#have a good trip: adventures In psychedelics | Explore Tumblr Posts and Blogs

girlwithfish · 10 months

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What gummies did u take? 👀👀 and how was the trip

the brand is called diamond shruumz i think, my local smoke shop sells them nd ive seen them at cbd/hemp/delta8 9 10 shops around here too and theyre somehow legal in my state bc it has like diff shroom variants nd idek but i doubted them at first tbh.. kinda underestimated it a bit or didnt think itd be that potent loll.. the brand has chocolate bars, gummies(with like 15 gummies per bag i think) and these packs of 2 cones. i tried the cones i just had one cone nd my bf had the other they tasted good and it took like 40-50min for me to feel it. ive never done any shrooms b4 but my bf has and he said it felt pretty similar to real shrooms yk. I read a lot of reddit comments abt it nd most ppl have tried the gummies, not many ppl have tried the chocolate bars but the few comments i saw abt it said they werent that good, and i havent seen any comments on reddit abt the cones but i saw a few reviews on the brand's website and theyre supposed to be more potent than the gummies so we ended up trying those lol. id say go w the gummies or cone depending on how experienced u r with pyschedelics ! gummies maybe r better if udont wanna take the whole thing bc u can take less. Most ppl i saw on reddit say they took the whole bag or like half etc, i think u deff feel it if u take a whole bag but idk i havent tried them yet lol. varied opinions on it and i think the brand is fairly new sooo opinions on it were pretty skeptical online for a few months but i found a big thread abt the brand from a month ago w a lot of ppl weighing in abt them nd most ppl saying they did feel it and it feels similar to shrooms but maybe a step down from it etc. some ppl got more visuals than others or some didnt, etc. and a lot of ppl sayinf the come up was kind of intense or a few ppl got sick LOl so tread lightlyy but i def agree the come up was reallyyy overwhelming and more than i expected, felt really similar to lsd for me with all the physical effects like my body gets really tense and feels wound up nd i got really heavy tbis trip and i got more visuals than my bf who didnt rly get any. mine were like subtle but still there like my phone looked crazy and like things in the room slightly pulsing nd ykyk but nothing super crazy but still there. idk if body weigyt nd stuff affects it but i tend to get more easily affected from psychedelics than my bf lol but yeah we both felt like really wound up nd my bf said his body felt like overwhelmed and kind of anxious even tho he wasnt anxious, same for me.. but it was still fun just didnt expect the come up to be that intense nd i watched an anime w my bf and then we watched adventure time which is fun but the really silly crazy episodes w a lot of action nd random shit felt really visually and like audibly overwhelming for me LOL.. then played guitar nd listened to mhsic nd sang songs together tho i did have a cliche emotional moment on shrooms and like started crying nd my bf and i had a like hour long sentimental and serious conversation which was nice Oh and i also get really giggly and laugh a lot on psychedelics same when im on acid its sillyyy and my body gets rly hot and sweaty.. and its hard for me to eat i hav like no appetite lol.. but i think i peaked during this time when i was crying nd just having a rly emotional moment Lol and then after talking for a while my bf and i both said the like tense physical feeling we had during the come up kind of disappeared for us nd i felt way more relaxed and everything.. but yeah the trip lasted like maybe 4 hrs for me it wore off kinda quick at the end 🙉overall good experience but the physicsl effects were really strong nd overwhelming at first so id keep that in mindd esp if u havent done psychedelics b4 and its always nice to b w someone too! i literally did not thknk these edibles wld b that potent or affect me that much lmaoo its kind of crazy theyre legal somehow😭

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i-am-sludgie · 7 months

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DMT Trip Report #1

The Blessing Force

When people ask me why I moved to Oregon, I usually give a watered-down explanation. This is probably a form of masking, but the truth is pretty weird. So I usually just talk about how much I love the PNW, and how I had an opportunity to move in with my closest friend so we could have fun together and support each other. And that's all true.

But the REAL reason is because I felt like the universe was pulling me here, through unmistakable signs and personally meaningful coincidences. For the most part, everything has lined up perfectly. I experienced so many synchronicities leading up to the move that I can't even remember them all.

Since then, things have worked out better than I could have ever hoped for. I feel truly blessed. I'm still working on going with the flow and viewing the world through a lens of gratitude, but this has all been part of what I consider to be a spiritual awakening. I couldn't have done it without trusting my intuition and taking that leap of faith. It's clear to me that the universe has my back and that things are happening exactly as they're meant to.

And now that I've smoked DMT and had a breakthrough experience, I can put a name and a face to that universal force. It was Mother Aya calling me all along. It was always her.

Background

I've been researching and thinking about DMT and Ayahuasca for 10+ years. I remember my friend telling me about DMT: The Spirit Molecule by Rick Strassman years before. I discovered Terence McKenna on YouTube and listened to every single recording I could find. I started watching clips of Joe Rogan's podcast where he discussed his experiences with guests like Duncan Trussell. I read trip reports on reddit and watched hours of videos on YouTube. I talked to friends and family about it -- even as they stared back at me in disbelief that I would want to try such a strange, intense, psychedelic drug.

I knew I was destined to try it. And finally it happened. A friend was able to get a gram of N,N-DMT freebase powder. We had the perfect setting lined up. I would not be going on this adventure alone, but rather with a tight-knit group of the most amazing, kind, caring, and supportive friends I could ever ask for. I couldn't believe it was finally happening.

Prework

Before we began, I grabbed a pen and paper and jotted down some thoughts. This included:

5 things I'm grateful for

My intentions

Questions I might ask any entities I encounter

A list of "Show me" requests

I didn't know if I would actually have the chance to communicate with any entities, but I wanted to plan for the possibility.

Technique

I bought the Yocan Evolve Plus wax atomizer and a milligram scale to measure dosage. I looked up instructions on reddit and did my best to follow them.

We used the default quartz coil that came with the vaporizer, by placing the powder directly on the coil. Many trip reports warn that the coil can get too hot and burn the powder. This was never an issue for us. That allowed us to hold the button down and go full gas.

The only issue this caused was that some of the powder was getting sucked up into the mouthpiece. Maybe from sucking too hard (that's what she said). I think ideally we should have been holding the button for a few seconds before inhaling to give the powder time to melt. But the device worked as advertised -- one-hit breakthroughs on 50mg.

Dipping Our Toes In

We each tried small doses between 10-20mg to start with. I did 15mg. I cleared my lungs and inhaled the vapor in one long, full breath. I sat back in the couch and felt waves of energy emanating through and around me. I saw the very faintest hint of visuals with my eyes closed -- thin white lines of geometric patterns that only lasted a few moments and then faded without intensifying. I think I told my friends right afterwards that I didn't see anything, but that wasn't quite true.

I felt a full-body high similar to the peak of a marijuana edible. I wouldn't say it felt good or bad; just kind of neutral. When I opened my eyes, I was mesmerized by the warm glow of a nearby candle. All of this lasted only a few minutes.

I also experienced one unexpected side effect. On the left side of my face, my eye and cheek twitched uncontrollably throughout the whole thing. This faded with the high, but it still made me nervous about how my body would physically respond. I was able to sit with the feeling without overthinking it. It passed and I felt calm and relaxed.

Blasting Off

After waiting a while for my next turn, I was ready to crank up to 50mg and try to break through. Let's be clear. This is a powerful substance. The effects are fucking insane, and nothing will ever prepare you for the first time. But I was as ready as I would ever be.

I made myself comfortable in my friend's bed. I thanked my spirit guides for bringing me to this moment and I reminded myself that it's just a ride.

I took a deep breath in and out, completely clearing my lungs. I pressed play on the song I had queued up, laid back in the bed, and hit the vaporizer, holding the button down and inhaling for as long as I possibly could. I wanted to blast off in one big power hit. And boy did I. There was a visible cloud of vapor as I exhaled.

