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#i had a lot of problems with this movie
hibiscussoupbowl · 3 months
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Yk what ive already made all my statements abt the teen wolf movie on instagram but imma say it here
As much as i love and breath teen wolf, its not the perfect show which is fine bc recognizing that is what makes its good. The thing is the movie? Godawful. The one thing i can appreciate is that the movie had an opening and the graohic design was cool
My problems with it?
-the plotline being abt allison. I think alisson (is it allison or alisson?) Is a fine character especially in s3, however, you killed her off. That whole s3 ending was abt her dying and isaac leaves BECAUSE of allison dying. Now ur gonna reopen that plotline that was TIED OFF? Ur not even gonna get stiles or isaac back into play even tho theyre arguably the most important for that season. And ur not gonna tell us how s6 ended??? Even with a flashforward of 2 years??
-the fbombs. Im sorry, what? U make a show that doesnt use f bombs at all and u make it creepy and horror but when u make the movie thats r rated meaning u can go even harder... u use it on fbombs? Might i add in the worst way possible. "Darkness motherfucker" wow. It just sounds so cringey. Either use it once meaningfully or dont drop one at all. U managed to make s3 be creepy without it do it again
-why the absolute fuck was liam in japan. By the hour and a half mark that question wasnt explained and it never was. Him and this girl hikari (whos gr8 actually) are just in japan and i guess own a bar??? I dont even know what they are to eachother let alone how they ended up there. I only knew that they love eachother bc they say that in jpn but like still??? Is it a sibling ily or a were dating and ily?
-the actors. Im sorry but if ur gonna get all these actors like masons and parrish and malia and whoever but u give them like what one line? Mason had legit like 2 lines in that movie. And u dont even know how he beacme a police officer! He just is! And they dont even say anything abt corey??? U could easily get his actor i know he aint doin anything rn. Liam and hikari? Also have like 3 lines in the movie
-personal thing lol but not everyone looks good with a beard and a shaved head
-lydia and stiles. Just bc u coudnt get dylan obrien cuz hes like the most succesful does NOT mean u just break up the couple that u built for six. seasons. You couldve said literally anything you couldve said stiles was dealing with some fbi shit or another supernatural disaster. Lydia having the dream? Tragic but stiles wouldnt have cared bc he loves her and wouldve just wanted to be with her forever.
-how can u not tell us who elis mother is. We ALLLL wanna know who derek banged im sorry but he slept with the enemy like three times and with his history and family history everyone just wants to know who it was.
-dereks death. WHAT THE FUCK this man survived a *pipe* going thru his back for like 10 minutes and survived, got brutally slashed and survived and ur telling me he died by magical fire. Sure teen wolf sure.
-if ur gonna introduce a character like alec in the season finale, bring him into play somehow recast him idc but do smt. Even nolan! Someone !
-what was with the whole nogitsune temple thing?? It was so... not scary at all and it looked bad. Like idk it was just so kiddy. Like oh noooo we re trapped bc we re tied to a pole with rope -_-
-sorry but again why continue a plotline that has been tied off? And not continue with the one that was open ended when u cant even get the significant actors for the s3 plotline? Bring daniel sharman into play, medicis over he has the freetime.
-malia and scott breaking up is also stupid bc again they were "endgame" and they had no reason to break up other than the fact that allison was alive again and for plot reasons.
-harrison coming back was so stupid i was so glad they killed him off even tho i guess they never found his body. I was hoping
-are argent and melissa not dating anymore? Its been like 3 months since ive seen the movie so i dont rememeber that but if they arent, why are the writers/producers, whoever, so desperate to break up everything great they had goin at the end of the show.
