#i also think culture plays a big part of it too

[unseemingowl]

Saga Anderson, and Nordic rep in Alan Wake 2

Early on in Saga Anderson’s exploration in Alan Wake 2, she runs into Ilmo Koskela. Fiercely proud of his Finnish heritage, Ilmo gregariously makes note of Saga’s Nordic sounding name and the familiar design of her knitted sweater. Perhaps a fellow Finn?

Alas no, Saga’s mom is Swedish she informs him. Immediately Ilmo’s face falls. I’m not sure if it’s actually just the animated character defaulting to his resting face, but either way the timing is too perfect. Cue uproarious laughter from me. People in the Nordics are on friendly terms of course, but we gotta have the tiniest bit of… scornfor each other. All in good fun of course. It’s traditional.

Now, I’m Danish, not Finnish, but still, I feel right at home in the towns of Bright Falls and Watery in Alan Wake 2. All of the little nods to Nordic culture and mindset feel so wonderfully familiar to me. The melancholia, the irreverent sense of humor, the affection for the Finnish and Swedish quirks of the characters. The game feels all the stronger in tone and narrative for Remedy embracing the Finnish roots of the studio.

Which is exactly why it sucks that I almost immediately saw the charm of those narrative decisions weaponised against Saga.

I first watched the scene between Ilmo and Saga on a lets play when I was trying to figure out if I should finally dip my toes into survival horror and buy the game. Delighted by the writing I took a look into the comments to see if people were vibing as hard with it as I was. They were. But I also saw a comment that made me frown.

Paraphrasing, it basically went, come on, like hell a guy like Ilmo would make the assumption that a black woman is Finnish. There are a multitude of reasons why I think that person was wrong, mainly that Nordic people love it when we run into each other in other countries, but it also just made me sad.

Saga being black does not negate her Swedish heritage. Formally, she is American, sure (I assume, not sure how that works in the US), but she’s raised by her single Swedish mom, of course she’s going to identify heavily with that part of her herself. It’s a profound and essential part of who she is.

But hey, I’m a white potato Dane, so I’m not gonna argue that I know much about the experience of being biracial. I’m gonna stick to what I know, which is that Saga is a very moving and beautiful example of something that I’m actually not used to seeing much of - a story about connecting with your Nordic heritage and roots. And it’s part of why I love her so much.

When Nordic people show up in big, international productions, it’s usually as Vikings, and sure, it’s fun to see our wild ancestors, but contemporary questions of Nordic identity and heritage is not something I often see explored. Not even in our own productions.

So much of Saga’s story is about family. Fighting for her current one, Logan and Casey (and sure, David too, lol), and rediscovering her first one. Tor and Odin.

Her discovering her ties to Tor and Odin is profoundly moving and made me teary-eyed several times over. And sure, a lot of those ties are fantastical in nature, but they still feel very much grounded - and what makes us Nordic if not the ties to our myths and legends that Tor and Odin have made themselves the living avatars of.

While Saga’s mom, Freya, had good reasons for leaving the Anderson seer magics behind, seeing them as part of what made her family fucked up, she also cut Saga off from the fullness of her capabilities. It is only through Saga reforming her family, healing its scars and fully embracing the Anderson heritage that she becomes as powerful a parautilitarian as she is at the end of the game. That’s beautiful.

And in fact I think Saga being black only deepens the richness of those themes rather than negate them or make them irrelevant. Because yes, Saga’s story would have been moving if she was a white character too, but I am very well aware that a lot of biracial people of Nordic ancestry can feel alienated from that part of themselves. Not least because questions of who gets to claim a Nordic heritage can get pretty ugly around here. There are most definitely people who share the racist mindset of that commentator. It adds an extra dimension. Which is why seeing Tor and Odin’s eagerness to claim Saga as part of the Anderson heritage is all the more moving. Through her magics, she’s just so obviously an Anderson, and they’re so damn proud to call her theirs and fight alongside her. Because they all got that wild Viking blood in them. They’re part of her and she’s part of them.

Roger Ebert, the film critic once called movies empathy machines. I think games, when they’re at their best, can be an even more intense variation of that. Which is exactly why it baffles me that some people can play through Alan Wake 2 and still think Saga is a stunt-woke character rather than someone fully and beautifully integrated in the narrative. A narrative which, at its most basic level – in my opinion – is about the mystical bonds we form with each other and the rest of the world through art and love and blood and family and heritage. All the great horror doesn’t negate that either, it amplifies it. Kind of like that clicker.

#I really didn’t mean to write like… a fucking essay #so this is probably gonna flop #but I love Saga so much #and as a Scandinavian woman #I feel so seen by her #and I hate that people are being so vile about her character #Saga Anderson #Alan Wake 2

[a-god-in-ruins-rises]

there is this idea that crime is caused by poverty. it's so popular that people state it as fact. and i think there might be some truth to it. but honestly, i think it's overstated and the relationship between crime and poverty is a lot more complex than people think.

just anecdotally speaking, it never sat well with me because my personal experience has been that criminals tend to be opportunistic predators not people acting out of desperation. i knew lots of people who shoplifted or robbed people and almost none of them were so desperately impoverished that they needed to resort to crime.

they chose crime because it was easy money. there was nothing preventing them from getting a job. they just didn't want to work a 9 to 5. the bandit lifestyle was just a lot more convenient. let those other suckers work their asses off and then you can just rob them. i knew people who were living comfortable middle class lifestyles from boosting and drug dealing.

and the irony is, this sort of behavior actually impoverished our community in a lot of ways. it seemed to me like the crime came first. when my parents group here this area was really nice. then in the 90s and 00s crime became rampant and the entire community went to shit for a variety of reasons (luckily things have turned around in recent years thanks to some tough-on-crime policies). my own family (which was below the poverty line for most of my childhood) has been stolen from multiple times (including our car one time which really fucked us over). these people weren't robin hoods stealing from the rich and giving to the poor and they also weren't impoverished victims just trying to survive. these people were just straight up predators without a conscience.

#i also think culture plays a big part of it too #but i've said enough and don't wanna get too into it #i just know that these people tended to have similar cultures/lifestyles #and were often enabled or even encouraged by their parents #the fact is that by the age of 13 these kids already decided they wanted to live a life of crime #because it was cool and easy #anyway i'm just posting this because i saw some guy on twitter post a study #that seems to support my personal experience #oh also another thing that i wanted to mention #was that while my family was technically impoverished #no one in my family had any criminal inclinations #i mean #a lot of them were drug users i guess #but no one ever robbed or assaulted anyone #no one ever thought “damn we need money let's go shoplift electronics” #instead we all just got jobs #lmao

[bucephaly]

Weird seeing posts that are like 'man you have [experience]? You might actually be [LGBT identity]!'

Like. Phrased in the same way we might say 'you might have adhd!' As if LGBT identities are like. Yea you were born agender!! Yay we figured it out!!

As if these aren't all just Words people might feel like describes their experiences

The identity doesn't come before the experience. The identity is just a way to sorta communicate experience to other people that's all it is

I just feel like people get so caught up in identities without letting themselves experience themselves without immediately trying to fit themselves into a box

#does this make Any sense #and ofc theres community in identity! #theres community in shared experiences #but also like. all of these experiences are dependent on our culture #and even things like being adhd or autistic or depressed or etc etc etc is also just words we use to catergori #categorize smth that doesnt necessarily fit in little boxes #idk lmao idk if this makes any sense whatsoever #this is coming from someone who got stuck IDing as ace for Years thinking 'ok i figured it out so there we go (:' at fuckin 14 #and then kept that for like an entire 8 years and all it did was heighten the shame that IDing as ace was a result from anyway #i was a kid who felt xtian raised-as-girl shame around sex and read that as lack of attraction #then built an ID around being ace and then it was like Oh But I Cant. Im Ace etc etc etc #also being autistic played a big part too #and its just. i rushed to try to have an ID instead of just letting myself develop and then try to find a word for it #[no this isnt saying kids cant know themselves. i mean in general dont act like identity is intrinsic #its mutable and it changes because experiences change and identity is still just a word. its a word to describe you #you shouldnt be trying to be [identity]] #anyway uh. rant over i guess i gotta stop yapping

[ravenwolfie97]

okay i Finally feel like i have the time and energy to get back to genshin

it’s a small thing early on in the tcg grand prix thing but i thought it was interesting

so when kaeya greets charlotte, he says “enchantée”

which is initially in line with him being a smooth talking kind of guy

but since charlotte is from fontaine, which is mostly based on france, he’s probably just greeting her in her national language, which is really thoughtful and respectful of him

i just thought that was neat :0

#genshin impact #french interacting with english is difficult to figure out bc so many french words are loaned into english #so like it's hard to pinpoint whether they're actually trying to do a french thing specifically or if it's just coincidence #bc you Can say that as a fully english person and no one would really bat an eye. other than thinking you're kinda stuffy and pompous #there is something to be said that most of the regional language stuff is translated into english in genshin unless its like a title or nam #like no one says greetings in their national language elsewhere - any change in greeting or any idioms are still in english/common #so this is probably just a matter of coincidence that felt in-character for kaeya and charlotte happened to be from anime france #i still think it's cool >:3 #cuz im a language nerd and i like that genshin plays with language a lot #edit now that i've gone to liyue...and finished the rest in general dkdhdj #charlotte being called 'mademoiselle' makes sense too since its more respect toward her #but it is also more of a title. though i can't think of another region that does a thing like that #it is weird now that i think about it how inconsistently genshin sprinkles in foreign honorifics #like again. french is part of english. we're used to it #and the few times they use things like 'sama' and 'sensei' in inazuma/japanese its only not weird bc we're all weebs here #liyue i can somewhat understand because we don't know anything about chinese culture and language in eng #but mondstadt is german. which is the other big part of english. you would think there would be more language representation #other than fischl and venti's lyre and a couple other small things there really isn't much #it's just baseline fantasy land mostly in english #its not like people in mondstadt go around calling each other by Herr and Frau. or anyone in inazuma using -san or -chan even #like if those ever do happen. its an edge case. it isn't strict. so i wonder if fontaine is more strict in its etiquette #anyway. rambled for a good bit #point being i think it's weird but not unwarranted that french is being used more compared to other languages in everyday use here

[celaenaeiln]

I want to talk about Dick Grayson's beauty, sex symbol status, and how it all connects for a moment.

This is a prelude to an upcoming post but I needed to include this separately because the other was getting too big.

First of all Dick Grayson is a beautiful man.

And you're probably thinking "well, no duh. Everyone knows that." but what I mean is Dick Grayson was intentionally made to be beautiful.

For a little historical context, around the late 1950s the culture in the US was changing. It was around this time, that people began exploring and accepting what they called a "feminine man".

This was really taking place in cinema and stuff where they began to show softer versions of men doing "typically female roles" as heroes.

One example is the movie "The Man Who Shot Liberty Valance", a 1962 Hollywood film. In summary, it takes place in the midwest and is centered about Cowboys, gunslingers, the shebang. But the point is, there are two male leads in the movie - Ranse Stoddard (played by Jimmy Stewart) and Tom Donophon (played by John Wayne). Ranse and Tom are both the heroes in the film but with a key difference. Tom is like the sheriff of the town, loved by all and focusing his time on practicing his gun skills. The savior of women and normal people, he's the typical masculine hero. His face is rough and handsome. Ranse however was the new wave. He doesn't care about carrying the gun, he thinks it's uncouth and focuses much of his attention on sending the evil guy (Liberty Valance) to jail through laws. He doesn't want to kill and he takes a more advocative approach. He is also loved by everyone despite not being super masculine. Ranse's face is clean and almost dainty in comparison to Tom and Liberty Valance's.

Despite the complete opposites they are, both men are considered heroes. On one hand, you have the very male typical hero but on the other hand, you have the feminine male hero. At one point the evil guy laughs when Ranse walks in wearing an apron because serving tables is a "woman's job", but Ranse doesn't let it bother him.

How does this connect to Dick Grayson?

Dick Grayson is the feminine hero of DC. DC jumped on the pretty boy hero train.

That's also why in the Teen Titans (1966) comics, Dick keeps being referred to by endearingly feminine pet names by the titans which they seem to only use on him.

Standard gender roles: Men were expected to be strong, aggressive, and bold while women were expected to be polite, accommodating, and nurturing. Sound familiar about a certain duo?

But Dick? He plays both male and female gender roles in a time period where it wasn't socially acceptable to do so.

So my point is, Dick was created to blur the lines between gender and the way his character has progressed - he's meant to be the definition of a man opposite to male toxicity.

He can cook and do laundry whereas Bruce, the image of male dominance cannot.

This also falls into another role of Bruce and Dick's but it applies here as well in hindsight.

One thing people need to understand is that Dick was created to be the antithesis of Bruce Wayne. For all the gloominess that Bruce is Dick was meant to be the joy. He is the light to Bruce's darkness.

Which is why Dick often acts as the loving mother to the batfamily while Bruce acts as the stern father. Because Dick was created for the female role.

Part of the reason why I love Dick and Kory is because they do this at a time where girlbossing and malewifing wasn't a thing. Kori is consistently the dominant one when it comes to love in their relationship while Dick plays a softer, more "wife like" role. The way Kori is taller than Dick and buffer than him ✨

He is quite literally a queen consort - that is the role that Kori begs him to take after she is forced to marry someone her father picks out for her. But Dick refuses in tears because his morality cannot bear becoming a mistress and ruining someone else's marriage.

I know this is a long tangent but here's where the sex symbol comes in. Dick was created to be the most beautiful figure in DC but him being beautiful is not supposed to be confused with him being objectified.

Being beautiful is just something he was born as. What people do as a result has nothing to with DC

Take this for instance

He's literally just showering and comes out of the shower to find a random little girl singing about his and batman's identities. Creepy? Yes. Very much so. So he chases after her and finds her gone. Well there's nothing he can do now, he needs to go back and analyze what's going on and contact the other titans-

Crap.

Look at all the women that are ogling him, and even the ginger looks as if he doesn't know if he's jealous or wants to join - but there's nothing Dick did to make them do that. He's literally minding his own business and got caught outside. Did he hit on the women? Did he seduce them? Did he purposefully show off and make a loud commotion because he wanted the attention? No!

Arguing that Dick Grayson shouldn't be a sex symbol just seems wrong to me considering that it's not a fault of his.

It's like telling Kori not to have large breasts and telling Dinah not to wear fishnets.

People still ogle them regardless of how they dress because they're just that attractive. You can't tell someone to look a different way because you don't like the attention they're receiving...that's literally the opposite of everything people should be fighting for

Arguing that Dick Grayson being a sex symbol is a problem because he's too beautiful and blaming the actions of other characters for thinking so is just...

it's wrong.

He was created to be beautiful to fight male toxic masculinity. He's woman coded for a reason.

We should be embracing him. He represents everything male freedom should be about. He constantly placed in a female role, in female positions-

In queer positions-

He's acrobatic, slender, and sensual. He's gentle, loving, and beautiful.

When has the beauty of a person ever been a reflection of their character? The way fandom is going, it's implying that because female characters make sexualized comments about Dick's body, it's somehow Dick's fault for looking that way. We're blaming him for his "womanizing" ways as if he hasn't put his heart and soul into every relationship he's had. And while we're busy calling him a womanizer, we conveniently forget that the women he's in relationships with have significant personalities of their own. We inadvertently reduce their beings to plastic bags, ignoring that they have broken up with each other because of being unable to resolve conflicting beliefs, different career paths, different lifestyles, and more. It's not a one way road with our treatment of Dick. It's a two way street because we're harming both Dick and strong women like Kori, Barbara, Bea, Shawn, and Helena by pretending what they believe in and live for is unimportant in love.

Instead we should be exploring how the objectification might have an impact on Dick's mental health rather than blaming DC for using characters to describe how hot Dick is.

All the beautiful traits of Dick Grayson - his ambiguous sexuality, his overwhelming love for people, his affection for his friends, the way he cries and feels for others - all of it is beautiful, is it not?

From his very creation Dick was meant to be someone who breaks gender roles. The constant attraction he receives from both men and women in all of DC's media is evidence of that. The Grayson comics push the boundaries of his sexuality as much as DC will allow. To be queer without coming out with it. He is the feminine hero.

Everyone seems to hate that he's being called a sex symbol but why does that bother you? Dick Grayson IS the pretty girl of the comic universe. He IS the babygirl of DC.

DC has created the perfect view of what it's like to be a woman through Dick Grayson and we're spitting on the most accurate representation of a female that comics have ever created by blaming them for expressing what it's like to live as a woman.

#dick grayson #nightwing #I would love to hear people's thoughts on this bc I genuinely don't get the problem with him being portrayed as hot #bruce wayne #batman #dickkori #my thoughts on the sex symbol thing #prelude to my next post #koriand'r

[drchucktingle]

Hello Dr Tingle! I wanted to ask you about that re: your post about how all your books are serious literature (hell yeah Love is real). How do you personally deal with the whole traditional publishing institution? It attracts a whole different level of coverage and it seems that they're very quick to try and box you and like turn you into a brand. Is it stiffling? Is it freeing? Does the attention help more people understand your trot? I don't know I've never been published but since you have experience in both traditional and self publishing I'm interested in knowing how that's feeling for you

well this is a pretty complex question with lots of different trots but i will try my best to answer. lets start with WHO I AM as buckaroo name of chuck

what i create has a very strong voice and my way is pretty recognizable. while buckaroos do not know what most authors look like, i REALLY stand out in a dang crowd with a big pink bag on my head. if you see 50 random author photos and mine is mixed in and then you ask 'which photo do you remember the most?' it is probably gonna be chuck. i also have a VERY UNIQUE STORY with what i create and my artistic sensibilities, not a lot of buds are out there making trans mothman erotica along with their big five traditional publishing bestsellers (SIDENOTE preorder BURY YOUR GAYS)

now if you were going to take 'CHUCK TINGLE' to a marketing department they would FALL OVER BACKWARDS IN THEIR DANG CHAIR with excitement. it is hard to think of an author with a stronger BRAND than i already have in the sense of 'instantly recognizable trot and specific unique style'. even in answering this you can tell that i dont even TALK like other dang authors.

what i am getting at is this: i am VERY VERY LUCKY because my existence just so happens to equate to what a company would see as GOOD BRANDING. it is not intentional on my part, it is just the hand of fate i guess. im out here expressing myself in a FULL ON WAY that is PRETTY DANG STRANGE TO SOME and it just so happens to work as mainstream branding too

on paper you might think 'what the heck no way chuck tingle will fly as a mainstream trot' but honestly the main thread of this timeline can be surprising sometimes. ive been saying the key ingredient for years and i will say it again: LOVE AND SINCERITY RESONATE. when you make art with this fuel, the timeline will feel it. when you stand up tall and shout with your whole chest THIS IS MY WAY AND I LOVE MYSELF. I AM THE WORLDS GREATEST AUTHOR TAKE IT OR LEAVE IT, the timeline will listen

so all that said, i do not mind the idea of myself as 'brand' because i am not CHANGING myself to create this effect. what some might see as 'brand' i just see as another part of my art. i have always believed that art is THE WHOLE EXPERIENCE not just the painting but what is outside of the frame. WHO I AM is just as important as the books i write, and interacting with my way is a whole MULTIMEDIA experience that INCLUDES YOU TOO. it is the feeling when your friend shows you your first tingler cover, or the feeling when you realize that i am not playing a character. this is ALL a part of the tingleverse and it is all a part of my honest raw expression as a queer and neurodivergent buckaroo.

