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#i had fun experimenting with art style and colors on these
zincfingermotif · 1 month
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smooth talker
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cleric4vampire · 8 days
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wyll.y.am ravengard, I love you so
everyone loves to put him in gold (rightly so) but my personal style is lots of silver jewelry + heavy eyeliner so that's what I gave him. also roses because he's so damn venusian
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hiirenvirna · 8 months
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Hi, prefrontal PIs!
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hyperfixated-homo · 11 months
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its almost midnight but i physically could not sleep until i finished this drawing. very very very experimental but this was really fun to draw and im very happy with the result :)
click for quality. it looks better trust me
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shepards-folly · 9 months
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Like an angel crushed underneath god’s boot [+ wip images under the cut]
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#shep arts#content smp#csmp#arathain#mason arathain#tw eyestrain#cw gore#<- its very mild I’d say. i kinda just fucked up one of their arms... in my defense it was annoying to draw so I just didnt draw part of it#the eyestrain isnt too bad either in my opinion i just wanted to tag it just in case#honestly just tell me if this needs more tws I'm awful at knowing what I need to trigger warning and what I dont#okay uh art rambling time so i made him a bug for this one honestly just cause i thought it looked neat#this was a really fun for a drawing that took like an hour to sketch and a million years to finish#it's just an experiment in coloring a lil different and using layer styles other than multiply and add...#there are add and multiply layers in there if i remember correctly but its mainly color/linear burns and hard/soft light i think#fun fact there was supposed to be more paint but uhm I got lazy and it was already a pain trying to balance the values on this one#so yeah its just the pink splatter behind his head there. imagine that there's more pink paint there for me pretty please#I have a dozen versions of this with various overlay layers will probably end up adding those to this post in a rb or something#this post was supposed to go up earlier but yeah I was comparing overlays for like two hours...#honestly im surprised my procreate didnt crash in the middle of this since it crashes everytime I do anything with a lot of overlays#it did die immediately after I finished it though so then I had to wait several hours to just sign the damn thing :/
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pink-anonymous-person · 10 months
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Damon and my MC together :) (i’m struggling with his outfit im so sorry)
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MC agrees to hang out with Rasmus on weekend and Ras gotta find a way how to confess his love for them!
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fight ✊ fight ✊ fight ✊
and that’s all the Broken Colors doodles for today!
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i know these are after 10 pm feelings but i truly am so sad that i don't have the motivation or time to draw as much as i used to and i'm sad that tumblr's culture has deteriorated so much bc now there's really no point in posting art here anymore even when i do draw
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saintapplebees · 2 years
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prince reji in the cartoon network color palette!
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moonstruckdraws · 4 months
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The Changes Through Time
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And my project is finish! My gift to the CAS series and @somerandomdudelmao! (This is technically supposed to be for the 1 year anniversary of CAS, but I don't have the time to post it on the 12th and I don't understand the queue system lol)
I deeply love this series as I have made fanart for it before several times and honestly it really improved my art. Cass is also an amazing creator and I look forward to anything they post in the future.
(A bit of a spiel about the illustrations from this point on)
I was honestly going to go for more of a tarot card style with boarders and everything, but as I was composing the 1st illustration, I ditched the idea and just when for simple text. The third image (like how tarot cards read the past, present/current, & future) was going to be the present, but honestly I was confused enough trying to decide which illustration was the past & future with the first two. Plus the "current" state of the story doesn't have much significance yet (and references of them aren't made because it's generally their other outfits) so I went with their spirits!
1st illustration: Representing the start of it all with the current state of all the characters. Of course we didn't know the condition of Raph in the beginning, but since he remained static until Casey found him I believe it's safe to assume that he was in that state the whole time. This illustration is unfortunately my least favorite because it's not rendered the same as the others, due to it being the first fully rendered image I've done in a while. But oh well, I still like it for the most part.
2nd illustration: Representing all of the turtles resurrections with a group hug. Not much else to note about the meaning other than the fact that I almost gave Leo an arm that he does not have. This one was also the greatest to render as I had the most fun with the bright colors. This one is definitely my favorite.
3rd illustration: Representing the turtles spirits when they were dead. Though the last one was the best to render, this one was the best to compose as a whole. Mikey and Donnie were the easiest to do since their broken states were shown in the comic, but with Raph and Leo I had to be a bit creative. With Raph I wanted to show the lack of his senses due to being in a robot for a long time and everything being subconscious. It's not as strongly detailed as the others, but he did have the most stable conditions compared to the rest of his brothers. With Leo I wanted to display his lack of self physically. Since he was fading away, at first, I wanted his spirit to be more faded and weaker compared to the rest.
