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#i still feel it
jey-draws · 1 year
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You guys weren't kidding about puss in boots 2 it really is GOOD
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ownedbyabassist · 1 year
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That "I've missed you" sex straight up murdered my pussy 😩
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mothytheghost · 4 months
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*when you have a soulmate you have a deep connection to them*
Me Who Feels Like They are holding a metal like hand everyday for a strange reason and Simp on Sun and moon: WHAT THE FUCK!?
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furiousgoldfish · 2 years
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Sometimes, living with the abusive parents can make it risky to love the things you own, or owning things at all. I remember living with the abusive parents, any kind of object I held dear to my heart, had to stay hidden; if my parents knew I was finding this thing valuable and close to my heart, it would lead to it's destruction. And some things you can't hide, we all have our favourite items of clothing that we wear often, we read our favourite books, we collect some stuff that is too big to be hidden, we depend on our electronics, we want to showcase our favourite piece of fandom merch or whatever else makes us happy, in our rooms.
With abusive parents, these things are the first ones to be at risk as soon as there's an issue in controlling you. Abusive parents will destroy your favourite things to hurt and punish you for disobedience. Or, if they find it more effective, they will blackmail you with its destruction. They'll take it from you and keep it hostage, and the only way you can hope to get it back some day, is to not upset them, and hope that they will not destroy it. And then eventually to steal it back, when they forget about it.
The rules to who is allowed to own what in the abusive home generally get muddy as soon as the parent feels they don't have complete control over the child. You can be the only one who uses an object or a tool in the house, the only one who needs and uses your room, your bed, your clothing, your toys and books and furniture, and it's clear that this is intimately yours, belongs to you, is only touched by you. But to them, it doesn't matter. As soon as you need to be controlled, it's theirs, and they have every right to destroy it. Nothing is yours, not unless you obey. Defiance means loss of property.
It sets an anxiety-ridden viewpoint for the future. Having things that you hold dear, or even just owning things you need and plan to use, can be interrupted with the thoughts of 'but what if someone destroys it'. It happened in the past, and it's difficult to see that it won't happen in the future, especially if you've been threatened with destruction of your valuables too often, if you've experienced theft, bullying, and others destroying your things intentionally. It can make you paranoid about your property.
In the abusive home, the rules of who is allowed to use what or destroy what are inconsistent. You could be allowed to use something that is in the house, and you desperately need, until one day you get punished for it, and told you'll be obliterated if you ever touch it again. And then you keep using it in secret, stealing it when nobody is watching, putting it back anxiously, checking it looks all the same. Knowing that there's no other way to gain access to the things you need, frightened of being caught. The parents, meanwhile, can use and also damage anything, including the house, and nobody is allowed to question it or intervene. After all, it's all 'their stuff'. They're adults so if they make a mistake and damage/destroy something, that's okay. You, a child, need to be punished for any accidental damage though. And repent, and pay it back. They might expect you to pay it back in pain.
Forbidding a child, or a teenager, to own things and have right to necessities that are not at constant risk of destruction, is abuse. Things we own should be something we can always rely on, something that is respected and treasured like we are. To smaller children, the things they own feel like an extension of them, it's extremely painful to have them taken away, or destroyed. To a teenager, taking things away or destroying them can cause a world of anxiety and inconsistency, forcing them to live an unreliable life and look elsewhere for something they can depend on. It will cause rage because they can tell it's unfair, they can feel someone is abusing their power over them. Being a teenager and having your control over mere basics, just things they own, taken away is mortifying and infuriating. They're already struggling with the lack of control they have in their social circles, over their social reputation, their own emotions. It feels like destruction and hatred. No person can have their things destroyed and go on normally with their life, as if their human rights weren't violated. We all should get to own things without a worry.
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house-of-mirrors · 4 months
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I haven't properly seen the sun or stars since before Christmas and I'm going insane
My mental health can be mapped by the function 1/2^x in which x represents the amount of days passed since I saw the sky
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claratyler · 6 months
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okay my phannie guilt ridden teenage self
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dyingclown · 28 days
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"Bruno, what happened to your good sense?
I broke down, that man's good
I bet he works for the government"
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incorrectinfinity · 1 year
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Does advil work for pain that my brain made up
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qrowpilled · 8 months
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hate when you find a character whose so infuriatingly Your Type that its embarrassing like yeahg no one is gonna be surprised when i announce this is my new Guy Of The Month
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batri-jopa · 5 months
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world_of_engineering_75 on Instagram
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skrunksthatwunk · 19 days
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see 0 note flop posts aren't that bad when they're personal but 0 note fandom posts feel literally so bad. like if you don't wanna play toys with me anymore just say that. i'll pack up my super cool awesome things and go and i'll sit on the other side of the playground by myself and i won't even look at you. fuck
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captainsaltypear · 3 months
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IS ANYONE ELSE GONNA TALK ABOUT THIS OR
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hamletthedane · 3 months
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I was meeting a client at a famous museum’s lounge for lunch (fancy, I know) and had an hour to kill afterwards so I joined the first random docent tour I could find. The woman who took us around was a great-grandmother from the Bronx “back when that was nothing to brag about” and she was doing a talk on alternative mediums within art.
What I thought that meant: telling us about unique sculpture materials and paint mixtures.