YOU ARE PART OF THIS ART TOO

it is my nature of have a PUNK ROCK trot. always has been. but to me that does not mean just angrily going against everything for the sake of going against everything. for me, this punk rock trot means fighting to EXPRESS MYSELF IN THE MOST HONEST AND PURE FORM POSSIBLE and to create the art that i want to make without any boundaries

somehow i have threaded the needle in this really interesting once-in-a-dang-lifetime kind of way. my pure punk rock self as an OUTERSIDER ARTIST just so happens to resonate with this larger system of brand and traditional publishing and popular culture. i COULD reject this, but rejecting it would be LESS HONEST.

this is just who i am. i LIKE pop culture. i LIKE joy. i LIKE dressing in all pink and wearing my custom suits. I LIKE PROVING LOVE IS REAL WHAT THE HECK ELSE EVEN IS THERE? i love being a queer outsider artist and using my small voice to shout at the big bad devils and i like that every time i shout a few more of you buckaroos join the chorus and together we are just getting louder and louder and louder and WHO KNOWS what comes next for us all trotting together.

when i post something like 'WHAT A GREAT DAY TO PROVE LOVE' it is not me sitting here in a bad mood thinkin 'well i gotta make todays post to keep up with my brand'. i am ACTUALLY FEELING THAT FEELING and i actually believe it with every fiber of my being. honestly, half the time i post about the beauty of this timeline i am probably over here literally crying tears of joy (chuck is an emotional bud i get riled over the joy of existence A LOT)

and heres the best part of this trot: because i really have this punk rock way it makes me very powerful. others can pretend not to care about success and brand and all that but I REALLY DO NO CARE. i would write tinglers whether buds were reading them or not, this is just my natural state, and that makes me incredibly strong. if some big corporation says 'YOU MUST DO THIS' and i dont want to do it i just say 'no thanks'. it is not some big debate about my career or anything like that because I REALLY DO NOT CARE IN THE SLIGHTEST. i care about the art

because of this, my relationship with my GIANT TRADITIONAL PUBLISHING MACHINE is great. we trot like equals and we get along really well. i tell them exactly what i want to do and they let me do it. i really do not have to answer to anyone and they deserve a huge amount of credit for respecting me in this way.

and heres the thing, THEY ALSO HAVE SOME GREAT IDEAS

SPECIFICALLY my imprint of NIGHTFIRE is very dang cool. yes, they are the head of a giant hydra of a BIG FIVE PUBLISHER, but nightfire is SO DANG ART-FOCUSED

there is no right or wrong way to be an artist, and my path is not the only one, but i can tell you what WORKS FOR ME. this is the advice i would give myself, and buckaroos can take it or leave it

here it is: never beg the big book publisher, or record label, or movie studio to pay attention to you

do not let it become a lotto ticket in your brain. do not think that you are some weak little creature and maybe if you trot just right they will scoop you up and take care of you. do not go to their door begging to be let in

LET THEM COME TO YOUR DOOR

create something so incredible and beautiful and honest and powerful and unique and important that they would be foolish to miss out. create a community or a system or a timeline or a world of imagination that thrives on its own and THEY SHOULD BE SO LUCKY TO BE A PART OF IT

then when you sit down at that board meeting it is not 'please brand me, ill do whatever you want'. instead, it is 'lets make a deal and see how much love we can prove together.'

now lets trot buckaroos

#buckaroo lifestyle #chuck tingle #tingleverse

[unproduciblesmackdown]

talking about like adjusting one’s on Perspective when the standard on what’s standard is what might seem wild to other ppl when it was never standard for them, like, doesn’t change anything to go “i identify this as inherently disrespectful out of line treatment that isn’t worth the energy to try to Work With” when the person behind it is just Gonna Be Around anytime all the time &/or there’s no real personal relationship anyways besides proximity....what i mean is  going “that was a really frustrating & rude interaction i had with the person in the next room the other morning when i was closing the door to the bedroom & even offering an explanation why (trying to) & she interrupted to talk dismissively over that & also shoved the door back open while i’m standing right there (though bad enough to just do that at all)” to like oh yeah beyond frustrating & rude that’s just definitely a totally unacceptable way to treat someone wherein sure nothing changes b/c i don’t accept it except idk, maybe i remember to also just not bother explaining things lmfao, things will unfold the same ways anyhow b/c it’s like I May As Well Not Have & it just saves a little effort....but with this person it’s also rare like, usually really aggressively angry at any time either towards Concepts or people who are Not Present, and when people Are present, it’s generally like, incredible passive aggressive stuff that also really can’t be worked with. and since i’m around, i get the [Yelling At Concepts Or People Who Aren’t Present] live concert experience anytime of day or night which is very stressful in like, trauma response ways lol i don’t even always Notice like oh right, adrenaline, unless there’s some Bonus element like i notice my legs are shaky from the ramped up tension. b/c it’s again like well, that’s standard. but i’m also like welp this isn’t anything Directly Directed at me, so what do you even call it except “damb...this shit sucks :/” where you know it’s not surprisingly like, trauma responses are a Present thing vs like yeah shitty stuff happened back then & it’s all a Past Experience bummer memory now, like nah it’s in the here & now still....but even sitting here like “well That occasion the other day was one of the times things were done directly to me & it was clearly shit >:/” but it just now occurs to me like well you know: this whole time the person in question Knows i’m present & proximate for all these occasions she’s going off on one with aggressively angry outbursts about anything and this Knowledge doesn’t affect anything at all (except again that the one time she like tangentially was aware i was crying out of stress b/c i was going around [mitigating the situation], sympathized / cared in the moment, then within a few days had exacerbated the very matter that stressed me out that much Because of that awareness)......the point is it occurs to me atm like oh you know that’s also a way i’m being treated directly actually, that the awareness i, another person, am experiencing this / possibly affected by these actions, Does Not Matter......like i’m affording this insulation lol like well she’s not doing it To Me specifically so how do i even categorize this grievance, and just kind of skipping over the premise of [this person isn’t considering me at all in this / my presence & theoretical experience is not A Factor to her in this] is like, also shitty on its own and Present Bad Treatment rather than something mitigating and like a reason it Doesn’t have to do with me at all

#it's of course also the matter like i could always stand to encourage myself to be More communicative w/ppl when that's like; safe #and nothing ever works by flipping switches so in the moment it's difficult to remember like ''don't try Explaining anything to this person' #plus that it's not Necessary when it comes to things like hey i can close this door. but def reminding myself like stick to concrete Info #if she's going off on one over some present Practical Situation i might go over (despite yknow. the Stress) and be like as matter of fact as #possible ask what's going on; say what i might do to assist with that situation. as a side effect usually having to Talk in a brief exchange #otherwise it's like. withhold anything Personal from exchanges. & avoid exchanges; which i do #tfw like this person's presence even when being quiet creates this inherent Tension / increased stress / Hypervigilance...normal & fine #kicking in a humorous montage of you know; classical music plays over semitransparent armchair / rudin's the thinker panning around #woops *rodin. this philosophy symposium is in shambles already lol but anyways like musing on things even if it doesn't really Do anything #it does something for oneself i suppose like can't draw any boundaries here or change the experience #it's someone just operating Unilaterally who as stated like just doesn't care & will p much only double down on justifying everything #just some matter of factness from yours truly as i again smoke the bubble pipe like Ah....the inherent disrespect towards me as a person.... #it was here the whole time & not really subverted by ''well they're just not thinking of me at all while they do shit that hurts me'' #obviously bad for them too but...... #funny to have it forever like Sorry For Party Rocking Oversharing but that's relative lol like i don't really think that #like this is literally Everyday type experiences and i know hardly unique / That uncommon and like. again it's matter of fact & relevant #like yeah i guess said everyday; generally relevant shit would be considered of a Topic that some ppl would never wanna discuss #no shit like ''ough Trauma is a big deal it's Too Much to be part of a Normal Conversation; keep that under wraps'' like #well yep that's like. Been the cultural attitude lol nothing new. private embarrassing weird problems to be sensitive secrets #and like yes idk cue having friendships / friendly acquaintanceships where it's like oh cagey armslengthness that doesn't really help #b/c being autistic / that communication / social style difference aside it's like well uhh there's a lot of info abt me & my life that i am #aware is like oh that's Awkward that's Too Much that's a big deal so you know. isolation feedback loop lol can't share that b/c we're not #that close yet / i already get the sense it's like Private/Embarrassing / we don't Become close b/c there's plenty abt myself under wraps #and like again this is just a matter of fact Post not abt a hypothetical convo. we're not befriending each other. just sharing lore #and i'm comfortable enough with that vs idk if other ppl would think it would be too private to casually / impersonally mention #or to read about i guess like whom tf is reading my posts lmao if you're here god knows what i'm ever talking about. Stuff & Things #j/k scroll past this shit as per the nature of posting...ugh f for trying to j/k scroll when intradash Ads load & throw it off #anyways adventures in adjusting perspective like turns out it's never really a ''It's Not That Bad :/'' matter lol

[chokchokk]

𝔰𝔢𝔯𝔳𝔢 𝔱𝔦𝔪𝔢 | park seonghwa x fem!reader x choi san

part one of gangster!mafia!series "𝐝𝐫𝐢𝐯𝐞-𝐛𝐲 𝐦𝐞"

“Brother, can’t you see I’m doing this for you? Enjoy yourself.”

𝚜𝚢𝚗𝚘𝚙𝚜𝚒𝚜 : Picking your own poison, if poison was given to you in form of bankrolls by venomous men with high demands.

In which Park Seonghwa had a plan and Choi San has ideas.

“Sounds like you’re enjoying her more than anything."

𝚐𝚎𝚗𝚛𝚎 : noir, smut, angst | korean mafia/geondal!au | ceo/jaebeol!au

𝚠𝚘𝚛𝚍 𝚌𝚘𝚞𝚗𝚝 : 18.2k

𝚌𝚘𝚗𝚝𝚎𝚗𝚝 𝚠𝚊𝚛𝚗𝚒𝚗𝚐𝚜 : entitled rich people, workplace harassment, alcoholism, softdom ceo!seonghwa (headman park), half-drunk satoori-using dom mafiaboss!san (mr. choi), both are called by their names at some point, sub-leaning bratty switch servant!femreader, use of (pet-)names (missy, baby, princess), groping, thigh-riding, light choking, light hair-pulling, non-penetrative sex, voyeur!seonghwa, sex in the elevator, counts as mirror sex right, biting kink, manhandling!san, edging, breeding, cum-eating (m), cunnilingus; reader hates the rich except for when they are sexy, implied but not severe age gap, writer does not have daddy kink but mafiaboss!san does, gunshots and death, use of korean proverbs

𝚊𝚞𝚝𝚑𝚘𝚛'𝚜 𝚗𝚘𝚝𝚎 : this with the next part will be the origin story for reader, specifically the series synopsis’ first half :) originally, this has been a request, so please read this, if you desire to have a bit more insight to what the series actually is + translations of certain terms (mostly character dynamics) in this chapter !!

tl;dr: since it's all based around korean mafia/gangster/etc, there will be korean culture scattered between the lines. it is all translated, hopefully in an understandable way!!! (please hmu if there are difficulties) i let out honorifics/romanisation, except for "chaebol" since it's an actual word :) that being said, reader's ethnicity is not specified and won't be relevant to the series in any way !! 

smut comes after the second border, and uh,,, i had to shorten that shit (pls dont ask me where) but uh. you’re getting 8k words of smut so buckle up LMAO !!! i hope you enjoy as much as i did writing it !!! thank you for likes, reblogs and feedback xoxo (also this is NOT beta-read so pls dont hesitate to tell me about... like.... errors, tags and shit)

[ now playing : money ▸ pink floyd | listen to the playlist ]

It's getting repetitive. They are drinking their ninth bottle of expensive whiskey, smoking their third or fourth disgustingly pricey cigar— what the fuck, is this seriously what the upper men of your nation are doing at some stupid chairman’s dinner party?

“Missy!”

“Me, sir?”

No wonder the economy's fucking shit.

“Yeah, you, missy, give that gent over there one of our divine Denmarks!”

“Yes, sir.”

“Give him a kiss too, while you’re at it! What do you think? He’s still got it, no?”

Said ‘gent’, some old, scummy clown— winks at you, his gray eyelashes fluttering towards your direction.

“Yes, sir."

God, how bad you wish you had snuck your phone in to take a picture of these red, drunken, senseless faces, but you're a dutiful servant, abiding by the rules at all times, however difficult it may be. You’re holding in your puke professionally, not even doing something as to grit your teeth, just softly letting your jaw play along to your friendly smile.

“Does your willy even still work that way, old friend?", a cranky, yet humorous voice pitches in.

Agreeing to your supervisor’s offer to earn “big money” may have been a bad idea, but a good choice. Jongho said he’d seen you at your work, took special note of you— even though you weren’t sure where exactly he had observed you, since it’s only been a month of actually working as a servant in the lower tiers of the building— and wanted to give you a chance to swim with the big sharks. “I think you’re best suited for the job,” is what he said to make you giggle and think about your initial rejection of his proposition, “you have a talent for serving.”

Something you didn’t know you had, something you didn’t know someone would see in you ever in your life, “talent.” Sure, maybe you let yourself be persuaded a bit too fast, but it felt very touching that somebody saw you and saw potential, for whatever occasion it may be for. You don’t necessarily want to screw the rules of the hierarchical pyramid or what it was that kept you from being in the proximity of the chairman, but you really need the extra cash right now.

"What does a girl from the mountains look for in being a servant in the city?", had been the question you were asked by Lady Kim who gave you the leftovers of her restaurant at the end of the day, when you had just started with the training– poor, barely standing on your own feet. 

You remember how you explained to her that the buddhist monks who raised and send you here surrounded themselves with wells to remind everyone that water always returned, and you assumed it would work the same with wealth. You also remember how hard she tried to stay kind to you, showing you her sincerest sympathy by telling you that "the chaebol are no joke!" (at least not a joke, an innocent girl like you could laugh about, she later explained) and giving you an extra portion of her home-made dumplings to suit you up.

Her sharp, yet compassionate voice rings in your ears, as you reapply your red lipstick on the way to your target guest. Oh, Lady Kim, what a graceful woman– she put her all into her work for her restaurant to succeed, but had always made a place to share what she had for those who needed it. Such a lovable woman, she must have been well-liked by all around her.

You get it now, the way you had been so naive back then. Floating on the philosophical happy-go-lucky psyche of the city’s promise of prosperity, trying to live the Korean dream strangely enough as someone who was so sarcastically out of touch with it. If you had been in her position, you wouldn’t have been able to be as nice, no, would have warned yourself with a finger pointed upwards as if you were teaching a little kid about strangers, or how your monks said, ‘tigers in the woods’.

“After that cigar, his dick will turn to dust!”

Maybe things would have looked different, if you hadn’t taken that fund from the school’s superintendent, who slid you that card on your table with a smirk on his face. Oh dear, do you remember how excited you had been? You ran through the streets in your worn-out shoes with that plastic sheet in your hand, on your way to tell that the money on it was such a ridiculously high number that you could split— but Lady Kim had got to know it first, the ridiculousness of the rich, with the demolition of her restaurant-building.

“He’s got no cum in his nutsacks ‘no more anyway!”

No warning, no compensation, just everything crushed to pieces to make place for the big corporations; the fancy neon-signs she'd invested in, the ambition of her enthusiastic dreams, your only source of tender charity, shattered to a wreck. You have never seen her since, and can only laugh about how the fancy food of the chaebol—and you definitely know who they are now, those tasteless men gawking at you in the moment—doesn’t even look half as good as her low-cost black bean noodles you could more than afford now. 

The present day-you is less dreamy, but just as lost, forced to work off a debt you hadn’t been informed about when you lived off the favorable “fund”-money. No, Lady Kim, this is all a joke, you would tell her today. A really fucking bad one.

So, making room for another ha-ha in your life, you pulled your eyes up innocently, returning Jongho’s specious smiles. “Is it illegal to collect pocket-money from the rich?” It’s not like you had any doubts at that point, but 'they'll buy you out of prison if you’re good enough' was all you needed anyway to put your uniform on tightly at home.

"Can't even shoot his cum in missy to save his blood!"

Your more experienced co-workers are watching you work with a condescending frown, feeling both jealous you're getting all the men's attention, but also maliciously delighted you're being challenged as the new-coming servant who's obviously of erotic interest to these richlings. They want you to get a "taste of life" for you may be the most goody-goody fawning bitch they have ever seen; just a young birdbrain who has nothing to bring to the table except her body. Young thing won’t hold up, doesn't know who she's working with— though they are quite right about that part, you must admit, you frankly didn’t look up whose money you’re taking right now— she doesn’t know who the fuck she is.

"What? Did his son leave the company, too?"

It’s flattering to know that the other pretty servants look at you and only see some candy-coated muppet, but fairly, your ever-frozen smile on your face doesn’t give them much to work with. You’re simply an annoyance to their routine, and if you could, you would like to comfort them by saying none of the money you’re getting will stay in your hands– they’d be so happy to hear that you’re really worth nothing– but you must stay focused.

“Idiot, he’s only got a daughter!”

So yes, that being said, you’re glad nobody ever asks you about you. Everyone just assumes, judges from what they see, and if what they see is an opportunistic bimbo-girl chasing money, then so be it, right?

"You know, the one he married off to the governor?”

Right. Because you too have not a single second to think nor talk about your past. The present is scarce and the future is fragile, you know it the best. And you owe it to your old men to make the best out of their efforts, don't you? The air in this room may not be the one you inhaled in the mountains, but you still have to use it, breathe, be alive, despite how moldy and spoiled it simmers in your throat.

"Real mad! Anything to avoid that fee, huh, missy? Got no semen and no glory! You really want to give him that cigar?”

So, that taste of life? Fucking bitter, just like how that name 'missy' seeps and sweats on your tongue. You can’t loathe your co-workers for this reason, they're basically in the same wooden, shaky boat as you, but these asswipes here are floating on a fucking yacht. Of course they don't follow some type of code of human decency for you, they don't give two shits about the lowlifes, the poor. They watch them like a spectacle, and because they don't regard you as a human-being but rather a toy, they play with you on strings that are, on the other hand, binding together a big, fat bankroll.

Ka-Ching.