The interesting parts of the movie were
-the intro
-elis backstory with his dad, except why would u hate derek its literally tyler hoechlin
-and scott having an animal clinic bc i think thats funny
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chloecherrysip · 11 months
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Mario watching his and Luigi's commercial in Punch-Out Pizzeria
#mario movie#mario movie spoilers#mario and luigi#super mario bros#super mario bros movie#super mario bros movie spoilers#cherrysip edits#if you got notifications about gifs from this set yesterday shhhhhhh i was having PROBLEMS#anyway i'm currently working on a gifset for the whole scene of mario getting back up in the pizzeria but then I HAD THIS IDEA#and i was like 'wow that sounds like a comparison that's going to cause me emotional pain' and i was right it absolutely did :) :) :)#[gesturing wildly to gifs while tears stream down my face] U DON'T UNDERSTAND MARIO IS IN THE EXACT SAME PLACE BOTH TIMES#the first time he's nervous but also SO excited and happy about what the future is gonna bring and seeing this commercial is#the culmination of everything he and luigi have been striving for and they're holding each other tight and the world feels wide open#and the second time everything is different. mario has been beaten down. he is terrified and aching and exhausted and convinced#that everyone has been right about him. he's a joke. he's a failure. the only thing he's ever done for his brother is drag him down.#but then he sees the commercial and everything comes back. the joy and the excitement and him and luigi against the world#the only difference is that he doesn't have his brother next to him and that's everything. mario doesn't feel whole otherwise#mario always does his best but when he and luigi are together working in sync he truly feels like anything is possible#and now his brother is out there somewhere in the chaos and bowser isn't gonna stop. he's gotta get up again. he does get up again.#IT'S A LOT BASICALLY. IT'S A WHOLE LOT AND I LOVE THEM DEARLY
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jacodraws · 10 months
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Quick little Nimona after seeing the movie
[ID: An illustration of Nimona’s movie design as a human. She is in profile and holding a mace over one shoulder. Behind her is a dark blue background with pink sparkles.]
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eliotquillon · 9 months
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just finished the rwrb movie and although i really enjoyed it (and was kicking my feet giggling the whole time) i do have a couple of major criticisms, some of which i think aren’t really the movie’s fault because they had to fit a whole book into 2 hours, but some of which left me kind of disappointed:
-i feel slightly icky that bea and nora got their screentime SIGNIFICANTLY reduced even after june got cut entirely (which i was upset about, but did understand). i loved zahra and adored her on screen but i do think it’s very odd that she is pretty much the only major female character in this movie since bea was nonexistent and nora got permanently spirited away to pez’s bed or something sometime during the second act
-it felt like a lot of the internal conflict in alex and henry’s relationship was very unbalanced and henry heavy - alex’s neurodivergence was erased, his bi epiphany was barely even an epiphany, and him not being explicitly kicked off the campaign after ellen finds out about him and henry essentially killed his whole subplot about realising he doesn’t need to have everything achieved at thirty and deciding he wants to apply to law school instead. which wouldn’t have been terrible but on the flipside it felt weird that we didn’t see very much of henry’s family considering how much they affect and shape his fear of being outed and his feeling of being in a glass cage - e.g bea’s treatment by the media during her active addiction (which was entirely erased), the extent of the tension between him and philip. felt like henry’s pov scenes were a super wasted opportunity for that and we were mostly just being Told about all of these things
-i am not actually that mad about oscar and ellen still being together lol but i felt like in the scene with oscar smoking the cigar on the balcony they were kinda building up to there being significant strain in his and ellen’s relationship that just wasn’t explored. especially since it’s clear oscar would never be able to be president because he’s not a natural born citizen + the sacrifice of his career for ellen’s is so much bigger now that he’s first gentleman in this version
-pacing in general was a bit off but the worst offender was the fact that there was a complete time skip between the alex henry confrontation/reconciliation and the outing. so much of the tension and desperation from that outing scene comes from the fact that the risk of it happening was slowly increasing throughout the book and it felt almost inevitable (the elevator cctv being leaked, henry having to fake date june) and honestly making it so abrupt weirdly reduced a lot of its impact for me
-similarly i actually completely understand why the richards plot / rafael luna plot was cut (i suspect republican election interference hits a bit too close to home after 2020) but my god was miguel a lame fucking villain and him being queer and hispanic erased a lot of the original commentary about racism and homophobia that the richards plot lent itself to. like in general this movie was a lot lighter than the book which is fine! but for a movie where the main subplot is a presidential election So Much of the political themes were heavily neutered or cut to the point that it seemed like the pressure on henry and alex’s relationship was disproportionately coming from henry’s side when in the book it was more balanced
again on the whole i really really loved this movie and i knew going in that certain changed were going to be made. and i hope more movies get made like it! these r just my Thots and i may change my mind when i rewatch it with my friend tomorrow
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Listening to the score for Princess Mononoke rn. For some reason I don't listen to this score as often as I do, say, the ones for Castle in the Sky, Nausicaä, and Porco Rosso, and friends that is a shame bc this score in isolation is blowing my tits clean off
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cookinguptales · 3 months
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just spent an hour telling my mom why heathers (the musical) is superior, actually, to mean girls (the musical) lmao
they are very similar in a lot of ways, but I do prefer heathers!
