Hey so also have Sir Crocodile brainrot and have recently reread Impel Down. This is probably nothing at all but it made me question the artistic choice made. Like we dont see Crocodiles full face until Luffy recognizes him. Before that tho he joins in on Jinbei & Ace's convo about Whitebeard and is shown to (non-)react to Boa Hancocks visit. But we only get his face in shadows or see the hook. Which. Why. Oda we know what he looks like and who the guy with the stitches on his face and the hook is. WHY OBSCURE HIM.
My friend, this is what we call a "cocktease"
Okay jokes aside, yes it was an artistic choise. More specifically, a storytelling technique Oda masterfully used to build up hype and excitement to Crocodile's eventual reveal and re-introduction into the story.
So thanks to Ms Goldenweek's cover story (which ran back during Water 7/Enies Lobby) we already knew Crocodile along with Daz, Bon-chan and Galdino had all been sent to Impel Down, when we also learned about Impel Down, Marineford and the Gates of Justice (+ the giant whirlpool between the three locations) to some extent. ((Now of course, if you were an anime-only then you would've had no idea about the former BW members being in Impel Down. And even if you had read the manga you still would've had to actually pay attention to the cover story and its lore, and not forgotten all about it))
So even before Luffy decides he's going to head to Impel Down to save Ace, we know Crocodile's going to be somewhere down there. The second Luffy arrives there, we are immidiately reminded of the fact when Domino mentions Crocodile taking the traditional "bath" new inmates take at the entrance. And as we descend deeper and deeper into Impel Down, with those cuts to what's happening down at Level 6 every now and then, as well as with the Baroque Works Countdown, Oda time and time again keeps on reminding of us of Crocodile's looming presence in the background.
This is all absolutely deliberate. Crocodile was arguably the most iconic (maybe not most popular but iconic) One Piece villian at the time, if given an opportunity of course the readers wanted to see him again. But just letting us see him right away would be anti-climactic, and distracting from what's actually important (Ace, and Luffy getting to him as fast as possible). So keeping him hidden could serve multiple purposes:
For one, Crocodile doesn't get to steal the spotlight from the other characters (at least not too early). We can focus on Luffy, Ace, all the new Impel Down characters and the other returning characters in peace, while Crocodile waits for his turn.
Another thing is that Crocodile's presence being downplayed gives off the impression that perhaps him being there isn't that important to the story. Thus, him teaming up with Luffy to break out isn't such an obvious twist (and so when that happens, it's ever more hype as a result)
But indeed, the most important part is that by teasing us constantly through out Impel Down, Oda creates hype. He makes us the readers excited if/when we might get to see the bastard, even if it was just a quick little cameo. So when Luffy finally reaches Level 6 and we finally do get that reveal, everyone loses their fucking marbles over the HISASHIBURI DANA MUGIWARA when we finally get to see The Motherfucker Himself. (And indeed, then getting to see him fight alongside Luffy is cool as fucking hell, completely unexpected and absolutely delightful)
But there's also another thing building up to Crocodile's reveal does. Compare his original introduction to the re-introduction
Compare Crocodile at the height of his power and influence, to the absolute rock bottom he has hit. No longer happily laughing while looking down on people (literally), he's filthy, he has given up on life, with sunken eyes and a hollow look on his face, only moved by a thirst for petty revenge (/an opportunity to go out with a bang). He doesn't even get the whole page for his grand reveal anymore, he's been shuffled to the side so the plot can progress on the same page.
Oh, how the mighty have fallen.
And to some degree, this is kind of meant to be a shocking realization to the readers. That this is not the same Crocodile we remember from Alabasta, that Crocodile died when Luffy defeated him. This is just the husk that remains, a shadow of what was once there. It's a sad sight, and probably not what the readers who loved Crocodile The Villian wanted to see. It's not the epic Return of the (Evil) King they wanted.
