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#i don't need to fear them
despair-tea · 18 days
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Aim to kill. Don't imagine defeat. What point is there in picturing it? You're going to find the line that takes you to certain victory in mortal combat - only a fool would entertain the shadow of death that far.
Aim to kill. You play with your food too much. Don't just play to sate your bloodthirst. Cool that blood of yours - you need to view things more objectively. Always thinking about what you want to do - predictable, laughable, a liability.
Aim to kill. Your opponent will not hesitate.
Will you keep growing, or will you die on this hill?
I don't want to die. I don't want to die.
I don't want to die, so I'm going to surpass my limits, right now.
...Wishful thinking. Start again. From the beginning this time. Clearly you've still got the heart of a novice.
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inkskinned · 1 year
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there are a lot of posts out there that are positive and healthy coping mechanisms for handling the holidays. this is not one of them :)
i think there's like. going to be times in your life you will be stuck in a social situation that you cannot escape from gracefully. i do not know why the internet doesn't believe these times exist. it's not always just that your physical safety is at risk - sometimes it's legit like "i just don't currently have the energy or time to put in the effort of responding to this." sometimes it's a coworker you hate so much. sometimes it's just like, fine, you know? like you know you can handle your aunt when she's cheerily horrible, but if you actually set a boundary around her, it's going to be weeks of fallout with your father.
i don't know why people think the answer is always just "cut them out!" or "don't let them get away with that!" because ... the real world is tricky and complicated. i think kind of a lot of us have an internal "radiation poisoning" meter for certain people. like - i'm talking about the ones who are absolutely giving you gradual ick damage. like, you can handle them, but you'll be exhausted.
and yes. you absolutely should listen to your therapist and the good posts about handling others and set good boundaries and take care of yourself. prioritize peace.
HOWEVER :) ...... since im often in a situation with a Gradual Sense of Ick person i cannot just "cut out" of my life (without losing someone else precious to me) - i have sort of developed the most. maladaptive form of mischief possible. because like, if i'm going to have to listen to this shit again, i like to have a little bit of private fun with it.
now! again, i am physically safe, just mentally drained by this man. you should only do this with people you are not in danger with. which leads me to my suggestions for when your Unfortunate Acquaintance shows up and says oh everyone pay attention to me.
my favorite word is "maybe!" said as brightly and happily as possible. whenever the Horrible Person starts in on a topic you do not want to go further with, particularly if they make a claim that you know to be inaccurate, do not respond to it. you and i have both tried to actually argue with this person, and it hasn't gone well, because this person just wants the drama of an argument. however, "maybe!" gives them literally nothing to go on. it is incredibly disarming. they are used to people having some response. they know they can't prove what they're saying, and maybe! treats them like the child they are. it dismisses them in the politest way possible.
i like to say maybe! and then, in their stunned silence, immediately change the subject. this is because i have adhd and i will have something unrelated to talk about, but if you can't think of topics fast enough, i recommend just pointing to something and saying, "isn't that lovely?" because fuck you let's bring in some positivity.
by the way. that second trick - of pointing to something and stating an opinion about it? - that just works on its own, like, 70% of the time. i picked it up from teaching preschoolers. it's an intentional "redirect". it stops children crying and it also stops grown adults from finishing their explanation on why women belong in kitchens. dual wielding!
keep it silly for yourself. i absolutely do not care if people think i'm fucking stupid (it's more fun if they do) and as a result i will purposefully misunderstand things just to see how long it takes them to realize i've completely removed them from the subject at hand. when they say "women aren't funny" i get to be like. "which women." "all women." "all women in america?" "no in the world." "like the mole people? the people in the world?" "what? no. like, alive." "oh are we not counting the mole people?" "what the fuck are you talking about." "you don't believe in the mole people?"
similarly, i play a personal game called "one up me." my Evil Acquaintance literally knows this game exists (my family & friends caught onto it and now also play it) and it always fucking gets him. i don't know why. you have to be willing to be a little free-spirited on this one, though. the trick is that when they make one of those horrible little bigoted or annoying comments they are always making, you need to go one unit weirder. not more intense, mind you - just more weird. "you don't look good in that dress." "yeah, actually, my other dress was covered in squid ink due to a mishap at the soup store." "you shouldn't wear such revealing clothes." "wait, what? oh shit. sorry, your son tears off strips when no one is looking and eats them. i swear it was longer before we left the building."
the point of "one up me" is to completely upend this person's narrative. we both know this person likes setting up situations where you cannot "win" and then they really like telling other people how badly you handled it. in a usual situation, if you respond "please don't say something that rude", you're a bitch. but if you let it happen, you're letting yourself be debased. they are not usually expecting door number three: unflappably odd. because what are they going to say when they're telling everyone how badly you behaved? "she said my son eats her dresses" ".... okay?"
if you can, form an allyship with someone whomst you can tagteam with. where they can pick up on your weird "soup store" story and run with it.
the following phrase is amazing and can be deployed for any situation: "oh, be nice :) it's the holidays!" i do not know why this works as often as it does. i'll say it for the most random shit. i think this is bc most of the time these people know they're being impolite, they just like to fight.
godbless. when in doubt, remember that you could always start stealing their pens.
the whole point of this is - if you can't escape. maybe see how long you can just be. like. a horrible little menace.
