something about him. such a sopping wet kitty cat. disgusting <3
NO SERIOUSLY??? jon is so good at being an eepy litol guy (see daniel, paul, gary, etc). anywho. i just wanted to say that i feel something deep inside when this man does the D:
ALSO
he runningngn. he think he will escape. THEN MAX DOES THE WAVY HAND THING AND *CRASH*
NOPE!! DOOR HAS BEEN LOCKED. YOURE GOING TO DIE LOLOLOLOL
actually the terror on his face pshsbzbdjdjd. just walkin his way down town looking D: !!! and the audience is just ._. THEY DO NOT CARE.
just another shot of he running. (so speedy. so quick. but not fast enough.) HE LOOKS LIKE *flailing arms* pshdbdhd its so silly to me
i think i will do another post about max later ehfbehd but. homework hrnrngngn I LOVE THIS MUSICAL SO MUCH!!!!
ALSO THE LIGHTING IN THIS SONG??? i want to talk about every single thing but. my brain has been malfunctioning all day and i dont have the right words or connecting blocks up here. later.
I love you albums. I love you songs connected by similar themes. I love you listening to songs in a specific order picked by the artist. I love you reoccurring motifs throughout the same album. I love you album covers. I love you albums with extended editions. I love you songs that reference each other.
love love love when songs have titles that either aren’t a lyric from the song, but rather a phrase or word that adds context to the song itself, OR when they have titles that are based on a line from the song that isn’t in the main chorus (or isn’t in the chorus until the end) which then emphasizes that line and reframes it as the main thesis as opposed to the chorus.
whoops mybad misread your post and thought u were doing the character plus number challenge thingy. let me try again:
#36
36. Harder, Better, Faster, Stronger — Daft Punk
This song kinda came on randomly and it almost immediately became the designated Pre-Deviant dbhc Doc song. I like how clean and robotic it sounds at the start and how the song becomes increasingly glitched out and unique/original as it goes— it kinda reminds me of the progression of doc’s programming slowly starting to question things and produce original thought until he realizes he can breach his programming and do whatever he wants, manipulating the beat and syncopation the same way he kinda starts manipulating robotics and everything around him :]
let the river in, if blood is thicker than water then let the river in. we might drift aways but we've got thick skin.
[ID: a rendered, colored illustration of mob and ritsu from mob psycho 100. the perspective is from above with a fish-eye effect. ritsu is standing closer to the viewer, looking back over his shoulder at his brother, with delinquents knocked unconscious at his feet. ritsu has the red cheeks from when dimple possesses somebody. mob is further away, facing away from the viewer on his knees. behind him is the ruins of black vinegar middle school as mob puts it back together. the whole ground is one big pool of blood, with a river cutting through the two of them. END ID]