Gurll, lavender is my go-to reread everytime. Ig u are taking requests (😂🫶🏻), I would really like to see how Joel found out Doc was pregnant of Sylvie and those sweet pregnancy exchanges - like him being worried (‘cause in the original we skip the whole pregnancy). 😎
OMG Hi Bestie!!!
So you'll see some of this in Girl Dad, a canon one shot I did for Doc's birthday back in October. You see some of Doc panicking about Sylvie on her birthday because she's never made it further in a pregnancy and her birthday has just such an awful personal history for her and Joel loves her through it. We also see Joel being just a precious father to his newest baby girl.
BUT... here's some more of the pregnancy for you ❤️
Expecting
20 years after your first pregnancy, you find yourself expecting again. Things are a bit different this time. A Lavender Drabble.
Pairing: Joel Miller x Female Reader from Lavender
Warnings: Pregnancy. Smut adjacent. No use of y/n. 18+ only Minors DNI
Length: 2k
September 2, 2024
The first time you threw up, Joel was on patrol.
It's not like you'd gotten your period since the two of you had started trying but you didn't put much stock in that. You'd never been regular and you were nearing menopause now. Missing a period or two was hardly monumental.
But the nausea the morning you woke up alone was.
You rocketed to the bathroom, doubling over the toilet, everything left in you from the night before coming up.
"Shit," you whispered, wiping your mouth on the back of your hand as your stomach still churned.
You knew this feeling. It had been a long time but you knew it.
And you knew you should be happy about it. It wasn't like last time. You and Joel were together now. Not just together, you were married. Things were secure - as secure as they could be in the apocalypse, anyway - and you were trying for this.
But it was still the apocalypse.
It was no small part of you that thought this wasn't going to happen. That you were going to try and try and then menopause would kick in and you'd never have a child you made with Joel. You'd resigned yourself to that a long time ago, that you'd never be a mother to someone that grew inside of you, never raise someone that you'd brought into being through love. You had Ellie who was your child in every way that mattered and that was more than enough.
But you were pregnant. You were sure of it. And you should have been happy about that - thrilled, in fact. Part of you was. The rest of you was terrified.
What had you been thinking? Bringing a child into this destroyed world? Would Joel even still want this now that it was real and not some imagined, idealized thing on the distant horizon? How were you supposed to protect a baby from the horrors of this reality? Even here in Jackson there was fear and risk and you'd gone and done this on purpose.
You didn't tell anyone, though the nurses at the clinic could tell you were off all day. You assured them that you were fine while trying not to panic. What if Joel changed his mind? What if, when faced with the reality of it, he didn't want to bring a baby into this world?
You threw up again that afternoon, the sickening feeling hanging around after everything came back up and you tried not to cry.
Joel got home after Ellie was already in bed that night, his patrol keeping him out late. You were pacing the kitchen when you heard the front door open and close quietly, the squeak of the floorboards under his heavy boots.
"Baby?" He frowned poking his head into the kitchen. "What're you still doin' up, it's late..."
"I know," you smiled a little, looking him up and down and taking stock to make sure he was still in one piece. "I'm glad you're back."
He smiled back, coming all the way into the kitchen to take you in his arms and kiss you, gentle and deep.
"You and me both," he said. "Gettin' too old to be sleeping rough like that, feel like I did my time with that shit getting out here..."
You laughed a little and nuzzled into him, breathing in the sweaty, woodsy scent of him.
"What's wrong, baby," he whispered, his arms enveloping you totally, holding you against him. "Can tell you got somethin' on that big brain of yours."
You pulled back from him just enough to see his face, his arms still holding you loosely. His face was smeared with dirt, the grime of the trail and sweat on his skin and his eyes were soft and warm and like home.
"I'm pregnant," you said softly. Those eyes got wider. "I know we've been trying but... It's real now and..."
"You're pregnant?" He breathed, stepping back from you, his hands going to your shoulders. You nodded, tears stinging the corners of your eyes. "Oh Baby..."
He took your face in his hands and kissed you again, so hard you could taste the passion on his tongue.
"Really?" He asked, his eyes searching yours as he pulled back from you and taking your shoulders again. You just nodded again, your heart pounding. "Fuck, that's... that's amazing, we're gonna... Baby, you're pregnant!"