Nothing else to be said that wasn't said before, but I am very glad that I started reading CAS. I've never felt more invested and moved by a fanmade comic before, so this experience is actually life changing for me. And seeing others fanart for it only inspired me! I am truly amazed by Cass and this series. Happy early 1 year anniversary
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art · 6 months
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Creator Spotlight: @66sharkteeth
66 is a comic artist and the creator of City of Blank, a WEBTOON original series. They worked in the game industry at companies such as 2K Games before entering the field of comics. They began their career in comics at Tapas, where they worked as an editor and lead typesetter, before being signed to create their own original series on WEBTOON.
Check out our interview with 66 below!
Have you ever had an art block? If so, how did you overcome it?
The short answer is yeah, I’ve definitely had one. Overall, I feel like doing a lot of style studies during that time and trying to use new brushes helps a lot. In addition, because I’m a comic artist, I feel like writer’s block is in the same field, and with that, I’m really fortunate that I have an editor that I can work with, who helps me a lot there. Whenever I am stuck at a plot point in my comic, I can always go to my editor, who helps me hammer things out.
What medium have you always been intrigued by but would never use yourself?
Animation. Of course, everyone loves animation. I went to school for game art and design and even did some animation courses, and I am just not cut out for it. I don’t enjoy the process, and I am not good at it. Animation is beautiful, and I admire people who can do it. I’d love for my work to be animated some day, I’m just not capable of being the one to do it haha.
Warm tones or cool tones?
It really depends on the scene! Especially in my comic, I really go with both of them, just depending on the moment in the comic. There was a major character death, and that scene was almost black and white. But normally, the comic is very vibrant, and people really like it, so when I switch it to a more cold tone, it makes the scene that much more impactful.
What is a recent creative project that you are proud of?
Honestly, my current comic, City of Blank, takes up 100% of my time. But recently, I did a plushie campaign where I worked with Makeship through Webtoon to design the plushies and do a little bit of marketing for them. So that’s fun and different from what I normally do!
When planning a comic or a story, what do you do first, character design or character outline?
Normally, I have a design, and I fall in love with the character design, and then I find a role for them. That’s how a lot of my characters have started. Also, that’s how I’ve been tackling new projects that I want to work on after City of Blank. I just came up with a character, and I’m trying to make a story around them.
What is a convention experience that has stuck with you?
Meeting readers and realizing how much my work means to some of them. Some of them have started their own comics, having been inspired by mine. Learning that I’m part of the reason they started their own comic journey, the same way I looked to other inspiring comic artists to start mine—it means the world that I’m in that position now.
Top tips on setting up an Artist Alley booth?
Let’s see…bright, sparkly colors! I think just trying to make sure that the booth is eye-catching. I ended up making a big shiny banner for New York Comic Con, and I know many people stopped by because it caught their eye and they’re curious about what it is. I know a lot of people are selling merchandise of popular media. Even just a banner of your brand to get them curious about who you are and maybe interested in seeing what you make and taking a business card so they can look you up later. It’s better than someone just buying a pin and forgetting you exist. Lastly, put out a tip jar. You never know just how generous your fans are feeling.
Who on Tumblr inspires you and why?
I’m mostly involved in the webtoon sphere! I am definitely inspired by my fellow Webtoon creators, @lark-wren, who created the series Woven. I love their work and seeing them interact with their readers on Tumblr. Same with fellow Webtoon creators, @miranda-mundt-art and @astrobleme-enterprises, who created Lovebot.
Thank you so much for stopping by and sharing, 66! Be sure to check out their Tumblr blog over at @66sharkteeth and follow their webcomic, City of Blank, over at WEBTOON.
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datcravat · 27 days
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HI HELLO I love your art So much,,, do you have any tutorials on how you render your stuff? For example, the colors you use & how you pick them, how you get that pink tone around the Lineart (I think) (it's just rly cool). I would love to see stuff like that, cuz your art is Such visual candy (⁠◍⁠•⁠ᴗ⁠•⁠◍⁠)
Hey! Thank you so much, I'm glad you like my art, I worked hard to make it what it is!! Means a lot you appreciate it!!!!!!
I've had no professional art training, I seriously don't know what I'm doing and struggle making tutorials. But will try here!!