I had no time to wonder if I did it right. The ceiling light started to move and fractalize. Then everything started to shake and it felt like an airplane taking off. I closed my eyes and the craziest shit I've ever seen filled my vision.

I don't remember any kind of tunnel. It wasn't really like traveling from point A to point B through spacetime as people often report. Everything was just there instantly.

Hyperspace

I was suddenly in a place made of constantly moving white ribbons bejeweled with multi-colored, rounded-off squares and ovals. There were flashing lights and colors. It looked like the center of a Magic Eye -- those 3D images from the 90s -- with staggering layers of complexity. It's hard to remember any other specifics of what I was seeing because I had no frame of reference. I think this is what people mean when they say it's like a dream that quickly fades because, as you can see with the rest of the story, I remember everything else. I got the impression this was some kind of machine and I didn't see anything I would consider to be an entity -- but what does that even mean in this realm? It could've been alive with some kind of consciousness for all I know. I remember thinking "Is anyone there?" and I didn't get any sense of an answer.

Meanwhile, I felt like I was being zapped with electricity, and I melted into the bed.

The song I picked was Let's Go by Stuck In The Sound. I thought it would match the weirdness and intensity of blasting off into hyperspace. And it did.

youtube

The music was getting warped as the song played. Some of the lyrics would be clear as day, normal sounding, and then crescendo into high-pitched, shrill, metallic, electric noises. Sometimes the lyrics sounded like gibberish, as if it was being played backwards.

I was melted in awe. McKenna calls this death by astonishment. What I saw was so FUCKING insane that I couldn't do anything besides lay there stunned with my mouth wide open. And I mean wide open. At this point I thought I was holding the button down on the vaporizer or somehow still inhaling (I wasn't), and I managed to realize that and put it down beside me.

Many people report feeling like they leave their body when smoking DMT. Maybe those people are smoking 5-MeO instead. I didn't leave mine. I've had a bona fide out-of-body experience (OBE) and it was nothing like this. While I was certainly incapacitated overall, I could still form coherent thoughts and action them by moving my body. I could put the vape down. I could tell my mouth was open and close it.

And I could scream. At some point I screamed "Ahhhh" -- it was honestly meant as a joke for my friends waiting in the other room. I knew they were there on the other side of the wall and could hear me if I yelled loud enough. My voice sounded like a melodica. It was a long scream. I realized I felt as if I was stuck screaming and was able to stop. Afterwards I asked them all how long I was screaming for.

This also can't be classified as an ego death because I still had thoughts and I was still able to rationalize that I was a person, lying in a bed, in my friend's room, in my friend's house, on planet Earth. At this point I decided to open my eyes and confirm that.

Everything in the room was writhing and moving. I don't remember any other details about these visuals but it was fucking nuts. I closed my eyes again and was immediately back in hyperspace. I thought "Holy shit. What if I get stuck like this?" That was followed with an immediate feeling that I didn't care if I did. Maybe I belonged here. These thoughts felt faster than normal somehow.

And this was when I gave in. I stopped tensing up and relaxed. As soon as I did, what I felt was total, unconditional love, pure joy, and full-body euphoria. I began riding waves of pure energy.

All of this lasted for the length of the song, which is less than 4 minutes.

Meeting the Goddess of the Vine

When the song changed, so did my experience. I don't even remember what song it was specifically because I had my phone on shuffle within a short playlist. But hyperspace faded away. At this point of transition, I reached up and took my glasses off and put them on the bed next to me.

I still had my eyes closed. But now a face appeared against a black void. It was a woman. Her eyes were piercing, smokey, and mystique. I instantly knew this was Mother Ayahuasca, the goddess of the vine. I've seen similar artistic interpretations of many Ayahuasca experiences.

I don't know if she's THE god, or if there even is such a thing, but she's certainly a divine, all-powerful, cosmic entity. I saw her, and she saw me. We met face to face. And what I felt was pure love. Kindness, compassion, empathy. Continual waves of euphoria poured over me as we gazed at one another. I started writhing around on the bed, side to side, in pure bliss. I was told I used up the whole bed.

Vines grew out of her head and sprawled in every direction, continually growing outward. Then the vines changed into skulls. They were in the artistic style of Day of the Dead sugar skulls in Mexican culture. Then the skulls changed into skeletons.

None of this was scary or even starling. It was just matter of fact, as if she was saying "Look what I can do." This gave me the impression that she is the goddess of life and death, and also that death is nothing to be afraid of. She was showing me the natural cycle of creation and deconstruction.

It was almost making light of death. I know that Mother Aya has the ability to be deeply serious and show people some pretty horrific, heavy things, when they need to see it. That's not what she was doing here. I found humor in the message and when I was coming down I again screamed to my friends on the other side of the room. "Death isn't real you guys!!"

Back to the 3rd Dimension

The comedown was very gradual and gentle, lasting a couple more minutes. The goddess eventually faded away. I covered my face with my hands and that seemed to momentarily resolidify some of the closed-eyed visuals. But it was fleeting. I then opened my eyes as the 3D world started to rematerialize. I didn't have my glasses on anymore so I couldn't make out a lot of the movement I was seeing. I grabbed my glasses and put them on, but they didn't fit anymore. "What the fuck?" I said. This was very confusing. It took me a minute to realize I had rolled onto them and bent them up. I checked my face to make sure it was the same shape it always is. Yup.

I checked my body to make sure it was real and solid and working. Yup.

Everything eventually calmed down and stopped moving. I was so fucking geeked that it worked and lived up to the hype. I was pretty much instantly back to my normal self -- albeit shaking with excitement or adrenaline or whatever, which lasted another 5 minutes or so. I rejoined the group and tried to relay as much of this as I could, but words were difficult. How the fuck do you make sense of any of that just minutes later?

Anyway, I was me again -- nothing up there in the old noodle besides funny videos and an unhealthy obsession with Coca Cola Classic.

Integration

It wasn't until two days later that I realized how the beginning of this story ties in. Years and years of synchronicities and signals from the universe. I've been connecting with my spirit guides a lot more lately, so this sort of thing came as no surprise to me. But the realization that it's always been Mother Aya. Holy smokes. This was the ultimate validation of so many of my life experiences -- things that I just can't explain. And we're only getting started.

I later considered the possibility that besides life and growth and abundance, the vines also represented intertwining pathways that all lead back to her.

The second big takeaway is that these things are always here. This place, this higher dimensional realm. These beings. They don't go away. Just because we can't see them or hear them doesn't mean they aren't there. We can hardly fucking see anything. 0.0035% of the electromagnetic spectrum to be exact.

We've heard this all before, but it's top of mind as I unpack what I experienced. Consciousness is like a radio. 3D Earth exists on a certain station. Change the frequency, you tune into a different station. And just like on the radio when there are different songs playing on each station, there are different entities and spaces among different frequencies of vibration. But it's all happening here and now, all at once.

And lastly, our definition of what is and isn't real is completely fucked. There's some fucky shit going on here. We have no clue what it is or what it means. But the spirit molecule -- this sacred vine -- is our gateway. It gives us a chance to explore the infinite abyss of realms beyond 3D Earth, even if it's only for a few fleeting, electrifying moments.

I will return to this realm when I feel Mother Aya calling.

#dmt #dmt vape pen #psychedelia #trippy #dmtworld #ayahuasca #Youtube

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magicmushroomsguide · 1 year

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7 Trendiest Fun Things to do In Vancouver, CANADA

Vancouver, British Columbia, is a beautiful and vibrant city located on the west coast of Canada. Known for its stunning natural scenery, diverse culture, and vibrant nightlife, Vancouver is a popular destination for tourists from around the world.

In this ultimate guide, we will explore some of the fun things to do in Vancouver.

1. Visit Stanley Park

Stanley Park is a 1,000-acre public park located in the heart of Vancouver. The park features a wide range of attractions, including beaches, hiking trails, gardens, and more.

