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#i think we all know the answer to that
hippolotamus · 4 months
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Fuck it Friday/Last Line Challenge 🌻
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Last night, there I am, lovingly thinking of having enough energy to write on my current WIPs, when @pirrusstuff and I start discussing cowboy boots. Specifically ones with sunflowers on them. And that, friends, is how we ended up here. Please accept this brain dump of words in which Buck is the local livestock vet that Eddie Diaz absolutely cannot stand, but is forced to deal with.
“Bobby.” Eddie’s tone borders on a whine. “There’s nothing else you can do?” “‘Fraid not. I’ve pulled out every trick I know. Ya gotta call him.” Bobby pauses for what Eddie’s certain is only dramatic effect. “Unless, of course, you want her to get an infection or, more realistically, die.” Eddie sighs and lets his head drop between his shoulders. He knows Bobby’s right, even had a feeling it might come to this before Bobby started throwing him nervous glances when Lola didn’t appear to be progressing. Unfortunately, now, there’s no time to waste on Eddie’s petty grudge.   Without looking up from where he’s crouched next to his very pregnant, very distressed mare, Eddie holds his hand out expectantly.   “Already dialed for you,” Bobby says, a little too smugly, handing him the phone.   “‘Lo?” The familiar voice answers, sounding like he’s chewing. Logically, Eddie knows it’s just coincidental timing, but it still feels like a purposeful slight. “Buckley, I’ve got a mare in labor, stalled. Between me and Nash we’ve tried everything we can think of, but we’re gonna need a hand here.”   There’s a long pause that would make him think they got disconnected except for the loud crunching.  “Huh,” Buck finally says. “So there is something you can’t do.” “Are you coming or not?” Eddie spits back. He can practically hear the smirk forming on Buck’s lips.  “Don't worry, sunshine. Be right there.” 
Tagged by my love @lizzie-bennetdarcy @hoodie-buck @buddierights @spotsandsocks @daffi-990 @thewolvesof1998 @jamespearce9-1-1
no pressure tagging mi amor @disasterbuckdiaz @callmenewbie @giddyupbuck @wikiangela @eddiebabygirldiaz @exhuastedpigeon @lemonzestywrites @steadfastsaturnsrings @weewootruck @malewifediaz @thekristen999 @loserdiaz @heartshapedvows @underwater-ninja-13 @fortheloveofbuddie @eowon @jesuisici33 @apothecarose @watchyourbuck @monsterrae1 @shortsighted-owl @stereopticons @elvensorceress @spagheddiediaz @chaosandwolves @wildlife4life @your-catfish-friend @911onabc @the-likesofus @honestlydarkprincess @spaceprincessem @fionaswhvre @barbiediaz @pirrusstuff @messyhairdiaz @gayedmundodiaz @theplaceyoustillrememberdreaming @evaneds @maygrantgf @buckbuckgoose @statueinthestone and anyone else who wants to share 💖
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The problem is that if I know a character has a tragic storyline, I will latch onto them so hard that I will never recover.
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crimeronan · 10 months
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i've seen a couple people in the notes of this very good post about fictional polyamory by @thebibliosphere say things along the lines of "oh, i've been doing it wrong :(" or "how do i know if i did this right??" or "i should probably give up and start over, i wrote this badly :(" and. no!!!!
(i AM seeing far MORE people say "oh, this clarified and helped me so much, i think i know how to fix issues i've been having with my own story" which. YES!!!!)
listen. if you're a monogamous person who's writing a polyamorous relationship, and you've been focusing mainly on The Triad and All Three Together All The Time as the endgame, that's literally fine. that's a perfectly acceptable and strong starting point for your plotting, imo. you do not need to give up on a story that you've started like this.
but the things discussed in the post Can and Should improve your execution!
you can keep the same plot beats and overall relationship arc 100%. polyamorous relationships are infinite in their formations, every one is unique. "basically a monogamous romance but with three people" Does exist, as a relationship type. you're not hashtag Misrepresenting (TM) poly people with it
BUT i do think it will help to read up on some poly people talking about how their relationships Differ from monogamous ones.
so i have outlined some basic important concepts about polyamory.
