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#iiipoints
ghoulxfriend · 2 years
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Amazing weekend with my favorite people 🧡
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viszn · 6 months
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10.20.23
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cuebala · 7 months
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III Points, Miami, 2021
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ubebeauty · 1 year
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Our wok! With our muse @alacrangroup • @manumanzo incredible 🖤🤍 en el main stage de @iiiPoints Miami 2022 este fin de semana!  💔VACIO🥃 de Manu sale este viernes. Preguárdala ahora! Link en la descripción. • • • • • #musicfestival #festivalvibes #festivalwear #musicfest #iiipoints #latinmusic https://www.instagram.com/p/CkSOUdOuqI1/?igshid=NGJjMDIxMWI=
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raveloop · 2 years
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🔻We’re ready to dance at #IIIPoints! We’ve got a stacked 2 day lineup for you so grab your tickets via link in our bio 👉RaveLoop.com #RaveMeetup #InsomniacEvents #ManaWynwood #InsomniacEast #TechnoMeetup #RaveLoop #PLUR #TerryPham (at Mana Wynwood) https://www.instagram.com/p/CkBhXoOpJym/?igshid=NGJjMDIxMWI=
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miiichaelviiito · 2 years
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@iiipoints line up looks crazy dope! Can’t wait to finally see @agcook
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thugnificent305 · 2 years
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shitting, crying, & throwing up bc i’m not at iiipoints
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aremuncom · 6 months
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Aremun Podcast 110 – Feph (Alchemista Records / Zosimos)
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Spotify player Mixcloud player Bio: For the past decade, Feph (Stephanie Reyes) has been steadily focusing on both sound design and modular synthesis to create her own appeal to hypnotic, otherwordly electronic music- based in Miami, FL, USA. The most recent years have been dedicated to the growth of two record labels, Zosimos and Alchemista Records, in collaboration with her partner, Mr. Tron. Both labels are showcasing a spotlight on international talent, while also maintaining a regular schedule of self-releases on both vinyl and digital imprints. Although having previous vinyl releases, her debut 10-track digital album was released on Zosimos in 2022. It is a product of deep exploration into the possibilities of modular synthesis. Music that is etherial, filled with texture and groove that has gained international support. Her music has also appeared on other collectives such as The Gods Planet, Subsist, Omnidisc, CMND CTRL, Common Sense, and Further Sessions, to name a few. The current focus is on live performance, which has already been showcased in world renowned venues such as Miami’s Club Space- The Ground, and iiiPoints Festival. However, there will never be a loss of passion for her strictly vinyl DJ sets either, having started her journey performing solely with the physical medium before branching into digital and live performance. Feph is one of the most dynamic upcoming artists from the Miami, FL area. Read the full article
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anitosoul · 2 years
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tripreport.018: The Return of the Disco Samurai
the sound of the jungle fire 🐅
Key Inspirations
Hiking (Activity)
Cultural pride (Activity)
POC Artists (Music artists)
Sherelle (Music artist)
Jungle (Music genre)
Acid House (Music genre)
AceMoMA (Music artist)
Avalon Emerson (Music artist)
WTCHCRFT at Nowadays Nonstop (DJ set)
Octo Octa (Music artist)
JPEGMAFIA – LP! (Music album)
Yves Tumor (Must artist)
Halloween (Event)
Music from the Mountain Provinces (Music album)
b2b with Lissoms (Activity)
LCD Soundsystem at Good Room (DJ set)
The Wu-Tang Clan (Music artist)
John Tejada (Music artist)
planetqueer (Community)
iiiPoints Music Festival (Event)
Jamie xx (Music artist)
The jungle (Place)
Night on Earth – Jungle Nights (TV show) (The Junglist Warrior mix somehow syncs up perfectly with this episode)
The Return of the Disco Samurai Tracklist A-Side: Junglist Warrior
Kulintang – Badjao or Yakan Gong
Stones Taro – Full Train
DJ Rashad & DJ Manny – Drums Please
INVT, DJ Earl – WORK
Kelly Lee Owens – Re-Wild (Breaka Remix)
Mickey Hart – Frog Dance
Octo Octa, Avalon Emerson – Adrift (Avalon Emerson’s Furiously Awake Version)
quest?onmarq – WATCH THIS
Mark Broom – Jungle
John Tejada – Abbot of Burton
LAVA LA RUE, Congo Natty, Phoebs, Nia Archives – Magpie (Nia Archives Remix)
Ivy Lab – Suzuki
3ASiC – Lorentz
The Fugees – Ready or Not (A SURGEON Remix)
Remarc – RIP (DJ Hype Remix)
Kiat – Stranger Tings
BEARCAT – The Bells
Fixate, Double 99 – Ripgroove
Yves Tumor – Secrecy is Incredibly Important to the Both of Them
The Return of the Disco Samurai Tracklist B-Side: Wild Fear
Dumagat – Throat Singing
AceMoMA – 1 Million Breaks
Avalon Emerson – One More Fluorescent Rush
Ataw Allpa, Trio Ternura – A Gira (Ataw Allpa Remake)
3 Times 6 – You Can Run
Die Orangen, Full Circle – Yaranabe (Full Circle Goa Way Remix)
Wu-Tang Clan – Triumph
JPEGMAFIA – ARE U HAPPY?
Breaka – Get Your Sweat On
Stones Taro – To Rave
Ase Manual – Soniferous (Instrumental)
Viper Diva – Alice
Psychedelic Research Lab, Deetron – Keep On Climbin’ (Deetron Remix)
Shakedown, Peggy Gou – At Night (Peggy Gou’s Acid Journey Remix)
Jennifer Lopez – Waiting for Tonight (Hex’s Momentous Club Mix)
In previous months, I increasingly turned to music for guidance, comfort, truth, and therapy. In October, I submitted to the music completely. It became all-consuming, and I filled my brain space with unending tunes, either listening to music in headphones, mixing songs with my DJ controller, or dancing at a live show. There were a variety of reasons I became so engrossed, but the main driver was twofold: purpose and performance.
