut as a bowstring ready to snap, and he can’t really remember how to feel peaceful anymore. They’re getting ever-closer to the capital and the temple and the end of this whole strange, terrifying thing, and he wants it over and done with instead of lurking in this strange in-between space. They’ve all done so much to fix this and none of it will feel like any kind of accomplishment until the fires are lit and the Gates closed and sealed beyond reopening. It’s almost, almost, almost done – but it’s not the end yet, and in the quiet night all there is to do is waiting, and Pax, antsy, irritable, is very, very bad at waiting.

Martin’s better at it. Which isn’t to say he’s not nervous – he’s all nerves, even more than normal, which is really saying something – but he’s patient, and doesn’t complain, even though Pax knows he wants it over just as much as they do. Probably more. (Definitely more.) He just sits, in the dark and the dew, all quiet and watchful in just his undershirt and warm wool trousers, and even those are fancy, all fine-sewn and slippery as water to the touch. They wear oddly on him. He keeps the Amulet tucked under his clothes, cold metal setting against bare skin, and the red gleam beneath his shirt makes it look, at certain angles, like his heart is glowing.

The fire is well out; no owls call. Pax lies, in their own much less swish sleeping-things, in the dirt and grass, all of it wet so thoroughly with dew that it soaks the back of their tunic. Through the silhouettes of leaves and branches, they can just make out the lustre of the stars.

The old Emperor talked an awful lot about stars, when Pax met him; she wonders, vaguely, what he’d make of these ones.

There’s a shifting, up nearer the firepit; and, “Pax?” Martin whispers, sound half-swallowed by the still, drifting night. “Are you awake?”

“It’s sopping wet,” Pax replies. He props himself up on his elbow and turns his head; Martin’s got a lantern lit, and it’s just enough to make out his face by. “Even I’ve got my limits.”

Martin exhales; Pax knows he’s smiling because they can see the dim white gleam of his teeth. It’s not too cold a night – they’ve travelled far enough from Bruma to be clear of its sodden snow and ice and winds – but it’s not warm, and the wet fabric plastered to their back is chill enough to make them shiver. The stars, up above, shine cold and clear.

“I was wondering,” Martin says, voice still hushed; his eyes flicker up to the snatches of sky between the tree branches, too. “What will you do, when all this is done?”

It’s a perfectly reasonable question; Pax realises, quite abruptly, that doesn’t have an answer. She sits up, shuffles awkwardly over the dewy grass. “I don’t know,” she says slowly; she shrugs. “Go back to the roads, I s’pose. Get some venturing work. Join a guild, maybe, if I get bored.”

(They haven’t thought about it; they’ve been busy. A part of them – quite a large part, if they’re being honest – kind of wishes the Crisis would never end, one way or the other. Wishes it would keep on in this sort of suspended state forever. But it won’t, and it can’t, and it would be ridiculous to say as much. Just – they’ve never done anything this exciting, before. And they don’t really know anything that could measure up, once it’s done.)

(Pax has never really been one to plan for the future. Back in Blackwood, he didn’t have to; he knew he’d just run with the same crew he always had, and he learned only from them. Learned letters and archery and what dregs of mage-craft he had any aptitude for – learned to scamp on the roads and crack locks reasonably well. And then he left, and became a hero, and that’s a good occupation in itself, but it’s not going to last forever. He’s not sure what his other options are – he could try to work square, but he doesn’t think it would last. He’s not one suited to an apprenticeship, or an honest job, or much of anything, really. The only thing he really knows is this.)

In the lanternlight, the shadows are so stark that Martin’s face looks creased with ink. “Oh? What guild? Fighters? Thieves?”

“Thieves’ Guild wouldn’t take me,” Pax tells him loftily; they wriggle a bit closer, goose-pimples rising on their shins. “They don’t like independent operators, and I’ve been one since I was born.”

Martin clucks his tongue. “You can’t say things like that around me, Pax. I’ll have to have you arrested.”

“Like you could,” Pax tells him, grinning, and leans over about as far as she can reach to elbow him. She has to lever herself back up, afterwards. The watery-pale stars are winking at her.

Martin is looking up at them again. “There’s always work for a hero, I’m sure,” he says, and waves a hand. “You’ll have endless people to save and feats of derring-do to perform. Perhaps you could write an autobiography.”