Take a stroll along the Seawall, a scenic pathway that circles the park's perimeter, or visit the Vancouver Aquarium, which is home to over 50,000 animals.

The park is also a great place to have a picnic or rent a bike and explore the many trails.

2. Explore Granville Island

Granville Island is a popular tourist destination located in the heart of Vancouver.

The island is home to a variety of attractions, including the Granville Island Public Market, which features over 50 food vendors selling fresh produce, baked goods, and other treats.

You can also explore the island's many art galleries and studios or take a water taxi to explore the surrounding area.

3. Visit the Capilano Suspension Bridge

The Capilano Suspension Bridge is a must-visit attraction for anyone visiting Vancouver. The bridge spans 140 meters across the Capilano River and is suspended 70 meters above the ground.

The bridge is surrounded by stunning natural scenery, including towering trees and lush forests. The area also features a number of other attractions, including a treetop adventure course, a cliffwalk, and a guided nature tour.

4. Take a Day Trip to Whistler

Whistler is a popular ski resort town located just a few hours' drive from Vancouver. The town is known for its stunning natural beauty and world-class skiing, but there's plenty to do year-round.

Take a stroll through the village and explore the many shops, restaurants, and galleries. You can also take a gondola ride to the top of the mountain for stunning views of the surrounding area.

5. Enjoy Some Magic Mushrooms

For those interested in exploring the psychedelic side of Vancouver, magic mushrooms are a popular option.

There are a number of magic mushrooms dispensaries in Vancouver and shops in the city that sell magic mushrooms, including the SHAFAA.CA

NOTE: magic mushrooms are illegal in Canada, but there are still many people who choose to use them for recreational and spiritual purposes.

If you do choose to indulge in magic mushrooms, it is important to do so responsibly and in a safe environment. It is recommended to start with a low dose and to be with trusted friends or a sitter.

Many people find that magic mushrooms can enhance their appreciation of nature and their surroundings, so consider taking a walk in Stanley Park or exploring the natural beauty of Vancouver while under the influence.

6. Check Out the Nightlife

Vancouver is known for its vibrant nightlife scene, with a wide range of bars, clubs, and music venues to choose from.

Head to the Granville Entertainment District to dance the night away at one of the many clubs or catch a live show at the Commodore Ballroom.

If you prefer something more low-key, check out one of the city's many craft breweries or cocktail bars.

7. Head out on the waters of the Indian Arm Park

The Indian Arm, a breathtaking narrow inset starting on the northern end of Vancouver, is worth exploring for its gorgeous views alone. But throw in some kayaking or fishing, cascading waterfalls, and friendly wildlife, and you’ve got yourself an unforgettable day trip!

Depending on which tour you choose, you can try your hand at scuba diving, relax on a sunset cruise or dig into a buffet lunch before reveling at the printing Silver Falls.

Plan your Next Trip

Vancouver is a vibrant and exciting city with plenty of fun things to do for visitors of all ages and interests.

From exploring the natural beauty of Stanley Park and the Capilano Suspension Bridge to indulging in magic mushrooms and experiencing the city's nightlife, there is no shortage of activities to keep you entertained.

Whether you're visiting for a weekend or an extended stay, Vancouver is sure to leave a lasting impression.

#fun things to do in vancouver #magic mushrooms in vancouver #things to do in vancouver #vancouver magic mushroom dispensaries

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doomedandstoned · 1 year

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They Watch Us From The Moon Drop Far-Out Single Ahead of New LP

~Doomed & Stoned Debuts~

By Billy Goate

For some time now, I've been starting my mornings with heavy riffs and old comic books from The Golden Age. Tales from the Crypt, Mystical Tales, Mystery Tales, Tales of the Unexpected, and (my most recent find) Strange Tales of the Unusual. There's just something about the simplicity, sincerity, and wisdom of those old anthology stories that puts me in a good mood.

A band suited for the same spirit of adventure is THEY WATCH US FROM THE MOON. Like Clark Kent's humble origins in Kansas farmland, this six-piece wonder hails from Lawrence, KS, founded in 2018.

Their sound, rooted in the Black Sabbath tradition, is tinged with the surprising and otherworldly. For various songs male and female voices unify or sing interchangeably, whilst instruments weave together dreamy doom metal with blues-hued stoner and space rock, making them a veritable chorus of doom.

When we last left They Watch Us From The Moon, they had just released the magical track "Return To Earth". Now, as we continue with our adventures with the spaced-out crew, we find them reaching a new juncture: "MOAB."

"Mother Of All Bastards" was written as a reflection of that in our times. The lyrical imagery paints a very dower picture of a future yet to come and our inability to stop it. Alien abduction, bases on the Moon, and all things Sci-Fi weave through the entire album. As with all science fiction, the story leads into a conversation about what path of destruction humans put themselves on to arrive to the future in such a fantastical way.

It's one of my favorite tracks so far from the They Watch Us From The Moon, beginning with that gorgeous, soulful low-end riff that accompanies earnest angelic harmonies. This six-member powerhouse, now in year 5 as a band, absolutely needs to be seen on stages around the world.

"MOAB" is track three on the upcoming full-length album, 'Cosmic Chronicles: Act 1, The Ascension' (2023), which releases May 12th on New Heavy Sounds (pre-order here). Stick this on a playlist with Alice in Chains, Soundgarden, MWWB, Church of the Cosmic Skull, and Old Blood.

Give ear...

New Heavy Sounds · They Watch Us From The Moon: MOAB

SOME BUZZ

Hailing from Kansas, They Watch Us From The Moon have landed to present their first magnum opus Cosmic Chronicles: Act 1, The Ascension will release via New Heavy Sounds on May 12th, 2023.

TWUFTM are a band that has a concept behind the groove. Sci-fi space opera, a love for Bowie and Queen, brought to the fore visually, in their mashing of comic book narratives and Funkadelic style alter ego’s. TWUFTM is truly an immersive experience on every level. Cosmic Chronicles: Act 1, The Ascension is a space opera for heavy psych doommers and shoegazers alike. This is something new within heavy psychedelics, in fact it’s something new anywhere.

"On The Fields Of The Moon" is like fresh oxygen in bright sunlight - chiming lead guitars and angelic twin vocals (almost like Fleetwood Mac … imagine that) melodies draw you in like gravity itself. Complete with a space-bound chorus and a ripping guitar only 250 seconds into our flight. It sets the tone perfectly. "Space Angel" is literally that. The band's angels Luna and Nova are simply mesmerising, weaving through the heaviest of space-kraut riff grooves.

With "MOAB", the mood is darkening. 'Days of destruction, days of disease' is a warning for our times. The pace has slowed, it’s black and doom laden, yet our vocal angels still give us reason for optimism. And there, fellow travelers, we suggest that you take a moment to take in what you’ve just heard, and imbibe whatever is your drug of choice before tackling the final two ten-minute space flights. "Creeper AD" is a psychedelic trip to lose yourself in. Shifting chord progressions, cool guitar breaks and again, those vocal harmonies, entwined and bewitching. "Return To Earth" does just that, and is pretty much the summation of what we have experienced. An epic, gorgeous space symphony.

Cosmic Chronicles contains five immense tracks chock full of weight and brimming with melody. Clocking in at around 44 minutes, Cosmic Chronicles: Act 1, The Ascension never outstays its welcome. In our opinion, it’s an almost frighteningly impressive, opening offering. Welcome to the (other) world of They Watch It From The Moon. Watch the skies.

Follow The Band

Get Their Music

#D&S Debuts #They Watch Us From The Moon #Lawrence #Kansas #doom metal #space rock #New Heavy Sounds #HeavyBest2023 #D&S Reviews #Doomed and Stoned

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biiedwin8 · 3 months

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Maladaptive Daydreaming: Is it Okay to use Shrooms to Improve Your Daydreaming Experiencing?