MORE IMPORTANTLY though, i've broken down some questions that you can answer throughout the writing process to strengthen your individual dyad relationships, your individual characterization, & your characters' individual feelings/experiences. this is a writing resource have fun
future kitkat butting in to say i spent over two hours writing this and it definitely needs a readmore. it is also NOT comprehensive. but everything should be pretty simple to follow! feel free to reblog if you find it helpful yourself or just want to reward me for how gotdan long this took KSLDKFJKDL.
i've grabbed quick links for a couple of the important concepts, some have SEO pitches in them but the info largely seems to be good. (if i missed anything Egregiously Gross on these sites i should be able to update the links with better ones later, since they're under the readmore.)
sidenote: this is NOT meant to be overwhelming, despite the length. if you can't read all of this, that's Okay. you do not need to give up on your writing.
here we go:
compersion!
compersion is a BIG thing in a lot of polyamorous relationships. it's joy derived from seeing two (or more) of your partners happy together, or joy derived from seeing your partner happy with someone else.
compersion is really important as a concept because it highlights that every individual relationship within a polycule is different -- and that that's a GOOD thing. it's sort of the inverse of jealousy.
by the "inverse of jealousy," i mean that instead of feeling left out and upset and possessive, you feel happy/joyous/content.
i can use personal experience as an example: it's a Relief for me when my partners receive joy/support/sex/romance/etc that i can't (or prefer not to) give them. and i love seeing my partners make each other laugh and be silly together.
it's 100% okay for a poly triad not to be together 100% of the time, it doesn't mean that the third member is being left out or not treated equally when two people do things alone together.
(i have individual dates with my partners all the time! PLUS larger 3-and-4-person date nights.)
if the third member DOES feel jealous or left out, then the polycule can have a conversation to figure out what needs/wants aren't being met, and solve that. this happens semi-regularly in my polycule, as it will happen in any relationship (including monogamous ones)! it's just part of being an adult, sometimes you have to talk about feelings.
metamours!
a metamour is someone who is dating your partner, but ISN'T dating you. this may not be relevant for people writing closed three-person romantic sexual triads, but it's a super helpful term to know.
the linked article also lists different types of metamour relationships with some fun phrasing i hadn't heard before. the tl;dr is: sometimes you'll be domestic cohabitation friends, sometimes you'll be buddies with your own friendship, sometimes you might not interact much outside of parties, every relationship is different.
there's no one-size-fits-all requirement for metamour relationships. sometimes polyamorous people will end up dating their metamour after a while (has happened to me), sometimes polyamorous people will break up with one partner for normal life reasons, but remain friendly metamours.
the goal of polyamory is NOT for EVERYONE to fall in love. it is 100% okay if this happens in your story, it happens in real life too! but it is also 100% okay for characters to be metamours without ever becoming "more than friends."
(sidenote: try to kill any internalized "more than" that you have when it comes to friendship. friends are just as important and special and vital as partners.)
of course there are a million ways for messiness to occur with metamours within a complex polycule, exactly like with close-knit platonic friend groups. however this post is not about that! there's enough "here's how polyamory can go wrong" stuff out there already, so i'm focusing on the positives here :)
open versus closed polyamorous relationships!
i'm struggling to find an online article that reflects my experience without directly contradicting at least SOME stuff. so i'll give a quick rundown
google has a bunch of conflicting definitions of open relationships and whether open relationships are different from polyamory. the general consensus seems to be that an open relationship prioritizes one partnership (often a marriage), but that each partner can have extraneous flings or long-term commitments (most often sexual in nature).
this is not typically how i use the term wrt polyamory. the poly concept is pretty simple. a closed polyamorous relationship is one with boundaries like a monogamous one. there are multiple partners in the polycule, but they are not interested in having anybody new join said polycule.
an open polyamorous relationship tends to be more flexible -- it just means that IF someone in the polycule develops mutual feelings for a new person, it's fine for them to become part of said polycule if they want to! the relationship/person is open to newcomers.
some groups will need to negotiate this all together, others will just go "haha, you kids have fun." just depends on the individuals!
