#imo which was a smart move for a new audience

[lizkreates]

Every time I rewatch Badlands Rumble part of me laments we didn't get a full 2D TriMax adaptation. :')

Can you imagine how it'd look?? The color! The environments! The characters and action! I wouldn't survive, I'd be elated and devastated by the end.

#this is NOT a dunk on Orange #we got an updated beautiful reimagining in 3D #imo which was a smart move for a new audience #things have budgets and I fully understand that #animation is expensive to produce no matter 3D or 2D #maybe it is some of my attachment to 98 that I miss #the wonkiness had its charm #i do prefer the look of 2D over 3D even if it's Pixar! #Trigun #trigun badlands rumble #liz blabs #text post

[sketchdeath]

scott pilgrim thoughts

i liked it :3 it was really weird but fun

really cool writing! i liked that ramona took the lead. it was a very bold divergence from the comic and the movie um obv but im glad for it. this series was written for the established fanbase of the comics/movie. it felt like someone playing with their old ocs after a change in their life making a new au with the same characters <- nerdass sentence sorry. "a more mature and realized expansion of the story with familiar characters."

the first 5 episodes reminded me of the comics pacing-wise where the characters are just like. doing shit. lot of slow and "pointless" shots and cutaways just for comedy or atmosphere. (vs. the movie which leads each scene super deliberately into the next and everything is pretty much plot focused/"action packed") i enjoyed that the mini-series had the freedom to slow it down while still having a somewhat focused goal (finding scott) (the comics felt Very aimless plotwise IMO) and then after scott returns it picks up and becomes more action action action.

i really liked that matthew patel had a bigger role in the series. and his VA slayed. moody dramatic evil dude.

great animation! the 3d backgrounds were an interesting choice. smart for the fight scenes and not too noticeable against the other painted backgrounds (unless you were like, paying way too much attention to them like i was lmao) though sometimes the characters moving through them felt like paper cutouts moving in 3d space, it still looked nice. the fight scenes were great! although lucas lee's episode (whatever!) kind of dragged on with it.

i also liked that wallace was given a lot of on-screen time and funnies. very good handling of him as a fan favorite. episode 5 that's what boypussy does to a motherfucker. also mobile :)

ramona re-dyeing her hair every episode was cute

edgar wrong and the security guards eating cornettos in the last episode... that was cute. to me.

may divorce be with you

i def dont think that the series could be watched as a stand alone thing. it was great for what it is, and what it is is a response to the existence of the comic + the movie + the fandom + the backlash/crit of the series = this thing existing in this moment now. i don't think that the series will be timeless. (i don't think the film is the most timeless either, maybe as a time capsule of the era.) but it is fun now and that's what matters.

scott pilgrim dating a highschooler got slightly brushed over (plotwise)... which makes sense w everything else going on. im not sure how i feel about scott's apology to her. maybe that's just me i mean its always been a weird thing anyway. im glad knives chau got to be a part of the band and form a friendship with stephen stills. would have been interesting to go into why knives feels like she cant hang out with people her own age. she just existed as this sort of "young fan girl, a bit weird and overexcited"* and her anger and sadness weren't really there in the way it was for other iterations.

*maybe this was just me but because the audience is already familiar w the characters for the most part it was almost as if every character was parodying themselves to different degrees (not a negative just something i observed) really fun and self-indulgent expansion of the series that doesn't re-tread ground in my opinion.

the plumtree song :D also ANAMANAGUCHI <3

#mine #scott pilgrim takes off

[mousemilf]

could u talk a bit abt ur experience with switching to a flip phone? i took your quizz and it told me to get rid of my smartphone and god am i seriously considering it.

hmm. so honestly - its been abt 9 months since i made the switch, and while i feel like the "detox" has been very good for me, im considering getting a smart phone again bcs having a flip phone honestly makes a lot of activities and stuff inaccessible. like restaurants that want you to scan a qr code for the menu, parking/admission only payable through app, dealers who only use snap, etc - things u dont rly think abt until u cant do them. i also moved to a new city recently, and it makes it hard to be spontaneous when i cant look up maps. as nice as its been to "unplug" or whatever, i do think now that its more tenable as a temporary detox than a permanent lifestyle choice - not that i take back anything abt how positive its been for me im just like. ok that was a nice era and i learned a lot and i might be ready to reenter techno world now

so prefaced w that, i basically realized how reliant on my phone i actually was for things like maps and scheduling and shit. i did not think i was quite as reliant on it as i ended up being. it also pissed employers and stuff off bcs i couldnt get scheduling apps etc and forced people to make accommodations for me.

i had to learn to look up directions in advance and navigate without maps, and besides that theres just a lot of things you have to be more deliberate about - like for instance without mobile check deposit you have to take time to go to the bank. imo it actually gave me kind of a nice sense of control to be more like mindful abt the things i do. i feel more self-reliant.

the other thing is that i feel like i am more "in the moment" when i have to wait places. instead of scrolling through tumblr while im waiting for an appointment or to meet someone, im looking around at my surroundings and being alone w my thoughts which is nice. it took a lot of practice but theres a sense of contentment and grounding. also, not being able to post while im out is nice bcs instead of thinking of real-time events in the sense of "oh omg i could make a post abt this" i am simply existing without an audience. if anything that important happens i can always make a post later.

i also read a lot more books and magazines now, bcs ive started taking them w me to my work lunch and stuff. if i do decide to go back to a smart phone im gonna work hard to keep this habit. i think i wont have any "fun" apps on it and will only use it for those type of things i mentioned like mobile banking and maps.

anyway - im not sure if this is useful at all; i was kind of just rambling. but those are some of my thoughts. i think its a good switch, but how tenable it is depends a little on ur situation - like in a new city its not quite as nice.

thank you! <3

#ic #anon

[generalasshattery]

MK Movie Thoughts and Reflections

It’s been a few days since I watched it, and it’s all had time to settle in my brain. Who wants a tangent?

So, I guess I should start with the like biggest issue. Cole. Like I get he was only put in the movie because the studio insisted, and I feel like a little bit of the resentment for having to do that is obvious by just how bland a character he is. If they had to have him, they could’ve at least made him a little more fun to watch. Like, you had the opportunity to make a new Mortal Kombat character, some of the most deliciously and wonderfully over the top and charismatic fighting game characters out there... like why didn’t they make any effort to justify his existence on screen? Want to give us an everyman that can be used to introduce the world to the public? Do it, make him an audience proxy. Use some wit and charm to make people feel like he represents how they’d act in that scenario. I’ve seen this done to absolutely beautiful effect, my favorite example is actually a short horror film on YouTube called Downstairs. Lean into the batshit insanity you’re introducing in the form of mortal kombat. This role is historically handled by Johnny Cage, but he’s a celebrity rich boy, how would Joe down the block honestly handle this shit? Would he be stressed the fuck out and anxious? Or riding high getting to live out an ultimate power fantasy? That’s what would’ve been fun to explore with a new character IMO.

With that out of the way, I’m not going to belabor all the things I didn’t enjoy. Because well, it’s obvious. Jobbers irritate me, like what the fuck was that they did with Reiko? Did not like. Killing a clearly post burns Kabal in a fire? Like that just upset me. And all the weird lore building choices were just that... fucking weird. They do not need to be super heroes. They do not need to awaken super powers. Tech based abilities make it more interesting against the more supernaturally influenced characters. Genre bending has always been a feature and not a bug in MK. The game was supposed to be a Jean Claude Van Damme game, it was supposed to be all these different genres of movies coming together to fight the Van Damme, in a manor of speaking. Taking away the absolutely fun part of the story where special ops, a celebrity, and monks team up with a god to fight ninjas, a sorcerer, criminal empires, and monsters, is like missing the forest for the trees with the franchise. And I just can’t even go into Shang Tsung. I just can’t. I like Chin Han, he plays assholes very well, but Shang Tsung is a special kind of asshole. Cary-Hiroyuki Tagawa just set the bar so high with how much intellectualism he brings to the lines. He can drop them in such a smart sounding way that it makes you feel like he’s three steps ahead of you. There’s something so obviously manipulative and toying in his vibe (god the best part of MK11 is him, I’ll fight people on this, he fucking stole that shit for me) that it makes him feel instantly threatening. Immediately you know this is a man you Should Not Fuck with. I need that from Shang Tsung, or I don’t even really feel like you should bother bringing him to screen.

But despite all that, I did actually enjoy the experience of watching the movie, admittedly because I expected not to like any of it, so there were quite a few pleasant surprises. The gore and fight scenes were so perfectly stylized with the excessive blood and choreography, showing off the characters fatalities and famous moves... yes feed me that fan service. Feed it to me.

And while I don’t love all the casting (Reiko and Shang Tsung for example), some of it was pure perfection. Kano, Jax and Sonya? Story was... A Choice but loved the actors and what they brought to the characters. Also, like Lui Kang being cast with just the prettiest actor made me very happy. Pretty boy Lui Kang can hang, especially with his belt/slash floating in the wind. I was here for that.

Holy god damn hell, Joe Taslim, what the fuck dude? You made all my Bi-Han fantasies and dreams a reality. Like god damn, I could feel the depth he was bringing to the role even if the script didn’t let him explore it. I seriously hope we get so much more from him because got damn. I was so pleased with his performance. Holy shit not to mention the ice effects, his Katara moment of stopping the rain and then wrecking the shit out of a street is the kind of raw destructive power that canon has always hinted he has but hasn’t really shown us. He’s so often relegated to being a jobber, and MK is so especially bad at telling you a character is powerful but not showing it. Oh boy the movie showed it. Not just him either, I felt a real sense of power from a few players, and that was deeply satisfying.

Also like Kabal? For as much as his death pissed me off, damn did they nail his vibe. I think we’d all rather have good guy Kabal (which would’ve been a more interesting story with Kano on both sides the fence [and I DO NOT have the energy to write the dissertation I have for that weird ass choice]) but I really thought they got the bad guy him just right. Side note: My sister watched it with me and just adored him, she loved his fight scenes and kept asking me who he was and telling me how damn cool he seemed. And I do agree. His fighting scene was so damn good. The way they handle his choreography and effects made him look every bit the intimidating opponent he is, even if he didn’t actually win. Very good work there.

Hanzo has some promise here, but man did they cock tease us with those trailers. Didn’t even toss a handy j for our troubles. I will say, assuming they do make another film (and that is a big assumption) I am cautiously optimistic about where it could be heading. The actor really didn’t get enough time to explore the part, but Scorpion has the potential to be fascinating and I feel like him and Sub Zero getting their own film properly could really give me some satisfying story telling in Mortal Kombat’s biggest rivalry.

Over all? Not super satisfying for the dedicated fans. Wouldn’t really recommend it if you don’t Stan Bi-Han specifically. But if you set your expectations as low as possible, you may find some fun in it the way I did.

[lesbiancarat]

Haha its fine! Im book anon for a reason so take all the time you need! Before I start, I wanna apologize for the possible asks you got about the merch and hybe in general. I didn't intend to cause stress and need to be careful bdjahdsj so slap me with a fish!

Onto the ask! But agreed, I mean before the big kpop boom we saw, this was very common. Build a decent fanbase and then move to Japan or China. (Of course sometimes you see INSTANT movement in other countries but that depends on the company and such but you know what I mean) but since we do have the more global kpop era, we may see more companies do America which isn't a bad thing. It makes sense buisness wise so they will jump on it after debut or something. Thus I don't see it a bad thing for kpop groups to promote in America because hey, if in Korea they do sell western artist music who also tour there, kpop groups can also do the same ya know?

Now onto the hybe comment, I will try not to speak too much on it so I will try to summarize. I think my theory is due with merch from their main artist, they think maybe it could work with svt which maybe could but svt has a different fanbase so throwing on random merch won't make fans really want to buy (not saying some won't which kudos to you! As a fan you are allowed to consume what you please except not be a bad apple about it) so thus like the infamous water bottles which was done for bts, they thought why not do it for svt because bts fans sold it out apparently for a 2nd wave of it being sold again. (Which to this day idk why someone in the hybe team thought this was smart. Like...this is just in bad taste imo) I do wanna agree that it appears that hybe doesn't seem to have a proper art team for svt because while sometimes wild, I do know for their main artist they do have thoughtful merch based around say an album concept I recall. Kf course they will make mistakes i.e. the water bottles. I do wish it can improve because even though it is capitalism, I think fans do want decent merch. We have seen interesting ideas like svt making their own magazine and selling it lol. Of course it is hard to please because some fans want subtle merch ideas while others don't mind the vibrant pastel colors we got or some want wild ideas like svt figurines or something. Overall I hope I didn't drag this too much as I just wanted to respond back to you, I agree with many points you said so yeah cx I say let's also wait as this is barely what, a year or even less of svt being under hybe properly. Especially when hybe had its rebranding and expanding so things are being changed, I know fans are worried about this which is valid but let's not panic just yet. Let's come back in a year to this and see what has improved and what hasn't. (OK but peldis sold the boys rings!? :o since when!? I haven't heard of this actually, when did this happen if I may ask?)

Oof yeah sadly with streaming, many view "oh you don't stream it means you aren't a fan" when isn't the case (which is why I personally don't like when certain companies also do "listening parties" which seems a bit ???) I do remember this popped up big in 2017 but many fans called it out so it quiet down a bit. Like we didn't see it so often where fans were causing problems over it so idk why this returned nor what the cause of it was.

But thank you!! It really was a nice closing chapter, I think when I have personal stuff settled I will try maybe get a new bunny? And oohh congrats on the album! (Note to hybe or pledis. Please make the us store a more common thing, it makes things so much easier! Am happy it was at your place quick so kudos to the us store. Oohh wonderful choices! I think for many fans anyone or heaven's cloud seems to be the popular picks? For me, I may have to say game boi or heaven's cloud as well! Those songs make me just so happy? Like game boy is just so creative with the way it was made. As a video game nerd, it is perfection. I could make an essay about this song lol and heaven's cloud is just...wow. I feel so at ease with the song, comfortable and soothed. Like you are on a cloud lol. Also that is totally fine! Rtl was a grower for me (I blame the mv, it didn't do the song jusitice) but it is a bop and can't stop humming the chorus at random moments. Overall a great summer album. Just imagine any of these songs performed live ndjansns

lol don't feel too bad about it! honestly they weren't that bad + i can always delete asks if i really don't want to answer them, i just always get a bit paranoid that things will get out of hand so i may end up getting more serious in those situations OTL

and yeah i agree! i don't think it's a bad thing for groups to promote in the US, as you said, it's similar to groups expanding their fanbase by promoting in china or Japan or other asian counties, it makes sense from a business standpoint and there's nothing wrong with promoting in different countries. i just wish that some kpop stans understood that western and/or global popularity is a bonus and not a requirement for success. while they do have a global appeal, at the end of the day kpop's main audience is korea, and groups that achieve popularity in Korea have already achieved what they set out to do. but there's unfortunately a decent chunk of international fans that prioritize western popularity over anything and can't fathom that a group can be successful without being popular in the US. or they just talk as if their groups western achievements are more valuable than their Korean ones and to me that starts to look like xenophobia... (sorry if I'm repeating anything i said before in regards to this, i feel like i am but I'm too lazy to go back and check OTL)

since you sent this ask hybe released the caratland merch which was actually really nice, and today they also announced that there will be birthday merch for cheol (and presumably all members from here on out). we don't know what the bday merch is yet but some carats are already a bit miffed that hybe is even thinking to capitalize off the boys' birthdays... i bring both of these up bc i feel like the caratland merch proves your point that hybe is capable of designing good and thoughtful merch, and honestly this does reassure me a bit. but on the other hand them trying to capitalize off the boys' birthdays also proves that they still don't fully understand carats wants and priorities as a fanbase. which, if the future of seventeens merch is gonna be quality merch with some shitty cash grabs in between, i can live with that. I'm not gonna like the shitty cash grabs and i think it would be in our best interest as a fandom to not go crazy buying those shitty cash grabs, because if we don't then hybe will hopefully stop wasting their time and put more effort into /quality/. but if we get quality merch for important events like concerts and fanmeetings, i can live with it. as you said too, it can take time for these things to change, and we should all recognize that. but at the same time merch specifically is market driven, so i don't think it's a bad thing if people like @ hybe on twt about any bad merch that comes out in order to drive that change dhfkfj

but also on a maybe more fun note in regards to the merch... with some carats being upset about the bday merch i was thinking about what hybe could do for merch instead that would fill the niche of being at intervals throughout the year that could still be limited time drops but that carats wouldn't be mad at them capitalizing on and then i was like duh! they could literally just make merch off of going seventeen! honestly I'm surprised they haven't yet. maybe not merch for every episode, but they could have a line of permanent gose merch w a basic logo or something and then release limited time merch themed around some of the more popular episodes at various points during the year. I'm actually kind of obsessed with this idea now and for once I'm like hybe/pledis please capitalize off of this!! dhfkgjg

they never actually sold them, but for seventeens 3rd anniversary, pledis planned to sell replicas of seventeens rings. after it was announced carats were understandably upset since the boys worked so hard for those. luckily pledis heard carats concerns and put out an apology and didn't manufacture them in the end. I'm glad that at least they listened to carats even though it would have been better if they had never considered the idea in the first place :(

oh yeah listening parties are definitely just another marketing technique to boost streams. i think like with a lot of marketing techniques, it just depends on the execution. imo if they're done well it can be a good way for fans to connect while listening to an artists music, which is mutually beneficial for the company, but i can totally see a situation where companies get greedy and push it too hard. i don't know anything about what happened with them back in the day, but if you're curious why SVT had listening parties leading up to your choice, they were set up by UMG, the American distributor that SVT worked with for this cb. in this case the listening parties weren't just for boosting streams, but also likely for UMG to gauge interest. SVT isn't officially signed to a US label yet, but UMG's data from the listening parties could be used to show US labels whether or not there's enough interest for them to be signed. which if that happens we'd almost definitely see a more permanent US shop!

ahh yes, once you're ready I'm sure it would be great to have another bunny companion 🥺

yes! heavens cloud and gam3 bo1 are both such feel good songs! my sister actually added heavens cloud to their Spotify after i made them listen to the album in the car dhfkf it's now one of 6 kpop songs they have saved (4 of which are SVT... my influence 💅 DHFJFH) I'm certain we'll see some of the songs from your choice at caratland this year, hopefully it's all of them but I'd especially like to see heavens cloud and wave 👀 I'm also still crossing my fingers for an i wish live performance bc i can't believe my favorite SVT b-side is one of the TWO tracks they haven't performed live not including the new album (the other one being network love, which i would also like to see live!)

#melia.ask #📖 anon #long post #it always takes me so long to answer these bc i am incapable of shutting up OTL

[vacation-grif]

What kinda feelings?

A LOT, ACTUALLY. Like I said before, the RTNY group was telling me to skip it because it wasn’t a good season, and I want to express how much I wanted to just form my own opinion, only to end up agreeing with them in the end. Let me break this down as best as I can now that I am on my PC. I mean no disrespect to the director and writer, as well as the cast and crew. Honestly, I’m worried that my opinion makes me feel like a boomer at this point.

First off, if anyone was going to tell me that I’m going to have headaches over bright flashing lights and colors over a Red vs Blue series, I wouldn’t have believed you. As I said before, they should’ve just called this “Red vs Blue: Epilepsy Warning THE M0VIE”. I understand that they are using the Unreal Engine, because my god the graphics on this is INSANE. But everything is...too bright. TOO. BRIGHT. Everything has a lens flare no matter where the camera turns, and with the high paced action, all the lights and colors, it HURTS.

-

Next, this is a fully CG-animated season. We haven’t had one like that in SUCH a long time, and this is the first in the 20-ish years of Red vs BLue. When I was a kid who didn’t have a cellphone, I could only imagine what Red vs Blue was like when my best friend would play it over our landline on a weeknight before we would go to school the next day. And I would come over and be like, HOLY SHIT. IS THIS FUCKING HALO?! So imagine my excitement when after 8 years of Red vs Blue using Halo 1 to Halo 3 assets, you see a Warthog just crash through the walls of Valhalla, something you’d never see in a Halo game. A fully animated scene of Grif running over Washington (hell yeah), and an angry Washington outside of his game model just climbing onto the hood of the car and shooting at Grif through the windshield at pointblank range. Then cut to episode 10 of the same season, Tex makes her triumphant return, fully animated instead of her Halo 3 game model. And in the last two episodes of the season, you get OUR VERY FIRST FREELANCER VS FREELANCER FIGHT. You find out this was the work of the late Monty Oum (rest in peace), and until Season 10, Red vs Blue was THE HIGHEST POINT OF YOUR FUCKING LIFE.

Then we go to Season 12 where the animation post Oum (he was working on RWBY at this point but iirc this was just before he died) was choppy at best and didn’t feel right until Season 13, where within the one year the animation team REALLY stepped up. And this actually carries over into Season 17, Singularity, where it became more animation and less game effects, or rather it was balanced. It wasn’t extravegant like Oum’s works, but given that these are the Simtroopers, some Freelancers, some Mercs, and time gods, it felt par for the course. It felt right.

We cut now to these upgraded graphics, which felt like when you were playing on your Xbox 360 and you jsut FUCKING SHOT into the Xbox One. It was, as you would say, unreal (lol). But it felt...off. The first two episodes, the entire action didn’t feel like what you spent 16 seasons watching. It felt like a whole another beast entirely. With the use of super powers, you would think oh the Freelancers had that! Yes, but those were all suit enhancements. These...didn’t feel like it. Zero’s and Phase’s teleportation didn’t feel like something that Fragmented AI can control. Shatter Squad’s at least felt more at home. 

The models themselves were a bit off too. Choppy at best, but understandable given that they were using the Unreal Engine. But you notice that they do a lot of hand on hip pushed out to the side type of thing a lot? Everyone does it. Except Raymond, West, and the big dude. Like the SASSY STANCE. Also, there was way too much power stance. Where if your feet were shoulder width apart, it was a bit wider, and also the pelvis was out a little more. A bit weird. Finally, everyone has an ass. Everyone. Even West. West has an ass, it was like, everyone was dummy thicc and the clap of their ass cheeks was alerting Viper.

-

Next, voice acting. I...absoultely could not stand the voice acting. It was completely over the top, overdramatic, over exaggerated. Granted, I’m a singer, a perform, but I’m not exactly a good actor myself in the few shows I’ve actually done. It felt like watching an anime. When you wtach something with dialogue of your own language, you can tell when you feel something is to over the top. If you watch something of a language you don’t speak, it’ll go over your head, unless you start to speak that language, and you speak to people who speak that language, then you start to pick up what is regular speaking and what is acting. When an anime gets dubbed, most times, the voice actors tend to over dramatacize in the same way the Japanese due, and some times it works, most times it doesn’t. This is because the Japanese way of acting comes from kabuki theater. When English dubbers do that with this weird over emphasized emotions, it is extremely offputting.

