#its just every time i see a character who could make a bad decision backpedal and start feeling immediate guilt

[comradeboyhalo]

I was secretly kind of hoping that Fred was using Tubbo's feelings to get more information out of him and that Fred was more of a cold worker for the federation, not caring about anything other then his job from how high his position is as a worker and was playing up a facade of being a gentle person :(

i knowww it would've been so interesting to watch, or even to have a betrayal and then a redemption for fred. cause both walter bob and ron are very sympathetic, pitiful characters, but fred being a higher-up gives him more agency, and can have a different arc. but maybe another npc can have a switch up like that.

#(not directed to u anon) but yeah none of this is really criticism bc theres absolutely nothing wrong with how current arcs are going #its just every time i see a character who could make a bad decision backpedal and start feeling immediate guilt #i feel a bit let down #i kinda want more characters to choose the WRONG options #the choice that the viewers are screaming at them not to make #but again thats what i personally want as a viewer and its not what the ccs or admins want and thats cool #ask

[smolstarthief]

Persona 5/Persona 5 Strikers: Pro-Police or Anti-Police?

Hoo boy... So this honestly has been a LONG time coming on my end because I have seen so much of that debate on social media (Twitter namely) and I can see the points of BOTH sides but there have been moments where it just got out of hand... Especially whenever people tried to put in a more grey/nuanced take only to be slammed and taken out of context. Even repeatedly mentioning the interrogation at the beginning of P5 which, I will admit has gotten tiresome. At least for me, I do still feel for Joker and I wished the game acknowledged his trauma more but there's a thing called, "beating a dead horse" and this is one along with "Haru says ACAB" in Strikers (which was done THREE TIMES in the same arc and it got annoying fast, like shut up already! We get it!). So, let's dive in a little bit:

MAJOR SPOILERS UNDER THE CUT!!!

Persona 5/Persona 5 Royal

Now let me just say I know! Police in Japan are just as bad if not worse than the West and I STILL hate the idea of Makoto wanting to become a cop for such naive reasons (especially with what happened to Sae, her own sister!)... But there are at least some of form of nuances sometimes and by that I mean, I can see what they were trying to do? I do agree that P5/P5S backpedaled SEVERELY by deciding to sweep issues under the rug after addressing them and not continuing from such. In fact I feel like it could have been a hell of a lot better. But P5 did something different compared to previous games and addresses the issues DIRECTLY right at the beginning of said game! It was tense and horrifying, but needed. Of course... They then sweep it under the rug and act like nothing traumatic happened to our protag which is NOT a good look at all and I'm still pissed off about it. In the main game's case, it's portrayed as more black and white with only a SMALL amount of nuance like that cop that was trying to help Futaba when she went out by herself and got lost (which people ignore entirely by the way). So I CAN see where people got the "anti-police" message from... But that's only the tip of the iceberg as it's ACTUALLY more about Systematic Corruption, not exactly or JUST police corruption. Namely in politics with Shido and the Conspiracy (which is apparently still somewhat around in Strikers until Owada's downfall) controlling everything all the way to law enforcement. The force had been basically under his payroll (including the corrupt SIU Director before his death) whether by force or not (mostly not in this case though). Now honestly, the police depicted there are undoubtedly rotten to the core save for a VERY SMALL handful (the cop that was trying to help Futaba which, again, gets ignored by several). Look at the interrogators who ruthlessly beat and drug a minor without any second thought or remorse for example. But again, the black and white narrative the game kept unwittingly doing ended up being to its detriment in a way. I'm not defending those assholes AT ALL! They deserved every punishment given to them! But for a game that goes on about grey morality... It doesn't quite deliver on that. Still though, it does emphasize that it's more of the fault of the whole corrupt system, not just one part of it. There needs to be change and reform which is what our MCs were trying to do in a way (more like inspiring change but still). In the end, it's all about the following:

Corruption and abuse of power.

Again the police depicted in this game were incompetent at best, corrupt at worse with very few silver linings. But it's not just them but rather the one person responsible for the whole mess. Who had them under his payroll? Who controlled them and by extension all of Tokyo? Who was willing to dispose of anyone who "outlives their usefulness" or is perceived as a threat to what he wants (including his own family)?

SHIDO AND BY EXTENSION THE CONSPIRACY

Bottom line: They are definitely a problem but it's not just them.

"But, Joker and his trauma?"

I definitely understand that and still do. I fully believe he has and still has trauma with the police. Easy! But... I do feel like people go too far with it sometimes. It's hard to explain but there have been moments where people either use it as a justification/argument against someone trying to provide a more nuanced view of things or... Dare I say, depict him like a "uwu soft traumatized boi." Like I said, it's hard to explain on my end so feel free to ignore it. Everyone deals with trauma differently so there is STRONG chance that I'm overanalyzing it. I just remember moments where I just feel a little, I guess annoyed? I'm not sure exactly but final thing: I understand what he went through and I can't imagine how long it would take to recover but I hope he DOES overcome it.

"Sae? Akechi?"

Yep, even though their jobs are different, they are by and large members of law enforcement no matter how you spin it. Both were broken in a way. Akechi is pretty easy to explain with how Shido negatively impacted his life but not much about Sae, who dealt with sexism/misogyny at her workplace along with the trauma of her father's (also a cop) death. She no doubt had some idealism only to be hit with the fact that she's gonna have to use underhanded/downright illegal tactics to get by and even rise up the ranks. She, therefore ended up (well, nearly) corrupted herself before coming to her senses. That's honestly one of the BIGGEST REASONS why I felt like Makoto joining the force to become a police commissioner isn't a good, even a downright naïve, idea. I honestly would have been somewhat fine with it if it weren't for that fact among other things. Regardless of her willpower, it will go south fast.

Now... Onto Strikers!

Persona 5 Strikers

Since the game came out and I started playing it, I still feel like the system is still beyond saving, especially when attempting to do it from the inside. But I don't mind the added nuances that P5 didn't do much of. It's still continuing the critiques, just shows more of what does happen within said system and even has an ACTUAL officer (Zenkichi) say, "Yeah, my job sucks, everyone's corrupt, there are much better ways to do things and make a change but not this. I'm only staying because I have a daughter to take care of and it's all I know. I'm no different from them." Was it all handled well? I wouldn't say "yes" (Joker's trauma is BARELY addressed at all of course) but a little better than what P5's narrative did which only addressed the issues but not exactly follow up on them. Now to be fair... In the system, regardless of where you live, any one within it who remotely tries to do something or speak against it either lose their jobs or even go "missing" irl. Those have happened and it's more proof that yeah, it's rotten to the core. There's no denying it but regardless, that's NOT what the game is about at all. At least that's what I feel about it as it's only PART of the narrative. I think Zenkichi puts it best here:

Speaking of Zenkichi... Oh boy... Now I definitely understand some of the criticisms with him but honestly, he was the best written (PT) character I've ever encountered! He was honestly the perfect representation of those that genuinely want to help and do good, only to be held back by an extremely harsh reality. It was already hinted at with Sae but here? It 100 percent confirms just how harsh and even cutthroat it can be if it could break someone's idealism so badly. Even Kaburagi of all people thinks the same thing Zenkichi said:

Then there's his past and it's a tragic one! But let's look more at the decisions he ended up making:

While it was no doubt done to protect his daughter, he ended making a selfish decision along with a selfless one (which was brilliant!) with not only allowing the cover up of his wife's death and denying justice for her, but also ruining an innocent person and their family's lives.