And that juxtaposition helps, because Crocodile doesn't return into the story as a villian, but as a frenemy/ally-on-thin-ice. And that idea is easier to signal to the readers in a lowkey manner when you do his re-introduction like this.
So yes, Oda refusing to show Crocodile's face until Luffy found him was 100% a deliberate artistic choise. This is fantastic storytelling
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Request idea: riding Tess’ strap as she sucks on the readers titties 😌
Tess servopoulos x fem!reader
Wc- 500 ish | 18+ smut warning
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She’d had a stressful day, desperate for some stress relief the second she’d made it home. Which always meant she either came home wanting to nail you into the mattress until you couldn’t walk straight. Or wanting to have you as close as possible, kiss you and hold you and have you in the most intimate and gentle ways she could. Easing her pain by making you feel good, distracting herself enough by focussing solely on you.
And that time around she had come home in need of the latter.
Her hands were all over you, grabbing at your hips, your thighs. Sliding over your waist and up your back. Grabbing at the flesh of your ass to keep you in a steady rhythm as you rolled your hips, firmly seated in her lap as you rode her.
She was all over you. But as much as her hands wandered they usually found their way back to their favourite place.
Her mouth was already preoccupied, nipple between her teeth and her wandering hand moving between gripping at your hips to squeezing at the tit that wasn’t currently in her mouth.
You arched into her, arms wrapping around her neck, fingers scrapping at her scalp, tangling in her hair. Keeping her close as she moulded the squishy flesh in her palm. She’d always had a slight obsession with your chest, seemingly at her happiest when she was using them as her own personal stress balls, or sucking the silky soft skin between her teeth.
You secretly loved those moments. The soft ones. When you moved slowly and the only sound in the apartment was your gentle, breathy, moans. The soft creak of the shitty bed frame as you rolled your hips almost lazily, slowly bringing yourself closer and closer to the edge. Ready to draw it out for as long as you could.
She had you filled to the brim, stretching out your cunt on her strap, a delicious ache settling itself between your legs. Every movement nudged the tip at a devastating part deep inside of you, setting your blood boiling and your cunt practically gushing all over her with how wet she made you. You thought that maybe those softer moments actually got you wetter than when she was throwing you around like rag doll. There was just something about watching Tess become so gentle. So gentle just for you.
The occasional light sound slipped past Tess’ lips too as she languidly licked and nipped at the tender skin of your chest, marking you up but much less harshly than normal. Her eyes kept flickering up to watch you, eyes that were usually set in a glare. But looked at you like a goddess reincarnated before her.
She pressed a hand to your lower back, trying to get you impossibly closer. The warm wet feeling of her lips and her tongue circling your nipples was sending tingles straight between your legs, and she knew it. Sucking the flesh between her teeth and moaning softly in a way that made butterflies swarm in your stomach. Still in utter awe she was seemingly getting off on just pleasuring you, unable to hold in the sounds slipping past her lips to vibrate against your skin, all because of you. Your feel. Your taste. You.
When you finally did come, your head fell back, mouth slightly agape. The slow build up erupting into an orgasm that blossomed over every inch of your body, every nerve blooming with copious amounts of dopamine and oxytocin. Every muscle relaxing until you slumped against Tess’ chest, sighing blissfully.
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The Buddy Daddies x Taylor Swift Playlist No One Asked For
I feel like there are a lot of Taylor Swift songs that fit Buddy Daddies! Be it the show in general, KazuRei’s relationship (most songs can be interpreted as both platonic and romantic imo), their relationship with Miri,…
So I decided to make a list!
And since there were more songs than I had initially anticipated, I put the list under a cut. You can find the songs (with link) below, as well as why I think they fit Buddy Daddies! Seriously, this got pretty long… You’ve been warned!
PS: Feel free to add more songs that you think fit! :) Or if you agree with songs I picked but have a more insightful explanation as to why certain songs fit, go ahead!
