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#i know it's sketchy and messy but i kinda like it more that way
indieyuugure · 21 hours
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Hey Indie, so I have a question. What are your thoughts on mutant mayhem or the bayverse movies?
I think Mutant Mayhem is incredibly good, while the Bayverse movies are contently mediocre.
Like, don’t get me wrong, the bayverse movies were pretty good (the second more so than the first), but I think in comparison to Mutant Mayhem which is—in my opinion—a masterpiece, the bayverse movies are just pretty good. Like “Not Bad but Not Mind-Blowing” if that makes any sense.
Mutant Mayhem has a well written plot, it’s captivating and makes sense. The characters in it are also well written, hilarious and consistently in character. I love the artistic style of the movie, it looks sketchy and messy, and the animation is smooth yet choppy in all the right ways. The way the dialogue is done too really adds so much life to the movie, it feels very real and in many cases is recorded banter of the voice actors. I think because of the 2D animation medium they chose, the sky was the limit and they took full advantage of it.
The first Bayverse movie isn’t really as good as the second which I felt was better, but I’ll try to judge their vibes as a whole. I think the plots often think they’re more clever than they are, but are not bad per se, like I’d say as far as action movies go it’s probably average. I actually think they did a really good job on the CGI and designs of the turtles. I know many people say the designs are creepy and a bit disturbing, but I think the thing is that the turtles are supposed to look that way. In the cartoons fans always are like “How could you scream at this??” Not realizing the kids animation stylization filter on the world. So yeah, I think that was extremely well done. April and Casey are kinda cringe, but Shredder and Krang are pretty cool. I’d say for being a live action movie of TMNT, it didn’t do too bad.
Hope that’s what you wanted, lol 😂
Good question! :]
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tei-to-tei · 10 months
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if Splinter had found an abandoned April, back when she was just a baby
Short story under cut:
Of all the things he had been expecting to encounter on his way back from scavenging for food and supplies, a human baby was not considered. Not at all. Large, doe-like brown eyes stared back up at him from the bundle of blankets within the wicker basket. The child was unnaturally quiet, as if waiting for him to turn away and leave just as whoever had left her alone had.
For a moment, he debated on walking away.
He barely had enough to care for his four sons, still waiting for him at home.
He barely had enough to care for himself.
But he knew.
Hamato Yoshi knew just how much it hurt to be left alone.
So, although he couldn't promise her much, Splinter would promise to give her a loving home.
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teasteeper · 4 months
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street fighter bf!hendery
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18+ minors dni, f!reader, nsfw under the cut, kinda mean!hendery, “daddy”, alc + weed
street fighter bf!hendery who never comes home when he says he will..he’s always late, always making you stay up until your eyes burn and you’re biting at your nails from worry. the longer you’re with him the more you understand how unpredictable things can get, but that doesn’t stop you from assuming the worst when the time passes 5am and you still haven’t heard from him. the loud engine of his muscle car has you sprinting to the window, heart beating in your chest and relief washing over you when he gets out of the driver’s seat, limping slightly on his way to your apartment’s front door. you don’t push him to talk as he stands in front of you between your legs as you sit on the bathroom counter, dabbing at the cuts on his face with an alcohol-soaked cotton ball. you know from past experience that he prefers the quiet, doesn’t want to scare you by relaying the sketchy things he’s been through. he’d much rather tune it all out with your soft voice, his grip on your thighs getting less tense the more you ramble about the mundane day you had
street fighter bf!hendery who fucks you dumb after you ask to watch one of his fights. he needs to get it through your dizzy head that it’s too dangerous, that a pretty little thing like you has no place there, surrounded by criminals. “you must be fucking stupid” he spits through gritted teeth, his hard thrusts drilling you into the mattress, bloodied and bandaged fingers squeezing your jaw to angle your tear-streaked face towards him. “if the guys i fight see a pretty dumb little thing like you.. fuck- i can’t even imagine”. he fucks load after load into your sensitive cunt, making both your juices leak out and make a mess all over your thighs and tummy, your cheeks hot from embarrassment and still being squeezed between his fingers. his other hand fingers the cum that drips out back into you, your pussy squelching with how full he’s stuffed you, before shoving his fingers to the back of your throat that’s raw and sore from your moans and sobs. he’s calmer after emptying his balls into you, his gaze hooded and unfocused and he watches your plump lips circle around his fingers, “you’re such a good girl.. my favourite girl- i love you.. can’t let anything happen to you”
street fighter bf!hendery who’s softest when he’s crossed, your mouths so wet and messy as you make out, the sweet smell of alcohol of your breath. he doesn’t hold back, groaning into your mouth as he pulls you to straddle his lap, hands roaming all over your hips and chest. he watches you sink onto his cock his red, hooded eyes, so enamoured with you and the way your cheeks glow with a drunken flush, your lipgloss smeared around your lips that are red and swollen from kissing, “y’so pretty.. my pretty baby”. he reaches for the joint he rolled earlier, taking long tokes as he watches you bounce on his cock, the corners of his lips turning up at your tiny moans. his hands are so pretty, joint dangling from two slender fingers and red cuts and bruises all over his knuckles. “so pretty, daddy..” you reach for his hand, bringing it to your mouth and pressing soft kisses to his scars before circling your lips around his thumb, sucking and moaning softly around the digit. “ah- shit..” he whines out, setting the joint in the ashtray before flipping you onto your back, his neck bending down to leave pretty marks on your neck, trailing his lips down your chest and tummy, holding your squirming hips to the bed. when he’s done marking you up he sinks his cock back into you, fingers tracing over the marks he left, “now you match daddy, baby”
part 2
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findafight · 11 months
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tell us the ship, explain your thoughts 👀
Me trying to be vague and everyone immediately perking up like prairie dogs ready for tea alskfnkdkd. Idk I don't think it'll surprise anyone on my blog I've spoken about it in the past. Just got annoyed at it always being there for no reason and not making sense to me one too many times, I guess.
It's r0nance. I simply do not vibe with it at all. I think, if given a sterile au where there's nothing and no one connecting them and no homophobia to worry about, it might be interesting to possibly explore them being attracted to each other but realizing their personalities and goals and priorities clash too much to work out. A bright first fling into maybe-love that fizzled quickly. I've sort of done this in my post o66 sto bin au for them, but I'm probably not going to actually explore it there. (As it's already in the past even during the war for that au)
But in fics that try to be more or less canon/fix it type deal, it really doesn't make sense to me without even mentioning the hairsprayed elephant in the room. Robin and Nancy's personalities don't seem to mesh well, what with Robin's rambling tangents and Nancy's need to focus.