It's horrible, but also... There's a grey area/nuance as with the rest of his character. It was both understandable, but also wrong as he, as Akane's Shadow puts it:

He sacrificed his values, his morals, all for the sake of having a peace of mind. Speaking of Akane, she's also an interesting case in a way that she more or less perfectly represents the more "black and white" views on justice in general. Namely the more toxic/biased kind. Her reasons are also understandable but she was also acting selfishly by only focusing on how SHE was effected by Aoi's death and not even considering those that were also grieving her death and/or that people grieve/handle grief differently than her. But back on topic.

Her own views and beliefs that law enforcement basically SHOULD be dismantled (mostly out of said childish bias and black & white views) and it's framed as WRONG and it's very much correct on that. Chaos and order are two sides of the same coin, one can't exist without the other. When I say ACAB, I'm calling for reform, defund, have the corrupt held accountable for EVERYTHING and even face jail time for their crimes! Defund the police, have the ones that arrest, harm, and even murder out of bias (race, gender, etc.), lose their badges/jobs and locked up, make improvements! It's saying that there IS still corruption out there and there's no denying it. But fully eliminating the law in general will just lead to more problems. Now granted, she's young and clearly doesn't fully understand why those views are ultimately wrong but still... It was a very interesting subject to tackle and I feel like they handled it well.

Now back to Zenkichi, he was at first in denial about his decisions ultimately being the wrong ones too and even tries to justify it. Of course, his Shadow said otherwise and that was when he finally admitted that he really did act no different from the criminals he despised. But it also doesn't mean he can't redeem himself and that's what ultimately leads to his new resolve:

That right there along with everything else! There's the nuance! And ultimately despite some hiccups, Strikers handled the grey morality and nuance beautifully! Especially regarding law enforcement! Dare I say, even better than the base game! It continues the critiques with no problem but also showing different sides and areas of it! There is good and evil, but what about in-between? What about the more greyer area? It still says that there IS corruption, sometimes even beyond saving but... Sometimes a small silver lining is hidden somewhere.

Now, the ultimate question:

Is P5 & P5S (namely the latter) Pro-Police or Anti-Police?

Personally, my answer is this: Neither.

Why? What theme do they both have in common?

JUSTICE

Someone puts it best on Twitter that the games are more pro-justice and I fully agree!

P5/P5S gives the idea about following your OWN justice, your OWN moral code and rules, paving your OWN path and not let others dictate it! That's what the MCs ultimately start to learn in both games. Therefore it's pro-justice. Again, do I agree that the system is beyond saving? Yeah. Do I at least acknowledge and understand what the narratives are trying to say and nuances regardless even if I don't agree with some writing decisions (ex: Makoto wanting to become a commissioner despite everything)? Also yes. But at the same time, don't judge a book by its cover for other people (not just law enforcement and politics mind you). Especially some that genuinely DO want to help at best. That there is nuance and greyness, just have to look closely. Some of the MCs are still TERRIBLY written and executed (even annoying) but the message was still somewhat there.

Final Thoughts

Now I fully understand how you all feel of course! I still believe in ACAB and even I agree that maybe I'm one to talk and have a lot more to learn about the world... This is just my own attempt at putting my own two cents in. If you disagree, that's fine! This is just what I've felt should be at least talked about more often. And I tried to phrase it as best as I can without coming off as insensitive or ignorant and if I did, I sincerely apologize for that! I'm not trying to say, come off as a "bootlicker" or any of the sort. I'm just trying show discuss more of the grey areas and nuances that are, more often than not, constantly overlooked. How one interprets both games is ultimately up to them. You, the player. And this is my own interpretation. Simple as that. I hope you all have a good day/afternoon/evening!

#starchild rambles #analysis #persona 5 #persona 5 royal #persona 5 strikers #p5 #p5r #p5s #p5s spoilers #p5r spoilers #p5 spoilers #long post

[tema-makes-art-sometimes]

002 | germano?

HEHEHEHEHEHEHEHEHEHEHEHE

002 | send me a ship and I will tell you:

when I started shipping it.

No idea but it was a long ass fuck time ago. Liked it for years but didn’t really start enjoying it until I started writing Romano myself.

my thoughts:

This ship makes me so genuinely happy man. I know GerCanMano is my flag ship but I love Germano just as much and I at least have a few crumbs of content for them instead of the other which has none. Germano just like-- Seeing Romano in a healthy relationship and seeing Germany happy makes me happy.

What makes me happy about them:

I’m not one for slow burns all the time but Germano to me is one of those slow burn romances I really enjoy. Romano is a sassy and salty flirtatious gentleman who keeps measuring himself up to the big broad and awkward-but-gold-at-heart class president who doesn't understand why the guy gets so upset around him and tries his best to remedy the smaller man’s anger.

The two just slowly developing, starting as rivals with Romano wanting the attention from his brother that Germany gets (and possibly the smallest bit of envy about measuring himself up to ger in macho-ness) and Germany just wanting to understand Romano and just like- how he ticks. Them slowly bonding over the simple things, realizing they both love mechanics and gardening and cooking. Romano being impressed at Germany’s baking (bonus points if say Vene has been bringing home baked goods for ages and he thought they were just from a bakery Vene liked but it was just Ger trying to get rid of the food hes stress baking) and Romano getting to show off his cooking skills. Romano feeling a bit of pride when he makes Germany laugh at some shitty joke or snarky comeback, he just hears that little wheeze or chuckle under Germany’s breath and knows he did that.

Romano having a whole I wont say I'm in love crisis when he realizes hes falling for Germany because sure hes cute and all but like what no. My Romano is very flirtatious but emotionally withdrawn he loves to flirt around but he doesn't actually think about long term relations cause he never expects people to care about him that way so falling for Ger throws him for a loop. But he knows he has to make some decision on it because he can’t get Germany out of his mind but the thought of Germany saying no scares him more than anything else ever has and the thought of breaking Germany's heart makes him more angry than he thought he’d ever feel

Meanwhile Germany is a mess because he has no idea what hes doing all he knows is that Romano’s smile makes him melt and every time he thinks of the future he thinks about the two of them passing tools to each other over the hood of a car and kneading foccacia together and hes doing all of the research he can to try and perfectly convey how he feels and it only works when he for once throws out his plan and just speaks from his heart and stops over thinking everything. And its wholesome and personal and cute and Romano starts crying halfway through which freaks Germany out cause he doesn't want to force anything and oh god did i make you uncomfortable but before he can apologize and backpedal Romano just grabs him by the shirt and pulls him down into a smooch and for once in his life Roma doesn't instinctively jump and when someone reaches out to hug him.

What makes me sad about them:

That they get sidelined for other ships and that people cannot have Germany or Romano exist in a narrative without Veneziano having something to do with it.

Things done in fanfic that annoys me:

People assuming Germany and Romano would be abusive with one another because Romano acts snappy and dismissive around him when in reality he does the same exact behavior to literally everyone else; America, Spain etc. But Germany is the one that’s abusive, and not the others. Germany’s never been shown to hate Romano, confused and rolling his eyes at his insults sure but never hatred.

A lot of people take this in the direction that they hate or abuse each other or worse, like Germany would cheat and use both brothers. Which is just not true, let alone Romano is too much of a blunt mother fucker to let it happen. He wouldn’t take that. Being used or measured second to his brother is so common to him you think he would just lay down and let that happen? No. And Germany isn’t the sleep around without a care or being in a relationship with two people because he can’t decide which he likes more type the guys a romance moron he doesn’t know how to date one man let alone commit adultery.