PPS: You know Kazuki has T-Swift on while cooking. He says it’s because Miri listens to her, but we all know Miri (and Rei, by extension and reluctantly) started listening because of Kazu!
FEARLESS (TAYLOR’S VERSION)
Change:
“Because these things will change
Can you feel it now?
These walls that they put up to hold us back will fall down”
I feel like this one is fairly obvious! The concept of change is very present in Buddy Daddies, especially in the second half of the season. And listening to the lyrics of this song, it just really fits Kazuki and Rei’s outlook on things in my opinion!
Also:
“You can walk away, say we don’t need this
But there’s something in your eyes
Says we can beat this”
Is this not literally Rei and Kazuki’s conversation in ep11, when Kazuki wants to give up Miri to keep her safe, while Rei wants to take care of her and protect her like that?
This song is such a KazuRei song, guys, like damn!
The Best Day
“I don’t know why all the trees change in the fall
But I know you’re not scared of anything at all
Don’t know if Snow White’s house is near or far away
But I know I had the best day with you today”
Literally Miri to her Papas and her Mama! Obviously not everything fits, but if we’d gotten a version of the show in which Misaki survived and took care of Miri along with Kazuki and Rei, this would’ve been so perfect!! I guess it’s the perfect song for a fix it fic?
SPEAK NOW
Long Live
"Long live the walls we crashed through
How the kingdom lights shined just for me and you”
I feel like this one has a similar vibe as Change. How Rei and Kazuki overcame so many obstacles on their way to a happy family with Miri. It’s once again a song that carries a lot of hope in my opinion, hope that no matter what you go through, it’ll be all right in the end. Which obviously is very fitting to Buddy Daddies.
Innocent
"It’s alright, just wait and see
Your string of lights is still bright to me
Oh, who you are is not where you’ve been”
This could be about either Kazuki or Rei, or one of them towards the other. How the dark part of the world they belong to shouldn’t define who they are as a person (kind of like, just because you do bad things, it doesn’t mean you’re a bad person, if that makes sense). And how their younger selves (child, teenager, doesn’t really matter) probably had a completely different idea of how their life would turn out (maybe Rei less than Kazuki considering how he grew up…)
EITHER WAY, it fits and it’s giving me feels!
RED (TAYLOR’S VERSION)
Forever Winter
“Too young to know it gets better
I’ll be summer sun for you forever”
I feel like this fits Kazuki when he first met Rei. How Rei was a shell of a person and Kazuki did everything he could to gradually bring the real Rei out (or part of the real Rei because we all know Miri helped a lot with that as well).
“He says he doesn’t believe anything much he hears these days
I say, “Believe in one thing, I won’t go away"”
Just… Is this not Kazuki taking care of Rei? T_T
Run
"There’s been this hole in my heart
This thing was a shot in the dark
Say you’ll never let ‘em tear us apart
And I’ll hold onto you while we run”
I think this one definitely fits more when you view KazuRei as romantic. But I think the sentiment of the song just really fits them wanting to live their own life instead of having to continue to do what the organization wants them to do.
1989
Bad Blood
“Now we got problems
And I don’t think we can solve ’em”
Aka the song that should’ve played during KazuRei’s raid in ep 12!! I think this is just their overall view of the organization by the end of the series. It’s just an epic song and imagining Kazuki and Rei killing Ogino and all the others with this song blasting… Good shit.
I Know Places
“They are the hunters, we are the foxes
And we run”
It’s kinda hard to explain this one, because it’s more as if the vibe of the song fits the show? If that makes sense? There are lyrics that do fit, of course, mainly the feeling Rei and Kazuki must’ve had knowing the organization was after them, but the feeling of tension and being chased, hunted,… Idk, it fits to me.
This Love
“These hands had to let it go free, and
This love came back to me”
At first I figured this could be seen as a KazuRei song, but while listening to it to see if it could really fit, I realised it could definitely be seen as the love Kazuki and Rei have for Miri? How they had to give her up, how they got her back, how she was the reason they managed to change, how they would never have guessed how much taking care of her would mean to them when they first met Miri,… Just listen to it with all of that in mind and tell me it doesn’t fit!
