Hi, I used to draw a lot but I've not drawn/created for a long time now, any tips to get back into it?
Or rather the whole thing about making art for yourself, I used to get a lot of attention for being good at art from other ppl and I'm not sure how to connect it back to myself again
I'm also contending with the Autism "It needs to be done in this way" and the ADHD "I can't focus for shit"
Also please don't worry if you don't know what to say, I'm just trying to get a variety of opinions to try and untangle my brain
Thank you in advance 💕
i think a good way to get back into creating *for yourself* whether its to come out of a dry spell or just to get back to creating things that you like, is what i call 'backtracking' (bearing in mind that my particular methods may only work for me! im lucky ive never struggled with focus when it comes to drawing things, but maybe some of these things will help as my main goal when drawing is to entertain myself!)
also before i move on this i think is valuable: you gotta draw things that you aren't gonna post sometimes. it's fun and fulfilling to make art for an audience, and wanting attention is not shameful (ITS HUMAN!) but also we live in panopticon times and i think its good to train your "i am alone doing something for myself and no one has to see it" muscles.
backtracking is a couple different things:
look back to when you were really young. what kinds of drawings were the most fun to do? what did you spend time on or get really into? for me, this was a few things! tracing cartoons, drawing up elaborate scenes of lots of little creatures doing a thing, and designing little characters as paper dolls and making their houses and little furniture and accessories and such to cut out and play with. also getting paint all over my hands (i still paint my whole hand whenever im done doing something with acrylics before i wash up! its stimming)!
backtracking here is when you try to take those things and make use of them now. try to find that old joy and use it in a way that makes you happy today, even if it's something small or silly or embarrassing. it can really help you rediscover what parts of art make YOU happy!
if you're regularly drawing and in a slump, backtracking for me is stepping back and doing either more exercises and practising the things you feel like you already know how to draw (ie. studying angles of the face or pulling up imgs of rooms on pinterest to see how normal people arrange furniture etc.), or simplifying your drawings to a level that feels more relaxing and less stressful. (ie. chibis instead of more detailed characters etc.) i find i kind of fall back to chibis when i feel lost, and then sort of rebuild from there. its fun to let my style change as i grow!
ALSO! im telling your autism this for your adhd's sake (this is useful for anyone i think): if there is a part of art that you do not enjoy doing or find boring but you feel it is an important or necessary step in the process? the secret is it isnt! art is made up. if you hate lining, dont do it! if youre a digital artist and get caught up picking a brush every time because you feel like you need the perfect one? switch to mspaint for a bit to get the nerves out. it can be really freeing!
art is for having fun and fulfilling our need to create. the rules are all made up and not real. perfectionism is the little death that something something i forget. yeah
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Been spending my time lately thinking of a House MD au where, through a series of accidents and lies and a bet he didn't rly intend to win, House ends up as a registered foster parent (he's still addicted to Vicodin and his normal dickish workaholic self but for some reason he cleared the requirements and trust me he's as stunned and mildly concerned as everyone else is).
Through further Shenanigans™, he ends up accidentally getting handed fostership of not one, not two, but three hellish but brilliant kids:
1. This total smartass 16 year old named Robert Chase who yeah he's a bitchy teenaged boy and a former rich kid and Australian with enough mommy and daddy issues to reawaken Freud after his dad dipped and absconded all parental rights and his mom drank herself to death, but he's also got a nice car left over from his rich kid days and an eye for detail and weirdly enough his best friend/mortal enemy (some other teen named Eric Foreman) and his on again off again girlfriend (Allison Cameron, totally won't last if u ask House) both work at the hospital as a candy striper and after school in the cafeteria respectively so House can get all the inside gossip from Chase. Plus Chase has no problems breaking and entering into patient's homes which helps bc since he's not employed by the hospital Cuddy can't complain as far as House is concerned.
2. A 14 year old girl who only answers to Thirteen (House knows he could look her name up in her file but honestly it drives Chase nuts that she won't tell him her real name and that's good enough for him) and who's dad was declared unfit after the death of his wife to Huntington's devastated him. She's a total nightmare, snarky and quick witted and freakishly smart even tho she puts most of those smarts towards things like shaving Chase's entire head (eyebrows included) bc he's trying to grow a sucky teenage mustache, and trying to take House's wallet bc she keeps calling him Old Man and he informed her he's actually only 25 but the stress of fostering has aged him prematurely and she's like 95% sure that's a lie but she wants to check his license and make sure bc everyone lies. She loves tormenting Chase by telling him his best friend and/or his girlfriend is hot and asking if they're single.