with open AND closed polyamorous relationships, the most important thing is making sure that there's respectful communication and that everyone is on the same page. but there's no one-size-fits-all way to do that.
i wish i could give you guys a prescriptive "You Must Do It This Way" guide, but that's.... basically the opposite of what polyamory is about, HAHA.
feelings for multiple people!
i was gonna tack this on to the previous section but decided it warranted its own lil bit.
a defining feature (....i'm told?) of monogamous relationships is that a monogamous person only has feelings for One individual at a time. they only want a relationship with one individual at a time. or, if they DO have feelings for multiple people simultaneously, they're still only comfortable dating one person at a time & being exclusive with that one person.
this is perfectly fine!
the poly experience is generally different from this. but once again..... polyamorous people all have different individual perspectives on this.
for me, i have never been able to draw hard boxes around romantic vs sexual vs platonic relationships, & i love many people at once. my personal polycule lacks many strict definitions beyond "these are my chosen people, i want to forge a life with them indefinitely, whatever shape that life takes"
some poly people feel explicit romantic or sexual attraction to multiple people at once, some poly people feel almost no romantic or sexual attraction at all. i'd say that MOST poly people feel different things for different partners, which is not a bad thing!
some poly people are even monogamous-leaning -- they have just chosen one romantic partner who is themselves part of a larger polycule. (so this monogamous-leaning person has at least one metamour!)
or alternatively, they might have one romantic partner AND a qpr, or other ways of defining relationships. (this is a factor in my own polycule!)
i made this its own point because if you're writing a straightforward triad, this is unlikely to come up in the story itself -- but it's worth thinking about how your characters develop/handle feelings outside of their partnerships.
like, is this sort of a soulmateship, 'these are the only ones for me' type deal? in which they won't fall in love with anyone else, and can be fairly certain of that?
that's pretty close to typical monogamous standards but you Can make it work. just be thoughtful with it
alternatively, can you see any of these characters falling in love Again after the happily-ever-after? and how would the triad approach it, if so? what would they all need to talk about beforehand, and what feelings would everybody have about the situation?
it's worth considering these questions even if the hypothetical will never feature in your actual canon, because knowing the answers to these questions will help you understand all of the individuals & their relationship(s) MUCH better.
i've been typing this for nearly two hours and there's a lot more i COULD say because... there's just a lot to say. i'll close out with some quick questions that you can ask yourself when developing the dyad dynamics within your triad
first, take a page and create a separate section for each individual dyad. then answer these questions for every pair:
how does each pair act when alone?
how do they act differently alone compared to when they're with their third partner?
are there any elements of this dyad (romantic, sexual, financial, domestic, etc) that these two people DON'T have with the third partner?
if so, what are they?
are there any boundaries or hard limits within this dyad that aren't shared with the third partner?
if so, what are they?
partner 3 goes out of town alone for a few weeks. what are the remaining two doing in their absence?
(doesn't have to be anything special, it's just to get a sense of how the two interact on a day-by-day basis without the third there)
what is something that each partner in the dyad admires about the other -- that they DON'T necessarily see in the third partner?
what problem do These Two Specifically need to solve in the story before their relationship will work?
how is that problem DIFFERENT from the problems being solved within the other two dyads?
doing this for ALL THREE dyads is VITAL imo. that way, you develop complex and nuanced and different relationships that all have unique dynamics.
those questions should be enough to get you started, i hope
then After you've charted the differences in relationships, you can start to jot down similarities in the overarching triad. what does one person admire in Both of their partners? what are activities that all three like to do together? what are boundaries or discussions that all three share?
but the main goal is to figure out how to Differentiate each relationship!
a polycule is only as strong as the individual relationships within it. if two people are struggling with their own relationship, adding a third person won't fix that.