Today, I'll be answering the question of whether it's okay to use drugs to make your daydreaming more immersive. Like, you may use LSD, weed, psychedelics, shrooms, or any kind of drug to really make your daydreams more massive. Because I saw some saying that every time they started using drugs, their daydreams became so immersive and so enjoyable.

The immersive aspect here is that they are so enjoyable. I understand that with LSD, you can have this amazing, godly, Zen-like experience, and you may really think it's a very good idea. But don't get lost in these things, guys. Always focus on what happens afterwards, because a trip or an LSD experience is just an experience. But what normally happens afterwards? Do you normally feel like everything is okay now? Like, you don't have compulsive behaviors, you're okay, you're a loving human being, everything is okay with life? No, of course not. Some people even sink deeper into depression. This is because the more you seek a high, the higher the high goes, the lower the experience afterwards.

So, it doesn't matter if you are using drugs to immerse yourself in the daydream. The more you get immersed, once you snap out of it, you are going to a very, very low because you've set the peak, you've set the peak for your desire, for your ultimate desire. You are in this space where everything is okay, like you're in this amazing adventure, this amazing trip. So, you really go there without really working on your real life. There's a very huge disconnect between the thing you desire, the thing which is bringing you pleasure in real life. So, when you come back to life, it will be very, very painful to the point that you may sink deeper into depression.

Yes, pleasure is very, very okay, but don't chase pleasure at the expense of running away from yourself. It doesn't matter if you're using LSD or you've been told that LSD gives you this amazing experience. But if you're doing that just to look for another experience and you're escaping real life, you'll put yourself in a lot of trouble. So, instead of using drugs to make your dreams more immersive, pause the drugs and focus on how can you deal with your negative beliefs in life? How can you challenge these negative beliefs? How can you become contented with just being bored, with just sitting down doing nothing? That's the ultimate state. How can you become contented just being bored, doing nothing? Of course, by dealing with the things which are causing you this feeling of emptiness when you’re bored. It's not something you should do. Boredom is not something you should do. It's something that boils deep inside when you are bored or when you don't have something to do. So, you want to look for a better experience. So, instead of looking for a better experience, experience those aspects you are running away from in real life, which are those stuck emotions, those responsibilities, those mundane things. That's where growth is. So, growth is not in looking at using drugs to build a massive immersive experience, but in facing your real life.

Note from the Author

If you’re ready and you’d like my help with overcoming and managing your maladaptive daydreaming without spending years in therapy, then you can book a FREE BREAKTHROUGH CALL with me HERE. Happy healing 💙💙. Feel free to share and comment! Use this information with caution, it comes from my own thoughts & bias, experiences and research😊.

#intrusive daydreaming #maladapting daydreaming disorder #actually madd #actually maladaptive #imaginary friend #madd #daydreaming #obsessive daydreaming #immersive daydreaming #maladaptive daydreaming

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existentialmagazine · 6 months

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Review: Grace & Moji’s new single ‘Sad Times’ is a technicolour dream of sound, glowing within the most euphoric atmosphere

Back at it again with their fourth single, the husband and wife duo Grace & Moji delve deep into the patchworks of sound at their disposal, weaving in a more vibrant indie-pop sound than their previous indie folk-pop adventure ‘Tipping Point.’ Following their other well received debuts such as ‘Monster’, this Los Angeles based pair only continue to resonate with audiences all across the globe, and their newest offering ‘Sad Times’ is sure to only keep their momentum hurtling.

Contrary to its title, ‘Sad Times’ is a lot more like a fizzling bath bomb than a melancholic downer, flowing through technicolour vibrancy, glittery sparkles and leaving you feeling all the more enriched after your time with it. Commencing with bright piano keys and a soon introduced quick-paced beat that’s soft like the clicking of fingers, ‘Sad Times’ doesn’t hesitate to embrace you within its warm landscape of sound right from the get-go, setting the scene as one filled with only pink-tinged sunsets and a breath of fresh air. Moji’s vocals only further add to this feel-good sound, dancing across the upbeat sonics with a charismatically pure delivery that’s infectious in the most authentic of ways. Backing vocals add a vastness to the airy sound, echoing into the distance in a way that almost leaves you feeling amongst the presence of a crowd, welcoming you with open arms and taking away any solitude you may bear in real life. The sound soon pumps into action, bursting into more heavy drum beats, continued piano, synthetic whirs and sparkles, as well as the staple looping backing vocals. Grace pops into the second verse with more of a hip-hop style to her quickly spewed words, an addictive shift from Moji’s more casual soothing lines, instead focused on memorable hooks and holding your attention. The bridge takes the most unexpected turn of them all though, a grand atmospheric rise as Moji’s vocals are softly reverberated through the space beside drawn-out piano keys and electric guitar strums, as well as tumbling drums that build upwards to the most euphoric of highs. For a song titled ‘Sad Times’, this is truly anything but that, if anything solidifying its place as a three minute empowering anthem you’ll remember forever.

Merging together honest emotion as well as promoting healthy growth, ‘Sad Times’ is lyrically more reflective and heavy-hearted in what it has to say than the sound would set you up to believe, attempting to work through unresolved feelings left to dwell. As the song opens with the line ‘once in a while I get stuck in my mind, just wanna keep to myself and write some poetry that rhymes’, the duo don’t sugarcoat their times of negative emotion, penning those darker thoughts into songs filled with intricate layers of their experiences. Tinged in self-doubt, lyrics like ‘month’s almost over, but I’m getting nowhere’ touch on the world’s hyper-focus on achievement and progression, pressured by everyone’s success around them even if perhaps they aren’t as well off as they appear. Continuing ‘days are growing darker and I need to open my heart’ , Grace & Moji begin to establish the theme of self-healing in a way that doesn’t have to be solemn, instead emphasising that becoming self-aware and improving upon yourself is a journey that can be filled with love and joy. The pair also delve into their own uses of plant medicine, specifically ayahuasca, to guide them through and re-paint their life in more vivid colours: ‘so take a trip, we go deep and so high above.’ Finding a sense of solace and serenity in these shifts, Grace & Moji both begin to cherish the clarity and peace that comes with it, finally able to move forward as lines like ‘let go of all these hang-ups’ show their progression.

The official lyric video is just as colourful and psychedelic, utilising vibrant backgrounds and props from flowers to bubbles to pink chocolate, that all together make even the mundane utterly mesmerising. Lens flares and distorted colourful swirls embrace the track’s spiritual edge, as well as more abstract dances around the visually layered scenes.

Check out ‘Sad Times’ for yourself here to really understand the captivating aura of Grace & Moji’s work.

Written by: Tatiana Whybrow

Photo Credits: Unknown

// This coverage was supported and created via Musosoup, #SustainableCurator.

#tatiana

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sophieebdaily · 10 months

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“I Feel Very Lucky!” Sophie Ellis-Bextor interviewed by Clash Music

Her Glastonbury triumph, Top 10 albums, and those Eurovision rumours...

“Let’s get in the sunshine / and give ourselves to the summertime / an afterglow in clementine,” queen of pop Sophie Ellis-Bextor sings wistfully in ‘Lost In The Sunshine’, lyrics characteristic of the warm, psychedelic dreamscape she crafts in her new album, ‘Hana’. Incidentally, they’re also lyrics that set the tone for summer 2023, which, so far, has been a blur of new adventure for the singer-songwriter.

‘Hana’, released last month, is Ellis-Bextor’s seventh studio album. It’s also her first Top 10 record since 2014’s ‘Wanderlust’. “I feel very lucky,” she says. “I put a lot into this album, but it’s never a given how anything will do.” The 44-year-old – who has been blessing Brits’ ears with up-tempo pop for over 20 years – has transported her sound to a new era. Pop is approached with all her signature optimism in the record, but it’s also used as a tool for candid personal reflection.