"Yeah," you laughed a little. "Yeah, I am... You're happy?"
"Happy?" He laughed back. "Baby, I'm... I'm so far beyond fuckin' happy that word don't even begin to cover it."
He got to his knees in front of you, his hands on your hips, sliding around to cradle the small of your back as he looked lovingly at your stomach.
"You're pregnant," he said, awed, almost to himself. He pressed a kiss to you, over your womb, before one of his hands came to hold you reverently there. "Our baby is in you, right now."
"Yeah," you smiled, voice wet. "Yeah, they are."
"That's amazing," he whispered before looking up at you. "You're amazing, you're the most amazing thing I've ever seen..."
You ran your fingers through his curls before cupping his cheek.
"Thank you," you said, your whole being feeling lighter now, knowing that he was really in this with you.
"For what?" He asked, getting to his feet and pulling you against him again. "You're the one doin' all the work."
You smiled a little.
"For wanting this with me," you said quietly. "I was afraid... I'm still afraid. But we can do this."
"We can do this," he echoed you, kissing your temple. "You, me, Ellie, this baby. We're a family. We can do this."
You put a palm over your womb again, cradling where the child you'd made with Joel was growing inside you.
He was right. You could do this.
But things were different after that.
Joel hovered. It reminded you a bit of when he first came to the QZ, back when he thought his fear was something he could push past if he just got close enough. You’d be working at the clinic, turn around to pick something up and then Joel would be there. You’d be relaxing on the couch and decide you needed a cup of water and, the second you started to move, he was up instead asking what you needed.
“I’m perfectly capable of getting my own drink, you know,” you said a two months after you’d told him you were pregnant and Joel had damn near held you down instead of letting you go to the kitchen. “Also capable of walking to the mess hall on my own, making my own lunches…”
“All the work you’re doin’ growing my baby, I should do something,” he replied, bringing you a glass of water. “Seems like this is the least of it.”
You might have believed him if it wasn’t for the other things, too.
You’d become insatiable during pregnancy, all but demanding sex at least once if not twice a day. You couldn’t get enough of Joel but he seemed to be able to get enough of you.
It was close to Christmas when you finally brought it up, Joel’s hands more gently roaming over your skin rather than with any desire or need.
“We don’t have to do this if you’re not interested, you know,” you said, hoping you didn’t sound too desperate.
Joel frowned, looking over your face for a moment.
“What?” He sounded completely puzzled. “Why would I not be interested?”
“I know I look different now,” you ran a hand over your growing bump and took a deep breath. “It’s OK if you’re not as attracted to me at the moment…”
“In what fuckin’ universe am I not attracted to you?” He asked, his eyebrows knitting together. “Baby, if I could spend the rest of my damn life inside you, I’d be a happy man.”
Your confusion must have shown because he brushed your hair back before adjusting your face to look at him.
“What’s goin’ on,” he asked gently. “Why are you saying this stuff.”
“You don’t touch me like you used to,” you said quietly, hoping you didn’t sound too wounded by it. “And it’s OK if you don’t want me like that right now, I don’t want you to do anything you don’t really want and…”
“Baby,” he cut you off. “I’m gonna stop you right there. I’m not sure I’ve ever wanted you more than I do right now. Not when I first met you and you were some hot young thing, not when you first got off the plane to come visit, not when I first saw you again in the QZ. Seeing you grow our baby is the most beautiful, most sexy thing in the damn world, don’t go thinking otherwise.”
“Oh,” you frowned. “Then… I don’t understand. What’s going on?”
“I just…” he sighed, closing his eyes for a moment before looking at you again, a pained look on his face. “I’m scared, baby. I’m scared in a way I ain’t been since we came to Jackson.”
“Joel,” you whispered, running your fingers through his hair. “We’re OK here, we’re safe here…”
“I know,” he said. “You’re safe from infected and you’re safe from raiders but… baby, what if you get hurt? You’re the doctor here, what if something happens to you or the baby? What if there isn’t someone who knows how to save you? What if I do somethin’ to you on accident, what if I’m too rough because I’m caught up in touching you the way I want? I can’t risk that, baby, I can’t.”