In some places, the voice acting is poorly done. Jen Brown’s performance from just getting out of a hospital to giving an expositional lecture about the new cast in literally 5 seconds of time was...off. Carolina should’ve had more time to recover, especailly after losing Washington, one of her closest surrogate family, she felt...a little too calm and normal. Not like the Carolina who was hesitant but trying her best to be a whole better person (see the Paradox Arc, S15-17). It was jsut quick shift, and now she’s making snarky remarks in that Jen Brown voice she does (my god step on me please) and also being a mother hen. Also, she really calls Washington David way more this season than she ever did before that.

Fiona’s performance was shaky at best in my opinion, I don’t know her very well outside of what everyone says. All I know is that sometimes, the way she emphasizes some of her lines don’t fit the situation very well. I think East/Phase was a lot better done than One imo. But she was mostly angry and competitive.

Raymond is the textbook definition of what I hate about taking a character’s role and making it their entire personality. Think of it like watching Power Rangers, and all of their roles is just defined by the shit they say. Jason is the jock, Kimberly is the pretty girl, Trini is......I’m not gonna lie, I don’t...know what to classify Trini, Zack was the cool guy, and Billy was the nerd (Tommy was Jock II also the rebel/loner). Raymond reminded me a lot like Billy, where Billy was defined by being so smart, half of his dialogue was just look at me, i’m fucking smart, let me use all of these big words. Half of Raymond’s dialogue was, look at me, i’m the tech guy, I’m nerdy and loveable, it felt like it was too over the top of trying to stand out. By the end of the season, after East’s big reveal, I started to like him a lot more because he knew what was more at stake. I want to say that my initial impression of him was immature at best.

West was too stiff. Just.. Too stiff. I get he’s old. But show some emotion, please.

Why am I emphasizing on this more? When you listen to the dialogue of RvB, and then you listen at this, even with the return cast of Carolina, Washington, and Tucker, the direction was different. I think it’s because of the new medium with Zero being all super animated like an action, where RvB was just a bunch of net videos that you’re gonna laugh at with well timed jokes. It was super casual, but also super real. Geoff and Gus and everyone else aren’t big actors or anything, but that’s what made it feel real. That’s what made RvB feel like its own thing.

-

In terms of writing, I get that this is RvB meets FnF (Fast and Furious). But I honestly feel that it doens’t belong. The story of Shatter Squad vs Viper would have been a lot better if it didn’t have the RvB name tacked on. It’s such a cool concept, but given what RvB was before, the tonal shift is jsut too great, especially when you only have 3 of the previous cast returning.

Speaking of, what happened to Tucker?! What happened to the guy who became a leader? Responsible? Not as arrogant? Maybe playfully arrogant at best, but not stroking his ego? What happened to HIS SWORD? Did they forget how Tucker’s sword works? That it only works IF HE DIES? Tucker didn’t die, and yet Phase was able to use his sword (which by the way is now hers). One of the earliest stories/gags of RvB and they just...retconned it and threw it away! Also, Tucker’s voice acting did NOT match the scene at all. It’s like watching a video game that was localized from Japanese, and the dubbers spoke too fast before the character could finish. Tucker moves outside of his dialogue and there is this weird seconds of silence. That...that was just a BAD return for him.

-

My final thought is that, if RvB Zero is not...the RvB I grew up with. Maybe the jokes are dated, but the memories of what RvB was is still real. This just...doesn’t feel like RvB anymore. This should have just been it’s own show, it’s own story, replace Wash and Carolina and Tucker with new characters, it just wasn’t their place to be in this.

The only thing I liked about this? I’m glad Danielle (I’m assuming this is how you would spell her name) didn’t go AWOL and returned to the team. I actually really liked her the most next to Axel. She was done dirty, but she still held on to that one bond she had as East that Zero didn’t give her as Phase.

-

I know this is probably not a great opinion, and I really hope that Rooster Teeth finds the ground they want this series to go in. Sometimes, you have to try new things, or else staying stagnant will make it go stale. It’s all about trial and error. I don’t know how everyone else feels about Zero, how the new audience and the old audience feels. RvB as a whole wasn’t perfect. They had their down moments. But when you feel that way for an entire season...it’s a problem.

#grif liveblogs #grif liveblogs rvb #rvb #red vs blue #red vs blue zero #Anonymous #spoilers #rvb negativity

[imgoodloveenjoy]

Guess who’s back with a brand new bag to shift through this MESS!

 GOODWIN:

Although her son creeps me out a bit, Sharon is such a mom LOL. She kinda reminds me of my mom when I moved out to my undergrad college apartment; she cried and everything but didn’t realize that I would be back every other weekend to eat and wash clothes LOL. Sometimes it’s hard for moms to stop moming but it is absolutely out of love.

 MANCEL:

Well that went quickly didn’t it? And I didn’t like how it ended…it seemed kinda rushed IMO.

I knew that when they did this unconventional surgery that has very little success rate that they wouldn’t be fired LOL. Just like how they never fired Connor, Marcel is a talented surgeon who got the surgery done right, no way would he be fired, maybe some restrictions but not fired. I actually like Marcel and Nat working together and they’ve had this slow burn up until now, to immediately cut to them about to have sex was odd and jarring. I kinda got the feeling that the writers just threw that in there to gratify us, the audience, but it was just weird. They really could’ve drawn out the “will they, won’t they” for at lease a couple more episodes and leaned into them being intimate in a much slower manner.

I wonder how this will effect their relationship going forward? Will it feel like a one night stand cause that’s what it’s giving……

 ETHAN:

I 100% get where Ethan is coming from and wanting to get everyone to not rest on their laurels but he has to understand that not everyone is like him and not every initiative has to be implemented immediately. I think he would benefit from setting small obtainable goals then once those have been accepted and implemented, to move the goal post bit by bit until he get’s the results he’s gunning for.

He knows he’s getting push back from everyone and it shows, everyone gives him attitude and I believe it’s because they didn’t expect him to be Chief of ED (especially Maggie and Will) so they have to find the respect for him not only as a fellow doctor but as their superior which will be harder for others (April, Will, Maggie), not Doris tho; Doris has been shady since day one and I like the consistency LOL.

His issue with this episode and how he will handle ethical and moral decisions will absolutely change how he would like his ED to run. Seeing him break down with Charles once in private about not being allowed to let the resident use chest compressions on the COVID patient & how he wishes things could be different shows that he knows he has to enforce a lot of unfavorable policies & that he also wishes things could be different. Also his patient, the doctor who has BDD and is very particular about what he wants is like a mirror unto himself; he puts a lot of pressure on himself to, not only be perfect but to do things in a certain manner, and the pressure that he also puts on his staff.

I love Ethan and Charles together; the mentor and mentee relationship they have I really enjoy. Someone Ethan can talk to who isn’t judging him or telling him what to do (April) but allows, and supports, him to figuring the solution out for himself that still works within his moral code. The writers have decided to humanize him & give him a redeemable quality for once.

 WILL AND APRIL:

This is a pain in the ass coupling LOL I can see it coming especially since Will acts impulsively. Him going back to that one doctor, the cardiologist, and then back to the ED with files makes me think he agreed to the kickback to get the results he wanted, and I feel like once April learns that, she’ll be so upset and will likely not want to continue to work with him.

April needs more responsibilities. She’s still hanging on to her purpose being near the COVID ward, as though helping the patient who was abducted last week didn’t let her know that no matter where she is in the hospital, she is helping people and serving a great purpose. I guess she’ll have to get that lesson a few times before she believes it for herself.

 MAGGIE:

Finally Maggie having a storyline that doesn’t revolve around her being up Will and Natalie’s asses. I almost forgot she was married with a foster son, maybe because the writers forget out her character outside of holding up these two white characters. Using a DNA ancestry site to assist Auggie was smart thinking; I forget how resourceful Maggie can be. Although I don’t think it will work out, I’m interested to see how it unfolds; I have a feeling that if Maggie does find a relative, they may not want to give Auggie the kidney.

Storylines are moving along ok, let’s see how the writers redeem themselves. 

#chicago med #chicagomed #one chicago #ethan choi #april sexton #sharon goodwin #Daniel Charles #crockett marcel #Natalie Manning #will halstead #onechicago #maggie lockwood

[destiny-smasher]

My personal 2020 GOTYs

1) Hades

This game, dudes. THIS GAME. A fraction of the budget, a fraction of the dev team size, reportedly HEALTHY development schedule and management...and imo it offers at least some of everything I want out of a single player video game. I have poured over 60 hours into this and I see myself putting in some more over time and ALL of the time I have spent has felt rewarding and edifying. Clever design, smart writing, organic voice acting, sharp gameplay, and all done at a fraction of the resources of these big budget, bloated games. You love to see it.

2) Final Fantasy 7 Remake (Part 1?)

I went into this year not caring much about this game at all. FF7 was a game I played as a teen, enjoyed, respected, and moved on from pretty easily. This Remake, so far, has done more than I could’ve expected in terms of actually REMAKING a game. It’s literally a new adaptation, and I as pleasantly surprised at just how hard it went. From realizing the world of Midgar into something so full of detail and plausibility, to reiterating and doubling down on its postmodern anti-corporation themes, to making Barret the character I loved the MOST somehow?? Combining everything I love about real-time RPG action with a tactical strategy element long missing from the genre, reimagining and fleshing out characters and concepts into something deeper and more meaningful...I’ve never considered myself a huge FF7 fan but this game was really something, and I absolutely cannot wait for more (and praying they do my girl Yuffie justice). I’ve been super skeptical of Nomura as a director given...the mess that has become Kingdom Hearts, but as it turns out, when he has others to reign things in, some surprisingly nuanced stuff for an anime game can come out of it. It has its flaws, to be sure, but it’s still the most enjoyable experience I had with a big budget game this year.

3) The Last of Us Part 2

I feel conflicted over this one in particular - I feel Neil is not longer a director I respect the way I did back with the first game. I feel Naughty Dog is falling victim to all of the late capitalist issues plaguing big budget game dev. But I also love this game. It’s much more flawed than the first, but that’s mainly because it’s more ambitious and complicated. It’s THE most flawed game on this game, honestly, but overall as a game I am compelled to respect its writing, its gutsier decisions, its art direction, acting, presentation, etc. It’s an impressive game and the most technically impressive game I played all year if not all generation. Props where they’re due, but at the same time, I think this game was poorly directed and I love it in spite of issues with its production, rather than because of some strong vision. That’s the big Sony bucks, I suppose, matched with a dev team willing and apparently somehow able to fulfil what they want to create. I still get the impression there was a bit of ‘design by committee for a mainstream audience’ kind of shit going on - how could there not with something this big? - and as a result I think the game is a bit bloated. Shave off about 3-5 hours from a few spots and it’d be a more focused game, and maybe I’d feel more edified and satisfied rather than weirdly conflicted. Even so, a huge accomplishment and I hope to see more games tackle premises as ambitious as this down the road.

4) Bug Fables

This game technically launched last year but it debuted on console in 2020, and I didn’t play it until then. This is as close to a follow-up to old school Paper Mario as it gets, while simultaneously doing a lot to forge its own identity and even improve on the formula presented in the previous games. Its rough around the edges but that’s mainly because it’s an independent game, and it’s amazing just how well the dev team was able to reproduce the scope and details of this specific subgenre of RPG, all while continuously implementing new game design elements and multiple features that make it feel more modern in its direction. Fantastic stuff, I’m still not even finished with it because I’ve been taking my sweet time, though I intend to finally finish it this month, and I have to say, it’s quite a special game in my opinion.

5) Fall Guys: Ultimate Knockout

Absolute banger of a multiplayer game, really love the presentation, the concept, the overall execution, the way the team has been updating the game every month or so in response to feedback and implementing new content. So good to see the battle royale genre FINALLY pushed beyond just...arena shooting. Can’t wait to see where else this game can go over time.

6) Animal Crossing: New Horizons

Somehow this one slipped my mind when I first wrote this up, despite having poured well over 100 hours into it this year. I think part of it is that New Horizons did a lot of things I’ve wanted the series to do for so long, and yet is still far behind in terms of so many other things I wish they would do. Quality of life things prevent me from really re-investing into it, and yet despite that I have to admit it REALLY sucked me in for a solid few weeks and I continued to play off and on for months. It was the perfect game we collectively needed right when it came out and graphically I can’t think of how to really improve on that style. A really relaxing getaway I needed earlier this year, though like with previous AC games, I don’t find myself going back to it as much as I’d think I would.

7) Going Under

A surprise hit for me, this rogue-like swooped in from ‘heh that looks amusing’ to ‘oh wow this is legit just a great game.’ Its weird visuals, funky 3D gameplay, and surprisingly sharp storytelling make for a rogue-like unlike any other and one totally near the top for me.

8) Marvel’s Spider-Man: Miles Morales

Squeezed this in just this past week or so, and this one also satisfied me greatly. I wish we’d see more big budget open-world games like this -- laser focused, not wasting any time, and not being repetitious aside for completionists. So cool to see another team’s take on Miles after how much I fell for Into the Spider-verse, and very glad the team both homages that movie while subverting some expectations fans of the film might have, all while continuing to adapt Insomniac’s take on Spider-Man from a couple years ago.

9) Demon’s Souls (Remake)

As a big fan of FromSoft who never got too far into this one originally, it’s been great to visit it as if it’s a new Souls game with an alternate art style. And a very clean art style it has. This was a good pick to be remastered because many, even FromSoft fans like myself, missed out on it, and it feels unique from its predecessors while still showing a solid foundation they’d go on to build from.

10) Crash Bandicoot 4

An amazingly well done follow-up to the original trilogy, this game GETS what makes old school Crash games good, and it improves upon things in a number of ways, from making Coco the alternate hero, bringing back old faces in new lights, going ham with the visuals both in raw art and unique filters when replaying stages, and giving incentive for completion with so many great costumes. Well done, great old school platforming with modern design sensibilities. 

Honorable Mentions:

CrossCode

This also technically launched before 2020 but I didn’t play it until this year, and I don’t think it hit consoles until this year. I wasn’t exactly sure what to expect going in, just remembering that I had enjoyed the demo well enough. This game delivers in most ways you could want from an indie game, with an expansive world of sidequests and RPG growth, a flexible combat system that can be nailbiting and engaging, and old-school dungeon designs with lots of environmental and elemental puzzles that really ask a lot of you. All of this capped with a surprisingly great narrative with characters I grew to love, including a much needed protagonist with a unique identity unlike any in games that I’ve played, as well as extra bits of detail and production values invested at JUST the right moments where the story needs it the most. It feels a bit tedious at times and part of me wishes more of the sidequest content involved direct interactions with the named, recurring characters, but it’s still one of the most impressive and well-done indie games I’ve ever played.

Katana ZERO

Razor-sharp game design, this one. It’s a brief but intensely focused experience that feels like the video game equivalent of a slick, experimental indie film. Could do with some more replayablity for those who want it but what’s here is just damn good and I gobbled this game down like a fantastic, hand-cooked meal at an atmospheric dive bar barely anyone knows about.

Necrobarista

Haven’t quite finished it yet but this is definitely one of the best visual novels I’ve ever experienced just due to how hard it goes on presentation and pushing for a more cinematic and thoughtful vibe than any other VN I’ve ever experienced. The characters and writing feel ripped out of an early 2000′s webcomic, for better and for worse, but all the same, it’s some fantastic stuff and it’s so refreshing to see a game set in Australia tackling a well-worn genre by giving it a new spin.

Slay the Spire

Another personal pick since this released in 2019, and I’m not quite sure which consoles it hit or when, but I didn’t get into it until early this year, and was totally hooked. Fantastically addictive, probably the most well-design deck-building rogue-like I’ve seen, certainly one of my favorite deck-building games in general. Apparently I’ve sunk 50 hours into it this year, more than most on this list, and I wouldn’t be surprised if that number spikes up again at some point.

#personal #GOTY #long post

[hoochy-coo]

I see a lot of twitter stans are comparing Rihanna's flop brand and Ivy Park. Do you think fans are right and the public cares about Bey more so that's why her line is selling better??

Here comes the 50000th round of Beyhives vs. Navy lmao 

And no, I don’t think the stans are right about that. Bey and Rih are both well-loved by the GP and casual listeners gravitate to both. Sure, Bey’s artistry is more respected but Rih is more respected as a fashionista. The comparison between Fenty and Ivy Park is unfair because that’s like comparing LV with Polo - they’re not aimed at the same audience. Fenty is a luxury brand and Ivy Park is an athleisure and streetwear brand. If anything, Ivy Park would be comparable to Fenty x Puma, which also sold very well. Fenty, as a brand didn’t flop because Rih doesn’t have fans or the public, doesn’t care enough about her to give it any attention. It flopped because the clothes weren’t interesting/anything new (fast fashion brands could easily imitate the same look for a quarter of the price) and it wasn’t particularly flattering on most body shapes. That coupled with the luxury price point made it a hard sell to even the Navy's. Hence, the accessories line did so much better since people could actually justify spending that much on shoes and eyewear. It’s never easy getting a ready to wear brand off the ground so LVMH putting the brand on pause, especially during this economy, seems like the reasonable decision imo. This should give Rih and her team some time to go back to the drawing board and hopefully come up with a line that’s more universal. Also, I heard LVMH has invested $115m into the upcoming Fenty athleisure brand, which is a smart move tbh.

If the GP didn’t give a fuck about Rih, Fenty Beauty/Skin and Savage x Fenty wouldn’t be selling as well as it is.  

#ask #answer #rihanna #beyonce #ivy park #fenty

[aboveallarescuer]

Dany’s problems in Slaver’s Bay

As I was rereading ASOIAF, I made it my goal to compile all* the book passages demonstrating either certain key attributes of Daenerys Targaryen (e.g. that she's compassionate and smart) or aspects of hers that are usually overstated (e.g. that she's ambitious and prophecy-driven).  Doing such a task may seem exaggerated, but I'd argue it's not, for many, many misconceptions about Dany have become widespread in light of the show's final season's events (and even before).

It must be acknowledged that it can be tricky to reference, say, ADWD passages to counter-argument how she was depicted in season eight (which allegedly follows ADOS events). Dany will have had plenty of character development in the span of two books. However, whatever happens to Dany in the next two books, I would argue that there is more than enough material to conclude that her show counterpart was made to fall for flaws that she (for the most part) never had and actions that she (for the most part) would never take. (and that's not even considering the double standards and the contradictions with what had been shown from show!Dany up until then, but that's obviously out of the scope of these lists)

Another objection to the purpose of these lists is that Game of Thrones is different from A Song of Ice and Fire and should be analyzed on its own, which is a fair point. However, the show is also an adaptation of these books, which begs the questions: why did they change Dany's character? Why did they overfocus on negative traits of hers or depicted them as negative when they weren't supposed to be or gave her negative traits that were never hers to begin with? Another fact that undermines the show=/=books argument is that most people think that the show's ending will be the books', albeit only in broad strokes and in different circumstances. As a result, people's perception of Dany is inevitably influenced by the show, which is a shame.

I hope these lists can be useful for whoever wants to find book passages to defend (or even simply explore different facets of) Dany's character in metas or conversations.

*Well, at least all the passages that I could find in her chapters, which is no guarantee that the effort was perfectly executed, but I did my best.

Also, people could interpret certain passages differently and then come up with a different collection of passages if they ever attempted to make one, so I'm not saying that this list is completely objective (nor that there could ever be one).

Also, some passages have been cut short according to whether they were, IMO, relevant to the specific topic of the list they're in, so the context surrounding them may not always be clear (always read the books and use asearchoficeandfire). Many of them appear in different lists, sometimes fully referenced, sometimes not.

I listed the passages back to front because I felt doing so highlighted Dany's evolution better.

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

To justify the existence of this list, let's see examples of widespread opinions that I feel misrepresent Daenerys Targaryen:

As Daenerys freed slaves in her path to the Iron Throne, she faced win-wins that allowed her to avoid tough decisions -- she picked up armies she didn’t have to pay for, while she got to feel squarely in the moral right because all the men she killed were bad guys. (The Take)

~

As the mother of three Dragons, she’s spent a long time feeling like she’s all-powerful. So many times her secret weapon allowed her to reject two bad choices and take everything she wants not having to get herself dirty with the compromises mere mortals have to make all the time. (The Take)

Are her problems simple because "she faced win-wins" and "[felt] squarely in the moral right"? Did "her secret weapon" allow her to "reject two bad choices"? I would argue these claims certainly cannot be made after reading the books. Neither can be argued that "she's spent a long time feeling like she’s all-powerful", which another long list of passages can prove. So take a look at these passages. 

NOTE: I organized them chronologically because I think the progression of events works better that way, which is different from other lists (that were focused on Dany’s characterization), in which I ordered the chapters back to front because I felt it highlighted Dany’s character development.

Also, many of these passages are the same of my list about Dany's actions and the advice she receives as Queen of Meereen because one passage that is about the problems she's facing can also be about what she's doing about them.

1 Meereen’s declining economy, famine, fighting pits and other internal problems

ASOS Daenerys V

The Great Masters of Meereen had withdrawn before Dany’s advance, harvesting all they could and burning what they could not harvest. Scorched fields and poisoned wells had greeted her at every hand.

ASOS Daenerys VI

Her audience chamber was on the level below, an echoing high-ceilinged room with walls of purple marble. It was a chilly place for all its grandeur. There had been a throne there, a fantastic thing of carved and gilded wood in the shape of a savage harpy. She had taken one long look and commanded it be broken up for firewood. “I will not sit in the harpy’s lap,” she told them. Instead she sat upon a simple ebony bench. It served, though she had heard the Meereenese muttering that it did not befit a queen.

Her bloodriders were waiting for her. Silver bells tinkled in their oiled braids, and they wore the gold and jewels of dead men. Meereen had been rich beyond imagining. Even her sellswords seemed sated, at least for now. [...]

“Was the night as quiet as it seemed?” Dany asked.

“It seems it was, Your Grace,” said Brown Ben Plumm.

She was pleased. Meereen had been sacked savagely, as new-fallen cities always were, but Dany was determined that should end now that the city was hers. She had decreed that murderers were to be hanged, that looters were to lose a hand, and rapists their manhood. Eight killers swung from the walls, and the Unsullied had filled a bushel basket with bloody hands and soft red worms, but Meereen was calm again. But for how long?

~

She found herself remembering Eroeh, the Lhazarene girl she had once tried to protect, and what had happened to her. It will be the same in Meereen once I march, she thought. The slaves from the fighting pits, bred and trained to slaughter, were already proving themselves unruly and quarrelsome. They seemed to think they owned the city now, and every man and woman in it. Two of them had been among the eight she’d hanged. There is no more I can do, she told herself.

ADWD Daenerys I

Food was more costly every day, whilst the price of flesh grew cheaper. In the poorer districts between the stepped pyramids of Meereen's slaver nobility, there were brothels catering to every conceivable erotic taste, she knew.

