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#i get it ok
1ncend1ary · 2 months
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so yeah basically.
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happy-radio · 3 months
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You're 5'?! Like 60in??? Like 152cm?! Only?????
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Ahah yeah, Bethesda's portrayal of drugs addicts is soo bad, like, how could they do that to Cait's arc uh? Stupid Bethesda writers
*sweating while swiping the quests in New Vegas were you heal drug addicts by passing a speech checks and giving them a drug cocktail under the rug*
Totally stupid am i right? And why is it only with Cait and not our favourite ghoul addict? B-bullshit i say
*my hands tremble as i close Cass's never addressed alcholism in a drawer that i franticallly lock with a fast turn of a key*
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nairdde32 · 1 year
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"Older queer people might use words in ways that are different from what you know and that's ok!" Mfers when younger queer people use words in ways that are different from what they know:
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stargatelov3r · 3 months
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how about we don't hate on characters and source material when we reblog gifsets
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bloodanddiscoballs · 1 year
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I finally get selfshipping
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jjongho · 2 years
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the day any jongho set gets as many notes as any woosanhwa set is the day i’ll finally know peace
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mephiles-plush · 2 years
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everyone on userphone is so mean 2 me 💔 i have been called a shinnie 14 times now
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bokkerijder · 3 months
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pro-AI in the sense of "they taught a bread scanning computer to recognize cancer cells" etc etc
against AI in the sense of "we stole artwork from hundreds to thousands of artists, didn't credit them and didn't financially compensate them"
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queer-is-future · 7 months
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so when straight people ask me why I say I’m “queer” or “gay” instead of sharing my actual identity as a panromantic demisexual non-binary sapphic queer I just tell them “ok look, when you’re talking to someone who isn’t local and they ask you where you’re from and you either say the name of the largest city nearby or ‘town name, suburb of large nearby city’ so they can get some geographical context of where you’re located right, bc they’re probably not going to know the name of the little town you actually live in.”
but if you’re talking to a local you can say the name of your actual town bc they have a greater chance of knowing where/what that is.
ok well when I’m talking to a straight person I start with queer bc chances are they aren’t as familiar with the context of all the little towns in that big queer city and need gps (gay positioning system) to find me.
if I’m talking to another queer person and I say I live in a suburb of gay city in a town called panromantic on the demisexual side of the tracks which is in the county of queer and I live off the intersection of non-binary and sapphic, they’d probably be able to find me with little to no problems, make sense?
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mlm-blues · 8 months
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“lmao imagine liking men” OK!!! ON IT BOSS 🫡🫡🫡 it’s beautiful here
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goldensunset · 8 months
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advice i think we should tell children is that when adults say stuff like ‘now that i’m an adult i get really excited about stuff like coffee tables and bathrooms and rugs etc’ they don’t mean ‘and now i don’t care about blorbo and squimbus from my childhood tv shows anymore’ bc your average adult still loves all the same pop culture stuff they always did; they just have a greater appreciation for the mundane as well. growing up just means you can enjoy life twice as much now. you can get really excited about a new stuffed animal AND about a new kitchen sponge. peace and love
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adriles · 2 months
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they are Cancelling me for dealing with my grief as best i can . also for the vicious war Crimes
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suiheisen · 5 months
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fascinated/horrified by this set of tweets…
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elodieunderglass · 7 months
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changes and trends in horror-genre films are linked to the anxieties of the culture in its time and place. Vampires are the manifestation of grappling with sexuality; aliens, of foreign influence. Horror from the Cold War is about apathy and annihilation; classic Japanese horror is characterised by “nature’s revenge”; psychological horror plays with anxieties that absorbed its audience, like pregnancy/abortion, mental illness, femininity. Some horror presses on the bruise of being trapped in a situation with upsetting tasks to complete, especially ones that compromise you as a person - reflecting the horrors and anxieties of capitalism etc etc etc. Cosmic horror is slightly out of fashion because our culture is more comfortable with, even wistful for, “the unknown.” Monster horror now has to be aware of itself, as a contingent of people now live in the freedom and comfort of saying “I would willingly, gladly, even preferentially fuck that monster.” But I don’t know much about films or genres: that ground has been covered by cleverer people.
I don’t actually like horror or movies. What interests me at the moment is how horror of the 2020s has an element of perception and paying attention.
Multiple movies in one year discussed monsters that killed you if you perceived them. There are monsters you can’t look at; monsters that kill you instantly if you get their attention. Monsters where you have to be silent, look down, hold still: pray that they pass over you. M Zombies have changed from a hand-waved virus that covers extras in splashy gore, to insidious spores. A disaster film is called Don’t Look Up, a horror film is called Nope. Even trashy nun horror sets up strange premises of keeping your eyes fixed on something as the devil GETS you.
No idea if this is anything. (I haven’t seen any of these things because, unfortunately, I hate them.) Someone who understands better than me could say something clever here, and I hope they do.
But the thing I’m thinking about is what this will look like to the future, as the Victorian sex vampires and Cold War anxieties look to us. I think they’ll have a little sympathy, but they probably won’t. You poor little prey animals, the kids will say, you were awfully afraid of facing up to things, weren’t you?
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snarkspawn · 4 months
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the devil you know
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