Tumgik
#hahn personal
mxddyhero · 10 months
Text
Genuine question: is it weird to call a hair salon and ask if a certain staff member will be in on a date?
13 notes · View notes
hahndlewithcare · 9 months
Text
Man I need to get top surgery.
2 notes · View notes
church-of-lilith · 5 months
Text
Tumblr media Tumblr media Tumblr media Tumblr media
We got a leaked first look at Agatha: Darkhold Diaries and I need to speak to another gay person about this immediately
99 notes · View notes
queer-zuko · 10 days
Text
hahn: mispronounces sokka's name
sokka, months later: "i'm sokka, it's pronounced with an "okka","
20 notes · View notes
hahnsplatinum · 1 month
Text
i was going through my gdrive and found the very first disco elysium fic i started but never finished that was a dora pov thing and actually that shit slapped. Its so wildly different from how i write now that i dont trust myself to finish it properly which makes me sad but i was really going somewhere with that thing. It was a exploration of “dora was very much a victim to the worst of harry’s behaviors but also a heavily flawed human being that contributed her own dysfunctions” character study + “what if she was pregnant when she left” + sci fi aspect of “obviously slinging a fetus through The Pale™️ is going to have weird effects right?” + “is harry Like That because he’s ill or an innocent? And can any of that be passed down to theoretical children?” + “when a mother’s trauma and dysfunctions cause her to both deify and demonize her daughter in all of the same ways others did to her”
2 notes · View notes
rabiosass · 2 months
Text
i think i figured out what bothers me about live action netflix Yue
she kinda acts like a 21st century girl that was plopped into the middle of this fantasy story.
3 notes · View notes
foxsoulcourt · 1 year
Text
Tumblr media Tumblr media
It was just as much F u N the second time, in a full theatre, sitting next to my sweetheart!
9 notes · View notes
Text
i feel like hahn is the kind of person who would tell sokka that he wishes he had ts so he could say whatever he wanted
12 notes · View notes
mxddyhero · 10 months
Text
I need a weighted blanket (juza hyodo)
9 notes · View notes
hahndlewithcare · 8 months
Text
Applying for jobs is actually like being in a time loop.
you upload your relevant documents and info, apply for every single job on the first 17 pages, doing a cover letter for each one and jumping through whatever bullshit hoops they decide to throw at you. you go to sleep. check your email. you get 5 rejections and dead silence from the rest of the 127 you applied to. go back on the site. apply for the new jobs on the first 3 pages. go to a different job site and try on there for a good 3 hours. go to sleep. check your email. get suggested job alerts for the places that have already rejected you. repeat forever.
1 note · View note
Text
I had a very odd dream last night after hours of imagining Agatha adopting Billy and Tommy in an attempt to fall asleep which is how I think I got to Wanda desperately trying to save not only the twins, but Nicholas too because Agatha begged her to watch out for him with her dying breath. 😃
I will not be elaborating simply because I do not know how.
11 notes · View notes
strangesmallbard · 2 years
Text
well, predictably i think wanda and agatha harkness should kiss on the lips
8 notes · View notes
hahnsplatinum · 5 months
Text
you’ve heard of “He would not fucking say that”, but now get ready for the much awaited sequel:
HE WOULD NOT FUCKING SHAVE THAT
2 notes · View notes
thewaltcrew · 6 months
Text
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
Director Kirk Wise, screenwriter Linda Woolverton, and actor Robby Benson on casting the Beast [x]
They gave me an incredible amount of freedom. I didn't want Beast to be a cartoon character. I played it as though I were doing a Broadway show. As if this was a living person. And I wanted him to be funny. By funny, I don't mean shtick or one-liners. I am talking about real comedy. When real comedy works, and is truthful, especially with the Beast, it comes out of the fact that he is so pathetic. For some reason, I really understood that. Ha! Because of that, they gave me a lot of leeway. [x]
My first audition was recorded on, of all things, a Sony Walkman. As a musician, I had branched out into recording engineer and loved to play with sound. When I saw the Sony Walkman I knew it had a little condenser microphone in it, and if I were to get too loud, the automatic compressor and built-in limiter would 'squash' the voice— and there would be very little dynamic range to the performance. I did a quick assessment and wondered how many people who had come in to audition for the part were making that error: playing the Beast with overwhelming decibels, compressing the vocal waveforms. I decided to give the Beast 'range.' Because of my microphone technique, and an understanding of who I wanted Beast to be, they kept asking me to come back and read different dialogue. After my fifth audition, Jeffrey Katzenberg the hands-on guardian of the film, said the part was mine…
Beauty and the Beast was so refreshingly fun and inventively creative to work on that I couldn't wait to try new approaches to every line of dialogue. Don Hahn is one of the best creative producers I have ever worked with. The two young directors, Kirk Wise and Gary Trousdale, were fantastic and their enthusiasm was contagious. I not only was allowed to improvise, but they encouraged it. It never entered my mind that I was playing an animated creature. I understood the torment that Beast was going through: he felt ugly; had a horrible opinion of himself, and had a trigger-temper. Those are things that, if done right, are the perfect ingredients for comedy. Painful and pathetic comedy— but honest. The kind of comedy I understood...