Robin would probably want to do something specific with her life, but she also wants to wander! Her parents are hippies and she wants to visit Paris. She wants to travel in Europe, and probably stay at sketchy hostels and backpack in the mountains, talking to locals that she doesn't have to worry about ever seeing again. Nancy is planning on immediately going to her dream school after highschool and likely pursuing a career right out the gate. She's very driven and focused, wants to go out and seize opportunities that can assist in reaching her goals, and I don't see Robin's dreamier personality traits fitting with that.
I think @thestobingirlie mentioned that while Robin and Nancy both experience the sexism and misogyny of the 80's, Nancy doesn't experience ableism as Robin does. And she doesn't try to understand where Robin is coming from, only openly appreciating her efforts after she ranted at the hospital director.
Robin rambles! We see her either ramble or give clipped answers ("I'm Robin I work with Steve!") When she's nervous or under stress or excited! We see both Nancy and Steve react to these rambles in different ways. When Robin goes off topic in the library with the conspiracy paper, or talks a bit too much about how much she talks a bit too much, Nancy's annoyed. She's initially dismissive of the national Enquirer esq newspaper Robin brings up that helps solve the case (go Robin!). Robin babbles at Steve a lot, and he never makes her feel bad about it. She rambles about rambling to Vickie and the Muppet joke and he adds little commentary as needed, letting her go, or he cuts her off with a little joke during her rabies freak out. He lets her ramble or lets her know she should stop without being actually annoyed and letting her know that by not telling her outright to stop. (She knows immediately that it's a joke, and she jokes back, although understandably nervously. I love them.)
Them being a background pairing so often is annoying, though to varying degrees. If it's just as Robin's gf mentioned I, like others, just kinda...change it to Vickie's name in my brain lol. But other times it's not and it just. Doesn't make sense why Nancy would be such close friends with Steve (her messy breakup ex!) and Robin and Eddie. That girl has big city dreams, she's getting the hell out of her tiny hometown and not looking back. Let her be free!!
I mean obviously the bit I hate about it is that Robin holds a grudge and Nancy broke Steve's heart, which I don't see as compatible, even if we take into account that it's likely Steve and Robin have no idea Nancy cheated on him, and that Steve is an unreliable narrator and blames himself for the breakup. Steve and his relationships with both Nancy and Robin are so pivotal to all three of their characters that ignoring the history there seems a disservice to the complexities of their relationships with each other.
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wolfsbanesparks · 11 months
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Bouncing in here like a madman again
Do you think Captain Marvel (seperate from Billy) considers the Wizard SHAZAM as their father as a sort of creator and creation relationship? Giving room for Billy and grandpa wizard relationship kinda?
I've had a lot of sugar today, so I'm not sure how that sounds, but I kept thinking about your fic, "Split", and how if things took a different turn and Captain Marvel revealed he existed because of the Wizard, would the JL come to the assumption that the wizard was his father/Billy's grandfather?
Or if things took an angstier turn, if Captain Marvel let slip accidentally that he didn't believe that the death of Billy's mother (and actual father) was a genuine accident/had suspicions about it, how would they react? Would they suspect the wizard bc of all the suspicions they're having? Also, I'm not sure if I remember, but did the JL get to have a conversation with the wizard?
Kinda factors into that one ask I sent before, where the gods killed the parents of the champions of magic to challenge and prepare them without them knowing, which might include the wizard, too. (Sorry, I re watched the Guardians of the Galaxy 2 recently and it's been doing numbers on my little mind)
In all seriousness you could write an AU for your fics and we'd eat it all up and ask for seconds because your writing creates a universe of wonder for us.
That was a lot, wow :0
Okay first of all you are so sweet! It's driving me crazy (in a good way) that I can discuss AUs of my fics!
I think that the Wizard already plays a sort of wise grandfather figure to Billy (in my preferred version of him) regardless of Captain Marvel's feelings towards the Wizard.
But I think it's totally logical for Captain Marvel to think of the Wizard as a creator figure, especially in his current incarnation since it was just Shazam who made him instead of a full Wizard's Council. There's respect between them, but Marvel also wants to make Shazam proud, wants to prove he's a good Champion. And I think that can translate to a father-son type dynamic even if it's a lot more complicated than that.
If we're talking Split in particular, the JL "met" the Wizard but Shazam didn't bother talking to any of them so their many confusions and suspicions didn't get brought up to him directly.
But if they had reason to believe Shazam was Marvel’s father, Flash in particular would have been having a freak out because the Wizard would have gone from possibly sketchy mentor to controlling and possibly abusive father/grandfather. He might have even had more people on his side if that was the case (especially if we add in the idea that the Batsons were killed as some kind of test of Billy’s pure heart).
There would still be those who insist that they shouldn't get in the middle of their complicated and potentially messy family situation. But there would also be those who wonder if Marvel had a choice in becoming a hero if his father was the one who imbued him with his powers because it was his "destiny". I can definitely picture Marvel bluescreening if someone asked him if he'd had a choice in being a hero (he didn't, and Billy didn't either) or if he'd ever wanted something else for himself (it had never occurred to him that he could be anything else because he was created to fight evil). His answer would definitely send up some red flags to whoever he's talking to.
There are so many cool ways having people think Shazam is Marvel’s father could play out and it would be so fun to explore that.
And since you mentioned it, while I don’t currently have plans to write an AU of my fics, I AM completely open to other people writing AUs of my fics if they are inspired enough to do it! So long as you credit me as the original author/check the Inspired By box when you post, I encourage you to go for it!
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etincelleart · 3 months
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Hello Etincelle, I love your art style. Something about the kinda sketchy? look of it is so appealing to me. And although I followed you for NND I wouldn't look away if you started to follow a diffrent FNDM (RWBY's got like to community, one really nice and the other is so toxic it you take psychic damage just looking at it.) I also want to say that if you need to take a brake from social media to focus on your work/personal life, go for it. Don't look back we'll still be here when you figure it all out (there probably a better way to frame that) Take care <3
Hey thank you ! I'm happy you love the sketchy style because me too, and that's probably my fav thing to do, add something irregular and messy to my linework to make it feel more vibrant and like a traditional art style (at least trying to make it feel that way). Thank you for liking it :)
And this makes me feel better to read that, I admit there's this pressure of social medias once you get an audience, it really not conscious sometimes but you can have that fear of being forgotten or lost if you don't post enough etc. Fortunately I know that's not true and I really try to do as I want. Especially during times when it's hard with harassment from fandoms etc, it's something kinda new to deal with because one year ago I was still not that known (less than 1000 people followed me on Twitter if I remember). I actually haven't been able to draw since almost a week despite trying because I'm just not too good and I guess I need some time to get some stuff off my brain.