(she was texting to ask about the new mean girls movie lmao)
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sonknuxadow · 2 days
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they werent lying that knuckles series barely has knuckles in it
#i pirated that shit Btw just so we're clear. also gonna talk about it a little bit in the tags#nothing too spoilery but also might not wanna read if you want to go in knowing absolutely nothing? idk#anyway he WAS a main character still he was present for a decent amount of the first couple episodes#but the amount of screentime he gets just starts dropping after that . hes barely there at all in the second half ???#and it feels like theres a lot of scenes mostly focusing on wade and his problems and not near as many for knuckles and his whole deal#overall it feels more like a wade show with knuckles in it than a knuckles show with wade in it. which sucks#and human characters having plot relevance isnt the problem here i dont mind human characters at all i think they can be really fun#its the fact that the human characters are taking over the story and spotlight when the show is called knuckles#and all the marketing makes it look like knuckles is the main focus#and i also would have preferred if they just went with a differnet character to be knuckles' human friend#because i dont particulraly care about wade. and the knuckles (and sonic and tails) i know would not be friends with cops </3#well at least the story wasnt knuckles training wade to be a better cop like a lot of people were expecting but thats like.the bare minimum#also aside from the issues relating to knuckles' screentime (or lack of screentime) i thought the ending was unsatisfying#regardless of all that though there WERE some parts i enjoyed or found kind of funny or whatever. because knuckles so cutesy as always#knuckles being a cute little guy is the most important part of the show actually#and i liked the parts with sonic tails and maddie even if they were only there for like 5 minutes#(i really wish those three had gotten more screentime. i feel like they could have easily worked in at least one more scene with them)#and its a minor thing but the opening sequence is cute. was honestly expecting just a title card or something#overall the show is just . kind of okay i guess. not the worst thing ive ever seen but still disappointing ? idk how to explain..#my expectations also werent very high in the first place#so maybe im being a bit more generous than i would have been otherwise. idk#and i definitely would not recommend this to anyone who already dislikes the sonic movies . youll probably hate this more#like people who thought the human characters got too much screentime in the second movie would lose their minds if they saw this
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I keep feeling like I’m taking the mandalorian s3 way too seriously when I get mad about what’s happening… but I just can’t help how upset it’s making me 😭 I stopped watching after episode 2 but have kept up for the most part. Going through the mando tag here on tumblr is so surreal because there are people actually thinking the direction makes sense and that DinxBo is a natural next step?? Anyway, I really appreciate reading your thoughts on how it’s all going. Makes me feel like I’m not alone in this!
(I hope you don't mind me lumping my response/thoughts re: your ask in here too, @just-prime, since uh there are a lot of spoilers in it and I'm not sure it's a good idea to make it public)
You have every right to be upset. This is a show you invested in, a show that sold you a story of a lonely Mandalorian bounty hunter and his Force-sensitive child in a post-war galaxy. It gave you story beats and the promises of adventure, trials and tribulations, and self-discovery in the micro and the macro. There was a road map in all the ways Din discovered and challenged himself as he gave up basically everything he ever knew about himself, his covert, and the galaxy to keep the child safe and get him to his kind. There was a story to be told here in Din taking his helmet off in front of other living beings to save Grogu and in Din winning the Darksaber from Gideon despite Bo-Katan's best efforts to get it back.