Eyes on the price, Y/N, eyes on the price. You may not own a lot, that's been more than established, but if there is something you have, it's dutifulness, commitment, and proficiency. It will remain difficult to keep inner peace and honor with a job of which "duty" it is to be a deferential, subservient doll, but at least you're alive and well, soon to leave this floor with more money to your name that these fuckers don't know anyway, right? Never let that smile drop, smart girl. You have a talent, just like your supervisor said. Just keep on serving.

“No children-makin' is better for the cheatin'— ha!”, the barren, that fruitless man who’s been made fun of whoops in to stand up for himself, and awaits his tobacco that's being driven to him by your cart.

You open up the wooden chest in which the cheroots, so unnecessarily gold-plated, sit and ridicule you with their rare existence. There are just thousands of dollars sitting in your hand right now, and as you fetch the thick roll with wary fingers, you think, fucking hell, this could feed so many people, and they're just smoking it away like it's nothing, assholes.

The other servants frown at you spitefully during the time you bow down. You're sensually placing the brown cylindrical object into his mouth, a match lighting held to his face to light it up. In addition to the experience, you hold one long stare with his washy eyes, because you assume it will ignite him.

And, oh, how excited he gets.

"Thank you, sir," you chuckle and flutter with your eyelashes, pursing up your lips like you’re an innocent little girl getting a piece of candy behind her parents’ back.

“Just mad! Missy's young enough to be your grandchild, fella!”

You’re aware of exactly what your dear co-workers are thinking, but being ordered to light their cigs and then ogled at is not "baby-treatment” or whatever they’re muttering under their breath, it's your subtle strategy to have that bankroll be slid between your thighs.

"Hey now, I still can get it on! Don't you think so too, missy?"

Dumb Y/N, only has money on her mind. Allows herself to be called "missy", like a dumb fucking slut. 

Hm, kind of has a ring to it, don't you think?

"Yes, sir."

Let them all think you're a dummy. Let them believe, believe each other's words in whatever they fucking want. You're almost too certain it's the secret reason Jongho offered you a place here anyway; "suited for the job", because he deems you dense enough to not understand any of the nonsense these twelve men are babbling, "big money", because he knows you will do anything for it. 

You’ll still take the talent, but if he really thinks the rest, then oh, sucks to be him.

Yes, you haven’t looked up the names of who the men here are for the same reasons they're not using yours, but the second you’re out of this whiny, weak testosterone-drowned room, you're going to write the most thorough blackmail, because you can not listen to their cheating, money-laundering, corrupted bullshit anymore. Getting involved with the handshakers is the last thing you should do if you want to live a silent, carefree life, and you know this too well, but they're not going to believe it was you anyway. They wouldn’t dream of their missy to do such a competent, smart thing. You even know what you're going to write under the letter so they have something to think about in their cells: 'birds listen to the words of day, mice to the words at night'— walls have ears, too.

Ah, the soft, sometimes very cryptic voice of your favorite old monk. Always there to teach you new things, remind you of how to live your life cheerfully. You still believe he would have rather kept you in the mountains and not drop you on a wild voyage into the unknown urban life, but your old man had his reincarnation coming. You should visit his grave again, it's been a while, hasn't it? Wouldn't he be so proud to see you? To see how much his little Y/N has grown and learnt, using his proverbs to restore justice? Well, for what you still can collect of your late mentor, he would probably make big eyes and use his whole body to keep your monetary gift away from him. "Teacher," you would ask, "don't you at least want to save?", and his answer would remain the same;

"Peace comes free."

You feel warm at the distant memory of the bald-headed man warming himself in his orange gown, teaching you about love, harmony and kindness, but that sweet veil of untainted innocence has long dropped from your eyes.

In front of you, you see tycoons continuing having a blast being their shitty selves, and as golden teeth blend your sight, they are entertaining each other by staring at your legs that are covered by your sheer black stockings, whispering their insight of how you'd look like under it, but the mini-skirt only leaves so much for imagination.

"Sweet missy!"

How could you not want to spit into their face? They have bought the war. They have bought the chaos. And why? Just because they can. It doesn't cost you anything to restore some peace, maybe that’s the thing your old man got right.

"Yes, sir?”

“Do you have any Cubans left, sweet missy?”

“A Cuban, coming right up, sir.”

“Hopefully someone’s gonna come after the party tonight!”

Are you humiliated? As someone who lived among the wisest, clearest heads, and was considered just as smart by them to be wished a ‘more fortunate life’ — No.

You couldn’t care less about their perversions. Especially now, when they seemingly don’t care enough to know your name you've introduced yourself with. You are here for one reason, and it's not to prove your worth to the world, it's to secure your place in it, get that parasitic debt off your shoulders.

And if anything, as long you are staying truthful to yourself, there’s nothing that could take away your spirit. That’s what you want to believe, at least. When you’re out of debt and continue with this job, you could spend every day downtown like the other servants, but for you, it's all going to the savings for the family you're going to feed with not one worry in life on the clear land in the mountains, not under a sky that's polluted by light even when the sun has set.

The clock has announced night long time ago. Outside the windows, there shines and roams a loud, restless city under a starless, foggy black blanket, inhabited by people like you who live day by day to make their living, like small flies forgathered in a hive of exhausting labor, buzzing their life away.

It’s what you think every time you peek down the glass room: Seoul has never looked so small. Across and around the ever-flowing Han-River, the metropole is the home of millions who are looking up with their heads far back their necks to the point right here, where you stand, at the center or peak of all the wealth gathered together, inside the highest building standing tall amidst of the tumult, on the 114th floor, towering over the world in a luxurious dining room decorated by exotic animals, marbled statues and most importantly the filthy glimmer of something they call ‘class’.

“Missy,” the chairman calls out for you, raising his hand, right after he’s made another infidelity joke and showed his luxurious wedding ring to the audience.

“Yes, sir?”, you call out, wearing your pristine servant-smile with your hands folded nicely in front of your stomach, voice not tainted by your disgust as to even one note, despite the other servants looking at you with hateful expressions. They wish you the worst; the worst treatment, the worst performance, anything to get you out of this place. 

Maybe they're driven by the same instincts and avarice that makes you hate the rich,  with them just thinking you're taking away their money, but it's free territory here with these predators; you just make for great prey.

It’s a challenge to all of the people involved and the contestants can only win. Will it be another pick-up line? You're going to pick on that with ease. Another joke about your age? That one is never going to get old. There, bring it on, you think, and feel proud of your confident spirit, ready to run with whatever they throw and stash it into your wallet.

“You see those youngsters back there? Get 'em some more ice."

“Yes, sir.”

“Chaps don't know how to drink the good stuff yet, what a waste! Next time, buy 'em the cheap soju from the mart! The ones for 5,000 Won, missy, you know those?”

“Yes, sir.” Your whole face flashes a smile, bowing to accept the task of refilling some ice, dragging your cart across the room, as male laughter rings in your ears. It's as if they don't realize they also drink cheap liquor, but you suppose that's forgettable when they are flushing the fanciest of meats down with it.

"Be careful, missy!"

Are you being too mild by saying you want to ram the green glass-bottles into their heads?

"They bite!”

Maybe choke them with their own money bills?

Yes, “Yes, sir.”

It's a fun exercise to fantasize about how to hurt them, so you thought you would be busy enough to ignore the chairman's warning, but as you are on your long way to the end of the even longer glass table to push your cart towards the men he is referring to, there's a growing feeling inside your guts that oh, the chairman may be ... 

Huh, right for the first time. The quizzical lump expands warmly as much as it is cold, with goosebumps running down your spine, your hands feeling hotter than ever over the metal cart. Your whole body is trying to signal you that something is off on the other side of the table, but you don’t know whether to ignore it or run.

The annoying, empty-minded, impertinent elders, who have been belly-laughing at the chairman's joke a second ago stop with their chatting and only exhale huffs, and prolong them nervously, that’s off. The servants gulping, loosening their crossed arms– that’s off, too. 

“So, uhh… Where was the, uh– food from?”

“Oh, lad, good topic, yes– the delicious food…”

It seems that everyone in the room is trying to fill in the silence with the fakest of laughter, so the chairman can move on from the topic, but you're well over your way there, uninformed to what you're going to be hit with once you halt.

Tycoons like them usually don't need back-checking. You know how to deal with ill-willed imbeciles that only use their estate as a weapon. Their bodies and brains have passed prime an eternity ago. Left behind are only their numbed minds that seek shelter in lust, ecstasy and aphrodisia because nothing else excites them anymore. They’re what you probably would have been if you hadn’t spent your teens brewing tea and listening to the leaves rustle, not experiencing all euphoria and more at a too early age– they’re washed out, just swimming in money they haven't worked a day for, are lazy, weary sloths.

However, opposed to the cloudiness in their class that's only getting more foggier through the many years of monopoly, these two men that are waiting in front of you, and you understand why your lungs are pinging now, they are potent.

Money is power, but twist it around and there is them, with that; a certain force that the rich ooze out by just acting and looking a certain way, and oh, Y/N, how they are, how they are looking at you right now, best believe you have to hold onto your strength like it's a small purse.

'Youngsters', he said— 'they bite', he said.

They have been rarely reacting to the chairman’s words, notwithstanding being the ones to be the most respectful in this meeting for their young age, just looking at each other with unamused eyes. Even the director who is older than the chairman lets out his best holler every time, but these two have not laughed once at his jokes, not the slightest chuckle has left their mouths to flatter or satisfy the chairman.

Interesting.

Both black-haired, the one you get to first has his mane gelled back, a cigarette hanging out his scarred mouth, as you approach his seat with your cart walking carefully practiced steps. His white shirt is opened up to where chains, most importantly a silver cross, hang from his collarbones to his chest that’s covered with scars and scratches you can’t quite identify how they got there. This man looks gigantic, muscular, dangerous. Shoulders terrifyingly broad popping out his black vest, he sits on his seat with widened legs, thighs flattened in his also black pants, fastened by a leather belt, and with his white sleeves pulled back to his elbows, his slightly tanned forearms only appear more huge after the rather average-looking wristwatch catches your eye, just when you stop with your cart in front of him.

“That old geezer just can’t keep his mouth shut, can he?”, he chuckles, the Gyeongsang-provincial dialect rolling so naturally off his tongue. Everyone else in the room has been faking their speech to cosplay a charm they didn’t possess, but even the slight lisp and lull from the drunkenness are not hiding how deeply masculine and sincere this man’s voice sounds. It’s a mixture of the sarcasm you've gotten used to by now, but also a brashness that the older men lack, and you’re a bit embarrassed to say it’s working you up a bit. "Empty carts rattle loudest, I say."

A wintry breeze goes through your breast and you feel your eyebrows flinch. You haven't heard that grandmotherly expression in so long, that it does feel somehow refreshing to reconcile with it, but maybe the whisk you sense shouldn’t feel as comforting given the way the man is looking up to you brazenly with a bit of atrocity in his appearance. He is far away from the serene sketch you drew to save the vision as you left the village, he is what you felt when you took your first train, asphyxiated by the big masses of people who you would never see again— an unhomely, yet intimate feeling of... adventure.

He glances through you smoking his cigarette with no hands attached, and it moves at the corner of his lip as he talks. Wait, cigarette? Missy, did you forget to bring him a cigar?

"Let's see when he runs out of words."

“It’s alright, sir,” you answer, suppressing a slight chuckle because yes, you too have been wishing the chairman would finally shut the fuck up, but haven't expected anyone to say it out loud that boldly. You watch the male in front of you take out the slim roll from his mouth with his thick fingers that are covered with silver rings that all look different and not matching each other, blowing out the smoke whilst maintaining eye contact with you. “If you require, I can bring you a cigar, sir," you say, but he waves his hand to brush off your offer.

“Ah, they give me bad breath.”

“Yes, sir.”

“Please," the man progresses instantaneously, scratching over the vertical scar at his lip-corner with his thumb, his ciggy continues to burn, "Do be so kind and give brother his ice," then smiles, "he needs to preserve his cold head.”

“You are one to talk about keeping mouths shut,” the ‘brother’ answers, voice velvety and adequate despite dissing the man that’s sunken unmannerly into his seat, while he, on the other hand, is sitting up straight, his black suit buttoned up, tie set cleanly under his ironed pearl-white collars, elegantly decorated by a golden pin. A Greek "π" is chiseled into it, and you recognize it so well for you’ve seen it written all over the tall buildings you drove by on your way here. His hair is combed evenly to the sides and the more you look at him, he’s just— wow, flawless, prestigious, expensive. Everything about him is crystal clear; his rich voice, his unblemished skin, his eyes, oh god, you just noticed those eyes, how does such a shameful man have such pure eyes?

Orbs— and they're not innocent as much as you can't say they're not guilty— are looking at you with a defiance that is suffocating, as if you ought to do everything perfectly, not miss a single twitch of his eyebrows to understand whether he's enjoying or disapproving of the situation.

Well, is he enjoying you or disapproving of the way you're listening to his partner's order to refill his ice?

Huh. No fucking idea. He probably doesn't, but you must do it still— must still serve.

It feels irrationally sheep-headed, but hey, being a sheep is your job, is it not? Being in this herd is keeping you alive, and even in this situation, where you are following the orders of the blackest of sheep, no, wolves that can't be covered by any fluffy wool— you must mow your best.

"Ohh, brother, it's been a while since I heard you talk! Feels lonely droppin' all the good sayings by myself."

You’re serving Choi San and CEO of PARA-conglomerate, headman Park Seonghwa.

Sat right across the chairman, the percentage this couple holds of his company-share is more than most of the attending seniors combined, which makes them stand at the top of the guest-list. You couldn’t have missed their names, even if you’ve made the attempt to, and the other information you’re getting is just your co-workers whispering hurried words to each other, and it seems to you that you may be more in need of them than ever.

You already eavesdropped on them a little, and to be honest, you didn’t need any real confirmation that everyone in this room was unlawful and corrupt, but it is good to know you really don’t have to feel guilty stashing those bankrolls into your purse.

The man that is licking the tail of his scar at his lip, rolling his neck, clicking with his mouth and tapping his fingers onto the table, he is rumored to be the boss of the Choi-Clan, the infamous ‘Mad Dog of Namhae’, whose face had been unknown. The chairman has made a drunken joke about allegedly trying to sell him off to the government— “everybody act like you don’t know, okay?”— and nobody had taken him seriously, but once the supposed mafiaboss had entered the room, an hour later than everyone else, and sat down comfortably like nothing was strange about his heavy breath and slightly purple knuckles, nobody dared to say something else.

If you’d heard beforehand that you would be meeting a CEO and a mafiaboss today, you don’t know if you would have acted any differently. Thinking, here comes the chairman, his jesters, the mafia-guy, the chaebol; ah, all the motherfuckers aligned, let’s get to work, shall we? 

But this does challenge you a bit, indeed. If they just weren’t so young and intimidatingly good-looking, fuck, you could have treated them in the same cookie-cutter way you’d been at perfectly.

Maybe a bit of change-up won’t hurt, you were starting to get a bit too irritated anyway.

"Control yourself."

“You wanna see him dead too, brother,” the smoking male sneers— you’ll call him ‘Mr. Choi’ for now— pointing at his companion to accuse him of being a yawner, his cigarette stuck between his fingers.

Headman Park smirks with a short twitch of his lips that makes you think you just imagined it, but none of his extremities has moved since you came here: Every single action he takes seems so... calculated, thought through, measured, planned out. He is the only one to have brought a briefcase to the dinner, and looks a little bit out of place with his sober expressions which seem to you as if he was observing the whole room in its possible entirety, not leaving out a corner in his sight uncovered.

"Want," he parrots, face dropped to a neutral visage, highlighting the only word that seems to be bothering the CEO regarding his vis-à-vis' statement, eyes darting down  to Mr. Choi having his fingertips pointed towards him.

"Don't you become pushy with the words now, brother," the mafiaboss teases him, and tugs his sleeves up to his elbows again, eyeing you up and down while you're passing him with your cart. You discern his interest in the pockets of your skirt, or what is there underneath, instantly, but before you can think that the man may be just the same as the others, he cracks his knuckles. “Old geezer might die on his own at this point, look at how he's smoking his raisin-lungs away."

"Poetic."

So much for hearing government and company secrets, here are these two joking about the chairman’s death. You need the chairman a little bit longer if you want to earn money, but the idea of him dying soon isn’t too bothersome.

"You gotta get used to my Korean way of speaking, brother! Then we can communicate correctly!”

With your ears sharpened, but your face presenting unconcerned, you devote yourself to headman Park to refill his bucket, ice cubes jangling down the iron jar, whilst Mr. Choi stretches his arms behind his head, raising an eyebrow towards his elder who isn't hearing him out.

“Thank you,” headman Park says, very briefly and precisely. The tong you put in the bucket for him to use almost tips, and you don’t know whether he does it on purpose for he’s been frozen still all during the dinner, but with his reflexes, he prevents it from falling before you can, but if that wasn't surprising enough, he grazes your skin while returning.

Soft, uncalloused; not a single ounce of labor roughed up these hands, it seems. They tickled you featherly, and right now, you are looking for some type of confirmation in those black spheres of his to know that you're allowed to exhale and react to his touch, because you gasped slightly and have held your breath ever since.

Nothing. You are the first one to look— no, shy away from his stare, getting your hands in front of your abdomen again, your fingers searching for each other, fiddling around by themselves without your knowledge. 

Mr. Choi lets his wrist-watched hand fall between his lap, neck tilted slightly to the back, licking over his canine tooth with a grin, and it appears to you that he's either noticed his associate's small gesture or how headman Park is still staring at you. “You wanna do something, don’t you, brother?”

“I don’t know what you’re getting at.”

Mr. Choi shakes his head to irritate headman Park and make him explain himself.

“This is not business.”

Headman Park glances down his whiskey, droplets of water have formed around the brim of the cold glass. It is untouched. 

"I see you aren’t enjoying the whiskey, would you like something else to drink, sir?", you ask, trying to finish your job and get away from here before you get ideas that don’t include money between your thighs.

"The Fillico, please," the male answers, not having glanced away from your eyes once to inspect your cart, where the black, long bottle, donning a crown and wings adorned with Swarovski-crystals, awaits you to be grabbed.

"A glass of cold Fillico Black King!", you exclaim, your surprise of the particularity that anyone would drink water at the chairman's dinner can’t be hidden, and then hum, "Coming right up, sir."

“You’re really something, brother,” Mr. Choi wheezes, taking the last pull of his cigarette, watching you fill up a new glass for his unrelated brother with the finest mineral that can be bought to-date, pricing around 6 Billion Won, or 4500 US Dollars per bottle. “Wouldn’t you say it’s difficult to not be smokin’ or drinkin’ in this business, Y/N?”

Sure, whatever ‘business’ a man like him is talking about. “Yes, sir." Wait, hold on, did Mr. Choi just say your name? 

“You don’t look too impressed,” the male grins, seeing how you’ve narrowed your eyes in confusion.

"Pardon me, I was just– how do you know my name, sir?”