And 3. This 6 year old boy named Lawrence Kutner who's weirdly cheerful considering his parents got killed in front of him. He's way too chatty and excellent at puzzles and the only morning person in the entire house and therefore frequently tries to make breakfast (he likes to be helpful and he hasn't burned the place down yet so House doesn't feel the need to stop him). Once he told House he was gonna build a Death Star in the living room and House said lol sure go ahead whatever, only to return home from work to discover Kutner called himself out from school and has a huge wooden frame made of broken furniture in the living room. House rly can't argue since he did say go ahead. Benefits of fostering a 6 year old are 1. The babes love it, 2. Free excuse to leave work early/come in late/not show up at all, and 3. Justification for buying juice boxes and Ritz crackers. The neighbor kid Taub is his go to babysitter bc his mom volunteered him forcibly and Taub is lowkey praying that babysitting Kutner could lead to an in at Princeton Plainsboro once he graduates high-school and finishes medical school (it won't, House doesn't believe in nepotism unless it benefits him).
The adventures of House and his Foster Ducklings mostly revolve around being a Found Family, but do involve frequent plots such as:
House fired his brand new fellows again (he tosses em every three or so months, he hasn't found The Right Team yet) and will sometimes bring his foster kids in, hand em doctors coats, and tell patients that they're just a bunch of medical savants here to consult yes even the 6 year old he's actually Harvard's youngest graduate ever.
House sends the kids to break into a patient's home. They refuse. House tells them the first one to find black mold or lead paint or a dead animal or whatever gets $20. They agree. Chase drops Thirteen and Kutner off at a bus stop across town and drives over himself so he can get an hour and a half head start (ultimate fuck them kids moment, however Thirteen did steal his wallet so guess who's paying for lunch and their taxi ride to the patient's house? Net loss.)
Cuddy demands House does his clinic hours. House sends his foster kids to do his clinic hours for him. Tfw you go to the free walk in clinic for a sore throat and a cough and your doctor is a 6 year old boy who keeps asking for help with spelling whilst filling out your chart.
Wilson babysits them one (1) time since House doesn't trust Chase not to throw a party or sell his foster siblings on eBay if left as the one in charge. He wakes up with a big strip of hair poorly bleached right down the middle. Chase crushed up stolen sleeping pills and mixed them into a juice box, which Kutner 'innocently' offered to Wilson. Thirteen was going to bleach and dye his whole head blue (for practice, she wants to dye her hair but she's certainly not gonna fuck up her own hair until she has the method down) but Wilson woke up pretty quickly due to years of House drugging him. Wilson has not offered to babysit again.
Anyways this is my House Foster Ducklings au which I'm thinking about actually writing. Thank u 🫡
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Paul doesn’t have a Mercedes logo on his suit anymore… And he gave away his helmet with the logo…
i hate this. i hate this SO MUCH.
like i know there was so much talk about how merc doesn’t have 2 drivers in the same category, and now kimi going to f2…. but i thought we debunked that shit 😕 but now he gave away the helmet, he’s not wearing the logo on his suit, and he doesn’t wear any other merch either…. truly a bit scary :(((
the only good thing that could come out of this is the following:
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The affair [between Paul and Iris Caldwell] was tempestuous. ‘I was madly in love with him while I was going out with him, and then you’re in love with the next person.’ Paul could be an annoying, controlling boyfriend, as young men of his class and background typically were. He expected Iris to behave and dress to please him—‘in straight skirts below the knee, and your hair up in a bun’—and could be jealous and immature, especially when egged on by Lennon. […] shortly after Paul got his first car, a green Ford Classic, they drove through the Mersey Tunnel to the Cube Coffee Bar in Birkenhead, where they had a tiff. ‘I picked up this great big bowl of sugar, a big square bowl—because it was called the Cube Coffee Bar, everything was square in there—and I emptied it over his head.’ Iris then ran towards the Mersey Tunnel, ‘with him driving along after me in the car trying to catch me …’
Deciding she was finished with McCartney, Iris phoned George Harrison. ‘I’m not going out with Paul any more,’ she told him.
‘Oh great!’ exclaimed George, seeing a chance to get the advantage over Paul for once. ‘Can I take you out tomorrow night?’
‘Of course you can.’
As Iris was getting ready for her date, Paul turned up with tickets for the King Brothers. ‘He said, “Well, I’ve paid for the tickets. It’s a stupid waste of money, so we may as well go.” I’m thinking, what am I going to do? George is going to be here in a minute.’ Good as gold, Mrs Caldwell picked up the telephone and dialled George. ‘Hello, is that you, Margaret?’ she said, when George Harrison answered the phone, pretending she was speaking to a girlfriend of her daughter’s. ‘Oh listen, Margaret, Iris’s boyfriend’s come round and she’s going out with him tonight.’ George asked Mrs Caldwell what she was talking about, telling her he was George, not Margaret. (‘He was a bit slow, you know,’ notes Iris. ‘God love him.’) So Paul took Iris out. The evening ended awkwardly again when Iris attracted the attention of one of the King Brothers, who came back to Stormsville with her and Paul, the rival boys staring daggers at each other until Iris went to bed, leaving her mother to deal with the Romeos. [...]
[—from Fab: An Intimate Life of Paul McCartney, Howard Sounes]
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