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limetameta · 3 months

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I need tombraxas fics and your opinion on it

I'm about to go OFF under the cut so beware

If you're looking for HEALTHY tombraxas I can offer you the following:

TOM RIDDLE HATES SOCIAL MEDIA

Summary: They're in high school it's modern au, the most dramatic thing that happens is that they know Walburga Black in person, who's trying to be an influencer. This is the cutest tombraxas I've ever written and I love it so gosh dang much. They're just so soft with each other and they love each other like lovesick teenagers can. Tom is a lil repressed and scared because he's a foster kid and Abraxas is a nepo baby and that's bound to create problems, but Abraxas is just so SAFE for Tom.

TOM RIDDLE THE IT GUY

To this day I believe I've peaked with this writing and that I'll never write anything funnier. Take the Riddle era kids, age them up, and shove them in a no magic office au. I'm laughing as I'm writing this honestly every time I remember this fic I giggle.

NOW IF YOU WANT TOMBRAXAS AS KIND OF THE DRIVING FORCE FOR PLOT, BUT SEEN FROM AN OUTSIDE PERSPECTIVE MAY I OFFER YOU:

KNIGHTS AND (PRINCES)SES:

Voldemort Wins the 2ND WAR AU - Ginny falls in love with Luna, but parallel to them Tombraxas is out here being divorced toxic and learning to reconcile because Luna is Voldemort's favourite student and Ginny is Abraxas' favourite student. I like this fic a lot. MAINLY because I love writing Voldemort wins fics that make Voldemort depressed.

THE ARITHMANCY FIC

Trans Harry AU. Abraxas is SICK AND TIRED OF DIVINATION. HE'S GONNA GET VOLDEMORT AND HARRY POTTER TO FUCK OFF WITH THEIR PROPHECY BULLSHIT IF IT'S THE LAST THING HE DOES. Featuring Voldemort being very domestic with Abraxas.

NUMBERED DAYS

Every adult in Harry Potter's life has failed him as a mentor figure. Enter Abraxas Malfoy, who's like I BET I CAN SPEEDRUN my man Tom winning this war and not having him deal with Harry Potter - I'LL BECOME A PROFESSOR AT HOGWARTS! SECRET MARRIAGE TROPE, VOLDEMORT AND ABRAXAS DISS DUMBLEDORE FOR HAVING A GAY RELATIONSHIP LONGER THAN HIS ONE SUMMER ROMANCE ASS. Harry Potter is not harmed. Who knew that was an option???

SNAPSHOTS

This is a story of tombraxas as told through a series of moving photographs.

RUIN

The first time I ever wrote a fic with tombraxas in it (Abraxas doesn't appear, but Voldemort talks about how that peacock man can get it)

it's old 2016 writing tho so beware.

YOUNG SNAKES

Albus Dumbledore gets sorted into Slytherin and how this changes the course of his life. Tom/Abraxas are side characters but they're together and it's clearly stated in text.

TOM RIDDLE SR.

Tom Riddle Sr raises his son. His son is gay for the peacock man, but this story focuses more on the father son dynamic than on them.

SIBLINGS

Hermione time travels to the past and acts as Tom's sister. Tom is flustered by Abraxas lots in this fic and they are together.

NOW ONTO MY MORE EXPERIMENTAL WORKS THE ONE WHO BRINGS COLOUR

Voldemort dies as per canon but he winds up in a hellish world devoid of colour and his senses. As he travels farther and farther out and gains more of his senses, it isn't until he finds Abraxas that colour returns to his life. I like this fic a lot.

THE CHANGELING

Tom Marvolo Riddle (the human) is switched at birth with a fairy changeling. The Fairy AS TOM RIDDLE grows up in muggle london and goes to Hogwarts and has a liaison with Abraxas and becomes Voldemort and all that. Meanwhile Tom Riddle (the human) grows up in the Fairy world and fucks shit up for the Unseelie Queen. I like the prose in this one a lot.

AWARENESS

Voldemort and Abraxas in this fic are not endgame but they are together. Endgame for Voldemort is finally being happy and healthy. For Abraxas it's Minerva. The two of them are still very much clearly codependant on each other and very open, and they do fuck.

AND NOW!!! FOR THE CREME DE LA CREME, FOR THE OP OF ALL MY TOMBRAXAS FICS, THE HEAVYWEIGHT CHAMPION, THE BANE OF MY EXISTENCE, THE MAGNUP OPUS OF MY AO3

RETIRED PROMETHEUS

FUN FACT: The very first fic Abraxas ever appears in my writing, the one that set the precedent for all the other Abraxas in my works FIRST APPEARED IN Retired Prometheus - the LONGEST TOMBRAXAS FIC WRITTEN ON FFNET AND AO3 to date. This fic has truly taught me so much about writing. These two in this fic are so deeply convoluted and yet in love with each other in a very toxis way. I adore them. I adore the messiness, the codependence, the nobody will ever love you as I love you, my love for you is monstrous, but that's fine, I'll love you with all of my monstrous being. Everything that you see in the fics listed above this one CAME as a direct influence Retired Prometheus had on me. This is the OG. This is the abyss that stared at me and had me churning out Tombraxas fics for YEARS. This is the, even though I'm a terrible human being, I deserve to be loved, too, and nobody can do it better than you, you, Hercules, who've come to rescue me from myself, from my punishment from the Gods.

#tom marvolo riddle #lord voldemort #abraxas malfoy #limeta #abraxas malfoy x tom riddle #tom riddle / abraxas malfoy #tombraxas

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majorpepperidge · 5 months

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sending you this because i am haunted by the spoilers i saw about pen and You Get It. idek how long i have before Things Get Revealed (i’ve only just rebuilt the bridge), and i didn't see enough spoilers to get the full picture of what happens, but. i am so sad. and i don't know if it's better or worse that i know that something happens BEFORE starting a romance, bc i was speedrunning plot stuff instead of relationship stuff so that i could make better items to give as gifts, but. my builder is a proud morosexual who dreamed of kissing him in the moonlight. what am i supposed to do now.

Listen. I'd still say romance Pen and then either, uh, break up with him before the endgame or start a new file and romance someone else like I did lmaaooo. Honestly I didn't get much farther than you did until I looked more into what they do to him and got SOOOO fucking mad. Because he is so so so SO stupid and I love him very much. So much so that I'm taking the plot away from the devs and reworking it and giving his character more thought and nuance than they did.

#Asks for Cheri #cannibalisticskittles #My Time at Sandrock #Pen #MTAS Pen #not to mention the devs/writers seem to almost be /mocking/ the player for romancing 'the wrong one'#like shut UP you made him romanceable!! we get it you have your favorites to write #but the complete 180 heel turn 'evil for the sake of evil' is soooooo poorly written and makes no sense #Huffing that copium but us Pen Likers write him SOOOO much better

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poorlittleyaoyao · 8 months

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I don't know if you know, but the irony of wnxg is that they don't share with each others past experiences. It's not extremely important, but sharing is part of a relationship?? It's lxc who says to wwx about how lwj suffered for their mother's death; it's always lxc who reveals to wwx how lwj got 33 strikes. Instead, not having others, lwj doesn't know nothing about wwx past, only few rumors. It's me, I am boring, but sharing things with your partner, is important?? How are they gonna comunicate with lxc in seclusion?

Obv that's my opinion and mxtx did do a great job! I am still there, two years after, screaming about jl, jc, wq and jgy! She had a lot of plot, so maybe she couldn’t explore the romance properly!

This is a good point that I hadn't considered! It made me reflect on how much characters reveal in general about their own stories outside of undergoing Empathy, and the answer is... not many! JGY notably reveals his own experiences under duress at Guanyin Temple, but he still doesn't talk about his life prior to being kicked down the stairs in any detail; the flashback showing his and MS's abuse in the brothel comes via WWX doing Empathy with Anxin's ghost. Other than that, all the major revelations one character are told by someone else. Off the top of my head, we have WN (and not WWX) revealing the core transfer, LXC (and not MY) revealing that MY was a double agent, and Bicao (and not Madame Qin, QS, or JGY) revealing that JGY and QS were half-siblings. And even the subjects of Empathy aren't telling their stories so much as letting WWX come along for a ride in their memories.