The album is loosely inspired by a special trip to Japan Ellis-Bextor took in 2020 with her mum and eldest son, with ‘Hana’ being the Japanese word for ‘blossom’. She’d started writing in January, then went away in February. By March, the world had tilted on its axis. Britain had plunged into lockdown.

“[The holiday] had a nostalgia to it almost immediately,” recalls Ellis-Bextor. “Even just thinking back to that trip, and the way the light is there on the colour palette, it just felt like a really welcome little place I could visit,” she says. “That’s why I [employed] it so much, because I can take myself back there and explore a little bit more”.

While the singer-songwriter would never claim that lockdown inspired the album, she thinks it’s no coincidence that many of the songs centre around escape, fantasy and floating through space in a “dreamlike version of being somewhere else”. This makes for a sweet-as-sugar, fairy-tale sound that’s underscored by themes of escapism, grief and growth.

While writing the record, Ellis-Bextor was also busy hosting kitchen discos at home. These are the famous, funky parties she’d livestream during lockdown. Mic in hand, disco ball whirling and kids bopping about, Ellis-Bextor would groove through a range of feel-good classics on Instagram Live.

“I felt like the more extrovert, sparkly side of me was doing quite well,” she says. “It was nice to have this album as a place to put some of the other things I was feeling. It helped me feel calibrated, actually.”

Spending time in the studio is an “indulgence” Ellis-Bextor feels lucky to have. It’s a period where she can explore her own emotions amid a hectic day-to-day life, and she acknowledges that not everyone’s day job allows them to do that. “I always knew I really enjoyed making music, but with this, I felt like it was a lot more necessary,” she says. “I needed that place to put feelings.”

The album marks a departure from the high-power dance anthems that the singer is known for, such as hedonistic, spiky hits ‘Groovejet (If This Ain’t Love)’ and ‘Murder on the Dancefloor’, but it’s also a different sound to her folk-inspired album ‘Wanderlust’. Ellis-Bextor has been making music for over two decades. While her style has evolved, one thing that’s been constant is the support of her fanbase.

Her fans make her feel safe, she says, and this has given her the confidence to experiment with style and be bolder. “You can’t underestimate people – they can cope with you doing different kinds of things if it’s all coming from the right place,” she adds.

Despite this, she never feels the need to second guess what others will think of her songs. “When I make music, the first person that needs to be responding in the right way is me,” she says. “If I like it, it follows suit that other people might like it to.”

And it’s clear the popstar’s reputation as a stellar singer and performer still shines. Earlier this month, rumours were flying that Ellis-Bextor might just be the favourite for the UK’s 2024 Eurovision entry. A source told The Mail on Sunday: “At the moment there is only one artist on the BBC’s list for Eurovision 2024, and they don’t intend to add to it.”

But Ellis-Bextor says while she’s a “massive fan” of the show, she won’t be taking to the stage at next year’s song contest. “I don’t really want to know the end of the story,” she explains. “I don’t want to know what happens if I actually did represent the UK. I’d rather just have it as an idea of, ‘oh, that would have been fun,’ but I never actually do it.”

While she believes it’s a great opportunity for musicians at certain points in their career, for her, it’s not the right time. “Maybe I’ll have a go at writing one of the songs,” she suggests. “That would be fun.”

At the moment, Ellis-Bextor is just focused on enjoying what’s in front of her. So far, summer 2023 has been a whirlwind of “lovely new adventures”. The world has opened up since Covid, and lockdown has taken on an incredulous ‘dreamlike’ nature much like the world in her album. Ellis-Bextor is now touring the UK and performing to crowds of thousands – a far cry from the lockdown environment in which she wrote ‘Hana’.

“Life is good,” says the mother-of-five, who performed a groovy, glittery set at Glastonbury last weekend. She sparkled on the Pyramid stage in a sequined leotard streaming with gold ribbons and was matched by an equally vibrant crowd. A plastic giraffe, lemon-yellow, vibed above flags, caps, balloons and bucket hats to a colourful setlist that included turn-of-the-millennium hits ‘Murder on the Dancefloor’ and ‘Get Over You’, as well as Madonna and Moloko covers. Fans were gutted that the BBC didn’t film the performance, but Ellis-Bextor took to Twitter to call it a “career highlight”.

There was also a beautiful festival in Norway, where Ellis-Bextor spent lots of time swimming in a lake behind the stage. Cambridge Club, which kicked off in early June, saw Ellis-Bextor perform a fun, sun-soaked set, and she also fondly recalls the “amazing crowds” of the Isle of Wight festival mainstage. “We had a ball up there,” she says, smiling.

Just before she walks out onstage at a festival, she always peeks behind the curtain to see if there’s actually anybody there. “There’s loads of choice out there, there’s loads of artists, there’s loads of bands, so, if anyone has given me a bit of time to come and stand and watch for a minute, I’m just really thrilled,” she says. “Then, we just have some fun. We’re all just having a really good time.”

While the singer doesn’t have any crazy pre-show rituals (bringing kids along to gigs means she’s learnt to get ready in pretty much any circumstance), she almost always does her own hair and makeup. “That gets me into the right headspace”, she says.

As she’s grown older, her relationship with performing has evolved. “When I was younger I was quite shy,” she admits, “and the older I’ve got, the more relaxed I’ve become”. She remembers worrying about what would happen if she came out “all guns blazing” and things didn’t work out. It was a way of protecting herself, but also meant she had “new things to reveal… new places to go”.

The musician describes her relationship with live crowds as a dialogue. This doesn’t have to be small talk, she clarifies. It can be a “long conversation” where you take time to build confidence. It’s also a journey. “You need some songs that give you different colours in the palette,” she explains. “Most of the music I make is up-tempo anyway, but it’s nice to create a little bit of a shape.”

She continues: “Whenever I do a show, I think like the person in the audience. I try and create something that will take us to the same place by the end. I enjoy that, and I’ve been doing what I do long enough now to have worked out what works.”

She likens the creative process of performing to writing a song: “Verses, to bridges, to choruses to middle eighths,” she clarifies, “it’s the same thing. You’ve got an instinct about where you need to take people.”

For Ellis-Bextor, the hardest part of making music is coming up with lyrics. “It’s so easy to write bad lyrics,” she says, “you’re really just trying to get it so that none of it makes you cringe.” This is why she likes collaborating. ‘Hana’ is her third album written with Mercury-nominated solo singer, producer and Libertines collaborator Ed Harcourt, who she trusts, and values as a “brilliant lyricist”.

Lyrics are funny for the popstar. You can write something one day that wouldn’t work the next day. “They’re very in the moment,” she says. “It’s about getting something that sounds good, flows, means what you want it to, doesn’t sound too cliché, and avoids any element of cringe.”

Despite its trials and tribulations, song writing is something she very much enjoys. “I love the fact that you start the day without anything, and you finish it with something new,” she says. “There’s always the possibility you might write something you end up singing for ages. I’ve never really lost the excitement.”

Does she have favourite songs on the album? ‘We’ve Been Watching You’, which is about aliens coming to earth, is certainly one of them. Ellis-Bextor also discusses the process behind kaleidoscopic synth-fuelled track ‘Hearing in Colour’: “Harcourt has synaesthesia, so sometimes when he hears music, he sees in colour,” she explains. “I wanted something that evoked the idea of the wires getting crossed with your senses.”

‘Until the Wheels Fall Off’ is also a firm favourite. It’s dedicated to her stepdad, John, who passed away in 2020, and is inspired by a letter he wrote about seizing the moment and getting the most out of life. It’s an uplifting reflection on life and loss that’s expansive in its message and rock-tinted musicality. The older Ellis-Bextor gets, the more important she thinks it is not to shy away from themes that affect her. “It’s got to represent me, otherwise it feels a bit pointless,” she says.