What that actually meant: an 84yo woman gingerly holding a beautifully beaded and embroidered dress (apparently from Ukraine and at least 200 years old) and, with tears in her eyes, showing how each individual thread was spun by hand and weaved into place on a cottage floor loom, with bright blue silk embroidery thread and hand-blown beads intricately piercing the work of other labor for days upon days, as the labor of a dozen talented people came together to make something so beautiful for a village girl’s wedding day.
What it also meant: in 1948, a young girl lived in a cramped tenement-like third floor apartment in Manhattan, with a father who had just joined them after not having been allowed to escape through Poland with his pregnant wife nine years earlier. She sits in her father’s lap and watches with wide, quiet eyes as her mother’s deft hands fly across fabric with bright blue silk thread (echoing hands from over a century years earlier). Thread that her mother had salvaged from white embroidery scraps at the tailor’s shop where she worked and spent the last few days carefully dying in the kitchen sink and drying on the roof.
The dress is in the traditional Hungarian fashion and is folded across her mother’s lap: her mother doesn’t had a pattern, but she doesn’t need one to make her daughter’s dress for the fifth grade dance. The dress would end up differing significantly from the pure white, petticoated first communion dresses worn by her daughter’s majority-Catholic classmates, but the young girl would love it all the more for its uniqueness and bright blue thread.
And now, that same young girl (and maybe also the villager from 19th century Ukraine) stands in front of us, trying not to clutch the old fabric too hard as her voice shakes with the emotion of all the love and humanity that is poured into the labor of art. The village girl and the girl in the Bronx were very different people: different centuries, different religions, different ages, and different continents. But the love in the stitches and beads on their dresses was the same. And she tells us that when we look at the labor of art, we don’t just see the work to create that piece - we see the labor of our own creations and the creations of others for us, and the value in something so seemingly frivolous.
But, maybe more importantly, she says that we only admire this piece in a museum because it happened to survive the love of the wearer and those who owned it afterwards, but there have been quite literally billions of small, quiet works of art in billions of small, quiet homes all over the world, for millennia. That your grandmother’s quilt is used as a picnic blanket just as Van Gogh’s works hung in his poor friends’ hallways. That your father’s hand-painted model plane sets are displayed in your parents’ livingroom as Grecian vases are displayed in museums. That your older sister’s engineering drawings in a steady, fine-lined hand are akin to Da Vinci’s scribbles of flying machines.
I don’t think there’s any dramatic conclusions to be drawn from these thoughts - they’ve been echoed by thousands of other people across the centuries. However, if you ever feel bad for spending all of your time sewing, knitting, drawing, building lego sets, or whatever else - especially if you feel like you have to somehow monetize or show off your work online to justify your labor - please know that there’s an 84yo museum docent in the Bronx who would cry simply at the thought of you spending so much effort to quietly create something that’s beautiful to you.
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inkskinned · 9 months
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because sometimes there are invisible tests and invisible rules and you're just supposed to ... know the rule. someone you thought of as a friend asks you for book recommendations, so you give her a list of like 30 books, each with a brief blurb and why you like it. later, you find out she screenshotted the list and send it out to a group chat with the note: what an absolute freak can you believe this. you saw the responses: emojis where people are rolling over laughing. too much and obsessive and actually kind of creepy in the comments. you thought you'd been doing the right thing. she'd asked, right? an invisible rule: this is what happens when you get too excited.
you aren't supposed to laugh at your own jokes, so you don't, but then you're too serious. you're not supposed to be too loud, but then people say you're too quiet. you aren't supposed to get passionate about things, but then you're shy, boring. you aren't supposed to talk too much, but then people are mad when you're not good at replying.
you fold yourself into a prettier paper crane. since you never know what is "selfish" and what is "charity," you give yourself over, fully. you'd rather be empty and over-generous - you'd rather eat your own boundaries than have even one person believe that you're mean. since you don't know what the thing is that will make them hate you, you simply scrub yourself clean of any form of roughness. if you are perfect and smiling and funny, they can love you. if you are always there for them and never admit what's happening and never mention your past and never make them uncomfortable - you can make up for it. you can earn it.
don't fuck up. they're all testing you, always. they're tolerating you. whatever secret club happened, over a summer somewhere - during some activity you didn't get to attend - everyone else just... figured it out. like they got some kind of award or examination that allowed them to know how-to-be-normal. how to fit. and for the rest of your life, you've been playing catch-up. you've been trying to prove that - haha! you get it! that the joke they're telling, the people they are, the manual they got- yeah, you've totally read it.
if you can just divide yourself in two - the lovable one, and the one that is you - you can do this. you can walk the line. they can laugh and accept you. if you are always-balanced, never burdensome, a delight to have in class, champagne and glittering and never gawky or florescent or god-forbid cringe: you can get away with it.
you stare at your therapist, whom you can make jokes with, and who laughs at your jokes, because you are so fucking good at people-pleasing. you smile at her, and she asks you how you're doing, and you automatically say i'm good, thanks, how are you? while the answer swims somewhere in your little lizard brain:
how long have you been doing this now? mastering the art of your body and mind like you're piloting a puppet. has it worked? what do you mean that all you feel is... just exhausted. pick yourself up, the tightrope has no net. after all, you're cheating, somehow, but nobody seems to know you actually flunked the test. it's working!
aren't you happy yet?
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astearisms · 7 months
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catalysts, protectors
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petscoboba · 30 days
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I want Toby Fox three years after the last chapter to make a game where it's just the Fun Gang going on a road trip to the east coast to go fishing. They raid a gas station on the way to grabs snacks for the road (and the lobsters they catch). Happy April Fool's.
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