Which sucks because things like the chauffeur strips show that Romano and Germany are on at least amicable if not friendly terms, Romano is just being Romano, he does the same pissy but nice energy that he does to Spain and America to Germany. And there’s so much there that could be played with, of Romano being reassured by Germany that he’s not this evil bad boy in fact his brother can be worse than he is, and Germany would know Vene has been attached to his side for ages he would know Vene at his worse. Romano showing off to Germany, impressing him that yes Romano can in fact work hard when he wants to and feels inclined to. Which would gain him respect from Germany because he’s so used to doing it himself it’s always a pleasant surprise when people help him or don’t leave him to do everything.

But often in fics this is squandered for the whole ‘Germany’s married to Vene but he’s in love with Romano oh no conflict drama’ and they never make him choose. Or worse he has him two time one and then the other which just isn’t even fucking in character. 90% of the fics I’ve found on AO3 have the under current of how does their relationship effect Vene, how does Vene feel about it or how is he involved and it’s so stupid. It’s only ever done with Romano, never to Vene, Romano is always treated like an extra or an asset to Veneziano and its never the other way around. People don’t write Gerita fics and have the whole story about how Romano feels about it.

Germany’s feelings toward Vene can easily be stated in that ‘he’s just my friend’ it’s so simple but instead often its paragraphs on paragraphs of Germany grappling with his feelings for both and I’m just not interested. If I wanted to read about Germany’s feelings toward Italy, I’d read a Gerita fanfiction. Also you can’t tell me that if Vene found out about the two being interested or even one of them being interested in the other he wouldn’t start playing matchmaker he absolutely would. Hell if you want that “conflict” have Vene be jealous he’s petty enough to do that!

I’m willing to take the L on this and admit I just have higher standards, but I just want a fic that has them in a relationship from the start or they build up to it but not have the fic end the moment they get together or have their first date. One that doesn’t focus on a side plot about Vene and Germany’s feelings toward Vene. Where they just get to be wholesome together, piece their feelings apart together, and develop their love for each other together.

TLDR: I’m very salty about Germano getting the short end of the stick and want to see more sweet domestic germano.

Things I look for in fanfic:

For it to exist and for it not to be a vector to talk about Veneziano’s opinions on their relationship. I just want wholesome content of Germany and Romano building a relationship or a life together, AU or Canonverse wise. The cute dates, working on cars together, gardening, baking and cooking-- Germany playing piano or flute while Romano sings. Them dancing together. Romano taking Germany out to tour and sight see. Romano forcing Germany to cuddle with him in front of the fireplace if they go up during winter to his place cause he hates the cold and his block of a boyfriend is very warm.

My happily ever after for them:

I don’t really think about happily ever afters for them cause as nations their lives move on, they can’t really have kids but they can live together, work together, love together and honestly that’s enough for me.

My kinks:

These will be below the cut, because of ns//fw mentions.

(general sex discussion, bd//m discussion, toys and other such ns//fw things.)

Romano is a bottom little pillow princess but despite that he has the most control in the bedroom. Germany doesn’t lack interest but when it comes to instigation it’s fewer and far between, Romano has more of a sex drive than him. Germany’s more into kinks than Romano, but he has trouble being confident enough to do it so Romano is often baiting him into it. He’s a brat who wants to be tamed and Germany doesn’t mind Romano being rough with him and vice versa.

Romano’s more used to rough and tumble, so when Germany is very slow soft and sincere he gets flustered really fast and can fall apart a lot quicker. He also will cry when Germany compliments him too much early in the relationship. They have a lot of safe words at Germany’s request so if either of them get too overwhelmed they have a safe out and will just vibe and cuddle until the other feels better enough to continue.

Romano will give Germany is rope bunny fantasies every once and a while and tie him up, he’s not into much more than handcuffs and collars but Germany enjoys it so he doesn’t mind. He loves when he can convince Germany into roleplay and let Germany get into a more confident ‘character’. His favorite things are bites and blowjobs. Leaving Germany covered in red marks and scratches is his favorite and he loves the rare sight of Germany squirming under him.

Germany loves to body worship Romano, and messages all of the messages. Romano doesn’t like Germany dragging it out but sometimes he can’t help himself cause he just loves how pretty Romano his and he wants to just touch him all over. He loves when Romano plays with his hair (at least in the bedroom), and since Romano is way more vocal than he is he loves coaxing little sounds out of him through different touches and kisses.

#germano #hws #hws germany #hws romano

[emachinescat]

The Casket of the Armadillos (by Edgar Allan Nope)

A Psych Fan-Fiction

by @emachinescat

@febuwhump day 9 - buried alive

Summary:  When Shawn confronts a grad student turned murderer, he learns a very important lesson a very hard way: Don’t piss off English nerds - especially the homicidal ones. 

Characters: Shawn, Gus, Juliet, Lassiter, Henry

Words: 5,924

TW: panic attacks, buried alive, claustrophobia

Note: If you liked this classic lit-inspired Psych fic, you can always check out this one I wrote, inspired by To Kill a Mockingbird: The Finch and the Mockingbird 

Keep reading here, or on AO3!

If you enjoy, please consider liking, commenting, or re-blogging, and you can follow me for more content like this! :)

I forced the last stone into its position; I plastered it up.  Against the new masonry I re-erected the old rampart of bones.  For the half of a century no mortal has disturbed them.  In pace requiescat!

- Edgar Allan Poe, “The Cask of Amontillado”

Her name was Olivia Hale, she was a twenty-three-year-old grad student at UCSB, and she was working on her doctorate in American lit.  She was attractive in a cute librarian sort of way - short and petite, with long, curly auburn hair she kept in a bun and oversized glasses with thick lenses, and a smattering of freckles across her slightly upturned nose.  She knew a little bit about everything when it came to literature as a whole, a rather impressive amount about American literature, and absolutely everything there was to know about the life and works of one Edgar Allan Poe.

She was also batshit crazy and currently pointing a .22 pistol directly at Shawn’s head.

“Don’t move,” she growled, disengaging the safety.  

Shawn did a cursory glance around the empty classroom, looking for anything at all he could use to his advantage, to distract her or attack her with or - worst case scenario - to use as a shield.  But Olivia had found him snooping around on the tiny fourth floor study room that she’d been given to use by the department chair as her thesis headquarters.  She’d really made herself at home here, piling books and journals and what seemed like hundreds of loose sheets of paper on every available surface.  

But he was stranded in the middle of the room, with nothing close enough to use as a weapon, and so Shawn used the most powerful tool he had, one that had saved his life and many others, wooed women all over the country, and ordered more chili cheese dogs than he could count.  

He started talking.

“Look, Olivia, I get it,” he said soothingly.  Slowly, in the most non-threatening  manner possible, he lowered his hands.  Olivia gripped the pistol tighter but didn’t shoot.  “I know what happened.  You didn’t mean to kill him.”

Her eyes were wide and fierce, her lips pursed into a thin line.  “No,” she admitted.  “It was an accident.  But he was going to--”

“Yeees,” drawled Shawn, slowly raising his left hand and putting it to his temple, very well aware that he was probably pushing the limit with all of this movement after she had expressly ordered, at gunpoint, for him to stay still.  “I see it.  Dr. Graves was feeling guilty, wasn’t he?  A fifty-five-year-old professor with a fancy PhD and tenure, and a devoted wife and three kids and two grandkids, to boot.  The perfect life.  But oooh, it wasn’t enough for him, was it?”  

Shawn immediately answered his own question, something that he had become exceptionally good at over the years since he was usually the only one who could keep up with himself.  “Of course not!  What’s the perfect job and family when you’ve got a smokin’ hot, super smart student in her mid-twenties who thinks you’re the most impressive man on the planet?”

