There's a child's clammy fingers squeezing the color out of his palm—five little points, soot in the skin; a gunsmith prodigy in a fleece-wrapped girl—and it makes Silco, strangely, think of love.
(Not of the way it devours—that starved hunger reserved for other years, other lifetimes, other men, that makes heat of the rains' chill and claims walls and clothes and teeth alike; builds vessels of longing from one's bones and strips mind-logic to single-syllable beggings, no—
But of the way it aches.)
This girl is like a knife-edge picking through sinew and rot. A jagged point that's found a cavernous maw still-bleeding—one another soul had scraped clean on their way out—and slotted itself in.
(Is he still bleeding?)
Five points: little fingers, little nails, clinging to his palm like a lifeline.
A tiny, monstrous thing. Much the same as he had been.
(Burden to his mother; bastard to his sire. A dredging cog in the tunnels' machine.
A father? Hardly.)
"I didn't—I didn't mean to do it," Jinx hiccups.
(The lab smoldering in ash? Or the knife in his chest?)
He draws in a breath.
Slowly, as though those small, steel-edged bones were made of glass, he loosens the snare of her fingers; squeezes the rough lines of his own around them, instead.
"I know, child," he mutters, smelted glass on his breath.
A three-week setback, dismissed as flippantly as that.
(Does one often make such dismissals, for a daughter?)
Her head nudges into his arm. So heavy, for a body so young. And for all his attempts at tenderness, at a memory he has too long forgotten, she finds a way to bend it towards violence: another little hand, little nails, desperate carvings, shackled to his wrist—as though this girl has only known affection through anger; only known the sting of care when muddled with pain.
A cruel irony.
He knows it as well as he knows the mines' heat.
He sees Vander: hand at his collar, rage on his breath, concern skinned to contempt and fanged teeth-glint growling—
(I've made us a deal—a deal for you—don't'ya understand?—)
He sees this girl's blood-knuckled sister: same fighting spirit, same piston of a fist, same mantle of protection, same spite—
(I never asked you to be my keeper—)
His claws pinch back: devil to devil-spawn. Same damned language of hurt.
The girl winces.
"It's alright," he says, a foreign reflex off his tongue. Not the apology he means; the one he ought to give. His touch eases. "It's alright," he hushes again.
She snuffles in a breath.
Slowly, he shifts: lays his palm against her nape. Bird-thin thing; her hair a nest in need of brushing, her pulse pattering as a rabbit's.
(Had he been this small, once?)
But these bones aren't made of glass. Not the frailty her stature lends her.
No—this child burns like a beacon: a rage that singes off her like a second skin: one he too knows, has already lived, still wields, as this girl wields weaponry like an extension of her soul; as she has reclaimed a title of her own choosing, own redemption; as she stands a wealth of potential none have dared to unleash.
A glimmering pinnacle in a city led to wallow in its own gluttony.
A promise.
(His wrath embodied; his resolution rebirthed.)
A legacy.
(A knife of hope between his ribs.)
A daughter.
His thumb soothes through the thistle of her hair.
"I'll fix this," he says quietly—(this, not you, because she is not an object in need of fixing, has not asked him to piece her back together, has not admitted she sees herself as a weakness rather than a strength, one she may one day learn to embrace)—and turns down to her.
He finds a cosmic implosion in her eyes. Fire and storms. Resilience and determination.
Jinx sniffles. Her fingers uncoil from his sleeve: cling tight again.
"Promise?" she whispers.
He brushes the matted fringe from her soot-grayed cheek. Tucks it lightly behind her ear.
"I promise," he answers her, simply as he can—and means it.
silco and jinx / promises
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I'm in A Mood™ (stressed) so im going back to my roots of melting two character together into one person. So bruce wayne!danny fenton. Danny Fenton who, for eight years, grew up in a beautiful gothic manor with his mom and dad under the name "Bruce Wayne". Playing piano with his mother, running around the manor with his father.
Then when he's eight it's ripped away from him. There's blood on his hands and pearls pooling at his feet, and both his parents are dead in front of him.
And he gets shipped off to distant relatives "the Fentons" shortly after, Alfred close on his heels because someone needs to take care of him, someone that knows him. Bruce goes to the Fentons for the safety of anonymity. Gotham's press wants to sink its teeth into him.
Danny misses his city even if it took everything from him. There are shadows in his eyes and he's pale as a sheet even beside his distant cousins, and they change his name to "Danny Fenton' because nobody should know that their newest child was illustrious orphan Bruce Wayne.
They call him Bruce behind closed doors. Danny prefers it that way, he clings onto the name -- the one his parents gave him -- like a lifeline. He makes friends with Sam and Tucker. Tucker takes one look at the willowy, morbid little boy standing in the corner like a shade, ghosts in his eyes, and drags him out into the sunlight, and takes him over to Sam.
When Danny is twelve, he's still not over it -- and he's a little obsessed with the Fentons' research, with the morbid. He has books upon books on death, murder, detective work. Anything he can get his hands on. And stars. He loves stars.
Alfred owns the apartment next to them and comes over regularly. Danny clings to him.