Take care as well and thanks again ♥
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doloresstarfish · 6 months
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BROKE YOUR OWN HEART
(Can't Finish What You Start)
Remus Lupin & Original Male Character
tw: angst, implied abuse, scars, burns.
Summary
CHAPTER ONE
    Remus stood in front of the worned out maple door. He hesitated before knocking it, but the sketchy man that was in the other side of the street was eyeing him suspiciously, even thought he was the one being suspicous. So he brought his knuckles in front of his face and tapped them against the wood, retracting it when a splinter found it's way on his pale skin.
          He waited with his suitcase tight against his chest, considered running away until a girl around ten years old opened the door with a scold of annoyance in her face. She looked fucking terrifing for such a small body.
          There was the noise of a way too loud TV pouring from inside the house and Remus had to talk louder than usual in order to even hear himself "Oh, hey. Um, i'm Remus. Is Elliot here?" She stared right into his eyes before dissapearing on the right part of the house, leaving poor Remus clueless on the front door "Um"
         "Lupe! Who is it?! Lupe?" Someone screamed from a room. It was Elliot's muffled voice. At least Remus was in the right house. After the girl didn't answer the curly head of Elliot popped from a door in the hallway that was directly across from him, so they saw eachother inmediately. "Oh, Remus? What the hell are you doing here?" He furrowed his dark brows and took away the red toothbrush that was hanging from his foamy mouth.
          Remus stood there in an awkward manner while Elliot finished washing his mouth and leaving the bathroom. "Um, sorry for appearing here out of nowhere I was just- I- um" Remus grew even more nervous while he watched his friend approching him. What the hell was he doing here? And why the hell was he stuttering so much?
          "Lupe! Turn the damn volume down!" he screamed at his sister before setting his warm eyes on the other boy. Soon after, the noise was quieter "Come on in, you must be sweating your ass off" 
          Remus laughed softly, because he was sweating his ass off. As they both got inside the dimly lighted house, Remus took in Elliot's face. He looked tired but relaxed at the same time, as if Remus was a neighbour asking for a cup of sugar.
          The inside of the house was small and crampted. The kitchen was on his left and the living room on the right, the two rooms being separated only by the kitchen counter.
          Who Remus guessed was Lupe sat on the washed out brown couch, her back facing them. "Sorry, you were saying"
          While Remus talked, Elliot started going around the place, not wasting a second. Moving toys out of the carpeted floor, getting scattered papers and letters in a neat pile on the kitchen counter, picking up tiny t-shirts and pants and folding them.
          "Oh, yeah- sorry. Um- I just kinda- It's nice to see you by the way" Elliot smiled at him with amusement, althought completely and utterly confused. "Um, I just need... a place to stay. For a couple days, until I find something more permanent" Elliot offered a soft grimace on his soft face, looking around the messy house. "It's completely okay if you can't. I just- I kinda got, like, an internship at this newspaper company and well, you know, my family is kinda poor and every place in London is so freaking expensive and I just- remembered I asked for your address so I could send you letters over the summer and I kinda thought 'well Elliot lives close enough to London maybe I could stay for- I'll pay of course! For food and stuff, maybe-"
          "Remus, Remus. It's okay" Elliot interrupted him and Remus was glad he did, because he was sure he would never stop talking if he didn't "We can work something out. We are kinda cramped in here, I'm sure you've noticed but it's okay. I understand, as you can see, we are not rich either. I mean, I live in fucking Jaywick" Remus sighed with relief.
          "That's... really great. Thank you"
          "It's fine. I hope you would do the same if I ever have to go to... fucking Wales" They both laughed. "Definitely" answered Remus
          "So, this is Lupe, my little sister. Say hi, Lupe" the dark skinned girl waved her hand dismissively and greeted him in the same way with a soft groan. "She's the sweetest kid on the block" he ruffled her hair and Lupe slapped his hand away "Jesus Christ, Eric! I told you not to leave Dom on the sink while you bath him!" 
          Elliot rushed to the kitchen where Remus followed and a baby splashed water around with his grubby little hands. Elliot took him out of the soap bubbles. "Hold him a sec will ya" he passed the baby to Remus, who held him from under his arms and kept him far away as if he was holding an atomic bomb. The little creature made it's little creature noises and looked almost exactly like Remus imagined Elliot looking as a baby: golden skin, dark curls and the biggest brown puppy eyes he had ever seen. "I kinda hate babies, but I think this is the most adorable one I've ever seen" 
          Elliot laughed while opening and closing cabinets until he found a towel, quickly wrapping Dom in it and taking him in his own arms. "Yeah, he tends to have that effect on people"
          "Eric" Elliot changed his smiled to a stern looking face when his eyes found the little boy that had come from a room in the hallway. He had short tight curls and a comic book in his hands. 
         Remus had never seen Elliot like that while in Hogwarts. He did keep an intimidating scowl at all times, the kind every muggleborn had to know how to master. But for the most part he was quiet and almost always alone, stayed out of trouble unless someone went looking for it, wich was quite often. Never hesitated to beat someone up if they bothered him enough.
          But this- it was almost... fatherly, and strange. Then again, they had never seen eachother outside of school, and this was definitely weird. It felt domestic "Jesus, I told you not leave Dominic on the sink. He could catch a cold or fucking drown"
          "Sorry" the boy responded with a hint of annoyance as to drown out the guilty feeling he actually felt. Elliot looked at him with a raised brow and crouched down to the 8 years old level, baby still in his arms.
"Hey, look at me. I need you to promise me you won't leave him there anymore. It's dangerous, okay? Like, really fucking dangerous" The boy nodded at him sheepishly and went to sit on the couch next to his sister. "And that's Eric" he told Remus, pursing his lips.