(UNLESS the third person is the catalyst for those two to, like, Actually Communicate And Work Their Shit Out. i just mean that the old adage of "maybe if we just add a third-" works about as well to fix a miserable non-communicative marriage as, uh, "maybe if we have a baby-")
AND FINALLY.
if you're not sure whether your poly romance reads organically to poly people, you can hire a sensitivity reader with poly experience. if you can't afford that, you can read up on polyamorous resources like a glossary of terms & articles actually written by poly people. (and stories written by poly people!)
you can also just.... ask poly people questions, if they're open to it. i like talking about polyamory and my own relationships so you're welcome to send asks if u want, i just can't guarantee i'll answer bc my energy levels fluctuate a lot and i don't always have time.
polyamorous people are in an uphill battle for positive representation right now & so the LAST thing i want to see is authors giving up on their stories bc they're worried about getting things Wrong. well-meaning and positive stories that treat this kind of love as normal, healthy, & aspirational are So So So Needed. even if you guys end up with some funky-feeling details.
seriously, if you're monogamous then you probably don't have a full idea of Just How Nasty a lot of people can get about polyamory. i wish it DIDN'T mean so much for you guys to want to write nice stories about us, but it does mean a lot. and it means a lot that you want to do it WELL.
in conclusion. this is not a prescriptive guide, it's just a way to raise questions. and also, you all are doing FINE.
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stbot · 1 year
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bi!boorman confirmed
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amphibianaday · 7 months
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Hello I would like to request your favourite little freak(amphibian) for day 1432
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day 1432
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taintedmind666 · 7 months
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sophiethewitch1 · 2 months
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dick grayson who needs to be useful and needed to feel loved vs reader who is hypervigilant of their own fault and tries desperately not to be a burden: fight
it ends in tears. unstoppable force versus immovable object. you don't want to make his life any harder because you can see he's struggling. he's just straight up begging. i said in last post tags he'd moan if you ask him to get you a glass of water. ask him to make you a snack and he'll just straight up come in his pants.
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x-gon-give-it · 10 months
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Headcanon, theory, prediction, whatever you want to call it,
but I think the reason that the universe Miquel hijacked collapsed, and not Miles, despite them both being “anomalies” is because Miquel was trying to change someone else’s story, as opposed to Miles who inspires other people to change their own stories.
Like, Miquel tried to force himself into a universe that wasn’t his. He took the place of his counterpart and pretended to be him, he was playing a part that wasn’t meant for him, he was changing a story that wasn’t his. And the universe rejected that.
Whereas Miles inspires people to change their own stories. His universe didn’t collapse because that’s HIS universe. It’s HIS story to tell, and sure the plot changed along the way, but he’s still telling it.
The same with 42-Miles. His story was drastically changed because he wasn’t bitten by that spider, but his universe isn’t collapsing because he’s the one still telling the story. He’s still shaping his own future.
And like how Miles inspired Peter B to have Mayday at all. Without Miles, Peter wouldn’t have gone back to his and he wouldn’t have had Mayday. But his universe isn���t collapsing because that’s a decision PETER made. No one forced him to make up with MJ and have Mayday. But Miles gave him faith and inspired him to go back and give life another try. (Don’t even get me started how Peter would have literally DIED if not for Miles. He was going to stay in Miles dimension. He was fully ready to deteriorate. He literally would have died if not for Miles saying “NO BITCH YOU GOTTA GO HOME” much less inspiring him to have Mayday, I’m just saying I’m just saying.)
And the thing is I don’t think Miquel realizes that. He’s so caught up in his grief and anger that he’s completely consumed with following canon and my never disrupting ANYTHING. He doesn’t realize that that universe collapsed because he tried to change someone ELSES story. He tried to become someone else to live their story. He didn’t try to make his own and that’s not how it works.
Idk just thinking thots tonight, And ATSV is always at the top of my brain
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the-dragon-girl-27 · 2 months
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At this point its tradition I make these for every direct it is my duty and my curse
Here's one for all 2 of my followers who played this game:
What about the planet Elma, what about it.
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beatcroc · 3 months
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i already wrote up a whole essaypost about the dynamic for these two but it's funnier to summarize it like this. also it's the only way youre gonna see anything resembling fp getting closure abt any of this :^) [x]
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magicaltickles · 2 months
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Thinking about tickle hugs from behind...
Hands sneaking under my hoodie to get at my tummy and sides...