She sneered, and Shawn noticed with some trepidation that the hand holding the gun trembled just the tiniest bit.  When she spoke, her voice warbled with rage.  “My age and appearance had nothing to do with it - and even if it did, there was nothing wrong with our relationship!  We were perfect for each other, intellectual equals.  We were on each other’s levels - he was my soulmate!  So don’t you dare belittle what we had like that!”  

Ah.  So he had hit a nerve.  This could now go either one of two ways, in Shawn’s extensive experience in being held hostage: Either she would get fed up and send a bullet screaming through his body, Garth Longmore style, or she would let her emotions distract her, and cause her to make a stupid mistake.  Obviously, Shawn hoped for the latter.  

Now Shawn had to make a choice, because he could proceed in one of two ways: Either he could back off and try from another angle, or he could further antagonize her into (hopefully) making a mistake.  Naturally, Shawn went with the latter.

“Sure, sure,” he agreed airily.  “Older men and younger women do it all the time.  But to say there was nothing wrong with your relationship?  The man was married, and you were his student.  I’m not the headmaster here -”

“Dean,” she corrected sharply, and this further proved that Shawn had pegged her correctly as a know-it-all literature wunderkind who had to be right one thousand percent of the time.  “This isn’t Hogwarts.”

Shawn gave a tiny shrug.  “To be honest, all big schools look like Hogwarts to me.”

“Because you have the mind of a child.”  The words were accusatory and patronizing, but Shawn flashed a dazzling smile.

“Thank you,” he said.  Before she could respond, he continued his earlier thoughts, “Even though you were the ‘perfect couple,’ you were furious with him for even suggesting that you stop seeing one another.  The affair was too risky, and he missed his wife.  He wanted to tell her the truth, fix things.”

“It would have ruined everything!” Olivia hissed, and the sound of her voice sent shivers down Shawn’s spine.  There was an unhinged quality to it, something raw and dangerous that he hadn’t sensed before.  He fought the sudden urge to backpedal as far away from her as possible.  “We were perfect together!  And if he told his wife and she let it slip, I would be kicked out!  All my research, all my time and work here, everything would be gone!  He had no right to make that decision for me, to take away my future!”

“Maybe,” said Shawn, and it was like he was watching from outside his body, because he knew that what he was about to say was a big mistake, but he was helpless to stop the words from tumbling from his lips, “you should have thought more about your future before you pursued your married Shakespeare teacher.”

Fury etched itself into every feature of her face, turning her from a beautiful librarian to a feral monster, but her voice was slow and measured as if it was taking every ounce of self-control she possessed not to shoot him where he stood.  “He taught Southern. Gothic. Masterpieces.”

Shawn tried to backtrack, to undo whatever damage had been done by his unpredictably big mouth.  “But,” he pressed.  “Killing him was an accident.  You didn’t mean to push him down four flights of stairs.”

She considered this.  “No, I didn’t mean to kill him,” she reaffirmed, and then an odd calm smoothed out the angry crevices between her eyebrows - the peace, perhaps, of having come to an important decision that she knew was absolutely right.  Shawn recognized the look because he’d seen it on others’ faces before (very rarely, if ever, had he seen it upon his own).  “And I don’t think I will kill you, either.”

Whatever Shawn had been expecting, this wasn’t it.  Everything about this woman screamed insane and vengeful.  If Shawn lived, he would turn her into the police, and she would go to jail for a very long time.  She was incredibly intelligent - surely she knew this!

And then she clarified, and the world started to make sense again - though Shawn would have honestly been perfectly content in this alternate reality where the bad guy suddenly has a miraculous change of heart.  “Well,” she amended, “I won’t kill you directly.  I’ve never shot anyone before - I only have this little guy here because I’m a young, pretty girl on a big college campus, and I have two night classes.  Besides, your death shouldn’t be so easy.”

Shawn swallowed.  “Olivia, you don’t have to do this.  You haven’t intentionally killed anyone yet.  If you turn yourself in now and cooperate, your sentence will be a lot shorter than if you kill me - directly or not.  Because make no mistake, even if you kill me, you will still get caught.  The SBPD has some damn good detectives, and they’ll bring you down even if I don’t.”

She didn’t respond to him directly.  Instead, her expression was flat save for the dark gleam in her eyes, and she intoned words that in and of themselves had no meaning to Shawn, but that still managed to strike a chord of fear deep inside of his soul.  “‘The thousand injuries of Fortunato I had borne as best I could, but when he ventured upon insult I vowed revenge.’”  Shawn was utterly unnerved by this point; it was like she had been taken over by something both sinister and incredibly well-spoken.

And indeed, in many ways she had, as Shawn soon found out, she was quoting the beginning of a story by Edgar Allan Poe.

Presently, however, Shawn had no context for her strange words or sudden shift of demeanor.  His skin crawled and his heart pumped with more get-up-and-go than he’d ever been able to muster in his whole body before.  “Uh, Olivia…”

“Move,” she ordered.  

This time, though it was contrary to his nature, Shawn did what she said without arguing.  This side of the student, with stolen words sliding evilly from her mouth, was a million times scarier than the enraged Olivia who had very nearly shot him between the eyes.

She marched him out of the room and down the three flights of stairs to the main lobby of the English building.  It was dark outside, nearing midnight, and Shawn kicked himself for thinking he was clever for coming to investigate this late.  He’d thought she’d be at home sleeping.  He should have realized that as a grad student, sleeping was the one thing she wouldn’t have time for!  And now he was in very deep trouble, alone, and no one knew where he was.  He should have waited until morning, until the building wasn’t deserted, should have at least called Gus and told him what he was doing.  But it was a college campus, and she was a tiny little literature nerd - it should have been safe!

As she forced him down one flight of stairs, then two, then three, and finally, into a stairwell off the beaten path that had to be unlocked with a key card - which she had - she continued to encant, her voice slowly losing its flatness and growing into something twisted and sing-songy with every word.

“‘You, who so well know the nature of my soul, will not suppose, however, that gave utterance to a threat.  At length I would be avenged; this was a point, definitely, settled - but the very definitiveness with which it was resolved precluded the idea of risk.’”

“Olivia--”

It was as if she hadn’t heard him as she shoved him into the basement, and now her voice stilled from a chant to a slow, measured whisper..  “‘I must not only punish but punish with impunity.’”   

Shawn wasn’t sure what impunity was, but it sure as hell didn’t sound good.

Their final destination ended up being a small, partially finished storage room near the back of the basement.  Dusty boxes and rusted cabinets and archaic old computer monitors lined the walls and cluttered most of the walking space.  Shawn was reminded grimly of a school supply graveyard.  

Olivia stopped him when they came to a brick wall that had been busted through to fix some issue with the pipes - Shawn saw the water stains on the concrete floor near the break in the wall, and there was a brand new water pipe joined to an old, yellowed one at about eye-level in the small open space between the bricks and the drywall beyond.  Shawn also noticed that the new bricks had been neatly piled up near a sealed bucket that almost certainly contained mortar, right outside of the hole.  Someone was in the process of walling this section back up.

“Nice wall,” Shawn joked, relieved that Olivia had finally stopped her creepy recitation and desperately trying to lighten the mood and bring things back to some sort of normal - honestly, he’d take being threatened with the gun again to the horror movie stuff he’d just witnessed.  “I bet all the other walls are jealous of it.”

It was a lame joke, but her eerie dramatics had him all kinds of messed up.  He expected her to tell him to shut up, or to threaten to shoot him again, or to actually shoot him, but instead she asked him a question in that same cold, calm voice as before.  “Have you ever read ‘The Cask of Amontillado,’ Shawn?”