~

Beyond Meereen’s walls of many-colored brick, Dany’s rule was tenuous at best. Thousands of slaves still toiled on vast estates in the hills, growing wheat and olives, herding sheep and goats, and mining salt and copper. Meereen’s storehouses held ample supplies of grain, oil, olives, dried fruit, and salted meat, but the stores were dwindling.

~

“Magnificence,” prompted Reznak mo Reznak, “will you hear the noble Hizdahr zo Loraq?”

Again? Dany nodded, and Hizdahr strode forth; a tall man, very slender, with flawless amber skin. He bowed on the same spot where Stalwart Shield had lain in death not long before. I need this man, Dany reminded herself. Hizdahr was a wealthy merchant with many friends in Meereen, and more across the seas. He had visited Volantis, Lys, and Qarth, had kin in Tolos and Elyria, and was even said to wield some influence in New Ghis, where the Yunkai’i were trying to stir up enmity against Dany and her rule.

And he was rich. Famously and fabulously rich ...

And like to grow richer, if I grant his petition. When Dany had closed the city’s fighting pits, the value of pit shares had plummeted. Hizdahr zo Loraq had grabbed them up with both hands, and now owned most of the fighting pits in Meereen.

The nobleman had wings of wiry red-black hair sprouting from his temples. They made him look as if his head were about to take flight. His long face was made even longer by a beard bound with rings of gold. His purple tokar was fringed with amethysts and pearls. “Your Radiance will know the reason I am here.”

“Why, it must be because you have no other purpose but to plague me. How many times have I refused you?”

“Five times, Your Magnificence.”

“Six now. I will not have the fighting pits reopened.”

“If Your Majesty will hear my arguments ...”

“I have. Five times. Have you brought new arguments?”

“Old arguments,” Hizdahr admitted, “new words. Lovely words, and courteous, more apt to move a queen.”

“It is your cause I find wanting, not your courtesies. I have heard your arguments so often I could plead your case myself. Shall I?” Dany leaned forward. “The fighting pits have been a part of Meereen since the city was founded. The combats are profoundly religious in nature, a blood sacrifice to the gods of Ghis. The mortal art of Ghis is not mere butchery but a display of courage, skill, and strength most pleasing to your gods. Victorious fighters are pampered and acclaimed, and the slain are honored and remembered. By reopening the pits I would show the people of Meereen that I respect their ways and customs. The pits are far-famed across the world. They draw trade to Meereen, and fill the city’s coffers with coin from the ends of the earth. All men share a taste for blood, a taste the pits help slake. In that way they make Meereen more tranquil. For criminals condemned to die upon the sands, the pits represent a judgment by battle, a last chance for a man to prove his innocence.” She leaned back again, with a toss of her head. “There. How have I done?”

“Your Radiance has stated the case much better than I could have hoped to do myself. I see that you are eloquent as well as beautiful. I am quite persuaded.”

She had to laugh. “Ah, but I am not.”

“Your Magnificence,” whispered Reznak mo Reznak in her ear, “it is customary for the city to claim one-tenth of all the profits from the fighting pits, after expenses, as a tax. That coin might be put to many noble uses.”

“It might ... though if we were to reopen the pits, we should take our tenth before expenses. I am only a young girl and know little of such matters, but I dwelt with Xaro Xhoan Daxos long enough to learn that much. Hizdahr, if you could marshal armies as you marshal arguments, you could conquer the world ... but my answer is still no. For the sixth time.”

~

Many and more of the matters brought before her involved redress. Meereen had been sacked savagely after its fall. The stepped pyramids of the mighty had been spared the worst of the ravages, but the humbler parts of the city had been given over to an orgy of looting and killing as the city's slaves rose up and the starving hordes who had followed her from Yunkai and Astapor poured through the broken gates. Her Unsullied had finally restored order, but the sack left a plague of problems in its wake. And so they came to see the queen.

~

The figs were fine, the olives even finer, but the wine left a tart metallic aftertaste in her mouth. The small pale yellow grapes native to these regions produced a notably inferior vintage. We shall have no trade in wine. Besides, the Great Masters had burned the best arbors along with the olive trees.

ADWD Daenerys II

Before long she was fighting off a yawn as Reznak prattled about the craftsmen’s guilds. The stonemasons were wroth with her, it seemed. The bricklayers as well. Certain former slaves were carving stone and laying bricks, stealing work from guild journeymen and masters alike.

“The freedmen work too cheaply, Magnificence,” Reznak said. “Some call themselves journeymen, or even masters, titles that belong by rights only to the craftsmen of the guilds. The masons and the bricklayers do respectfully petition Your Worship to uphold their ancient rights and customs.”

~

“Your barber has served you well, Hizdahr. I hope you have come to show me his work and not to plague me further about the fighting pits.”

He made a deep obeisance. “Your Grace, I fear I must.”

Dany grimaced. Even her own people would give no rest about the matter. Reznak mo Reznak stressed the coin to be made through taxes. The Green Grace said that reopening the pits would please the gods. The Shavepate felt it would win her support against the Sons of the Harpy. “Let them fight,” grunted Strong Belwas, who had once been a champion in the pits. Ser Barristan suggested a tourney instead; his orphans could ride at rings and fight a mêlée with blunted weapons, he said, a suggestion Dany knew was as hopeless as it was well-intentioned. It was blood the Meereenese yearned to see, not skill. Elsewise the fighting slaves would have worn armor. Only the little scribe Missandei seemed to share the queen’s misgivings.

“I have refused you six times,” Dany reminded Hizdahr.

“Your Radiance has seven gods, so perhaps she will look upon my seventh plea with favor. Today I do not come alone. Will you hear my friends? There are seven of them as well.” He brought them forth one by one. “Here is Khrazz. Here Barsena Blackhair, ever valiant. Here Camarron of the Count and Goghor the Giant. This is the Spotted Cat, this Fearless Ithoke. Last, Belaquo Bonebreaker. They have come to add their voices to mine own, and ask Your Grace to let our fighting pits reopen.”

Dany knew his seven, by name if not by sight. All had been amongst the most famed of Meereen’s fighting slaves … and it had been the fighting slaves, freed from their shackles by her sewer rats, who led the uprising that won the city for her. She owed them a blood debt. “I will hear you,” she allowed.

One by one, each of them asked her to let the fighting pits reopen. “Why?” she demanded, when Ithoke had finished. “You are no longer slaves, doomed to die at a master’s whim. I freed you. Why should you wish to end your lives upon the scarlet sands?”

“I train since three,” said Goghor the Giant. “I kill since six. Mother of Dragons says I am free. Why not free to fight?”

“If it is fighting you want, fight for me. Swear your sword to the Mother’s Men or the Free Brothers or the Stalwart Shields. Teach my other freedmen how to fight.”

Goghor shook his head. “Before, I fight for master. You say, fight for you. I say, fight for me.” The huge man thumped his chest with a fist as big as a ham. “For gold. For glory.”

“Goghor speaks for us all.” The Spotted Cat wore a leopard skin across one shoulder. “The last time I was sold, the price was three hundred thousand honors. When I was a slave, I slept on furs and ate red meat off the bone. Now that I’m free, I sleep on straw and eat salt fish, when I can get it.”

“Hizdahr swears that the winners shall share half of all the coin collected at the gates,” said Khrazz. “Half, he swears it, and Hizdahr is an honorable man.”

No, a cunning man. Daenerys felt trapped. “And the losers? What shall they receive?”

“Their names shall be graven on the Gates of Fate amongst the other valiant fallen,” declared Barsena. For eight years she had slain every other woman sent against her, it was said. “All men must die, and women too … but not all will be remembered.”

Dany had no answer for that. If this is truly what my people wish, do I have the right to deny it to them? It was their city before it was mine, and it is their own lives they wish to squander. “I will consider all you’ve said. Thank you for your counsel.” She rose. “We will resume on the morrow.”

ADWD Daenerys III

Meereen's trade had dwindled away to nothing since she had ended slavery, but Xaro had the power to restore it.

~

The wine was sweet and strong, redolent with the smell of eastern spices, much superior to the thin Ghiscari wines that had filled her cup of late.

~

For centuries Meereen and her sister cities Yunkai and Astapor had been the linchpins of the slave trade, the place where Dothraki khals and the corsairs of the Basilisk Isles sold their captives and the rest of the world came to buy. Without slaves, Meereen had little to offer traders. Copper was plentiful in the Ghiscari hills, but the metal was not as valuable as it had been when bronze ruled the world. The cedars that had once grown tall along the coast grew no more, felled by the axes of the Old Empire or consumed by dragonfire when Ghis made war against Valyria. Once the trees had gone, the soil baked beneath the hot sun and blew away in thick red clouds.

~

“I am only a young girl and know little of such things, but older, wiser men tell me that to hold Meereen I must control its hinterlands, all the land west of Lhazar as far south as the Yunkish hills.”

~

“[...] A ditch, to bring water from the river to the fields. We mean to plant beans. The beanfields must have water.”

“[...] Meereen needs beans more than it needs rare spices, and beans require water.”

~

“You spoke of help. Trade with me, then. Meereen has salt to sell, and wine …”

“Ghiscari wine?” Xaro made a sour face. “The sea provides all the salt that Qarth requires, but I would gladly take as many olives as you cared to sell me. Olive oil as well.”

“I have none to offer. The slavers burned the trees.” Olives had been grown along the shores of Slaver’s Bay for centuries; but the Meereenese had put their ancient groves to the torch as Dany’s host advanced on them, leaving her to cross a blackened wasteland. “We are replanting, but it takes seven years before an olive tree begins to bear, and thirty years before it can truly be called productive. What of copper?”

“A pretty metal, but fickle as a woman. Gold, now … gold is sincere. Qarth will gladly give you gold … for slaves.”

“Meereen is a free city of free men. [...] Go to the Dothraki if you must have slaves.”

ADWD Daenerys IV

“Will the Lamb Men send us food?”

“Grain will come down the Skahazadhan by barge, my queen, and other goods by caravan over the Khyzai.”

“Not the Skahazadhan. The river has been closed to us. The seas as well. You will have seen the ships out in the bay. The Qartheen have driven off a third of our fishing fleet and seized another third. The others are too frightened to leave port. What little trade we still had has been cut off.”

ADWD Daenerys V

Each morning, from her western ramparts, the queen would count the sails on Slaver’s Bay.

Today she counted five-and-twenty, though some were far away and moving, so it was hard to be certain. Sometimes she missed one, or counted one twice. What does it matter? A strangler only needs ten fingers. All trade had stopped, and her fisherfolk did not dare put out into the bay. The boldest still dropped a few lines into the river, though even that was hazardous; more remained tied up beneath Meereen’s walls of many-colored brick.

There were ships from Meereen out in the bay too, warships and trading galleys whose captains had taken them to sea when Dany’s host first laid siege to the city, now returned to augment the fleets from Qarth, Tolos, and New Ghis.

~

Ser Barristan remained. “Our stores are ample for the moment,” he reminded her, “and Your Grace has planted beans and grapes and wheat. Your Dothraki have harried the slavers from the hills and struck the shackles from their slaves. They are planting too, and will be bringing their crops to Meereen to market. And you will have the friendship of Lhazar.”

ADWD Daenerys VIII

Much of the talk about the table was of the matches to be fought upon the morrow. Barsena Blackhair was going to face a boar, his tusks against her dagger. Khrazz was fighting, as was the Spotted Cat. And in the day’s final pairing, Goghor the Giant would go against Belaquo Bonebreaker. One would be dead before the sun went down.

2 The misery of refugees and the pale mare

ASOS Daenerys IV

Within the perimeter the Unsullied had established, the tents were going up in orderly rows, with her own tall golden pavilion at the center. A second encampment lay close beyond her own; five times the size, sprawling and chaotic, this second camp had no ditches, no tents, no sentries, no horselines. Those who had horses or mules slept beside them, for fear they might be stolen. Goats, sheep, and half-starved dogs wandered freely amongst hordes of women, children, and old men. Dany had left Astapor in the hands of a council of former slaves led by a healer, a scholar, and a priest. Wise men all, she thought, and just. Yet even so, tens of thousands preferred to follow her to Yunkai, rather than remain behind in Astapor. I gave them the city, and most of them were too frightened to take it.

The raggle-taggle host of freedmen dwarfed her own, but they were more burden than benefit. Perhaps one in a hundred had a donkey, a camel, or an ox; most carried weapons looted from some slaver’s armory, but only one in ten was strong enough to fight, and none was trained. They ate the land bare as they passed, like locusts in sandals. Yet Dany could not bring herself to abandon them as Ser Jorah and her bloodriders urged. I told them they were free. I cannot tell them now they are not free to join me. She gazed at the smoke rising from their cookfires and swallowed a sigh. She might have the best footsoldiers in the world, but she also had the worst.

ASOS Daenerys V

“I will not throw away Unsullied lives, Grey Worm. Perhaps we can starve the city out.”

Ser Jorah looked unhappy. “We’ll starve long before they do, Your Grace. There’s no
food here, nor fodder for our mules and horses. I do not like this river water either. Meereen shits into the Skahazadhan but draws its drinking water from deep wells. Already we’ve had reports of sickness in the camps, fever and brownleg and three cases of the bloody flux. There will be more if we remain. The slaves are weak from the march.”

“Freedmen,” Dany corrected. “They are slaves no longer.”

“Slave or free, they are hungry and they’ll soon be sick. The city is better provisioned than we are, and can be resupplied by water. Your three ships are not enough to deny them access to both the river and the sea.”

~

“Ser Jorah, you say we have no food left. If I march west, how can I feed my freedmen?”

“You can’t. I am sorry, Khaleesi. They must feed themselves or starve. Many and more will die along the march, yes. That will be hard, but there is no way to save them. We need to put this scorched earth well behind us.”

Dany had left a trail of corpses behind her when she crossed the red waste. It was a sight she never meant to see again. “No,” she said. “I will not march my people off to die.” My children. “There must be some way into this city.”

ADWD Daenerys I

A brothel. Half of her freedmen were from Yunkai, where the Wise Masters had been famed for training bedslaves. The way of the seven sighs. Brothels had sprouted up like mushrooms all over Meereen. It is all they know. They need to survive.

ADWD Daenerys V

“It might have been his fever talking.”

“Your Radiance speaks wisely,” said Galazza Galare, “but Ezzara saw something else.”

The Blue Grace called Ezzara folded her hands. “My queen,” she murmured, “his fever was not brought on by the arrow. He had soiled himself, not once but many times. The stains reached to his knees, and there was dried blood amongst his excrement.”

“His horse was bleeding, Grey Worm said.”

“This thing is true, Your Grace,” the eunuch confirmed. “The pale mare was bloody from his spur.”

“That may be so, Your Radiance,” said Ezzara, “but this blood was mingled with his stool. It stained his smallclothes.”

“He was bleeding from the bowels,” said Galazza Galare.

“We cannot be certain,” said Ezzara, “but it may be that Meereen has more to fear than the spears of the Yunkai’i.”

~

“There’s more coming,” Brown Ben announced when the Astapori had been led away. “These three had horses. Most are afoot.”

“How many are they?” asked Reznak. Brown Ben shrugged. “Hundreds. Thousands. Some sick, some burned, some wounded. The Cats and the Windblown are swarming through the hills with lance and lash, driving them north and cutting down the laggards.”

“Mouths on feet. And sick, you say?”

ADWD Daenerys VI

The Astapori had no place to go. Thousands remained outside Meereen’s thick walls—men and women and children, old men and little girls and newborn babes. Many were sick, most were starved, and all were doomed to die. Daenerys dare not open her gates to let them in. She had tried to do what she could for them. She had sent them healers, Blue Graces and spell-singers and barbersurgeons, but some of those had sickened as well, and none of their arts had slowed the galloping progression of the flux that had come on the pale mare. Separating the healthy from the sick had proved impractical as well. Her Stalwart Shields had tried, pulling husbands away from wives and children from their mothers, even as the Astapori wept and kicked and pelted them with stones. A few days later, the sick were dead and the healthy ones were sick. Dividing the one from the other had accomplished nothing.

Even feeding them had grown difficult. Every day she sent them what she could, but every day there were more of them and less food to give them. It was growing harder to find drivers willing to deliver the food as well. Too many of the men they had sent into the camp had been stricken by the flux themselves. Others had been attacked on the way back to the city.

~

Suffering was the only thing they did not lack. “There is scarcely a horse or mule left, though many rode from Astapor,” Marselen reported to her. “They’ve eaten every one, Your Grace, along with every rat and scavenger dog that they could catch. Now some have begun to eat their own dead.”

~

Little children with swollen stomachs trailed after them, too weak or scared to beg. Gaunt men with sunken eyes squatted amidst sand and stones, shitting out their lives in stinking streams of brown and red. Many shat where they slept now, too feeble to crawl to the ditches she’d commanded them to dig. Two women fought over a charred bone. Nearby a boy of ten stood eating a rat. He ate one-handed, the other clutching a sharpened stick lest anyone try to wrest away his prize. Unburied dead lay everywhere. Dany saw one man sprawled in the dirt under a black cloak, but as she rode past his cloak dissolved into a thousand flies. Skeletal women sat upon the ground clutching dying infants. Their eyes followed her. Those who had the strength called out. “Mother … please, Mother … bless you, Mother …”

~

“The bloody flux is everywhere. A hundred die each night.”

~

“Ser,” she said to Barristan Selmy, “is there no more we can do? You have provisions.”

“Provisions for Your Grace’s soldiers. We may well need to withstand a long siege.[”]

~

The queen surveyed the scene around her. “If we were to share our food equally ...”

“... the Astapori would eat through their portion in days, and we would have that much less for the siege.”

ADWD Daenerys VII

Galazza Galare awaited them outside the temple doors, surrounded by her sisters in white and pink and red, blue and gold and purple. There are fewer than there were. Dany looked for Ezzara and did not see her. Has the bloody flux taken even her? Though the queen had let the Astapori starve outside her walls to keep the bloody flux from spreading, it was spreading nonetheless. Many had been stricken: freedmen, sellswords, Brazen Beasts, even Dothraki, though as yet none of the Unsullied had been touched. She prayed the worst was past.

ADWD Daenerys VIII

“The Yunkai’i grow weaker as well. The bloody flux has taken hold amongst the Tolosi, it is said, and spread across the river to the third Ghiscari legion.”

3 Problems in Astapor and Yunkish alliance with other slave cities and companies

ASOS Daenerys IV

Dany had left Astapor in the hands of a council of former slaves led by a healer, a scholar, and a priest. Wise men all, she thought, and just. Yet even so, tens of thousands preferred to follow her to Yunkai, rather than remain behind in Astapor.

ASOS Daenerys VI

“Two have presented themselves to bask in your radiance.”

Daario had plundered himself a whole new wardrobe in Meereen, and to match it he had redyed his trident beard and curly hair a deep rich purple. It made his eyes look almost purple too, as if he were some lost Valyrian. “They arrived in the night on the Indigo Star, a trading galley out of Qarth.”

A slaver, you mean. Dany frowned. “Who are they?”


“The Star’s master and one who claims to speak for Astapor.”

“I will see the envoy first.”

He proved to be a pale ferret-faced man with ropes of pearls and spun gold hanging heavy about his neck. “Your Worship!” he cried. “My name is Ghael. I bring greetings to the Mother of Dragons from King Cleon of Astapor, Cleon the Great.”

Dany stiffened. “I left a council to rule Astapor. A healer, a scholar, and a priest.”

“Your Worship, those sly rogues betrayed your trust. It was revealed that they were scheming to restore the Good Masters to power and the people to chains. Great Cleon exposed their plots and hacked their heads off with a cleaver, and the grateful folk of Astapor have crowned him for his valor.”

“Noble Ghael,” said Missandei, in the dialect of Astapor, “is this the same Cleon once owned by Grazdan mo Ullhor?”

Her voice was guileless, yet the question plainly made the envoy anxious. “The same,” he admitted. “A great man.”

Missandei leaned close to Dany. “He was a butcher in Grazdan’s kitchen,” the girl whispered in her ear. “It was said he could slaughter a pig faster than any man in Astapor.”

I have given Astapor a butcher king. Dany felt ill, but she knew she must not let the envoy see it. “I will pray that King Cleon rules well and wisely. What would he have of me?”

Ghael rubbed his mouth. “Perhaps we should speak more privily, Your Grace?”


“I have no secrets from my captains and commanders.”


“As you wish. Great Cleon bids me declare his devotion to the Mother of Dragons. Your enemies are his enemies, he says, and chief among them are the Wise Masters of Yunkai. He proposes a pact between Astapor and Meereen, against the Yunkai’i.”

“I swore no harm would come to Yunkai if they released their slaves,” said Dany.

“These Yunkish dogs cannot be trusted, Your Worship. Even now they plot against you. New levies have been raised and can be seen drilling outside the city walls, warships are being built, envoys have been sent to New Ghis and Volantis in the west, to make alliances and hire sellswords. They have even dispatched riders to Vaes Dothrak to bring a khalasar down upon you. Great Cleon bid me tell you not to be afraid. Astapor remembers. Astapor will not forsake you. To prove his faith, Great Cleon offers to seal your alliance with a marriage.”

“A marriage? To me?”

Ghael smiled. His teeth were brown and rotten. “Great Cleon will give you many strong sons.”

Dany found herself bereft of words, but little Missandei came to her rescue. “Did his first wife give him sons?”

The envoy looked at her unhappily. “Great Cleon has three daughters by his first wife. Two of his newer wives are with child. But he means to put all of them aside if the Mother of Dragons will consent to wed him.”

“How noble of him,” said Dany. “I will consider all you’ve said, my lord.” She gave orders that Ghael be given chambers for the night, somewhere lower in the pyramid.

~

“I shall see this trader captain,” she announced. Perhaps he would have some better tidings.

That proved to be a forlorn hope. The master of the Indigo Star was Qartheen, so he wept copiously when asked about Astapor. “The city bleeds. Dead men rot unburied in the streets, each pyramid is an armed camp, and the markets have neither food nor slaves for sale. And the poor children! King Cleaver’s thugs have seized every highborn boy in Astapor to make new Unsullied for the trade, though it will be years before they are trained.”

The thing that surprised Dany most was how unsurprised she was. She found herself remembering Eroeh, the Lhazarene girl she had once tried to protect, and what had happened to her.

ADWD Daenerys I

Lord Ghael had a mouth of brown and rotten teeth and the pointed yellow face of a weasel. He also had a gift. “Cleon the Great sends these slippers as a token of his love for Daenerys Stormborn, the Mother of Dragons.”

Irri slid the slippers onto Dany’s feet. They were gilded leather, decorated with green freshwater pearls. Does the butcher king believe a pair of pretty slippers will win my hand? “King Cleon is most generous. You may thank him for his lovely gift.” Lovely, but made for a child. Dany had small feet, yet the pointed slippers mashed her toes together.