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uncanny-tranny · 11 months
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The whole "breasts shouldn't be politicized because the primary purpose of breasts is to feed babies!" can be a fine jumping-off point, but I really wish people thought deeper than that when we talk about the ways in which bodies are politicized and restricted.
Like, why's it that when we talk about breasts, they must have some Higher Purpose? It's true that breasts aren't inherently sexual, but they aren't valuable solely because they can potentially feed a baby. A human body doesn't have to serve a Higher Purpose in order for it to not be legislated against or policed, and I just wish people would remember it isn't always about babies, about other people, about anything else other than the people who have that body.
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melit0n · 2 months
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CUSTOM GUITAR STRAPS. I REPEAT; CUSTOM GUITAR STRAPS!
Credits: 📸 Clinton Hatfield
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jtl-fics · 6 months
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Fluent Freshman - Part 44
PREV
The flight up to New York is a pleasant one.
The time in the airport itself had been less pleasant. Matt, as it turns out, is a firm believer in arriving with just enough time to check a bag, get through security, and get to the gate. He had claimed up, down, left, and right that he had it down to a science.
No matter how many times Smith had wondered about the scientific rigor of this 'science' he still kept it to himself. There was no need for Smith to voice his uncertainty with this plan because Kevin well and truly had it covered.
"You're giving us only an hour to check bags, get through security, and get to our gate?!" Kevin demands.
"Kevin, if you wanted to be there earlier then you could have asked Andrew to give yo a ride." Matt says. "We'll be fine."
"You know what Neil and Andrew get like when they have a long roadtrip ahead of them." Kevin argues.
"All lovey-dovey?" Nicky asks as Aaron makes a gagging sound.
"No, well yes, but no they always stop and buy all of the worst food too." Kevin reminds. "I'm just concerned about us missing our flight! We have barely enough time!" Kevin huffs crossing his arms.
"You're wrong anyways." Aaron says idly as he continues to text with Katelyn.
"How am I wrong?!" Kevin demands.
"We also have to park within that hour that Matt has left us with." Aaron says looking up from his phone.
"Matt!" Kevin squawks.
"It'll be fine." Matt reassures for the 2nd time.
"We all have checked bags!" Kevin exclaims, "What if we miss our flight?!" he wails.
"It'll be fine!" Matt repeats.
"No it won't!" Kevin exclaims.
---
It was fine.
The only real delays they met were at security.
Smith prided himself on being efficient in the security line. He has his watch off, his phone and ID secured in a zipped jacket pocket, his backpack and electronics in separate trays, and his shoes ready to be slipped off.
So he was shamed to have been the cause of the first delay when the TSA agent wouldn't wave Smith through the metal detector since she didn't realize he was there. That had been a whole anxiety attack and a half as the line had formed up behind him all wondering what the hold-up was.
Finally she seemed to startle as she realized that Smith had been standing there waiting and waved him through.
The other delay was that Kevin got patted down after he had forgotten to empty his 'emergency' water bottle.
It was probably for the best that they didn't have to be in the airport for that long. Every announcement that it was very important to not leave your bag unattended made him worry that with every blink somehow someone had slipped a bomb into his backpack.
While it was on his back.
As he was running with the rest of his friends to their gate.
"It just had to be the gate on the other end of the terminal." Aaron huffs.
"It would have been 100% perfect if someone hadn't left their water bottle in their bag despite the, let me check, 3,820 signs that said remove all liquids from your carry-ons!" Matt says as they continues to run.
"I said I forgot!" Kevin yells back from his spot at the front of the pack. Smith was under the distinct impression that Kevin was keeping pace with them since he had seen the Striker move much faster on the court and during warm-ups.
"We could have forgiven that!" Nicky pants, "Why did you have to slam the whole thing to prove that it was 'just water'?" he asks.
"Because I wanted to prove I wasn't a national security threat!" Kevin says. "I'll be going to the Olympics in a couple years and I can't have that on my record." he continues as he rounds a corner.
"What record?!" Smith asks suddenly worried that there was a record.
"Smithy, there's no record Kevin's just an idiot. An idiot who got patted down, tested for explosives, and had his carry-on searched." Nicky huffs.
"You don't know that there's not a record! The record everything nowadays!" Kevin huffs and their gate is in sight.
"Kevin, just shut up!" Aaron exclaims as they reach the line for their flight.
"Wait why aren't any of you getting shitty with Smiths?!" Kevin asks.