Shawn blinked.  “I make it a point not to read anything that’s not a magazine from the 80s or WikiHow articles on ‘How to Escape from Dangerous Forest Animals.’”

The corner of her lips lifted in a mockery of a satisfied smile.  “Good.  Then you’ll get to experience it for yourself, first hand.  Just wait until you get to the ending!  You’re going to love it.”

Somehow, Shawn doubted that very much.

Still holding the gun on him with one hand, she reached her free hand into the cross-body bag she wore and pulled out a pair of handcuffs.  Shawn groaned.

“Come on!  What college student just carries handcuffs in their school bag?”  Then he remembered that this particular student had until recently been having a passionate affair with her teacher.  “Wait - never mind.  It makes perfect sense.”

She laughed, even though what he said wasn’t even remotely funny.  The sound of it was strange and discordant - light and tinkly with a threatening undertone that made the hair on the back of his neck stand on end.  Then she gestured at the hole in the wall and ordered, “In.”

Shawn had known it was coming, but had tried to shove that knowledge into the corner of his mind - something that was quite difficult to do for someone with a photographic and eidetic memory - in an effort to convince himself that even she wasn’t that cruel.  He tried to appeal to her one last time: “Olivia, it’s not too late to stop this.  I mean, are you really going to do this to another human being - seriously, look at this place - it’s dusty and moldy and I’m almost certain there’s no room service!  If you’re going to chain me to a pipe, why not do it in a five star hotel?”  When she nudged him with the gun, eyes gleaming with something dark and triumphant, he reluctantly stepped into the small space and implored, “I’ll even settle for a seedy motel off a poorly lit backroad.  I’m not too picky.”

She didn’t answer him as she stood on her tiptoes and handcuffed Shawn’s wrists around the pipe, cinching them so tight that the metal dug into his skin and he doubted that even his dad’s lessons on escaping handcuffs wouldn’t be much help here.  Already he could feel his fingers going numb, and his shoulders and back had started to ache from the hunched position he was forced to take due to the height of the pipe and the awkward angle of his arms.  

Well, Shawn thought glumly as she smiled at her handiwork and carefully backed out of the small space, maybe all wasn’t lost.  Surely someone would come down here and find him. This place was dusty, but it couldn’t be abandoned - work still needed to be done down here, after all.  And he could always yell for help once he was sure Olivia was gone.  She was booksmart, but maybe she wasn’t criminally minded.  He might be in for an uncomfortable night, but in the morning someone would find him and he could have his vision and the cute little psychopath would go to jail for a very long time.

He waited for her to leave, but instead, she used a crowbar to pry the lid off the bucket of mortar, and the pit in Shawn’s stomach became a whole-ass trench.  He should have seen this coming - his heart pounded madly against his rib cage as if trying to free itself, with or without him.  He couldn’t blame it.  “Olivia, please,” he said, and this time, there was no joke, his voice imploring and terrified.  “You don’t have -”

Again, she cut him off.  “How would you like to hear a story before you die, Shawn?” she asked in a tone so casual that she could have been asking him if he wanted to grab a taco.

“How about you tell me a story and then I don’t die?” Shawn bargained weakly.

“Mmmm… If you stay alive, my whole life will be ruined,” Olivia reasoned.  “And I have worked far too hard to allow that to happen.  So.  You just stand there - quietly - and I’ll tell you the story of Poe’s most beloved tale of revenge.  I won’t tell you word for word, of course - we don’t have time for that - but for posterity, I do have it memorized.”  She sounded grotesquely proud of that fact.  “It’s my favorite of his stories, after all.”

And so, as she slowly began to brick up the hole in the wall, with Shawn trapped, helpless and in a dissociative state of panic, she told him the story of two men with really stupid names that Shawn somehow managed, despite his raging fear, to file away for later as possible nicknames for Gus.

“Our story starts in Italy, during the carnival, and our narrator is a man named Montresor, who has a grudge against his once-friend, now-foe, Fortunato…”

The story was an interesting one, even to Shawn, who preferred watching over reading and especially over listening any day.  And as it turned out, Olivia was a really good storyteller.  If he had been in any other position, Shawn might have actually enjoyed the suspenseful tale of revenge.  

But as he stooped there and was forced to listen, all he could think about was about how terrified this Fortunato guy must have been, and then he started wondering how long it had been before the man hadn’t been able to hold his bladder or… other things… anymore, and then about what had happened when he was too tired and dizzy to stand up, if the manacles on his wrists had pulled so hard against his flesh that they cut into him, and if lack of water or oxygen killed him first, all the while he knew that he wasn’t asking these questions for the sake of the fictional character.  He was asking them for himself.  Olivia had made it exceedingly clear - for a literature scholar, she was surprisingly un-subtle about any underlying meanings or motives - that Fortunato’s story was now to be his story.

It wasn’t until she had begun discussing with rapture the brilliance of Poe’s use of the Italian carnival as the setting of a story about murder (because of its abandonment of social order, whatever that meant) and had built up all but the last two bricks, leaving a hole around Shawn’s eye level, that came to the most horrifying realization yet.   He’d been so focused on his own thoughts and fears with Olivia’s words washing over him like an acid bath that he’d barely registered that the dim light in the hole had been darkening incrementally with each new brick placed.  Now he came to the bone-chilling understanding that once she placed those last two bricks, he would be completely in the dark.

He was going to die, alone, terrified, and in utter darkness with fear as his only friend.  He thought in that moment that he might die of a heart attack before he could even think about dehydrating or suffocating.  Honestly, it sounded like an easier way to go.

“Well,” said Olivia finally.  “I can’t say that it’s been a pleasure to meet you in any way, Shawn, but I suppose I should thank you.  Ever since I found out about this unfinished wall down here, I’ve had this unscratchable itch to recreate the titular scene from my favorite Poe story.  You gave me the means and justification to do it!”

Shawn was so overcome by the surging sea of fear and early-onset claustrophobia that he couldn’t even muster up the gumption to make a joke about the word titular.  Instead, as Olivia knelt down next to her bag, rooting around for something, he jerked madly against the handcuffs, desperately searching for any give in the metal or the pipe he was handcuffed to (or even his wrists, at this point he wasn’t picky).  But the pipe was new, and it was sturdy, and so was the fitting that connected it to the old one, which itself didn’t seem too keen on budging, either.

A sick grin teased at Olivia’s parted lips.  “Oh, Fortunato tried that too.  But then he stopped crying and struggling and chose to die with a shred of dignity.  But I highly doubt dignity is something you’re capable of.”  

And then, with the finality of fitting a lid to a coffin, she slapped a piece of fluorescent pink duct tape over his mouth and a fresh wave of panic ravaged Shawn’s everything.  He didn’t remember this happening in her retelling of the story!  Then again, the Fortunato guy had been sealed into catacombs deep underground.  Shawn was in the basement of a heavily trafficked university building.  Someone would actually hear him if he called for help, so she took his voice away from him too.  He couldn’t even sing “99 Bottles of Beer on the Wall” to pass his time or distract him from the inevitable.  As if it wasn’t bad enough that he would die in the dark, he would die in the quiet too - and silence was, as his incessant need for chatter plainly proved, Shawn’s worst enemy.

“Goodbye, Shawn,” Olivia said, and she added one brick, layered on the mortar, and then gave her captive one last satisfied glance before adding the last brick and leaving Shawn in total, impenetrable darkness.  He would never forget that last, terrible look in her eyes before his world went black - she was no longer human; she had elevated herself to the level of the storytelling gods and she relished in the twisted power she held over the life of another human.