“Ha.” Martin’s received their letters, sent on longer stretches away from Cloud Ruler; he’s read their writing, their chicken-scratch hand and the less than delicate way they pick their words. Pax is fine enough as a communicator; they get to the point quickly and clearly. But metaphor and flowery prose is rather beyond them. And they’ve seen the speech Martin gave in Bruma, the endless editing of his drafts, debate over this word or that. “You know you’re the better writer of the two of us, Martin Priest. Reckon you should pen our book.”

Martin tips his head further back. “I wasn’t even there for most of the interesting parts,” he points out, “and I’m sure to be far too busy, besides.” His eyes are closed. Pax shunts themself another bit across the grass.

“Oh, I’m sure you can take a half-hour every evening to scribble out a few paragraphs in your four-poster bed and your kingliest pyjamas,” he says, unsympathetic, and flicks him in the shoulder. “With a silk canopy, and duckling-down blankets, and a pen nib of solid gold.”

“All right, all right.” Martin opens his eyes; they look grey, in the dim light, the orange lanternlight flickering off their whites. He reaches out an arm, and Pax rolls his eyes but shuffles damply into it all the same. “I suppose I have no choice.”

His arm, settled around their shoulders, is heavy-warm. Pax leans their shoulder into his ribs, under his armpit. This close, they can see the faint gleam of the Amulet through his undershirt. Quiet, they ask, “Still nervous?”

Without missing a beat, Martin replies, “Excruciatingly.”

He’s always nervous. But on this, Pax can’t even really make fun of him for it – if someone told her that she was the heir to the whole Empire, and tried to thrust her into court to take it all over, she’d tell them to eat shit. If the fate of the world depended on it, though, that wouldn’t really be an option anymore. And Martin’s too nice, most of the time, to tell anyone to eat shit. And Martin’s too nervous not to take every bit of it so painfully seriously. Not just the world-ending bit, but all the etiquette and legalese, too. Jauffre gave him some books to read to try to acquaint himself with it all; none of them seemed to help much.

“You’ll be fine,” Pax says, and leans their head on his shoulder, the post of their earring jabbing into the skin behind their ear. They gesture out at the silhouetted tents. “You’ve got all this lot, and the Elder Council – they’ll help you out. If they won’t let you take a piss by yourself they’ll definitely be there to assist with the stuff that’s actually important.” Martin exhales; it’s almost a laugh. The earring is beginning to hurt quite badly, so Pax lifts their head. “Besides, you’re trying. You want to get it all right. That’s more than some would do.”

“Thank you, Pax,” Martin says, and then they’re both quiet.

The stars above look watery-dim. The silhouettes of trees have slightly more dimension. Martin is pressing his palm, fingers splayed, to the smooth-cut bump of the Amulet under his shirt. Pax is still shivering, a bit – lying her whole back down in the dew was a bad idea. Now she’ll have to wear her one other tunic and hope this one dries out in time not to wet everything else in the bags.

“I hope,” Martin says, voice silver-soft in the dark, “that when you’re out roaming, shocking everyone with your valour and intrepidity, you’ll come to visit a great deal. You won’t have the excuse of being out saving the world anymore.”

Pax leans her shoulder harder into his ribs. “Only if you’re not boring when I’m there,” she replies. “You won’t have the excuse of saving the world either.”

“No,” Martin says. “I’ll be running it instead.”

Already, the stars are beginning to snuff themselves out, like candle-lights; in half an hour or so, the sky will start to lighten properly. The Blades will all wake, springing up like little clockwork puppets, and the tents will be packed up, and the horses saddled – they’re tied on slack ropes to trees down the other end of the clearing, and now, if Pax squints, he can just make them out – and then the day will begin, the timer trickling down.

Pax wets his lips. “Three more days,” he says. “Thereabouts.”

Then they’ll reach the city.

Martin breathes out, slow. “Then I’ll really be Martin Septim.”

The Amulet glows under his shirt, royal-red, rising and dimming like a heartbeat. If Pax hadn’t been arrested, that day – by chance, for one of the few robberies they actually didn’t commit – then they wouldn’t have been taken to the gaol, dribbling blood all over the floors, antagonising the guards trying to mark them down in the records, and they wouldn’t have ended up in that dust-coated cell with the shitty neighbour across the way, and the old Emperor would never have glanced at them twice, and the door never would have opened, and they wouldn’t be here.

Pax is not one for gratitude, generally, but they have never been so thankful to be falsely imprisoned in their life.