“Great Cleon will be pleased to know they pleased you,” said Lord Ghael. “His Magnificence bids me say that he stands ready to defend the Mother of Dragons from all her foes.”

If he proposes again that I wed King Cleon, I’ll throw a slipper at his head, Dany thought, but for once the Astapori envoy made no mention of a royal marriage. Instead he said, “The time has come for Astapor and Meereen to end the savage reign of the Wise Masters of Yunkai, who are sworn foes to all those who live in freedom. Great Cleon bids me tell you that he and his new Unsullied will soon march.”

His new Unsullied are an obscene jape. “King Cleon would be wise to tend his own gardens and let the Yunkai’i tend theirs.” It was not that Dany harbored any love for Yunkai. She was coming to regret leaving the Yellow City untaken after defeating its army in the field. The Wise Masters had returned to slaving as soon as she moved on, and were busy raising levies, hiring sellswords, and making alliances against her.

Cleon the self-styled Great was no better, however. The Butcher King had restored slavery to Astapor, the only change being that the former slaves were now the masters and the former masters were now the slaves.

“I am only a young girl and know little of the ways of war,” she told Lord Ghael, “but we have heard that Astapor is starving. Let King Cleon feed his people before he leads them out to battle.” She made a gesture of dismissal. Ghael withdrew.

ADWD Daenerys III

“Daenerys, let me be honest with you, as befits a friend. You will not make Meereen rich and fat and peaceful. You will only bring it to destruction, as you did Astapor. You are aware that there was battle joined at the Horns of Hazzat? The Butcher King has fled back to his palace, his new Unsullied running at his heels.”

“This is known.” Brown Ben Plumm had sent back word of the battle from the field. “The Yunkai’i have bought themselves new sellswords, and two legions from New Ghis fought beside them.”

“Two will soon become four, then ten. And Yunkish envoys have been sent to Myr and Volantis to hire more blades. The Company of the Cat, the Long Lances, the Windblown. Some say that the Wise Masters have bought the Golden Company as well.”

[...] “I have sellswords too.”

“Two companies. The Yunkai’i will send twenty against you if they must. And when they march, they will not march alone. Tolos and Mantarys have agreed to an alliance.”

That was ill news, if true. Daenerys had sent missions to Tolos and Mantarys, hoping to find new friends to the west to balance the enmity of Yunkai to the south. Her envoys had not returned. “Meereen has made alliance with Lhazar.”

~

As ever, Lord Ghael was the first to present himself, looking even more wretched than usual. “Your Radiance,” he moaned, as he fell to the marble at her feet, “the armies of the Yunkai’i descend on Astapor. I beg you, come south with all your strength!”

“I warned your king that this war of his was folly,” Dany reminded him. “He would not listen.”

“Great Cleon sought only to strike down the vile slavers of Yunkai.”

“Great Cleon is a slaver himself.”

“I know that the Mother of Dragons will not abandon us in our hour of peril. Lend us your Unsullied to defend our walls.”

And if I do, who will defend my walls? “Many of my freedmen were slaves in Astapor. Perhaps some will wish to help defend your king. That is their choice, as free men. I gave Astapor its freedom. It is up to you to defend it.”

“We are all dead, then. You gave us death, not freedom.” Ghael leapt to his feet and spat into her face.

~

The next morning Xaro’s galleas was gone, but the “gift” that he had brought her remained behind in Slaver’s Bay. Long red streamers flew from the masts of the thirteen Qartheen galleys, writhing in the wind. And when Daenerys descended to hold court, a messenger from the ships awaited her. He spoke no word but laid at her feet a black satin pillow, upon which rested a single bloodstained glove.

“What is this?” Skahaz demanded. “A bloody glove …”

“… means war,” said the queen.

ADWD Daenerys IV

“...Last night three Qartheen galleys sailed up the Skahazadhan under the cover of darkness. The Mother’s Men loosed flights of fire arrows at their sails and flung pots of burning pitch onto their decks, but the galleys slipped by quickly and suffered no lasting harm. The Qartheen mean to close the river to us, as they have closed the bay. And they are no longer alone. Three galleys from New Ghis have joined them, and a carrack out of Tolos.” The Tolosi had replied to her request for an alliance by proclaiming her a whore and demanding that she return Meereen to its Great Masters. Even that was preferable to the answer of Mantarys, which came by way of caravan in a cedar chest. Inside she had found the heads of her three envoys, pickled. “Perhaps your gods can help us. Ask them to send a gale and sweep the galleys from the bay.”

~

“We have heard that the Butcher King of Astapor is dead.”

“Slain by his own soldiers when he commanded them to march out and attack the Yunkai’i.” The words were bitter in her mouth. “He was hardly cold before another took his place, calling himself Cleon the Second. That one lasted eight days before his throat was opened. Then his killer claimed the crown. So did the first Cleon’s concubine. King Cutthroat and Queen Whore, the Astapori call them. Their followers are fighting battles in the streets, while the Yunkai’i and their sellswords wait outside the walls.”

~

“I have never wanted war. I defeated the Yunkai’i once and spared their city when I might have sacked it. I refused to join King Cleon when he marched against them. Even now, with Astapor besieged, I stay my hand. And Qarth … I have never done the Qartheen any harm …”

“Not by intent, no, but Qarth is a city of merchants, and they love the clink of silver coins, the gleam of yellow gold. When you smashed the slave trade, the blow was felt from Westeros to Asshai. Qarth depends upon its slaves. So too Tolos, New Ghis, Lys, Tyrosh, Volantis … the list is long, my queen.”

“Let them come. In me they shall find a sterner foe than Cleon. I would sooner perish fighting than return my children to bondage.”

“There may be another choice. The Yunkai’i can be persuaded to allow all your freedmen to remain free, I believe, if Your Worship will agree that the Yellow City may trade and train slaves unmolested from this day forth. No more blood need flow.”

“Save for the blood of those slaves that the Yunkai’i will trade and train,” Dany said, but she recognized the truth in his words even so. It may be that is the best end we can hope for.

~

“Tell me of your journey.”

He gave a careless shrug. “The Yunkai’i sent some hired swords to close the Khyzai Pass. The Long Lances, they name themselves. We descended on them in the night and sent a few to hell. In Lhazar I slew two of my own serjeants for plotting to steal the gems and gold plate my queen had entrusted to me as gifts for the Lamb Men. Elsewise, all went as I had promised.”

“How many men did you lose in the fighting?”

“Nine,” said Daario, “but a dozen of the Long Lances decided they would sooner be Stormcrows than corpses, so we came out three ahead. I told them they would live longer fighting with your dragons than against them, and they saw the wisdom in my words.”

~

“Astapor is under siege as well.”

“This I knew. One of the Long Lances lived long enough to tell us that men were eating one another in the Red City. He said Meereen’s turn would come soon, so I cut his tongue out and fed it to a yellow dog. No dog will eat a liar’s tongue. When the yellow dog ate his, I knew he spoke the truth.”

“I have war inside the city too.” She told him of the Harpy’s Sons and the Brazen Beasts, of blood upon the bricks. “My enemies are all around me, within the city and without.”

ADWD Daenerys V

“Are there no petitioners today?” Dany asked Reznak mo Reznak. “No one who craves justice or silver for a sheep?”

“No, Your Worship. The city is afraid.”

“There is nothing to fear.”

But there was much and more to fear as she learned that evening. As her young hostages Miklaz and Kezmya were laying out a simple supper of autumn greens and ginger soup for her, Irri came to tell her that Galazza Galare had returned, with three Blue Graces from the temple. “Grey Worm is come as well, Khaleesi. They beg words with you, most urgently.”

“Bring them to my hall. And summon Reznak and Skahaz. Did the Green Grace say what this was about?”

“Astapor,” said Irri.

Grey Worm began the tale. “He came out of the morning mists, a rider on a pale horse, dying. His mare was staggering as she approached the city gates, her sides pink with blood and lather, her eyes rolling with terror. Her rider called out, ‘She is burning, she is burning,’ and fell from the saddle. This one was sent for, and gave orders that the rider be brought to the Blue Graces. When your servants carried him inside the gates, he cried out again, ‘She is burning.’ Under his tokar he was a skeleton, all bones and fevered flesh.”

One of the Blue Graces took up the tale from there. “The Unsullied brought this man to the temple, where we stripped him and bathed him in cool water. His clothes were soiled, and my sisters found half an arrow in his thigh. Though he had broken off the shaft, the head remained inside him, and the wound had mortified, filling him with poisons. He died within the hour, still crying out that she was burning.”

“‘She is burning,’” Daenerys repeated. “Who is she?”

“Astapor, Your Radiance,” said another of the Blue Graces. “He said it, once. He said ‘Astapor is burning.’”

~

If Astapor had fallen, nothing remained to prevent Yunkai from turning north.

~

“We caught three Astapori. Your Worship had best hear what they say.”

“Bring them.”

[...] These three were all that remained of a dozen who had set out together from the Red City: a bricklayer, a weaver, and a cobbler. “What befell the rest of your party?” the queen asked.

“Slain,” said the cobbler. “Yunkai’s sellswords roam the hills north of Astapor, hunting down those who flee the flames.”

“Has the city fallen, then? Its walls were thick.”

“This is so,” said the bricklayer, a stoop-backed man with rheumy eyes, “but they were old and crumbling as well.”

The weaver raised her head. “Every day we told each other that the dragon queen was coming back.” The woman had thin lips and dull dead eyes, set in a pinched and narrow face. “Cleon had sent for you, it was said, and you were coming.”

He sent for me, thought Dany. That much is true, at least.

“Outside our walls, the Yunkai’i devoured our crops and slaughtered our herds,” the cobbler went on. “Inside we starved. We ate cats and rats and leather. A horsehide was a feast. King Cutthroat and Queen Whore accused each other of feasting on the flesh of the slain. Men and women gathered in secret to draw lots and gorge upon the flesh of him who drew the black stone. The pyramid of Nakloz was despoiled and set aflame by those who claimed that Kraznys mo Nakloz was to blame for all our woes.”

[...] The cobbler told them how the body of the Butcher King had been disinterred and clad in copper armor, after the Green Grace of Astapor had a vision that he would deliver them from the Yunkai'i. Armored and stinking, the corpse of Cleon the Great was strapped onto the back of a starving horse to lead the remnants of his new Unsullied on a sortie, but they rode right into the iron teeth of a legion from New Ghis and were cut down to a man.

“Afterward the Green Grace was impaled upon a stake in the Plaza of Punishment and left until she died. In the pyramid of Ullhor, the survivors had a great feast that lasted half the night, and washed the last of their food down with poison wine so none need wake again come morning. Soon after came the sickness, a bloody flux that killed three men of every four, until a mob of dying men went mad and slew the guards on the main gate.”

The old brickmaker broke in to say, “No. That was the work of healthy men, running to escape the flux.”

“Does it matter?” asked the cobbler. “The guards were torn apart and the gates thrown open. The legions of New Ghis came pouring into Astapor, followed by the Yunkai’i and the sellswords on their horses. Queen Whore died fighting them with a curse upon her lips. King Cutthroat yielded and was thrown into a fighting pit, to be torn apart by a pack of starving dogs.”

[...] “And when the city fell?” demanded Skahaz. “What then?”

“The butchery began. The Temple of the Graces was full of the sick who had come to ask the gods to heal them. The legions sealed the doors and set the temple ablaze with torches. Within the hour fires were burning in every corner of the city. As they spread they joined with one another. The streets were full of mobs, running this way and that to escape the flames, but there was no way out. The Yunkai’i held the gates.”

“Yet you escaped,” the Shavepate said. “How is that?”

The old man answered. “I am by trade a brickmaker, as my father and his father were before me. My grandfather built our house up against the city walls. It was an easy thing to work loose a few bricks every night. When I told my friends, they helped me shore up the tunnel so it would not collapse. We all agreed that it might be good to have our own way out.”

I left you with a council to rule over you, Dany thought, a healer, a scholar, and a priest. She could still recall the Red City as she had first seen it, dry and dusty behind its red brick walls, dreaming cruel dreams, yet full of life. There were islands in the Worm where lovers kissed, but in the Plaza of Punishment they peeled the skin off men in strips and left them hanging naked for the flies.

~

Astapor is burning, and Meereen is next.

~

“Your Grace, the Yunkish got three free companies against our two, and there’s talk the Yunkishmen sent to Volantis to fetch back the Golden Company. Those bastards field ten thousand. Yunkai’s got four Ghiscari legions too, maybe more, and I heard it said they sent riders across the Dothraki sea to maybe bring some big khalasar down on us. We need them dragons, the way I see it.”

~

“Can we make a fight of this?” she asked him.

“Men can always fight, Your Grace. Ask rather if we can win. Dying is easy, but victory comes hard. Your freedmen are half-trained and unblooded. Your sellswords once served your foes, and once a man turns his cloak he will not scruple to turn it again. You have two dragons who cannot be controlled, and a third that may be lost to you. Beyond these walls your only friends are the Lhazarene, who have no taste for war.”

“My walls are strong, though.”

“No stronger than when we sat outside them. And the Sons of the Harpy are inside the walls with us. So are the Great Masters, both those you did not kill and the sons of those you did.”

“I know.”

~

[...]“I cannot fight two enemies, one within and one without. If I am to hold Meereen, I must have the city behind me. The whole city.[”]

ADWD Daenerys VI

“...The Stormcrows and the Second Sons can harry the Yunkishmen, but they cannot hope to turn them. If Your Grace would allow me to assemble an army ...”

“If there must be a battle, I would sooner fight it from behind the walls of Meereen. Let the Yunkai’i try and storm my battlements.”

~

“Yunkai will give us peace, but for a price. The disruption of the slave trade has caused great injury throughout the civilized world. Yunkai and her allies will require an indemnity of us, to be paid in gold and gemstones.”

Gold and gems were easy. “What else?”

“The Yunkai’i will resume slaving, as before. Astapor will be rebuilt, as a slave city. You will not interfere.”

“The Yunkai’i resumed their slaving before I was two leagues from their city. Did I turn back? King Cleon begged me to join with him against them, and I turned a deaf ear to his pleas. I want no war with Yunkai. How many times must I say it? What promises do they require?”

“Ah, there is the thorn in the bower, my queen,” said Hizdahr zo Loraq. “Sad to say, Yunkai has no faith in your promises. They keep plucking the same string on the harp, about some envoy that your dragons set on fire.”

“Only his tokar was burned,” said Dany scornfully.

“Be that as it may, they do not trust you. The men of New Ghis feel the same. Words are wind, as you yourself have so oft said. No words of yours will secure this peace for Meereen. Your foes require deeds. They would see us wed, and they would see me crowned as king, to rule beside you.”

Dany filled his wine cup again, wanting nothing so much as to pour the flagon over his head and drown his complacent smile. “Marriage or carnage. A wedding or a war. Are those my choices?”

~

“...The Stormcrows have returned to the city, with word of the foe. The Yunkishmen are on the march, just as we had feared.”

~

“Hard tidings, Ser Grandfather. Astapor is gone, and the slavers are coming north in strength.”

“This is old news, and stale,” growled the Shavepate.

[...] “Sweet queen, I would have been here sooner, but the hills are aswarm with Yunkish sellswords. Four free companies. Your Stormcrows had to cut their way through all of them. There is more, and worse. The Yunkai’i are marching their host up the coast road, joined by four legions out of New Ghis. They have elephants, a hundred, armored and towered. Tolosi slingers too, and a corps of Qartheen camelry. Two more Ghiscari legions took ship at Astapor. If our captives told it true, they will be landed beyond the Skahazadhan to cut us off from the Dothraki sea.”

[...] “How many men were killed?” she asked when he was done.

“Of ours? I did not stop to count. We gained more than we lost, though.”

“More turncloaks?”

“More brave men drawn to your noble cause. My queen will like them. One is an axeman from the Basilisk Isles, a brute, bigger than Belwas. You should see him. Some Westerosi too, a score or more. Deserters from the Windblown, unhappy with the Yunkai’i. They’ll make good Stormcrows.”

ADWD Daenerys VII

On the day that he returned from his latest sortie, he had tossed the head of a Yunkish lord at her feet and kissed her in the hall for all the world to see, until Barristan Selmy pulled the two of them apart. Ser Grandfather had been so wroth that Dany feared blood might be shed.

~

Her foes were all about her. There were never less than a dozen ships drawn up on the shore. Some days there were as many as a hundred, when the soldiers were disembarking. The Yunkai’i were even bringing in wood by sea. Behind their ditches, they were building catapults, scorpions, tall trebuchets. On still nights she could hear the hammers ringing through the warm, dry air. No siege towers, though. No battering rams. They would not try to take Meereen by storm. They would wait behind their siege lines, flinging stones at her until famine and disease had brought her people to their knees.

ADWD Daenerys VIII

“Is there some man in the Second Sons who might be persuaded to … remove … Brown Ben?”

“As Daario Naharis once removed the other captains of the Stormcrows?” The old knight looked uncomfortable. “Perhaps. I would not know, Your Grace.”

No, she thought, you are too honest and too honorable. “If not, the Yunkai’i employ three other companies.”

“Rogues and cutthroats, scum of a hundred battlefields,” Ser Barristan warned, “with captains full as treacherous as Plumm.”

“I am only a young girl and know little of such things, but it seems to me that we want them to be treacherous. Once, you’ll recall, I convinced the Second Sons and Stormcrows to join us.”

“If Your Grace wishes a privy word with Gylo Rhegan or the Tattered Prince, I could bring them up to your apartments.”

“This is not the time. Too many eyes, too many ears. Their absence would be noted even if you could separate them discreetly from the Yunkai’i. We must find some quieter way of reaching out to them … not tonight, but soon.”

[...] “Our prisoners,” suggested Dany. “The Westerosi who came over from the Windblown with the three Dornishmen. We still have them in cells, do we not? Use them.”

“Free them, you mean? Is that wise? They were sent here to worm their way into your trust, so they might betray Your Grace at the first chance.”

[...] “We can still use them. One was a woman. Meris. Send her back, as a … a gesture of my regard. If their captain is a clever man, he will understand.”

“The woman is the worst of all.”

“All the better.” Dany considered a moment. “We should sound out the Long Lances too. And the Company of the Cat.”

“Bloodbeard.” Ser Barristan’s frown deepened. “If it please Your Grace, we want no part of him. Your Grace is too young to remember the Ninepenny Kings, but this Bloodbeard is cut from the same savage cloth. There is no honor in him, only hunger … for gold, for glory, for blood.”

“You know more of such men than me, ser.” If Bloodbeard might be truly the most dishonorable and greedy of the sellswords, he might be the easiest to sway, but she was loath to go against Ser Barristan’s counsel in such matters. “Do as you think best. But do it soon. If Hizdahr’s peace should break, I want to be ready. I do not trust the slavers.” I do not trust my husband. “They will turn on us at the first sign of weakness.”

[...] [“]Set Pretty Meris free. At once.”

ADWD Daenerys IX

“Your Grace. We set the woman Meris free, as you commanded. Before she went, she asked to speak with you. I met with her instead. She claims this Tattered Prince meant to bring the Windblown over to your cause from the beginning. That he sent her here to treat with you secretly, but the Dornishmen unmasked them and betrayed them before she could make her own approach.”

Treachery on treachery, the queen thought wearily. Is there no end to it? “How much of this do you believe, ser?”

“Little and less, Your Grace, but those were her words.”

“Will they come over to us, if need be?”

“She says they will. But for a price.”

“Pay it.” Meereen needed iron, not gold.

“The Tattered Prince will want more than coin, Your Grace. Meris says that he wants Pentos.” “Pentos?” Her eyes narrowed. “How can I give him Pentos? It is half a world away.”

“He would be willing to wait, the woman Meris suggested. Until we march for Westeros.”

And if I never march for Westeros? “Pentos belongs to the Pentoshi. And Magister Illyrio is in Pentos. He who arranged my marriage to Khal Drogo and gave me my dragon eggs. Who sent me you, and Belwas, and Groleo. I owe him much and more. I will not repay that debt by giving his city to some sellsword. No.”

4 Sons of the Harpy attacks

ADWD Daenerys I

“Your Grace,” Ser Barristan said, “there was a harpy drawn on the bricks in the alley where he was found …”

“… drawn in blood.” Daenerys knew the way of it by now. The Sons of the Harpy did their butchery by night, and over each kill they left their mark.

~

“The Sons grow bolder,” Dany observed. Until now, they had limited their attacks to unarmed freedmen, cutting them down in the streets or breaking into their homes under the cover of darkness to murder them in their beds. “This is the first of my soldiers they have slain.”

“The first,” Ser Barristan warned, “but not the last.”

ADWD Daenerys II

Why does she weep?”

“For him who was her brother,” Irri told her. The rest she had from Skahaz, Reznak, and Grey Worm, when they were ushered into her presence. Dany knew their tidings were bad before a word was spoken. One glance at the Shavepate’s ugly face sufficed to tell her that. “The Sons of the Harpy?”

Skahaz nodded. His mouth was grim.

“How many dead?”

Reznak wrung his hands. “N-nine, Magnificence. Foul work it was, and wicked. A dreadful night, dreadful.”

Nine. The word was a dagger in her heart. Every night the shadow war was waged anew beneath the stepped pyramids of Meereen. Every morn the sun rose upon fresh corpses, with harpies drawn in blood on the bricks beside them. Any freedman who became too prosperous or too outspoken was marked for death. Nine in one night, though … That frightened her. “Tell me.”

Grey Worm answered. “Your servants were set upon as they walked the bricks of Meereen to keep Your Grace’s peace. [...] Your servants Black Fist and Cetherys were slain by crossbow bolts in Mazdhan's Maze. Your servants Mossador and Duran were crushed by falling stones beneath the river wall. Your servants Eladon Goldenhair and Loyal Spear were poisoned at a wineshop where they were accustomed to stop each night upon their rounds.” [...]

“Have any of the murderers been captured?”

“Your servants have arrested the owner of the wineshop and his daughters. They plead their ignorance and beg for mercy.”

~

...“but Your Radiance should know that the Great Masters of Zhak and Merreq are making preparations to quit their pyramids and leave the city.”

Daenerys was sick unto death of Zhak and Merreq; she was sick of all the Meereenese, great and small alike.

ADWD Daenerys III

“The Sons of the Harpy.” How does he know that? “They scrawl on walls by night and cut the throats of honest freedmen as they sleep. When the sun comes up they hide like roaches. They fear my Brazen Beasts.” Skahaz mo Kandaq had given her the new watch she had asked for, made up in equal numbers of freedmen and shavepate Meereenese. They walked the streets both day and night, in dark hoods and brazen masks. The Sons of the Harpy had promised grisly death to any traitor who dared serve the dragon queen, and to their kith and kin as well, so the Shavepate’s men went about as jackals, owls, and other beasts, keeping their true faces hidden. “I might have cause to fear the Sons if they saw me wandering alone through the streets, but only if it was night and I was naked and unarmed. They are craven creatures.”