Wonderland
“We found Wonderland
You and I got lost in it
And we pretended it could last forever”
Aka the song that started this all. I was just randomly listening to this one and my brainrotted mind went “hey, Buddy Daddies” and it works so well!! If you think of “Wonderland” as Rei and Kazuki’s life with Miri, how they were completely enthralled by her and how they lost what they had,…
"But there were strangers watching
And whispers turned to talking
And talking turned to screams”
This is literally when they found out that the organization was after them and Miri. Aaahhh!! I’m normal about this song in combination with BD! It fits so well!!
This song also inspired one of my earlier BD gifsets, which you can find here!
REPUTATION
Dancing With Our Hands Tied
“My, my love had been frozen
Deep blue, but you painted me golden”
This is again a more romantic KazuRei song (the lyric above really feels like Kazuki after Yuzuko’s death). It’s about two people trying to stay together even though others want to tear them apart. This again really fits with the story of Buddy Daddies, with Shigeki wanting to separate Rei from Kazuki (and Miri obviously, but let’s just look at it from a romantic pov this time).
Like
“I'm a mess, but I'm the mess that you wanted”
Does this not sum them up?
Delicate
“Dark jeans and your Nikes, look at you
Oh, damn, never seen that color blue”
Again a more romatic song for Rei and Kazuki, maybe a bit more from Kazu’s POV? (Especially the lyrics I quoted because is that not Kazuki seeing Rei for the first time in Yadorigi). I think this really fits the relationship between Kazuki and Rei before they know what’s going on between them. They’re partners in their jobs, sure, but sometimes, there are these moments... And it’s confusing and what’s going on and all that.
Also, there’s this amazing male cover of this song, so if you want to picture it even more, be sure to listen to it! (He has more covers of songs listed here, so I’d really recommend listening to them!)
Look What You Made Me Do
“But I got smarter, I got harder in the nick of time
Honey, I rose up from the dead, I do it all the time
I got a list of names, and yours is in red, underlined”
Obviously this song has strong Bad Blood vibes so it would be also be perfect during Kazuki and Rei’s raid on the Suwa mansion! Okay, now I’m imagining Unhinged Kazuki having his phone on full volume blasting this song while killing a bunch of guys. Rei is so tired of him... Okay, nevermind that tangent, but the song is a vibe and it also fits because if Shigeki would’ve just let Rei be happy with Kazuki and Miri, none of it would’ve happened. Look what you made them do, Shigeki. Look at it!!
LOVER
Daylight
"I don’t wanna look at anything else now that I saw you
I don’t wanna think of anything else now that I thought of you
I’ve been sleeping so long in a 20-year dark night
And now I see daylight”
I think this one can be interpreted in many ways! A combination of Rei and Kazuki towards each other, in both a romantic as well as a platonic way. But I can definitely see it as Rei and Kazuki towards Miri as well. How she was the reason for the changes they made and how happy they are that they managed to change because of her! How they finally managed to get a soft life after everything they went through!
Also special shout-out to @toripar who’s pointed out how well this song fits them!
FOLKLORE
Seven
“And I’ve been meaning to tell you
I think your house is haunted
Your dad is always mad and that must be why
And I think you should come live with
Me and we can be pirates”
Okay, so to be honest, most of this song doesn’t really fit I guess, but holy crap, the lyrics I quoted above?? Is that not Kazuki at Rei? Jfc!! I literally just added this song for those lyrics!
This Is Me Trying
“Pulled the car off the road to the lookout
Could've followed my fears all the way down”
The sentiment in this one really fits both Kazuki and Rei. I know not all the lyrics make sense, but the feeling of trying your best despite all the crap you’ve gone through/are going through really fits both our boys. They both went through crap, but try to be better every day. For Miri, for themselves, for each other.