“Oh Joel,” you breathed, pressing yourself closer. “You’re not going to hurt us. I promise, you’ve never been too rough with me. If something doesn’t feel right I’ll tell you but it’s OK. We’re safe. You’re safe.” You guided his hand to your breast, his large palm curving around the soft flesh. “And I want you to touch me, really touch me. Please.”
He was cautious at first, hesitant. Now that you knew he was afraid, it was easier to see it on his face and feel it in his touch. But you guided him through it, holding his hand, reassuring him, until he was lost in you and things felt right for the first time in months.
You learned how to head things off after that. When he would appear in the clinic, you would give him a kiss and tell him how you were feeling. If the baby was moving, you’d guide his hand to your stomach to let him feel them alive inside you. When you needed something at home and could see that he was restless and distracted by worry, you’d ask him for help. You started meeting him at the gates after patrol so he could see you and touch you as soon as he was back, feeling how he relaxed when his hands were on you.
When you went into labor, though, you were worried. You knew he was afraid but then, so were you. You were afraid not just of what could happen, of how it would hurt under the best of circumstances, but of how to help Joel through it, too.
But he sensed what you were doing right away, so in tune with you now. He climbed into the bed behind you, pulling you back so your head was resting on his chest.
“Don’t you dare worry about me,” he said, kissing the crown of your head. “I’ve got you, baby. Got both of you.”
You smiled a little as the contraction eased and he held you a little tighter.
“I know you do,” you relaxed into the firm, strong body of your husband. “I know.”
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Finally tried my hand at redrawing a screenshot for my swap AU.
I did my best to mimic the style of the show in this one ( cuz, yes, usually I'm not trying to mimic the style of the show. You can tell by my hashing and colored lines. )
Though I can tell the lineweight is definitely off ( especially on Velvette, ) but I'd still say it's pretty good for my first attempt to mimic the show's style as much as I possibly can.
The lineweight issue will prob be fixed the more I draw these, idk man.
Either way, I find it so funny that Vox, due to being pretty much entirely blue, just sticks out like a sore thumb. All the while Velvette being all red sorta blends in a lot.
Anyway, original screenshot and more info under the cut + unedited version of my swap!Vox cuz yes
Honestly, while coloring in swap!Vox I was all like "man, this guy is too blue for this entirely red background" so I looked up the original episode. Turns out that there's a slight red hue put onto the characters ( in some episodes/scenes/locations ) and Cannibaltown is one of those places, with a really noticeable red hue. You can see it really well on Charlie in particular ( who shows up just a few seconds later in this scene due to the camera zooming out. )
Either way, that let me give Vox that same red hue to have him blend in more.
With his actual colors he stuck out even more tbh lmao.
Also, Velvette is just so tiny. Like, Vox and Alastor ( and Rosie too ig, though in some scenes she's shorter than Alastor ) are around 7'0, ll the while Velvette goes to around right under Vox's TV head.
Idk.
I'm just glad I redraw the entire background to account for the stuff not seen, due to Rosie and Alastor blocking it.
Also the lineart in the background is mostly traced to make sure the perspective is accurate, though the characters themselves aren't traced obviously.
Just thought I'd mention since I prefer to be transparent about when I trace or not ( even if it is extremely rare that I trace at all )
I also noticed how inconsistent the artist(s) are with Alastor's arm lengths. Idk maybe it's just to emulate perspective in regards to his forearm(s), but even his upperarms are uneven. Not that I mind as it means I can be more lax in that regard, but it's just something I noticed.
And yes, I edited this post cuz the first one had Vox be too red for my taste. Does he stick out more now? Yes.
Does him being too red/muddy bother me less now? Also yes.
Also, just because I really like how swap!Vox looks in this scene, here's a version with no background and red filter of him.
Drawing swap!Vox like that is honestly the only reason I even decided to do a redraw of this specific screenshot.
I just really like how Alastor looks in the original lol :3
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Some time after the Blight ends, they're invited to Redcliffe. There's going to be a statue in their honour, the letter says, made by one of the best Fereldan artists — and it needs their approval for some reason. A formal one, of course. “At least they didn't pay Orlesians. Let them stick to their fancy chateaus,” Alistair says jokingly, but he seems excited — and Keeris, well, not that much. She doesn't tell him about it anyway. He deserves to feel like a hero for once. Statues and celebrations and all.