I wonder how much of this was corporate meddling to keep raking in the money (KKKennedy, is that you and your white girlbossing ways again?), how much of it was success getting into Filoni and Favreau's heads that they think they can turn bullshit to fucking gold, and how much of it was the game plan to MCUfy Disney Wars. This is fascinating the way that the Sequel Trilogy was fascinating, in that somehow, both times, Disney fucked the fuck up.
People will take what they want from whatever they're consuming. It is what it is. I quit after the season premiere because i hated the short runtime, the cramming of three different potential subplots into thirty fucking minutes, the ridiculousness of all three subplots, and, most of all, the desecration of IG-11. I read elsewhere that the season premiere was a hit! People liked it! They were excited by it! Good for them! I'm glad they got something out of it. People got paid and put hours, blood, sweat, and tears into producing this show and I would want for them to know that their efforts were worth something.
But it is so hard to ignore how increasingly inconsistent, aimless, illogical, and bewildering the the entire season has been. We have now seen 7 of 8 episodes and even the 7th episode, supposedly the "best of the series", got a ton of complaints on a storytelling level. I read elsewhere, both on tumblr and twitter, that this season is now very plot-driven rather than character-driven when previously the show was extremely character-driven. Season 1 happened because Din couldn't leave Grogu behind in Imperial hands and thus uprooted himself and his covert with his decision to go back for the child. Season 2 happened because Din was now searching for Grogu's kind while we the viewers knew that Gideon was alive and well and likely still hunting for the child. Season 3 - and I'm saying this as someone who'd been reading reaction posts, summaries, meta, discourse, etc, instead of watching it because I love myself enough to Not Do That - doesn't seem to have that. It really felt like the story beats, wherever the fuck they were, felt more like "now move from Point A to Point B in order to get closer to Point C". They needed to check things off on a list in order to prepare for the MCUfication of the Disneyficaiton of the OG Thrawn Trilogy, something that I know a lot of people want... but at what cost?
I really hate how likely it is that the show is going to push DinxBo on us and I really hate how much people are expecting it and dreading it. I hate the compulsive heternormativity and the expectations and dread that come with it. I hate how it ruins characters and stories. If you like this ship, good for you. Don't talk to me, I don't care.
This really feels like watching The Last Jedi all over again. I was sold on Finn and Rey as co-leads only to be told to my fucking face that white neo-fashy Kylo was now co-leading because for some reason Rey got it into her head to save him? Meanwhile Finn got tazed and shoved to the side in a tone-deaf subplot with Rose, and Poe turned into a bizarre caricature who needed to be taught lessons by older white women. Like, sorry but I can't unsee this shit. I can't undo the betrayal I felt at the bait and switch of the ST.
And now it happened all over again with The Mandalorian. I'll give it one thing: When Din and Greef first encountered the pirates on Space Renn Faire Nevarro, I got those space western vibes again. And for those few seconds, I felt hope that the previous however many minutes were just a rough start and we're back to space westerning our way to Mandalore. That hope died real fast, didn't it? Fuck me, I guess.
I've started using Tumblr's tag tracking feature to keep tabs on the more critical Mandalorian tags. I'll add them to this post so that you can use them yourself. There are also a lot of interesting coversations happening elsewhere by various blogs. You might have to get creative with your tag searching. Just know that just as many people are out there happy with this show, there are just as many who are dissatisfied with it. That's usually how it goes, but man I can't remember the last time I saw a bunch of the fandom community turn on a show/movie/book series the way we've done with The Mandalorian. It's a damn shame because deep down, a part of me is desperate for it to find its feet and get good again. But honestly, with all the announcements that came out of SWC 2023, I think that ship has sailed and the best thing to do is take all the good you can find from it and mold it into your own sand castles.
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nocek · 1 year
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Ok I know it's a little bit late but turns out my big Okoye rant just has to be written down or it will keep bothering me. So here we go. Screaming into the void.
The thing is I like Okoye and I think she had nice thing going on in Wakanda Forever. That is up until the point that her plot threads were axed midway and rest of it was given to Nakia of all people? Which sucks for both of them. So in this essay....