For me the colour work is really situational on the drawing! I find myself experimentally attempting to weaponize colour theory and there's a lot of instinct involved that I can't figure out how to verbalise yet. Here's an example of some thought process I have:
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My main advice is to play with sliders a lot and really experiment (that's what I do for every drawing)!
To get the pink glow around your lineart, copy your lineart layer, fill the copy in with a pink of your choice (sometimes I do a gradient), blur the layer (experiment with how much blur you'd like), put it directly below the lineart layer, and set the layer to multiply (or any mode you think looks pretty)!
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You may want to adjust your piece's brightness/colours after applying it and sharpen the image after exporting.
A lot of colour gradients are involved and on their own they can eventually compromise the gritty/punchy style, especially the ones that are between extreme and subtle. A good way to combat this is with screentones/haftones!! You can use them to diversify colours and imply shading/texture.
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I recommend going nuts and having a lot of fun with it to find what works for you!
I often add a lot of small lens flares as they satisfyingly cut through the piece, imply flash photography (which goes well with the strong black shading), add visual noise to areas you don't want to be your main point of focus, are a great way to show speculars, and idk man sparkles are just pretty haha.
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Go nuts with them and have fun!! When you get them to look good, think to yourself why that is.
I made a tutorial ~1 year ago on how I shade with black. This simple trick will really help it look good, 3D and rendered - it just requires a lot of knowledge about shadows to start with. I have a lot of experience rendering "normally" which helped me learn how to use black in an experimental way.
Minor correction that the shadows labelled "ambient occlusion" in the tutorial are actually just normal shadows, ambient occlusion is total lack of light.
I hope this is useful to you!! You have a knack for art, your work is very inspired. Please keep drawing!! I am still learning too, let's keep going baby.
-Cravat x
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cupcakeslushie · 3 months
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Do you have any tips on for people starting a comic and wanting to post to tumblr? Like pacing ect. Or well any experience you’ve had with your comics? Love your content as well ❤️
If it’s simply for fun, and you’re just trying to gain experience, my biggest advice would be to just START. Don’t worry about it looking perfect. Don’t worry about comparing it to other’s comics. Just try something, and if you find it’s not working, you can always change things up. I have gone through several styles and page layouts since starting. Do I wish those first pages of EW looked just like what I’m doing now? Yes, but if I’d waited around for perfection I would have never started. And I wouldn’t have had nearly as much fun creating it! If people like it, that’s great, but your art is for you. If you’re growing and learning and having fun, then you’ve accomplished something!
Now for some less preachy advice 😂…
—If your comic is gonna be hosted on Tumblr specifically, I would say, make sure you keep the 10 image limit in the back of your mind when you’re pacing things. That can definitely cause some headaches down the line. If you don’t plan ahead, and end up hitting it, you’ll have a sudden cut in your flow. This last update I knew it was gonna be long, so while I did plan, but I could’ve planned better.
—Variety is key!!!!!
Composition changes keep your viewers from getting bored. Sometimes I’ll find myself falling back into the bad habit of just doing the simple back and forth with two characters talking straight on, but changing the camera angle, making establishing shots when you change locations, and over the shoulder shots, etc etc…All these will make for a more interesting viewing. You may think a character needs to be in every single panel to make it interesting, but if you have a lot of dialogue, a simple plain shot—either in top of a solid background, or just over something boring, like a glance at the set, etc—this will let people focus on the words rather than splitting their focus.
Variety applies to shading as well—whether you’re using color or black/white. Variety in values are SO important for comics. You’re shoving a ton of information in a limited space, so try to keep your values different for items that are close together….it can make things very confusing and turn your line work into indistinguishable blobs if you shade without this in mind.
(Using this panel as an example….)
The top two panels have a variety of darker values and a halftone background—so the next two with Venus, I kept rather simple. I could’ve colored the buildings behind her, but then, she might’ve gotten lost amidst all the grey. There’s not really any trick or solid rule to this, but once you develop your creative eye, you’ll make these choices without even thinking about it.
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A few links to helpful tools (they’re all procreate centered I’m afraid 😅)
Outline brush — a free tutorial for Procreate users. This brush kinda mimics the CPS feature that lets you create panels with a nice black outline. I used this brush very often, and it really gives your panels a professional look. Fair warning, it can be glitchy, but it’s free…
Manero Comic Bubbles and sfx — These brushes are not free, so I would recommend maybe getting in your groove before you try them out. They’re by no means necessary, but I’ve just started using them, and they save me so much time. There’s a HUGE selection of shapes, and they go on with a solid white background, so you don’t have to worry about coloring around your dialogue balloons.