It's nice to see Redcliffe rebuild though. It's nice to see anything rebuild — no more darkspawn and barricades, no more walking corpses and burning roofs. Former wastelands are green and full of blooming spring flowers that cover the ruins of something that cannot be restored anymore, completely destroyed houses and fallen mill wings that no one had time to take away; it's a beautiful sight. She'd better stay here instead of going to the castle. She's, frankly, sick of the castles — and they are probably sick of her.
People inside are still friendly, though. Cheerful even. Keeris sees the shade of nervousness crossing Eamon's face when he shakes her hand, but it's not unexpected, really — he couldn't be that fond of her, not after what happened at the Landsmeet, she's aware of that.
The Fereldan sculptor, on the other hand, is very proud and just can't stop talking — about the greatness of his project and how honoured he is to work on it and set the Heroes of Ferelden in stone. Before he bows his head, he gives her a brief look, a strange one for sure, almost terrified — Keeris doesn't know what to make of it nor she wants to try.
Then, he shows it. The art, the concept. It's a big, big piece of paper full of little sketches and drafts and one glorious drawing of a statue in the middle of it.
For a moment, no one says a word.
“What is that?” Alistair asks and his voice sounds genuinely baffled. There are tones of anger in it, loud and clear. Keeris slightly squeezes his hand.
She's not surprised at all.
The statue is a man and a woman in Grey Warden uniforms standing in pretentiously heroic poses. A man resembles Alistair very well, with the same features and even the way he holds his shield. It's almost like him, really, just lifelessly stony grey.
A woman is slightly shorter than him: her features are smooth and pretty, her braided hair is long and wavy, scattered by the wind, and her ears are flat. Her face is so strangely, unfamiliarly bare.
Oh, it does make her angry, furious even. Just a little. Even if she shouldn't care.
She shouldn't care, a girl with vallaslin and sharp features and sharp ears and hair too short to cover them.
“Somehow,” she says calmly, looking Eamon straight in the eyes, “I didn't expect less from your kind.”
They argue. Alistair and Eamon, mostly — she herself wouldn't waste time on it nor she thinks it would change anything, but now they can't go away and loudly shut the door.
Eamon says something about his gratitude. Something about the gratitude of his people and how they all cherish both of them here. Something about the cruelness of the world around. Something about the vile, vile people, who are obviously not there, but they will come and they will not tolerate an elf standing in the middle of their beautiful human town. They will not let it be.
Of course, they won't. She saw the alienage in Denerim. She saw what Anora did to it after she gave her a crown and was proclaimed a friend. It always ends up like this. All the promises and gratitude — they never matter. She learnt it the hard way.
“Then,” she says finally, “Don't make it. Don't place it here. If not for my people's sake — don't lie to your own at least.”
Nobody dares to object.
They leave in awkward, unpleasant silence: no farewells, no partings. They don't even stay for the night at Redcliffe. Alistair keeps repeating he's sorry, that he never wanted it to be this way, that he was sure his uncle would do better than this — Keeris laughs with just a little bitterness in her voice. He shouldn't be sorry. She was the one who took his statue away, wasn't she? He promises they will get a nice, proper one. Maybe somewhere in Amaranthine.
Another letter comes, informing them it is going to be a griffon. A beautiful creature, a symbol, a compromise, it says. None of them respond.
When they get to Redcliffe a couple of years later, there it is, standing in a square. No faces, no names and no shameless lies.
People here still recognise them. They wave their hands when they pass by and promise to buy them a beer if they happen to be around. An elven servant in the crowd blesses her path with Mythal's name. A young girl throws her a flower crown.
They do not put portraits in the archives of Weisshaupt after all.
At least there is no woman who never was.