          Elliot directed the way to his room. "You'll have to sleep here with Dom and me. Hope you don't mind, but well- you don't have a choice either" he grinned at Remus, who told him there was no problem, and there wasn't. He would sleep on a shed if it meant he could go to internship without paying for a place to stay.
           He placed the baby on the bed and started changing him onto his blue and green stripped pijamas "Unfortunately, I have to catch my shift in, like, half an hour. I work at the car factory till seven. You can stay here, I guess. Althought the house is really not the best place to just hang" He said to Remus apologetically. Just now he noticed that Elliot was wearing one of those dark gray one piece suits factory workers were given, the upper bit hanged loosely around his hips with a white tank top underneath, letting the tattoes on his strong arms roam free.
          Remus almost laughed imagining himself next to the boy, perfectely ironed dress pants and sweater vest included. He had never felt this obscenely posh.
          "I acually have to go to the office for my first day too. I finish at six thirty. That's why the urgency to find a place to stay" He left his suitcase next to the bedroom door, only keeping the brown leather bag on his shoulder
"Great. We'll take the bus thogether, then" said Elliot, returning to the kitchen.
          Remus felt so helpless just following him around the place, but what else was he supposed to do? Sit down next to Lupe and risk getting his head ripped off his neck? No way.
          "Can you pass me that bottle? It's right there on the dishing rack. Thanks" Elliot shaked the now milk filled baby bottle and put it in the microwave "Stop fighting over the remote! Or i'll unplug the TV!" He yelled at his siblings
"But Eric wants to watch a fucking movie about penguins!"
"It's not a movie! It's National Geographic" Eric enunciated each syllable like he tought her sister had the unability to reach his level of intelligence
"That's even worse!" 
          "Stop it. Eric, you watched TV all morning. It's your sister's turn" Lupe sticked her tongue out to her brother, who rolled his eyes and gave her the remote "And you, don't swear" This was Lupe's time to roll her eyes. 
          "You always swear" she complained.
"That's because I'm a grown up and I'll start getting bald in a couple years"
"You are seventeen!" 
          Remus tried to erase the smile from his face. It was endearing, watching Elliot like this, but he couldn't help but feel bad for his friend. It looked like he was holding way too many things on his plate. Fuck, his plate was about to collapse with how many weight it held.
           Remus was so lost in his thoughts he didn't even realize that Elliot had already fed almost all of the warm bottle to Dominic. The baby was fighting against his own closing eyelids.
           And that was a battle he couldn't win.
           So Elliot took him to the bedroom and carefully layed him on the crane. Well, the homemade crane. It was actually a loose drawer on the floor filled with pillows and blankets. It looked strangely cozy, and Remus wished he was the one sleeping in it. "You all set?" He whispered to Remus, who only nodded at him. 
          When the boy made sure his brother was fast asleep, he crabbed his walkman from the top of the dresser and closed the door behind them, trying to make as less noise as possible. After putting the thin headphones around his neck and the little box in his back pocket he knocked the door of the room in front of them, sticking his head inside after a second. Remus could see a girl with braids that seemed a little younger than them. She sat on her book filled desk and turned around to the voice of her brother.
          "Hey, I'm heading out. Dom's sleeping in my room. Can you keep an eye out for him?" He said
" 'kay, sure. Who the hell's that behind you?" She furrowed her brows.
"This is Remus. Remus, this is Gia, my other sister. He'll crash here for a couple days" Remus greeted her politely and she did the same, despite her uninterested demeanor. 
          "Crash here?" she repeated "Dad won't like that" she told him with a worried expression. 
          "Don't worry about it. It'll be fine" she nodded, still unsure. "Don't study too hard, 'kay? I can see the smoke coming from your big ass head" he joked lightly as to dissipate the heavy air that hung on the pastel room. Before Elliot could close the door she called out for him, seemingly remembering something.
          "Oh! Can I have some cash for tonight? Dani and the others want to go to the movies" she said, her most charming smile on her face. Elliot hummed and searched in his pockets for some wrinkled spares.
"Here"
"Thanks! I owe you"
           "It's fine. Be careful. Love you" he placed a kiss on the top of her head, closing the door after she corresponded his words.
            Both boys walked through the hallway to the front door. Remus growing more uncomfortable by the second, feeling like an intruder "Mom will be here in a couple minutes, be good and don't bother your sister unless it's an emergency, okay?"
          "Okay! Love you!" Both kids said waving his hands at him from the couch.
"Love you too. Lupe, stop opening doors to strangers" The last thing they heard before stepping out where the mischievous giggles of the two kids.
          "Sorry for that. They'll kill me someday" he told Remus with a smile. They walked down the tattered streets of Jaywick, the summer sun cruel above their heads.
"Don't apologize. I didn't know you had siblings"
          "Well, you never asked" There were a lot of things Remus never asked about. He suddenly felt extremely dumb. What was he thinking? Showing up to Elliot's doorstep in the middle of the day, asking for a place to stay. He didn't even think they could call eachother friends yet. I mean, they did start talking frequentely last year at Hogwarts, but still. It was clear as day that his house didn't have spare room and he was right to assume that the money wasn't something they could throw in the air either.
          How could he call himself a friend when he was just knowing now that Elliot had siblings and was already working at a fucking factory while being seventeen years old. The only people Remus heard worked at a factory were alcoholics and dead beats. Not that Elliot was a dead beat, of course. Fuck, now he felt like an asshole.
          And the thing Gia said about their father... Remus had his suspicions. Elliot would show up after the breaks with bruises and cuts on his face and he would always wear long sleeves. He noticed even before he got the courage to even talk to him. And he had learned the signs, after all, he had seen them on Sirius before he ran away from home after 4th year. Even though Elliot always dismissed his subtle questioning by saying that he got into a fight, wich wasn't that hard to believe since he ended up in Minnie's office every other week. But deep down, Remus knew something else was up. And there he was, on the mouth of the wolf.
          This was the first time Remus was able to see Elliot's arms and he was sure the boy didn't even notice, or they would be covered by now. He had some cigarrette burns and a couple scars, and tattoos Remus had never seen before. A flower on one of his biceps, the other one had a heart crossed by an arrow that said "Mom" on the middle, it looked like it was written by the shaky hands of a child, a cartoonish picture of a deer on the inside of his right forearm -Remus inmediately thought of James- that looked straight at him, a simple apple above his shoulder blade and one he couldn't quite see peeking from one of the tank top sleeves. Then there was the ones he had seen before: the single spike of a barbed wire on the left side of his neck and multiple on his hands.