Mr. Choi shrugs as if to say ‘I dunno’ and presses his cigarette out on the table. It sizzles out, like your head is also slowly deteriorating. He throws the bud into the CEO's ice-bucket— headman Park is not even minorly irritated by it— and then, with his ringed fingers, goes through his hair, setting it loose behind his head. He’s picking on you, and you surely feel picked out, that's all you can think. It's so unusual to be hearing your name, not because it hasn't been said during the dinner, but because—

"Y/N Y/L/N, a pretty name for a pretty servant like you, huh?"

Your heart somehow flutters. A stalwart man like him taking your name into his mouth is nothing you hear on the daily. Deep, manly. It's not flattering, no, it sounds wrong, feels so dangerous for a guy like him to be taking something so personal and turning it into his possession, like you're slowly going to lose yourself in the words he speaks in a lax manner. Your name is precious to you, and it just drops off his tongue like it's candy. Where on earth does a man like him get your full name from?

"Sir," you insist, dipping your fingertip under your fingernail, fidgeting.

“Oh, don’t tell me ya prefer that stupid name ‘missy’,” Mr. Choi chuckles and fetches headman Park’s full glass of whiskey, his dialect draping out his mouth.

“Or do you secretly enjoy it," he grins, and with his eyebrows raised, Mr. Choi drinks up his acquaintance's booze in one big gulp, letting the glass fall down on the table with a thump, breathing out, "missy?”

People drink whiskey neatly, you know that. The guests have been doing it all evening, but that's for two ounces. Headman Park had a glass full of the oak-colored sherry liquid with an uncommonly high alcohol percentage placed in front of him. A taunt from the chairman maybe, to subtly scorn them about their apparent boyhoodish inexperience, but Mr. Choi makes it look so adept: The strong alcohol flows down his throat smooth and speedy, even though he did misplace the rim by an inch.

There's whiskey dripping down his chin as he glances over to his side, smirking at his neighbor who's blinking frozen, as well as the other guests, who are seemingly just as irritated that the mafiaboss got you as flustered as you look like.

You’re left with your mouth slightly open, shotting down a glass of whiskey shouldn't have looked as barbarous as Mr. Choi made it appear. Like a striking attack, baring his claws, he growls out the herby aftertaste. "'Scuse me, 'got really thirsty there."

The mafiaboss goes over his lips with his tongue, watching your hand play with the seam of your skirt, where he knows a handkerchief is buried in your pocket.

“Aw, shit, I got wet,” he wails over-dramatically, looking down on himself and then again locking his eyes into yours.

“Wanna clean me up, baby?”

“Pardon?”

Much to your continued bafflement, Mr. Choi smiles, and as he sees you taking a second to confirm what he said, he continues talking to you like you’re a hooker.

“Don't like that one, Y/N?” Again, with the name! Where does he get the name?!

“Sir, how—“

“You have introduced yourself to us,” headman Park finally reveals in the high Seoul tongue, perchance by pity, and you inhale, a bit embarrassed that you didn’t come to think of it earlier. What is happening to you? Is it because you’re finally away from those sleazes, that you’re being so light-headed? Lack of training? Sexual attraction? God, that’s a rookie’s mistake, Y/N, think about them as targets, not objectives. The objective is to not end up in a bed with them, remember? That’s like, rule number one. Even though nobody told you about the Mafia while you were at training, that’s a valid argument.

Don't let your guard down, you’re in a room with the men of men, no maybe the men. The most influential men you could be meeting in Seoul right now, aside from how little is known about them.

Whether he's a real chaebol or not, PARA-CEO Park Seonghwa is definitely the nephew of good ol’ chairman over there, just leeching off his money even if today is the first time the man is visiting his distant uncle who is definitely a bit sour about the fact he took so long to connect with him. Money has its sources and sometimes, most of the time, it’s nepotism. There you go, the explanation of his wealth and why the male is so well-mannered sitting on his seat. He’s woven into the conglomerate-family, been made CEO to keep him that way and all in all, you could care less about him, if he just wasn’t the only person that was kind of nice to you. Just thinking about his eyes makes you a bit dizzy, but you can get that fixed by turning your eyes to the mafiaboss.

Mafia and chaebol don't usually associate, for reasons that are rather obvious. Mafia’s rule the underworld with the overworld’s laws, and the chaebol rule over what laws the overworld decides on, digging their hands into the government like it’s soot, planting and pulling crops wherever they can profit from it. Money.

It’s sickening every time you think about it. How many people in this room could pay for your whole life? No, how many can’t pay for your whole life and beyond? You can count them with one hand and they’re all wearing the same clothes as you. 

Money knows where it belongs; that’s a phrase you made up the day you were told about the crippling debt by the letter and the bank declining your card. It sounds similar to your monks' sayings of water's ever-flowing life, but if water returns, money drifts. It wanders across the citizens, but follows a direction it's always bound to end up. Just like today, with you getting bankrolls to graze the inner space of your legs, only to know it’s going to end up in the same fingers that gave it to you.

So, where do headman Park and Mr. Choi get a say in this? Do they get a say in this?

“I did introduce myself, how could I forget? I’m sorry, sir,” you admit and let out a laugh that is half intended to sound as nervous as it did, and half regrettably filled with authentic uneasiness.

Old chairman, what does he know? Have those teeth really ever sunk into flesh? You can’t play with your fate here, but by hook or crook they intrigue you so much. You haven’t expected guests that aren't ass-kissers of the chairman, and apparently your talent only goes so far. You have no idea what to do with them to satisfy them except letting out your real thoughts and you can’t do that, definitely not in front of the man.

But you feel so connected to them. The caution everyone has, it confuses you just as much you're amazed by it, and you want that, you want that kind of safety. Every guest here has money, but not every guest has their authority.

“It’s alright, everybody makes mistakes, baby,” Mr. Choi smirks and musters you again, rubbing the liquid away from the corner of his lip with his thumb and kissing the remaining alcohol away, savoring every droplet of whiskey, but also savoring you by keeping his thumb leaned into his opened mouth, eyes looking sultrily at you, you might as well just—

“Mistakes, San. Beware of them,” headman Park falls in and his companion finally sways his eyes away from you, hand backing down. “Talkative drunkard.“

“Brother,” Mr. Choi sighs and grabs the glass from his neighbor that's filled with ice cubes to murmur, “I’m not that drunk," swinging it around with concise flicks of his wrist to enunciate his words.

With the couple bantering, you think you can calm down. Maybe you were overreacting. Bootlicking some birdbrains is a way easier life than to follow these two.

"Hey, baby?”, but there's another call of the bird of prey.

“Yes, sir?”, you answer, fingers letting go of your skirt that has thrashed your skin by how you abused it. You don’t even know when you started to react to the name 'baby', but truth be told it’s better than ‘missy’ by miles. Being over here is better than being over there by miles, that is unchangeable.

“Could you get me clean? This is kinda sticky."

With two fingers, he grabs the collar of his shirt and flails it softly, ice clinking in his glass, as he shows you his indeed quite syrupy breast.

"Yes, sir."

You nod towards the crevice that is the space where his muscles meet, and before your eyes can get lost in the plump thews, you collect yourself so you can do what you were asked for; getting your hands on his body.

“Please.”

“Ahh, I liked you more when you were quiet, brother! I don’t wanna call you a party-pooper, but c'mon! It’s your plan, and I’m just— doin’ my part.”

Mr. Choi twists his upper body a bit so he’s still able to hold the empty glass behind your back, though it feels more caging in than it should, when you lean forwards to softly tap his skin with your handkerchief. His arm hovers next to your hip and his upper body is extended wide around you.

“What do you say, baby?”, the male asks, and you harrumph to take your mind elsewhere from how rock-hard the mafiaboss feels under your hand, how his cologne smells so rich and inviting, and how— “Wanna be bitten?”

“Pardon?”, you ask, not understanding the context of Mr. Choi’s question, but without fail grasping the intentions of it.

The male grins, and you’re unsure as to how he got his hand on the bottle of whiskey from your tray as quickly as he did, but it’s there, in the hand that’s across your hip, and from then on, everything you do seems risky. His bicep is curled around your thigh so he can fill himself another glass, and if you take a step back, your ass will be pushed against his arm, but if you step forward, you’ll land on top of him; a straining dilemma that only inflames your guts the more you think about it.

“San,” headman Park grumbles quietly, seeing you struggle to stand on your feet.

“Agh, come on, brother, 's all going well! Live a little for me, will ya? Watch me and follow,” Mr. Choi nags with a juvenile pout and takes a disgruntled sip from his drink, making your imaginations reality by pushing you with his forearm with no forewarning. You trip closer to him and his arms raise, as you have to find safety on his shoulders to not fall into his crotch.

“Oops, ‘scuse me, baby,” he grins, feline eyes glancing up to you, your bust in his view. The other men are grumbling, fussy, yammering— if they knew, they would have done that with you a long time ago!— and in your head, you don't know whether you should be doing this at the chairman's dinner and not somewhere in a stripclub or just, god, anywhere else.

“It’s okay, sir,” is what you answer, and the short silence would be the perfect opportunity to scuffle back to your original stance, but you saw his ever-growing, throbbing bulge in his black suit-pants and it is staring you down.

Everything about him is so big…

“Really, baby?”, Mr. Choi asks, eyebrows pushed together, lips formed into a pout, feigning an expression of worry.

“Yes, sir,” you say, the big question of 'what is the goal here?' unnerving you, but with the quick, harsh movement of his leg against the back of your knee, you're—

“Sir!”

Sat on his thigh, your butt is bouncing on the hard flesh, fingers dug into his shoulders deeper due to the shock, ribcage moving up and down as you’re breathing fast and anxiously. At this point, you’ve gathered the attention of many who are seemingly more excited about the situation than you are, silencing all around, while the chairman continues to crack drunk jokes on the other side.

Mr. Choi chuckles at your nervousness and puts his glass down. “Aww, look at you, baby,” he coos, his rough, calloused fingers trailing between the inner space of your thighs that’s pushed into his leg. “Need a little break?”

As you sit there— securing yourself on the table, feeling his hand sit between your legs, you become lighter with each passing second, tingles being sent down your abdomen. Could Mr. Choi please stop smirking like that? It’s going to make you lose your mind, lose every thought of what you were trying to achieve at this table tonight.

“The chairman doesn’t allow breaks, sir,” you murmur, trying to cling onto the last sense of service you have, “I have to stay here.”

Your voice is barely above a whisper for the CEO in front of you to become curious, but loud enough for the mafiaboss to scoff and massage his hand deeper into your flesh.

“Sir, I really—“, you try to protest, but Mr. Choi uses his other finger to signal you to come closer to his face. You do as you’re told, his warm breath hitting your ear after you lean backwards.

“Baby,” he cackles, and his lips touch your earlobe, the smell of the smoke fading out his mouth.

“I practically own that wimp,” and Mr. Choi lets out a chuckle before his voice lowers an octave, “Let me own you, too.”

His tongue grazes over your sensitive skin as if he was a snake trying to convince you of eating the strange fruit, and you shudder forwards in surprise, his growl still vibrating in your ears.

You should get yourself together— yeah, that sounds like a good idea, if it just wasn't for the fact that this is exactly how you've been presenting yourself the whole evening. You're cornered, and not only by him, but your actions and it's, oh, old man, it's something. It's something that broadens the playground that was set out in front of you, something that gives you more to play, no, more to be played with.

The other guests are gawking already, forgetting about their prejudices when it comes to the 'youngsters', just happy to be seeing their missy in action.

The mafiaboss sighs, breaking his whispering and speaking louder than before. “But if you cherish so much about that old geezer, he’ll be taken care of, no? Maybe even better than before, or am I wrong here, brother?”

He clicks with his mouth— is it a habit?— and looks at headman Park, who rolls his eyes, as if they’re sharing some secret you’re not a part of. But before you can fall into further confusion, your legs tighten around Mr. Choi’s wristwatch, as his thumb strokes the surface under your skirt one time, right across your cunt which has been heating up since the first time you saw the reflection of yourself in his silver cross. A pant leaves your mouth and you have to grind your ass over so you can somehow clench your legs together.

“You like that?”, Mr. Choi sneers, chuckling into your ear, as he continues to move his thick finger against your clit. "Of course you do. Let me hear more of those cute sounds, baby.”

You grab his bicep, heat crawling up your abdomen against his forearm, your crotch feeling more and more buzzed as the male works his fingertip into you. Nobody says anything, just murmuring insignificant sentences to keep up the chatty mood.

Headman Park in the meanwhile, crosses his arms, catching the attention of the mafiaboss.

“Brother, can’t you see I’m doing this for you? Enjoy yourself.”

Mr. Choi flashes an eye-smile and keeps groping your cunt, you melting more and more into his lap and under the heated gazes of the crowd. Your servant-colleagues don’t know what to do, or no, maybe they knew exactly that this would happen and think you deserve all of this shame, just in general not helping you escape the touch of the mafiaboss.

“Sounds like you’re enjoying her more than anything,” headman Park says, looking indifferent, but his words don’t cross out the possibility that inside his pants, his cock isn’t growing too, how his arms are crossed, clenched around each other.

“Come on, baby,” Mr. Choi growls into your ear, “give that fucking bore a show, won’t you?”

You’re split open. He’s strong, oh gosh, so strong, taking not more than one push to grab you by your thigh and spread your legs, make you slip on his crotch, as he closes his knees together to support you from down under.

“San,” headman Park warns, but his mouth stays slightly open, tongue pressed against the surface of his upper teeth, suppressing a grin.

You flatten your back against Mr. Choi’s torso as an attempt to hide your face behind his neck, and breathe heavily against his freckled skin, the cold exterior of his pearly accessory grazes your chin.

“What?”, the male asks, taking his glass, his arm slithering under your armpit and his chin resting on your shoulder as he sips from it, not to forget the hand that is still pushed into the now moist fabric between your legs, moving in circular motion.

Headman Park doesn’t answer and folds his hands together, placing his elbows on the table, fingers touching his lower lip.

“Geez, brother, you should feel this cunt right now,” the mafiaboss wheezes, almost hiccuping from his excitement, “so fucking hot, you won’t believe.”

“Make her louder.”

Even Mr. Choi was surprised to hear that come out of the reserved CEO's mouth, and as he chuckles and takes the last sip from his whiskey, he puts down his glass once in for all to accept headman Park’s order.

With a slight lean forward, his free hand wraps around your neck and you gasp for air. Mr. Choi’s legs are spread so when you have to tuck in your pelvis, you can feel his bulge under your cunt. At this point, you don’t care for the piercing gazes anymore, and the chairman might as well give you a nice tip for the sight of you grinding your wet pussy into his biggest investor’s clothed cock. You’re such a master profiteer, Y/N, Jongho was right.

“Fuck, missy,” Mr. Choi grunts and he’s so frustrated he can’t take off more of your clothes, but it doesn’t prevent him from following the order when headman Park mutters, “grab her breasts.”

It is one shameless show.

You becoming needy and whiny on Choi San’s lap, the mafiaboss grinning, as CEO Park Seonghwa’s eyes are unmoving from your sullen, aroused expressions— it has persuaded the audience to want their own slice of fun, but even with hands wrapped around their no-use cocks, everybody in the room has their eyes sealed on the young servant whose only job was to refill some ice.

Mr. Choi can feel it; what a slut you are on top of him, how eagerly you’re grinding your cunt over his bulge, and how jealous the others are watching— and this includes all the blokes that are watching with cigars in their mouths, but also the servants that would have gladly taken your seat and not rub their hands over old, moist, wrinkly skin.

“Sir,” you whimper, as Mr. Choi knobs your breasts, his tough hands cupping each tit, just like headman Park commanded him.

Fuck, how he wishes to be able to see your face as well as well as headman Park does, but the sobby whines might as well do.

“So noisy on my cock,” Mr. Choi snarls, “you’re practically begging for attention, missy.”

“Don’t fucking call me that,” you hiss and the mafiaboss inhales sharply, gasping, his cock jumping, very turned on by your sudden spunky tone. Bingo.

“Did you hear that, brother?”, he whales, tempting the headman to interact with him more as the main viewer of his performance, but the man to his friend is only raising an eyebrow. “Baby's got some zest in her. You like that, don’t you?”

Mr. Choi continues to coo headman Park into defeat, “You like ‘em feisty, brother. I know you, chief execution officer, sir. You wanna ram your cock into this little missy's pretty mouth, just admit it.”

Little missy's pretty mouth. "Say that again, shitbag," you hiss, but Mr. Choi grins and pries into your bust, working folds into your freshly-ironed shirt. "Listen, brother," he breathes, "It gets your cock fucking going, doesn't it?"

The mafiaboss chuckles and adds, so only you can hear it, "Definitely gets my cock going, baby."

Headman Park scans the room, and you can see how he shakes his head, and looks at Mr. Choi with a slight distaste. “You may leave soon.” 

“Really?”, Mr. Choi grins, beaming, grabbing your hips forcefully in the joy of it, and while the CEO’s words leave you misled, you sigh into the pressure of being pressed down deep into his muscled thigh, your cunt pulsating through his flesh.

“Change of plans.”

“Alright," he murmurs, just as offended as you are by his lack of reactions, but quickly catching up on his lust to hear, see, feel you more. "But not before I make this baby come."

“Punster,” headman Park jeers and it does occur to you that you’re hearing more of his soft voice than before, but when he looks at his wristwatch, you suppose you’re not doing well enough for him. Look at me, you rich-ass prude, you think and whine, being moved across Mr. Choi’s thigh by his own hands. Your clit feels hot, like it is seriously going to burn and fall off, but you, fuck, feel so good; the sounds just keep leaving your mouth, your high approaching very soon.

“How long were you thinking, brother?”, Mr. Choi asks and is nibbling at your neck, as he rams you over his thigh, fighting with the pace you're breathing wispy and digging your nails more and more into the glass-table until your fingertips turn white.

"Five.”

“Five? Make it ten.”

“You only last ten?”

“You can be such a bully, brother,” Mr. Choi fleers, and you have no fucking idea what they’re talking about, since you are feeling your orgasm coming in less than a minute, stars appearing in front of your eyes. “Make it ten.”

The male takes note of how you're bucking in your pelvis and uses his canine teeth to make your neck flame on, his hand placed roughly around your throat, as you become more sensitive to every move. "Sir," you whisper, a knot forming in your stomach.

Your clit is begging you for mercy at this point, demanding you to get the clothes off your legs so your slick has some way to escape, but you're drenching Mr. Choi's suit-pants in your wetness with stuttered heaving, ready to moan loudly in any second now if you could just find that one fucking spot—

"Are you gonna cum, baby? Right in front of everyone?", he murmurs against your neck and you nod repeatedly, raving your clothed clit on his thick, pillowy muscle, desperately chasing your high. "Come on," he snickers, "Show them what kind of slut missy is, huh? Such a good fucking slut for us, aren't you?"