The first Black Panther movie build her up nicely as Lawful Neutral character. Which is rare and for me makes really interesting character. She dutifully followed the law when Killmonger took the throne and then just as dutifully was about to kill her husband when it was revealed the throne taking wasn't so lawful after all. Both of those choices were incredibly emotionally hard for her and actually quite rare storytelling wise. Which I loved. What is even better: on top of all that she wasn't punished by the narrative for being lawful instead of going after her heart.
Great! I really, really loved it. Especially when in the new movie they started to nicely build up on that to give her own little plot and character growth.
Well. Up to a point.
But lets focus on what they were clearly building up to.
Okoye loves Wakanda. It's her character virtue since she is Lawful Neutral. But at the same time loving it too much and too blindly is her character flaw.
Wakanda is the best and thus doesn't need to change.
First we saw it in Infinity War with a little side joke about opening Wakanda to the world meant maybe Starbucks and not, well... war.
In Wakanda Forever in one of the first scenes she tells Aneka to give back the daggers since spears are traditional weapon. Which, by virtue of being traditional, are better and it's not going to change on her watch.
For that, the obvious plot resolution would be that Okoye needs to open up to new things (particularly technology). Unfortunately, the thing is, they sort of did that in the movie but in the worst way possible (and I don't just mean that Midnight Angel armor is ugly, you are right sister. It's ugly af) but I'm getting ahead of myself.
Wakanda is the best and thus I'm the best.
Okoye is a bit full of herself, or to be more precise thinks others are not as good since they are not Wakandan. She assumes she can deal with Americans and duh, she is right. She can actually deal with them like nbd. So does it really count as being blinded by her own/ Wakandan awesomeness?
Yes. Yes it does. I love that she is confident in her skills and she has all the right to be but she also knew there is new unknown threat. It was overconfidence on her part to think she can deal with Talokans too.
And she got her ass handled to her in fair fight.
And she broke her promise to queen Ramonda and lost Shuri.
Consequences as plot resolution? It's more likely than you think.
Because yeah. That's where clearly her further plot was axed and given to Nakia (which could be whole other big rant but just so you know: she was done dirty here too). Because let's be real it would fit perfectly.
Classic plot. Hero gets overconfident. Fucks up. As consequence hero loses their privileges/status/whatever. So they go on a quest not to regain their privileges or prove themselves but to right their wrongs.
Often they initially want to prove themselves, but then they learn they need to fix their mistakes because it's a right thing to do. Just after that the narrative can reward them with actually-you-just-have-proven-yourself-plot-twist - here are your privileges back and then some.
In Okoye's sake we can even cut on the second part of that plot. She just goes on a quest to right her wrongs and to save the princess.
Rewrite of a rewritten plot?
So her first overall wrong was dismissal of new technology. Could be righted easily by going to Griot to ask it to help her locate Shuri. It's even still in the movie but instead it's Ramonda who talks with Griot. It shows Griot can locate Shuri, they just added little scene with Nakia doing spy stuff and talking to people because it's her forte.
It would even fit the underwater cave rescue scene better. Because the forceful solution of going in guns blazing would fit more Okoye's desperation. Nakia is a spy. She would be more level headed and just sneak in and out unnoticed. Moreover, since she is more caring people person she wouldn't just leave that one girl to die.
But hey. If they didn't do that they wouldn't have the excuse for war and to have whole second part of the movie and "big" action scene at the end. Which is sadly mandatory in Marvel movies.
But going back to Okoye before I get sidetracked too much.
Just a rewrite... please.
With that the last plot thread for her to resolve would be redo of the fight with Attuma.
And it could and SHOULD follow the classic plot of like Rocky and countless others:
Hero loses a fight
Hero trains some more/ learns new things
Hero wins second fight fair and square
but nooooooo
Instead of mixing it with with opening to new technologies plot - as in asking Griot to help her find weak spots of Talokans. Or even just upgrading her spear to be better in fight with another vibranium spear if you really need to go this way (and clearly don't have time for training montage in this bloated movie)...
nope. Instead we go sorry Okoye you are just too weak. Here, have an armor. Which ok ties to the same new technologies plot thread but at the same time is so damn insulting to Okoye and her skills.
Like really fucking insulting.
It's like going to Cap or Black Widow and saying you are cool with all the fancy kicks and all but lets be real here. You are to week to fight real super powered villains - here have an armor.