          "I won't get you in trouble for staying in your house, right?" Remus asked, concerned. Elliot looked at him, something on his face that couldn't be read, but then smiled like he always did. Like he was perfectely fine and walking through life was like a fresh summer breeze.
"Don't worry about it"
          He did worry about it. But he was also so desperate. Elliot wasn't his first choice, of course. Sirius and the Potters were on a family trip to Spain, even if they let Remus stay with them, Godric's Hollow was almost four hours away from London, Peter was visiting some cousins in Germany. By the time the apology letters came around, Remus coudn't think of anyone else than Elliot. Sweet, puppy-eyed, troubled Elliot.
          Remus wanted nothing but to catch up with him. Not only about the month they been away, he wanted to know everything about Elliot's life and tell him about the internship and learn about bending car parts only because he did that at a factory. He figured they would have time for that later and a whole another year of classes ahead of them. Now he had to get to the office in order to actually have something to talk about later.
          They arrived to the bus stop in silence. Elliot greeted the driver and paid for both their passes -after an embarassed Remus told him he didn't have anything smaller then ten's. I mean, really?-
            Twenty minutes later they stepped out of the bus onto the streets of London "You know how to get there, right?" Elliot asked Remus. He nodded. Elliot gave him a piece of paper "This is the address to the factory. Meet me there at seven and we'll go home together. Okay?" He talked to Remus like he was one of his siblings. And Remus realized that it was something he often did, but never tought much of it. Now it made sense why.
          "Okay. See you at seven"
          "See you at seven"
          They parted opposite ways. Remus turned around to watch Elliot put the headphones over his ears, arms now covered by gray fabric, beated down black boots against the pavement.
          He looked beautiful. And so different and far away from him.
___________________________________
You walk down Alameda
Shuffling your deck of trick cards over everyone
Like some precious only son
Face down, bow to the champion.
You walk down Alameda
Looking at the cracks in the sidewalk
Thinking about your friends
How you maintain all them in
A constant state of suspense
For your own protection over their affection
But the fix is in
You're all pretension
I never pay attention
Nobody broke your heart
You broke your own
Nobody broke your heart
If you're alone it must be you that wants to be apart.
- Alameda, Elliot Smith.
Also in AO3 by the same name.
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fleouriarts · 1 month
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who are your biggest artistic influences my furry friend? we had art classes together for years but i still feel like i don’t know 😭
😭😭😭 honestly thats probably cus a lot of my artistic influences are specifically internet artists that ive been following for several years and not things i couldve brought up in art class. you know that lame ass mr smith wouldve hated me if i said 'yeah i draw like this cus of some bts fanart girlie on twitter'. thankfully i have the Archivist's Temperament and save like literally everything thats had an effect on my style... so below is a journey thru my artistic influences (and various insp folders on my computer) as far as i can remember
of course the most basal Dorian Influence is disney movies. you are my brother in arms in the lion king fandom so you know this. whenever i am feeling extremely artistically bankrupt i try to revitalize myself by rewatching the lion king, atlantis, and treasure planet. and also the prince of egypt but thats dreamworks LOL
in 2016 i found the first "online" artists i distinctly remember wanting to imitate, which were sara kipin and celia lowenthal because i was obsessed with how they used color to block out their illustrations. ive also been following dimetrodone(/dimetrodrawn/deinocheirus) on here since 2016 and love all the shapes and colors in her work
in 2017 i started doing more detailed shading because i saw bts fanart by the artist tyu_naxx on twitter and loved how they did it (below is like THE piece that made me change my whole shit up)
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around then is also when i started trending towards using limited palettes and that was mostly inspired by various national parks promo artworks that would only have like 5 colors in them. wish i remembered who made these but heres ancient scans of some postcards i got at sequoia national park that changed me
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in early 2019 i started wanting my style to be more cartoony so i would constantly peruse the backlogs of kiwi, officialspec, skunkes and mimiadraws to get whatever inspiration i could from them
in late 2019 i completely pivoted for some reason and started doing lineless rendered semirealistic stuff instead. i think that was mostly cus i hated doing lineart. one of my biggest inspirations in that era was atissi
in 2020 i remember i went crazy stupid on using glow effects and chromatic aberration on stuff and i genuinely think all of it can be traced to this ONE piece of bts fanart by lordizxy on twitter like i was fully obsessed (putting it below also in case it gets deleted somehow)
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mid 2021 was when i got tired of semirealism and thought it was too amorphous and restricting so i went back to cartoony shit. i was still looking at the artists i listed for early 2019 but i also added artists like iplidl, catmunches, and chunkysoup22 to the mix
2022 was an inspirationless nightmare i have no clue what i was doing for that entire year. the artblock was BAD. i mostly just looked at art from all the artists i mentioned before while artistically wandering in circles. a lot of this was me trying and failing to figure out whether i wanted to do more dynamic yet less rendered art or... the opposite of that
thankfully in 2023 i finally FIGURED THAT SHIT OUT. i would say the current dorian art era started with this silly drawing of graydon and riley hivemind as a dogboy and a catboy ⬇️
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you can kinda see the influences of all the cartoonists i listed above but a lot of the way i draw now is just. me trying to not make myself hate doing art. ive always hated redoing a line 30000000 times for clean lineart so now its sketchy. rendering my art was making my drawings feel super stiff so now thats all messy too. etc etc
i think Right Now the artists i go to for inspiration the most are still kiwi and skunkes, but i also found the artist robottoast recently who makes RIDICULOUSLY good furry art, its so full of life and personality and i definitely need to commission them someday. the most recent singular piece thats changed my whole shit up is this scott pilgrim fanart by benadieshekiel (also below) because i really liked how the clothes were fully rendered while the skin and hair are less detailed with clear lineart. so sometimes i do that too
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ok i think that is as full of a chronicle of Dorian Influences that i can give you rn. i was not lying when i said i wanted to yap. hope you enjoy <3
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yakeisoda · 2 months
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Hello, just wanna start this off by saying that I love your art. I've decided to ask my favourite artists for art tips as I wanna get into it, but no matter what I do it never looks right. So, any tips?