When Danny is twelve, he's still quiet, meek, a shy little thing prone to being bullied. Freaky little Fenton with the night in his eyes and too-cold skin even before he put one foot in the grave. in a sleepover in his room with Sam and Tucker, he tells them the truth. They're his friends, he trusts them.
"My name is Bruce." he murmurs, voice quiet as the breeze, always quiet. he's staring at his star-covered sheets.
"Like Bruce Wayne?" Tucker asks, a joking tone in his voice.
Danny smiles a little, lamb-like with insecurity. "I am Bruce Wayne." And he takes them down to the lab, disrupting Maddie and Jack, to prove it. Sam tells them of her own wealth then shortly after. They start calling Danny "Bruce" in private too -- its trust. Thats what it is. It's trust.
Sam goes to media functions and comes back with aching feet and complaints on her tongue -- and Danny soaks it up all like a sponge, splayed across a beanbag chair with Tucker in her room. He's not envious of her, he used to go to events with his parents and they kept him safe from the ugly of Gotham's Elite. For the most part. He's had comments made at him, he doesn't miss them.
Alfred returns to the manor semi-regularly, Danny goes with him. he wanders the hallways and helps Alfred clean, the last thing either of them want is for their home to fall into disrepair. He brings Jazz with him next time, then Tucker, then Sam. They all help him clean, and he shows them his room. The one across from his parents', it feels strange.
When Danny dies when he's fourteen, the first adult he tells is Alfred. He and Jazz go over to his house more often than they stay in the Fentonworks building. At least at Alfred's, the food doesn't come to life. Alfred sits at the kitchen table and weeps when Danny tells him, Jazz is upstairs, and its just the two of them.
Danny's ghost form wears pearls around his wrist and the gloves look stained with some kind of black substance. He looks like a child who died in a lab accident, but he also looks like a child who has shadows dripping off his shoulders, curling at his feet, hanging from his eyes.
because amorphous blob batman has my heart always and danny/bruce will not escape it even in death even if that IS the only reason im giving him Mild BatBlob Vibes...so far
when they go to the manor, alfred helps danny make a pile of stones between Martha and Thomas' graves, nobody but the two of them (and sam and tucker) will know what it means. (not even bruce's children later down the line, not for a long, long time)
danny dives into ghost fighting on shaky feet and not half as witty as he once was in one world. he's skittish, skittering between blasts from shadow to shadow and clumsily making his way through each battle. but helping people lights a fire in him. he still has shadows dripping off his feet but there's a purpose in his eyes.
and god help him, he's going to help people.
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Chilcille huh... ngl I was a little suspicious. like why would you do that, huh... hope youre not mischaracterizing anyone in your weird and wacky ship. a little weird. but then you said they both had flat asses and you know what? I salute you and your perfect characterization
The fact you seem to think you managed to not make this ask insulting is baffling. What the hell. Fuck off.
If you actually care to be open minded about the ship, I talk about marchil on my sideblog 24/7. Funnily enough I’m currently 4k words deep into an analysis of their character arc together in canon, but that’ll take some more days to get done. Some notable posts:
Of course without counting the analyses of Chilchuck on his own I’ve made, like my masterpost on his family situation. Or better yet you could also read my fics for them, see how weird and wacky they are here.
Wanna talk about mischaracterisation? They’re literally a comedic duo who interacts 24/7. Marchil is crazy bc ppl are like "did those shipper read with their eyes CLOSED?? They have no chemistry!" Meanwhile canon is like:
"She’s obsessed with knowing everything she can about him and she reads him like a book." In her eyes he’s like that extra rare and hard and shiny unlockable dating sim character, that brooding mysterious character trope that’s thrilling to crack open and typically is at the center of the plot. The wife roleplay????
"Hey, did you know his type is blondes. Hey did you know he likes his women pretty and blonde. Hey did you know he likes her hair. Hey did you know that he teases her 24/7 and it’s one of the few things that consistently gets him grinning because he finds her reactions cute." Like a schoolyard bully pulling on the pigtails of the girl he likes.
It’s not like they have any thematic narratives or relevance. It’s not like she’ll live to 1000 and has existential dread about it while he’s logically gonna be her next friend to die at 50 and wether it’s romantic or platonic it’ll terrify her to lose him. It’s not like it’s fear of death x fear of rejection so they’re both obsessed with the thought of loss looming, past and ongoing. It’s not like it’s half-elf x half-foot and there’s an inherent journey that was and still is to dispel prejudices and truly come to see each other. It’s not like he’s painfully real and raw and flawed but still a good man, that he’s not the figure of prince charming that she’s always dreamed of while still being virtuous and worth fighting for. Or you know, her hair being golden and it being the epitome of beauty to him, and his hair turning silver and it being Marcille’s worst nightmare.
Just a weird wacky ship who means nothing but shallow things to people who have weirdo reasons for liking it. Like can you not. If you’re not imaginative enough to think of reasons why this ship may have an appealing dynamic that’s not my issue.
But yes, yes, they’re both flat asses to me, thanks.
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