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HELLO AGAIN 🙌🏻
was patiently waiting to see your takes on ktl ep 12 because lord what an episode that was.
i paused so much during the last scene just to take multiple deep breaths to prepare myself because istg i was literally dreading the whole thing. god, those maid outfits.. i can't.
the image of the plate breaking and sarang's heartbroken eyes are still so vivid in my mind, i literally cried the moment the episode ended because did i expect conflict and angst? yes. was i prepared for that? nope. not at all.
i feel like it hurts even more because we've had episode after episode of them being madly in love and now we see won seated at the table in his house being served by sarang in a maid outfit with the daughter of the other hotel's chairman sitting right next to him and we hear his dad say he wants them to get married within the year. like wow. that's just a stab to the heart.
absolutely can't wait to see how the rest of that situation plays out, but more than anything, i'm terrified about what's going to happen to sarang for breaking a plate because the manager kept mentioning how "the dream team" never makes mistakes and it's stressing me out.
on another note, that whole scene where sarang opened up about her mom to won at the sea was so beautiful. also, won's reaction to sarang telling him what she found out about his mother and giving him her picture.. i honestly couldn't quite figure out what won was feeling in that moment and don't think he did either. the way he was just so overwhelmed with emotions and had to walk away to look at the picture and process everything.
also, my heart broke for pyeonghwa. her backstory literally made my blood boil. WHO TF DO MEN THINK THEY ARE?
on a similar note, can daeul please take chorong and leave her husband and his shitty family. the amount of patience she has to tolerate the treatment they give her is insane. ofc that's easier said than done though and the heartbreaking reality is the stigma divorce has on women which shouldn't even be there in the first place.
lastly, hwaran. she surprises me every episode because somehow she manages to get worse and worse. terrible mother, terrible sister, full of greed, absolutely heartless, manipulative, cunning.. the list goes on. now she wants sangsik on her side too and i honestly can't predict this one but i'm putting my trust in sangsik. please do not let us down. 🙏🏻
no idea what's going to happen in this week's episodes but to everyone who complained about there being barely any plot in ktl what were you watching, first of all, and i hope you're happy because the drama is drama-ing rn. 😭
love how we're both having basically the exact same thoughts about all of the sh*t that went down over the weekend and now we get to pick it apart while still having somewhat of a meltdown, sksksksk. going to put this under a read more bc i don't know how much is going to be collapsed on the dash and i can almost guarantee that this will get longer than the last two asks i answered although i will try to avoid that, my apologies
i stand by my previous statement that bringing Sa Rang there to that specific meal as part of the Dream Team when the arranged marriage was going to come up was Hwa Ran's doing bc that overlapped too f*cking well to be a coincidence. she knew what that would do to Won, not only bc of his trauma but bc of the way he defended Sa Rang from the assemblyman (when he raised his voice at her *cough*) and she really came out here and said she'd milk that for all it was worth bc he handed that extra weakness to her and f*ck. she's one of the worst people in this series but hats off to her for going for the f*cking jugular and doing it well (and endangering Sa Rang's job in the process, bc hey what happens when you're part of a team that doesn't make mistakes and then you make a mistake? nothing good i'm assuming). i especially hate how this comes after they went to visit the sea and Sa Rang opens up to Won about her mom (and tells him about his own mom in the process, but we're getting there), bc we all know how much she has wanted to work at King Hotel, how much the memories of her mother are entangled with them. working at the hotel is like the causeway in the midst of the sea, the last connection she has where Won has none, and if this plate breaking is part of the catalyst excuse for Hwa Ran to try and force her out of the company (though i doubt that will be the only reason she'll use, we need something more substantial) it will be like the tide has returned and she is back at that beach, trying to go and see her mother, crying bc she is not able to, bc no wind turbine can bear the weight of her, and that will definitely f*ck me up more than anything else has so far. (writer-nim don't do that to me pls i don't think i'd be able to make it)
but Won. his dynamic with the memory of his mother flays me open and lays me out to dry and they really dug into that with the photo, bc the first thing i thought of when i saw his face (notice that we did not see hers clearly enough, that was a strategic choice; are they trying to say that he is a reflection of her in that as well, a la 'and they will recognize all the lines of your face / in the face of the daughter of the daughter of my daughter (son)'?) was Lucille Clifton's brilliant poem "oh antic God", seen below (screenshotted) and linked as well—