HELLO TYSM!!! ngl i dont think im the best 4 this question im also kinda in a rut rn where im not really satisfied w my art n craving more progress and improvement but im getting there somewhat but very slowly! (ive been this way for a rly long time naow) this might be long but im gna try n throw in the things ik, sorry if my thoughts r messy im not the best in articulating stuff :')
i think a good way to start off is to find out what skill you lack the most or what you want to improve the most on, say for ex: u wna focus on getting better at composition for illustrations, then a good way to improve them is to learn about the composition rules (ex: rule of 3rds, etc), look for any scenes in films/animation or photographies and storybooks , study them and recreate it! go crazy !! ive done a study on a friend's picture before, and have asked my friends if i can use their photographies as practice!
looking for inspiration will also improve ur visual library, they can help u find what u wna put in ur art ! like perhaps certain color palettes or styles, it's best to look at different mediums of art instead of focusing only on one, sometimes u can find techniques meant 4 u! (ex: of this is my friend who used to be a watercolor artist, ive observed them using watercolor techniques when they were still new to digital art! basically mix n match whatever feels good/convenient 4 u :] )
disciplining urself is also good to have more improvement! i have trouble w this the most ever since bc its hard 2 focus if no one is like there to monitor u (in my experience), if u rly wna make progress u have to squeeze in some art practice time in ur schedule, it can be around 15-30 mins or even 3 hrs, completely up to you! (rmb to take breaks!). you can give urself deadlines if that will help n maybe timers too!
my prof always said "Proper practice makes perfect", so it's also best to practice with a clear goal in mind, take notes on the things u lack and if ur watching any art tutorials/speedpaints, take notes of those too! it's good to have something specific in mind so u wont get lost n u wud know what u wna do! it helps u retain info as well so u can look back on stuff, to avoid overwhelming urself u can just focus on small bits first, ex: in anatomy, u can focus on the head area first, break it down to drawing eyes and noses, etc! then u can move onto the torso area!
USE REFS!!!! make use of pinterest or any other refs u can find, cannot stress this enuf go crazyyy w references, make a moodboard full of referencess n go crazzyy w them!! i used to not like doing this bc i just head straight in to drawing bc thats what i was used to but art college trained me 2 use refs bc they help so very much, theyre like ur guideline for what u wna make so u have a clear goal in mind, also photobashing seems like a great practice too never tried it but yes it can help when ur planning an illustration/concept art!
^above also applies to art styles! go crazy n experiment w them!! i think its so very fun to explore diff art styles n not stick to 1, again this depends on u but having a different range of artworks is rly fun, u can go from very pastel soft colors n style, to smth very vibrant n sharp, to smth like dark n chalky-sketchy kind of vibe if im making sense T__T, basically go wild!! go crazy!! dont let urself sit in 1 box! hop into other boxes !! or wear all of them!! or poke holes in the box n add stuff to the box or wear a circle!! trust me it looks so fun if u put different artworks uve made side by side n go wow i did that!!
also create small thumbnails 4 illustration! its really best to plan ahead art too, as i said i used to just head straight in n not plan but ive learned to absolutely enjoy planning making art! collecting refs n seeing what kind of composition goes n what colors wud work is so very fun actually! it rly helps a lot
theres also this one post i lost the link, but basically it shows how much progress u can make if u make loose sketches vs full on rendered illustrations vs a mix of both, again this depends entirely on u bc things r different for everyone! i think that post is really good for teaching abt art progress (if any1 knows where it is pls do link!), i think focusing on sketches n practice is better tho bc it helps u draw more freely n loosely! i think that speeds up ur process more as well n doesnt make u lose interest immediately compared 2 focusing on finishing 1 big rendered illust (talking from experience) but then again its different for every1 so honestly just experiment n see what feels right for u!
i wna say tho that although it is good to make sure ur drawing looks right its also good to just let yourself draw freely, i think what matters is that u understood the structures of something and as long as ur able to apply that in ur own way i think thats gud! i think drawing freely helps u draw more fluidly? like having more expression is what i mean. ive gotten into the "i have 2 make this look right" hole before n i noticed it made my art look stiff, so highlyy recommend doing gesture drawing n life studies! rmb to have fun when practicing n learning,
dont pressure urself too much! enjoy the experience :] ! messy sketches r good!! not everything has to look good or perfect! my sketchbooks from way back were just doodles, pencil sketches no color mostly, theres an occasional lined one w markers , ballpen, n some highlighters, n my drawings were either smth funny that happened w me n frens with our personas or making ocs for my faves or ocs for me in general!
ur sketchbook doesnt have to look pretty its like ur diary but its art ykno! ur thoughts in visual form for the day! (again all up to u as long as u have fun! its all different 4 everyone!)
anw tysm again!! sorry if this was all over the place HAHSAW i tried my best but these r the tips i keep in mind most of the time or the ones i hold closest to me n that i try to apply as much as i cud! if u need anything else clarified just lmk! not the best w words but hopefully it helps :'')! most of the stuff i mentioned here i also need to take into practice HAHWHAW so mb its gud 4 me to write this down so i can finally push myself to do stuff,
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mlobsters · 8 months
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supernatural s8e17 goodbye stranger (w. robbie thompson)
ps earlier today i was giggling slightly hysterically over the fact that they killed zeus in the last episode. no big. at least with the osiris last season they just put him down for a couple hundred years
pps in the recap when rachel miner-meg says her name like "mehg" very canada/upper midwest. mehg like behg (bag). when i first moved to minnesota, one of the things they ask you at stores there when you're checking out is "receipt with you or in the bag?" and i was 100% not expecting this question, combined with the accent on bag (long a, eh sound) i was... so utterly bewildered. i asked her to repeat it and i still didn't get it. i think after processing another 10 seconds i finally figured it out. whew. just when you think you know everything to expect at a familiar store in a new place... my anxiety does not thank you
good thing the cas stuff is in this recap because i completely forgot about this whole brainwashed to kill an angel business
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that's a lot of dead deans
not the spear of destiny. didn't you watch constantine, dean?
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s8e17 / constantine (2005)
dean stop being a child and touching the stuff trying to get sam's attention
DEAN Hey. You listening to me? SAM Yeah. It's, uh... Fascinating stuff. You should probably, uh, write it all down in your journal for the archives, you know? DEAN Yeah, thanks. You're a lot of help. [SAM coughs in the background.] Hey, Doc Holliday, you all right over there?
good sibling stuff. little on the nose with the tuberculosis reference
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SAM I don't know. Worth a shot, though. I'll grab my gear. We should probably leave in five. DEAN Mm-hmm. SAM 'Less, of course, you need some more time with Miss October. DEAN What? Oh. Yeah. Yeah, make it 10.
more extremely normal sibling behavior. make a joke about jerking off with the vintage porn, but take it seriously and make that face. fraternal all the way. then distract us from them flirting with the Bloody Napkin. this show, man.