"Yesyesyes," you whine, not caring for anything than your release, and Mr. Choi is being so kind as to continue breathing heavily into your ear to make you melt into bliss, but nothing gets you on more than the gentle smile that headman Park is sending your way, head slightly tilted to the back— is he nodding? Is he finally approving? Oh, fuck, you think, and you're doing the best job darting your hips non-stop to continue feeling your cunt be stroked by Mr. Choi's flesh, pursuing the CEO's praising acknowledgment. "Good fucking slut on my lap," the mafiaboss cackles, "come for daddy."

"You fucking weirdo," you falter, not wanting to call him "I'm never gonna call you—

Mmmuh!" Mr. Choi grabs you by your hair and tugs it harshly, making your back arch and your head rotate to his side. In the open mouth, his tongue plunges into your throat, the taste of woody herbs and bitter alcohol are flooding your tastebuds. Smearing all of your lipstick, his mouth is pressed against yours like he's sealing yours shut. You convulse your lower body in surprise of the sudden act and holy shit, get that one spot over your clit that's also stroking your gaping entrance, your body releasing all of its heat into one blaring, roaring zap, with your eyes rolling back your head, your stirred voice screaming, "FUCK!"

There is a gasp heard through the dining hall and you're not sure whether it was the chairman, a servant, or headman Park in front of you, but as you are spasming on Mr. Choi's thigh and your back arches to his chest, you feel like the world is expanding on you, peeping, intrusive onlookers cramming out their money to thank you for the show they got, white trickling through the linen of their underwear. 

Coming down from your high, weakened and all the while more aroused by the mafiaboss whispering the words "good girl" into your ear, you try to open your eyelids to catch headman Park putting on some black leather-gloves he got from his briefcase, muttering something under his breath to the mafiaboss.

“Go."

What the fuck?

Mr. Choi hooks his arm under your legs while he re-applies his lips to yours, and lifts you up like the pretty princess you are to most of the gawkers that don't stop watching, when he stands up.

Everybody has their eyes on the kiss the mafiaboss and servant missy are sharing, but headman Park doesn’t even look at you, when his partner starts carrying you to the elevator that's waiting for you at the wall about in the middle of the dining table, and just retrieves his open briefcase from the floor. Has he had enough of you already?

“Where are we—“, you breathe, but Mr. Choi kisses you silent, tongue forcing its entry, preventing you from figuring out what's happening, after the mafiaboss puts you down in front of the door and pushes you against the frame roughly. Cheering and hooting encourages him to continue rubbing his thumb over your skin as the other ringed fingers are holding your thigh, and you're pressed against his leg, virtually fenced in by Mr. Choi while he pushes the button for the lift to come.

His eyes are squinting to the side while he works his lips against you, in a way confirming that all of the guests (except the CEO) are begrudgingly anticipating the next actions of the mafiaboss, not caring how the headman is slowly pushing his seat away from the table to get more leg-space, which you seem to be the only person noticing it.

The golden door opens with a bell dinging the elevator’s arrival, and Mr. Choi grabs you by your ass, leading the way inside it. You can't see it correctly with your eyes closed, can only feel his big arms push into your frame, but he even makes for a show-like exit, burlesquely saluting the audience with two fingers, clicking with his mouth. It must really be a habit, you think, and giggle into the kiss.

The men attempt to throw bankrolls into your space and some succeed, some don't, but while you're glad your plan worked out, you aren't too sure what you've just done with, or for the mafiaboss.

Your heated kiss continues and because you want to feel him, you unbutton his shirt that doesn’t need that much working, three buttons being pushed open by your jellylike hands. Before you can unclothe him though, Mr. Choi pushes his arm against the mirror next to your head, stopping you to take a look at his wristwatch. He strokes his hair to the back with the other hand, revealing some of his meaty abs, and once he’s reached the backside of his head, he slides his fingers down his neck and around his Adam's apple to scratch it, announcing, “Ten minutes on the clock. Shit, brother's dick must be fucking exploding in his pants right now."

“Sir?”, you ask, overwhelmed by the words that are not making sense in your head, but also distracted by his hand that’s around your tie.

“Given he really could've finished in five but,” he yanks you towards his face. “I wanted to have you a bit more for myself, missy.”

He smiles, very arrogantly like the patronizing fuck he is, like he knows how strong he is, what a dominating aura he possesses, but at this point, in between the mirrors and on this black, marbled floor, you are not at the chairman’s dinner anymore, aren’t a servant anymore– you aren’t bound to any authority, are you?

“If you fucking call me ‘missy’ again, I’ll bite your fucking dick off.”

Except for the moment that you’re talking to him, a mafiaboss, whose breast is marked by— and you can see it very clearly now for it fits perfectly into yours— hands that have shared the same, if not a similar experience with you.

“How’d you know I was into biting, baby?”

And holy fuck, his back looks even crazier.

“God, sir,” you breathe out in awe and a little bit of fear. You can count the lines of red scratches on his back and as you finally let his shirt fall from his shoulders, the reflection of his muscles, how they relax under your touch. You become starstruck. Everything about him is so scarring, but fuck, how it attracts you, the wildness, the savagery— there’s something so free about him.

"What, baby? You like what you're seeing? How naughty..."

Ten minutes aren’t a lot, but Mr. Choi makes his best attempt to hurry over the trivial parts of fucking you. He steps closer, your ass hitting the handrail, legs crossing together, and your buttons pop in one rip, as his two hands rupture your blouse open. He lets his shirt drop to the floor, all the while his lips clash against the nook of your neck, making you sigh under the luminous lights of the elevator and grab his neck. You’re getting hazy, horny; damn, it’s been so long you’ve had a good fuck. Satisfactory sex is another luxury you were postponing for later.

With his lips sewn on your shoulder, kissing and forcing his tongue against a spot he deems especially tasty, the half-naked male unzips your skirt to finally reveal the black pantyhose that looks soaked in your slick. After he chuckles at the sight of it, Mr. Choi licks over his lips and cups your jaw with his hand, drawing a trail of insatiable kisses across your skin.

“Still wanna bite my dick off?”, he asks with a sly smirk, breathy, having caught your aroused look locked on his silver chains, his jacked upper body inviting you to get your mouth in there until it’s molded around your teeth.

“Come on, baby,” the male provokes you, “You think I’m gonna fuck you just like this? Think I’m gonna ram myself inside your cute fucking cunt ‘cause I’m such a big scary fucking man?”

You inhale sharply. “N- no, I…”, you breathe out, letting your tongue run over your teeth.

“Aw, baby, am I making you shy?”, Mr. Choi hoots, “I didn’t think you were a shy one. You were pretty noisy on my thigh for your cunt, weren’t you? Getting all the sounds out for brother to hear them… You really served a show there, baby.”

Your mouth only lets out stammered gibberish– you have never learnt how to talk dirty, but Mr. Choi uses your opened lips to ram his tongue into it again anyway, and you're almost proud to say you've gotten used to it.

He breathes rashly through his nose, and he tastes less of bourbon but more of dulcet desire, mixed in with the red of your lipstick sitting on his lip. Your knee strokes his erection while he gets his hands behind your back to get your bra off, lips clashing and raving against each other. “Letting your body talk for you?”, Mr. Choi husks, panting at having his overstrained cock touched. He relieves you from the pressure around the bust and continues to ramble. "I knew I could have a lot of fun with you the second I laid my eyes on you.” You pant and reunite your lips with his. "Little missy, such a whore for the rich."

He’s overconfident he’s seeing right through you, it infuriates you. Mr. Choi massages his hands into your breasts, the cold rings grazing sharply into your warm flesh, and as your knee is still between his crotch, you huff. You can be a whore for the rich when you’re earning money, but right now, you’re doing things for your own pleasure.

“Are you going to have a lot of fun with me?”, you sing-song in a high-pitched female voice to the mafiaboss that’s immediately taken aback, and you know the word 'missy' is on top of his tongue again, when you interrupt him with a quick jab of your knee into his groin. "Shit-eating fat-cat."

Mr. Choi grunts, head tilting down. His feline eyes meet your foxy ones, and while you weren't preparing for a staredown, the mafiaboss smirks and bites his lip. 

He has a lot to say, you can see it. There’s something glimmering under the lust-drunken layer behind his eyes, and it’s deep, goes deeper, but for some reason, the mafiaboss, who just so despicably couldn’t hold his mouth, doesn’t let out the words that’s crossing his mind.

“Sir–” 

Wrong deduction.

Mr. Choi scowls in laughter, and you guess he meant to joke with you, but he means to play with you much more, when he, once again, lifts you up, by your waist this time, and balances you on the handrail.

Resting his forearm on your thighs to stabilize you, Mr. Choi digs in his pocket to fetch his cigarette box, looking at himself through the mirror and shaking some strands out of his face. "Shit-eating fat-cat," he repeats with a lisp, pulling out one of the slim rolls with the corner of his mouth, and he continues to chuckle, as he glances at you through his eyelashes, "you should've said that to the old geezer when you had the chance to, baby."

"The chairman?"

No answer. Mr. Choi lights his cigarette with a zippo, and keeps it lit in his mouth, as he, with no forewarning, tears open your pantyhose from your crotch with both of his hands, spreading your legs wide. You have to get your hands around his head to be able to keep yourself on the handrail.

“Why do you look so scared? Think I’m gonna fuck you?”, he lisps. “I’m just taking a good look, baby. What a pretty cunt you got there, baby.”

You gulp. Mr. Choi slides his index finger across your heated folds through the fabric and your cunt clenches together, wanting to be filled up. “Sir,” you sigh, and the mafiaboss pulls in smoke from his cig, raising an eyebrow.

“What, baby? ‘You need something?”, he asks, “You’re not a fucking servant anymore, or do you need to be ordered around, missy?”

You try to look angry, but Mr. Choi only pouts and presses his finger through your panties, soaking them in your slick that’s gathered at your entrance. “Desperate to please the money-man? So wet for him…”

“Fuck you,” you mewl, but Mr. Choi knows what he’s doing when he thumbs your clit and exhales smoke into your face, hiding his face for a short second which gives you confidence. “I need you… to fuck me.”

“What did you say, baby? I couldn’t hear.”

“Please, sir, just… fuck me, please…”

“Louder.”

“God! Just fuck me! Didn’t you say we have ten minutes? Make them fucking count!”

“There we go, baby. My slutty little missy. Oh, baby, you’re growing on me, brother’s gonna hate that.” 

You huff and Mr. Choi slides your panties off your legs, taking a short glimpse at his wristwatch. “Damn, ten’s really a short time.”

How many minutes have passed? Ten already? You know you said it, but you mentioned it only because it made sense, if you’re honest, you have no clue what the time is worth for. Aren't these the men who have time for gold?

The biting smell of tobacco enters your nose, making you cough out loud. Is smoking even allowed in the elevator? Wait, wait, wait, no, maybe you should worry about other things, for example what you're going to do when those ten minutes are over, when all of this is over. They clearly have some type of plan and thing they are carrying out right now, but you don’t know how much you’re invited in there. 

Mr. Choi finishes his quick break, inhaling one last puff and keeping his cig between his lips again, and his hands unbuckle his belt in silence, while you contemplate.

Clanking, ruttling, and steps begin to thump behind the door— have any of you two even pressed a button? The mafiaboss looks concentrated, fixed on your cunt, taking out his throbbing, panging cock out his underwear, stroking it a few times to god, fuck, finally get to touch it after having been dry-humped hot.

Squelching, huffing, and voices echo through the floor— is that the chairman you hear? You can only yelp, when Mr. Choi drags off your panties and slathering his thick fingers across your folds in one, then penetrating with another forceful movement.

"Fuck!", you hiss out, grabbing the handrail next to your hips, trying to balance yourself on it still. The mafiaboss snickers into your ear, and tours through your cunt, all the while it appears that all hell is breaking loose outside.

BANG!

"Sir, what—!"

"Shhh, baby," Mr. Choi hushes you, and takes out his cig with the fingers that are now glistening with your wetness, placing it on top of his lips vertically to the scar that is accompanying his smug smirk.

BANG!

"You got nothin' to worry 'bout, baby," he lulls, "we're just eatin' the pheasant and the egg here," and exhales smoke into your face out his mouth-hole, which distracts you from the third, fourth—

BANG! BANG! BANG!

Another proverb, pheasant and the egg— 'two birds with one stone'. Mr. Choi unfolds his hand as if he was counting the minutes, or the shots— wait, yes, shots! Fuck, those are gun-shots, right? You've never heard something so loud ever in your life, where does someone get guns from in South Korea? What even would they need guns for? Why would they use them? What the fuck is happening outside?!

"Oh, fuck!", you moan out, before fear and realization can crawl up your scalp and take away your lusting for the male, Mr. Choi has jerked his hip up, his cock gliding into you smoothly as if your cunt was made for him, the length and girth perfectly curling inside. Your back arches, at least as far as you can arch it, and he grins bemusedly at your jolted reaction.

BANG!

With every blast that follows, Mr. Choi is thrusting into you, first slowly, but then adding more speed and vigor as he goes, or as the blasting goes, making you shakily watch yourself be wrecked by the broad man through the reflection on the other side, your legs dangling with his rough movement.

You don't know how he's fucking you through your tightness, because with each ducking of his hips it feels like your inner walls are expanding more and ungodly more, as if he was piercing you in half.

Small puffs of smoke leave Mr. Choi's mouth each time he pants out raspy "oh baby"s and loud claps of him slapping your ass overtone the screaming, scrambling noises outside, as you two work your lower bodies against and into each other, growing more passionate, throbbing feverishly.

"Fuck, baby," Mr. Choi hisses, cigarette tilting in his mouth, as his face frowns together. "So fucking good for daddy, aren't you? So fucking tight and wet, such a good fucking girl—"

The screams outside are dying down, but the mafiaboss and you are getting louder, breathier, lustier; with your head falling backwards, hitting the mirror, the twisting feeling of fear and the ecstasy to be bouncing on Mr. Choi's big cock mix up like one hellish drink, boiling and churning inside of you.

Smashing both his hands on each of you ass-cheeks to dig his fingers into them and get more stability to ram into you so fast, and oh boy, it's so fucking fast, you're going to spiral— Mr. Choi sputters, "Are you gonna come? Are you going to come for daddy, baby? Greedy baby gonna take daddy's huge fucking load?"

The male is unraveling, his once low, stable voice turning into a whiny, hoarse, cracked mess just like you, practically urging, begging you to finally take the name ‘daddy’ into your mouth.

"Come on baby, say it for me, huh? Feels good to be my slut?", he disentangles, "Be a good slut for daddy, baby."

"I'm not gonna call you— that, fuckhead!", you moan, though your insides are curdling together to finally be released, the knot tightening with each drop of sweat that is forming on your boiling face.

"Really? Think you can afford to misbehave, baby?", Mr. Choi snickers and spits his cig on the floor, your ass being handled at an insane speed, his cock slipping in and out of you with rough ease. He takes it upon himself to dig his teeth into the nook of your neck, biting you heftily, your pulse knocking against your throat, as you feel his cock run in and out of your cunt. Your head goes light and dazed, but before you can gasp out your high from being fucked, bitten, sent to bliss, the male sinks you deep into his cock fully, it does not give you the last thrust you would need to—

"Fuckfuckfuck, I'm gonna cum," you whimper, needing to tremble, but unable to move because his hands are restricting you from any movement, and you continue to bring out a string of weak "pleasepleaseplease" that bounces back from the mafiaboss, who is raising an eyebrow, waiting for the magic word to be spoken out of your wet lips. Tears have formed at the corner of your eye and he thumbs it away, grinning coyly.

"Fuck you, I'mnotgonna fucking, ugh—!", you sob, "I hate you, I hate you, I hate you!"

"Aww, you wanna hate daddy so bad, don’t you?”

“Fuuuck you!” Whines leave your mouth, wanting to cum, wanting to move, wanting for Mr. Choi to continue fucking into you and not wipe away your tears.

“Just say you love me, baby,” he heaves and returns his hand to your hip.

Thrusting into you once with a clap against your groin, to make your cunt clench around him, and then twice with the last blood-curdling BANG! from outside, his cock is deep inside you. He feels you tighten, pulsate, craving to be released, but Mr. Choi will not move again to your liking until you finally let go of yourself, which riles you up with no hope.

"F— Fuuuck, okay!", you scream out, annoyed, angry, wanting to fucking cum; "Daddy!", you sob and Mr. Choi smirks, instantly getting to work to toast the adieu of your pride. Thumb on your clit, he circles around your sensitive bud to double the tension you feel through all of your body, while you gutter, "fuck me, daddy, please, make me cum, please, daddy, please—"

He laughs, no, howls— elated, animated, drunk, and then, with his strong, buff fucking arms, pounds you into his cock like a punching bag, your ass hitting his pelvis so many times until you have to use his gelled hair as a last resort to hold yourself up and not push yourself from the handrail with your head against the mirror, but he holds you, holds you steadily in his grip.

"Good god, good fucking missy, such a good fucking slut for me, cum all over my cock–   all over my fucking cock, baby," Mr. Choi grunts, and the string that was keeping you balanced snaps, your orgasm hitting you like that makes your insides tighten around the mafiaboss and his throbbing girth, your whole body being flushed by an overwhelming wave of pleasure which you drink up whole. His cockhead rubs against your sweetspot, you riding out the high while seeing nothing but bliss.

"Holy fuck," you breathe, and your fingers grip into the thick skin of his back, and with Mr. Choi's hips not stopping to hit your pelvis, there are additional, injuring, deep red marks on there with every thrust. You’re scratching him like a beast wanting to tear up its prey, but the beast is fucking into you like there’s no tomorrow. His cock does not stop grazing against your deepest spot, tears rolling down your heated cheek, and your mouth is unable to get out the words you want it to when you get the feeling that he's going to cum soon.

"O- out," you warn him, but the mafiaboss makes a disappointed face, “I– I really can’t afford a child, p-please pull out–!”

He draws his eyebrows in, scoffs and looks you deep in the eyes, his muscular body tucked in, murmuring, rambling out his whiskey-painted throat, “Is that really your only problem, baby? That you don’t have enough money?” His forehead leans against yours and your eyelids flutter open– you are being a mitt around his dick– and he pouts in pity, his iron cross hanging from his chest, as he talks to you.

Mr. Choi gets his hand flat on your lower belly and presses down on it, feeling himself bulge inside you. He moves his hips slowly, his cockhead dragging across your sweetspot, while he gutters, “you’d look so sexy as a mother, don’t you think, baby? With the tummy and all.”

“S- sir, please I–”

"Come on, do you think I don’t have enough money to pay for a fucking kid? God, how fucking annoying– I’m not that kind of man, baby,” Mr Choi growls, his voice vibrating against your cheek, as he charges his forehead deeper against yours, “I still got some honor.”

You shake your head, unsure whether there are pills for after in the pharmacies, or whether the mafiaboss will really be there to be with you as he promises, but Mr. Choi continues to beg in his low breathy, guttery voice. “Baby,” he rumbles, pressing even harder on your abdomen, your ass being pushed into the handrail that you’re sure it’s going to leave one red straight mark, and his cock is almost exploding from the edge, “Let me, no, let daddy cum into your tight cunt, baby, please.”