"His delay was like a minute and more importantly NOT HIS FAULT!" Nicky defends.
"He should have just walked through!" Kevin argues.
"Oh it's fine if he gets a record but not you?!" Aaron asks.
"So there is a record?!" Smith asks again.
They reach the line and the largely empty area around their gate is more than enough evidence that this was the final boarding. Smith breathed a sigh of relief as he took his place in line behind Nicky.
"The lines pretty slow, I'm going to go get a water." Kevin says and before any of them can say anything he is off towards a busy looking Newsweek store.
"I cannot believe him." Aaron huffs.
"All that water he just drank and is about to drink? He has lost window seat privileges." Matt pants wiping sweat from his brow.
"Agreed." Nicky says.
Smith laughed between panting breaths. His stomach hurt a bit from the stress of running but it was fine.
They get on the plane without Kevin and head to their seats. Most of the overhead storage is taken up at this point but Smith slides his bag under the middle seat in front of him after Matt
In the end, Kevin barely made it onto the plane in time since he got caught up in deciding on water. "You're in my seat." Kevin says as the only man not yet seated.
"I am not about to spend this flight getting up every 2 minutes because you have to pee." Matt says, "Abby didn't used to need to take all those pitstops when we're on the bus." Matt adds.
"I hate the aisle, the cart could hit my legs." Kevin argues.
"Then you can sit in the middle if Smith's willing to move." Matt says.
"You can have the middle Kevin." Smith offers actually preferring the aisle seat since then he doesn't have to ask anyone to move for him.
"I hate the middle seat, there is no room." Kevin crosses his arms.
"Smith is like only 3 inches shorter than you and he's not complaining." Matt continues.
"It's an important 3 inches."
"I bet it is."
"Nicky, are you serious?"
"What?!"
"There is an uninvolved member of the public, right there."
"He's wearing headphones it's fine!"
---
It's fine.
Eventually Kevin takes the middle seat if for no other reason than Matt stubbornly pretends to go to sleep but absolutely does not want the aisle seat either.
Smith gives it up and ends up with his own preferred seat while Kevin pointedly takes both of the arm rests, as is his right. The plane ride progresses smoothly from there. Smith has always liked flying. There is always a sense that the second that he gets onto the plane and the door closes he has absolutely zero control over what happens afterwards.
That is a nice comfort.
He pays attention to the safety briefing, finds his nearest exit, and that he should secure the bag over his own face before securing it on Kevin's.
He puts his headphones on and tries not to think about the anxiety of meeting the 'girls'.
He has heard much about the 'girls'.
Allison Reynolds. Allison was someone who's legacy existed even outside of the team. Smith didn't know much about fashion but a Reynolds bet remained a solid practice within Palmetto. She was, undeniably, absolutely gorgeous and if Kevin was to be believed 'kind of a bitch'. Nicky had swatted his arm but had said that it was not entirely inaccurate but like 'in the best way'.
Dan Wilds. He met Dan. Dan was nice. Also, if Matt was to be believed, the best human to ever walk the planet earth. The reason the sun rose in the east and set in the west. The gravitational pull that held the universe together. If Andrew is to be believed, she's fine.
Renee Walker. Renee was the one who taught Andrew how to use knives. His friend has talked warmly of her, in the way that Andrew talks warmly about anyone which is mentioning them at all. She was the one that Smith was the most anxious about meeting.
Kevin turns his nose up at the ginger ale that Smith gets but he's allowed these now per his actual doctors orders.
1 hour left until arriving at JFK.
He hopes this ginger ale is enough to calm his stomach since he's still not allowed Pepto.
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MASTERPOST FOR ALL PARTS OF FLUENT FRESHMAN AU
NEXT
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the-casbah-way · 9 months
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forgive the brief jesus chris superstar rant but. there is a very important difference between the pharisees being villains and the pharisees being antagonists. they're technically antagonists because they're actively working against the interests of our protagonist, but i don't believe they should ever be played as villains. they're not evil or bad or wrong. they're terrified just like literally everyone else in the show is, and their actions are completely justified. to me that's the entire point of the musical. it's not about christianity; it's about the impact the roman empire's brutal and violent imperialism had on everyone on all levels. including jesus and judas, but also including the pharisees, and even herod and pilate. when a powerful coloniser forces their presence on innocent people they are the only winners. everyone else suffers, even the puppet kings and high priests who look like they're reaping some sort of benefit from it all. that's roman propaganda. the romans kept native rulers like herod and caiaphas in power to maintain the illusion of provincial autonomy, and keep populations appeased and therefore under control. everyone in the show is acting out of fear of the romans. the one roman character we do see (pilate) is acting out of fear of his own emperor. it makes no sense to cast the pharisees as two dimensional Bad Guys, especially when the same productions that do that usually offer a sympathetic portrayal of pilate. it would be so easy to stage and direct a production in a way that makes it obvious that the pharisees are doing what they're doing because they truly have no choice, and not because they're pure evil and want to kill jesus for the sake of it. it's not only an antisemitic trope but also undermines a really important theme of the musical. if you can see the humanity in the violent roman governor installed forcefully on conquered land then you can afford some humanity for the pharisees too. they are victims of pilate and victims of rome just like everyone else
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accirax · 2 months
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i know you hate anyone who isn't you, but dragging everyone down with you by getting us all executed is a low blow, even by your standards.