really and truly i can't pick any lines bc the whole thing applies (except for the part where she talks about her current age) and i hope you can see why, bc as much as he says he does not want to know anything about his mother i think something shifted when he took the photo from Sa Rang and he saw. Junho does so, so well here with all of the microexpressions, since that is what part of what makes the scene—there's a certain time where you think he could be angry, almost, at Sa Rang for going ahead when he told her he didn't want to but then she tells him that she does not want him to have regrets and he has to walk away from her. be careful or you'll end up like her, Hwa Ran said, unimportant and forgotten, but here is Sa Rang speaking of someone who remembers her, and she was good, and she was kind, and she was brave and beautiful and loved at least, and he doesn't know what to do with that information and we don't either. and so he steps forward, braces himself (i see this as a callback to his stance in ep 3 when he leaves the interview, bc i don't know why everything keeps coming back to that panic attack but i sincerely thought that the way things were going we would get his hands on his knees in the same way), and for a moment i looks like he is trying to say something, anything, lips parted, but there is no sound, no noise, only the single tear on his cheek, and God the camera cuts away from him—
i am trying to be very normal about this but uh. my brain is screaming 'COSMIA COSMIA COSMIA' (Joanna Newsom for the second time my beloved but this version too) interspersed with 'wish i knew / wish i knew the words to this one' and that's kind of complicating matters don't you think
as for Pyeong Hwa and Da Eul—ykw i think they deserve a little murder. they deserve to go batsh*t. just as a treat bc the men????? that they have consistently had in their lives????? no woman deserves that but especially not them. honestly i don't know who i want to go after first Pyeong Hwa's ex-boyfriend (#1 candidate for scum of the earth) or Da Eul's husband (ties for #1 candidate for scum of the earth and who also had the audacity to come out here with his ass and say she'd have bad karma come back on her bc she [rightly] complained about the invasion of privacy his family is perpetuating), but tell me when we decide on one bc i have the ammunition for it. wouldn't be surprised if that mf*cker is cheating on her too bc we did get a partial allusion to that in the earlier half of the series, albeit it could just be him choosing his work associates over his own family and not necessarily having a woman on the side. either way this sh*t needs to stop and i 100% support Da Eul taking Cho Rong and leaving. f*ck divorce stereotypes all my homies hate divorce stereotypes just make sure his ass pays that child support
and now for a bit of Hwa Ran character study to round this off (yay for me i actually followed the outline you set out in your ask asfdgjnlcisdwbkkq). as we continue to observe her and the way she interacts with her father, her half-brother, her husband (who is desperately trying to become her ex) and her son, i feel like the screenwriters are pushing the narrative that even if she is a horrible person she, too, is a victim of the system. and i get why they would do that, bc they do have a point. i touched on it briefly in the tags of this reblog, but i think there's a part of her that is doing these things in regards to the company bc she thinks she knows best. she believes that this is the way to not become irrelevant, not to stoop to the level of her father and her brother in becoming so sentimental at times they lose sight of the real goal (in her view, both times it has been bc of a woman). she puts herself out there so she can have power, since such a inbred, patriarchal society does not listen to you otherwise, and in return she is sacrificing her relationships. and even then, she still thinks that there is no other way to do this and survive. she has convinced herself of this, of so many things, that it has become a part of her, so the minute it looks like she is about to lose her control she looks for the closest thing within her grasp to regain. here, with the inheritance fight, it is the King Group and her leash on Won, and Sang Sik, bright eyed and ambitious as he is, looks like an extension of that leash to her. (after all, didn't he say he's the only one who can handle Won?) considering that Sang Sik has been by Won's side since they met, however, i don't believe he'll switch sides, but more that he'll weigh his options and play double agent in the process since they have spent basically the entire series showing us where his loyalties actually lie (and which she underestimates). tl;dr, Hwa Ran's personal arc is somewhere between Who Are You, Really? by Mikky Ekko, Spite by Vandaveer and Blood // Water by The Neighbourhood, and if they take her the way i think they're taking her (read: she spirals) then she's pretty much f*cked as a result
i am biting my nails rn with regards to the upcoming eps bc hey!!!! this threat of my OTP falling apart for fifteen seconds isn't the plot i asked for!!!!!! i don't need this kind of anxiety i decided against watching Revenant live bc of that!!!!!! just praying we get through with minimal damage that's all i can say
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