So on the one hand, this is an established trend in the novel. On the other hand, given the sheer amount of TIME we spend on Wangxian Romance Content, it's quite strange that our two leads tell each other so little about themselves! I would find Wangxian much more interesting if they replaced even just some of the repetitive "one character initiates physical intimacy when the other character won't remember it later" scenes with actual conversations about their experiences and who they are as people. It hits LWJ especially hard, I think, because at least we as an audience know what's going on with WWX since he's our viewpoint character. For LWJ, we're dependent on what WWX knows or observes, which is deliberately lacking.

I disagree that MXTX simply didn't have time/space to fit that in alongside everything else, because CQL manages to do silly hijinks and personal revelations in THE SAME SCENE. Episode 6 opens with LWJ catching the One Braincell Trio drinking together. WWX makes LWJ drink wine, and we get a mini version of goofy Drunji shenanigans... but WWX also learns about the Lan forehead ribbons (which will be relevant later in the same episode), and LWJ and WWX learn that both have lost their parents. LWJ doesn't elaborate beyond "I don't have a mother," but his sad, faraway little face makes plain how keenly he feels about it. WWX notices, and he confesses to LWJ that he can barely remember his parents beyond the fragmented memory of riding a donkey. (He also tells him about the dogs!)

It's a lovely little moment, and it's what first had me going "aww🥺" about the two of them. (Still does, honestly! I know I'm salty on here a lot, but I genuinely do love Drama Wangxian when I'm actively watching the show and am away from fandom; I only wish they'd been able to be expressly romantic with it.) I was definitely entertained by them speedrunning fanfic tropes in the Cloud Recesses episodes, but I would have tired of them if that was all their interactions were. That tiny bit of genuine bonding is what made me interested in learning more about them both and invested in seeing how their relationship developed.

And the entire sequence is just 5 minutes out of one 45-minute episode! It doesn't take much, and the written equivalent was something I sorely missed in the two volumes of the novel I read.

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semper-legens · 18 days

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29. Hidden, by PC and Kristin Cast

Owned: No, library Page count: 302 My summary: The truth is out. The world know how terrible Neferet is - or, at least, they should. But while she's been shunned from the House of Night, Neferet is working her evil magic on the humans surrounding it. She's conned herself into the mayor's office, into a penthouse suite, and into a dangerous position for Zoey and her friends. The Darkness still needs sacrifices. And what better victim than Grandma Redbird? My rating: 1/5 My commentary:

Speedrun, speedrun, only got three more of these let's go! What else is there to say about the House of Night at this point? Not a lot. It's still bad, it's still offensive and bigoted, it's still a giant piece of shit. And I'm still getting a perverse kind of joy from seeing just how bad it is. Seriously, though I'm going to be glad to see the back of this series, I don't actually regret having read it. If nothing else, it's a great what-not-to-do when it comes to crafting a story. Just do the absolute opposite of House of Night, and you've made a reasonably solid story! Yay! Anyway, let's get into it.

So, picking up from the pointlessness last time, we kick off here with Lenobia and a fire in the stables. And we learn one more thing about Lenobia! Is it about her as a character, or about her relationship to sex and romance? Surprise! The latter. Yeah, turns out Lenobia's pointless sexy cowboy is actually the reincarnation of her lost love from when she first came to America in the 1700s. After he died (because she failed to save him, natch) she swore she'd never love another person. Travis is that guy's soul come back to her after so long, and it's a stupid plot point for two reasons. Reason one - the dead lover was a black man from New Orleans, while Travis is explicitly white. Which…is not a good look. Black lover is fridged, white lover is endgame. Given that the only other men of colour are Kalona and Rephaim (maybe? I don't remember if Rephaim is actually described as looking Cherokee) this is not a particularly good look. Reason two - we're just doing soulmates, I guess. Lenobia has exactly one person she's allowed to be in a relationship ever. Zoey's thing with Heath (more on that later) is a very similar vibe, they're just ~cosmically connected~ and so they've gotta be endgame. People aren't allowed to develop attractions to each other! Don't be silly! You've got to get with the one person you're cosmically destined to be with! Bleh.

Most of the ongoing plot of this one concerns Neferet's rise in human society, a plot point that…does not really go anywhere. It's not even that Neferet needs to struggle to get to the top in human society, she literally just goes up to the mayor like 'you support me unconditionally now' and he's like 'duh you're hot okay sure'. It's bizarre how mundane the conflict between Neferet and Team Zoey is here. Team Zoey are trying to make her seem like a disgruntled ex-employee, and both sides are using the news media to influence people to their way of thinking. Which, given that Neferet's 'exposing' Stark as a murderer, feels…disproportionate? The worldbuilding, or lack thereof, is being thrown into focus here. Surely the police would have something to say about Stark being a murderer? Like, it's established that the vamps are allowed by the police to take care of their own security and policing and such, which is fine, but a) this has not come up so often and b) the amount of vamps there are in the world makes this suspect? At various points, the worldwide vamp population has been implied to both be substantial and not so much. Almost every celebrity has been said to be a vamp in this world, and yet vamp numbers are actually small enough that the world governments apparently just let them take care of themselves with no other oversight. Vampires are supposed to be both incredibly powerful and influential and also a minority, both at the same time? It's vague to the point where you're obviously not meant to think about it, but incidents like this just bring into light the fact that it hasn't been well thought through. Hey, Casts? If you're not gonna worldbuild this stuff, don't bring it up.

More Aurox…ugh. Once again, we're circling the 'badboy redeemed' trope. Honestly, it wouldn't even bug me that much if it wasn't exactly the damn same every time it showed up. The Boy has done some shitty things, but feels bad about them and wants to change. Some people won't give him the time of day, but at least one other person, usually his love interest, is ride or die for him and totally believes he has changed. Over time, the change is proved to be correct, usually with one big heroic action. Stark, Rephaim, and Kalona have all had this arc. Can we have a different arc please. It's getting boring.

So the big climax to this one comes when Neferet kidnaps Grandma Redbird to use her as a sacrifice to the Darkness, which means it's time to talk about Grandma a bit more. Grandma is Zoey's Cherokee grandmother. That is also the extent of her characterisation. She is loving, forgiving, spiritual, and always knows the right thing to say. Everyone loves her. She has no flaws. She is perfect. She knows everything. And she's boring as hell. She's not a character, she's a plot device! Grandma Redbird exists either to be a perfect moral guide or to give exposition about Cherokee culture and spiritual practice (which, as we've talked about previously, isn't by necessity actual Cherokee culture). Oh, and to be in danger. This is, what, the third time her life's been endangered? There's no tension in it anymore, because there's no way that the Casts will actually have anything bad happen to her. Zoey's mother can die, because she was a bitch, but Grandma? Nah, she's too good to die. I never got the feeling here that anything bad was actually gonna happen to her, because she's bounced back from being the damsel in distress so many times.