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princelancey · 1 year
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I have several thoughts 🤨
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daisywords · 4 months
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"just focus on book 1 without mapping out the entire trilogy" I need you to understand how much I cannot do that
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carefulfears · 11 months
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one thing that stands out to me about the IVF arc is the way that, for as much as i make fun of her for asking her coworker if she can have his babies, scully asking mulder to be involved in the biggest process of her life (and the most important thing in the rest of her life) is such a healing and reverent experience. like he says “i’m absolutely flattered,” but it’s so much more than that. it’s like…spending your whole life feeling like you should’ve died at age twelve and then being told someone just wants more of you, more and more and more, in everything.
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possamble · 2 months
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What are your headcanons about Marcille's mom if you have any? It's interesting that what drew Donato to her was cause she lived the history he studied, or that was said somewhere at least. She must've had an interesting life.
so this was going to be just a normal answer but then I realized I have a Lot of Things To Say. so here goes, a compilation of what we know for a fact from the canon, what I've extrapolated from the visual cues and details, and my theories based on all of that.
Things we know for a fact about Marcille's mother because they were explicitly stated in the manga and supplemental materials:
She was a court mage for a Tall-man kingdom at the southern part of the Northern Continent
Donato, a court historian, fell in love with her because she had lived through the history he was studying, and he courted her for 17 years (age 15 to 32) before getting married
She was a cheerful person who rarely showed extreme emotion and took things as they came
She always cooked a huge meal for Marcille on her birthdays
She remarried a gnome after Donato's death and a short distance away from Marcille's childhood home
Pipi, Marcille's pet bird, was actually older than Marcille and originally belonged to her mother (bird died at 62)
She was extremely heartbroken when Donato died and ultimately ended up instilling a deep fear of mortality in Marcille with her words
the only time she showed extreme emotion in front of her family was when Donato could no longer eat his favourite dish near the end of his life.
She scolded Marcille for being cruel to ants (implying she can have a stern side when needed)
Things that are explicitly shown but mostly through visual cues
She has a very distinctive style of dress always involving a ribbon choker (mirroring Marcille's habit of always wearing a matching choker with any of her outfits that don't cover her neck)
She was almost stereotypically good at housekeeping and traditionally "wifely" things (very frequently depicted wearing an apron or doing some domestic chore when not at work, seems to have been an avid cook).
She knits? (also, note the affectionate smile as she's looking at Donato and Marcille reading a book together in the full panel)
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She was as excited for Marcille's milestones as Donato was.
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She didn't tell Marcille much about elven food
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(there are a couple things that this panel in particular implies:
She lived a good deal of her life (if not being born and raised) in a mainly elven country in the West, implied by her knowing enough of an elven region's cuisine to prefer Tall-man food over it
seems to have a pretty carefree and casual demeanour overall, if this is how she replied to Marcille asking her about it (sounds like she never gave her culinary preferences that much thought to begin with)
slightly related to number 2, it seems like she and Marcille had a fairly casual parent-child dynamic (especially in comparison to the Toudens' memory of their father)
(local elf tastes Italian food once and never goes back))
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However, she seems a lot more... serious in most of the other times we see her? Almost like the very stereotypical archetype of a graceful elf.
Subsequent conclusions about her personality:
Usually pretty carefree and cheerful at home, has been a loving and attentive parent throughout Marcille's childhood (while not being so doting that she didn't discipline Marcille).
Slightly more conjectural theories on her personality:
Had a much more graceful and professional personality at work, which would explain the more serious portraits we see of her.
Given that both she and Donato had positions at the royal court, it seems a little odd that she'd go out of her way to do all the housework herself, so maybe she just enjoyed doing it?
Now taping all the evidence together and toeing the line between analysis and fanfiction:
It's clear that she loved Donato very much and was utterly devastated by losing him. But there's one thing that really stuck out to me in what little we see of her:
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Doesn't she seem... angry? The way she's gritting her teeth, clutching the tablecloth, and how this is the first and only time we see her eyes opened that wide. In the following panel, you see her being quiet and dejected after her initial outburst. She's still crying very intensely, but her brows are furrowed, and she's not really responding to Donato's affection in her body language.
We're not told the details of how she felt about losing Donato other than that it upset her. But this, to me, implies that she was angry and resented that he was aging, that the end of his life was approaching. An "it's not fair" type of preemptive grief. And if this was the first and last time she cried like this in front of her family, she was either very good at coping in private... or very bad at letting herself feel unpleasant emotions until they become unavoidable and end up overwhelming her.