When I try to grab at your hands, slip them up under my arms until I'm squealing...
Move back down to my ribs and make me count for you...
Hold me close and tell me how good I am while pressing tickly kisses to my neck and ears...
Invite our friends to sit on my legs so they can get my hips and feet throughout...
Noon moods am I right.. heh...
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daily-hanamura · 5 months
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#p4#persona 4#hanamura yosuke#yosuke hanamura#EVERYDAY IM HOWLING. EVERYDAY IM SCREAMING.#for context this comes at the heel of yosuke charging at mitsuo kubo in rage because of his flippance towards killing saki and he's hit har#but souji and kanji jump in to protect him#like ok a lot of things going on here such as the obvious OH MY GODDDD yosuke being yosuke and taking things on for himself#because he doesn't want to bother people?? because he's made it his own responsibility? because his survivor's guilt is still lingering?#i mean don't tell me he doesn't look at how he surrendered to his shadow like apart from his self-sacrificing propensity#i low key feel like everytime yosuke demands answers about saki's death from the murderer/god/etc there's this undertone of how#he would rather it have been him#he cheapens his own life so much and for what#BUT ALSO!! ALSO!! not just souji jumping in because we know he would he's down bad for yosuke BUT ALSO KANJI#listen you've all heard me talk so much about how i adore kanji yosuke friendships#i can't really tell whether it's kanji or souji that says “haven't we earned your trust yet” but it's a line that hits SO HARD#regardless of which one of them was saying it and i think it hits hard in slightly different manners#it's kanji's admiration and how he looks up to yosuke and how he wants to be closer to yosuke as a friend/kouhai/whatever you want#tatsumi “who's your partner now!” kanji has so much respect for yosuke he wants yosuke to rely on him too!!!#and this stands out because kanji is very conscious of social hierarchies and such but as a kouhai as yosuke's junior#he's so specific about wanting yosuke to treat him as an equal#i smtimes feel bad for kanji because he has a bit of that vibe of a poor puppy trailing after souyo because he wants to be in their convos!#he wants to be included! but critically he also just! wants them to SEE him!!#going a lil off tangent but i think kanji's attitude towards souji is very much one of kouhai respect like he understands his place#of like deferring to souji or getting advice from him and just generally regarding him as a reliable mentor#and it's the same with chie and yukiko? but idk man. with yosuke. guys. with yosuke i always feel like kanji wants to break that hierarchy#that convention. that social norm. to cross a line and be closer to yosuke.#he's more willing to tease yosuke in a way he doesn't with the other 2nd years. and this isn't coming from a place of disrespect either#AGAIN. KANJI REALLY LIKES YOSUKE. he wants to protect yosuke!!! he jumps at the opportunity for yosuke to rely on him!!#i'm getting delulu but there's those hints of “yosuke senpai i want you to see me as a man!!!” kind of energy here and i'm it's yknow hmm
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luck-of-the-drawings · 2 months
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OH ARTHUR BENNETT.. such a gorgeous and intriguing character. terribly burdened by a GRUESOME set of crimes, his light suffocated by a HEAVY century of GUILT. so tragic, so dark and broody, and yet PAINFULLY awkward in any social setting ever
#jrwi fanart#cw blood#jrwi show#jrwi suckening#arthur bennett#OUHH THIS ONE WAS SITTING IN MY WIPS FOR SO LOOOONGwhen i took it out there was mould on it :sob:#BUT i think i was able to fix it up okay#i keep seeing SO MANY MISTAKES RRAAAHHH BUT YOU DONT SEE THEM RIGHT?? THATS ONLY ME. RIGHT?? EXACTLY.#THE KEY IS TO SAY. AND REPEAT AFTER ME. 'FUUUCK IT WE BALL#so anyway. arthur bennett huh? grizzly says that arthur is reaal fuckin difficult to play. and i SUPER get that. i mean LOOK AT HIM..#grizz often needs a minute to think abt what hes gonna say in a way that matches w that Stoic Personality. which is FAIR but also that#ends up making way for awkward confrontations like: the lady in the parky lot. he took too long to answer and scared her away.