God, he wants you. He wants you so bad, doesn’t he?

"Y- you should see yourself," you chuckle, stroking over Mr. Choi's gelled hair, and his head tilts up a little bit as your fingers get tangled in his black locks, the white of his eyes making him look like a wild dog waiting for its treat. "F-fucking do it, you fucking slut."

"Fuck, baby," he laughs, out of breath, "You’re really a price."

Mr. Choi hammers his hips into you, until the stars in front of you all look like wishes falling from the sky. Both of you feel it, how his cock just feels so right, fits in like your cunt is a fucking glove which is full and getting even fuller.

"God, fuck," Mr. Choi grunts from the bottom of his throat, his hot cum lading into you, and it's like your lower body is melting with it, becoming heavier with every drop he's unloading inside.

"Take all of my fucking cum," he husks and your faces clash together for one finishing wild kiss. Mr. Choi sucks on your lower lip, as he fucks his ejaculation deeper and deeper into your hole with slow thrusts, until he bucks up his pelvis the last time and moans out a raspy, “perfect fucking missy with a perfect fucking cunt..."

Ding!

For a man that uses his mouth so sparingly, his tongue surely works wonders.

"Sir, are you—"

Headman Park has entered the elevator without a word, pulling off his leather gloves, and with Mr. Choi stepping away, he has all the place he requires to get on his knees and throw your leg over his shoulder, his wet and warm muscle delving into your throbbing cunt. You've been bereaved of the time to inspect what was behind or around him when the door closed, but maybe that's irrelevant anyways. What is relevant, is how impatient, but also how careful the CEO remains, and how he still tries his best to slowly sift his tongue into your folds, feeling every inch of your wetness. He’s been dying to do this.

"Fuck, sir!"

"Please," the CEO chuckles, hastily pulling the black leathery from his hands to put it back in his briefcase that he's been carrying, but he doesn't miss your cunt once, purling over your clit and glancing at you. "Call me Seonghwa, princess."

You could cum right here and there, just at the sight of this pretty man looking up to you, who has laid out his first name and put it into yours, scream it out loud until everyone hears what a princess you've been made of.

Princess. You knew his eyes were different, but you didn’t know they saw the world differently too. Oh, how you wish you could see more of his world.

"Aww, what? That's why you're still a foreigner in our country, brother! 'Can't be dropping our titles," Mr. Choi huffs and lights himself a second cigarette, filling the elevator with smoke and tobacco. How his breath really doesn't smell is questionable to you.

Just like you, the CEO, or how you're allowed to call him now— Seonghwa, ignores his partner's words, laps over your clit with his tongue, gently easing into your cunt with his clean fingers, and your soft sighs are like a reward for him, for whatever he's done outside.

"Respect, brother, 's all about respect..."

You tighten your thighs around Seonghwa's neck. The charcoal-haired has closed his eyes, sighing into the taste of you, and you are flawlessly overlooking the loud mafiaboss, just completely concentrating on the commitment the CEO is eating you out with. His head fits magically between your legs, he works his fingers so flawlessly into you, this must be fate— and if it's not, you're going to make it your future in any which way possible. You're falling. No, flying; never coming down.

"Seonghwa," you whine, and your hand glides over the hooked male's forehead, his hair feeling smooth under your touch as he presses his tongue slowly— in circular motion— against your clit to keep you on the high, but not in a way that would make you trip over.

"Mmf," the mafiaboss in front of you huffs, clearly attracted, enticed by the way you've exhaled the other male’s first name, scratching his temple with the fingers that are holding his cigarette.

"Whether you wanna call me San or 'daddy', baby," the scarred male, no, San, the fucker grins, "I'm gonna be hearing both either way."

"Fuck—", you moan out, having to take a breath because of how Seonghwa has curled his fingers into you with his tongue ready to shovel anything into his mouth that comes out, "you, fuckhead!"

The CEO is giggling a bit, finding your tone very amusing— and he tries to tell you this by looking up and slanting his eyes a friendly way, no, a way that you've never even conjured up the fantasy to perceive him, the cold-faced Park Seonghwa who hasn't drunk a drop of alcohol tonight. What pureness in a man...

"I liked 'fat-cat' better,” San snickers and goes through his hair that definitely needs combing, turning around and looking at himself through the mirror, though his eyes squint towards Seonghwa's reflection on the other side, now again lost in your cunt, taking off his jacket and folding it in half behind his back.

"Brother, you're eating my cum, by the way," the mafiaboss jabs, puffing out smoke while he's decidedly getting hard again in his trousers. San really can't hide his emotions on his face, can he? His lips are pursed, eyebrows slightly pulled in— how obvious. The man is jealous and doesn't want to admit it, you're sure of it.

"Shut up," you hiss, having become a bit comfortable with teasing the frustrated, outwitted mafiaboss. Ten minutes were definitely too little for him, but you've already rid his thigh, let him cum inside, and Seonghwa is simply too good with his tongue right now.

"Fuuuck," you whisper, and feel every drowsy twirl of his finger inside you, but it's slow, so slow, Seonghwa is swerving around every sponginess inside you, savoring the contraction of your inner space, and how your muscles tighten, when he licks over your clit, he enjoys this; enjoys you.

And so it continues, Park Seonghwa exploring every detail of your cunt as if he's a sommelier tasting the rarest of fluids, appreciating every drop that lands on his tongue, his fingers making sure that they don't go to waste.

"Shit," San comments, "I should've eaten her out, too."

The CEO is not cocky about it, about the way you are grabbing into his hair and squirming, how he has to slightly lift you up so you don't fall from your position. And then, when Seonghwa thinks your taste has perfectly coated his palate, speeds up.

"Fuck, sir," and the title slips out of you, like a habit you can't change for good when you feel so small. The CEO between your legs doesn't mind it though, at least doesn't say anything on it and just lets his fingers hit your sweet spot until there is a distinctive "Seonghwa" leaving sighed out your lips.

"I'm going to—", you announce, but the male has been long aware of it, preparing himself more access by bending his upper body to angle himself across your cunt, giving his partner a better view on how you glisten in arousal.

San in front of you is standing frozen, with his cigarette slowly burning out in his mouth, and you recompense the lack of his cock in your cunt by moaning louder, so your voice can vibrate around his erection. He grins and gets a tongue to his canine tooth, naked upper body still glowing in sweat, muscles shining, cock twitching every time he hears you breathe, and breathe more intensely, "make me cum, Seonghwa, please!"

"I knew you would taste delicious," Seonghwa murmurs, silently, rather for himself, and this must be how he sounds when he's drunk, because he is so high on your taste, "but this is ambrosial, princess."

You curl up your pelvis, and Seonghwa holds you by your hips, as his tongue picks up in speed, drawing out every word he hasn't spoken tonight on your labia, stamping them into your clit, all the while his fingers row in more and every last drop.

"C- coming~", you purr, and your eyes close down, your hands deep in Seonghwa's scalp, exhaling the weight of your worries, that flushes down into the man who seems to have none in his life, and he breathes into your hot cunt through his nose, not letting go of it until he's made sure that your hips tremble around his head. "P- please, f- fuck, fuck, feels so good—"

Pumping the remaining come into you, Seonghwa licks up your cunt and kisses your clit until you go completely flaccid, your arms giving in, but Seonghwa catches you by your hand, kissing your thigh with his swollen pink lips.

With your body relaxed, your ass feels a bite sore, having been prodded into the iron rail for so long. You grab into Seonghwa's hand and try to push yourself up, but ultimately fail at getting yourself into a more comfortable position.

"San, hold her."

"Huh?", he asks, "'Need something more snuggly, baby? Or what did you call her again, brother?"

"Princess," the CEO answers immediately and you have to suppress a girly giggle, as Seonghwa turns his head around, lips still pressed against your thigh. He presumably sends San an admonitory look to hurry up, and gets up from his knees.

The mafiaboss shrugs, not offended by being ordered around. He puts out the cigarette against the mirror and cracks his neck by rolling his head around, his thick neck dousing into your sight as he does so. He's so intimidating, you think, but he's on his way to coast those monster-arms behind your back, hands down to each of your hamstrings to, "up you go," pick you up like real royalty. The giggle escapes your mouth but you don't feel the slightest embarrassed nor do you have a reason to be. You are sunken deep into San’s cushiony arms— his muscles make for a great seat, and hovering, air hitting your hot cunt, as your legs spread for the CEO in front of you when you fall into the elbows. You yelp, but the giggles just keep coming, making San in the mirror in front of you wink at you, cackling, "you like that, princess?"

Seonghwa smiles, satisfied by your enjoyment of this position and approaches you once more. "I have yet to kiss you, Y/N," he says with his sweet voice, and his gentle hands find your chin and waist, your eyes blossoming open for him to stare into.

Even San shuts up now, and you suppose he is too taking part in the beauty that is the embrace of you and Seonghwa; two sets of lips, crazing each other, meeting for one flowery affair, breathing out small vapors of life. You can taste yourself, which means that Seonghwa is fully consumed by your aroma.

God, you think again, your cunt tingling at how Seonghwa tugs at his tie, pulling it side to side as he kisses you— the golden 'π'-pin clanks shrill to the floor— everything about Seonghwa is so...

Clean?

You are inhaling the mellow smell of his satiny skin, and the CEO unbuttons his shirt with proficient, skilfull flicks of his fingers. He is so handsome, handsomely pretty, and even when it’s drenched in your fluids, his skin shines on its own, like Seonghwa has a light shining within. Once you can see his bare chest and get lost on the smooth surface, your eyes dive down, admiring his slim, yet very muscular physique.

Seonghwa gets his tie and drags off his shirt by tugging at one sleeve with his hand, the white fabric revealing the rest of body with one clean pull that matches one of the curtains.

"W-", and you have to jump back with your head to get the full spectacle that's presented in front of you, exhaling in awe— "Wow.."

"Not so blank, our brother, is he?", San chuckles from behind of you and lowers his head to press his chin against your temple, surveying the same sight.

Two colossal, monstrous dragons, red and black, are colliding, looped, entangled all around Seonghwa's right arm, fighting for dominance on his skin. The raven hydra has its jaw wide open where Seonghwa looks to his shoulder with a rather shy smile once he sees your reaction, baring its teeth towards his heart, while the crimson dragon ends at the CEO's wrist, sitting on top of his pulse.

"Would you believe me it was brother's idea, baby?"

"As if," Seonghwa murmurs, folding his shirt into a square.

San chuckles again, re-shuffling himself and pressing your back close to his stomach, granting the back of your head to rest at his collarbone. "I asked her if she would believe, brother."

You watch the delicate lines, the elegant strokes of tint meeting on his skin, but while your first impression made you believe they carried a certain viciousness with their svelte bodies, the second sight presents you a different image of two forces maneuvering into each other as a reminder that they both co-exist as supreme. It's not one another they're reviling against, it's the bearer of the both who is threatened by their fangs. Their existence is a warning reminder, but also a sign of pride.

"I believe it's... beautiful."

“Aw, you’re so sweet, baby.”

You haven't seen many tattoos in your life, none in the mountains, and even in the city the only observable tattoos were those of the sleazy guys in alleys that wait when you're done with your job to gape at your uniform. They got tigers and other animals roaring on their bodies to hide the fact they don't have the fighting skills to keep up, but for Seonghwa, a CEO, to have this amount of ink under his skin is a commitment and to imagine he’s hiding that under his ironed shirt and black jacket, no, that you are seeing it right now, it’s… You’re overwrought, steamed up, aflame.

"Wanna touch it, baby?", San asks, and you nod eagerly. Seonghwa chuckles, “Go for it.”

You let your fingertip ghost over the dragons' scales, tailing their curvature. Goosebumps form on Seonghwa's arm and his hand finds its way to your head, stroking your cheek, as you meet the red beast's eyes.

The mafiaboss whispers, almost sentimentally, "No blood or tears."

Another expression, which proves to you that the tattoo was undoubtedly his idea, but you see it, the romance that is spoken from the male's skin, regardless of the little insight you have on both of them. Loyalty, reverence, creed, a belief and a duty, and before you know it, you want Seonghwa to enwrap you with his arms and never let you go, which he does.

His slender hand cloaks the left side of your head, and he pulls himself into a kiss, while he unbuckles his belt with his other hand.

You don't know how much you understand of this situation, no, you don't know how much you want to understand of this situation.

You've been on your own. That's all you ever had after you left home: Your body and soul, the windstorms of the mountains pushing you from the back to keep going, and you've lived your best life living for yourself that way, in bliss, in ignorance— in peace, but what is peace in a place where you can't move by yourself? In a world that’s maimed by the rich, and sure, it may be that you’ve chosen your path, but you were never walking a road that was yours, always trailing behind something.

Nameless, that’s what you thought you would need to be.

Your monks wanted to be called their title like everyone else, it would have been disrespectful to ask Lady Kim for hers which you now regret, and not even as a secret did your old man tell you his name, but you— you, Y/N, you have a name and you want to scream it, live it as loud as you can, hear it echo back with a volume that feels stronger when it rings back.

You could have settled on being acknowledged by your supervisor to earn some good money, but this is what you’re here for, aren’t you? Why you trusted your gut to stick to the scary men? Why you walked to them with confident steps, even when a nervous knot was forming together inside you? Did you go as what, an act of defiance? One of independence? To prove yourself that you were still standing on your own feet?

"Speaking of, brother..."

Yes, with no shame.

"You really enjoyed yourself back there, didn’t you?”, San asks. “Didn’t expect that from you.”

Seonghwa is kissing you down your breast, observing closely how you breathlessly react to his tongue twirling around your nipple.

"You left me no other chance," the older male hums, coating your circular buds with his saliva, bringing out your heavenly sighs every chance he gets, stroking himself to the sounds of your pleasure.

"Well, I would have made sure you still fucked her, brother."

“Sure,” Seonghwa lisps and positions his cockhead at your entrance. 

You try to grab San's shoulder behind you, as the male pushes himself inside, and your torso rotates to the side with your eyebrows pulling together, your cunt being spread apart.  “F-fuck,” you exhale, and Seonghwa kisses the corner of your lip to soothe you. Your cunt squelches around his cock and your hips roll by themselves, wanting to take more of his length.

"Shit, look at her go," the mafiaboss woos, "Fuck yourself out, brother."

"Think you’ll miss this?", Seonghwa snickers and it must be the first question he has asked today. “Y- yeah, you will!”, you snap, feeling eager to be acknowledged for how good your cunt wraps around his throbbing heat. 

“Oh, princess,” the CEO laughs, and your stomach drops because of how pretty his laughter sounds, and he caresses your cheek, only making your confusion and desire to finally uncover what the two men have obviously been keeping from you grow bigger. You don’t want to say it abruptly, but you three are naked, in a confined space, skins pressed against each other, so you believe you’re worth some type of explanation– or are you not?

“C- can you tell me what’s going to happen?”, you whine, and Seonghwa moves his hips, grabbing you by your waist to get his whole length. “Are you, fuck, going to leave me?”

“I dunno, brother, you call it,” San mutters. “It was your plan.”

“D- don’t!”

“It’s barely my plan anymore,” Seonghwa breathes, bucking his pelvis in, his cockhead being sucked in by your sensitive cunt.

“Don’t leave me!”

“You needed a distraction, brother, I got you one.”

“No,” Seonghwa chuckles, but in his heat, he kisses you and glances up at San while his tongue brushes against your lip. “But I’ll admit she saved us some jail-time, San.”

They continue talking over your pleas, and though you would have loved to ask a second time how the night was going to end, your brain has started to give into the pleasure once San folds your legs together, holding you by your hamstrings, giving Seonghwa an easier angle to fuck you senseless. 

“F- fu-huuck,” you breathe out, and your eyes are disappearing behind your molten, droopy eyelids, with Seonghwa cumming for the second time on your abdomen and cleaning it up with his handkerchief, and you don’t even know when it was, that San crammed out his cock   again, but you can definitely feel the difference of his girth, when he re-enters your used cunt, your legs shakily landing on the floor. They feel wobbly, your thighs having gone loose, and the mafiaboss has to hold you by your arms behind your back to support you.

“Can’t take it anymore, baby?”, San whispers into your ear, and his voice is low, very low, you don’t know how much time has passed since you could make out any of his words, but it feels like you’re back here, in the elevator, and Seonghwa is putting on his belt again.

“I c- can!”, you manage to whine out, not wanting the night to end, not wanting to return to your small apartment, not wanting these two to be gone from your life. “I can!”, you repeat yourself, when San lets out a mockful cackle. “You’re not going to fucking leave me here, San!”

“Who said anything about leaving you here, baby?”, he asks you, and he does mean his confusion, but the sarcastic undertone makes you desperate grow desperate. San frowns. “What did I tell you, baby?”

“You aren’t telling me shit, San!”, you sob, and his cock running through you prevents you from finding a braver voice, his two hands find your wrists to bind them together in his grip. “Aren’t you such a smartie,” he growls into your ear, hot air hitting your dissolving ear.

“Brother,” San calls out, and the addressed man is busy opening up his briefcase, getting on his knee. “I’m still waiting on you, y’know.”

“If you had stuck to the plan, th–” Seonghwa murmurs, but the mafiaboss falls into his word. “Then we would have fuckin’ send the bitch to prison and someone else would have him killed him, but there! You know I didn’t come with the fucking patience for that, brother! Geezer was getting on my fucking nerves.”

Killed?

“And don’t you talk back now,” San warns, “It was you who killed all of ‘em, so you figure out how you’re going to carry that one out.”

Killed?

“You already know how I’m going to carry this out.” Seonghwa smirks. “But you’re stopping me, San.”

“Augh, brother, you’re too sober for your own sake!” San’s cock is too deep in your cunt and your body is too much in his control for you to stop moaning like a bitch, but in your head, you’re puzzling together tonight’s happenings.

Expensive whiskey. Ice cubes. Ten minutes, gunshots, black leather gloves– “killed.”

Oh, Y/N.

“What did you do with the chairman, Seonghwa?”, you moan out, feeling how the mafiaboss is ramming himself into you at a sloppy, greedy pace, prolonging how much he can be inside you before he comes again, and you don’t know whether his heavy breathing can cover up the silence that it takes for the CEO to react to your question.

Seonghwa is still kneeled on the floor, when he rotates his head, smiling, his eyebrows pushed up. “What do you think I did?” His second question of the day.

“I- I,” you stutter, but San shakes his head, and interrupts you with his voice still loose from the alcohol, “you really don’t know how to keep up a good mood, brother!”, grabbing you by your chin and yanking your head up. “Lemme make my baby cum first!”

You can’t see Seonghwa anymore. You can barely see anything anymore, you’re counting your fifth or sixth orgasm of the night, cunt growing hotter with each time San thrusts into it, and with your breath being cut off, you slowly feel your arms lose their responsibility, tingling up from where your wrists are crossed behind your back. His cockhead is flaying against your g-spot and your thighs tremble at how used you’re being, eyes falling in, throat feeling tied up.