In the feature world of Disney animation, the actors always recorded their dialogue alone in a big studio, with only a microphone and the faint images of the producers, writers, directors and engineer through a double-paned set of acoustic glass. Paige O'Hara and I became good friends; it was her idea that for certain very intimate scenes, such as when Beast is dying, we record together. We were able to play these scenes with an honest conviction that is often absent in the voice-over world...
The success of this film was the culmination of a team effort but I must say, the honors go to the animators— and for me (Beast), that's Glen Keane — and to Howard Ashman and Alan Menken. This was the perfect example of a crew who 'cared'. And the final results (every frame) of the film represent that sentiment. [x]
1K notes · View notes
comradekatara · 2 months
Note
So, we don't often see Sokka being really passed off at anyone in the show. We see him being angry with Aang when he burned Katara, with Han bc of course, but like, Katara gets mad quickly, and it frizzles out, but I feel like, actually angry Sokka is dangerous, and no one is willing to see how dangerous he is going to be.
Thoughts?
I mean, sokka gets pissed off a lot. at idiocy, foolishness, incompetence, cowardice, rashness, cruelty, corruption, naïveté, illogic, callousness, heedlessness, and so on and so forth. he makes definite exceptions, but he’s constantly objecting to pretty much everyone and everything. besides the obvious blindspots in his judgment (usually father issues, occasionally a pretty girl) he is a ruthless critic chugging haterade at all times. even just mentioning your horoscope in his vicinity gets his heartrate spiking (and ppl wonder how/why he died relatively young). but you’re right, sokka isn’t really rageful in the way katara is.
it’s in fact crucial that while katara is motivated by blinding rage during her lifechanging fieldtrip/apotheosis, sokka is motivated by blinding guilt. sokka really only freaks out when aang hurts katara, hahn demeans yue (among other things), and azula threatens suki. and in all three scenarios, his rage overtakes him due to his own guilt. he feels that he, personally, has failed by “putting” katara, yue, and suki in danger.
as we know, sokka has deeply internalized the patriarchal logic that dictates that he must act a protector figure, especially towards girls. and sokka’s protectiveness is so entrenched in his identity that even when someone he cares for experiences harm in a way that is beyond his control, he feels directly implicated in their suffering, and the guilt plagues him. in the case of yue and suki, being imprisoned (metaphorically and literally) was a choice they made (obviously not an ideal choice, but an expression of their own duty, resigning themselves to suffering for what they believe to be the greater good). and yet, since sokka feels that it is his burden to carry all the world’s suffering for others (especially if those others happen to be a sibling, girlfriend, or parent), receiving definitive proof (and in the case of hahn and azula, deliberate taunts) clarifying that sokka is fundamentally unable to bear the brunt of everyone’s pain for them is what causes him to snap and physically attack them without first stopping to consider the consequences.
unlike katara, who is guided by impulse, sokka usually does first stop to think. very rarely does he let his rage overtake him the way she does. but occasionally, his own guilt complex is threatened to the point of overtaking his logic and letting his violent impulses take the wheel. this is magnified tenfold in the boiling rock, which is the ultimate expression of sokka acting rashly out of guilt. this time his failure isn’t even tangential, as he was actually responsible for the loss at the invasion that resulted in the imprisonment of those he has always most wanted to emulate, including his ultimate role model, hakoda. of course such overwhelming guilt would prompt him to feel as if he had no other choice but to save his father or die trying.
sokka is also full of rage, but unlike katara, his rage is only truly triggered when it is turned inward. katara blames others for her problems to a fault; only to aang does she ever actually apologize and take responsibility for her actions. sokka, on the other hand, internalizes blame to an absolutely absurd degree, and as much as it may seem like he is constantly finding fault with everyone around him, that ruthless criticism is really just a milder externalization of his own perpetual self-criticism, which is the sharpest and most ruthless of all.
173 notes · View notes