And finally…good Lord, I cannot believe that it has taken me this long to realise exactly what's wrong with Nyx as a plot element. To be fair, I haven't given much thought to Nyx as a character to this point; she literally just shows up to be a perfect mother goddess and be right about everything and then disappear. But the climax of this book comes about when Zoey and co are scared and unsure of what to do about Neferet kidnapping Grandma Redbird. Zoey prays to Nyx, and essentially gets the answer that she needs to stop cowering in the darkness and actually do something. All very fine and well, and even a half-decent plot beat. The thing is that how the plot actually resolves is that Kramisha gives Zoey one of her prophetic poems, and it tells Zoey exactly what to do to save the day. And since Nyx gives Kramisha her visions, this is essentially just Nyx ssaving the day with Zoey as a conduit. And the problem with all of this is that it's the worst of the conservative Christian idea of God and humankind's relationship to God. God is infallible and doing what He wants will always solve your problem. Nyx is always right, and finding what Nyx wants you to do, even if it's hard, is always the right path. Zoey has free will, but pretty much any path other than specifically what Nyx wants her to do is usually wrong. I don't know much about what the Casts believe theologically, but I really wouldn't be surprised if it was a 'raised Christian, switched to 70s Neo-Paganism' kind of thing, because Nyx here just reads as if the Casts switched Christian God for a mother goddess without really changing anything about how they percieve this deity and their relationship to said deity. I've been getting the vibe as we go through the series that Nyx does some shitty things, but I'm not sure I was meant to? Her forgiveness of people like Kalona and Rephraim seems overly punitive at times, but at this late stage in the series there's no room for that to be an arc or anything, I think we're supposed to take as read that Nyx is perfect. And that just skeeves me out in general.

Next, I told you it was a speedrun! The penultimate installment of the House of Night series!

#Hidden #PC Cast #Kristin Cast #bookblr #book blog #1

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monicozslastbraincell · 10 months

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speedrunning turn week 2023

i figure i just start from day 1 and catch up to today lol, i’m 5 days late

i’m not very good with re/blogging stuff hehe

Day 1: Origin story/What made me fall in love with the show?

I discovered the show by the time it had ended, in about 2018, maybe 2019. (My parents actually found it on Netflix and we watched it) I was going through a massive history phase because of Hamilton the Musical so this obviously didn’t help. Pretty British men on screen taking part in a Revolution? Yeah, I’ll watch your show.

I ended up loving all of the characters and the plot, despite any dramatized historical inaccuracy. But it did make me do research to know what the truth was. I have been very attached to it since. I even made this animated video which you may or may not have seen floating around on YouTube.

Day 2: Content creator appreciation:

I know @rhogeminid on here and that’s it lol. Go follow them for Simcoe shenangians

Day 3: Favorite villain/good-gone-bad

I have two contenders.

Simcoe, because he is an absolute menace whenever he’s on-screen. He has this mastermind-ish vibe about him behind that icy blue stare. He’s always scheming something or attempting to plan or backstab his way to get what he wants, even if he’s not even saying anything. I felt uneasy when he was on-screen in season 1, and was really rooting for him to perish at the end of season 4. Cold, calculating, manipulative stinker.

Also, Benedict Arnold. Not that he’s necessarily a villain (I mean he kinda is, but not at the start), but because his personality and his downfall. Owain Yeoman really sells his character to have this better-than-thou presence (derogatory) whenever he enters a room. Watching his whole traitor arc is interesting once you pick up on all the little details about what brought him to that, and how he’s just so stubborn that he keeps on going, even if it means he has to somehow “fight” his way through. He’s so pompous and bull-headed that the dramatic irony kicks in and you know he’s gonna get his just deserts eventually.

Day 4: History nerdery (you can correct me if i’m wrong anywhere)

Most of the nitpicks I have with Turn are kinda silly, like the ages of the characters. Historically, Anna and Selah were married with many kids already, and Anna was older than Abe by like 10 years, if I’m not mistaken. I thought it was silly that Abe and Anna had a relationship in the show, but I guess whatever draws in that romance audience.

Similarly, Abe being a bachelor throughout the spying years, and Thomas not existing in any shape or form in Abe’s family tree. Just weird little things. I understand it raises the stakes and gives something for Abe to fight for, but... he’s literally just a guy. A guy who’s given this extraordinary task. I’d watch a show about a little guy doing little guy things.

Day 5: Turn Dinner Party???

Assuming they don’t pounce on each other the second I look away: Ben Tallmadge, Caleb Brewster (life of the party), Mary, Hewlett, Anna, Peggy, John Andre, George and Martha Washington (I hear George was a good dancer), Lafayette, Bucephalus (I want the horse at the party), Abigail, Akinbode, Cicero. MAYBE Simcoe if he’s not being goofy.

Abe can stay at home and think about his life. He doesn’t need to have all this drama.

#turn week #turn week 2023 #turn amc #i am so bad at this #turn washington's spies

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void-botanist · 1 year

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🖊 for anyone in the fourth android? :0

Oh boy that's so many options. I changed my mind at least five times about who to talk about, because I'm thinking about at least five of them at every moment. But I finally settled on Anni.

As I'm restructuring the beginning of TFA I'm adding in more scenes with her, which I'm happy about, even though I keep second guessing how good I am at writing from her POV. But I enjoy writing about her putting on her headphones (they're cool headphones with light-up stripes) and one of her like twenty curated playlists and getting in the coding zone. Approaching fictional android problems with the same kinds of strategies and frustrations that I have when I code. And having an excellent dynamic with her primary coworker at the bookstore, Urma (they/them), who is a (human) cryptid with a taste for this world's equivalent of any peach-flavored alcohol and the daily newspaper crossword (for solving, not imbibing). Anni spends a lot of time with Zel in this book, obviously, and I'm slowly figuring out how to show what their dynamic is, partly by showing everything around it (family, friends, jobs, etc.). And I am so excited for when I eventually get to the point of writing Anni having "gossip hour" with her older sister Halli (she/her) and younger brother Brandon (he/they) when she goes home for solstice. After a day's happenings they can all pile into someone's bedroom and speak of their dark secrets, such as "do you know where they store the solstice lights the rest of the season???" (Bran knows. He works for the city) and "I think I'm getting serious about Zel. should I be getting serious about Zel? is Zel getting serious about me?? is it too soon to ask??? Halli you're engaged please advise me how to gay correctly????" (Halli is engaged. in a beautiful t4t sapphic romance. and betrothed too I guess).

Also, I remembered that in an earlier draft of TFA it was important to the plot that Anni used to be really into cosplay, because Dez swiped some of her stuff to attempt to pass as human while he ran away. I kinda want to explore that side of her even though I don't think it's super directly relevant to this draft of TFA. Did the cosplay stuff just sort of fade into the background because she got into other stuff? Did she get frustrated with it for some reason? Did Bran do duo costumes with her all the time and were they always extremely cute? (That one is obviously a yes.) I also wonder what kinds of cosplays she would do. It's probably the one area of her life where she dresses in colors that are not primarily blue. Maybe she got into cosplay because of Bran, who got into it because he wanted an excuse to dress up and look cool, and Halli could connect him with her community theatre friends for sharing/making costume pieces. Anni and Bran used to play her favorite MMO together, but while Anni wants to play the game more or less as intended, with all the grinding and gearing and guilds that entails, Bran just wants to take in the world, find some shiny rocks, and do every possible sidequest (thinking about it in Breath of the Wild terms: "yeah it would be tough but I bet I could do a no Beasts speedrun" vs. "the Stone Talus on the Great Plateau is the most breathtaking and terrifying thing I've ever seen in my life. What do you mean there's 29 more"). So it was fun until he started being chronically underleveled and kind of lost interest in the game. So then they started cosplaying to have something related to do together? (I should clearly write more of these character rambles because I'm figuring stuff out.)

Anyway, Anni is fun, and I need to get her talking to Julian more and figure out what she knows about sailboats.