EVERMORE
Tolerate it
“You assume I’m fine, but what would you do if I
I break free and leave us in ruins?
Took this dagger in me and removed it?
Gain the weight of you then lose it
Believe me, I could do it”
THIS IS LITERALLY A REI SONG?? Just picture Rei and his father’s relationship while listening to it! I feel like it especially fits younger Rei, from before he left his father to live on his own. How even back then, Rei knew that this wasn’t how a father should act towards their son.
I know some things don’t add up, like the idolisation of the other person in the song, which is something Rei didn’t do obviously. The way Shigeki only saw Rei as a cog in the machine that is the organization, how Rei had to accept everything his father said and did… But on the other hand, maybe he once did idiolize his father, when he was younger and didn’t know better yet? Because that’s how it goes in the Suwa family?
Either way, it’s a Rei song!
Cowboy Like Me
“And the skeletons in both our closets
Plotted hard to fuck this up”
Two people doing their sketchy jobs, meeting one another through said jobs and falling in love? Do I need to say more?
Obviously a more romantic song, but I guess in some way it can be interpreted as platonic as well.
Right Where You Left Me
“Everybody moved on
I, I stayed there
Dust collected on my pinned-up hair
They expected me to find somewhere
Some perspective, but I sat and stared
Right where you left me”
This one doesn’t really fit, to be honest, but the part above just really feels like Kazuki after Yuzuko’s death. That’s the only reason I added this song.
It’s Time To Go
“15 years, 15 million tears
Begging 'til my knees bled
I gave it my all, he gave me nothing at all
Then wondered why I left
Now he sits on his throne in his palace of bones
Praying to his greed
He's got my past frozen behind glass
But I've got me”
Again, a song that for the most part doesn’t fit the show, but I just wanted to point out these lyrics because this is literally the relationship between Rei and his father.
MIDNIGHTS
You’re On Your Own, Kid
“I looked around in a blood-soaked gown
And I saw something they can’t take away
'Cause there were pages turned with the bridges burned
Everything you lose is a step you take"
So for this song it’s mainly the bridge and the ending that fits Buddy Daddies. I feel like there are so many references to Rei and Kazuki, how they did everything they could to protect Miri and their little family, how Rei cut ties with his father, how they let go of their pasts and their traumas to live happily with Miri and each other!
I know this may sound like an exaggeration, but I sometimes tear up during this part just thinking of Buddy Daddies (this being one of my favourite TS songs is probably a reason as well). I might even try to edit a video with this last part of the song…
The Great War
“My hand was the one you reached for
All throughout the Great War”
This is a bit 50/50, but it still fits in a way. I know that the original meaning of the song doesn’t really make sense in the situation, but if you regard "The Great War” (which in the song means an argument) as Kazuki and Rei’s battle to leave the organization and live their life with Miri, it works. Also just the symbolisms of fighting and war and blood and everything that’s mentioned fit with Rei and Kazuki’s jobs.
Bigger Than The Whole Sky
“Goodbye, goodbye, goodbye
You were bigger than the whole sky
You were more than just a short time"
I feel like this song really fits how Kazuki and Rei must’ve felt after giving Miri back to Misaki. But besides that, I like to picture that there is a deeper meaning to the song as well:
The song often repeats the lyrics “I’m never gonna meet what could’ve been, would’ve been, what should’ve been you”. And like I said before, this really fits Kazuki and Rei giving Miri up, but I think it also fits Rei and Kazuki giving up the versions of themselves they’d hoped they could’ve become when they started to take care of Miri, bringing back the whole plotline of change.
A while ago, I decided to make a fanvid with this song and the show. If you want to watch it, you can find it here. Feel free to let me know what you think! I’m really happy with how it turned out, even if it is kinda angsty and sad.
If you managed to get to this point and read everything, HOLY CRAP! Thanks for the dedication and for reading my ramblings!! I hope you enjoyed them! <3
~ Charlotte
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