& I LOVE THAT#arthur is tragic and sad and cool and stoic but hes ALSO awkward and silly and kinda dumb and short sighted. HE HAS COMPLEXITIES#I LOVE WHEN TTRPG CHARACTERS HAVE A GOOD SET OF SHORTCOMINGS. ESPECIALLY WHEN U FIND THEM ONLY AS U PLAY THEM.#I COULd go on and on saying the same things w different words abt arthurs intriguing and entertaining character but i shall spare u. for no#ILL ALSO MENTION HOW MUCH I LOVE HIS FLAVOR THO.. I LOVE TALL HOT BOY WHOS ONE W THE DARKNESS.. I REMEMBER WHEN HE FIRST MENTIONED THE#BADLUCK. N I WAS LIKE OOOHH THATS WHY HIS DESIGN IS SO COOL N CHAOTIC N ASYMMETRICAL. HES UNLUCKY!!! i love love love his design so much...#GRaaauruguguraguhhghghgh what else what else is there for me to spew on abt...i think im reachin a limit here..OH MAGNUS. i hope that#we get to know more abt how magnus and arthur met.. like How they became besties... ouuhh... I ALSO WANNA KNOW MORE ABT MARY DAVIS. LIKEHOW#he also apparently spent alotta time in a zone dominated by edward twilight? all he remembers is constant partying? I WANNA KNOW MORE..#i think i got room 4 one more ramble SO. THE ART PIECE.as i said its gone a lil stale BUT. im still very proud o the bits where hes allScar#I WANNA SEE HIM GET SCARYMORE. I like the idea of shadows solidifying to make him strange and eerie.like TEETH n CLAWS n SPINES n YESS#also the SILVER EYES.no1 does silver eyes like the show Claymore. they make em look so striking and eerie...i also like to think that#human arthur had deep beautiful brown eyes.just in my beaitufl heart.i mean look at him..i wanna cook him n eat him.ANYWAY#i think thats all my ramblin for this piece. now i gotta go cancel a single day i had ata hotel bc my work schedule change last minute FUCK#feel free to ramble in my tags aswell tho i read all of them and i chew on thenm and i love them so sos os mcuh
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spineless-lobster · 6 months
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cherry-bomb1985 · 12 days
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I feel like The Father and Hell both understand and experience love in all the worst ways.
The Father sought to create a life form that would follow and love him unconditionally. It wasn't enough that he had a great cosmic kingdom of angels who are unquestioningly loyal, no, he needed something that knew suffering and mortality and the threat of oblivion, and would still find love at the end; love for him above all else. But after numerous implied failures at that, in his desperation, he instead created the threat of eternal damnation to force them to love him in order avert that fate. Lucifer's words must have been like a splash of cold water, but by the time he realized sheer magnitude of suffering he had unintentionally set into motion, it was too late. He could not destroy Hell; he could not stop the cycle of violence.
That guilt drove him to seek a death that, from the looks of it, eluded him in spite of the hollowness consuming him. And now he is... somewhere, helpless to stop his experiments from consuming one another and themselves in a glorious show of blood and violence.
And then there's Hell itself, who seems to recognize love as an act of violence and cruelty. It is something that derives joy only from the suffering of other living creatures. God gave it so many toys to hurt and break and reform, and Mankind gave it new ones. Why would it understand love as anything but? It gave Minos a facsimile of the son he is most ashamed of, and delighted when he cast it, once more, into a labyrinth. Gabriel flattened all the souls within it's confines beneath his heel and gave those that did bend false hopes.
Now there's V1, tearing its way through the remaining layers and creating a spectacle of violence like nothing Hell has ever witnessed before. How could it not love them all for all the entertainment they've provided?
But deep within its recesses, hidden away from the eyes of Heaven, there was a Gutterman. A machine built for war, who eventually came to love that which it gave it life at the cost of their own. Enough to give the human welded within their coffin the mercy that both Heaven and Hell had denied them; enough to write a single love letter to them, even knowing that it would never be read by its intended recipient.
So, as things turn out, you /can/ teach a machine to love. And they will understand and experience it more sincerely than God or Hell ever could.
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