ADWD Daenerys IV

“...More freedmen died last night, or so I have been told.”

“Three.” Saying it left a bitter taste in her mouth. “The cowards broke in on some weavers, freedwomen who had done no harm to anyone. All they did was make beautiful things. I have a tapestry they gave me hanging over my bed. The Sons of the Harpy broke their loom and raped them before slitting their throats.”

~

“...I can reconcile the city to your rule and put an end to this nightly slaughter in the streets.”

“Can you?” Dany studied his eyes. “Why should the Sons of the Harpy lay down their knives for you? Are you one of them?”

~

“Peace is my desire. You say that you can help me end the nightly slaughter in my streets. I say do it. Put an end to this shadow war, my lord. That is your quest. Give me ninety days and ninety nights without a murder, and I will know that you are worthy of a throne. Can you do that?”

Hizdahr looked thoughtful. “Ninety days and ninety nights without a corpse, and on the ninety-first we wed?”

“Perhaps,” said Dany, with a coy look. “Though young girls have been known to be fickle. I may still want a magic sword.”

ADWD Daenerys V

“Your Radiance, Hizdahr was seen to enter the pyramid of Zhak last evening. He did not depart until well after dark.”

“How many pyramids has he visited?” asked Dany.

“Eleven.”

“And how long since the last murder?”

“Six-and-twenty days.” The Shavepate’s eyes brimmed with fury. It had been his notion to have the Brazen Beasts follow her betrothed and take note of all his actions.

“So far Hizdahr has made good on his promises.”

“How? The Sons of the Harpy have put down their knives, but why? Because the noble Hizdahr asked sweetly? He is one of them, I tell you. That’s why they obey him. He may well be the Harpy.”

5 Slow reinstallment of slavery

ASOS Daenerys VI

“What do you want of me, Captain?”

“Slaves,” he said. “My holds are full to bursting with ivory, ambergris, zorse hides, and other fine goods. I would trade them here for slaves, to sell in Lys and Volantis.”

“We have no slaves for sale,” said Dany.

“My queen?” Daario stepped forward. “The riverside is full of Meereenese, begging leave to be allowed to sell themselves to this Qartheen. They are thicker than the flies.”

Dany was shocked. “They want to be slaves?”

“The ones who come are well spoken and gently born, sweet queen. Such slaves are prized. In the Free Cities they will be tutors, scribes, bed slaves, even healers and priests. They will sleep in soft beds, eat rich foods, and dwell in manses. Here they have lost all, and live in fear and squalor.”

“I see.” Perhaps it was not so shocking, if these tales of Astapor were true. Dany thought a moment. “Any man who wishes to sell himself into slavery may do so. Or woman.” She raised a hand. “But they may not sell their children, nor a man his wife.”

“In Astapor the city took a tenth part of the price, each time a slave changed hands,” Missandei told her.

“We’ll do the same,” Dany decided. Wars were won with gold as much as swords. “A tenth part. In gold or silver coin, or ivory. Meereen has no need of saffron, cloves, or zorse hides.”

“It shall be done as you command, glorious queen,” said Daario. “My Stormcrows will collect your tenth.” if the Stormcrows saw to the collections at least half the gold would somehow go astray, Dany knew. But the Second Sons were just as bad, and the Unsullied were as unlettered as they were incorruptible. “Records must be kept,” she said. “Seek among the freedmen for men who can read, write, and do sums.”

His business done, the captain of the Indigo Star bowed and took his leave.

ADWD Daenerys I

These Meereenese were a sly and stubborn people who resisted her at every turn. They had freed their slaves, yes … only to hire them back as servants at wages so meagre that most could scarce afford to eat. Those too old or young to be of use had been cast into the streets, along with the infirm and the crippled. And still the Great Masters gathered atop their lofty pyramids to complain of how the dragon queen had filled their noble city with hordes of unwashed beggars, thieves, and whores.

~

“King Cleon would be wise to tend his own gardens and let the Yunkai’i tend theirs.” It was not that Dany harbored any love for Yunkai. She was coming to regret leaving the Yellow City untaken after defeating its army in the field. The Wise Masters had returned to slaving as soon as she moved on, and were busy raising levies, hiring sellswords, and making alliances against her.

~

The Butcher King had restored slavery to Astapor, the only change being that the former slaves were now the masters and the former masters were now the slaves.

ADWD Daenerys IV

“There may be another choice. The Yunkai’i can be persuaded to allow all your freedmen to remain free, I believe, if Your Worship will agree that the Yellow City may trade and train slaves unmolested from this day forth. No more blood need flow.”

“Save for the blood of those slaves that the Yunkai’i will trade and train,” Dany said, but she recognized the truth in his words even so. It may be that is the best end we can hope for.

ADWD Daenerys VI

“One more small matter, Your Worship,” said Reznak. “To celebrate your nuptials, it would be most fitting if you would allow the fighting pits to open once again. It would be your wedding gift to Hizdahr and to your loving people, a sign that you had embraced the ancient ways and customs of Meereen.”

“And most pleasing to the gods as well,” the Green Grace added in her soft and kindly voice.

A bride price paid in blood. Daenerys was weary of fighting this battle. Even Ser Barristan did not think she could win. “No ruler can make a people good,” Selmy had told her. “Baelor the Blessed prayed and fasted and built the Seven as splendid a temple as any gods could wish for, yet he could not put an end to war and want.” A queen must listen to her people, Dany reminded herself. “After the wedding Hizdahr will be king. Let him reopen the fighting pits if he wishes. I want no part of it.” Let the blood be on his hands, not mine.

~

“The Yunkai’i will resume slaving, as before. Astapor will be rebuilt, as a slave city. You will not interfere.”

“The Yunkai’i resumed their slaving before I was two leagues from their city. Did I turn back? King Cleon begged me to join with him against them, and I turned a deaf ear to his pleas. I want no war with Yunkai. How many times must I say it? What promises do they require?”

ADWD Daenerys VII

Meereenese seldom rode within their city walls. They preferred palanquins, litters, and sedan chairs, borne upon the shoulders of their slaves. “Horses befoul the streets,” one man of Zakh had told her, “slaves do not.” Dany had freed the slaves, yet palanquins, litters, and sedan chairs still choked the streets as before, and none of them floated magically through the air.

ADWD Daenerys VIII

The hall rang to Yunkish laughter, Yunkish songs, Yunkish prayers. Dancers danced; musicians played queer tunes with bells and squeaks and bladders; singers sang ancient love songs in the incomprehensible tongue of Old Ghis. Wine flowed—not the thin pale stuff of Slaver’s Bay but rich sweet vintages from the Arbor and dreamwine from Qarth, flavored with strange spices. The Yunkai’i had come at King Hizdahr’s invitation, to sign the peace and witness the rebirth of Meereen’s far-famed fighting pits. Her noble husband had opened the Great Pyramid to fete them.

~

“It is only for a little while more, my love,” Hizdahr had assured her. “The Yunkai’i will soon be gone, and their allies and hirelings with them. We shall have all we desired. Peace, food, trade. Our port is open once again, and ships are being permitted to come and go.”

“They are permitting that, yes,” she had replied, “but their warships remain. They can close their fingers around our throat again whenever they wish. They have opened a slave market within sight of my walls!”

“Outside our walls, sweet queen. That was a condition of the peace, that Yunkai would be free to trade in slaves as before, unmolested.”

“In their own city. Not where I have to see it.” The Wise Masters had established their slave pens and auction block just south of the Skahazadhan, where the wide brown river flowed into Slaver’s Bay. “They are mocking me to my face, making a show of how powerless I am to stop them.”

“Posing and posturing,” said her noble husband. “A show, as you have said. Let them have their mummery. When they are gone, we will make a fruit market of what they leave behind.”

“When they are gone,” Dany repeated. “And when will they be gone? Riders have been seen beyond the Skahazadhan. Dothraki scouts, Rakharo says, with a khalasar behind them. They will have captives. Men, women, and children, gifts for the slavers.” Dothraki did not buy or sell, but they gave gifts and received them. “That is why the Yunkai’i have thrown up this market. They will leave here with thousands of new slaves.”

Hizdahr zo Loraq shrugged. “But they will leave. That is the important part, my love. Yunkai will trade in slaves, Meereen will not, this is what we have agreed. Endure this for a little while longer, and it shall pass.”

~

“Have you ever heard such singing, my love?” Hizdahr asked her. “They have the voices of gods, do they not?”

“Yes,” she said, “though I wonder if they might not have preferred to have the fruits of men.”

All of the entertainers were slaves. That had been part of the peace, that slaveowners be allowed the right to bring their chattels into Meereen without fear of having them freed. In return the Yunkai’i had promised to respect the rights and liberties of the former slaves that Dany had freed. A fair bargain, Hizdahr said, but the taste it left in the queen’s mouth was foul. She drank another cup of wine to wash it out.

“If it please you, Yurkhaz will be pleased to give us the singers, I do not doubt,” her noble husband said. “A gift to seal our peace, an ornament to our court.”

He will give us these castrati, Dany thought, and then he will march home and make some more. The world is full of boys.

~

Beyond her walls the yellow tents of the Yunkai’i stood in orderly rows beside the sea, protected by the ditches their slaves had dug for them. Two iron legions out of New Ghis, trained and armed in the same fashion as Unsullied, were encamped across the river to the north. Two more Ghiscari legions had made camp to the east, choking off the road to the Khyzai Pass. The horse lines and cookfires of the free companies lay to the south. By day thin plumes of smoke hung against the sky like ragged grey ribbons. By night distant fires could be seen. Hard by the bay was the abomination, the slave market at her door. She could not see it now, with the sun set, but she knew that it was there. That just made her angrier.

6 Marriage proposals and arrangements

ADWD Daenerys I

He might be handsome, but for that silly hair. Reznak and the Green Grace had been urging Dany to take a Meereenese noble for her husband, to reconcile the city to her rule. Hizdahr zo Loraq might be worth a careful look. Sooner him than Skahaz. The Shavepate had offered to set aside his wife for her, but the notion made her shudder. Hizdahr at least knew how to smile. 

ADWD Daenerys IV

“You know why you are here. The Green Grace seems to feel that if I take you for my husband, all my woes will vanish.”

“I would never make so bold a claim. Men are born to strive and suffer. Our woes only vanish when we die. I can be of help to you, however. I have gold and friends and influence, and the blood of Old Ghis flows in my veins. Though I have never wed, I have two natural children, a boy and a girl, so I can give you heirs. I can reconcile the city to your rule and put an end to this nightly slaughter in the streets.”

~

“Peace is my desire. You say that you can help me end the nightly slaughter in my streets. I say do it. Put an end to this shadow war, my lord. That is your quest. Give me ninety days and ninety nights without a murder, and I will know that you are worthy of a throne. Can you do that?”

Hizdahr looked thoughtful. “Ninety days and ninety nights without a corpse, and on the ninety-first we wed?”

ADWD Daenerys V

[...] “I cannot fight two enemies, one within and one without. If I am to hold Meereen, I must have the city behind me. The whole city. I need … I need …” She could not say it.

“Your Grace?” Ser Barristan prompted, gently.

A queen belongs not to herself but to her people.

“I need Hizdahr zo Loraq.”

ADWD Daenerys VI

The priestess and the seneschal were happy to see her garbed in a tokar, a proper Meereenese lady for once, but what they really wanted was to strip her bare. Daenerys heard them out, incredulous. When they were done, she said, “I have no wish to give offense, but I will not present myself naked to Hizdahr’s mother and sisters.”

“But,” said Reznak mo Reznak, blinking, “but you must, Your Worship. Before a marriage it is traditional for the women of the man’s house to examine the bride’s womb and, ah … her female parts. To ascertain that they are well formed and, ah …”

“… fertile,” finished Galazza Galare. “An ancient ritual, Your Radiance. Three Graces shall be present to witness the examination and say the proper prayers.”

“Yes,” said Reznak, “and afterward there is a special cake. A women’s cake, baked only for betrothals. Men are not allowed to taste it. I am told it is delicious. Magical.”

And if my womb is withered and my female parts accursed, is there a special cake for that as well? “Hizdahr zo Loraq may inspect my women’s parts after we are wed.” Khal Drogo found no fault with them, why should he? “Let his mother and his sisters examine one another and share the special cake. I shall not be eating it. Nor shall I wash the noble Hizdahr’s noble feet.”

“Magnificence, you do not understand,” protested Reznak. “The washing of the feet is hallowed by tradition. It signifies that you shall be your husband’s handmaid. The wedding garb is fraught with meaning too. The bride is dressed in dark red veils above a tokar of white silk, fringed with baby pearls.”

The queen of the rabbits must not be wed without her floppy ears. “All those pearls will make me rattle when I walk.”

“The pearls symbolize fertility. The more pearls Your Worship wears, the more healthy children she will bear.”

“Why would I want a hundred children?” Dany turned to the Green Grace. “If we should wed by Westerosi rites …”

“The gods of Ghis would deem it no true union.” Galazza Galare’s face was hidden behind a veil of green silk. Only her eyes showed, green and wise and sad. “In the eyes of the city you would be the noble Hizdahr’s concubine, not his lawful wedded wife. Your children would be bastards. Your Worship must marry Hizdahr in the Temple of the Graces, with all the nobility of Meereen on hand to bear witness to your union.”

~

“...No words of yours will secure this peace for Meereen. Your foes require deeds. They would see us wed, and they would see me crowned as king, to rule beside you.”

Dany filled his wine cup again, wanting nothing so much as to pour the flagon over his head and drown his complacent smile. “Marriage or carnage. A wedding or a war. Are those my choices?”

“I see only one choice, Your Radiance. Let us say our vows before the gods of Ghis and make a new Meereen together.”

7 Changes and/or backstabbing inside Dany’s court

This one is tricky because there are well-reasoned theories that the Green Grace, Hizdahr and the Shavepate were not honest with Dany about their intentions, so I just added Ben's betrayal, but this could change in TWOW.

ADWD Daenerys VI

“Captain, you made mention of four free companies. We know of only three. The Windblown, the Long Lances, and the Company of the Cat.”

“Ser Grandfather knows how to count. The Second Sons have gone over to the Yunkai’i.” Daario turned his head and spat. “That’s for Brown Ben Plumm. When next I see his ugly face I will open him from throat to groin and rip out his black heart.”

Dany tried to speak and found no words. She remembered Ben’s face the last time she had seen it. It was a warm face, a face I trusted. [...]

Daario’s announcement had sparked an uproar. Reznak was wailing, the Shavepate was muttering darkly, her bloodriders were swearing vengeance. Strong Belwas thumped his scarred belly with his fist and swore to eat Brown Ben’s heart with plums and onions. “Please,” Dany said, but only Missandei seemed to hear. The queen got to her feet. “Be quiet! I have heard enough.”

ADWD Daenerys VIII

The Yunkish Supreme Commander, Yurkhaz zo Yunzak, might have been alive during Aegon’s Conquest, to judge by his appearance. Bent-backed, wrinkled, and toothless, he was carried to the table by two strapping slaves. The other Yunkish lords were hardly more impressive. One was small and stunted, though the slave soldiers who attended him were grotesquely tall and thin. The third was young, fit, and dashing, but so drunk that Dany could scarce understand a word he said. How could I have been brought to this pass by creatures such as these?

The sellswords were a different matter. Each of the four free companies serving Yunkai had sent its commander. The Windblown were represented by the Pentoshi nobleman known as the Tattered Prince, the Long Lances by Gylo Rhegan, who looked more shoemaker than soldier and spoke in murmurs. Bloodbeard, from the Company of the Cat, made enough noise for him and a dozen more. A huge man with a great bush of beard and a prodigious appetite for wine and women, he bellowed, belched, farted like a thunderclap, and pinched every serving girl who came within his reach. From time to time he would pull one down into his lap to squeeze her breasts and fondle her between the legs.

The Second Sons were represented too. If Daario were here, this meal would end in blood. No promised peace could ever have persuaded her captain to permit Brown Ben Plumm to stroll back into Meereen and leave alive. Dany had sworn that no harm would come to the seven envoys and commanders, though that had not been enough for the Yunkai’i. They had required hostages of her as well. To balance the three Yunkish nobles and four sellsword captains, Meereen sent seven of its own out to the siege camp: Hizdahr’s sister, two of his cousins, Dany’s bloodrider Jhogo, her admiral Groleo, the Unsullied captain Hero, and Daario Naharis.

~

The Shavepate was absent as well. The first thing Hizdahr had done upon being crowned was to remove him from command of the Brazen Beasts, replacing him with his own cousin, the plump and pasty Marghaz zo Loraq. It is for the best. The Green Grace says there is blood between Loraq and Kandaq, and the Shavepate never made a secret of his disdain for my lord husband.

~

“...I thought I might bring a wedding gift for you, but the bidding went too high for old Brown Ben.”

“I want no gifts from you.”

“This one you might. The head of an old foe.”

“Your own?” she said sweetly. “You betrayed me.”

“Now that’s a harsh way o’ putting it, if you don’t mind me saying.” Brown Ben scratched at his speckled grey-and-white whiskers. “We went over to the winning side, is all. Same as we done before. It weren’t all me, neither. I put it to my men.”

“So they betrayed me, is that what you are saying? Why? Did I mistreat the Second Sons? Did I cheat you on your pay?”

“Never that,” said Brown Ben, “but it’s not all about the coin, Your High-and-Mightiness. I learned that a long time back, at my first battle. [...] Came upon this one corpse, [...] he wore this studded jerkin, looked to be good leather. [...] Under the lining, he’d sewn a fortune in coin. Gold, Your Worship, sweet yellow gold. Enough for any man to live like a lord for the rest o’ his days. But what good did it do him? [...] And that’s the lesson, see? Silver’s sweet and gold’s our mother, but once you’re dead they’re worth less than that last shit you take as you lie dying. [...] My boys didn’t care to die, that’s all, and when I told them that you couldn’t unleash them dragons against the Yunkishmen, well ...”

You saw me as defeated, Dany thought, and who am I to say that you were wrong? “I understand.”

[...] “You don’t never want to trust a sellsword, m’lady.”

“I have learned that much. One day I must be sure to thank you for the lesson.”

8 Child hostages and begrudge of Meereenese nobles over Dany’s “hard justice”

ADWD Daenerys I

“You have no lack of enemies, Your Grace. You can see their pyramids from your terrace. Zhak, Hazkar, Ghazeen, Merreq, Loraq, all the old slaving families. Pahl. Pahl, most of all. A house of women now. Bitter old women with a taste for blood. Women do not forget. Women do not forgive.”

~

The hall had filled. Unsullied stood with their backs to the pillars, holding shields and spears, the spikes on their caps jutting upward like a row of knives. The Meereenese had gathered beneath the eastern windows. Her freedmen stood well apart from their former masters. Until they stand together, Meereen will know no peace. “Arise.” Dany settled onto her bench. The hall rose. That at least they do as one.

ADWD Daenerys II

“They are afraid for their children,” Reznak said.

Yes, Daenerys thought, and so am I. “We must keep them safe as well. I will have two children from each of them. From the other pyramids as well. A boy and a girl.”

“Hostages,” said Skahaz, happily.

“Pages and cupbearers. If the Great Masters make objection, explain to them that in Westeros it is a great honor for a child to be chosen to serve at court.”

ADWD Daenerys IV

“...And yet Your Radiance has found the courage to answer butchery with mercy. You have not harmed any of the noble children you hold as hostage.”

“Not as yet, no.” Dany had grown fond of her young charges. Some were shy and some were bold, some sweet and some sullen, but all were innocent. “If I kill my cupbearers, who will pour my wine and serve my supper?” she said, trying to make light of it.

9 Dany’s problems with her dragons

ADWD Daenerys I

Her dragons had grown too large to be content with rats and cats and dogs. The more they eat, the larger they will grow, Ser Barristan had warned her, and the larger they grow, the more they'll eat. Drogon especially ranged far afield and could easily devour a sheep a day.

~

“Reznak,” Ser Barristan said quietly, “hold your tongue and open your eyes. Those are no sheep bones.”

No, Dany thought, those are the bones of a child.

ADWD Daenerys II

The Great Masters had used the pit as a prison. It was large enough to hold five hundred men … and more than ample for two dragons. For how long, though? What will happen when they grow too large for the pit? Will they turn on one another with flame and claw? Will they grow wan and weak, with withered flanks and shrunken wings? Will their fires go out before the end?

What sort of mother lets her children rot in darkness?

ADWD Daenerys III

Dany wondered how many men thirteen galleys could hold. It had taken three to carry her and her khalasar from Qarth to Astapor, but that was before she had acquired eight thousand Unsullied, a thousand sellswords, and a vast horde of freedmen. And the dragons, what am I to do with them? “Drogon,” she whispered softly, “where are you?” For a moment she could almost see him sweeping across the sky, his black wings swallowing the stars.

ADWD Daenerys IV

Dany did not want to talk about the dragons. Farmers still came to her court with burned bones, complaining of missing sheep, though Drogon had not returned to the city. Some reported seeing him north of the river, above the grass of the Dothraki sea. Down in the pit, Viserion had snapped one of his chains; he and Rhaegal grew more savage every day. Once the iron doors had glowed red-hot, her Unsullied told her, and no one dared to touch them for a day.

ADWD Daenerys V

Brown Ben Plumm bulled over him. “Your Grace, the Yunkish got three free companies against our two, and there’s talk the Yunkishmen sent to Volantis to fetch back the Golden Company. Those bastards field ten thousand. Yunkai’s got four Ghiscari legions too, maybe more, and I heard it said they sent riders across the Dothraki sea to maybe bring some big khalasar down on us. We need them dragons, the way I see it.”

Dany sighed. “I am sorry, Ben. I dare not loose the dragons.” She could see that was not the answer that he wanted.

ADWD Daenerys VIII

The dragons craned their necks around, gazing at them with burning eyes. Viserion had shattered one chain and melted the others. He clung to the roof of the pit like some huge white bat, his claws dug deep into the burnt and crumbling bricks. Rhaegal, still chained, was gnawing on the carcass of a bull. The bones on the floor of the pit were deeper than the last time she had been down here, and the walls and floors were black and grey, more ash than brick. They would not hold much longer … but behind them was only earth and stone. Can dragons tunnel through rock, like the firewyrms of old Valyria? She hoped not.

The Dornish prince had gone as white as milk. “I … I had heard that there were three.”

“Drogon is hunting.” He did not need to hear the rest. “The white one is Viserion, the green is Rhaegal. I named them for my brothers.”

~

Rhaegal roared in answer, and fire filled the pit, a spear of red and yellow. Viserion replied, his own flames gold and orange. When he flapped his wings, a cloud of grey ash filled the air. Broken chains clanked and clattered about his legs.