DEAN Put this on your shoulder. [DEAN tosses a cold pack at SAM who is seated on the couch, SAM throws it on the floor, clears his throat. DEAN sits down next to SAM. CASTIEL walks into the room.] SAM I'm fine.
stop trying to take care of me, dean >:|
DEAN Well, he puts the "ass" in "Cas," huh?
good one, dean-o
SAM He's definitely off. DEAN Off? He hasn't been right since he got back from Purgatory. We still don't know how he got out of there. SAM I don't know, Dean. If he's so sketchy, then why were you praying to him? CASTIEL (V O) You know, I can hear you both. I am a celestial being.
i laughed. teacher's mad
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WENDY RICE Sam and Dean Winchester. Oh, the thoughts she had about you two. Mostly you, Sam. What can I say? She has a thing for smutton chops.
SMUTton chops????? a) i love the mutton chop shade see my sideburns tags b) WHAT. laughed until i literally cried and wheezed
meg with the leia star wars quote was very cute
MEG You really do know how to make a girl's nethers quiver, don't you? CASTIEL I am aware of how to do that. Although it doesn't usually involve cleaning wounds.
shows what you know, cas
MEG Really? You remember everything? [She looks fondly at CASTIEL.] CASTIEL If you're referring to the pizza man... Yes, I remember the pizza man. And it's a good memory.
i hope he doesn't kill her
DEAN Good times. You really think we can trust, uh, Meg-stiel?
lol okay. this is a very fannish episode
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MEG I miss the simplicity. I was bad. You were good. Life was easier. Now it's all so messy. I'm kind of good, which sucks. And you're kind of bad -- which is actually all manner of hot. We survive this… I'm gonna order some pizza and we're gonna move some furniture around. You understand?
now i'm kinda crushin on meg
MEG You're not gonna tell me? Seriously? How am I not team Sam? Fine. Whatever it is, you okay dying over it? You don't want to say, fine. But remember, I spent time in that walking corpse of yours. I know your sad, little thoughts and feelings. SAM That's creepy. MEG Here's what I remember. Deep down, in parts you never let see the light of day, you want to live a long, normal life away from creepy old things like me. SAM I do. You know, I spent last year with... someone, and, um... now I know that's actually possible.
really. lol at me crying over this bullshit. in the sam feelings too deep
DEAN I know you can hear me. Cas… It's me. We're family. We need you. I need you.
the power of dean begging can break even the heavenly mind control
they were giving meg the jo/ellen treatment in this episode, should have seen that coming. glad she got a good sendoff, if she had to go
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after sam says he's sorry and that he should have told him, dean takes a big breath, like a relieved sigh and it's a good little moment
DEAN Listen, I may not be able to carry the burden that comes along with these trials... But I can carry you. SAM You... realize you kind of just quoted "Lord of the Rings," right? DEAN Come on, man. But it's the Rudy Hobbit, all right? Rudy Hobbit always gets a pass.
definitely gotta deflect from all those messy emotions
well like meg (rip) said, i laughed. i cried.
read a bit about rachel miner, was wondering if there was a health situation. looked like she was having some mobility issues last couple episodes she's been in
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freebooter4ever · 1 year
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Are the lines on your drawings stylistic choices or are they measurement/guiding lines? Either way, they are cool, but just wondered. I dont understand drawing at all, might as well be a magic spell to me. I was looking at the pencil (?) sketch of Malkin with the cheesecutter hat on.
i, uh, definitely did not google 'cheesecutter hat' until after i saved out these images. :/ sorry about that. if you'd like the other one broken down, i can do that too lol. my reading comprehension when im tired is kinda lazy i just saw 'cheese' and imediately thought 'omelette'. SO here's the 1) initial sketch, 2) 'clean' sketch, and 3) final lines for the omelette boy drawing instead:
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also i have had a cumulative of about 9 ish hrs of sleep total for the past two days so keep that in mind for if this explanation makes no sense, its not my fault. :( anyway! the way i draw definitely has changed over the years but currently im really trying to focus on the line i "see" rather than the one that is actually "there". i've been applying this to my writing for years (story vs happening truth) and you know it never occurred to me that i could do it in my drawings too till like...a few years ago. in general these lines seem to form the planes of the subject. if you google 'stanford bunny' you can find an easy example of a 3D surface turned into triangles. I do this too - see things in relative triangle proportions, except i've been doing it long before i knew how computers worked. i cant begin to tell you how long d*sney and cartooning's obsession with round building blocks of anatomical structure fucked with my brain until i finally decided i could cast that teaching aside completely.
ANYWAY sorry off subject again. so we have these sketchy under lines, and usually as im trying to find the proportions and form of the subject these lines end up being where the light/shadow hits. here i saved out the 1) 'flat colors', 2) the 'light', and 3) the 'shadow' parts on their own (i lightened the background for the 'shadow' so its easier to see):
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the light is like four or five 'overlay' layers of pale yellow/orange. you can see how each of these layers follow one of those sketchy lines i did initially. and the same with the shadow but instead its a dark red color set to 'multiply' for each layer. and when you combine everything together you get:
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some bullshit :). anyway you know that anniversary edition of beauty and the beast that featured the version previewed to nyc audiences in 1990 with the glen ke*ne sketchy keyframe animation of the beast's transformation? i watched that - must have been sometime after i graduated college - and i felt robbed that THAT version was never presented as a final piece. the 'unclean' drawings had so much more life and movement and intensity to them. tldr i like the messy lines, i hate 'inking' with a passion (HATE. IT.), and when i finally allowed myself to stop giving a fuck drawing became way more interesting. but my art is shit and i will never be glen k*ane so i dont really feel like the best advocate for this "style". alas. there was this one artist on tumblr who i fucking loved whose sketches were SPECTACULAR but the asshole racists in the m*c*ha*nz*o fandom bullied her off tumblr and ive never been able to find her art anywhere else since. she was also very negative about her 'unclean' sketches and it made me so sad. there was also this other artist whose sketches were awe inspiring but all she drew was p*rn and well...we all know what happened on tumblr in december 2018.