As her footsteps clipped away, her voice, obscenely gleeful, called out, “In pace requiescat!”

***

The next ten hours were the worst of Shawn’s life, and they consisted of five main elements all bundled together into a nightmare that would stalk him for the rest of his life.

Cold.  It was the middle of January, and though it couldn’t have been less than forty-five degrees outside, the basement - especially behind the walls - was chilly, and with the musty smell and the dust and the pitch black, Shawn was reminded far too much of a grave and knew that he might as well be in one, because this was going to be his.  It was the kind of cold that bit deeper than the skin and wormed its way into the very core and dug its icy fangs in and refused to let go - the chill of death, an open invitation from the dead to join them in their home beneath the ground.  He shivered a lot, but he couldn’t be sure if it was the cold, or the panic.  It was probably a little of both.

Dark.  The darkness that surrounded him had an unreal nature that could easily trick the eyes into thinking that they were already closed.  It was oppressive and thick, pressing in from all sides, inky black water dredged from the depths of the sea.

Shawn had never been a fan of the dark, but neither did he exactly fear it.  That changed the second that the last brick was put into place and he found himself in a darkness so severe that were in not for the feeling of floor beneath his feet he could have been suspended in the depths of space so remote that not even stars could reach.  The darkness swarmed his senses - it had a physical presence, and it didn’t lessen, never permitted Shawn’s eyes to adjust to it in the slightest.  It just hung there, surrounded him, assaulted his mind with its infinite arsenal of nightmares.

After experiencing true darkness, Shawn would never sleep without a nightlight again (which unfortunately meant he couldn’t judge Gus anymore for using one, either).

Pain.  At first it was just the pull of his shoulders, the ache in his back.  Then, about five minutes after he’d been sealed up, he realized his wrists were screaming with agony - he must have torn them badly when he fought to get away, but the adrenaline staved off the pain until now.  He vaguely wondered how deeply the cuffs had cut - it felt like the skin on his wrists had been flayed - but quickly remembered that it didn’t matter where he was going.  

Then there were the hunger pangs, and they mingled with the cramps from holding his bladder longer than he ever had before, and at some point muscle spasms in his arms and chest and legs joined the choir of suffering.  At one point, he shed a few tears, but they could have just as easily been from anxiety or exhaustion, which itself produced its own kind of pain - he longed to sleep, but his body refused to allow him even that comfort until the very end, right before he was rescued, as if he were being forced on pain of death to endure the pain of death right up until the very moment of his painful death.

At least he didn’t have too much trouble breathing.  There must have been a crack somewhere in the wall in front of or behind him, because fresh air was entering somehow.  He did, several hours into his imprisonment, begin finding it difficult to pull in a full breath, and by the time he was rescued he was giddy with light-headedness, but he didn’t know if it was from the air quality or exhaustion or panic or from being forced to breathe only through his nose for hours, but he really didn’t care.

Quiet.  Even worse than the cold and the dark and the pain was the quiet.  The tape over his mouth prevented him from doing the one thing that could bring him comfort in even the most difficult of situations.  Talking was what Shawn did - he utilized mindless prattle to distract bad guys, to make people underestimate him, to quell fear and panic in himself and those around him, to annoy and wheedle those whose opinions meant the most to him (and who he was most afraid to be real with), and most importantly, to distract himself from all the pain and baggage that his exceptional memory had filed away for him throughout the years.  Talking nonsense meant that he wasn’t thinking about or acknowledging the parts of himself that arguably needed the most attention, those bits that were scared and unsure and hurt and vulnerable.

Shawn had always detested silence, and now it had invaded so intimately that even he could not drive it out.

And all of these culminated in a constant, agonizing state of absolute, unrelenting fear.  

Panic attacks are horrific things that take your natural instincts in potentially dangerous situations and turn them against you in the cruelest of ways.  They suck the air out of your lungs and make your heart pound so fast and so hard that you are convinced it’s going to give out in pure fatigue and never make it to that next beat.  It makes your skin crawl like there are thousands of spiders nesting there, and your chest hurts and your breath is short and stunted and you know you are dying, that the next breath will be your last, but it isn’t, and the fear just continues and sometimes you curl into a ball or rock back and forth or scratch at your skin.

Panic attacks generally last anywhere from five to twenty minutes.  Shawn was stuck in a state of raw, unfiltered panic for ten hours.  When the EMTs at the scene took his heart rate, it was 160, had been the entire time he’d been buried in a collegiate tomb, knowing that he was going to die.

Put simply, Shawn Spencer spent ten hours in his own personal hell.

***

It was nearly three in the afternoon when Detectives Juliet O’Hara and Carlton Lassiter, with the help of a frantic Gus and a worried Henry that tried his damndest not to show how worried he was, made the final connections in the case and tracked down the woman who had slept with and then killed her lover like a hyper-intelligent, book-loving black widow.  Juliet and Gus remained on the college campus to continue investigating while Lassiter and Henry went on to the station to question Olivia.  She had refused to say where the missing psychic detective was, however, and only offered one bitter phrase, spoken in another language that sounded to the questioning party like a curse being placed on their heads: 

“Nemo me impune lacessit.”

It was Gus who figured it out after Lassiter related the cryptic saying over the phone.

“I know that phrase!” he exclaimed to a swell of raised eyebrows.  “It’s Latin! It means no one wounds me with impunity!”

“You speak Latin?”  Juliet seemed impressed.

“Not much.  But I recognize that particular saying, because it’s from a story that gave me nightmares my entire sophomore year of college.”  He shuddered.  “It’s from the second-most terrifying Poe story.”  He didn’t elaborate on what the first-most terrifying one was, largely because he didn’t want to give the others fodder to use “The Tell-Tale Heart” against him like Shawn already did.  Then the full implications of the words sunk in and he gasped, “We have to find Shawn, now.”  The horror in his expression sent a chill down Juliet’s spine. 

“Gus - what the hell are you talking about?”  Henry was no longer trying to hide the panic in his voice.

“It’s from ‘The Cask of Amontillado,’ Gus clarified, his own panic making it difficult to express himself clearly.

“Guster, this is hardly the time for you to have a glass of wine,” Lassiter barked.  “Now stop talking in riddles and just spit it out!”

But Juliet had now made the connection as well and answered for Gus.  “Oh my gosh - isn’t that the one where the guy is sealed into a wall and left to die?”

The dread in Gus’s eyes said it all.

“He’s got to be somewhere on campus,” Henry reasoned, and his voice shook the tiniest bit.  “Lassiter and I are on our way back to you now.  In the meantime, check with the school and see if there are any places that are easily accessed and under construction.”

No one said it aloud, but the possibility that her words hadn’t been a hint at all and that Shawn was somewhere else entirely hung in the air amongst them.  It was funny, Juliet thought - though it wasn’t funny at all - she urgently needed Gus’s theory to be right, because otherwise they would have no leads, but at the same time, she was terrified of the implications if it were true.  

Her heart felt as sick as Montresor’s when he placed the last brick as she and Gus raced to the administration building and prayed they weren’t too late.

***

When they broke through the wall, the sight that greeted them was one that would never leave them - any of them.  Even Lassiter, who made it his sacred duty to remain unfazed by anything his job threw at him was visibly disturbed.

A moment of silence, a beat where time stood still and everyone was afraid to move, and then - 

“Shawn!”  The four rescuers surged forward as one, but Henry got there first, his trembling fingers groping for a pulse - thank God, but it was racing, dangerously fast, and in the background he heard Lassiter radioing for an ambulance.