It's not too remarkable a detail on the surface. It's even reminiscent of what the audience has seen of Marcille. But... when it comes to the big picture, you'd think an elf who voluntarily chose to marry a tall-man and have a half-elf child would have been better prepared for this.
It kind of recontextualizes her cheerfulness to me.
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"I'm sure everything's gonna be okay!" (or some variation thereof, depending on what translation you have).
And this is stated to contrast her extreme grief when finally confronting Donato's failing body and eventual death. But I'm wondering if... maybe this optimism was why she was so upset. What if she went into all of it thinking "everything's gonna be okay"? What if she was a little young by elven standards, and just followed her heart thinking that her own resilience would get her through anything?
Of course, only to get completely overwhelmed when she actually loses Donato. She turns into a completely different person. And that's heartbreaking on its own-- but what the audience sees is the effect it had on Marcille. Can you imagine being her, watching your invincible and upbeat mother suddenly lose all the light in her eyes in one go?
I've already made a huge post about how I think Marcille models her "work persona" off her mother, but another thing that stuck with me as I was looking for more details in the manga was this:
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copy pasting from the other post i made about it lmao it's like... the second she resigns herself to lifelong pain and terror, there's another portrait of her mother facing her like this. with their heads bowed, in mirrored body language of resignation and despair and sorrow. Except it's posed like Marcille is still looking at her mother but her mother is looking away.
It took me a second to realize, but I think that it's a visual metaphor for the fact that Marcille's mother was the only long-lived role model she had-- and she failed to model healthy grief for her daughter. I don't say this as an accusation or to disparage her as a character, but just as a matter of fact. In her, Marcille was seeing herself older and losing a short-lived spouse or loved one of her own, and all she saw was hopelessness.
But her mother didn't mean to instill hopelessness and terror in her. She wasn't really thinking of how it would truly affect Marcille at all (at least, that's how I'm interpreting her looking down and away from Marcille in the metaphor), she was just sad. And she, in her own way, was trying to protect her daughter and help her prepare for future losses.
What she meant was "loss is inevitable, and you have to learn how to be in pain but live on anyway." What Marcille heard was "loss is inevitable, and you will be scared and hurt for the rest of your life."
Again. Marcille's mother doesn't feature explicitly in the story the way her father does -- but in so many ways, her shadow, her silhouette, her reflection is always hanging over Marcille.
All that to say... headcanon-wise (everything from here on is 100% without evidence lmao), I'd like to think that she matured and realized that she failed Marcille. I imagine her being regretful about it, wanting a chance to fix it but never finding a way to insert herself back into Marcille's life when Marcille is so so so busy becoming the most accomplished mage possible. I imagine her being herself again, now, so many years after her loss and after remarrying -- but with her cheerfulness tempered with a lot more wisdom and the pain of having gone through loss like that. I think the second Marcille actually tells her what happened in the dungeon, she'd want to go running to her daughter again -- if Marcille tells her the full truth instead of just being embarrassed she let things get that far. (oh, the tragedy of her wanting to be more like her mother and an accomplished adult who doesn't need to be babied... being embarrassed to actually tell her mother how much she fucked up...)
There's also the tension of her having remarried -- I know that there's at least a little bit of resentment that Marcille harbours about that, because she's childish like that at heart even if she makes an effort not to externalize it. I think that her mother would be aware of that, potentially adding to her sense of guilt and apprehension at trying to reappear/intrude on Marcille's life. I honestly don't think Marcille has met her stepfather -- or even considers him a stepfather rather than "mama's new husband" and kind of a total stranger. I think she and her mother actively don't talk about it in their correspondence, like an elephant in the room.
but, ultimately, I think her mother is on her side no matter what. Ancient magic? Dark necromancy? Sure, she'll feel guilty and like she was partially responsible for setting Marcille down such a painful path, but she wouldn't care. that's her daughter!! she would've moved back west and been petitioning for her at the court, buying a house right next to the Canaries barracks and visiting her every day that she wasn't on a mission. And if her husband had opinions on Marcille becoming a "dark arts user," he either gets over it or it's divorce with him. Yes, she might have had her optimism completely humbled by losing Donato like that -- but she's still headstrong and self-assured and she doesn't care what people think of her. It's her way or the highway and she's always going to be in Marcille's corner.