“S- San,” you manage to cough out, back arching for your final cry of pleasure, and San grins, letting go of your wrists, which makes you immediately fall to the front, finding safety against the mirror with both of your hands. He smacks his hands against your ass and lunges into you until your whole breast is pushed against the cold wall. 

“Come on, baby, come for me,” San roars, and you wail, tired, exhausted, feeling the orgasm drown you like another wave in the ocean of bliss you’ve been swimming in, whining out, “coming, coming for you, San!”

The mafiaboss presses himself against your back, his silver cross being imprinted into your neck, as he unloads himself, his last drops of hot cum overflowing out of you. “Fucking slut… So fucking good…”

He kisses your jaw repeatedly and looks at how tiredly closed your eyes are in the mirror, cooing “aww, baby.” San strokes away a strand of hair and gets himself off your body, pulling out. “You look like you need some sleep, baby.”

You are trying to catch your breath, grabbing the handrail to hold yourself up, as it sounds like San is putting on his shirt again. They’re gonna fucking leave you here, aren’t they? Leave you here in the elevator with the– with the fucking bankrolls on the floor of the fucking men you fucking– Oh god… Keep breathing, Y/N. Keep on breathing.

“I mean all I’m saying… you know… lobsters and crabs are friends, pal.”

What the fuck is he on again…

“You’re making this hard on yourself.”

“I’m not doing anything, just sayin’ that she just grew on me, that’s all.”

Your legs tremble, as you try straightening them to stand up and see what the two are scheming again, but as you turn your body around, ass against the handrail again, you hear a very unfamiliar clicking in front of your forehead area which is not coming out of San’s mouth.

“You’ve grown soft. That’s what you did.”

“Ahhh, fuck you, brother.”

“Pathetic.”

You see a hole, and it also doesn’t take you long to see Seonghwa ready to pull the trigger, the mafiaboss leaning into the corner of the elevator, arms crossed, looking at you with an unlit cigarette in his mouth, pressing the button that leads to the lobby.

The night is over.

“A- are you going to– oh my g-god, are you going to kill me…?”

“Yes, princess.”

Your heart is going to burst, you could puke out so many words right now, but you don’t know what to do. You don’t want to die, not when you felt so fucking alive– you– fuck, you should feel sorry that your coworkers that they didn’t deserve to go the same way as the asswipes did, because you’ve long realised that the bangs were their skulls being crushed by the bullets, but at the same time you couldn’t care any fucking less about them right now. You just have to survive, that was the only thing that mattered since the very beginning. This is about your life. Your precious fucking life.

“Ah…”

Your body is too weak to hyperventilate, but your brain is working overtime. Do you run? Attack them? No…

Seonghwa hasn’t moved an inch away from your face, and you take it upon yourself to raise your hand and slowly push the cold, black gun to the side, so you can look him in his eyes, but he forces it back there.

“Please don’t kill me… I can do so much for you! I– I,” you stutter, trying to gather all the knowledge your monks have taught you. “I– I’ll do anything! You– you saw me, didn’t you? I have– I’ve been told I have a talent for serving! I– I can do anything, please, I beg you, just…”

You fall to your knees, and they burn on the glassy floor, your hands folded in front of your abdomen. 

“Just please, let me live…”

You’re not greedy. You’ve only taken what you were given, and tonight, you’ve been given so much. Too much? No, it couldn’t be…

“Brother.”

There are tears flowing down your eyes, and you feel so sorry for yourself. You miss your old monk, and hope that you may be reincarnated to a butterfly that he can admire, just so that he can look at you with his adoring eyes again. So someone can want the best for you once in your life–

“Brother?”

So anyone can finally love you for once in your life.

next part coming soon... series masterlist | main masterlist

#cromernet #choi san x reader #choi san smut #choi san scenarios #choi san x you #choi san x y/n #park seonghwa x y/n #park seonghwa scenarios #park seonghwa x reader #park seonghwa smut #ateez scenario #ateez smut #ateez x reader #chokkiwa #chokko #drivebyme

[vorthosjay]

Hi Jay. Not wanting to sound mean, but I really think it must be commented and that there's no softer way of doing that: the company's statement of Thunder Junction being an inhabitated plane prior to MoM is not a honest way of capitalizing on a sellable trope without touching its uncomfortable issues. It's even disrespectful. They have done it in a less flagrant way with Kaladesh and both Ixalan iterations, but now they've gotten too far with Thunder Junction. Colonialism is too big an issue to simply being put under the carpet as it never existed and we could just enjoy the sunny part of the history. I really hope Hasbro as a company acknowledges this and changes its way of dealing with the theme. Thanks for letting me pointing this.

Look, you caught me on a bad day, so I'm going to be as polite as possible but let's start with the foundation that this is not a complaint to direct at me. I have no control over any of this. Mark Rosewater exists and takes feedback on Tumblr.

But, let's talk about it, because I've seen some folks take this to extremes.

First off, I've seen a lot of well meaning folks speaking up on behalf of hypothetical indigenous americans, but I'd love to get takes from folks this actually impacts. I'd love for Wizards to post something about their work with cultural consultants, for sure. But the only actual thing I've seen so far is a great story from Magic's first indigenous american author. And when you're speaking on someone else's behalf, you tend to miss things. Like, Kaladesh is not the great representation of south asian culture that you might think when you jumped to it, and it's okay if you didn't know that, but it sort of proves the point that it's very difficult to actually protest on someone else's behalf. And I just haven't heard from anyone who has also mentioned they speak from authority or are impacted by this. That doesn't mean you're wrong, necessarily.

But here's the thing. Thunder Junction isn't history. It takes cues from the American West, sure, but it's a fake world. And sometimes it's okay for a fake world to ignore the bad things that happens in real life and create something more aspirational. Magic does this all the time. Magic doesn't have homophobia, but that isn't really realistic or representative of the real world, is it?

No one, and I mean literally no one, came to me and said that people of color needed to be ostracized and not allowed to work alongside the white people in the demon mob families of New Capenna. That racism was real, it was systemic, and it was violent. But did it need to be tackled in a fantasy crime drama based on america in the 20s? Should it have been? I don't think anyone would have enjoyed it as much. Sometimes it's just fun to play gangster.

Similarly, the colonization and manifest destiny that was the reality of the American West was tragic, but does that need to be our only depiction of indigenous peoples - being colonized? If they were erased completely from the narrative, that would be awful, but can't they just have fun being cool thunder slingers? The Atiin were developed with a consultant, and if you want answers ask Wizards to talk about it.

There's a reason the Oltec were depicted as being sealed off from the Immortal Sun drama that had happened on the surface. To have an aspirational mesoamerican culture that wasn't affected by the Dusk Legion and Azor and all that.

To put it in another perspective, does every period piece featuring black americans need to feature systemic racism to be respectful? Is Bridgerton disrespectful (I mean probably but not for that reason)?

The reason I've framed a lot of this as questions is because I don't necessarily think I know the right answer, especially not for a fantasy card game. I've worked with tribal governments in my emergency management career and spent a week on the Navajo Nation, and talked a lot about perspective on things, and I would not presume to know what the right answer to all of this is.

Edit: to be clear, Could it have been handled better? Probably. I will never deny that. But also it’s a complicated and fraught topic and I’d love to hear from the people wizards contracted who actually know what they’re talking about.

[writersblg]

how the cod characters would react to their partner being a true crime junkie

The sun was starting to set when your partner came back from training. They closed the door behind them and made their way to the living room where you were already wrapped up in a blanket. The music suggested you were watching a normal mystery show but the wholesome scenario your partner thought they found themselves in quickly crumbled as the presenter said “after taking off the skin and hanging it to dry she chopped up the body”

Simon

Unfortunately, doesn’t enjoy it as much as you do. For obvious reasons.

He’d give you the nastiest side eye and will just retreat to another room to solve a crossword or something.

Finds these shows incredibly disrespectful and really doesn’t get why you’d watch this.

ALTHOUGH he knows you’ll cuddle up beside him in the night and hide behind his big muscles (I’m deceased) so that’s kinda cute but that only adds to him not knowing why you’d watch true crime in the first place.

Soap

Watches everything with you

Will be mad if you do it on your own even if he’s on a mission

Enjoys the stories of female killers the most (if it’s out of revenge he’d cheer for them)

CONTRA he’d talk all the time about the nitty gritty of murders (basically plays the UNO reverse to Keegan; you’ll be afraid of him)

Gaz

It took a lot of time or convincing to make this happen but he now watches these shows with you.

Rarely talks; “hope they rot in hell” is all you’d get out of him.

Holds you very nicely though and gets up during commercials to get you two snacks <3.

Tells you about the super weird things that happened in his hometown when he was a kid and expects you to be normal about it.

Price

Falls asleep during the first 10 minutes

There’s nothing he hasn’t seen and no matter how brutal these attacks on the shows were he finds them tame

He won’t spoil your watching experience though and lets you lean on him if you’re getting tired

He won’t do true crime marathons with you but might compromise on watching 6h of government conspiracies or something instead

Alex

The most interesting part to him is the reasoning for the killers and silently does psycho analysis’ of them

If he has heard about the case before he’d add some information the presenter hasn’t talked about

You two just vibe

He lays on you and occasionally raises his head at particularly interesting scenes

Very much a true crime enthusiast himself

Also very much no expression on his face as they describe the attacks

Farah

SIDE EYE

Watches with you but the way she judges you for watching this is crazy

Blames it on your culture

Farah: “I can fix them”

Valeria

Sometimes laughs out of nowhere when she’s watching with you 😭 (would honestly destroy my psyche)

Loves to hear when the police messed up so badly they could’ve prevented more deaths but failed to do so

Watches the most gruesome way to attack someone and goes like “Haha I did this once.”

Gives you self defense tips according to the cases

Alejandro

Gets so invested in it

Gives you all the crime statistics if the case happened in Mexico

Randomly dropped that he knew the killer personally more than once

Happily talks about it at work the next day

Rudy

Sometimes curses in Spanish because he gets too worked up over this

Cannot watch unsolved cases; will think about it all night

Looks the cases up on the internet while the show is still on

Just deepens his perspective of there being more bad people than good people in this world

Keegan

He’s actually scared of you if you watch this without any reactions

Reminds me of that one AITA story

Accidentally told his friends he’s scared of you (but with heart eyes)

He’d watch it with you but mostly watches your reaction from a safe distance (the other end of the couch)

If you chop something in the kitchen later he’d gently take the knife from you and do it himself; you think he’s being funny but it’s just self preservation

Will still cuddle with you <3 later that night

#simon ghost riley #simon riley #ghost #cod mw2 #cod mw3 #john soap mactavish #keegan p russ #keegan russ #ghost x reader #soap x reader #kyle gaz garrick #gaz x reader #john price #captain price #price x reader #keegan x reader #farrah Karim #valeria garza #valeria x reader #alejandro x reader #alejandro vargas #rodolfo rudy parra

[helga-grinduil]

First reminder: MHA is written by a Japanese man for a Japanese audience, and if you can’t even for one second at least try to look at it from the perspective of Japanese cultural and spiritual beliefs instead of projecting your own western ones… good luck, I guess?

Second reminder: MHA is a meta story about the art of fiction, escapism, fantasy vs. reality, and theatre. It’s quite literally a three-act play about fantasy, reality, and the balance of both. It’s about a stage, and character masks, and actors, and the real world outside of the stage, and about fighting against the writer who is too lost in his own fantasy.

Third reminder: visual storytelling is a tool sometimes used to contradict the lines of the story, which invites readers to think about what is actually the truth here.

Fourth reminder: MHA is anti-darwinism and anti-biological essentialism.

Fifth reminder: Hero system was literally created to control quirked population in the post-apocalypse. It’s FOR quirks. Heroes exist to keep population’s quirk usage in check by being the only profession that allows you to use them, and strictly for ‘good’, while also showing off those quirks to keep population entertained and content with the lie that quirks are accepted, actually! (Aren’t heroes so cool and their quirks are so flashy? See, we like quirks! We accept and allow quirks! Only if you use them for the good of society, of course! You are still not allowed to use or express them if you’re not a hero though, sorry). So. No, you can’t be a ‘hero’ (job) without a quirk, having quirks is A REQUIREMENT for this job.

Sixth reminder: MHA is a sci-fi with fantasy elements. Some concepts in sci-fi aren’t meant to be 1:1 parallels to real life. Quirkless people aren’t a disability allegory, it’s an allegory for any minority in general. MHA is a story about a person from a minority becoming one of people in power and about what effect a person with the experience of being a part of minority can have on others in power, acting as the first falling domino that ends up completely rewriting the script of the story.

Seventh reminder: MHA is about one person’s small actions affecting the world like a chain reaction. One action affects another person, and that person also makes it’s own small action. Everyone performing their small actions together, those small actions eventually combining and creating big results. Concepts of karma and butterfly effect. That’s literally what the idea of OFA is about. Everyone thinking about everyone else even just a little, doing their parts, creating a web and changing the world little by little.

Eighth reminder: the themes, good lord, the themes. Remember the fucking themes, you dumbfucks. My god. One of those fucking themes is the real person vs. the mask, by the way. Which, by the way, circles back to the first reminder, since it’s all about the Japanese concept of honne and tatemae.

Ninth reminder: touch grass and stop projecting.

P.S. ‘Izuku doesn’t want to change the status quo’ - Izuku wanting to save Shigaraki is literally him going against the narrative of the story. Saving Shigaraki IS changing the status quo - it’s another (very big) falling domino that will have a huge effect on the world and the status quo as the result.

#bnha #bnha meta

[caligvlasaqvarivm]

how do you feel about march eridan?

Ok disclaimer before I get into it, trolls wearing dresses = great and fantastic; in fact, given that the gender differences in troll culture are so much less significant, ALL the male trolls should own some femme-ass clothes, even if it's as simple as just having a skirt version of their pants, and it's a little lame that we didn't get that.

That said, March Eridan specifically kind of annoys me because it has 0 basis in canon (aside from some shoutouts in things like ministrife sprites) but has taken over Eridan discussions so wholly that it's become widely accepted as part of his character that he's really into femme stuff when the opposite is true, and he's got some pretty major characterization tied up in the fact that he does lean so masc, and what specific type of masc he tends to present as.

So first of all, Eridan dresses up to emulate Dualscar, and this is very obvious and straightforward; if you've read the big essay I have pinned to my blog, you know that this is all a part of his basic "I have to be a big bad sea dweller or Something Bad Will Happen" suite of issues.

Thus, we can ALSO assume that the choices he made that aren't made to emulate Dualscar are reflective of his ACTUAL taste in clothing. For example, blue pants instead of purple and black - I believe that this is because Eridan likes to dress up in the blood colors of his dates; he wears a lot of blue because he's hatedating Vriska (and never quite seems to get 100% over her), and we also see this in the rings on his fingers - half of which are fuchsia, for Feferi.

So that leaves us with the glasses, shoes, and scarf. And we know why he dresses like that! It's because he's a hipster. (The scarf has an added benefit of being associated with harry potter-style wizards).

CCG: PAST YOU, PRESENT YOU, FUTURE YOU CCG: AND ABOVE ALL, UGLY SCARFNECKED DOUCHEBAG HIPSTER YOU CCG: WAIT I FORGOT, ALL OF THE YOUS ARE THAT YOU

And very specifically, a masc hipster from the era - the glasses and the ugly-ass shoes are dead giveaways. The slicked-back hair is reminiscent of that fashion style, too. He is also a douchebag. This too is important. He draws from character archetypes of the time that were generally agreed upon to be the most punchable people in existence; his introduction calls him "KIND OF A TOOL" and he consistently acts according to that. Like, I mean, just LOOK at those shades. Those are not the shades of somebody you want to be trapped in a conversation with.

A fairly accurate Eridan fashion board would look something like this:

And, like, it kind of matters that he dresses like this specific breed of pretentious male douchebag; on a meta level, that's the impression he's supposed to give the audience, and on a diegetic level, he CHOOSES to look like this because he has these kinds of interests, but is relegating them to secondary accessories.

We never hear him talk about liking hipster shit; we have to hear it from Karkat and glean it from his design. This is because, as I've talked about before, he actively distances himself from things that make him happy, things that he'd enjoy. The constant push-pull between his ACTUAL interests, and the ones he thinks he has to have because he's supposed to be a big nasty sea dweller, is a huge part of his characterization - for example, the way he keeps claiming that magic and wizards are fake and shitty, but has no less than 6 wizard statues in his respiteblock alone, and cared about his crappy wands enough to bring them onto the meteor.

So that's one of my other issues with March Eridan and the general fanon that he'd be really into femme clothes (and, by extension, fashion) - he wouldn't be forthcoming about it, even if it was true. He has a deep sense of shame and insecurity surrounding what few interests he actually has, because they feel stupid, ridiculous, and frivolous, next to the intense anxiety he has about playing the role society gave him. He's got a very strong sense of duty that makes it very difficult for him to relax and actually enjoy something. Which, you know, probably feeds into his hipster-ness - a movement often defined more by what it doesn't approve of than what it does.

Canon Eridan, when he has a choice of what to wear, overwhelmingly chooses masculine clothing with hipster connotations. And this matters, it's part of his characterization, it says something about him, the same way that it's important that Karkat dresses very simply and baggily (we all know how many insecurities Karkat has about his body) or that Sollux's bifurcation is shown in his clothes. So please please please don't misunderstand my dislike of March Eridan as me saying I don't want him in dresses; I purely dislike it because it's usually SUCH a misread of his character.

And to prove it, here's my other gripe with March Eridan stuff: all the dresses shown in the not-canon "official" artworks don't even flatter his bodytype. Why do his custom mannequins in Pesterquest have CURVES when his Pesterquest sprite doesn't?????