Shawn woke up as Henry gently peeled the hideous pink duct tape (an affront to all duct tape everywhere) off of his mouth.  It wasn’t a gentle waking, a flutter of eyelashes or the murmuring of a name - it was violent and erratic, fueled by terror.  

Henry had had to deal with panic attacks before - mostly Gus’s when he took the boys camping together, but once or twice when Shawn was really young and he’d had a bad dream.  This one was the worst that he’d ever seen - Shawn woke with a muffled yell, panting through his nose, writhing, tears streaming down his face, eyes squeezed shut against the trauma he’d been subjected to, and he threw himself against the handcuffs so fiercely that Henry feared he’d break his wrists.  

Soon his wrists were freed, though, and Henry, with the help of Lassiter, helped a weakened Shawn out of the wall and into the basement and lowered him to the floor.  Henry sat with him and rubbed his back and spoke quietly to him, Juliet took his hand, and Gus reassured him while Lassiter ran up the stairs to check on the ETA of the ambulance.  

Twenty minutes later, Shawn had been placed onto a stretcher and carried up the stairs and out into the sunlight - sensing the warm rays, he opened his eyes only to pinch them shut again as the brightness after so many hours in the dark nearly blinded him.  He had been given something to calm him down, and he would be going to the hospital to be checked over and observed overnight, and a psychiatrist would be sent in to evaluate him in the morning, and everything was moving so fast that Shawn leaned over the side of the stretcher and deposited the remnants of the last thing he’d eaten, nearly twelve hours before.

“There’s one thing I still don’t get,” he gasped as he was eased back onto the stretcher.  “Where do the armadillos come into her plan?”

The EMTs exchanged a concerned look at the stretcher, probably wondering if there had been some carbon monoxide poisoning after all.  Gus, however, just rolled his eyes.

“Amontillado, Shawn.  It’s a kind of wine.”

“The story is called ‘The Casket of the Armadillos,’” Shawn argued stubbornly, going so far as to cross his arms over his chest, pulling at the IV in his right hand.  

Gus was going to argue, to insist that he’d actually read the story (and why the heck would someone fill a casket with armadillos?), but then Gus saw the plea in Shawn’s hazel eyes, that need for jokes and silliness, and understood that his best friend was clinging onto his last shreds of control.  

“You know what - I forgot,” Gus corrected, shaking his head and giving himself a light smack on the forehead for good measure.  “It is ‘The Casket of Armadillos.’”  He glared out at Henry, at Lassiter and Juliet and the EMTs, defying them to challenge his claim.  No one did, but they all shared a similar baffled expression.

Well, they could deal with their confusion, Gus thought protectively as he watched Shawn and Henry disappear into the ambulance.  Shawn had been through a night of unspeakable horror, so if it was armadillos he wanted, then it was armadillos he was going to get.

#febuwhump #febuwhumpday9 #psych #shawn spencer #fanfiction #burton guster #henry spencer #carlton lassiter #juliet o'hara #whump fic #buried alive #entombed #claustrofobia #panic attack #tw claustrophobia #tw panic attack #tw buried alive #angst #hurt/comfort #edgar allan poe #cask of amontillado #classic lit inspired #i created a monster #mystery #i've heard it both ways

[yellingaboutcomics]

The Forest: Doctor Strange 385

Well folks, it’s the end of the line.

Was it a surprise that Loki had essentially hijacked the mantle? No, no it was not. But that’s this Loki’s whole m.o.: doing shady things for very good reasons. A lie for your own good. Loki’s own sneaky machinations that got us to this point are irrelevant in the face of the larger universe-ending evil that he’s trying to prepare everyone for, and it would be silly to treat the reveal of how he got the title as backpedaling on the character when he clearly had a legit reason to title snatch. And, like he said, the very fact that he was able to trick Stephen with a destiny-flavored light show is proof enough that the sorcerers of earth need a helping hand. This little reveal also proves how ABSURDLY powerful Loki is, even without the Magic Bomb spell. This shouldn’t come as a surprise to anyone who read AoA and watched the bad kid put the entirety of Asgard in his pocket for safe keeping without breaking a sweat, but damn, Stephen should maybe keep this in mind, especially after Loki’s ominous “Hey all these bad things are coming maybe someone could help me pick up the slack” warnings before exiting stage downward.

Speaking of saving a whole world, Loki is apparently the only person in the Marvel universe actively attempting to see the forest from the trees. Everyone on Asgard is fighting battles while he’s fighting a war (maybe even multiple of them). Thor, bless her heart, is too busy trying to keep everyone from tearing each other apart/DYING to make any meaningful progress, but everyone else seems too caught up in their own drama to be actually trying all that hard to stop the War of Realms. The Odinson is only recently back on the playing field and is too worried about Jane’s failing health to, you know, find Malekith. Loki is the only one actively burgeoning Midgard’s defenses, powering up its severely de-powered magic folk so everyone is actually ready when the shit hits the fan.

But back to the man whose name is on the cover. Stephen might have less friends than Loki at this point and like...wow, that is truly an accomplishment as Loki has maybe two friends on a good day. I feel bad for poor Robert, acting as Stephen’s consequence vessel probably could have been a peaceful retirement for him, but when your friend unleashes your shadow self just because he doesn’t want to have a conversation, you kinda have to cut ties. The full price of Stephen’s actions is yet to be seen, but being left friendless on the ruined doorstep of your home is a pretty good start. Likewise, I hope Zelma finds a better mentor, maybe she can go hang out with Billy Kaplan for a bit. At this point they definitely have a lot of shared experiences to discuss.

So...legacy.

At the end of the day, that was the problem here, wasn’t it? Legacies are powerful things. They are both precious and a burden. Something to be preserved or fought against. Is any title worth the loss of everything that made the job fulfilling/fun/desirable in the first place? The entire arc was built around the fact that Stephen was so lost without the title that made him him that he almost broke the world to recover what he had never actually lost. He became the very thing he believed Loki to be...for what? A tattered cloak? A title that means nothing if the person who bears it wields its power selfishly? Then there’s Loki, who had to claw through the barriers that he created in so many past lives (and even some that previously killed him in past lives) to save magic for the entire world, or at least give it a little more juice. This isn’t Young Avengers, where Loki actively played with his legacy of villainy and made it work to his own advantage. This was Loki, for one of the first times post-AoA, having to recognize that sometimes you have to grit your teeth and take a few punches. Having to recognize something that Stephen forgot: that legacy isn’t supposed to be easy.

It is interesting to me in this larger pattern of heroes losing what makes them special that the two big ones of the past few years ended so poorly for those involved. Original flavor Thor spiraled into such a deep depression that we barely even saw him for a year after he lost mjolnir. Stephen “lost” the title of Sorcerer Supreme and became a vet...then allowed a world-breaker to possess him when a “Hey why do you want this spell?” text would have solved everything. Only Loki, who lost what little goodwill he managed to piece together in AoA after the truth came out, was able to pull himself out of the rubble of his own bad decisions and recognizes that he will continue to fight his own legacy at every step, with every hero he attempts to help. Even after Stephen was ready to kill him, Loki basically waves off his apology with a shrug. An “I get it, no worries.” Maybe now that Stephen has essentially sunk down to Loki’s level, has seen the horrible things he is capable when lost and afraid, he can start to make his way out as well, because this should serve as a terrifying wake-up call.

Because the world(s) are going to need the Sorcerer Supreme in the days to come.

Oh yeah and Loki brought Bats back and it was very sweet and I am thrilled that there is now a talking ghost dog as a supporting character in a major Marvel title so thank you Donny Cates for reading my diary.