The song also borrows a lyric, “love’s all there is, it’s all we know of love’, from Emily Dickinson’s poem of the same name. Ellis-Bextor cites the 19th century American writer as one of her biggest influences. She’s inspired by TV shows, feelings, conversations and literature, but Emily Dickinson’s verse, in particular, has wheedled its way into pretty much every album she’s recorded. “She’s [got] quite an extraordinary turn of phrase,” marvels Ellis-Bextor, “modern, as well”.

One of the poet’s famous lines comes to mind: “Hope is the thing with feathers -/ That perches in the soul”. Sweet, synthy, vibrant, hazy ‘Hana’ is a testament to what happens when pop music grows up with its artist. There’s certainly no naivety in how the album handles love and grief, but Ellis-Bextor is an optimist at heart. Hope is never lost.

Words: Amelie Maurice-Jones

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psychedelicsconnect · 1 year

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Learn how to Buy Magic Mushrooms Online

Penis Envy Shrooms

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deadcactuswalking · 1 year

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REVIEWING THE CHARTS: 11/03/2023 (Nicki Minaj, j-hope/J. Cole)

For an eighth consecutive week, “Flowers” by Miley Cyrus reigns on top of the UK Singles Chart. Welcome back to REVIEWING THE CHARTS!

Rundown

I’d like to say that this is a pretty calm week, which I’m somewhat glad about, though it does mean I don’t have all that many observations so let’s just get straight into our notable dropouts, which are songs exiting the UK Top 75 – the chart that I cover – after five weeks in the region or a peak in the top 40. This week, that list includes “Me & You” by Central Cee (good!), “METAMORPHOSIS” by INTERWORLD, “Here with Me” by d4vd (right after peaking as well), “The Color Violet” by Tory Lanez, “Lionheart (Fearless)” by Joel Corry and Tom Grennan and finally, “When I Was Your Man” by Bruno Mars.

Considering we don’t have any returning entries, it’s just the gains filling up the space left by those songs, and we have an interesting selection of songs gaining traction, with “In Ha Mood” by Ice Spice at #58, “Snowfall” by Oneheart and reidenshi of all songs at #57, “REACT” by Switch Disco featuring Ella Henderson and the late Robert Miles at #54, “Bad Habits” by Ed Sheeran inexplicably picking up at #53, “Here” by Tom Grennan up big at #50, “I Ain’t Worried” by OneRepublic at #43, “Shut Up My Mom’s Calling” by Hotel Ugly at #41, “Another Love” by Tom Odell at #40, “Oh Baby” by Nathan Dawe and Bru-C featuring bshp and Issey Cross making the top 40 at #35 (great!), “Whistle” by Jax Jones featuring Calum Scott also making the top 40 at #34 (not great!), “22” by JayO flying way up off of the debut to #32, “Pretty Boys” of Caity Baser at #26, and finally, making its way to her first top 10, we have Libianca at #8 with “People”. It’s a fantastic song, and I’m very much glad it’s here – now the task the UK has is ensuring she stays there.

The top five of this week’s UK Singles Chart consists of “Sure Thing” by Miguel at #5, “Kill Bill” by SZA at #4, “Die for You” by The Weeknd at #3, “Boy’s a liar” by PinkPantheress at #2 (I would credit the remixes for those two if OCC did) and of course, “Flowers” at the top. As a little aside, if you’re wondering what the best way to tell a slower or quieter week from a standard or busier one on the chart, you could look at the low sales in the top 100 or simply see where “Mr. Brightside” by the Killers is. It’s up five spots to #65. It’s even above a new Justin Bieber song. Speaking of...

NEW ARRIVALS

#74 – “Private Landing” – Don Toliver featuring Justin Bieber and Future

Produced by Cardo, Omar Guetfa, Rob Bisel and 206Derek

So Don Toliver released his newest album, Love Sick, and it was a bit of a commercial disappointment. I haven’t heard the record, but given it has credits such as James Blake, TisaKorean, Teezo Touchdown and Toro y Moi, I can only assume it’s a more adventurous project that paid the price for being so, debuting at #36 on the UK’s albums chart, his lowest showing yet. If Don had a Justin Bieber and Future collaboration, one does wonder why he couldn’t have pushed this as a single to save a flailing rollout, but commercial success isn’t the only thing that matters, of course... well, okay, financially and statistically it is, but is the song any good? No, of course not. Don’s voice is very situational so placing his nasal riffing over intimidating bass knocks with an odd bass mix and a monotonous bell loop that sounds accidental just doesn’t work, especially if the song is going to refuse any attempt at being actually catchy. Whilst Future obviously fits well within these kinds of textures, his verse isn’t particularly interesting, and then we get to the Justin Bieber “verse” and it’s pretty clear that this is an attempt at bridging gaps like Travis Scott did so successfully on Rodeo, pitting Bieber against Future but his “verse” consists solely of droning Auto-Tuned repetition over a “psychedelic” beat that both goes nowhere and doesn’t end up feeling as much of a trip as it does just an unfinished demo, especially if Bieber’s going to put as little effort in as possible, seemingly not understanding the purpose of all the trap-rap he clearly listens to. When it comes to constructing a song, whilst Travis has his problems, especially in the mixing department, at least there’s ambition but with “Private Landing”, absolutely nothing happens between the first and final chorus that makes either stand out. Also, I guess Future’s really into feet now, which is brand new information.

#73 – “Freezing” – Mimi Webb

Produced by Andrew Wells and The Nocturns

Mimi Webb has released her debut album, Amelia, which debuted at #4 on the albums chart and the new single is seemingly less popular than “Mr. Brightside” by a decent amount. I could leave it at that, right? It’s a breakup track with an “anthemic” hook that sounds way clunkier than I think Webb realised before recording, going for that final wham line in the chorus that could work if it weren’t so tackily connected to the rest of said chorus. The synths are hazy and lacking in punch unlike the drum machines which just pummel cheap gated synthpop in your ears like a conveyor belt. Yawn.

#70 – “Right Hand” – Unknown T featuring Knucks

Produced by R14 Beats, Chucks and HONEYWOODSIX

Unknown T’s back with a song about his right-hand girl, who doesn’t understand his life but is still precious to him... I don’t care, there are no stakes and his verses are not really funny or interesting so I have no interest in this relationship. T has his awkward charisma that he always has, but it comes off as a bit on-the-nose when he’s rapping with obvious punch-ins over a very minimal beat with softer keys. His gruff ad-libs and flows that sound really bizarre under his constantly snivelling, menacing cadence just doesn’t really work over this instrumental. Knucks is way more predisposed to work on this material, and his flow is way smoother, telling a short narrative within the little time he has about this girl whose boyfriend is toxic so Knucks kills him, but only as an act of selflessness because he’s not interested in this “groupie” he’s now acquired. I mean, it’s misogynistic, sure, but at least slightly compelling compared to Unknown T? Regardless, there’s just not much to this song, so let’s move on.