Please, I'm begging you, there are guides for dressing this body type, and even historical fashions that deliberately try to emulate this body type, please if you're going to dress him femme and HC that he enjoys fashion, please put him in clothes that flatter him please

I think Eridan should own some femme clothes, because on Alternia, there are very few differences between the genders, he's rich enough to afford it, and he clearly has more of an interest in fashion in general - but I think the fact that he has a clear canon preference for masculine styles is significant, and I'm really annoying, so it kind of does bothers me that this is a controversial opinion. That being said, I don't want to tell people what they Should and Should Not do, because that's lame. Who cares. He's a fictional character, let people draw him in dresses. Would be very happy if this post causes people to draw him in different styles of dresses though :pray:

#I'm not going to tag this #because also people playing around with putting Eridan in dresses is 100% harmless #and i'm not going to ruin the fun by going But The Canon Says - #i'm just really really really annoying about canon and i kind of assume people follow me for that reason #but please dont let my annoyingness hamper your fun #if you enjoy putting eridan in dresses then by all means keep doing it #peace and love and rise above

[redr0sewrites]

Hi, I love your works! Can you write a hazbin hotel Lucifer x gn punk reader? Like, they dress punk, listen to punk music and are pretty rebellious anarchists? Tysm

YESSSS OFC!!!! also random rose lore but i am such a big green day fan and my mom once went to a green day concert and she talks ab it all the time-

🥀Cw: fluff, Lucifer being a sweetie

🥀HCs:

Lucifer was probably a little confused about your style and ideals when he first met you

he would ask you soooooo many questions about your outfits

hes a little awkward, but he means well 😭

he definitely asked you for music recommendations because you seemed really interested and invested in your style of music

when you started talking all excitedly about your favorite bands and music taste, Lucifer found himself enraptured by your love for the things you enjoy

Lucifer admires your individuality and how you stay true to the things you enjoy, and he also loves your spunky attitude

deep down, he despises heaven and authority figures as much as anyone else and he thinks its hilarious that the two of you are dating

an anarchist and the literal king of hell

once u start recommending your music to him, hes hooked

suddenly every rock or punk song he listens to reminds him of you, and he adores it

i think he'd really enjoy green day, maybe x ray spex too, but he'll ultimately listen to anything u want him too

lucifer ADORES your style too

if you wear studded patch jackets, vests, etc he DEFINITELY designs patches and studs for you

he would give u a little duck or apple pin to put on your jacket!!!

lucifer will help you out with your hair too, he loves detangling it at the end of the day and washing all of the hair spray and spiky styling out

would def help you dye it fun colors too

i mentioned this in my goth hcs, but if you wear a lot of jewelry he loves to fiddle and fidget with it while he's bored

like he'll just be standing next to you and all of a sudden he's playing with the chain necklaces you're wearing or poking the spikes and studs on your jacket just bc he's bored

overall, he's super supportive and sweet

"are you ready, duckling?" Lucifer called, waiting for you to finish getting ready. he had decided to take you out on a date tonight- not to a fancy establishment, no, but to a more hell-born central part of the pentagram to visit some knock-off theme park you'd mentioned weeks ago called LooLoo Land. the both of you thought that the obvious copyright of Lu Lu World was hilarious, and what better place to go on a date than a shitty theme park?

"I'm coming Luci, give me a sec!" you shout, "i'm just finishing up with my accessories". Lucifer hums in response, soon bursting into giggles as you come hurdling down the stairs, tackling him in a hug. you both pulled away after a few seconds, and Lucifer stepped back to admire your outfit. "Is it just me, or have you gotten spikier?" Lucifer chuckled, poking a stud on your jacket as you roll your eyes. "C'mon you, we have to go!" you smile, dragging him out the door as he admired your determined expression. "driving or teleporting?" you ask, and Lucifer shrugs. "you're no help," you grumble, but take his hand. "let's teleport, it'll be quicker." with a smile, Lucifer opens a portal. "Whatever you wish, dear ~"

RAHHHHHH💯💯💯 this one required a bit of research cuz idk as much ab punk culture/music as ik ab goth stuff, but it was still sm fun to write!!!!!

#lucifer x you #lucifer imagine #lucifer x reader #lucifer #lucifer morningstar #hazbin hotel lucifer #hazbin lucifer #lucifer hazbin hotel #lucifer morningstar x reader #lucifer fluff #lucifer magne #lucifer x y/n #i love luci #hazbin hotel fanfiction #hazbin hotel x reader #hazbin #hazbin hotel #hasbin hotel #hazbin hotel fluff #hazbin hotel x you #hazbin hotel x y/n

[rentumblsstuff]

Random Hatchetfield Headcanons

The first time Alice Woodward ever smoked weed was when (after much inner turmoil) she asked Deb to shotgun it with her.

Max has two snaggletoothed incisors which is why people swear to god he has fangs.

Deb also has a snaggletooth which is what inspired the vampire part of Alice’s vampiric sapphic play. Alice also thinks it’s ironic she made a vampire character when Deb is a vegan.

Ruth as a Sophmore hit on Senior Alice a lot. Alice thought it was funny and she and Deb “adopted” her. Max and Steph also put the PANIC in bi panic for Ruth.

Max would find it weirdly hot that Grace wears bathing suits under her clothes because of the idea that he gets to see what her body looks like before even she does.

The hospital is downtown, so Becky Barnes definitely got infected in TGWDLM. Despite never wanting to do it again, Becky climbs the tree as someone calls the HFPD to save Kathy’s cat because she’s still infinitely compassionate even under Pokey’s control. Plus, Pokey knows she wants to get over the trauma associated with climbing trees, so he makes her do it to give her a big number about finally overcoming her past. She accidentally flings the cat as soon as the song starts, which is why in Show Me Your Hands, the cat dies so quickly even though it JUST got called in.

Peter infected Steph who infected Deb who infected Alice in TGWDLM. Pete and Steph would have been Sophomores and Deb and Alice were Seniors, but I always imagine Steph and Deb knowing eachother because MRFC said Steph is in the Smoke Club on Twitter at some point. Assuming Steph’s been a little punk for a while, she’s been in the smoke club since at least Sophomore year, and probably a new inductee the same year as TGWDLM (2018).

Alice and one of her parents (maybe Bill) were also raised in purity culture because we know the Woodwards and the Chastitys go to the same church. The Woodwards probably take it with a grain of salt though (Alice has expressed dislike over Grace’s prudishness)- either that or one of her parents (probably her mom) wasn’t originally from said church and also raised Alice with “this is what you’re learning here, but here’s also what I learned at my church at your age.” Bill was likely the one raised in purity culture because he does NOT LIKE DEB and thinks that if she HAS TO date a girl, she should date someone like Grace Chastity, implying she’s an exemplary teen girl. Ms. Woodward lets Deb sleep over and probably knows she smokes and likes her anyways; three points for Alice’s mom not being the puritanical one.

Ted reads romance novels. He’s a former geek turned sleazeball- you know he reads the smuttiest novels ever and calls them “his research”. He refuses to read any book with the friends to lovers trope because it’s too upsetting to think about. (Side note Time Bastard gave us a definite date that timelines don’t branch/reset before depending on whichever theory you believe because the homeless man is in every timeline, meaning that Jenny’s death is fixed in time and never changes: October 7th 2004, so the timelines change anywhere between October 8th 2004 and 2018.)

In whatever timeline Emma finally gets to have her weed farm, she meets Paul when he tells her he was prescribed that marajamij for his anxiety and he was too scared to try Xanax. She thinks he’s kind of cute for a wet cat of a corporate slave. “Fuck the patriarchy? Yes please.” (Side note Paul seems so uptight and unfuckable like bro gotta be blank down there like a Ken doll and has no discernible kinks from what I remember while Emma is laid back and chill asf and like… normal in comparison so yeah sure Paulkins canonically fucks but does Emma enjoy it?? Like dude even Pete’s more fuckable than him come on.)

Pete and Steph don’t kiss when they admit their feelings for eachother even though one of them would die before ever getting to kiss each other because they both think it’ll only make it that much harder to go through with sacrificing the other. One of the reasons Pete also chooses to be the one to take the bullet because he doesn’t think he even COULD pull the trigger on her. Like it’d be physically impossible for him, in his mind.

TGWDLM was originally meant to be an allegory for the institution brainwashing us. Show Me Your Hands and America’s Great Again: examples of people in power working for and fulfilling the evil wishes of some almighty, otherworldly, inhuman THING (be it aliens, be it those in power). It’s clearly meant to satirize the way that power corrupts and tries to convince you its way is better. Even Hidgens, THE FUCKING TEACHER, tries to teach his student that it will be better for everyone to join in that corruption and give in to the hive mind. This reminds me of how the school system in America tries to paint our history as something glamorous; manifest destiny instead of genocide of the indigenous populations. The people in power convincing those under them that the deaths of countless lives is a good thing and it will pave the way to a better future. Cool motive, still murder. Which is why Emma “Fuck the Patriarchy” Perkins is the last one to be infected. She was incapable of being brainwashed , and even when she was the last one left, she saw that the people watching didn’t care, and the all-consuming threat of corrupted power closes in on her until the very last moment.

The Lords in Black were going to try to convince whoever sacrificed their most treasured something to do more work for them, but Grace required very little convincing. Like Wiggly spoke into her mind like “Gracy-Wace! You forgot my booky-wook! Look in it, see any thing you like? Wanna kill all the pervy-wervys?” And she’s like “holy cow I can kill all the pervy-wervys with this book?” Pete would have needed the most convincing because he’s just lost the only girl who will ever love him (in his mind) and so he’d think these things took away his one chance at true love and NEVER want to deal with them again. Even if they offered him a way to get her back, he’s too smart to know that won’t come without an even bigger price AND too paranoid to think she won’t come back wrong like Max did.

If the Green-Foster family ever did get to move to California and Lex got to be an actress, her interview attitude would be a lot like Reneé Rapp and if she ever got asked about why she’ll openly shit talk people in an interview, she’s like “I used to work retail I learned pretty fast that nothing gets done if you keep your mouth shut.”

#starkid #hatchetfield #tgwdlm #black friday musical #nightmare time #npmd #alice woodward #max jagerman #grace chasity #bill woodward #stephanie lauter #peter spankoffski #ted spankoffski #paulkins #paul matthews #emma perkins #lautski #ruth fleming #becky barnes #lex foster #jenny starkid #lords in black #wiggog y'wrath

[metamatar]

One of the key things that I was encountering in popular discourse, as well as in official discourse, as well as in some scholarly discourse on caste, was what I would say is a liberal understanding of caste from an anti-caste position, which interestingly, and very dangerously in some way, coincided with the right-wing understanding of caste, with right-wing too thinking of themselves as anti-caste.

So I captured this as the five tropes [...] And the first one is that caste has modernized, and it's even in some way democratized because of the political ways in which previously historically marginalized castes have come in a big way into Indian politics. And so we really need not worry much about caste today, it's a thing of the past. It's also got its economic equivalent, which plays out in some kind of an argument that says, well, for an underdeveloped economy like India, caste is actually good for the growth of capitalism because you have trust when you actually make transactions and you save transactional costs. So there's a literature arguing that.

And then there's a third trope, which is what I actually focused on, which is that caste is now no longer just the hierarchy, in fact, it is not the hierarchy. It has become from a vertical into a horizontal structure, and it's just a benign difference. And this I call as the culturalization, which I'll say a little bit more about, but there are to these three political, economic and cultural tropes, I see two bookends. One is that admittedly caste exists, but it is existing in a benign, normal way. It is defined, so it exists in those cute matrimonial columns where people ask for the same caste. And so it just exists in these privatized spaces, and that really doesn't have a whole deal to dictate in terms of monopolization of wealth or inequality. It's just there.

And then on the other hand there's another bookend, which I call the brutal abnormal to the benign normal. You have the brutal abnormal, which has to admit that there are some incredible violent things that erupt from time to time, and it's only from time to time. And therefore the even more, pretty troubling word is the Atrocities Act, atrocity in some way connoting exceptional or extraordinary, whereas caste violence is ordinary violence, everyday violence. So when those things happen, it always happens in some backward part of India, not in the rest of India.

[...] And that we have to pose the question and ask the question, how does caste persist and what is the durability of caste, which then helps us understand how caste legitimizes itself. And I think in the legitimization aspect, that is where I unwrap some of the things on culturalization. So -- what indeed is culturalization?

The book is largely written against a scholarly trend that I saw, and still see, of asking us to think about the transformations in caste as an ethnicization of caste. That is, instead of a vertical hierarchy, which is what we think of when we think about caste, we are invited to consider that caste is now just about difference, it's on the horizontal plane. And so we can devote ourselves to thinking about how caste has ethnicized. Now, that to me is not at all what is happening on the ground [...] there is hierarchy, there are all kinds of inequalities, and there are appeals to fairly traditional forms of belonging, such as blood and purity and things like that. [...]

So culturalization then is really caste repackaging itself as culture. Caste in some way taking up the grammar of culture in order to present itself as benign horizontal difference/identity. And in doing that, what culturalization is is a depoliticization of caste. It is, in fact, I have even called it a counterrevolution of caste. It is the most recent form of the legitimation of caste.

Balamurli Natarajan on Recall This Book Podcast

#caste

[the-poets-might-disagree]

how Denis Villeneuve built Paul and Chani's love story in Dune Part Two – from beginning to end

In their first romantic scene together Chani goes after Paul into the desert because she knows he won’t last on his own. By this point in time she already starts to fear for him- she knows he is brave and a good fighter, but she also knows it’s not enough. „You sandwalk like a drunk lizard!” We see her teaching him the sandwalk. This is when their melody is first played in the movie, this time it's quiet yet, merely an introduction. He is proud enough to say he knows how to sandwalk, but wise enough to admit he has a lot to learn from her. So he listens.

And listens and listens, earning her trust little by little. „You know I’m the only one who believes you’re gonna make it ’till the summer”. There is a scene here when you can’t even hear what she is saying. Instead it’s their melody playing still, while we see Paul’s (all smitten) face watching her, just explaining things to him.

Second important scene is when during the first fight, Chani’s life is in danger, and Paul jumps on her without a doubt in a split second, to protect her life with his own. They share a quick meaningful look before they get up from the ground. There are no questions left in her after this.

Third. In the tent after he was named Usul and Muad’Dib. Paul speaks chakobsa, with a proud look written on his face, and there are many people present, but it's all for her. He wants to be one of her people so badly, he does everything he can. And it's working, Chani is watching him speak as if he invented it. When Stilgar invites Paul to join him, he looks at her. Chani is nodding and so he gets up. It’s always her approval he is looking for. Everyone is hugging Paul and it’s Chani’s turn. We see their faces slowly touching, her lingering there for a moment.

The fourth one is when she gives in. We see them sitting together, watching the sunset. Her telling him about her name in the prophecy. „Your blood comes from dukes and great houses. We are not like that. Here, we are equal.” „I’d very much like to be equal to you.” She is smiling back at him „Maybe I’ll show you the way.”. Their first kiss- the melody returns for the second time. A little later she is shown leaning on him, literally. He has earned not only her trust, but her love, too.

This is when his nightmares start to kick in. He knows he can’t go south. At this point she starts to wear blue, which in the fremen culture (in the books) means a woman is pregnant – was changed in the movie to be the symbol of being in love or being taken.

We see their only love making scene. They are just laying there on each other, but she cannot turn her thoughts off. „There will be trouble.” „What are you talking about?” „The way they are looking at you. They worship you now.” She fears what is to come for him, but he reassures her. „I’m no messiah”. She then warms him about the stories his mother is spreading. During this scene their melody returns for the third time, programming our ears and brains to connect it to their intimacy and bond.

When Gurney appears, Chani thinks he is not to be trusted. Paul says "he is family" and as soon as he does she gets up to help him. It's the small things that tell you at this point that she will do anything for him, as long as it is the right thing to do.

Paul telling her about the Atreides atomic arsenal in the tent. How it could change everything. This is when we first see him being slightly intrigued by power. "You promised me you didn't want power". Paul switching it back on her with "no matter what I do, you still don't trust me". He is offended and tells her that he is fighting for her people, no matter what.

When they visit the arsenal you can see how scared she is. Paul is confused, but proud of his legacy- even if it is one that is big enough to destroy their planet. Their differences keep growing. He keeps having nightmares about losing her.

The final conflict in him is people pressuring him to go south, but he says he cannot, because he is afraid of the fundamentalists. Chani is the moral compass still, and she emphasizes he is right to be afraid of them.

"The world has made choices for us." Sounds like the beginning of a goodbye. We watch their last intimate scene together before it all changes irreversibly. "If I go south, I might lose you." "You will never lose me, not as long as you stay who you are". Tears rolling down his face. He knows already how much he is about to give up. She has no idea. "I will do what must be done". We see their goodbye kiss.

He drinks the water of life. She is furious but she runs to his rescue. She refuses to do so, but compelled by the voice, she saves his life- as it was written in the prophecy. When he wakes up she makes sure first that he is feeling well, then she slaps him and leaves. He emerges with a facial expression that is pure evil. At this point we know he is innocent no more and has switched to his dark side, the one that gives into power.

"She'll come to understand. I've seen it." He is so sure he can do whatever, and he'll still have her by his side... But when he arrives to speak at the gathering, Chani is the only one who doesn't kneel in front of him. He is still her equal in her head.

"I'm pointing the way!" as he shouts we can also see a switch in her. He's losing her. She's not looking at him lovingly at all anymore as she realizes it's her worst fear becoming reality in front of her eyes, and he is not the person she fell in love with anymore. She's angry, she loses hope, she's disappointed. Is about to give up on him.

When they go into battle, she still wears the blue scarf, not on her head anymore but on her arm. Still there with her, but barely.

The final scene. Everyone's gathering. He orders Gourney to bring the prisoners and then stops for one last moment before it's all about to go down. He looks behind his back. Chani's standing there, keep looking at him while he is about to walk up to her. Her facial expressions are childlike, showing how devastated and afraid she is, but she says "this isn't over yet" as if she was still hanging onto something. "I want you to know..." he says but he is looking at the ground, afraid to look her in the eye "...I will love you as long as I breathe". They lock eyes. It's his final moment to confess his everlasting love for her. Pain is written in his eyes. He knows it is goodbye, but she still has no idea what's about to happen. She sighs and swallows, furrowing her brows. No answer.

The prisoners arrive. Chani lifts her head up, trying to collect herself and stand proud. When he tells the emperor he is about to take his daughter's hand in marriage, we see Chani's face immediately. Her jaw drops. When he says "we will rule together", she is literally breathless, her eyes darting. She bites her lip before she looks up in disbelief. Straightening her pose once again, wanting to maintain her dignity.

Before Paul and Feyd-Rautha start their fight, Paul sneaks one last look at her to gather his strength. The music stops. We can only hear the knives and breaths during the fight. When he's on the ground, he can't help himself and looks for her. "She's your pet?" asks Feyd-Rautha. Chani shakes her head, visibly disgusted. Feyd-Rautha starts walking towards her, so Paul gets up immediately. This is when he knows he is going to end this man. But he gets stabbed and looks for her with fear in his eyes. Chani holds her breath in disbelief and her eyes widen.

He can barely breathe anymore, but he wins the fight. Chani is relieved, and gasps for air herself. Paul turns back to her, before he talks to the emperor. Her face lights up, showing how special he makes her feel in this exact moment, but in a second, her gestures return to the childlike frown that shows how betrayed she feels. Paul demands the emperor to kiss his father's ring. He does, the music starts again and the whole room gets on their knees.

Princess Irulan, Paul and Chani are the only ones left standing in the room. We hear their melody return, and build into something that is a lot bigger than them, and it's meant to break our hearts with the bittersweet sound. It was all about them leading up to this moment, and now they are no more. Irulan takes a look at the two of them, and realizes it all. Chani is shattered. Paul is not facing the Princess, but watches Chani leave (this is the last scene she is wearing blue), refusing to be a fool like everyone else. He shuts his eyes. He's never been in this much pain before, but he cannot show it. With her, Paul's last pieces of humanity leave, too.

#ive come a long way since ive called their love bs #this post took me bawling my eyes out four different times at the movies at the final scene #dune #dune part two #chani x paul #paul x chani #denis villeneuve #paul atreides #chani kynes #mine