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choochooboss · 1 year
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Submas sketchdump! Vol. 1
April-June 2022
Literally dumping all the presentable works as promised, whether I'm proud of them or not! This is where I started, even before the first thing I posted online (That subway station one). Many of these are not on Twitter yet so there's lots to see!
The top piece above the header is my very first digital Submas artwork!! I never finished it bc I didn't know how to pull my vision of as I wanted & started modeling the train and didn't finish that either, whoops! I really want to remake this later and make it super cool!
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^^^ My reaction to breaking 500 likes & 100 followers in a single day with my first tweet (the battle subway one) all the way back in May!! I was completely floored by all the attention, oh how it skyrocketed my excitement and anxiety! Crazy times, I was so super nervous to be there with so many amazing artists and doubted if I could ever survive there ahahah!! Many had joined the community much much earlier than me, so I had arrived with a late train to PLA/neo Submas hype!
Next up is a bunch of stuff I haven't posted before:
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One of my fav sketches! Been saving this for so long bc I really really want to finish this one day!
One of the first submas sketches with an actual story behind it! The subway bosses are running late for their flight because they didn't pass the safety check! The irony!! This would never happen as bosses are always on schedule. But Emmet hadn't noticed a wild Joltik hiding under his coat, so he set up the alarm and they got examined and interrogated of smuggling! How embarrassing for them! The bosses resolved the situation by catching the Joltik, but will they be able to catch their flight anymore?? Maybe if Elesa can distract the stuerts performing the safety protocol for a minute!
More sketchbook stuff...
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In case you can't make any sense of it, Emmet's dreaming of different combinations of pokémon. Meanwhile Ingo snores louder than the train! HONK SHOO!
Top 7 every submas fan draws at some point!
Submas trademark posing
submas sleeping in a train
sad Emmet
Emmet with Joltik
Ingo with a cool solo pose
Emmet being chaotic & Ingo reacting to it
a bunch of mirrored submas poses
I sure have a full bingo card lmao, most of them you can see here XD
Next up is a sad man...
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Stay strong our friends!
My typical sketchbook pages, crammed and messy as usual. x)
Post-PLA exploration:
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A few examples of how my pencil sketches evolve.
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I've done so much art experimenting with submas. I really like this black & white painting but I don't think I'll finish it anytime soon.
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Where did you go?
The way I draw the twins' faces has changed a lot. They started with softer features and somewhat neutral emotions, because I wasn't as familiar with them or comfortable drawing them yet. Now there's hundreds of submas sketches, and they still keep evolving! My style is also kinda hard to pull off well, so their features differ from picture to picture.
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This one was inspired by some submas music videos, can't recall their names anymore. The glowing eerie eyes and yellow&orange + black&white color schemes were neat!
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I keep telling myself I need to draw more butlers, these twinks look so lean and neat and have more color and are posh with their monocles and have fun tailcoats!
(...why eyeglasses are not called binocles??)
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I was there for the vinegar chaos. Good times!
That's all for now, I hope you got something fun out of this! Still got loads more art to share but I'll save them for another time. Next round I'll bring in my first submas comic!
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u3pxx · 4 months
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WHAT DO YOU MEAN IT'S 2024?!?!
next, you're gonna tell me it's gonna be some made-up year like "2025" next. tch, imagine that.
anyways, whoo! 2023! compared to both 2022 and 2021, i gotta say, my art style took a hard swerve in some direction this year. i mean, look at that klavier from january and that butch kim from just this december! (granted, i heavily referenced the portrait of butch kim but still, i didn't use to paint! mama mia!)
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the way i drew faces has definitely changed, that's what i get for getting into something that's live-action and into smth that has realistically proportioned art lol
OH! OH! HOW COULD I FORGET!!! IT WAS (and still will be) THE YEAR OF THE OLD MAN!! i really learned how to draw aged faces this year! ach fraulein, i have not stopped drawing people in their 40's-50's! i would say "send help" but i'm actually having a lot of fun ASKSKS
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i think a funny thing about these art summaries i've done is that they're mostly ace attorney but then there's just a month where i become a different type of ill LMAO this year it was four months for the price of two new interests!
cheers! here's to 2024!!! hope y'all have a fun art year!!!!