#63 – “Rhyme Dust” – MK and Dom Dolla

Produced by MK and Dom Dolla

These little duos make sense for now, but the next one goes against that trend as much as possible. For now, however, Mark Kinchen teams up with Australian producer Dom Dolla for a song that may require a bit of a history lesson. In 1971, Kool & the Gang, legendary funk group, released a live album that contained the great jam track “N.T.”. Like many tracks from Kool & the Gang, it has been sampled extensively in hip hop over the years, by a grand roster of rappers including Nas, ScHoolboy Q, Dr. Dre, Run-DMC, Common and more, as well as several times by Q-Tip. Whilst several of Tip’s uses of the song’s drum break were in music by his group A Tribe Called Quest, he reached #12 in the UK as a solo act with “Breathe and Stop”, a catchy, percussive track produced by the late J Dilla that honestly I’m not a fan of. I just find it a bit dull, as whilst Tip’s verses are sometimes impressive, the flows are monotonous and the breathy percussiveness of it all ends up actually hurting the groove. Hey, if Q-Tip and J Dilla will fail, which they rarely did, they will fail in an interesting way. Naturally, 23 years later, MK and Dom Dolla scrape up some vocal loops from that song for a propulsive house banger that sets a pretty unsettling atmosphere at first with its door-knocking sound effects, sirens and incessant mantra from Q-Tip until the buzzy synths come in and the hype starts to click in... yet it doesn’t come immediately. Instead, a soaring, ambient synth gradually comes in aside a growing sprinkling of atmosphere, and by the time we get back to that lead synth, we’re without a bass. It’s a pretty intricate, club-ready track, but it’s also damn near eerie, especially since once that bass knock finally comes in the whole song becomes a minimal almost-pastiche of itself, using those same loops that are familiar to you but without much effort regarding an actual groove or melodic base, just fluttering out as soon as possible. It’s pretty difficult to hear how this came from a funk jam by Kool & the Gang until you realise how much this sounds like an essential moment of tension within a DJ mix, and that’s definitely one I want to hear. I’d be surprised if it lasted on the charts, but it’s a welcome addition to this week’s chart at least.

#59 – “Can’t Tame Her” – Zara Larsson

Produced by MTHR

Much like Miley Cyrus before her, Zara Larsson can’t be tamed, and is proving so through one of the tamest genres possible: an 80s synthpop pastiche. That is really a wild and untamed sound to tackle in 2023, truly. I don’t even know why I’m being sarcastic, I actually like the song a fair bit, given how the synths are ACTUALLY 80s in the way they stab in and out instead of always phasing in, and they hit particularly hard against the sweet pianos that add a lot of melodrama to the song. The writing is fun too, with Larsson observing this party girl who is unbothered by any attempt to tie her down, which I actually think is more interesting than her directly taking on that role. If I have a problem, it’s probably that the drums just don’t hit as hard as they really good, as whilst they are pretty choppy, I’d prefer for a fully propulsive and overwhelming rhythm section, yet the chipperness of the lighter production here, especially with the cheesy bass synth wobble in the second verse, probably fits the content more. Some of Larsson’s melodic tendencies and inflections are a bit awkward and stuffed in, but that’s pretty much a nitpick, especially since I love the infectious gang vocals in the chorus. The song does feel like Ava Max should be singing it, since she could actually kill that bridge with her performance that Larsson kind of dips out of, especially when she’s needlessly distorted in the mix, and Cirkut could add a bit more pulse to it, but Larsson holds her own fine and ultimately, it’s an insanely catchy pop song that I think will be a hit, and absolutely deserves to be.

#37 – “on the street” – j-hope and J. Cole

Produced by Pdogg

Our final duo, like I said, makes a lot less sense, though also more than you’d expect. Sure, j-hope is a member of BTS, and K-pop as an industry is very separated from American hip hop, especially the semi-conscious brand that Cole makes. As an art form however, K-pop cannot exist as we know it without its rap influences, and BTS is a group that made its rappers a large part of their music for much of the time that the band was together. j-hope has referenced and remixed J. Cole before, and he even met his idol at a festival last year, so the collaboration makes a bit more sense, especially given it’s been nearly a decade now since BTS first released their “Born Sinner” remix. Oh, and continuing the trend the last two songs set, this is seriously great. The whistle and acoustic guitar had me worried but against the overwhelming boom bap drums and record scratching, this has a really nostalgic pop-rap feel that j-hope matches with his melodic rapping (even though his verse is annoyingly short for all its passion), as well as the chorus that doesn’t show much vocal range but instead acts as one of those casual rap choruses that everyone can sing along to: if j-hope were to show more of his vocal prowess, it wouldn’t be nearly as casual and chill, especially with the multi-tracking making it sound like he’s hanging out with friends and they’re all singing together. Of course, we then have J. Cole, whose verse is absolutely transcendent. I am not a fan of Cole’s, in fact quite the contrary, but his more homely verses always get me, and this one starts with some flexing but it’s all founded in genuine anxieties that he’s gotten over, all with an effortless flow and slick rhyme schemes. The way the beat envelops around him when he gets into the compelling anecdote about why he personally believes in God is just really sweet and excellently crafted by Pdogg, especially with those smooth keys in the back and the distorted drum fills. Cole is definitely in his typical bag when going all meta and referring to his place in the rap game, but him contemplating retirement sounds a lot more genuine this time around, especially when his bars about a father crying when seeing his daughter walk down the aisle, and easing off to “let her grow”, in some ways mirror both the fact that j-hope will himself be enlisting in the military, as well as the fact that Cole has a record label now for his younger talent, that recently with JID and Ari Lennox is showing a lot more potential, meaning Cole’s preparing for his role as an elder statesman. It’s a fantastic verse then topped off by Cole showing his singing skills for once, with some of his most impressive harmonies backing j-hope in that final chorus, which really highlights the role model dynamic Cole balances against j-hope. Goddamn, a song by a BTS member and J. Cole actually made me feel something other than regret. I know it’s only in the top 40 because of those K-pop stan sales, but it’d be a breath of fresh air if it stuck around for any longer.

#30 – “Red Ruby da Sleaze” – Nicki Minaj

Produced by Go Grizzly, Cheese Beatz and Tate Kobang

“Never Leave You (Uh Oooh, Uh Oooh)” by Lumidee is a very interesting song. It’s an oddly ghostly, pitchy vocal performance over a percussive, kind of lo-fi drum pattern that not even Timbaland would have approached yet in 2003, yet is still mind-numbingly catchy. It hit #2 in the UK on release, and has since been somewhat of a staple, recently finding success as a sample for Chip and most notably Anne-Marie and Little Mix with “Kiss My (Uh-Oh)”, which is pretty fascinating considering how singular the song really is. I was pretty compelled by Nicki’s use of the sample since it kept the awkward intensity whilst adding Nicki’s similarly singular rap delivery, with some pretty detailed, aggressive bars dissing her competition... but with the chorus, the awkward, trap-adjacent percussion comes in alongside Nicki’s lazy, Auto-Tuned singing that never sounds good, and all of that intensity just leaves the song, since she ends up in goofy sex-rap territory once again. The second verse, once again, is pretty intense and uses the ghostly essence of the Lumidee track as a great foundation for some hardcore bars, even if she becomes less tense and more reminiscent of boring flexes as it goes on. Honestly, I know it wouldn’t have been a hit, but she could have just made a drumless track – she was raised in New York so a grimey, Griselda-esque sound would be a natural fit, and it would take out all of the need for the “contemporary” production since it would reach a more niche audience alongside her core base of fans who already buy everything she makes. I don’t think it would alienate nearly as many fans as she thinks it would, and it’s a shame that there’s a pop hook tacked on to what could be a heavy-hitting, toxic diss track otherwise. With Nicki Minaj, for me, it’s always been hit-or-miss, and yes, usually, within the same song as well, but I REALLY wished I could have liked this more because it could have been well up my alley.

Conclusion

Well, it’s an interesting batch of new songs and most of them are pretty alright. Worst of the Week easily goes to Don Toliver, Future and Justin Bieber for “Private Landing”, although I’m mostly blaming the producers... okay, and Justin Bieber. Mimi Webb bags the Dishonourable Mention like clockwork for “Freezing”, but as for our best it wasn’t even that difficult either. Of all people, j-hope and J. Cole take away Best of the Week with “on the street”, whilst I think MK and Dom Dolla are just barley eeked out by “Can’t Tame Her” by Zara Larsson for the Honourable Mention. All three of those songs really pleasantly surprised me. As for what’s next on the horizon, I suppose we’ll see what damage that Miley Cyrus album does, but for now, thank you for reading and I’ll see you next week!