[...] “You ... you mean to ride them?”

“One of them. [...] Aegon the Conqueror never dared mount Vhagar or Meraxes, nor did his sisters ride Balerion the Black Dread. [...] Balerion had other riders after Aegon died ... but no rider ever flew two dragons.”

Viserion hissed again. Smoke rose between his teeth, and deep down in his throat they could see gold fire churning.

[...] Dany gave her wild children one last lingering look. She could hear the dragons screaming as she led the boy back to the door, and see the play of light against the bricks, reflections of their fires. If I look back, I am lost.

10 Dany’s delay of her campaign in the west

ASOS Daenerys V

“Then what do you advise, Ser Jorah?”

“You will not like it.”


“I would hear it all the same.”

“As you wish. I say, let this city be. You cannot free every slave in the world, Khaleesi. Your war is in Westeros.”

“I have not forgotten Westeros.” Dany dreamt of it some nights, this fabled land that she had never seen. “If I let Meereen’s old brick walls defeat me so easily, though, how will I ever take the great stone castles of Westeros?”

“As Aegon did,” Ser Jorah said, “with fire. By the time we reach the Seven Kingdoms, your dragons will be grown. And we will have siege towers and trebuchets as well, all the things we lack here ... but the way across the Lands of the Long Summer is long and grueling, and there are dangers we cannot know. You stopped at Astapor to buy an army, not to start a war. Save your spears and swords for the Seven Kingdoms, my queen. Leave Meereen to the Meereenese and march west for Pentos.”

“Defeated?” said Dany, bristling.

“When cowards hide behind great walls, it is they who are defeated, Khaleesi,” Ko Jhogo said.

Her other bloodriders concurred. “Blood of my blood,” said Rakharo, “when cowards hide and burn the food and fodder, great khals must seek for braver foes. This is known.”

“It is known,” Jhiqui agreed, as she poured.

“Not to me.” Dany set great store by Ser Jorah’s counsel, but to leave Meereen untouched was more than she could stomach. She could not forget the children on their posts, the birds tearing at their entrails, their skinny arms pointing up the coast road. “Ser Jorah, you say we have no food left. If I march west, how can I feed my freedmen?”

“You can’t. I am sorry, Khaleesi. They must feed themselves or starve. Many and more will die along the march, yes. That will be hard, but there is no way to save them. We need to put this scorched earth well behind us.”

Dany had left a trail of corpses behind her when she crossed the red waste. It was a sight she never meant to see again. “No,” she said. “I will not march my people off to die.” My children.

ASOS Daenerys VI

All my victories turn to dross in my hands, she thought. Whatever I do, all I make is death and horror. When word of what had befallen Astapor reached the streets, as it surely would, tens of thousands of newly freed Meereenese slaves would doubtless decide to follow her when she went west, for fear of what awaited them if they stayed ... yet it might well be that worse would await them on the march. Even if she emptied every granary in the city and left Meereen to starve, how could she feed so many? The way before her was fraught with hardship, bloodshed, and danger. Ser Jorah had warned her of that. He’d warned her of so many things ... he’d ... No, I will not think of Jorah Mormont. Let him keep a little longer.

~

That morning she summoned her captains and commanders to the garden, rather than descending to the audience chamber. “Aegon the Conqueror brought fire and blood to Westeros, but afterward he gave them peace, prosperity, and justice. But all I have brought to Slaver’s Bay is death and ruin. I have been more khal than queen, smashing and plundering, then moving on.”

“There is nothing to stay for,” said Brown Ben Plumm.

“Your Grace, the slavers brought their doom on themselves,” said Daario Naharis.

“You have brought freedom as well,” Missandei pointed out.

“Freedom to starve?” asked Dany sharply. “Freedom to die? Am I a dragon, or a harpy?” Am I mad? Do I have the taint?

“A dragon,” Ser Barristan said with certainty. “Meereen is not Westeros, Your Grace.”

“But how can I rule seven kingdoms if I cannot rule a single city?” He had no answer to that. Dany turned away from them, to gaze out over the city once again. “My children need time to heal and learn. My dragons need time to grow and test their wings. And I need the same. I will not let this city go the way of Astapor. I will not let the harpy of Yunkai chain up those I’ve freed all over again.” She turned back to look at their faces. “I will not march.”

“What will you do then, Khaleesi?” asked Rakharo.

“Stay,” she said. “Rule. And be a queen.”

ADWD Daenerys III

“Those left behind in Meereen would envy them their easy deaths,” moaned Reznak. “They will make slaves of us, or throw us in the pits. All will be as it was, or worse.”

“Where is your courage?” Ser Barristan lashed out. “Her Grace freed you from your chains. It is for you to sharpen your swords and defend your own freedom when she leaves.”

“Brave words, from one who means to sail into the sunset,” Symon Stripeback snarled back. “Will you look back at our dying?”

“Your Grace—”

“Magnificence—”

“Your Worship—”

“Enough.” Dany slapped the table. “No one will be left to die. You are all my people.” Her dreams of home and love had blinded her. “I will not abandon Meereen to the fate of Astapor. It grieves me to say so, but Westeros must wait.”

~

“My lord, I will gladly have those ships, but I cannot give you the promise that you ask.” She took his hand. “Give me the galleys, and I swear that Qarth will have the friendship of Meereen until the stars go out. Let me trade with them, and you will have a good part of the profits.”

Xaro’s glad smile died upon his lips. “What are you saying? Are you telling me you will not go?”

“I cannot go.”

ADWD Daenerys IV

“Your Grace, may I speak frankly?”

“Always.”

“There is a third choice.”

“Westeros?”

He nodded. “I am sworn to serve Your Grace, and to keep you safe from harm wherever you may go. My place is by your side, whether here or in King’s Landing … but your place is back in Westeros, upon the Iron Throne that was your father’s. The Seven Kingdoms will never accept Hizdahr zo Loraq as king.”

“No more than Meereen will accept Daenerys Targaryen as queen. The Green Grace has the right of that. I need a king beside me, a king of old Ghiscari blood. Elsewise they will always see me as the uncouth barbarian who smashed through their gates, impaled their kin on spikes, and stole their wealth.”

“In Westeros you will be the lost child who returns to gladden her father’s heart. Your people will cheer when you ride by, and all good men will love you.”

“Westeros is far away.”

“Lingering here will never bring it any closer. The sooner we take our leave of this place—”

“I know. I do.” Dany did not know how to make him see. She wanted Westeros as much as he did, but first she must heal Meereen. “Ninety days is a long time. Hizdahr may fail. And if he does, the trying buys me time. Time to make alliances, to strengthen my defenses, to—”

“And if he does not fail? What will Your Grace do then?”

“Her duty.”

ADWD Daenerys VII

“...The Frog has a gift for you.”

[...] “And who is he?”

He shrugged. “Some Dornish boy. He squires for the big knight they call Greenguts. I told him he could give his gift to me and I’d deliver it, but he wouldn’t have it.”

~

“May we know what it says, Your Grace?” asked Ser Barristan.

“It is a secret pact,” Dany said, “made in Braavos when I was just a little girl. Ser Willem Darry signed for us, the man who spirited my brother and myself away from Dragonstone before the Usurper’s men could take us. Prince Oberyn Martell signed for Dorne, with the Sealord of Braavos as witness.” She handed the parchment to Ser Barristan, so he might read it for himself. “The alliance is to be sealed by a marriage, it says. In return for Dorne’s help overthrowing the Usurper, my brother Viserys is to take Prince Doran’s daughter Arianne for his queen.”

The old knight read the pact slowly. “If Robert had known of this, he would have smashed Sunspear as he once smashed Pyke, and claimed the heads of Prince Doran and the Red Viper ... and like as not, the head of this Dornish princess too.”

“No doubt that was why Prince Doran chose to keep the pact a secret,” suggested Daenerys. “If my brother Viserys had known that he had a Dornish princess waiting for him, he would have crossed to Sunspear as soon as he was old enough to wed.”

“And thereby brought Robert’s warhammer down upon himself, and Dorne as well,” said Frog. “My father was content to wait for the day that Prince Viserys found his army.”

“Your father?”

“Prince Doran.”

~

“...You mean to marry me. Is that the way of it? The gift you bring me is your own sweet self. Instead of Viserys and your sister, you and I must seal this pact if I want Dorne.”

ADWD Daenerys VIII

“...Your Grace, if I may be so bold, there is another road …”

“The Dornish road?” Dany sighed. The three Dornishmen had been at the feast, as befit Prince Quentyn’s rank, though Reznak had taken care to seat them as far as possible from her husband. Hizdahr did not seem to be of a jealous nature, but no man would be pleased by the presence of a rival suitor near his new bride. “The boy seems pleasant and well spoken, but …”

“House Martell is ancient and noble, and has been a leal friend to House Targaryen for more than a century, Your Grace. I had the honor of serving with Prince Quentyn’s great-uncle in your father’s seven. Prince Lewyn was as valiant a brother-in-arms as any man could wish for. Quentyn Martell is of the same blood, if it please Your Grace.”

“It would please me if he had turned up with these fifty thousand swords he speaks of. Instead he brings two knights and a parchment. Will a parchment shield my people from the Yunkai’i? If he had come with a fleet …”

“Sunspear has never been a sea power, Your Grace.”

“No.” Dany knew enough of Westerosi history to know that. Nymeria had landed ten thousand ships upon Dorne’s sandy shores, but when she wed her Dornish prince she had burned them all and turned her back upon the sea forever. “Dorne is too far away. To please this prince, I would need to abandon all my people. You should send him home.”

“Dornishmen are notoriously stubborn, Your Grace. Prince Quentyn’s forebears fought your own for the better part of two hundred years. He will not go without you.”

Then he will die here, Daenerys thought, unless there is more to him than I can see.

#daenerys targaryen #a dance with dragons #a storm of swords #dany passages

[animaniachan]

Thank you for your notes, ep 10 seems so fun! Would you mind explaining the plays a bit?

hello there~~ i don’t know when this was sent bc i fell asleep so sorry for the late response! you’re welcome! Ep. 10 was super fun and i’d be happy to explain the plays! uwu

answers below read more for spoiler purposes~

warning: long post

Overall synopsis of both plays:

they are both based on the idea of the Genpei War, which was a Japanese civil war that happened between 1180-1185 (Heian Era).

the main differentiating factor between the OG and Newborn plays is that OGs went with a tragedy route while Newborn had a happy ending.

i can’t go very deep into the OGs’ play characters bc not much was revealed about them aside from appearances and names. but i’ll provide a description for the newborn characters

however, i do know that Hiro and Tenma portrayed the same character: Minamoto and Yoshitsune/Kurou

for historical accuracy purposes, I will not be referring to them by the character name and instead by the actor’s name

OG Play: Yume no Ato (The Trail of Dreams)

it starts off with a “man”(Hiro) asking a travelling monk (Zen) to listen to his story that was happened “hundreds of thousands of years ago”.

along with the “man”’s narrative, it takes you back to his story as a flashback format.

you then see a fight between the shogun’s portrayed by Reni and Yuzo where Yuzo is killed by Reni in the war. Reni then questions why humans fight each other when they’re all humans.

we then see the rest of the Taira clan including Syu (a samurai), Zen (also a samurai), Hiro (main samurai/shogun), and Kasumi (presumably Hiro’s lover (yes, he cross dressed))

Kasumi begs Hiro to take him/her with them to war which almost never happened during that era.

the group eventually begins to lose trust in one another bc they suspected someone leaked their travel routes to the enemy, causing them to get ambushed. Syu eventually suggests to drop Kasumi from the group bc she’s a female.

Kasumi pleas for Hiro to take her with them. Hiro refuses bc he doesn’t want to endanger her, but she pleas even harder and succeeds.

The group was ambushed once again but they realized that no information was leaked, it was all the enemy’s doing. Syu and Zen stayed behind to hold them off while telling Hiro to escape.

Syu was eventually killed in battle, before dying, he promised his rival (Zen) that their rivalry will be saved for their next life. Zen proceeded to fight the rest of the battle alone (with no conclusion)

Kasumi was also eventually killed in war and was dying in Hiro’s arms. Before she died, she promised him that she’ll be reborn a white bird in her next life, where she’ll be able to fly free and follow him wherever he goes. (top notch voice acting btw)

Hiro has lost everybody in the war, as his last effort, he announced his name aloud to the enemies around him, bascially saying that, “I’m right here, if you want to kill me, come get me!” and fought as the lone soldier in his clan.

the play now returns to the “man” telling the story and the monk. the monk is surprised on how detailed the “man”‘s story is, stating that it’s as if “the man saw it with his own eyes”.

the man gives an interesting quote here, saying that: “once upon a time, there were friends who fought together upon this land and talked about their dreams. But now, they are nowhere to be seen, and is only left to rot alone.” which is a direct reference to the OGs with Mankai imo

it is eventually revealed that the “man” was the spirit of Hiro, who was unable to pass on because he was bound by his regrets and guilt for the death of his friends by taking them to war.

the monk had a realization moment, before he helped Hiro’s spirit move on by showing him a pure white bird, indicating Kasumi.

the stage direction eventually shone a light towards the audience, symbolizing that the audience is their “light” where Hiro eventually walks toward and disappears

after Hiro disappears, the monk revealed himself to be the spirit of Zen and he also follows after Hiro towards the light and disappears.

the play ends with an empty stage, as if nothing was ever there in the first place.

Newborn Play: Shinsetsu: Kurou-den (The New Legend of Kurou)

Tenma portrayed Kurou/Minamoto no Yoshitsune, a samurai whose personality depends on his alcohol intake. If he’s drunk, he is very cool, calm and collected, fearless, etc. but when he’s sober, he is a major wimp and scaredy cat.

Tsuzuru portrayed Benkei, a samurai who is a friend of Kurou, who is also responsible for switching Kurou’s personalities by providing him with the alchohol. He is a very smart, savage, and strong samurai.

Misumi and Masumi portrays brother samurai characters, Tsugunobu and Tadanobu. They eventually swore loyalty to Kurou after he saved Tsugunobu from dying.

Chikage portrayed Minamoto no Yoritomo, Kurou’s long separted brother and the antagonist of this play. He plots to get rid of Kurou so he can become the sole ruler of the Minamoto clan.

Kumon portrayed Yasuhira, a young master who had to shoulder the burden of his household after the death of his father, the previous master of the house.

Tenma changes his personality several times throughout this play. For my sanity purposes, drunk Tenma (the cool one) will be represented with D•Tenma and wimp Tenma will be W•Tenma.

the play starts with Tsuzuru challenging D•Tenma to a duel as an attempt to get Tenma’s sword as part of his victory collection. He lost the duel and was asked by Tenma to travel with him to see the world together. Hence, the iconic comedic duo was born.

it then gives us a montage of all some of the adventures between Tenma and Tsuzuru.

D•Tenma and Tsuzuru eventually arrives at Kumon’s household to work for them where he was introduced to Kumon through Kumon’s father (still alive at the time)

that is also where they meet Misumi and Masumi and challenged each other to a friendly duel. This is where W•Tenma was revealed to the both of them.

Tenma got the chance to meet Chikage where Chikage wished for them to work together and rule the clan as brothers (ha)

the four of them then went on an expedition together. In that expedition, Misumi almost died (fell off a cliff) but was saved by D•Tenma, that was when Misumi swore his loyalty to Tenma.

the next day, the group went to help some allies who were having a hard time in battle.

unfortunately, W•Tenma wimped out and wanted to escape. This resulted in Misumi getting injured from protecting him. The brothers now had to retreat bc Misumi needs to heal his injuries.

the group now realized that they’ve been banished by Chikage.

the conflict of Tenma having to rely on alchohol to remain strong also surfaced.

when they finally returned to the mansion, the enemy attacked him and Kumon escaped, leaving Tenma and Tsuzuru to fight.

they were outnumbered, so Tsuzuru opted for Tenma to escape first so he can confront Chikage.

W•Tenma didn’t want that, and was hesitating. Tsuzuru was going to force some alchohol in him, when W•Tenma actually fought back for once in his wimp self. This resolved the conflict of Tenma’s personalities and he can now he semi-strong without alcohol (character development whoo)

and so, Tenma went to confront Chikage head-on. They fought, and Tenma managed to escape (don’t know what happened to Chikage.)

Tenma arrived at the sea shore where a raft was placed. There, he met up with Misumi and Masumi, who opted to follow him. When asked about Tsuzuru’s whereabouts, Tenma told them that Tsuzuru went and fought those enemies alone.

just when they all thought Tsuzuru died, he appeared, alive and well.

the play ended with the four of them escaping on the raft and continuing their adventure of “seeing the world” together.

#yona spoils act 3! #a3! #a3! act! addict! actors! #q&a w/ yona #nehamerchant123 #act! addict! actors! #a3! game #a3! act 3

[niennavalier]

So I’m sure no one cares but

I’ve recently discovered genderbent Frozen covers and animatics and honestly I love these? Like, a lot? 

(Rambly thoughts under the cut, because I got invested in talking about Disney movies and ways they write characters and generalizing stuff, despite writing this all on a whim and doing not much research but hey, that’s what this blog is for. Random thoughts about movies and stories and Youtube comments)

I mean, I’ll admit that I’ve never been a big fan of Frozen - nothing against the story (cause it is good and for all I will criticize Disney for not generally being particularly uh...keen on taking any risks, I do appreciate the way they do break the mold here) or the music (it sounds like a Broadway musical, hell yeah) - but tbh Let it Go far overstayed its welcome and yes, I’m glad kids enjoyed the movie, but we heard it nonstop for way longer than we should have. The song honestly never felt like it went away for, what like, 2 years? I can listen to songs on endless loops, and this was still too much for me. Granted, I never hated it (my brother did, possibly still does, so I didn’t mind listening to it for the sole purpose of tormenting him) but still. It sorta turned me off from the franchise. I didn’t need to hear it every time I walked into a store.

And I’ll also admit to never being big on genderbending. Nothing against people who enjoy it, but it’s never been my thing, and the few fics I’ve read with it never felt like it used the swap for any sort of message or to explore anything particularly interesting. Which I would’ve preferred, because otherwise, I didn’t see the reason for the swap, personally. (and to be fair, I turned off of this pretty quickly, so I’m sure there are good ones out there, but it’s really just never been something I’m big on)

But like...okay. There is this animatic for Show Yourself, but with the audio dropped into the male vocal range and I love it so much. It’s wonderful and adorable (and the song is legitimately very good, so I’ve seen that part, despite never having actually watched Frozen 2). And also a handful of actual covers, which are absolutely amazing. And now I’ve found the same sort of thing with Let it Go (which I’m now okay with - I guess it just takes 7 years for me to get over the oversaturation of that song in society) and like holy shit, friends. Big fan.

Scrolling through the comments also gets all the “can we please get a Disney Prince movie” thoughts and hey, I’m so on board with this. I know, there are movies with princes (Aladdin, Hercules, Lion King, etc), but it’s less that plain fact of having a prince, and more of the arc for the character? Basically, I wanna destroy the trend of having male-oriented movies be more action-adventure-y. Let boys be soft and have feelings, that’s all I ask. Make that the character arc, have your main character be male and need to discover himself, all of the fears and insecurities included, I am begging you. 

(Sidenote because I did see some other interesting mentions: I haven’t seen Hunchback, back from what I’m aware of with that movie, that one probably fits closer to what I’m talking about. Also Treasure Planet, because honestly, that really is exactly the kind of arc that I’m talking about, and there’s a reason I love that movie with all my heart, it’s amazing, and go watch it if you haven’t. But like, it’s a coming of age story with some good ol’ found family and no romance! And while Jim is really smart and has some bad-ass moments, I love when we get insight into his emotional state. But I could gush about this movie forever, moving on. The one thing about these is not the lack of royalty (for me), but just...box office? I don’t know the circumstances for Hunchback, except that the numbers apparently aren’t great, and to my knowledge, someone over at Disney just didn’t want Treasure Planet to do great, and this goes to show what marketing does. Apparently, they did the same to Emperor’s New Groove, which isn’t entirely relevant, but my point is, whoever did this to these movies, screw you, they’re wonderful)

(Apologies for the tangent)

Anyway, I’m not saying remake Frozen, but doing the genderbend works really well here, I think? Obviously, I love that Elsa’s arc is entirely her own, and stories about opening up to family and accepting yourself have messages that everyone needs to hear, regardless of any barrier. So this isn’t a criticism, just a thought. Because (granted, I’m not doing research to write this, and I’m admittedly not 100% caught up on Disney movies) it feels to me like female characters do tend to have the more emotional arcs. Talking Disney Renaissance, this feels true in the female-lead movies, especially if you compare to the respective princes. In male-lead movies, it’s not entirely true, and I’m not calling the characters flat or emotionless, but that’s not the main thing going on in the movie. (ie, Simba has his reservations about returning and so he talks to Mufasa, and that’s a big scene and its important, but it feels more like it’s just a step to ultimately taking down Scar - tbh, compare the screentimes there). Again, the Renaissance movies are fantastic and I love them, but I just want to make some comparisons. And I don’t want to delve too deep into the more recent ones, because I haven’t seen them all, but the focus seems much more on the strong, independent female-lead (again, not a criticism because we can always do with more strong ladies who don’t need no man - I am just saying). 

But anyway. Frozen. I like the idea of keeping Anna as herself, because the Hans twist and more slow-burn-y development with Kristoff is good - that accomplishes the idea of breaking down tropes. But Elsa as a male character is really interesting to me? Having an arc that centers on fear that’s born of isolation, and ends with self-acceptance and familial love, is something that I don’t recall seeing in male characters very often (not never, but not often)? But I can think of tons of male characters who appear confident and charismatic, even if that’s in their own way, and then even if we do peel back to find trauma and pain, I can think of more instances of it presenting as bitterness or anger rather than genuine fear (or at the very least, we as the audience don’t quite see that fear). I want to see a male character who was forced to repress who they are and has real fear as to who their true self is. I want this character to discover who that is and have a hard time coming to grips with it, and all that stuff because I honestly just really like writing a lot of self-deprecation. Won’t deny that. And then pairing that with magic is also just interesting IMO. I don’t know how magic tends to fall with regard to this sort of thing, but just the fact that it’s inborn and different (akin to D&D sorcery), rather than learned and understood (like D&D wizardry, or even HP wizards), is an interesting thought to me? Maybe because the “strange and different” type of magic reminds me more of the general conception of witches (or...the Salem Witch Trials) which is also more female-leaning, but I won’t stand by that super strongly, because it’s not something I’ve looked into all that much. But it means, to me, that it would be an interesting way to sorta...turn the tables in the way magic gets used.