(She also needs a name lol. I went with Juno, just to be cute about "Marcille"s closest real life equivalent being Marcella, which is the female version of Marcellus, which in turn is a diminutive of Marcus, which was derived from Mars. Absolutely in love with Marcille potentially being named after Ares/Mars the fucking god of war btw)
#asks#she could easily be interpreted as distant or neglectful after Donato's death too#with how little involvement she has in Marcille's life/the fact that Marcille doesn't even mention her when talking about her life prospect#and that's fair! I will argue to hell and back that she was a loving parent when Donato was alive#but there's nothing that suggests she remained a loving parent afterwards#I just think that like... parental relationships are so complicated in dungeon meshi#you cannot deny that the toudens' mother loved them dearly but that she failed them both miserably as a parent#and i think it'd be more compelling if Marcille's mother was a little like that too#not a totally and easily dismissable deadbeat#but someone who truly loves her daughter but was only human herself and couldn't be what Marcille needed at a crucial moment#and regrets it deeply#and that the distance between them is mutually self-imposed by complicated feelings of guilt and fear#and a little resentment from Marcille's side that she hasn't really properly processed#I don't know if I'll ever get around to writing it but i had this idea where Marcille does finally spill the beans to her mom and she just#immediately arrives in Melini#and its awkward for a bit but they do finally have a heart to heart and air it all out#and marcille starts freaking out that her marriage is rocky rn bc her new husband wants her to distance herself from marcille#on account of the crimes and all#marcille's like no you can't blow up your marriage for me and her mother just shuts that shit down#'you didn't choose to be born. i was the one who made that choice for you'#'i brought you into this world and i'll be damned if i don't take responsibility for that the entire way'#'you are entitled to *nothing less* than my unconditional love.'#and obviously that's not a sentiment that's exactly healthy as a universal statement about parenthood#but i think its what her mother would believe and what marcille needs to hear#and dungeon meshi does such a fantastic job at just... letting imperfect things just *be* without having to justify it immediately#it expects the audience to do their own critical thinking#and know that its not trying to make sweeping universal statements in every instance#marcilleposting#marcille donato#junoposting
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gxlden-angels · 5 months
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Bro I hate fundamentalists and culturally-fundie parents they'll say shit like "spare the rod spoil the child am I right haha yea my parents used to have to beat my ass with a switch almost everyday but I sure did learn my lesson" but like??? no you didn't??? you were hit multiple times for something you very obviously did not, in fact, learn
Like studies about how harmful even lightly spanking children is aside, you're literally contradicting yourself?? Some even admitted they got worse as they got older cause they wanted to see how far they could push their parents before they got punished
And studies not aside, you're gonna get child raising advice from the same book that tells you to stone your wife if her hymen doesn't break on your wedding night instead of the decades of research we have now?? Just say you're a bad parent and move on my guy. Skill issue
#bro I had a coworker go 'unpopular opinion I think some kids really do need beatings' and I'm like????#unprompted???? what's going on there????#well anyways I ended up going 'yea so I plan on specializing in play therapy with autistic children so I've been learning about talking#to children and the ways their parents and environment affects them'#and they're like hmmm but beating this kid with a stick after they broke something or I upset them to the point of yelling is good actually#had a boss say it taught him and his kids respect cause they were hard-headed#and I'm like?? that's fear not respect! they fear punishment! they do not act out of respect for you!#he's a conservative christian black man tho so he's like 'But Authority!' like bro I don't even respect you what are you on about#'You don't respect police and their authority?' Nope! I fear them! I do not respect cops and every cop/cop-adjacent person I personally know#has reinforced that for me#'We'll agree to disagree' Cool! Doesn't mean you're not wrong! I could believe trees aren't real but that is in fact incorrect#then he pulled out the bible verse and I was like ah okay I forgot you like 'here's how to treat slaves' book you're so right bestie#I'm totally wrong now and so sorry for doubting you and your 2000+ year old book I don't believe in <3#They'd go 'well I turned out fine!' then say something that directly contradicts that#anyways I need christians to get their grubby little hands off the current state of Child Protection and Rights in the U.S.#So we can actually start working on helping kids without the force of christian hands suffocating them#cause homeschooling and child raising by evangelicals are so fucked up bro I'm tired of this shit#I'd only stay in my current state to help children get out of that cycle since I'm in the bible belt#ex christian#religious trauma#child abuse tw
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aceghosts · 2 months
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Rooney Shepard (They/Them): RELIC AU
There are stranger things I've learned on the outside Separated by an open door I find it hard to reach the end of my timeline Salivating 'cause I wanted more Is this the end or is this the beginning? -Too Close/Too Late by Spiritbox
[Template Credit]
Tagging (Opt In/Out): @bbrocklesnar, @marivenah, @alexxmason, @captmactavish, @carlosoliveiraa, @socially-awkward-skeleton, @nightbloodbix, @voidika, @strangefable, @captastra, @amalkavian, @katsigian, @cassietrn, @g0dspeeed, @clicheantagonist, @cloudofbutterflies92, @direwombat, @onehornedbeast, @thedeadthree.