#writing #ask games #maybe I should also mention that this MMO is supposed to be sort of multiverse themed #not so heavy on the medieval (TM). more space and alien flavored #but the same general concepts apply #wip: tfa #wizardly things #c: Anni #c: Zel #c: Urma #c: Brandon #c: Halli #trying out new tag syntax to keep this a little more in my blog

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your--isgayrights · 2 years

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Have you read svsss bc the hilarious take of “I’m not gay this man is simply the most beautiful this is an objective fact” seems present in both kdj and sy. To me. Idk these are my current obsessions and I can’t stop drawing connections between them and trying to get other ppl to like them. Like how I want an orv/Hades game xover based purely on vibes and the fact that I consumed them at the same time

HOW DID YOU KNOW? I, like, never talk about it but I am definitely like low-key obsessed with scum villain. Like I have the first volume in print and read fic about it allllllll the time I've read SO much fic by SO many authors it's kind of concerning. The AO3 scene is so talented and diverse... And exactly as you said I love the comedy a lot. I read it after ORV so if you read my fic and see the way I do KDJ that's me pre-reading scum villain going like "wow it would be funny if there was a book fixating on this aspect of KDJ where he is desperately loving and in love with this guy he thinks is objectively the best person in the world but he will never ever let him know on pain of death" and then some time in the interim of 4.2 and 4.3 when I was kind of switched from creating mode to consuming mode I read sv and was like 😲 hello???

I really like how sv and ORV both are really analytically subversive of the tropes of their particular genres while still ultimately fulfilling the promises they make to the reader. Of course I do think that ORV fulfills more of those promises and is very purposeful about that, but that's why I like reading SV fic more, bc I like to see what issues people had with it and what they took away from it and what they would want to change... Like SV is sooo messy and funny but obvi it's got a lot of stuff that makes you go "... Ummm?????" so seeing other people have those same reactions is comforting.

It's totally the opposite for me when it comes to ORV fic I have to admit tho! I usually only read ORV fic by my friends nowadays bc I just don't have a lot of fun in the Ao3 tag. It's one of those media properties that I have a lot of specific, positive interpretations of, so I'm not as generous in my readings of fic about it I think 😅. I was pretty much just looking for stuff that was basically letting me reread the original work, so when I felt like the author changed some idea or character motivation I would always think 😤😤😤 that isn't right!!! They don't know them like I do! What about such and such scene or such and such character motivation from such and such chapter of ORV, don't they remember??? Which totally isn't fair to the authors bc obvi they're just playing with ORV and fixating on specific tropes and themes just like I am... That's just what's the sign to me to "start writing fic" instead of just "keep reading more fic."

Anyway that's why I don't talk about SV a lot, but I'm actually really into xianxia as a genre right now because of it. I've been hyperfixating on traditional Chinese medicine for a while now (in the vein of reading research articles about neuroscience behind acupuncture theory and translations of resuscitation methods from the six dynasties period) so that interest has ultimately culminated in me working on an original comic project that might never see the light of day. Basically just one where a guy gets put into a female xianxia protagonist's body in a het romance novel so he has to Speedrun being trans lol. He's like a neuroscientist tho so his main thing becomes trying to prove the germ theory of disease while the plot happens around him. Bc the only thing I'm constantly thinking to myself while reading xianxia is "... How would that work? Like. Scientifically." Which shows how lame I am lol... THIS guy wants soft magic rules to be HARD magic rules... Also like there are a lot of problems faced in modern NS research that being able to manipulate qi would really help with on like a microscopic cellular level... Problem is that cultivators & microscopes don't coexist...

OK I shouldn't describe more of that unless it's over DM (☉_☉.)

Anyway thanks a lot for your question! The other thing you mention- that xover sounds really funny, especially with the pre-existing OT3 dynamics I think it'd be good for Yoo-Han-Kim. The funny thing would be reconciling ORV's cannon portrayal of Hades and Persephone as like fun adoptive parents with Hades the game's stellar "they are divorced and estranged and their son has to die a lot fixing them" take. Honestly it's not really a dynamic I'm super attached to from ORV cannon because while I totally understand its place as like wish fulfillment for KDJ'S self insert (himself) I just find it less compelling than other relationships, especially the one he has with his mom. Would Love YJH God of Death or HSY Fury moment like yeah sounds good to me... Who would be HSY's sisters then? Maybe other versions of herself lol... JHW would make a good fury hmmm.... What about the Olympians would they just be regular? Obvi the main themes would be KDJ relationship w/ parents and how YHK helps him with that which honestly could have Vibes but you'd have to shape all the character placements around that.

OK SORRY, LONG POST (☉_☉;;) THANKS FOR YOUR ASK!

#orv #scum villain #ask #anonymous #long post

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beboped1 · 2 years

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Moving Pictures

One thing I'm really enjoying about this project is the opportunity to really consider each book. Most of these I've only read once, as part of one whirlwind hyperfocus dash or other, but the reviews force me to focus on each book one at a time.

Moving Pictures

First Read: High School

Verdict then: Good book, now where's the next one?

Verdict now: A funny, loving, and well executed parody/takedown/homage to Hollywood and movies. You can see a lot of growth as a writer since the conceptually similar Wyrd Sisters.

Despite having read it before, I didn't have any real expectations coming into Moving Pictures. It was one of those books that I read in my first dash through Discworld, borrowing from a couple friends who had them, and got lost in the middle of the dozen or so volumes I devoured in hyperfocus. But I really enjoyed Moving Pictures. Guards, Guards still stands as my favorite so far, but Moving Pictures gave it a run for its money.

I'm a terrible sucker for meta-narrative fuckery, and Moving Pictures has that in spades. The concept of movie reality leaking into the real world, and horrors from beyond being bound by the rules of that manufactures reality is basically catnip for me. Several of the characters are also amazing: Gaspode, Throat, Soll, Bursar, Ridcully all get some great lines and moments. The biggest weakness is ultimately the two leads: Victor is (intentionally, I think) that very bland kind of movie star archetype, and Ginger shows that he still hasn't quite figured out how to write women yet. They don't really seem to have chemistry outside of the set, Victor's attraction to Ginger doesn't seem to go any farther than skin deep, and Ginger has little agency for much of the story. I end up not really believing in their romance.

But oh man, this book is really funny. I mean, I did write a research paper on movies between sound and color in the 8th grade, and haven't lost my love for movies of all eras since, and so one could accuse me of being squarely in the center of the target audience for the humor. But so much of the humor transcends the subject matter. Did I get a good chuckle out of the twisted inversion of a giant woman carrying an ape up a tower and getting shot by two wizards on a broom? Yes, absolutely. But the visuals of the handleman, Ginger, and a dozen wizards frantically riding a giant wheelchair moving at the speed of travel montage? Pure comedy, no additional context needed.

The true heart of this book lies with Gaspode. He carries such human trauma, of one who has been rejected so much that he invites it, almost requires it of those around him. How he grows, learns, and ultimately chooses who he really is over the course of the story. The healing that his unlikely friendship with Laddie brings him. The climactic moment in the theater. He got me at the end too - I really thought Pratchett was going to go through with "the dog dies at the end", but I'm glad he didn't. It wouldn't have fit right with the rest of the story.

Moving Pictures is also a masterclass in how to be broad and focused at the same time. There's a lot that goes on in this book beside the A plot of Victor, Ginger, and Osric - Silverfish & Throat, Throat & Soll, Detritus & Ruby, Gaspode & Laddie, the wizard council, Bursar & Ridcully, the movie palace owners, the troll actors whose names escape me, more I'm sure that I'm forgetting. And yet, the singular frame of "speedrunning Hollywood history through Gone with the Wind" allows all of these pieces to come together into a greater whole. The side stories don't feel like diversions, they feel like valuable asides, painting a richer and more nuanced picture of the humanity & Trollanity behind the dreams of Holy Wood.

Speaking of Trolls, he starts here what I know will be a slow project over several more books, of taking Dwarves and Trolls and turning them into object lessons in the harm of stereotypes. Not by preaching, but by the route of giving them depth & humanity while retaining the pieces that caused them to be stereotyped in the first place. To my eye, his treatment of Trolls here has also maintained a useful distance from reality that the Tecumen in Eric or the Klatchians in Sourcery or Twoflower didn't - the Trolls aren't coded as a specific Earth culture, and so there's less baggage brought in by the reader. It lets the messages of complexity and variety slip under the defenses better.