Point being: I just think this would be a really solid message. That bravery doesn’t have to be saving the world or killing the dragon or even the self-sacrifice story that’s become more prominent in stories now. It can also come from battling your own demons and opening up to people to ask for help. Which is obviously something everyone needs to learn, but if we’re gonna fight the submissive female character trope with some badass heroines, then I say we also do the same thing in reverse for our male characters. Just a thought

#from the mind of niennavalier #long opinion post thing #ill also admit that i really like this idea cause the art is so goddamn good #pretty designs and flowy clothes are my favorite things when im coming up with dnd character designs #and combine that with non-stereotypically-masculine characters and im super down #(i have favorite character types okay? fight me) #but also instagram has been giving me all the frozen 2 stills now and like #elsa is just gorgeous and i dont think i need say more #like im very ace but that aesthetic is so good #(witness me paying attention to this fandom like 7 years late lol) #also i do just wanna clarify some stuff #cause thinking with the modern disney movies #like with moana im not saying that maui doesnt have an arc and good things that happen #i like his part dont get me wrong #but tell me who the titular character is #just sayin #and ive seen a bunch of stuff about kristoff having a song where hes confused about love #and again i think thats amazing! #i need to go find that clip but i legitimately love the fact that this exists #thats good content #im just saying that isnt quite on the same level because same as above #if i ask who the main characters in frozen are #i think you all know the answer #(and my other big ask for disney is to give us a gay character but my hopes there arent super high unfortunately) #(oh and self plug but the more i think about it im kinda doing this sorta thing with one of the characters i made for my short story class #the story itself is meant to be longer than a short story and i wont go into detail here but the idea just ended up being close #even though i started watching a bunch of the clips and having these thoughts after id come up with my character) #(maybe said character is why im having Opinions on this now tho) #(and dumb sidenote but the more i look up fanart the more i realize that the people who are saying that it basically looks like anime #are totally right it really does which is really just interesting to me cause i didnt think of that initially)

[ithinkthingsaboutstuff]

'i mean his is a fish out of water but they tend to play up his awkwardness over is com confidence and capability or at lest they don't show that these quality are not mutually exclusive but that is a whole other rant' and I would like to hear this rant

Now you’ve done it you opened the door for me to rant. This is my Pandora's box, just remember you asked. (side-note I remember writing that statement but can’t remember when lol)

Brainy in the show has always had two sides to his character (from what i have observed)

1, the 12th level intellect

2, the social awkward man

now these are two elements to his character can play very well off each other for example in 3x10, he dose not know how to understand Kara situation (not being able to wake up, despite being physically fine) However that does not stop him from engaging insight into the situation (The emotion kinship with streaky and Kara Danvers being Alex’s fav person)  

The two elements above however have become at odds with one another in a lot of the time since then.

now the series dose show that he is in a new unfamiliar space and that he is still making an effort to learn (movie nights, using his powers on phones, i pads ect, brunch with jimmy and so)

Now let me be clear I understand that he scenes are humours a lot of the time.

However there seems to have been a focus shift.

----

To back step for a second the goal of any comedic tension is to know what you are making fun of,

this is called ‘punching up’

Punching up is a term for deploying powerful techniques of criticism and rhetoric to critique and dismantle power structures, rather than to harm people disempowered relative to yourself.

basically, make fun of an attacker and not the victim or something out of someone control i.e metal illness, physical disability and so on.  

----

this is a good rule of thumb when writing humour for a character that is seen as being different to all the other characters. It shows that

1, you respect that characters integrity

2, that they should be taken seriously by the audience

this has been a bit of a problem for Brainy’s character as people tend to look at him and see a character that is less mature then he actually is.

for example when Kara and Alex wink at him to continue his investigation.

now this scene showed a moment of miss communication, which is fine in fact its in character for all three of these characters.

until the last line,

“in complete secrecy”    

this line took the joke one grade to far, because the miss communication was resolved only for it to be undercut but an awkward action,

now this is not a overly offensive thing it is just a small example of what i’m talking about. that the intellect of the character is being overridden by the awkward part.

this happened a lot in the show and these undercuts start to become the main point in a fair amount of scenes (almost every scene with Nia)

Again these things are not overly offensive (with one exception IMO, but i have already talked about that) but they use his character to push another up and that character is plenty strong on there own by the way, so that makes his character come across as more undercut and even less mature.

moving on, another good example of these two elements of his character working together is when it is matched with his kindness

examples being,

1, When he tells Kara he is ‘american alien’

2, All of his fight scenes, in that he says awkward things, but every move he makes has an exact calculated purpose.

3, the ‘becoming Winn’ scene (shows insight, intelligence but also respect for both Alex and Winn relationship)

and so on

but when it comes to scenes like when he is tying to get J’onn to help supergirl. the scene when Brainy tries to pay J’onn to help, is funny but it also show that

1, he is applying knowledge about how earth at this time operates (capitalism)  

2, that he know who to go to that Kara would want (both tactical and trust wise)

3, that he dose understand that J’onn is not fighting anymore, but also wants to make sure J’onn is on the broad so to speak (for Brainy’s tactical planning)

4, is awkward in his execution but is a genuine gesture

however it is once again undercut when he leaves the money anyway after it is explained to him J’onn won’t take it.

this is my main problem

the character is defined and proud of is intelligence but these jokes and beats undercut that he is intelligent time and time again.

they won’t let him learn for the sake of keeping him awkward.

these quality are not mutually exclusive.  

you can be smart but awkward, the key is to let the character learn and apply that knowledge quickly, they don’t even have to get it right. in fact overcorrection would be the best way to go with a character like Brainy.

for example, going back to the winking scene a better way to end it would have been if he winked back to Alex and Kara, three too many times before walking off. it’s still awkward but it shows that the character is learning and applying info give to him.

so yes, Brainy is a confidence and capability hero with almost double the experience of everyone around him. He is also the smartest person in the room and he knows it. but these things have become easy forgotten by a lot of the audience, because one element of his character has been pushed up higher then the others.

but not to say there is complete absents of the other elements, they are just under played or under used or those moments are given to other characters for whatever reason (*cough* Winn *cough* Lena* cough*)  and Brainy is left to lean on his awkwardness to get through the scene.

by leaning to hard into the fish out of water side of his character they are losing sight of the fundamental part of the character his brain,

Brainy’s brain, the guy named Brainy, with the big brain, Who is known for using his Brain, Big Brained Brainy.

Brainy has been shown many different ways over the years in comics and cartoons he had been awkward, arrogant, rude, spiteful, hopeful, adorable, sweet, untrusting, closed off, slightly manipulative, really manipulative or having one of the biggest hearts in the universe but above all he has been shown to be smart and adaptable in how he handles himself even if he is not sure of the people round him no matter where or when he is.

Rant over.

[dalekofchaos]

Ways I would change Solo

My other Star Wars changes

Prequels

The Clone Wars and Rebels

Original Trilogy

Sequels

Rogue One

Solo wasn’t really a bad movie, I think it is a fun movie with great potential. The problem is they focused more on the future and not in the now, a movie about Han Solo does not focus on Han Solo and it’s not necessary at all and the story is very forgettable, and it really is just a cash grab. There is nothing remarkable about the movie and the only two characters who stand out as 100% only enjoyable to me are Enfys Nest and Chewie. The rest of the characters just feel like unnecessary adds or barley passable imitations. So these are ways I would change Solo to make it a great movie

Make the movie about Han. It focused too much on other characters that don’t matter.  Solo suffers from the fact that it really isn’t an origin movie about Han, but rather a movie about how he got his stuff. Which I think is in part because Lucasfilm planned to make Solo a trilogy till it completely and utterly failed at the box office and became the most financially disappointing Star Wars movie in all of the franchise’s history. It focused too much on Qi’Ra, Beckett and L3. The movie should have been about Han. from the streets, to Imperial and to Scoundrel. The movie should have been focused on Han and his relationships with Chewie and Lando. Showing Han leaving the Imperials for freeing Chewie and the two of them work together from that day. Putting a greater emphasis on Lando would have been a smart move since he’s returning in IX, and adding Jabba and Boba mention would have made sense since Lucasfilm had really wanted to do a Boba Fett movie and testing the wasters in Solo would had been better than adding that random cameo with Darth Maul, a character who literally couldn’t have anything less to do with Han or the OT. Why is Darth Maul in a movie about Han Solo? I really feel like they should not have brought Maul back in Solo. He had his return in The Clone Wars and he got his final death in Rebels. Bringing back Maul was dumb. The majority of casual audiences do not know Maul survived TPM, they just shoehorned Maul in for sequel bait and nostalgia. The problem is they focused on the future instead of focusing on their movie.When it comes to Solo, Maul shouldn’t even be there. Han does not believe in the force and believes a lightsaber is a ancient weapon from archaic times and all he needs is a good blaster. From Han himself “I’ve never seen anything to make me believe there’s one all powerful force controlling everything.” I really feel like no one on board understood Han Solo as a character and their inability to make a Han Solo movie about Han or any aspect of Han’s character is what ultimately failed the movie.

Make it a mix between Ocean’s 11 and The Good The Bad And The Ugly. The original trilogy was influenced by Akira Kurosawa’s Seven Samurai.  Rogue One is a Dirty Dozen type war movie. Solo’s problem is it’s just a movie. An easy fix is to make it a heist film first and then make it a space western.  Solo turned into a heist film about 45 minutes into the film. Until then you just had Ehrenreich bouncing around doing stuff. It wasn’t boring but we wasted so much time with him enlisting in the empire, joining Beckett’s gang, having Beckett’s gang die, owing Beckett a favour, meeting his long lost lover and then we finally have our plot. There’s definitely a better way to get the gang together than the convoluted way we got. 20 minutes in, we should know exactly what the stakes are for the rest of the movie.

Han Solo picks his own name. Han is a rebel without a cause. He doesn’t care where he came from, so a random Imperial Officer should not be given Solo his last name. This is Han’s story, he should tell the officer that he’s Han Solo. Han not calling himself Solo was a really bad sign.

Give Han’s original Legends Backstory and how he met Chewie. Han wanting to escape his life in the gang works better in Legends and while I don’t see anything wrong with his bond with Qi’Ra, I just felt like it was really dumb for Han to want to go back to Corellia for her and just see her 20 minutes later. Show his Imperial career more. Have him be revealed as an Ace Tie Pilot, but something changed all that, Chewie. I strongly feel like Legends Han meeting Chewie was more impactful and emotional than what we got in the actual movie. Han saving Chewie from being executed by his Imperial superiors is better than Han being thrown into a pit and speaking Shyriiwook.

More Lando. Basically focus more on Han and Lando’s friendship and surprise everyone by basically pull a Jack Harkness and have Lando kiss Han and Qi'Ra simultaneously. Show us why Han and Lando have a strong friendship, show don’t tell. Have Han and Lando being smugglers in arms. And finally Lando would not leave he would patch himself up and return to help Han in the end. We really needed to see why Han sees so much reverence in his friendship to Lando in ESB. What we got from Solo makes Lando’s betrayal unsurprising. We needed to see why Lando was willing to sacrifice an old friendship to save Bespin from the Imperials, the emotional weight of Han and Lando’s friendship wasn’t there in the movie, it needed to be there so their relationship friendship should’ve been one of the core elements of the movie.

Make Han and Qi'Ra just platonic and childhood friends. I didn’t like the romance and thought Han and Qi'Ra just worked as childhood friends. It really rubbed me the wrong way that Han’s first instinct when seeing Qi'Ra again was wanting to make out with her…when Qi'Ra has been abused by Vos for years and Qi’Ra was uncomfortable about it in Lando’s cape closet. It would be more tragic imo if being betrayed by Qi'Ra that she just wants to kill to the top and stay ahead of the food chain at the cost of old attachments, which this would help turn Han into the cold smuggler we know from ANH

Take out that god-awful “I’m not saying that full name” line Cause Han calls him Chewie and not Chewbacca! Get it? It’s one syllable in the difference. Out of all the connections in the movie, that is the very worst.

Beckett is killed instead of Val. Val was rather mistrustful and skeptical of Han, imagine if only Val, Han and Chewie made it out alive. Val would have no choice BUT to stick with Han and she would grow to trust him, Beckett was a boring character and we all saw his betrayal coming. You could’ve easily changed places with Beckett. But Val would not betray the gang. Val would’ve joined Enfys Nest, while Qi’Ra would’ve been the one to betray Han and co.

L3-37 stays on the slave planet by choice. A minor one but after L3-37 liberates the droids, I think it’d work better if she stayed on the planet to live among her “people”. Her whole shtick was she didn’t like being a slave, there was no logical way she’d get back on the Falcon after freeing all the droid so they had to kill her off. A less cheap and more rewarding pay-off would be she tells Lando she’s staying. They hug, have a moment and she gets to finish her arc. Too many characters die in this film just so the plot can progress (Okay 3, but that’s 3 more than you have to kill). Sure this means you lose the connection in A New Hope where C3-PO mentions the Falcon’s odd dialect but I think we can manage without it. Also, now Han gets to do the Kessel run without any droid help. It shows he’s a great pilot and has what it takes. That’s kinda what we needed to see.

Qi'Ra and Aurra Sing would be partners and lovers. One of the most deadly bounty hunters during the Clone Wars is fridged for Beckett’s reputation. She doesn’t even get a dignified death, not even on screen. Not even a duel. She is pushed to her death. So instead of that bullshit, Aurra would be Qi'Ra’s right hand and lover and together they would kill Vos together. 

Make Dryden Vos more of a legit threatening villain. Paul Bettany used to play really fucking evil gangster characters and that’s what I was hoping Dryden was going to be playing, but he was barely there. Make him cruel, and a clear danger. Prior to the meeting, show him execute an underling for insubordination and have him say “sorry for the mess” imply his abusive relationship with Qi’Ra and show that Qi’Ra wants out, but not in the way Han might think. She wants to kill Vos and take power for herself! And make his death at the hands of Qi'Ra and Sing mean something. Show that Sing is sick and tired of seeing Qi’Ra be hurt by that scum and will say “the Crimson Dawn would be better in your hands, just say the word and he dies” Qi’Ra would say “when the time is right, my pet” 

When the betrayal happens, Aurra Sing leads the Crimson Dawn to attack The Marauders, so we get a climatic scene of Enfys Nest fighting Aurra Sing, while Han and Lando deal with Vos, however when Qi’Ra’s betrayal is revealed, show Qi’Ra killing Vos and leaving Han and Lando to fend for themselves against Crimson Dawn forces. Han and Lando fight them off and Han goes after Qi’Ra and Chewie.

Han would face Qi’Ra. Qi’Ra will boast that Han is too emotional and too good deep down inside and that he doesn’t have what it takes and this was never about him and finally before Qi’Ra can pull out her blaster, Han shoots first. This would be a way of letting the past go and Han embracing his scoundrel ways.

Han’s farewell with Enfys remains the same, but Han also bids farewell to Val to thank her for everything, but Val thanks Han for letting her see to let go of her hatred as she learned that Enfys was just a child and knew that Becket allowed his greed and hatred lead him to his death.

Val would contact L3 and together with Enfys Nest and L3, Val would be a big help to the Rebellion

Han and Lando play one last game of Sabacc and Han wins, thus winning him the Falcon and Han and Lando part off as friends.

Solo ends similar to how it ended with Han and Chewie flying off in the Falcon with a hint to his future with the Hutt Cartel and his rivalry with Boba Fett, thus giving a sign for sequels without making the movie built on sequel baiting.

#Anti Solo #Solo A Star Wars Story #Star Wars #My Changes #Han Solo #Lando Calrissian #Chewbacca #Solorissian #Qi'Ra #Enfys Nest #Val #L3 37 #Aurra Sing #Dryden Vos

[lightsandlostbells]

so, overall, what did you think of season 3 of stranger things?

It took me a while to answer this question because I had to sort out how I felt about this season! I guess if I had to narrow it down to an overall opinion: enjoyable, but very messy. Had some of the series’ best moments but also, while I was watching, I had far more grumbles and gripes than the previous two seasons.

I’ve never really been hung up on whether this show is derivative or plays too into nostalgia or w/e. Plenty of media does that. And despite all the time I’ve spent dissecting micro-expressions and weighty silences in European teen dramas that are filmed for the cost of a candy bar … I am way into genre films and TV shows. I love monsters and superheroes and spectacle! I watched Stranger Things the weekend it premiered because I love ‘80s movies about kids on bikes having adventures, I eat that shit up. So I don’t expect this show to be a hardcore deconstruction and re-imagining of those tropes (though that sounds like a pretty great show), I’m fine with it being what it is: a solid, spooky sci-fi/horror throwback series. What matters most is whether the story and characters work. Personally, I would say whatever criticisms you can make of S1 and S2, they had heart, and unfortunately I think some of that heart was missing from S3. Much of that, IMO, comes from sidelining some of the familial relationships that were at the center of the narrative in S1 and S2, like the Byers family and Hopper & Eleven, and to some degree the important friendships like the party, although there were other friendships introduced in this season so that wasn’t as glaring. It’s not a surprise that one of the best-received parts about this season, Steve and Robin’s friendship, is also responsible for one of the most heartfelt scenes Stranger Things has ever done. 

There was also a way larger emphasis on comedy in S3. Comedy is probably my favorite genre, and I did laugh at a lot of humorous moments in this season. But I also felt like there was more comedy for comedy’s sake, like long sequences created intentionally to make the audience laugh. Whereas in S1 and S2, I can’t remember any scenes like that? The comedy was more understated and came from character personalities and relationship moments rather than joke set pieces. That’s perhaps another reason why S3 felt like it had less heart.

My hope for season 4 - and I am assuming there is a season 4, because apparently this show did mega ratings for S3 - is that they don’t add more major new characters (except love interests for the gay characters, go ahead with those, lol) and instead focus on the existing cast,  which is already a very strong ensemble, yet many of the characters have gotten pushed to the sides. I would love if they added to the episode count: a lot of Netflix series drag out their seasons, like they have enough story for 10 episodes but have to stretch it out to 13, but Stranger Things has the opposite problem. I feel like if they had 10 (or 11, ha) episodes they could have more time for breather moments and more space for character arcs. This season was really fast-paced in my opinion, and although that’s a positive in many respects, I missed a lot of the down time.

Also, I think every season has taken place over like a week maximum, not including the epilogues, and like … you can make the story last longer than a week! Not everything has to go to hell in like a day or two.

Some more specific opinions underneath, obviously lots of spoilers.

First of all, I gotta say, I feel like a weirdo, because so many of the reviews for this season are like A RETURN TO FORM AFTER A DISAPPOINTING SECOND SEASON and UP THERE WITH SEASON 1 NOT THAT CRAPPY SEASON 2 THAT NO ONE LIKED and uhhhh … I liked season 2 just fine? It’s probably my favorite. There are things I don’t like about it, but the stuff I love is stuff I really, really love. Hopper and Eleven’s relationship, for instance. Steve and Dustin teaming up and Steve Harrington becoming a guardian to four children. Those are not just great elements to the series, but directions that I think only a second season could have taken - Hopper and Eleven’s bond wouldn’t have had half the weight if they weren’t established as traumatized, broken people in S1. Steve Harrington becoming a babysitter would not be nearly so delightful if we had not known him as the popular douchebag stereotype from S1 - if he were just a cool dude hanging out with kids from the get-go, the impact wouldn’t be as great. After S1 used Will Byers as a MacGuffin in S1, S2 gave Will a much larger role and that little actor acted his ass off. His performance generated a lot of genuine suspense and chills. There was Sean Astin being lovable! Paul Reiser’s character being a surprisingly good guy! Yeah, there are big flaws in the season, and you can argue it’s too much of a repeat of S1, but to me it was a version of S1 that made the characters more specific and interesting. I’m just … genuinely baffled by how it’s supposed to be demonstrably worse than the others. Because of the Kali episode? I didn’t think that one was terrible, either. I think it broke up the momentum of the chaos at Hawkins Lab, and Kali’s friends were obnoxious, it’s certainly not the greatest writing of the series, but as a whole the episode is like. Fine. It’s fine. It’s mediocre, not atrocious. It’s not the worst thing ever. It doesn’t ruin anything about the story or direction or the series. Most importantly it’s easy to ignore or skip on a rewatch if you don’t like it. The backlash was way overblown.

My biggest disappointment with season 3 was Hopper. Whaaaaaaat. Whaaaat did they dooooo. 

Hopper in previous seasons is a flawed, messed-up human being, but I always knew where he was coming from. When he yelled at Eleven in S2, I still got why he did it. In this season he felt cartoonish. The overprotective paternalistic dad trope is annoying BUT I might have been less bothered had they connected it more to Eleven’s lack of experience with the world, less RAWRRRR KEEP BOYS AWAY FROM MY GIRL. Or if Hopper had not demonstrated like, actual rage toward Mike and we just saw him fuming about it to himself or venting to Joyce, if he was trying to keep that shit under control. (I did laugh at him singing “You Don’t Mess Around With Jim” in the car, I gotta admit.)

But his attitude toward Joyce was what really bummed me out. I’m not into this show for shipping reasons, but I low-key enjoyed the possibility of Joyce and Hopper hooking up based on previous seasons. This season felt like they were writing a completely different dynamic for them, one that was much more aggressively obnoxious. I think their intentions were clear - they were going for a Sam-and-Diane relationship, something that was referenced early on in the Bob flashback - but the problem is that their relationship was not like that at all in S1 and S2. When I think of Joyce and Hopper from those seasons, I think about him supporting her after Bob died, or listening to her concerns about her son, or working together to find Will. They didn’t have this combative dynamic! Frankly watching giant-ass Hopper yell at tiny Joyce was viscerally unpleasant. (Side note but in the first trailer there was a shot of Hopper running at the Fun Fair with someone else who I assumed was Eleven, but no, turned out to be Joyce, Winona Ryder is just that tiny next to David Harbour.)

Also, considering this season ended with his death (and we all know he’s not really dead but OK) it’s such a waste that there were few Hopper&Eleven moments! Only the finale brought some quality content on that front. But otherwise their relationship was out of sight, out of mind for almost the whole season, which wasn’t a great choice, both to maximize the emotional impact of the ending, and to expand upon their situation post-S2. I mean, it’s been months since then, how has their relationship changed now? Hopper’s letter talked about the stuff he enjoyed doing with his daughter - why didn’t we see any of that on screen this season? It could’ve helped with the Mike angle, too, like show Hopper and Eleven watching TV together and laughing and having a good time, and then the phone rings and it’s Mike and suddenly Hopper’s watching TV alone as Eleven’s now focused on her boyfriend, we see his disappointment, etc. 

Scoops Troop - Now they were a delight. They had such a ludicrous story but for the most part it worked due to the characters playing off each other and because the writing/acting/directing embraced the silliness. 

Steve Harrington is easily one of the best characters on this show. I fucking love that guy. He’s consistently entertaining, he’s had possibly the best character growth out of anyone in the series, he’s evolved from a stock ‘80s asshole stereotype into someone who’s funny and sympathetic and likable. He’s this amazing blend of the ridiculous with the heroic. Steve and Dustin were great together, as they were last season, and I’m cackling that Steve acquired YET ANOTHER CHILD under his supervision without even trying. But the MVP of the season was the Steve & Robin friendship. Holy shit do I love that relationship. Holy SHIT.