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adhdtsukasa · 12 hours
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that's just a random thought that has popped in my head while trying to fall asleep, but... thinking about how tenma siblings' childhood and middle school days were filled with the fear of uncertainty of the next day, but they both probably experienced it so differently...
saki's fear of uncertainty was connected to a fear of the night — but she wasn't afraid of nightmares, of the dark or anything like that. it was not what's waiting on the other side of the dark room what was scary to her, it was what was going to happen to her that was truly frightening her so much. her days, in middle school especially, were always the same and repetitive, so she did not have to be scared of the well-known routine. but as soon as the night was coming, as soon as she had to close her eyes, she could feel this unpleasant, cold feeling creeping onto her weak body, she could hear this scary voice sound in the back of her head: what if she doesn't wake up tomorrow? what if this night is her last? how can she rest easy, when tomorrow is so uncertain?
tsukasa's fear of uncertainty was connected to a fear of the morning — he was the privileged one, after all. nights weren't scary for him, because he didn't have to be afraid of not waking up and wasting his youth forever. the night coming was just a sign of another day coming to an end and that was a good thing, because tomorrow surely will be better, right? the morning, however, was a bridge that was connecting the night with the next day; it was these few simple moments after he regains his consciousness that were going to determine this day, and he was afraid of them, he could feel this in his whole body, he could hear it deep down in his mind: is saki going to be okay today, will his family finally be happy at least for these few hours? are the things going to spiral down and will everything be even worse than it already is? will saki smile, or will saki cry once again? how can he feel rested, when today is so uncertain?
but now, they don't have to be afraid anymore. the uncertainty isn't as bad anymore.
because the night means that another wonderful day has come to an end, and the morning means that today will surely be a hopeful day full of smiles.
and they're both aware of it.
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ancientschampionau · 24 days
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RealAgeAU Drabble - Gameplan
Hello! Another Drabble (second one i wrote) concerning the idea of Nightmare returning to his original form (Lovely Prompt idea by @spotaus )
First Drabble here Prev drabble here Next Drabble here
Warning, unedited and unbeta'ed. We die like my ability to spell anything.
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Cross checks around the corner towards the street and waits for a moment longer before nodding "I think we are in the clear. We can talk here for a moment."
Killer just lounges back against a dumpster as he pants "Good! Cuz! I am not walking another step!"
Horror frowns as he searches his backpack. Slowly taking out some fruits "We need to stop this. We can't get the resources we need like this."
Cross groans as he rubs his face "I know I know. But we can't just settle anywhere! How do we explain..." He stops and slowly turns to look to the side at Dust.
Dust sits completely calm on the gorund, cross legged. Looking perfectly calm and content. With the still struggling Nightmare in his arms. Dust just sits there and looks at Nightmare with a raised brow and moves around a bit. Easily getting Nightmare to sit back in his lap with one of Dust's arm holding Nightmare around the middle wiht both arms trapped. And the second arm around his shoulders to pull him back easily. Nightmare looks grumpy beyond believe and Cross can't take it too seriously as Nightmare lost all his goop and corruption. All that remains is a perfectly normal and adorable tiny babybones.
Cross turns back to Horror and Killer and waits.
Horror looks at the scene before shrugging before turning back to prepare a snack for their now tiny charge. Looking calm as he moves.
Killer snorts "Why would we? Boss is tiny now. So what?" and he shrugs.
Cross groans as he rubs his face. He can admit that he will still need some time to get used to the change. But it is okay as he can accept it. After they found the old picture book and the just as old crown they had been putting together what actually happened. And well, even if they sometimes act dumb three out of four of them have university degrees of some type and Cross had always been one of the smartest soldiers.
That together with the known fact that Drema broke out of the stone young but grew up made the fact obvious.
It wasn't that they were in a situation of Nightmare having been deaged. They were in the situation that the Nightmare they had known had been an aged-up version of the real nightmare. Which is the very same grumpy babybones that Dust is holding right now.
Yeah. Cross just needs a bit more time.
Cross glares at Killer and focusses at the issue they need to actually fix "We know that!" he waves around them "But how do you think anyone is going to react to knowing we have Nightmare and that Nightmare is well... like this again?"
Killer hums and nods "I guess..." he turns towards Nightmare "How about a different name? What do you think Nighty? What can we call you?"
Nightmare glares with all his six year old force "Boss."
Killer snorts "got it tiny boss!" and he grins at Cross and shrugs "Guess that idea is a burst. anything else?".
Cross groans as he rubs his skull "don't you see the issue?! If anyone finds out about this they will try to take him from us and bring him to the Stars, if they don't just call the Stars!" Or worse. And they will think that killing Nightmare would be a reasonable solution to keeping him from aging up.
Killer actually glares as he radiates his blood- and LOVE-lust "Let them try."
Cross sighs as he rubs his face "what do you suggest we do?!"
Killer huffs "Obviously we do what we are doing now. We keep moving and universe hopping." and he nods.