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i'm gonna ramble more below about like, other art things i did this year but i'm gonna put it under 'keep reading' bc this baby is getting way too wordy now WHEEZES
1. FAVORITE THINGS I'VE DRAWN THIS YEAR (IN NO PARTICULAR ORDER)
⚖️ mea culpa comic [x]
drawing this one was so time-consuming and ambitious but boy, do i love the end result! i had fun doing the inks for this one but was it a lot! i usually color in lineart and render everything but i had to stop myself from doing it for this one bc man, i'll die asksks
this also has some of my favorite apollos i've drawn, definitely
also! the part about the lineart not being colored and no rendering ended up being a deliberate stylistic choice for this one bc i had like more freedom to do just shadows with inks without it looking too out of place.
💐 my lawfully wedded zine spread [x]
now this one isn't out yet but take my word for when i say that this is one of the most craxy things i've ever drawn for this year, on account of drawing a comic AND group shot all in one!
also literally one of the prettiest things i've rendered this year, lookit that klav...
🎉 aa4 redraw - 2022 anniversary [x]
kind of like my wedding zine piece, group photos are insane, and rendering like uhhh [looks at drawing] 11 CHARACTERS IS ALSO INSANE if i try and draw a group photo again you have to stop me DFGHDJ
🎨 my art fight stuff [x] [x]
was possessed in the month of july or smth bc i pumped out like how many drawings so quickly (before i got burnt out that is pftt)
pace yourselves and don't be like me pls ajshgdghhjk
💥 people park day [x]
my friend told me that it was very obvious i watched across the spiderverse when they saw this FDFGHJD
but yea! this is when i started getting really into like, thought bubbles or just like, panels or drawings within a drawing when coming up with layouts
i still love the colors on this one...
🪩 fem disco portraits
ok so i haven't uploaded these yet but you have to trust me when i say that something was in the water DFGHDJ
who knew that all it took for me to learn how to paint was butches
2. ALSO DID YOU KNOW THAT I SOLD STICKERS THIS YEAR IN OUR UNI'S ART MART?
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THE ONLY GOOD THING ABOUT THAT SCHOOL I SWEAR PFTTT this experience has also awaken the merch beast in me and i need to make more physical things for my brain to be happy, that's just how it be pfttt
hopefully next year i can actually start like a shopee shop or whatever lmao
3. ART FIGHT
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i'm actually quite happy i got to participate in art fight this year! very delighted for all the art i've gotten and very fun to have drawn for others too!!
4. ZINES
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i got invited and joined so many zines from 2022 continuing to 2023 that i kind of got burnt out from participating for now ngl ASKSKSKS not gonna be joining much this year oopsiessss! (unless i lose self-control [very likely])
5. SCHOOL
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i don't actually like a lot of the stuff i draw for art school bc i tend to cram and not have fun pftt <- adhd moment, tragic! but here are some that i actually kind of like lol
6. THAT'S IT!
i think that's it! thanks for reading all the way down here!! o(* ̄▽ ̄*)ブ
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gabessquishytum · 2 months
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Dream's a software developer (I could see either as an architect for that large-scale view mentality or as the Senior level dev that keeps getting asked to move into management type positions and just straight up refuses because he's been doing code happily for the past fifteen years and doesn't plan on changing that now).
He enjoys his job enough. He likes computers and code. It functions exactly as told (for better or worse) and appreciates the straightforwardness of it all. He's a bit insufferable to work with, but if you have an issue, he'll readily help (just be prepares for critiques on your code in the process).
Hob works at the same company as Dream, but as a front-end dev. The work he does for his day job is kinda boring. All standard corporate style web design. No fancy scripts or fun colors. But in his spare time, he weaves Javascript and CSS like a wizard and creates magical, animated scenes across the page. Would it be easier to just make a video and play it on the page instead? Sure, but where's the fun in that?
Dream and Hob get paired together on a small side project for work. Hob does the front-end work, Dream does the back-end. They get on each other's nerves at first, until Dream spots Hob tinkering with his personal code on their lunch break and is honestly a bit in awe. He's found code beautiful in its own right (the way one appreciates a well-oiled machine) but he's never seen it wielded in such a fashion before. This is the moment he falls just a little bit (read: a lotta bit) in love with Hob. He was already starting to fall for that endless charm and wit of his anyways.
The company hits the first quarter of the New Year and with it come layoffs. Hob gets fired along with some other devs from Dream's same team (a younger pair of devs: Matthew and Jessamy). A fellow named Will comes along to help Dream finish the project in Hob's stead and Dream hates every moment of it. He misses Hob, more than he ever thought he would.