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eatwithchil · 1 year

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Can You Eat Bread on Ayahuasca Diet ? Free Guide

Thinking about going on an ayahuasca diet? Hop on board the psychedelic express! Ayahuasca, the magical mix made from the Banisteriopsis caapi vine and the Psychotria viridis leaves, is quickly becoming the hottest ticket in town for self-discovery and personal growth.

But what does the ayahuasca diet involve, exactly? And why is bread such a controversial food? And can you eat bread on ayahuasca diet ? We’ll explore these questions and more in this Can You Eat Bread on Ayahuasca Diet? Free Guide article.

What Is the Ayahuasca Diet?

so lets start Ayahuasca Diet, Examples like the “I’m-preparing-my-body-for-a-spiritual-journey” plan, is a ways to cleanse your body before taking the Ayahuasca sacrament.

People follow this diet for many reasons like to get in touch with their spiritual side or to experience a mind-bending trip. The diet is pretty simple, you either eat certain foods or avoid certain foods.

It’s like a choose-your-own-adventure book, but with food. So, if you’re down for some greens and fruits, you’re good to go! But if you have a love affair with bread and processed foods, you might have to say goodbye to them temporarily. The choice is yours, foodie! Lets find something on : Can You Eat Bread on Ayahuasca Diet

The Role of Bread in the Ayahuasca Diet

Ah, bread. The staff of life, the giver of sustenance, the darling of the carb-loving masses. But in the world of Ayahuasca, bread is more like the black sheep of the diet family.

You see, bread is considered a contentious food because it contains gluten, which can cause bloating and discomfort during the Ayahuasca ceremony. And, as we all know, an unhappy tummy can lead to an unhappy mind and soul during the experience.

But fear not, my carb-craving friends, for there are plenty of alternative sources of carbohydrates that won’t send you running for the bathroom mid-ceremony. From quinoa to sweet potatoes, the world is your gluten-free oyster.

So, go ahead, enjoy your carbohydrates without sacrificing the sanctity of your Ayahuasca experience.

What to Eat and What to Avoid on Ayahuasca Diet?

Alright, let’s spice things up! The Ayahuasca diet isn’t just any old bland diet, oh no, it’s a special dance with plant medicine. And, just like in any good dance, you want to keep your partner happy. So, you’ll be saying goodbye to caffeine, sugar, alcohol, and bread.

But don’t worry, there’s plenty of delicious and nutritious options to fill your plate. Like, fruits and veggies to give you a colorful spin, whole grains for a wholesome twirl, nuts and seeds for a crunchy cha-cha, and fish for a smooth salsa.

Tips for Following the Ayahuasca Diet ?

This article originally was published : https://www.eatwithchil.com/can-you-eat-bread-on-ayahuasca-diet/

#ayahuasca #bread thoughts #bread recipe

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bwoche · 1 year

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OCs? share OCs? share 👀 ?

Oh OCs? 👀 Share???

I answered one ask a bit ago about OCs but hell if I'm not about to put more stuff here

My main boy is my monster hunter Salem. I think he originally began as a character I was using for some little writing excercises way back when, and I repurposed him for a Curse of Strahd DND campaign my friend started running and BOY. AM I GLAD.

I didn't really intend for him to be a tragic character, the vibe for him was that he was trying his best to do good but his view of what was good was quite warped. Now he's a smidge insane, trying to resurrect the person he loved but had to kill, and trying to make a deal with Dark Powers to take Strahd's place after killing her so he'll be powerful and his soon-to-be-not-dead-boyfriend will love him. Respect the grind, solid 10/10 plan.

The OTHER OC I often tag on here is Hiero, short for Hierophant. Also a DND OC. They're a purple tiefling who (tw for drugs and death ahead) went on a psychedelic trip with their adopted mother and her pals that was so intense, they woke up and thought they had died and come back as some sort of angel. Currently they think they're like, a baby god that needs to grow into their god powers but isn't sure how. Also they're adventuring in literal hell, it's like Mad Max down there.

Most recently they got confirmation that they're SOME sort of prophet, and like. You know those teenagers who are like super cocky? That's Hiero but they like turn it up to 11. And now they're gonna be actually insufferable. They might have made Asmodeus mad and he might be coming for them but like, God powers, be fine, be g. Looking forward to them either dying horribly or ?? Ascending to godhood I guess?

#asks #anon #salem #hiero #thank you for the ask! i can and will go all day!

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freewritersiteus · 2 years

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What are psychedelic mushrooms?

For starters, what are psychedelic mushrooms? To cover the basics of psychedelic mushrooms, just understand that they refer to edible mushrooms that contain a chemical compound called psilocybin. It is a hallucinogenic substance that produces a euphoric effect in its users and is often called a magic mushroom.

It is estimated that there are over 200 different types of magical voices in the world. These mushrooms can be found on all continents of the world except Antarctica.

They are often called magic necklaces or shrooms. The word psychedelic was coined by Humphry Osmond, who coined the word "psychedelic" because of the powerful effects these drugs have on the people who use them.

The term "magic mushroom" comes from the fact that these mushrooms grow in the forests of Europe and North America and are mixed with other mushrooms (that is, shiitake mushrooms), however yes , they are very different in structure; They contain psilocybin and psilocin, which gives them their psychoactive properties.

Psilocybin and psilocin are psychoactive alkaloids found in magic mushrooms. These alkaloids bind to serotonin receptors (5HT2A), which change our perception of sensory information (eyes, hearing and touch).

Psilocybe Mexicana

Originally from Mexico, Psilocybe Mexicana has a long history of human use by the Mayans. The mushroom Psilocybe Mexicana is considered to be spiritual and more than 2,000 years ago it was used by the people of North and Central America. The Aztecs called this species teotlnanácatl and it was classified by the French botanist Roger Heim. Psilocybe Semilanceata

One of the most common types of magic mushrooms, Psilocybe Semilanceata is what most people talk about when they talk about mushrooms. Liberty cap, or Psilocybe semilanceata, is a mushroom that produces psilocybin and baeocystin, two powerful compounds. One of the most popular volumes of psilocybin, Freedom Capsules is also one of the strongest…

Psilocybe Cynescens :

The most common type of mushroom, Psilocybe cyansecens, grows on all continents and is used for its "wavy" shape, which has earned it the name wavy hat. Archaeologists have discovered ancient Egyptian inscriptions that appear to show Psilocybe cyanescens.

Psilocybe Cubensis :

This type is probably the best known type of magic mushroom. Psilocybe cubensis species are found worldwide and are found on all continents (except Antarctica). Psilocybe cubensis is an easy mushroom to grow at home, and its results are well documented. Psilocybe Azurescens

A member of the psilocybe genus is native to the Oregon Coast, Washington, and British Columbia and contains more psilocybin and psilocin than any other tryptamine-containing mushroom.

Psilocybe Baeocystitis :

Psilocybe baeocystis is thought to contain more than one alkaloid related to psilocybin, baseocystin, which is the highest concentration. Common names for this species include bottle cap, gnarled top, bluebell, and olive cap. This term refers to the shape of the mushroom cap. Psilocybe Weilii

This type of psilocybe is named after Andrew Weil, a natural health expert who made significant contributions to the field of psychotherapy research. Paul Stamet's book - Psilocybin Mushrooms of the World - contains a foreword he wrote for High Times magazine and his research and dedication to excellence inspires all mycophiles. agaric mushrooms

Agaric mushrooms are sometimes used as common names for members of the Agaricus genus, as well as others; For example, Amanita Muscaria is sometimes called "flyagaric" and is known as the mushroom from Santa Claus and Nintendo Super Mario.

#where to buy psychedelics in ann arbor ,

#what are psychedelics ,# psychedelics , #have a good , # trip adventures in psychedelics , # psychedelics meaning , what are psychedelics , # how to find psychedelics in denver ,# legal psychedelics , # psychedelics for depression and anxiety , #where to buy psychedelics in oregon

#health treatment

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