“My census name’s Camilla Patesco,” he says.

He’s looking at the first watery dregs of dawn in the sky, not at Martin’s face; but he can hear the smile in his voice when he replies, “I won’t tell anyone.”

#FAY WRITING JUMPSCARE.#I don't know if this is any good honestly - it's a rewrite of an old piece and I wrote it too recently to be able to judge #but it's been forever since I posted anything so. I'll toss it up regardless #because I have been thinking about them a great deal #I should get to posting all the fucked up miserable stuff. it's been in my docs for ages #I need to get on that #anyway #hope you enjoy!#the elder scrolls #tesblr #tes #oc tag #pax #martin septim #oblivion #microfic #my writing #fay writes #two weirdos. sitting in the dewy dark. what weird little conversations will they have

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completeoveranalysis · 9 months

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[5]

CLAMP I LOVE YOU

HELLO DOMESTIC COUPLE KUROFAI

Fai couches his reasoning in a way to figure out the timeline but he is making DAMN SURE his husband’s prosthetics are comfortable and working correctly

I NEVER DREAMED WE WOULD GET THIS KIND OF ATTENTION TO IT. Most manga would just say hey new arm moving on we don’t worry it’s perfectly the same as before

Not clamp! They really sat us down and brought in the realities of a long term health condition and an acknowledgment that things don’t just work perfectly or leave you completely as functional as before.

And THIS level of their relationship too. With Kurogane masking his pain and dismfort because they’ve got serious things go figure out but Fai was paying CLOSE ATTENTION and knew exactly what was up, but also deliberately arranged to be alone with him before talking to him about it out of genuine care for his privacy.

MARRIED MARRIED I COULD NOT BE HAPPIER

LOVE

OHHHHHH OHHHH I LOVE IT

LISTEN JUST GO BACK TO THAT FIRST PANEL THERE. LOOK AT IT. ENJOY IT. KUROGANE FORCING HIMSELF TO PUT ASIDE HIS PRIDE AND EMBARASSMENT AND ADMIT THAT YES, IT HURTS MORE THAN YESTERDAY

THE ANNOYANCE AS HE HAS TO ALLOW HIMSELF TO BE VULNERABLE TO ANSWER THIS QUESTION

THE WAY HE DOES IT ANYWAY. HE IS VULNERABLE WITH FAI.

And Fai immediately clocks him in the head for not mentioning it earlier.

Not recommended in real life but EXQUISITE when your husband is like a 6’6 slab of hardened ninja beef, and also when that was essentially the same way you confirmed your marriage to each other not too long ago

New way for them to ignite their playful banter: unlocked! Instead of Kurogane chasing Fai with a sword it’s Fai hitting him in the head and Kurogane reacting in cartoon outrage. (This is Kurogane after all. He can dodge a punch) (Unless we are also saying that he was so emotionally vulnerable that he let his guard down completely which I am also a fan of. It's a win win scenario)

I suppose it’s one way of encouraging your husband to open up to you when it matters, especially when you already drink his blood on a regular basis.

They really are the most married of all time.

OH AND THIS TOPS IT ALL OFF

THIS NEW DYNAMIC, SO DIFFERENT FROM ANYTHING THEY HAD BEFORE

Not Fai lying or avoiding the question or hiding any part of himself - Fai being completely honest and open and correcting Kurogane when he isn’t doing the same. It's a complete inversion of how they were before, when Kurogane was the one pulling a reluctant Fai towards being honest.

And when Kurogane grumpily notes the irony of Fai being the one to admonish him for keeping secrets (Oof, but also score) Fai OWNS IT, SMILES BRILLIANTLY, and uses it as AMMUNITION to back himself up. Who ELSE is an expert in the consequences of keeping things a secret for too long?

BRILLIANT BRILLIANT LEAVE ME HERE IT’S ALL I NEED

#SKIN CLEAR DEPRESSION GONE CROPS THRIVING #AN OPEN AND LOVING FAI #DRAGGING A GRUMPY KUROGANE INTO MEETING HIS OWN STANDARDS #AHHHHHHHHHHH #liveblogging the reservoir chronicle #Tsubasa #Vol 185 #Kurogane #Fai #KUROFAI #Clamp don't even NEED to do this!#Their arc is over and YET #HERE HAVE SOME MORE KUROFAI FOR YOUR GOOD BEHAVIOUR #Is this also my reward for the apple thing?#I will take this also

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