Moving Pictures is a tremendously successful send up, homage, and skewering of Hollywood culture. With great characters, a breadth that lenses into a singular focus, and with the best physical comedy scenes yet in the series, it really feels like Pratchett is starting to hit his stride. Two decades after my first Discworld book, I'm still so excited to read the next one.

#book review #books #discworld #fantasy books #terry pratchett #long post #moving pictures

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l-e-g-i-o-n-losh · 7 months

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Ok working out the Spider-Mouse timeline again

Childhood: lonely and highly controlled, parents sketchy & emotionally neglectful

High School Freshman: #1 roboticist 1997 (psychological anchor point). Meets Otto, head over heels but he's already a senior (already leaving forever), treasures their friendship with all its heart. Only time in Mouse's life he truly feels understanding and safety in its own life.

High School post-Otto: misery. Desperately tries to hold it together through downwards spiral in hopes of catching up to Otto after college, until 18 strikes this down

18: parents fake death and abandon him, has to drop out to support itself. Spider/Mouse incident coincides with lowest point of lifelong depression. Largely goes into heroing in attempt to give life value.

19-24: Spider-Mouse classic era. Gets hang of hero life, gradually gains stability though in terrible overall shape, Otto becomes Ock and Mouse swears to always be there to defeat (protect) him (so no one else will take more drastic measures).

24-25: increased Spider-Mouse expertise, meets Doom (how far apart are Victor and Otto in age? I kind of think it's funny if Victor and Reed are right smack between Otto and Mouse agewise), enters cahoots engagement (long), begins study/wedding planning

26-29: actual marriage, rekindled friendship with Otto, attempted and failed romance with Victor, firstborn raised to toddlerhood

30-32: divorce era, balancing coparenting with Victor, return to Spider-Mouse business, and establishing new civilian life

33-34: Superior arc, swaps w Otto due to [plot device] and immediately has huge falling out diffused only by unwillingness to damage own bodies. Otto is VERY upset about Spider-Mouse, but is driven to make the best of things by his nature and doesn't want to leave "Doc Ock" open against other rogues. Mouse spends all its time as Doctor Octopus desperately trying to avoid Otto, giving him as much self-care as seems minimally creepy, and scheming ways that Ock's outlaw methods can actually do material good without rousing suspicion among other villains.

35: resolution of Superior arc has a few months emotional hangover, followed by earnest attempt to make up and befriend each other honestly. Mouse doesn't have much secrecy left in him anymore and it becomes apparent that it's helplessly in love. Otto wrestles with his feelings but ultimately decides to give them a chance.

36: MouseOck REAL. whirlwind year of character advancement and changing "work" dynamic until they find balance. Mouse has had engagement prepared since its divorce but doesn't want to push it. Otto experiences a character moment and is eventually moved to propose.

37: MOUSEOCK CANON FOREVER NO TAKE BACKSIES. Otto struggles to figure how he figures into Mouse's kid's life given his personal difficulties with Victor, but this is his most important person's most important person so He Will.

38: doomouseock family was beginning to come together but second born really cements it bc Doom jr (approx. 10-11yo) ADORES their baby sib so everyone else better get over themselves Right Now.

This is kind of a speedrun to get the kid's ages roughed out, and mousedoom could probably be pushed into Mouse's 30s, but i think this is okayish for drafting.

#songs that the hyades shall sing #oc: Spider-Mouse #doomouseock #mousedoom have a long engagement bc mouse has to speedrun its entire college education + monarch tutoring as a prerequisite #but mouseock have as short an engagement as Otto can tolerate. Mouse will not push it At All since its such a miracle that Otto is back #but he's essentially been waiting twenty years to marry him and isnt about to have second thoughts now.#1997 is not a literal timeline point for hs its a spamton reference bc its a similarly fixative high point in life preceding tragic downfall

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thegeminisage · 3 years

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my secret galaxy brain reading of spn s11 is better than yours

or: why season 11 is good actually. this is a long-ass meta, so it's going behind the cut

some disclaimers before we get going

absolutely all of this is accidental. nobody does this shit on purpose. this is ~my interpretation~ or whatever. i'm not actually trying to argue the writers meant to do this lol. what i'm saying is that this is the way to make season 11 make sense in your brain because it makes sense in mine and it's one of my FAVORITES. it could be one of your favorites too if you stop limiting yourself

there is heavy discussion of sexual violence in this meta so read safely etc also spoilers for all of s11 obviously

unless you watched the anime, i've seen more supernatural than you have, so i'm right >:)

for the uninitiated, the basic plot of season 11 is that eons and eons ago, before there was heaven or hell or earth or humans or angels, there was only god (chuck) and the darkness (amara). amara kept destroying what god made, so he and the archangels locked her away in a cage, which removing the mark of cain from dean's arm opened. amara escaped and dean was the first thing she saw, so she spends the season using some kind of thrall over him to make him feel drawn to her and unable to hurt her, and also looking for chuck so she can give him a little payback.

ALRIGHT HERE WE GO

season 11 & sexual violence

you don't need to look very far to find examples of sexualized violence and outright sexual violence on supernatural, but s11 is lousy with it. just to name a few examples:

amara's "thrall" on dean, which we will absolutely get into more later

crowley's jokes about altar boys and the tastes of catholic priests

ALLLLL the pedophile jokes made when crowley was raising baby amara

angels torturing cas and threatening to cut his genitals off, only to send in hannah (an angel who formerly had unrequited romantic/sexual feelings for him) to play good cop(/honeypot??) in hopes of making him talk

the return of lucifer, who possessed sam (spn has a history of equating possession and sexual violence) and is heavily implied to have raped sam in hell, and the MULTIPLE times he menaces sam throughout this season, including forcibly touching his soul

lucifer possessing castiel and using him to enact violence on the winchesters, his loved ones

i absolutely REFUSE to acknowledge the lucifer/crowley stuff but if you know you know

the episode with the kissing curse, using "love" as a means to deliver death

dean's possession in the soul eater episode

the "chitters" monsters involving mating, orgies, and forcible impregnation

you get the idea

i could write a whole essay on almost all of these but for this post we'll be sticking mostly to dean & amara

@marcusantonius pointed out while we were watching season 11 that what amara does to dean is basically speedrun his two major attachments - sam and castiel. she starts out as a baby, someone in need of protection, and quickly grows into an adult who attempts to romance/seduce him. the feelings dean has around amara aren't feelings FOR HER, they're feelings he has for SAM AND CAS that are being TRANSFERRED onto her through means of her power. (this is important for later.)

what amara does to dean is sexualized violence bordering on outright sexual assault. compelling him to feel drawn towards her and to protect her, frequently getting in his personal space and touching his face, and even kissing more than once when he is quite literally unable to resist (it's stated many times that he is unable to kill or even harm her, so he is completely helpless in the presence of someone who makes no secret of her intentions for him, sexual or otherwise).

dean says many times that what he feels for amara is not love or desire or attraction. he can't put a name to it at all - not once in the entire series is he able to properly define this thrall she has over him, which leaves us the audience a little confused (amara asking "what IS happening between us?" in 11.06 as a teenager making sexual advances on a grown man does give me a good laugh, because it was written SO WEIRDLY)... BUT we know that it is definitely sexual in nature, and not at all something dean wants to be happening.

this is addressed kind of strangely in 11.13. the villain of the week is a witch moonlighting as a hairdresser, who puts a kissing curse on her clients. the curse must be passed along like a hot potato - if you kiss someone else, it's passed along to them. if they kiss someone else, it's passed along to them. but eventually, a monster called a qareen will show up in the form of "your deepest desire" and kill you, and work its way backwards to the original curse-ee. in the episode, dean kisses the vic (i'll point out this was also technically done w/o her consent, though it was a very businesslike kiss) to put the curse on himself and protect her. the qareen takes the form of amara, and she gives Dean this little speech:

Qareen!Amara: You're a mystery. I can see inside your heart. Feel the love you feel. Except it's cloaked in shame. When it comes to this, you can’t help yourself, so why fight it? Just give in.

then, at the end of the episode, after dean reveals who the qareen was for him, we get this conversation between sam and dean:

Dean: You seriously think the sister of God is my deepest darkest desire? Sam: She isn't? Dean: No! She can’t be! Sam: Why not? Dean: Why? Because if she is that means that I'm… Sam: Means you're what? Complicit? Weak? Evil? Dean: For starters, yeah. Sam: Dean. Do you honestly think you ever had a choice in the matter? She's the sister of God, and for some reason she picked you and that sucks, but if you think I’m gonna blame you or judge you…I'm not.

the "shame" part of both of these is really what stuck out to me - the word itself isn't in the second passage, but dean's vibes are absolutely filled with shame. to me, this always read as being shame about the sexual violence and about the complicity/weakness that "allowed" that violence to happen.

and as a reminder, sam is just a few episodes past the confrontation with his own rapist (he returns to the cage to speak with lucifer in 11.09 & 11.10, and canonically struggles with what happened there even after the confrontation ends). sam made a point earlier in this episode of making sure the victim of the curse knew it wasn't her fault her husband died, but the fault of the witch who cast the curse. sam is VERY emotionally intelligent, and i honestly believe that he was speaking as one survivor of sexual violence to another here. what he's telling dean is something victims often need to be reminded of: it's not your fault. you weren't complicit, or weak. you didn't have a choice. you don't deserve blame or judgment.

we've had bad guys make sexual threats at both dean and sam many times before this and a few more times after, but as far as i can recall, this is the only conversation in the entire series that even attempts to address the impact of that particular kind of violence on dean. it's short, and strangely written, but nonetheless: there it is.

season 11 & the dean in the closet

for the purposes of this post, i'm not going to go through the entire series and find examples to try and prove dean is bi and has feelings for cas. if you don't believe that then what are you doing here? we're skipping to the goods.

actually, i always got annoyed at people who read the fake-amara's speech in 11.13 (or any of the other times people spoke about dean's shame regarding amara) as being about dean's sexuality, because in my mind it was ABSOLUTELY about his being a victim of sexual violence, which was far more important to me, as it is discussed far less often.

BUT, knowing what we know now (that cas was always canonically in love with dean, and it's all but canon that dean really was bisexual), i'm willing to entertain another notion:

Sam: ...you're what? Complicit? Weak? Evil? Dean: For starters, yeah.

the "evil" bit never really sat right with me as part of the narrative of sexual violence, aside from touching on dean's general self-loathing, but it fits the narrative of being closeted MUCH better. dean, a self-hating homophobic bisexual, would probably use a similar word, if not something heavy as "evil," to describe the way he feels about other men. it's a malevolent feeling. (if you're like me and ascribe to the jackles headcanon that dean resorted to turning tricks to make food money when he was underage, we could also consider the extremely fucked up fact that almost every queer man dean's ever met is someone who hurt him.)

dean is ashamed of who and what he is, and the way he feels about cas. living like that, that's violence. he lives violently day in and day out with that feeling. (and amara knows it. it's worth nothing that she uses cas to communicate with dean MULTIPLE times in this season, both by carving messages on his body and psychically, through his own connection to dean - and when dean "betrays" her to rescue casifer, she's horrified at whatever she sees in his head.)

equating sexual violence to the violence of being closeted

but what's amazing about this weird badly-written little 11.13 conversation (and indeed, the season-long plotline of dean and his shame) is that we don't HAVE to assign it to the purposes of being about sexual violence OR about being closeted. it can be and IS both.

my favorite reading of this is that BEING IN THE CLOSET IS INHERENTLY A VIOLENT AND TRAUMATIC EXPERIENCE. many of the same feelings are involved: shame, guilt, self-loathing. sam's comforting words to dean - that he will not be blamed or judged - are equally applicable in both cases. dean is a victim of sexual violence, and he is also in the closet, and both of these experiences are traumatic ones, and they are intermingled with each other in a big way (again, if you're into dean-turned-tricks headcanon, they are intermingled INSEPERABLY - the sexual violence being one of the direct causes of dean not wanting to accept or address his own sexuality).

the bait-and-switch

the real galaxy brain moment of this whole thing begins at the end of 11.22 (an otherwise lackluster episode that played sam's lucifer trauma for laughs how dare they ugh god whatever that's off-topic but i HATE IT) when amara and chuck finally have the confrontation she's been fighting all season for. she is attacked by witches, demons, angels, and then stabbed by lucifer himself, before she's finally on her knees before chuck, and then we get this little exchange:

Chuck: I'm sorry. For this, for everything. Amara: An apology at last. What's sorry to me? I spent millions of years crammed into that cage alone and afraid...

maybe you already know where i'm going with this. a cage isn't so different from a closet when we're working with metaphors, right?

amara talks about her grievances with chuck many times throughout season 11 - that he was spoiled, that he created the earth to stroke his ego, that he couldn't handle her as she was. and once he finally makes his appearance he tells it his own way - that he had no choice but to lock amara away, that she couldn't stand the things and people he made, that he did it to protect people. but something about THIS conversation in particular - even though it's not written into the dialogue - gives me a particular kind of vibe.

there is something innately, unspeakably WRONG with amara. i don't mean unspeakable as in very bad, i mean unspeakable as in LITERALLY undefinable. it's just like dean being unable to put a name to the pull she has over him. no one talks directly at it or about it, they go in circles around it, but facts are facts: amara simply couldn't be allowed to exist as she was because there was just something innately wrong with her. and it's this conversation in particular, the first one they have together onscreen, that really slams that feeling home for me.

the entire time chuck and amara are talking, the camera repeatedly cuts to dean - he is so visibly upset that the first time i watched this, i was certain he was about to jump into the middle of things and put himself between the two of them. we're meant to believe that dean has trouble hearing this because he "cares" about amara, but i have a different take.

i think it's empathy. real, actual empathy - not the kind of feeling that amara had to force out.

stay with me here. eventually, after chuck tries to lock amara away again, she gets her second wind, attacks him, and leaves him for dead - and as he dies, the sun dies with him, and so too does all life on earth.

in the following episode, the finale, amara finds her way to a park, where she takes in god's creation, visibly upset as she realizes that his flowers die at her touch (again, hammering home the point that there is something innately wrong with her that means she cannot live in this world), and eventually speaks with an old lady feeding the birds.

Woman: Do you want to feed them? Amara: I shouldn't. Woman: I've been feeding these birds going on 20 years now. They're practically family. And I know that makes me sound like a crazy old bat, but...heck. My husband died a couple of years ago, and my son keeps slipping me these brochures for retirement communities - a.k.a. where they send old folks to die, but not to make a fuss about it. Amara: So you hate him. Woman: Well, a little bit. Sometimes. But you know family. Even when you hate them, you still love them.

this speech brings tears to amara's eyes. what's more, she spends this entire section with her hands in her lap. after a season of killing her way through humanity to get god's attention, she is afraid to touch these birds for fear of killing them. she feels empathy for them. she and dean are connected, after all - so as soon as he began to feel true, genuine empathy - so did she.

when dean shows up to kill amara (via a bomb made out of souls hidden in his chest), she immediately clocks his plan. she practically dares him to do it, and - he can't. he is, as always, helpless against her.

what dean does instead is talk to her. more importantly, he listens to her. when she says her brother sent dean here to execute her, he tells her chuck actually didn't want this - that it was actually his very last resort. he asks her if this, the death of everything, is what she wanted, and she tells him all she really wanted was payback. again, dean EMPATHIZES:

Dean: Yeah, that's revenge. It'll get you out of bed in the morning, and when you get it, it feels great... for about five minutes. I've been there. Me and Sam, we have had our fair share of fights—more than our share. But no matter how bad it got, we always made it right because we're family. I need him. He needs me. And when everything goes to crap, that's all you've got—family. Now you might be a—an all-powerful being...but I think you're human where it counts. You simply need your brother.

what's really neat about this section, and the scene before it where amara confronts her brother, is that they mark the first times dean felt any sort of genuine emotion for amara at all - one that she didn't force out of him or one that he felt for someone else that she just took for herself. dean genuinely EMPATHIZES with her - after everything she's done to him and his loved ones, and to the people on earth, dean sees the humanity in her. that's kind of his and sam's M.O., loving monsters into men - the number of non-human adversaries who eventually became allies because of the winchesters’ empathy or liking for them or even just their influence is staggering. cas, gabriel, meg, benny, crowley, rowena, metatron, to name a few off the top of my head - and now amara.

and then we get THIS:

Dean: You don't want to be alone. Not really. I mean, hell. Maybe that's why you wanted me. But deep down, you didn't really want me... 'cause I'm not him.