Horror looks up with a frown "We can't do that. We will run out of resources. babybones need nutrients" as he says this he sits by Dust and Nightmare with the cut fruits. Nightmare focuses his full glare on Horror but Horror doesn't even blink. They have gotten used to this routine over the last few days and there is a good reason Dust and Horror do it.
Dust nods as he helps Horror by aiming the still struggling babybones "Not to forget his schooling. Now that he is young again he will need to relearn things. Can't do that while hopping from place to place."
Cross turns back to Killer and crosses his arms "See? horror and Dust agree."
Killer grumbles. "Fine! We find some stupid positive universe to hunker down in some abandoned building and do raids to get stuff. Easy!"
Cross crosses his arms "Still the problem of what we do if someone sees him. How do we explain that? people will think we stole him!"
Killer goes to speak. pauses and tilts his skull "I mean. Technically we did kind of steal him. Sure he was originally our boss, so ours. So we have the right to steal him again but still. Very much stolen."
Cross sputters "I! I wasn't serious!" well he was but not about the stolen comment!
Horror speaks up even as he feeds Nightmare, which Ngihtmare tries to fight but Dust is there to assist him. "Technically it wasn't stealing."
Cross sighs "Thank you Horror-"
"We kidnaped him." Horror finishes his statement as he manages to get Nightmare to eat a bit. Nightmare actually pauses and the stubbornness makes way for the much younger mind that enjoys the food and a tiny soft purr starts to leave the babybones. He doesn't struggle as much anymore as the second bite is brought over.
Cross stops and lets his skull fall into his hands "we are so fucked."
All three speak up "Language."
Cross groans louder. They are so fucked.
---------
Prev part.
Next part.
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figureofdismay · 30 days
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i become more and more convinced that Scully reacts like a person with Rejection Sensitive Dysphoria when Mulder shows signs of being interested in spending time with people who are Not Her. Starting with prime plagiaristic schlub Jerry Lamana, former partner, so it's not just a romantic jealousy. The Lone Gunmen are exempt from this somehow, probably because the guys always support Mulder but also don't monopolize his time. But anyone else, especially a female someone else, makes her spiral painfully.
Yes, there's an element of protectiveness. Everyone around Mulder seems to take advantage of him, he practically goes barrelling out asking to be misused and misled. But it's really, clearly not just that, because she goes into big distress and starts doubting her place in her life, regardless of the rationality of it, or what Mulder has shown or communicated to her about his feelings for her in the past.
It's endearing, but it's not, despite what collective fanon plays on to enhance angst scenarios, grounded in the reality of mulder's actual textual behavior and sentiments towards her, i.e. that he's ever given any indication that there's any way he'd accept someone else as his partner or give anyone else the majority of his attention. Rationally Scully know this, to the point that she was worried that he wouldn't survive if she died of the cancer. But RSD isn't rational, it's a maladaptive reaction, and one that makes a lot of sense with her being some flavor of 'quirky 90s character' ND who's always been socially just as much an outsider as Mulder has.
I don't think it's an intentional portrayal of that specific type of reaction, but i don't think Scully's jealousy/fear of being unseated is meant to show that her place with him is in actuality tenuous. And i personally believe that within the parameters of their indirect communication style and via all the massive gestures and risks they've taken for each other, the security of their bond actually is mutually well established. It's just those reaction flashpoints for her, where he pays attention to another woman in the course of an investigation/crisis incident and despite the fact that they've gone to the ends of the earth for each other, she starts thinking, 'well maybe he's done with me, maybe this is the time he's found someone more interesting he likes better, it's all over.' But even with Diana I don't think this is grounded in Mulder's actual behavior or level of interest in any ~interlopers. It's a reaction that she's having but it's disproportionate.
And I do love some yummy angst fic and love triangles and playing Diana up to the ultimate wedge issue! But I do also think it would be interesting to dig into Scully's jealousy/possessiveness/disproportionate hurt. I think Mulder sees it, at least somewhat, he's not ~afflicted with masculine feelings blindness or just being a self-absorbed ass (as some have accused lol), I think he's just bewildered, and doesn't seem to feel able or even allowed to approach these kind of personal emotional issues with Scully -- and she does also get very defensive about things in this vein so. It's hard to find the inroad to get them to talk about it.
But I do think it would be interesting to see, confronting the actual issues inherent in Mulder having/displaying professional or even casual personal interest in other people/women that he doesn't see as serious or impactful long term in his life, and Scully feeling as though she's in a love triangle, which is a very unsettling, even terrifying feeling even if it's not representative. It would be interesting to see Mulder see and confront that, have him saying, basically, nothing about us has changed and I don't plan for it to change, but i see you catastrophizing this and I don't get it. Why do you even think you'd need to compete?
Though i also don't see Scully being able to respond to that beyond deflection or getting emotional to the point of being unable to articulate anything. But it is something she needs to wrestle with, especially as she and Mulder head deeper and deeper into their relationship.
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