So, in an impulsive rush of anger and longing, he quits the company because how dare it toss someone as good as Hob Gadling out the door without a thought? He's halfway to the café he and Hob had started frequenting together when he realizes that he's just thrown away a career fifteen years in the making. But when he finally gets to the café and sees Hob tapping away on his laptop, he knows he's made the right choice.
Dream slides into the seat across from him and proposes that they build something wonderful together. So they create a small business of their own. They become a freelance web dev team (and steal Jessamy and Matthew as well) and with their skills combined, they take off. It's not huge, but for their size, they're incredibly popular. And Dream's certain he's never enjoyed his work more than when he's working beside Hob.
Later on, Hob proposes to Dream via a custom website with the most beautiful web animations he's ever seen before. And of course, he says yes.
(If you're curious about what inspired this, here's the website: http://www.species-in-pieces.com)
This is such a good concept for a story!!! I really really love aus where Dream and Hob are coworkers. Dream being the grumpy, awkward guy who hides behind his coffee mug while Hob is the popular, chatty one who tries to get Dream involved in fun office activities or socialising after work - it makes so much sense to me.
And Dream quitting his long-term dream job because he's mad that genuinely talented people have been laid off? I love it. Dream just has this inate appreciation for hard work and good art, and that's exactly what Hob (and Jessamy and Matthew) do. How dare the stupid company not understand that they're firing people who deserve to thrive and grow in an environment which actually appreciates them? Everyone is shocked that Dream has quit (not only that, he sends around an email to everyone in the company from the ceo all the way down to the work experience guy, outlining exactly why he quit) because he seemed to be the type to play by the rules and never leave his comfort zone. Apparently, Hob has really helped him bloom into a much more confident person, able to express his principles and strive for better.
And Hob isn't surprised, because he always knew that Dream had the courage, talent and ambition to strike out on his own. Maybe he just needed a bit of love and understanding. Which Hob is only too happy to provide.
Their work together sometimes involves long hours and stress, but Dream wouldn't ever want to go back to the slightly soulless corporation where he used to be. Even if he's tired and a little frustrated by Hob’s disorganised workspace, Dream is perfectly content. There's nothing better than curling up in Hob’s lap while he taps away on a line of code. Plus, he has a great time building their wedding website. Hob got to propose, so Dream gets to celebrate their upcoming marriage with his own expression of love through code. The theme colours are, of course, black and red <3
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biggaybunny · 26 days
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Games I Don't Hear Anyone Talk About, So I'm Going To Talk About Them
There's no rhyme or reason to the order here, and maybe these games do have fanbases I've just missed! But that's the premise, here we go:
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The vibes to me are like, if Celeste were a metroidvania. It has exceptional platforming mechanics that are easy to learn, hard to master, and a colorful and expansive map that rewards exploration. The characters are all adorable too.
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A horde survival game a la vampire survivors with a stark and effective color palette. It has tons of atmosphere and the characters offer actual differences in playstyle from one another. I admittedly haven't put too many hours into this because it's tough as nails, but I still recommend it.
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A choose-your-own-adventure VN with a light card battling element, I Was A Teenage Exocolonist was both comfy and a little melancholic about finding happiness and meaning in times of change and strife. It'll take you some time to uncover the full story, and I found myself doing four or five repeat playthroughs without feeling the repetition because there are so many branching routes to take. Also, while you can opt out of the card battling to focus on the story experience, mastering it is a lot of fun!
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Have you ever thought to yourself "The only thing wrong with XCOM is that I wasn't playing as a group of weird superpowered teens, also I need the plot to be more JRPG, also there weren't enough auxiliary mechanics for me to get lost in"? Have you ever wanted to see a teenage girl roundhouse kick a man so hard he catches fire?
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What if SimCity was set in the future, and also made by insane people? I admit, this game has a learning curve, and is niche. But if you're as much a fan of citybuilders as I am, this is a gem. This isn't a sandbox city builder, but doesn't follow the format of traditional guided city builders. But if you do succeed, the art style and level of detail makes regarding your successful metropolis all the more rewarding
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It's part battle chess and part deck builder, and all fun. Lots of combat styles to pick from as you work your way through ridiculous odds. Not much plot, but a good game for people who like games like Slay The Spire and Monster Train.
I think those are my top games I don't see talked about. Hope someone finds this interesting, but tbh, I just had fun talking about these. There's more I could add, but I could be here all day if I wanted to. There's just so much out there, I don't know why anyone's buying price-gouging triple-a games when you can get hundreds of hours out of a title asking less than twenty bucks.
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