(emphasis mine)

and here's my galaxy brain take: dean empathizes with amara - TRULY empathizes with her - because they're both queer (or queer-coded).

I KNOW THIS SOUNDS NUTS BUT LISTEN. this weird creepy stalkery hetero "romance" was fake on both sides all along. dean and amara are the same. that unspeakable and innate wrongness lives in both of them. they're self-loathing and furious at god for his failures and callousness, outcasts in a world that isn't for them, a world that has HURT them simply on account of them being what they are. the violence done to amara was done to her BECAUSE of this unspeakable wrongness about her - her queerness, or her queer-codedness - and we already decided this was, for the purposes of this season, functionally the same violating and traumatic experience as sexual violence.

amara's been using dean to try and replace chuck this entire season. it's some weird comphet bullshit tied in with the fact that dean was the first part of chuck's creation she ever saw. it stands to reason then that she was trying to force dean to be with her and love her the way she wanted to force CHUCK to be with her. that's part of why she started life as a baby - as someone he'd protect as he did his own sibling.

so in some weird, warped, very roundabout way, amara was enacting on dean the violence that chuck enacted on her - making him feel the same shame and weakness that chuck made HER feel when he locked her away eons ago. if amara unknowingly replaced chuck with dean, then she also unknowingly took part of her revenge on him. the only way she knew how to love someone was to force them to do it, because the only ways she had ever been loved until now involved violence - until dean and his moment of genuine empathy.

consider this final speech:

Dean: Maybe I can kill you. Or maybe I can't. Maybe if I pull this trigger, we all live happily ever after, or maybe we die bloody, or maybe it doesn't matter, because maybe there's a different way. So I'm gonna ask you again. Put aside the rage. Put aside the hate. And you tell me...what do you want?

dean is the only person in BILLIONS of years to ask her this! one queer to another! and it turns out that and all she wanted - the ONLY thing she needed - was to be understood and accepted by her family. immediately after this, amara summons chuck to their park, and the two of them talk it out in what is genuinely a very moving scene. amara - perhaps because of her connection with dean, perhaps because she's finally admitted to herself that she does still love her brother - sees the beauty in the world now, and feels love for it, and she doesn't want to destroy it anymore.

and at the end, after she's made her peace with god, and the sun has been turned back on, amara says:

Amara: Dean, you gave me what I needed most. I want to do the same for you.

and what do we get at the end of this episode? mary winchester, risen from her grave. dean's family. and - SPOILERS FOR SEASON 12 - though at first mary rejects dean (and sam) as being the same children she remembers from 1983, after a long and rocky road, at the end of the season, they eventually come to a reconciliation where she sees them for who they truly are. it's never ABOUT being queer because this show uses the fucking hays code when it comes to dean's sexuality, but it's still about being queer!!

dean gave amara what she needed - acceptance from her family - and she gave him that back in turn. all it took, the entire time, was one SHRED of empathy from one queer to another. all dean had to do was recognize her - REALLY recognize her - not as a replacement for sam or cas but as who she really was. and he saw himself in her, and the empathy that followed was genuine because it was the most natural thing in the world. in the end neither dean nor amara needed the "romance" they thought they did/were forced to want. they never did. they only needed acceptance and understanding.

supernatural is always about family and the power of love, and this season is no exception.

other great parts of season 11

if you're still not convinced, season 11 is full of other things that make it amazing:

GOD'S RETURN. after SIX YEARS he's back, this is canon, we finally get to hear what he has to say. they did more with him in a handful of episodes in this season than all of season 15

also, something else returns after six years. i'll give you a hint: it glows hot in god's presence. it was last seen being dropped into a motel trash can.

and of course the big one: lucifer and sam. what great callbacks to seasons 4-6 when lucifer and what he did to sam in hell was actually scary and mattered a lot! lucifer returns to being scary in this and i can't get enough of it.

this is also inseparable from sam's arc involving his faith - he begins praying again, having visions again, and is GUTTED when those prayers and visions lead him back to the place of his worst trauma. he gets to MEET GOD this season. it's fucking insane

the inherent melodrama of castiel, someone loved and trusted by the winchesters, being possessed by someone who they hate and who has hurt them. you get all of the sam drama with him accidentally trusting lucifer with his soul and his brother's life, and all the dean drama where he watches the devil run around in his boyfriend. also, misha collins does an uncanny impression of mark pellegrino. it's actually really creepy

somehow, they managed to make metatron, a deeply hated villain by all, ACTUALLY LIKEABLE. for TWO whole episodes. it was NUTS

this season starts off rowena's long arc with lucifer and her lucifer trauma that eventually becomes the catalyst of her bonding so profoundly with sam <3 best friends forever <333

sam and dean bond with a pair of canonically gay hunters who DON'T DIE

billie is introduced in this season and she's super hot and cool and awesome

eileen is also introduced in this season. her arc mirrors sam's so well, it's SO good. i never though i'd care about sam and a girl who wasn't jess, but i care about them SO MUCH it makes me insane. if you don't love eileen you're wrong!

anyway, watch season 11. it's weird but it's really fucking good. THANK YOU FOR COMING TO MY TED TALK

[spn masterpost]

#supernatural #dean winchester #amara #supernatural meta #destiel #in a roundabout way #i needed a 5th tracked tag lol #i stayed up ALL NIGHT writing this but im gonna be a smartie and schedule it to go up at noon when ppl are awake #liz watches spn #liz's meta #liz's spn stuff #liz makes stuff #long post #just in case the cut fails #this meta really is 3800 words long lol #as a bonus it was implied in late season 10 that amara is the older sibling #even though they retconned it and made them twins later #like amara and dean are both eldest sisters.......

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ashesandhalefire · 3 years

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#if they had let this be a multiepisode arc tyler would have KILLED it #like he was very good in this sequence but it was like a speedrun through it because the ep was so distracted with other stuff #they should have done this over at least three episodes to really let tyler breathe inside it

your tags on that gifset of Alex on the ledge are so spot on! this season has wasted so much time on things that ultimately hold no weight, and unfortunately it's taking time away from things that we should be seeing or on giving us more info. I'm loving the work Tyler is doing this season and hopefully they give him more to work with as we wrap this season up and move into season 4 because he can absolutely deliver, as can Trevino and Vlamis, and Lily who all haven't been allowed to dig in as much as they should have been. It's a shame that this cast (mostly) could deliver a really convincing show with some standout performances if they weren't so weighed down by the writing. 😒

agreed! time management has certainly NOT been a strong suit of the writers room this year. they’ve wasted a lot of time with plots that have (so far) not gone anywhere and they’ve been horrible about at the very least making it feel like characters are organically aware of other plots as we sprint through them. they’re terrible at making sure characters are thinking about each other when they aren’t present in the same scenes, and we either get absolutely no mention of characters telling each other things or we get this massive exposition dumps that tell us a laundry list of things that happen off screen. mostly, this has all been to the detriment of kyle and michael/alex - tbh i didn’t even realize alex knew about jones until he casually mentioned him to liz - but liz and isobel have also been grossly underutilized. liz only felt like a driving force in the narrative for the last two or three episodes, and i have no idea what isobel’s arc is supposed to be this season.

we spent the first half of the season bogged down in repetitive episodes trying to solve the vision plot that has now just gone away, got a sloppy and mishandled plot about racism and police brutality that also has gone away with no further mention, had an amnesia subplot that abruptly disappeared and i’m not sure if i should still be worried about, switched to confusing, competing timelines of an attack that have also apparently just resolved off screen (justice for trevino i s2g), and now we’re also dealing with a race to fake science that doesn’t even exist in-show because it hasn’t been invented yet, we’re introducing a new romance, a new alien, and a scientist who isn’t actually new but has a brand new backstory, and we have four episodes left to resolve everything. 🔪🔪🔪

#asks for ts #anonymous #wank for ts

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aclosetfan · 3 years

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And Np

(ask game)

haha dude you’re like my new best friend now lmao thanks so much for being interested enough to ask about my dumb ideas!