Would anyone do that? No. Because it's insulting and goes against what those characters are at their core. Even if they are "too weak" they still would win by their skill, their smarts, their cunning nature or just by their sheer stubbornness.
Because those are their cove virtues.
Because that's how storytelling works.
And just FYI I'm not shitting on characters actually using armors. Oh no. Tony or Riri would win by learning and then building smarter armor. Rhodey would win because he is a solider and for him the armor is just tool of the trade - it's just a tank he happens to wear. But for Okoye or Cap or Natasha or any other hand to hand badass fighter it would go against the very idea their character was built on. It would be plot breaking Deus Ex Machina solution. Everyone would be bitching that writers written themselves into a corner and found very unsatisfying plot resolution that doesn't work.
But since Okoye is a side character and this movie has way too much going on in general, it's just left as it is.
And I'm very salty about that.
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kaleuh · 1 year
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I had a really really good time at the mario movie, it was a super fun watch and chris pratt's voice acting was honestly fine. like, it wasn't MARIO, but it wasn't terrible at the very least. you know what the ACTUAL problem with the mario movie was? the embarrassing girlbossification of Peach and how the film industry still cannot understand the concept of what a strong female character actually means LOL
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camelspit · 5 months
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not enough gay mystery movies. upsetting.
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roseworth · 22 days
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still talking about mean girls sorry!!(<- not sorry)
this is probably the only time i will ever say this about any movie musical. but ive seen the stage show and the new movie and i can definitely say i preferred the movie. it fixed so many of my problems with the musical and honestly the story just works better onscreen to me
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throttlegainwell · 26 days
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Another blorbo woman of mine (aside from Amy from Superstore) is Diane Chambers. Cheers was so fucking brutal to her (a woman on a sitcom in the 80s? can't let her have shit like ideas or, heaven forbid, an ego), but I adore her.
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watching last voyage of the Demeter in the cinema like “I have a unique connection to a 1897 classical novel that nobody in this cinema understands. Only I truly know these characters, they are my buddies, my pals, they are my homeboys , my rotten soldiers... oh wait, they invented a new viewpoint character for the movie”
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goatsandgangsters · 8 months
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the good news is that I finished a book and it got me out of my reading slump where I would start things, not finish, switch to something else, not finish
the bad news is that "yes daddy" by jonathan parks-ramage is one of the worst written books I've read in a whiiiile. bland expositiony prose, flat characters, a bunch of weird plot detours. Written like a 200-page Wikipedia summary instead of an actual book
the worst news is that it has such intensely favorable gushing reviews on goodreads, and the people who hated it mostly hated it for a different reason, and so I'm left alone like oKAY BUT THE PROSE WAS SHIT, HOW DO YOU NOT SEE THIS
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redheadlesbianfreak · 11 months
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What did you think about the Michael Bay TMNT movie? I haven't seen it and don't follow TMNT in general, but I'm curious about what you thought because his movies can be pretty divisive.
This is an interesting ask, because I definitely have a lot to say about these two movies! I'll start with the designs of the turtles. I think these are one of my least favorite designs for the turtles, and I'll explain why. For one, the TMNT have always been very short and stocky. This is because they are usually mutated from tiny turtles you would find in pet shops (such as box turtles or red-eared sliders). The turtles themselves are generally around 5 feet or even 4 feet depending on the adaptation.
((I'll go ahead and list a few examples. Here are the heights of the turtles tallest to shortest in 2012: Donatello is 5'6, Leonardo is 5'1, Raphael is 5'0, and Michelangelo is 4'11. In the 2003 series, the turtles are roughly the same height at about 5 feet. The adult human characters tower over them. The original turtles depicted in the Mirage comics are even shorter! Donatello is 5'1, Leonardo is 5'0, Michelangelo is 4'8, and Raphael is the smallest at 4'6!))
This is a bit silly, but I care a great deal about the turtles being small! I think it's cool to have a group of guy superheroes who are short and stocky, rather than massive, muscular dudes. It subverts expectations and gender roles. And it really adds to the idea that these guys are underdogs, as you have these short kings going against giant mutants. It's something I've always appreciated. The designs of the turtles in the Bay movies really feels like it's trying to appeal to this weird male fantasy by making them huge monsters.