also i 100% stole the lighting scheme from The Bear which is currently one of the most gorgeous shows on television right now in my opinion
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im really really sorry if this makes no sense, if im feeling motivated maybe i'll try again when my brain is fully functioning but with the actual 'cheesecutter hat' doodle ^_^
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tosye · 2 years
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art-related rant incoming, if you read this I love u and if you have some advice I love u even more
I’m at this weird (annoying really) point in my drawing skill where I’m either good at bodies or faces, not both at the same time and it’s so frustrating and idk what the case is all I can think of is that I’ve trained my eye a lot and not my hand and so I can catch more errors than before and observe things better and kinda understand and conceptualise them but not like put it into practice in a confident and timely manner?? like I will draw a face hell if I’m struggling with it I’ll construct it but like it’s so frustrating bc it’s taking me forever?? I’ve been wanting to do themed sketch sheets and basically like 10 half bodies took me 2 hours and it went rather smoothly but then I’ve been struggling with the faces (and mind you I only have 5 to draw since half of them is just din in the helmet and I’m already done with those lmao) for additional 5 hours already and I’m not even halfway done????? like what the fuck is going on and idk if I should kinda focus on simplifying features but I kinda don’t want to do that??
and i mean I know it’s my neurotic perfectionism peeking through but like my latest piece took me 5 hours total to make and I’d say it’s semi-realistic and now I can’t seem to draw even like 5 sketchy messy faces in under 5 hours?? and like I’ve noticed that at some point I started doing some things differently than before but in a way I’m not sure I like and so I think it’s adding to the whole thing??
and I know I’m supposed to take breaks but like hyperfixation hello?? and I know that i will inevitably be getting seemingly worse at drawing for a bit here and there and then I’ll get like enlightened and I’m gonna be even better bc yk the learning curve blahblahblah but like how much longer?? will this one last?? bc I’m kinda over it ngl
also I seem to have lost the ability to make full coloured pieces like the ones I’ve used to do but we don’t talk abt this lmao
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ramonadecember · 4 months
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AHEM. Happy new year boo ♥️🔪
And with new year comes new oc question spam 👀
Eli:
- Fir 3
- Holly 2, 4
- Mistletoe 1
- Pine 5
- Birch 4
oc asks.
hehehe hoohoohoo. happy it's actually past 12 we're you're at new year too.
starting out strong with Eli. part cowboy, part drama queen, part hissing cat.
--
Fir 3: Until recently, you woulda been hard pressed to get Eli to ever admit there may be causes worth fighting for, even if they are losing things. He’s definitely the type of guy who has always gone with whatever is most advantageous to him, sometimes even going back on principles he claimed to hold or allegiances he claimed to have. Whatever lets him come out ahead, Eli would be quick to get himself away from a sinking ship. In reality, he’s a little more principled that, and recently there’s been steps made in Eli not just taking the easy but selfish route for everything.
Holly 2: Eli doesn’t put a lot of stock in luck. He’s kinda of the mind that good things won’t fall into your lap (as much as he thinks he deserves that to happen lmao), that you have to make them happen—even if the means by which you make them happen are sketchy and questionable, ha. That being said… At some point, Silas gifts Eli this earring with a little feather charm on it, and Eli isn’t saying it’s lucky, per se… but he hasn’t taken it off since Silas gave it to him, and he hasn’t died yet… Maybe that means something, maybe it doesn’t. Regardless, he’s not taking it off (until, ya know… shit hits the fan with Silas).
Holly 4: As said above, Eli doesn’t think much of luck, but if he had to pick his ‘luckiest’ moment, it’d probably be the massive heartbreak he went through that made him leave home in the first place. That itself is a messy story, but Eli was making a lot of poor life choices, especially when it came to his already shaky grasp of his mental health lmao, and so he needed the push to get away from his home and the people there. And without it happening, he wouldn’t have joined up with the gang that he did, made the friends he did, or met Silas (meaning he wouldn’t have learned what love actually is).
Mistletoe 1: Eli makes friends fairly easily, the wit and charm he posses really help with that. So he’s got a gaggle of friends… but they’re all pretty surface level. Which is why maybe it’s a little (lot) embarrassing, but one of—if not his first—real friendships doesn’t happen until later on, when he befriends Matthew. Eli doesn’t really expect it to be much of anything, at first mostly they just dunk on Matthew’s brother (Silas is such an easy target…), but it grows into something more, and Eli… really appreciates having a friend like him.
Pine 5: Lmao ‘live fast, die young’ is probably Eli’s motto, or at least you’d think so by the way he goes through life. He definitely thinks it’s better to burn fast and to burn bright than to live a long drawn out life. Eli wants glory, not peace and. Settling down and living out a.nice life with someone is another thing that only recently may have started to show its appeal to Eli…
Birch 4: Honestly, I can’t think of any big ~heroic~ or unexpected comeback that Eli makes. He’s part of a gang, there’s always danger, and so far he’s always made it out, so that’s something. And there’s a lot from his upbringing that he’s managed to bounce back from that maybe not everyone could so elegantly. But I don’t know that there’s some big moment where that’s been the case. Yet, I should add/qualify. Because you n me are always actively creating more story for him and Silas, ha.
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friendlystarfruit · 2 years
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do you ever envy other artists?
not in a resentful way more like a "damn I wish I could draw like that" same for a lot of things esp when other people are well read in topics I have an interest in.that also makes me feel guilty when I'm on my reading breaks =X like now(times I play video games too much in my free time instead of bettering my mind with books........you know most of us have are slack off phases D= right?).
I'm not really very competitive tbh I do put myself down a lot in comparison to others though. I guess doing art requests on here can make you feel pressure to be good and there have been one or do people who have made me feel like I'm supposed to get good but I try to remind myself it's just some fun and I really just wanna get good enough to do a few wee half decent comics or at least ones I like myself .
I feel my style of art might be hard to make it in the illustration game, I'm a natural born impressionistic (my strokes are messy and sketchy could be my dyspraxia ) some people love (mostly people into that kind of art) that but it might be too messy for anime.
I have an interest in getting into writing , I also like conceptional art and impressionistic painting but I kind of like writing more, also I need a good studio space for painting . Not fictional writing  tho mine is so different from my academic writing, with fanfics I just relax and focus on the story. x)
I kinda hope people who do enjoy my art keep asking me to draw for them (= and people who don't would just not comment on it LOL xD Isn't it just nice somebody draws for you for free? =0
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