Robin herself is a terrific new character, smart and funny and once you know she’s half-Uma, you can’t unsee it. I was loving her already and then the bathroom scene happened and I YELLED. I was so utterly overjoyed. If they had made Steve and Robin hook up, honestly … I would’ve been fine with it, like this show doesn’t need more heterosexual romance but at least they had a fun dynamic, but man, the friendship angle was so so superior. It’s a type of relationship that media is lacking, and the specific circumstances of this friendship made it genuinely moving to me. I keep wanting to write like a meta post devoted to just this relationship because I just have so many emotions about it! But they play well off each other as a comedic duo and as an odd couple friendship, and they’re really what each other needs, IMO. Steve needed this close friendship more than he needed a girlfriend; in this season he’s clearly adrift and we’ve seen the kind of shitty friends he had in like season one, is Dustin the best pal he had at this point? And I love Steve & Dustin but Steve needed a good friend his own age. Robin is a lesbian in small-town Indiana in the ‘80s, and she was clearly full of fear that Steve would hate her if he knew, and for him to accept her so easily, not even making a big deal about it? That’s kind of life-saving, really. I can’t wait to see more of them, if Netflix wants to make the half-hour Clerks-esque spinoff about them working in a video store and shooting the shit, I would be 100% down for that.

I have some mixed feelings about Erica because I think she could have benefited from getting the same humanization as the other kids (and I’m going to leave the discussion of racial tropes gently by the side at the moment but … yeah). The other child characters are played more like actual people with vulnerabilities, which has been part of the show’s appeal since the first season, and Erica was more like the sitcom kid who always has a snarky quip ready; however, she did make me laugh and I like that they tapped into her being a nerd, I wish they’d explore that in future seasons with the character. “I’m ten, you bald bastard” was one of my favorite lines of the season, I lost my goddamn mind. 

Billy - Lmao, so Billy in S2 was the woooorst. This dude had ZERO redeeming qualities. His abusive dad creates a smidgen of sympathy, I guess, but Billy goes so far beyond normal teenage assholery that it didn’t make a dent in my opinion of him. You can redeem someone like Steve Harrington, first of all because Steve actually feels regret and works to correct his mistakes, but Steve also didn’t go to a point of no return in the first place. Billy did, for me. Physically and verbally abusing his younger sister? Attacking a black middle-schooler for the crime of being in the same room as his white sister? What a piece of shit.

With that in mind - I have no problem focusing on him as a villain this season, I really don’t. It justifies his inclusion in S2 other than as a human antagonist who’s ultimately not really connected to the main plot, as it retrospectively establishes him as an even greater threat in this season. I also think the actor did a good job with the material he was given. However, ultimately this dude’s arc was underwhelming. The thing is … I can tell they were trying to show Billy struggling with the Mind Flayer, but Billy is so lacking in any positive qualities that it’s kind of like, where does that struggle even come from? Yeah, even the worst people aren’t going to be wild about having a monster from another dimension hijack your body and use it to collect people for spare parts, but this is the same dude who was about to run over Mike, Lucas, and Dustin on their bikes last season for absolutely no reason. He beat Steve to point of unconsciousness and could’ve put him in the hospital. He assaulted Lucas. So I really need some evidence of Billy’s moral compass because it is not inherent and there’s in fact plenty of evidence that it doesn’t exist. I’m not very enthusiastic about redeeming a racist, abusive creep, but I also think if you’re going to go for him helping Eleven at the end … you have to show some current potential for goodness, not just “used to be a nice kid.”

A really glaring omission: the lack of any family/home scenes with him, Max, and their parents this season. We left off last season with Max telling him to leave her and her friends alone. How is their relationship since then? Is there still a lot of friction? Is there a tense peace? Has their relationship improved in any way? We really needed to see that follow-up. I get that Max crying over Billy this season makes sense in that he’s still her family and we can still have love for those who hurt us … but I also feel that we needed something between them to justify her pain, like even just the potential of their relationship being a fraction better, or the suggestion that Billy used to be OK to Max before he went full asshole. And I think we really needed to see Billy’s dad being currently abusive in this season - tbh, missed opportunity that the dad didn’t get flayed like, out of revenge (which would have been both satisfying and horrifying), missed opportunities for suspense when we think Billy might serve up Max and her mom to the Mind Flayer, etc.

Another missed opportunity: drawing parallels between Billy and Will. Both are possessed by the Mind Flayer. Both had shitty dads calling them homophobic slurs. Both could be read as gay (I’m not hungry to claim Billy as LGBT representation or invested in this interpretation but his scenes with Steve in S2 admittedly have that sweaty homoerotic dick-measuring vibe, if you want to take it there). Their names are both William, FFS. The difference is that Will is a sweet and gentle kid surrounded by loving family and friends who fought to save him, and Billy is a violent, cruel dude who probably doesn’t have any real friends, just shallow connections. You could show how the Mind Flayer could more easily possess and manipulate someone like Billy, but that wasn’t really explored.

Also, is anyone going to dwell on the fact that like … Max is living with an abusive man as her stepfather? He’s shown hurting Billy’s mom. Does that not concern anyone that he is very likely to attack either Max or her mom? 

Oh, and thank God they didn’t take the Billy/Karen thing all the way. In retrospect, even weirder considering Billy’s mommy issues. 

Joyce - I get that it’s a big leap downward in emotional investment to go from “must save my son” to “fucking magnets, how do they work” but I liked that she had her own investigation that wasn’t full of emotional turmoil. Winona forever. 

Mike - Everyone is ragging on him but I think he was less terrible than people are making him out to be. He was bratty in a teenage way, but he wasn’t the worst kid ever. I didn’t take his now notorious line to Will (“It’s not my fault you don’t like girls”) as something intentionally cruel or homophobic, just something that came out wrong and that he instantly regretted, and he and Lucas did seem genuinely apologetic over the D&D game and went over to Will’s in the rain out of concern. And the reason he lied to Eleven was because SCARY ASS HOPPER threatened him??? Also, his concern over Eleven overexerting herself was not misplaced, lmao! It really took that long for anyone to go, “Hey, should we be worried about the amount of blood coming out of her nose? Should we be concerned about the effects on her brain?” Sure, Eleven has the final say in whether or not she uses her powers, but tbh… she didn’t have a normal upbringing and her view of her powers is probably skewed. Like, would Eleven have enough basic medical knowledge to be worried about brain damage or nosebleeds, or would that just be the norm to her? Is she making these decisions with a full grasp of the potential consequences? Anyway, I don’t have a more negative opinion of Mike after this season. 

Eleven - I loved Eleven a lot in this season. I don’t know if it did a ton for her character arc, but it’s nice to see her slowly develop into more of a normal girl. And the season was rough for her in terms of getting her ass kicked, she goes through so much mental and physical pain! In the end she loses her dad and her powers!

Of course one of the bright spots was her and Max becoming friends! Not gonna lie, there was something a little … simplistic about some of that depiction of friendship for me - just that so much of it was SHOPPING and GIGGLING and BOY TALK, girls being GIRLS, when Max has been portrayed as a tomboy and Eleven is a telekinetic kid raised in a lab, that maybe their interactions shouldn’t have fit the mold quite so much - but it doesn’t truly bother me because they were so sweet and fun. I loved them tracking down Billy together and I appreciate that their friendship carried throughout the season, that Max was the person shown carrying an injured Eleven along with Mike, Eleven comforted Max after Billy died, etc. That was a definite sore spot of S2, the girl-on-girl jealousy and Eleven flat-out rejecting Max’s friendly introduction, and I do think they took that feedback into account for the better here. I also like that Eleven was clearly taking cues from Max, the more “worldly” of the two about boys and clothes and teenage attitudes in general - it gave their friendship a more specific shape.

I cannot WAIT to see her living with the Byers family next season. Like if they don’t spend significant time on that dynamic, it will be the biggest disappointment. There could be 8 episodes of just boring mundane Byers domestic scenes and I would love it, please inject it into my eyeballs, Duffer bros. I want to see her bonding with all of them, trying to fit in at school, attempting the most normal life she’s ever had. Also lmao, she and Will can finally have a goddamn conversation??? I hope they’ve been withholding that relationship because they were planning to go all out with those new sibling vibes in S4. They are the two characters who have been most traumatized by the Upside Down, we deserve to see them connect.

On that note, I have a lot of thoughts about Will in this season! Mainly - underused as FUCK. After all that trauma of being possessed by the Mind Flayer last season, they barely utilize this connection in the second half of S3. Even his Spidey sense hardly came in handy??? Now that was really weird, IMO, because the least they could do was have that feeling alert the others or be useful, but lmao it was practically pointless. 

It’s weird because I’m not sure if they just don’t know what to do with Will if he’s not being a victim (which is stupid because there’s plenty you could do with him), but at the same time, he has one of the most poignant subplots of the season. From the reactions I’ve seen, Will feeling rejected and left out as his friends move on really resonated with a lot of viewers. But then this thread is abandoned after episode 3, for the most part. Will cries and destroys the place that represents his childhood, a place that was created specifically in response to trauma (mentioned in S2 that he and Jonathan built it after their dad left), this is very rich emotional territory … and then the show’s just like ehhhhhh moving on. He’s just hanging out in the background and touching his neck for the rest of the season. 

And now I gotta talk about that other thing with Will.

I am so confused by what the Duffer brothers are trying to accomplish with Will’s sexuality, because on the one hand it seems like they have a really clear idea about it and on the other hand they’re just like¯\_(ツ)_/¯  The thing is … it seems very obvious they have always thought of Will as gay. This is blatant from the original pitch from the show as well as one of the S2 scripts (the only one that’s available publicly, so who knows what else they’ve written). I accept that people have different interpretations, but The Line this season is far from the only textual support for Will being gay, and I think it makes for a much, much stronger narrative if you read Will as gay in addition to not wanting to grow up as fast as his friends and being stunted from trauma - that is an entire meta post in itself, though. 

What gets me about the ~ambiguity is that the Duffer brothers planted the gay hints in the first place! They are absolutely not there by accident! Like I’m not speaking for the teenage actors but lmao, the adults involved in the writing and directing of this series absolutely fucking knew how that “not my fault you don’t like girls” scene would be interpreted, especially considering fans were debating Will’s sexuality from the beginning, based off the many homophobic comments leveled at him in S1. There have been TV shows where fans latched onto gay “subtext” that was likely unintentional, but this isn’t one of them. 

IDK, man, it’d just be nice to have some confidence in where this is going. I loved Robin and the bathroom scene made me think that yeah, they might do a decent job with Will’s sexuality, something I might have doubted before. Under no circumstances do I expect a Skam S3-style coming out arc for Will, but I’m also uncertain if I should expect anything from the show on this front at all or if they’ll play it coy to the bitter end. Though I guess I’d still take the ambiguity over giving him a female love interest after everything. Lol, that would be a giant oh-fuck-no.

Real talk, though, let’s discuss what an utter waste it would be to not write a scene where Joyce tenderly accepts her son when he comes out to her. You really aren’t going to bring that instantly iconic moment to life, assholes? You’re not going to provide that for Winona Ryder’s and Noah Schnapp’s Emmy reels? MAKE IT HAPPEN, BASTARDS.

Nancy and Jonathan have a reputation for the most boring plots but they’re fine, w/e. I’m not deeply invested in their romance but I don’t want to fast forward their scenes or anything. Nancy is an underrated character; she’s extremely proactive and always has been, and I enjoy watching her shoot things. I think the best thing they could do for both characters, though, is to separate them next season, not just physically but storyline-wise. Jonathan would be best in a subplot involving his family, because he’s at his most likable as a son and brother, and Nancy should either go off with Mike (a sibling relationship that is VASTLY undeveloped), or she should team up with Robin. I mean it, Nancy and Robin would be a power pairing, let me show you my manifesto. Both are smart young women who are good at solving mysteries. Would Robin think Nancy is a priss after Nancy unloads several rounds into the latest demogorgon chasing them? Would Nancy find Robin a refreshing alternative to the crushing suburban conformity that she claims to want to avoid? Oh, the possibilities. Meanwhile, Steve tags along in the background, all like OH SHIT, my lesbian BFF and my ex-girlfriend are in cahoots! 

Lucas and Max were playing relationship counselors to Mike and Eleven through much of the season. Max still had a fair amount to do, but Lucas needs a meatier subplot next time. I feel like they’re not sure what to do with him? I would like to see him and Erica interact more since their dynamic so far is one-note. 

There is one hell of a conversation to be had about the Evil Russians of this season, but I’m really not the person to do it. 

Also about the depiction of capitalism this season. That’s more thinkpiece-y than I am equipped to do right now. 

The product placement is something that should bother me more but I’m just like … shrug. Except that New Coke bit because that was an actual mood-breaker. 

Could have done without Russian Terminator guy. That was a blatant ‘80s homage so I get why he was there, he just wasn’t all that interesting. And was that guy supposed to be superpowered or something? Was he getting jacked on Upside Down steroids???  What was his deal???

Alexei/Murray was the true OTP of the season, let’s be real.

The trend of lovable, doomed minor characters continued with Alexei. Props to that actor for making you root for the guy. He even made me kind of love Murray? I was very WTF over that guy encouraging two teenagers to fuck in S2, and I’m still not into his habit of telling people to bang even when they’re adults, but I guess he just needed a sympathetic Russian buddy to win me over. 

There were a ton of moments where I felt like the characters made stupid choices as opposed to earlier seasons. Will getting dragged into the Upside Down in the first 10 minutes of the series is an impressive example of a horror movie character doing everything right and making good decisions - a 12-year-old, no less. And he was still overpowered by the demogorgon so it’s not like making good decisions will always save you! Whereas this season I was like LORD some of these characters are drinking dumbass juice. 

There was also so much silly stuff happening, like things that are even more far-fetched than previous seasons, but I just kind of went with it. Yeah, of course there’s a secret Russian base under a shopping mall. Sure.

This season is objectively disgusting in terms of gore and yet I was fine with it? And I’m someone who was repulsed by Barb’s corpse in S1. The Mind Flayer being made of people was some nasty shit but effective horror. I felt bad for the poor little rats :( Oh, and the flayed humans, too. Some of them. Was sad to see Mrs. Driscoll bite it but FUCK those cartoon misogynists from the newspaper. 

Visually beautiful! Starcourt Mall is an amazing set and I’m rather sad that the mall was destroyed, although that was basically a foregone conclusion. Some great cinematography, too. On a purely aesthetic level I had a great time just blasting this season into my retinas.

I have had the motherfucking NeverEnding Story theme song in my head for almost two weeks and I’m suffering.

#lillypedalsxx #replies #stranger things #also they referenced my university this season so i dug that thx 4 the shoutout

[elcorhamletlive]

MCU Rewatch: The Avengers

I do think Clint got a little shafted in the MCU in general, but I feel like this movie does give him stuff to work with? I love the beggining with “the hawk in his nest” and the “I see better from a distance” line.

“I’m in the middle of an interrogation and this moron is giving me everything” is still such an iconic introduction. I love her face here. And the scene where she beats up the dudes is so good.

Bruce touching the little crib while saying “I don’t every time get what I want” is so good. Avengers!Bruce is the best Bruce, IMO. His awkwardness and general air of sadness but also of a person who knows he can be a huge threat is so good. Also, I miss when the Hulk was “the other guy”. It works so well here.

Holy shit I didn’t remember there were literal flashes of the events of TFA while Steve is going to town on the punching bag??? That’s so good and also sad???

Also, there’s a lot of talk about how SHIELD sprung this mission on Steve when he was like two weeks out of the ice and with no consideration for his trauma and etc etc but I feel it’s like... what could they do, atm? Loki’s actions create an emergency, and it makes sense to recrute every superhero they have.

Also, though I do mourn the loss of the “sadness sequence” of Steve in the subway and everything, I feel like the punching bag scene does convey Steve’s emotional turmoil to the audience, even if it doesn’t diagnose it. He’s not in a good place and we can see it.

This might be the cutest movie for P3pperony lol Their banter on the Stark Tower is funny and sweet, and I like that Pepper knows about the Avengers.

Aww Coulson. When he calls Banner a Stephen Hawking and Steve is like “??” and he immediately corrects to “a smart person”. And then of course “I watched you while you were sleeping”, lol.

I have Feelings about the idea that Steve assumed that he wouldn’t wear a uniform because the stars and stripes were too old-fashioned. I feel like this adds to his general fear of obsolescence in a very good but painful way.

“Word is you can help us find the cube”, “Is that the only word on me?” “Only word I care about” LOOK. This is such a nice and underrated moment. He’s being nice to Bruce and basically telling him he trusts him regardless of the Hulk’s existence. And then Bruce does the same by trying to empathise with his situation, saying it all must be so strange to him. Steve is visibly more comfortable right now, though, because SHIELD is basically a military base so he’s used to it.

When they get inside the helicarrier, Bruce immediately starts scouting the place looking for exists, while Steve is just so impressed by the technology. I love.

He’s so clearly uncomfortable and lost when Bruce starts talking tech stuff with everyone though.

I love the old man standing up to Loki. “There will always be men like you”. Love this moment.

jfsijofjeiojfs THE SIZE DIFFERENCE BETWEEN STEVE AND TONY ON THE JET (with Tony in armor)... ALSO, as Natasha is speaking, you can catch a glimpse of Tony staring at Steve in the background. jdoajdiowjjdjlj

I can’t see their chat in the jet as anything but Tony being flustered by Steve’s general existence and flirting in the most awkward way possible, because “you’re pretty spry for an older fellow” is SUCH a weird thing to say in that context, like?? Tony, buddy, are you okay? Why are you talking about Steve’s flexibility in a time like this? lol

Thor’s arrival is SO EPIC I LOVE IT. It’s pretty late in the game, too, so I’m glad it’s so awesome!

“I’d sit this one out, Captain” “I don’t see how I can” <3

I like the whole confrontation between Thor and Loki, but “Doth mother know you weareth her drapes” is absolute GOLD and it kills me everytime.

Thor accidentally charging the Iron Man suit is an awesome moment.

It’s super in character that Tony and Thor meet and both literally starting fighting each other like two superpowered children when they’re actually both fighting the same guy. It’s also fitting that Steve steps in with a super motherly “that’s enough”.

Steve’s “is that what just happened?” when Tony compliments Bruce for “speaking English” is hilarious to me. He’s very in tune to Tony’s every action as well - he even looks back to check if Tony heard when he said he understood the reference <33

Lots of people have problems with how Whedon writes Steve, but I feel like his characterization in this movie makes total sense? He’s clearly alert to what is going on (he knows the angle Loki is playing at pretty accuratedly) but he’s resistant to the idea of seeing SHIELD as not trust-worthy, and I feel like this is because SHIELD is literally the only thing he has in the future, and also something he knows was founded by Peggy? And like, sure, this isn’t IN the movie, but what IS in the movie is that talking to Tony and Bruce DOES get in his head and he immediately breaks into SHIELD’s storage to find out what the deal is. So he’s really not a mindless obedient soldier here either.

It’s so weird to think Whedon never meant for Clintasha to happen, because the movie really really REALLY leads you to think that way. Maybe I’m just a shipper, but I feel like it’s very clear and it seems intentional. Like... “Your world in the balance, and you bargain for one man”? Like, Whedon, my dude... Come on.

I love how obviously fake Natasha’s fear is in the “you’re a monster” line. Also “thank you for your cooperation” is such an iconic moment.

“Sorry, computer was moving a little too slow for me” aka “SEE, TONY?? I CAN BE COOL!”

I wish I had never seen all the Discourse about the helicarrier fight, because I really liked this scene and I would like to watch it without hearing all the terrible arguments about it in my head. I still think it’s a good scene though, I think a lot of it is the scepter but some of it is also their genuinely terrible first impressions of each other and narratively I think it works really nicely (also, the sexual tension is off the charts).

I also looove how they actually fall into working together super easily - like they just... go off to fix the engine together - Fury specifically asks for Tony, but there’s no reason for Steve to be there, he just... is. Their teamwork is essential to get the helicarrier to stay on the air and the “it seems to run on some type of eletricity” line is hilarious.

Natasha totally WRECKED after escaping the Hulk answering Fury’s call with “I copy” is a great small moment.

This movie just... pairs Steve and Tony together a lot? Like, Steve straight up follows Tony after he storms out after their talk with Fury, to try to help him somehow. And then their talk about Coulson’s death is just... so full of small, important moments. Steve starts out very open and generally friendly - that makes Tony nervous, though, so he puts the armor on, calls Coulson an idiot. And I feel like Steve buys it to an extent, but he keeps the convo going and Tony’s emotions are clearer at each second. That’s how they get to the “first time you lost a soldier/we are not soldiers” exchange, and the thing is, I feel like Steve hits a nerve here, because Coulson IS the first innocent person Tony has watched getting killed AFTER he took on the identity of Iron Man - the first person who died “on his watch”, in a way. So it hits Tony hard.

But ALSO, Steve does get to him when he says they need to work together to beat Loki, and THEN through their talk Tony figures out where Loki is. They understand his plan through mutual cooperation.

“Son, just don’t” is one of my favorite and most underrated Steve moments. lol

I feel like an idiot, because I had completely forgotten Loki attempts to mind control Tony on the drink scene. Now I kind of want a fic where he succeeded.

Tony saying “his name was Phil” to Loki is a pay off moment from his “his name is Agent” line at the start of the movie. Never noticed that.

“I’m always angry” + THE 180° = Chills. Every time.

I love Steve positioning everyone in the fight, and I love Tony saying “call it, Captain” :D

Shoutout to that one chitauri who takes Steve’s cowl off. Thank u friend.

Hulk tossing Loki around like a rag doll never gets old.

I loove Tony going inside the huge chitauri monster and referencing Jonah.

One thing I really like about this movie is that the final battle is just an explosion of fun. All the action beats are character-specific and everyone has a role to play, which, in a team movie, is really excellent to watch.

Aww I didn’t remember the Hulk catching Tony when he fell. That’s sweet.

Look there’s a lot of stony fuel in this movie but EVEN IF THERE WEREN’T that SMILE Steve gives Tony when he’s joking about schwarma would still be enough to turn me into trash because what the fuck? what the actual fuck? it’s been like 15 movies and it’s still the brightest smile ever gave in the future??? holy shit

Finished it. Honestly, this is one of my favorite MCU movies. It doesn’t really do anything super new or deep with its characters, but it’s so FUN, and it’s well-structured enough that it goes by so fast and it’s just so generally enjoyable. I remember seeing it on the theaters when it came out, when I didn’t even know anything about the MCU, and still having a blast. It’s so fun. I love it.

#mcu rewatch