But it seriously backfired. Most die-hard fans were creeped out by the designs, and trying to make them look "realistic" made them look awful. They aren't very expressive and they do NOT look like teens--more like 40-year-old men. The only people I've seen who like these designs are middle aged women who think the Bay turtles are hot. Given the... specific camera angles they use for the movies, I guess I don't blame them. It feels like they accidentally sexualized the turtles in trying to make them fit this male fantasy ideal.
Onto the characters. I think that Donnie and Raph are the best. Raph is the most likable turtle by far, leading me to think that Raph is Michael Bay's favorite. Leo is pretty awful and it feels like he hates his brothers in the second movie. Mikey is also terrible, constantly flirting with and harassing April, which feels out of character for him. I don't feel a brotherly dynamic like in the other iterations. Raph and Leo act like divorced parents who are fighting over the custody of their children, Mikey and Donnie. Mikey and Donnie don't feel like they have a lot of agency at all.
Master Splinter is okay. I don't remember much about this version of Splinter and his design is way too realistic. They decided to have this version of Splinter start out as a rat, and I prefer it as him starting as a human who mutated into a rat. April is oversexualized in a pretty dehumanizing way. Megan Fox stated that she was treated poorly by Michael Bay, so it's uncomfortable watching her in this film. This version of Casey Jones is one of my least favorites; they made him a cop instead of a vigilante, which is super anti-Casey.
The villains are very forgettable. Karai doesn't do anything in the first or second movie, and I can't believe they did her dirty twice. The Shredder is equally boring and unmemorable. I usually enjoy the Shredder a lot, so the fact that this version doesn't stand out isn't great. I liked Bebop and Rocksteady just fine for the second movie, and I also liked Baxter Stockman as well. Overall, the villains were far too generic, which is disappointing given TMNT's history of super iconic villains.
Now for the plot. The first movie's plot is super weak, and it doesn't feel like there's a main character. I think Raph is supposed to be the main character, but I can't tell. I don't remember much about the plot itself, aside from a few key moments. One moment that stuck with me was a scene where Donnie says that he licks the frosting off poptarts and puts them back in the box. That's the first thing that comes to mind when I think of the 2014 movie, not even the famous elevator scene. Do what you will with that information.
The second movie's plot is a huge improvement. It looks nicer and it does a better job with the characterization. There is a clear main character in Leonardo and he does have an identifiable character arc. They recycled the tired "Leo vs Raph" plotline, which is disappointing. But that's an issue I have with most TMNT movies, so I try not to hold it against this one too much. Mikey is also less awful to April in this one, so that's neat I guess. They still have a scene where April dresses up as a "hot schoolgirl" for no reason, which is embarrassing.
They do come up with a cool concept: Donnie finds out how to make a substance that will turn the turtles into humans, and they can live on the surface. Leo tells Donnie to keep this from Mikey and Raph, who are hurt that Leo made that decision for THEM when they do find out. The whole thing causes Mikey and Raph to split from the team to work together, and it's honestly a really cool idea. In the end, all four decide to remain mutants. I do wish they did more with this concept, as it's super cool and adds nice tension to the plot.
I do have some issues with this movie. Remember how I said they made Casey Jones a cop? This movie has a bunch of bizarre military and police propaganda. The TMNT franchise is generally pretty critical the military and government (see the way the President of the US is depicted in TMNT 2003). But the military is depicted as not only the Good Guys, but they also accept the TMNT as heroes. In most other versions, the turtles are seen as monsters by the government and general public, and are essentially vigilantes as a result.
I would like to end with talking about the production of these two movies. Mainly the elephant in the room: Michael Bay. Many of the actors who've worked on this movie (notably Megan Fox) have stated that they were abused by Michael Bay. The working conditions were horrible. Even though the sequel improved some things writing-wise, it doesn't matter if the people working on this movie were abused. I don't want to see Michael Bay working on this franchise ever again, or frankly, working in film at all. They could easily give the job to a director/writer who would not abuse those working on the movie.
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