Eight is titled “Artistic Aspirations” which isn’t a creative title at all. It’s another multi-chapter, no powers au, blues fic!! Personally, I think it's too safe and boring to write. The story spans a few years; I’ve shortened the outline to make it readable, but it still ended up being too long, sorry.

Background on the girls at the start of the story:

Bubbles is 21 and a broke, struggling artist finishing/right out of undergrad. Lives in Cityville. she’s on the verge of having to crawl home to her family with her tail between her legs

BC is 23 and finishing her physical therapy program in Townsville. Still lives with the Professor, but she practically lives full time at her boyfriend's place. She’s semi-neurotic about her relationship, not because it’s unstable, but b/c she thinks it’s too good to be true. Butch, for what it’s worth, doesn’t blink an eye—just a chill dude in this one. VERY into BC.

Blossom is 25 and starting her law career. Lives on the East Coast, working for a successful firm. Would like to move back home at one point, but she hasn’t really had the “right” reason to.

Plot (under the cut!)

It opens with Bubbles at a diner waiting for her sisters at their regular booth. Life isn’t all rainbows and sunshine like she had hoped. At the diner, Buttercup announces that she and her long-term boyfriend are finally engaged! Bubbles has met Butch plenty of time as well as Brick, Butch’s older brother, but she has yet to meet his youngest brother. In fact, Bubbles doesn’t even know his name. Butch just affectionately refers to him as “my dumbass little brother,” which Brick (a defense lawyer here in Townsville) wholeheartedly agrees with. Butch has also said “he’s into all that artsy stuff like you. Draws and shit.”

Until they finally meet at the wedding

He wasn’t there for the wedding rehearsal because his flight was delayed—he was somewhere “fancy” according to Butch b/c of some “art thing, idk, he’ll be here.” “He better be!” Cries HIM, who is one of Butch’s dads, but Bubbles doesn’t really know how exactly b/c everyone is adamant that HIM and Mojo (their other eccentric father) have never once been in a relationship

So when Bubs finally meets the brother she’s walking down the aisle with, she—a person who has an undergrad degree in art (haven’t decided what kind yet lol)—is like WAIT BOOMER JOJO THE BOOMER JOJO?!?! He’s like, “lol sup” and she loses her mind because Butch’s dumbass little brother doesn’t just “draw and shit,” he’s actually an art world prodigy, who despite being very young and very alive, is considered very renowned in major art circles.

(Not Banksy per se, but he’s like one of those Bad Boy artists that would make other artists roll their eyes) (also a man of many projects but doesn’t have the follow-through for a lot of them—which if he wasn’t so good at the stuff he actually finishes, would bite him in the ass; he’s flaky, gets bored easily).

Bubbles is amazed she hasn’t made the connection between the brothers and Boomer just laughs.

There’s, quite predictably, an instant connection between the blues. Butch, who cares for his sister-in-law, is like “Bubs don’t date my brother. He’s not mature enough to be dating anyone.” And Bubbles doesn’t listen!! Because she’s desperate for love and this could also mean she’s finally getting her big break!! Their relationship is really intense and Boomer does end up getting her a nice cushy job at some indie gaming company that he’s dipping his toes in. But just a quick as the flame is lit, it goes out. Boomer gets bored, Bubbles’ art isn’t being taken seriously, and she ends up getting fired for creative differences. Fired and despondent, she gets her break-up text from Boomer the next day. The day after that, he’s dating a model.

Absolutely crushed, Bubbles packs up her bags, leaves his apartment, and moves back in with the Professor. Butch and Buttercup (and Brick—but he’s at work) are ready to kick ass. Bubbles though would rather forget about it and holes up in her childhood bedroom. Eventually, BC gets her out of the room, brings her to Butch and her’s home, and is like “listen I know you’re heartbroken, but ima need you to do something for me—“ and Bubbles is like omg srsly?? Right now?? And BC is like “I need a mural on that wall, something cutesy, ya kno a stork or something?” And Bubbles is about to snap but then, she's like WAIT A STORK!!! And a new baby on the way really brings Bubbles out of her stupor—it gets her painting again. (Bubbles is full of love and you can’t tell me she doesn’t love babies)

So the mural is a hit at the baby shower and Robin (longtime best friend, also pregnant), is like Bubbles please paint me one, and her partner Princess is like MONEY IS NO OBJECT IF ROBIN WANTS IT SHE GETS IT. And then, subsequently, Robin’s (and Princess’s) mural takes off in the rich, white lady community, and soon enough Bubbles is being commissioned for more than just Baby Murals. Princess goes around bragging that she was the one who “discovered her,” and becomes Bubbles' “business agent.”

Basically, Bubbles is on the rise. As opposed to Boomer, who is on the fall. He’s hit an art block. It’s really bad. His melancholy is really bad. Very much plays the “woe is me" card. Hasn’t been back to Townsville in a while, so when his nephew (who he’s met briefly over facetime lol) turns one, he decides to fly in for his birthday.

Plans to mope and bum off his brothers for a bit, but is shocked to see Bubbles, who he then realizes he shouldn’t be so shocked to see. Has a ream “this was a mistake, she’ll make scene” moment, but Bubbles greets him as if nothing between them had ever happened (LIKE A QUEEN). Boomer takes this personally. Then Boomer meets Princess, who gloats about Bubbles, and then, looks at the award-winning boy and goes, “so anyway, who are you again?”

This pisses Boomer off even more and then, over the course of the week he stays with the greens, this anger builds up. He eventually takes it out on Bubbles, like, “you wouldn’t be who you are without me.”

[cue that one blinking gif] Bubbles goes off. Boomer storms off. Romance is in the air.

[well I guess the reds are hitting it off, but that’s c-plot and who cares]

Princess isn’t privy to this growing resentment and only sees an Opportunity™. She reaches out to Boomer’s agent. Then, she reaches out to a museum, and is like “I’ve got the most BITCHING exhibit for you.” Then, she tells Bubbles about the gig she booked for her.

Bubbles and Boomer are like no way am I doing a collab with them. Boomer’s agent is like “chief ima be real with you, it’s this or nothing.” Princess looks at Bubbles and tells her to suck it up. So, they end up working together, which means Boomer is back in Townsville.

Cue lovers to enemies to friends back to lovers speedrun. Hello yes.

Because they’re forced to collaborate, because Bubbles is more confident, and because Boomer has been knocked down a peg or two, they actually (finally) get to know each other on a personal level. And being closer to family helps Boomer, in some ways, mature. It’s a whole connecting back to your roots “ive grown and im better now” character development for Boomer.

Ends ambiguous ;) but it's happy.

#ppg blues #ppg fic outline #my writing #outline ask game #this one is boring #but it is cute to think about #i guess the theme is growing up in your twenties #which is really hard ngl #read more under the cut #if you think it's not boring :) thank you

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