Coming out of September, I was dealing with a lot of difficulties surrounding grief and loss. I used music as therapy in September, but in October I began to use music to give my life a tangible meaning. For the first time, music gave me something to work towards. I was no longer just a consumer, but I was on my way to becoming a contributor. It clicked for me that I had opportunities to share my own creativity within music through DJing and live performance. I started planning events with a few friends, building a community we called planetqueer. It started as a party with drag performances and DJ sets, and it was a chance for me to perform live quickly after getting into DJing. 
For my first performance, I crafted a set with specific themes around my own identity; I wanted to express what the Ifugao persona represented to me. This meant drawing upon music evocative of the jungle, my indigenous Filipino roots and anti-colonial sentiments. I went on a hike early in the month and spending that time in nature rejuvenated me. I listened to Avalon Emerson’s DJ-Kicks and some of Octo Octa’s albums; the natural sounds resonated with me. I had a primal hunger, and the music had to represent that. 
On the day of the planetqueer party, it was cold and rainy so we moved the event inside our friend’s apartment. It was great for the drag performances and it was incredible seeing how engaged everyone was. I started my set, though, and got a little worried. I didn’t feel like it would hit as well being indoors, but I went for it anyway. Shortly after I started, the rain cleared up and we moved the event upstairs to the roof. Being outside felt right! I began my set. It was crafted around the lane of dance music that represented me: not so much techno or house, but drum & bass, jungle, and breaks. To my surprise, people were actually into it. They were dancing the whole time, filming me, asking for track IDs, and genuinely having fun. At the apex of the set, as I was playing the most chaotic and high intensity song (Ripgroove), the wind matched in intensity, blowing so hard that the canopy covering the DJ set up started flying away. People were scrambling to weigh it down as the track orchestrated the maelstrom. It was epic.
After that, I was totally charged up. The rest of the month was dedicated to performing or consuming music. Shortly after the planetqueer party, I went to see a surprise LCD Soundsystem DJ set at Good Room, and a few days after that some friends and I went to Miami for the iiiPoints music festival where I got to see some of my favorite artists and DJs. I saw the Strokes in the rain, crowd chanted Peggy Gou’s name, had a spiritual experience at Jamie xx’s set, was reminded of the importance of community and respect seeing the Wu-Tang Clan, and danced through a mind-boggling back-to-back rave run of John Tejada, AceMoMA, Kaytranada, and Robert Hood to close out the festival. That same week, I also somehow spontaneously decided to see JPEGMAFIA tour his incredible new album and had Yves Tumor melt my face off on consecutive days. Both nights I moshed harder than I ever had before, and it was so worth it. 
On the Friday after that, we pulled off hosting a one-off planetqueer Halloween back-to-back DJ set between me and my friend Holden, aka Lissoms. Playing b2b brought out the best in both of us, and we delivered a killer set that had people dancing until the very end. With the very last of my energy, I decided I would attempt to last as long as I could for Nowadays’ Halloween nonstop weekend, which was the last Mister Sunday party of the season. It was a space and community that had given so much to me, so I wanted to take in every last bit of it. I donned my skeleton costume and signature frog hat (this time in white, going as a skeleton frog) and submitted to the rave. Every set blew my mind; particularly WTCHCRFT’s bouncy witching hours set, MoMA Ready’s emo sunrise liquid DnB set and the legend Todd Edwards’ sunny UKG set. By the time Mister Sunday was happening I was fully a husk, barely able to move or speak (I lost my voice at some point). The music kept me going, though, and as day turned to night I said goodbye to the Mister Sunday season which had given me so much this year.
I didn’t fully complete this mix until December, but all the tracks I either used during my set at PQ, the Hallowb2bn set with Lissoms, or were songs I heard live. It made sense for this mix to be a sequel to The Rise of the Disco Samurai, as it brought forward a lot of the themes I explored in that mix. The Rise of the Disco Samurai was my first foray into mixing and narrative-building, and The Return of the Disco Samurai was the manifestation of that character in my first live set. If The Rise of the Disco Samurai was the Disco Samurai dealing with feelings of being displaced and disconnected from his roots, the Return of the Disco Samurai is the Disco Samurai fully embracing where he came from and unapologetically living out his culture.
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Indoor Skating
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nino-tores · 3 years
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ULT (2016)
Denzel Curry
Miami, FL
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showdrawn · 5 years
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khruangbin and Asap Rocky at III Points, Miami 2019
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raveloop · 2 years
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🔻We’re ready to dance at #IIIPoints! We’ve got a stacked 2 day lineup for you so grab your tickets via link in our bio 👉RaveLoop.com #RaveMeetup #InsomniacEvents #ManaWynwood #InsomniacEast #TechnoMeetup #RaveLoop #PLUR #TerryPham (at Mana Wynwood) https://www.instagram.com/p/Cj-pq0OLf3k/?igshid=NGJjMDIxMWI=
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porchbeers · 4 years
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Wow. III Points crushed it for 2020. I don’t use the phrase “crushed it” ever, but given that lineup... seemed appropriate. Quite a lot of depth here. Some mainstream, some expected, and a lot of surprises.
Might have to give it a whirl this year.
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thugnificent305 · 3 years
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Take me bacc 😵‍💫
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smithbjpg · 5 years
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all glass...
still...
behind closed doors...
V [2] & Talen x iiiPOINTS MIAMI 2019
IG: 1vbaby | talenlp
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