#Doctor Strange 385 #Doctor Strange #Loki #loki sorcerer supreme #Dr. Strange #Stephen Strange #Marvel #comics

[zydrateacademy]

Retrospective Review: The Entire Mass Effect Franchise

Andromeda is coming out in a week (as of this writing) and I feel like I want to revisit the franchise. I’ve done a post like this a few years ago when my blog was new but didn’t really settle in on a style and it was kind of garbage with a lot of pointless paragraph breaks. First, some quick insight. I was born in ‘89. That means I was too late to life to be considered an “80’s” kid, and the 90’s were half over before I was able to form real likes, dislikes, or memories. It’s a strange bit of flux because most of my “Nostalgia” is usually in the form of Legos as opposed to comics, games, movies, etc.

It’s a flux that’s kind of leaked into my daily life. My family is not, and never has been particularly affluent. Every extra ten dollars we find, we think “YES. A few days of gas” or “YES. Lunch money.” We’re not poor, we’ve never had a lot of room for amenities. We update our computers basically once every 5-10 years based primarily around income tax returns. Whatever hand-me-down I get from person who was able to afford their new computer, it was always better than what I had. A problem that has recently been remedied when I was employed for two and a half years as a part-time cashier still gave me enough to buy my own completely up to date computer that will last me the next five years on its own. Stick with me, I’m getting to the point. As a result of all of that, I tend to not be able to get games as they come out. Especially not games that turn into these huge franchises. A few games hold special places in my heart BECAUSE of the very fact that I was able to start with them. Mass Effect is one of those series. I started with it on the Xbox, probably borrowing it from a friend initially and playing it in bite-sized chunks before getting it used (likely bought for me like everything else was). The story starts out well. Your character (do I even really need to name them at this point?) is on the track to becoming a Spectre, a sort of special service agent for the entire alien government. During the screening process, another Spectre goes rogue and the entire game is building up a sort of power base against him while discovering a secret of the universe that may lead to the death of everyone in it. Damn. Ramped way the hell up, didn’t it? I suppose that’s fine, as studios don’t exactly expect all their games to shoot off the way they do sometimes. Mass Effect was good for its time. A fairly basic shooter with some RPG elements, in the older days where putting a point in your skills increased damage by 4%, and other things like that. It was incremental, but it had a cool idea based around a boring mechanic. Every few levels in the huge variety of skills you had at your disposal, you’d get a new ability or some kind of boost. Put enough points in “Fitness” and you’d unlock an ability called Immunity, an active ability that reduced taken damage by a flat rate for a few seconds. It’s interesting how the following two games basically dropped that idea, gave you the same 4-5 abilities (that vary per class), called it a day, and just built everything around those. It made the second game a certain kind of boring because every playthrough was effectively the same. You hotkey your main one or two attacks and just shoot stuff when it’s on cooldown. The second game’s story went sideways rather than forward, a point against its favor when looking back at the series as a whole. It continues, presumably a few months after the events of the first game and your ship gets shot out of space and Shepard literally dies immediately. In the introductory sequence establishes that you were picked up by the Cerberus organization and basically rebuilt like goddamn Robocop. I was expecting a “We have the technology!” type dialog but alas, we were deprived. Cerberus was an organization briefly mentioned in some tiny fetch quest in ME1 when you discover a small outpost had been husk-ified. To their credit, this definitely tied into what they would end up doing en masse in ME3 but we’re getting ahead of ourselves. They come to ME2 full force as Shepard is more or less forced to work with them when the mere association makes the alien council backpedal their support for Shepard, whom they presumed dead. As a result, you don’t see a lot of them in ME2. The whole story culminates in fighting a sort of human-based reaper that the collectors (who you later discover were reaper-possessed Protheans. Christ this series is weird) have been building by harvesting human colonies just on the edge of the government’s jurisdiction. Because of this they refuse to respond to the abductions and Shepard joins Cerberus to figure out this mystery and solve it. With bullets. Or whatever the hell comes out of guns in this universe. Something something mass effect fields. The entire game is basically the Dragon Age 2 problem all over again. It feels like it takes place in a single setting even though it doesn’t. It’s mostly padding. Half the game is loyalty missions as you run around to make sure your minions are happy enough with their lot in life, so they’re suicidal enough to do the suicide mission at the end but not suicidal enough to shoot themselves on the Normandy because they’re just not quite sure their father is still alive or not. I never liked this aspect of the game. Every where I turned, someone on my team was whining about something that barely mattered in the grand scheme of things. You could argue that settling their business gives them enough drive and morality to survive the mission at the end. If they didn’t have the morale, maybe they would be too sad to move out of the way of certain bullets. I get that, morale is a huge thing and I suffer from the gain and drain of it on competitive multiplayer games. I feel it, but it’s exhausting to try and manage it across a 20 to 40 hour game. Especially since the mechanics were dumbed down as I alluded to earlier. In the end, ME2 barely matters on a story standpoint and mostly served to update the graphics, systems, and mechanics from the first. To that end, they did fine. ME2 looks fine, even by today’s standards. In a more combat-oriented game, ME2 functions as a successor.  This brings up to ME3. It opens up about a full year after the events of the second game, where Shepard is being punished for their actions in the Arrival DLC of ME2. Never got around to doing that DLC? Tough shit, as they reference it throughout the entire first act of the game and even later when you meet a Batarian on his deathbed. I played through it maybe once and I still don’t really understand what happened or why it was my fault, but there you go. Basically, in the second scene the reapers attack and fucking finally, the goverment lets Shephard get their best murder on and fly out to kick some actual ass. This is even lampshaded by Legion (a Geth teammate you acquire in late-game ME2) who told their own people that the reapers were coming and were believed immediately and began prepping. “Must be nice”, Shepard says. Indeed.  The entire game is spent gathering war assets for the finale of the series. The more you have, the better it goes on a story standpoint. If you scrape for every asset you are capable of, there will be less loss of life. More soldiers on the field, more field assistance, and generally a slightly less bleak atmosphere (which is still pretty goddamn bleak). The mechanics are a crisper version of ME2′s. You still only have 4-5 main abilities to use per class but the leveling system is a bit more nuanced and more in-depth than before, which edged towards ME1′s style without being too stupidly gratuitous like adding 4% to damage. They saved that for actual gun modifications. The cover system has remained through the entire franchise (As it will continue in Andromeda) and it mostly serves to give you shield recharge while reloading your gun and not much else. Mass Effect 3 is probably my favorite of the entire franchise. Some are beholden to the first game as classic nostalgia, and I don’t know many who talk about 2 very much. However mostly decry the third game for its flawed ending and I chalk that up to a PR misunderstanding, or just bad wording on Bioware’s part. See, the sting mostly comes from when they claimed that “Oh the ending won’t be a simple A, B, C matter...” That’s exactly what it became. In the end you had the choice between destroying ALL synthetic life, taking control of the reapers for yourself and effectively fusing your consciousness with them, or if you gathered enough assets, full on synthesis. This basically fuses organic life with synthetic code, making everyone a sort of hybrid and thus rendering the Reaper’s flawed logic completely moot, and they fuck off into the void of space all over again. However for those who actually watched the endings, with the help of the extended cut, there’s a lot of nuances that that simple choice does not immediately seem apparent. In the extended cut you can see the multitude of your choices play out. Did you cure the genophage? You witness the rebirth of Tuchanka and see it get rebuilt in grand buildings with Krogan mothers celebrating their children. What did you do about the Geth/Quarian conflict? You see the results of that as well. Yes, the ending decision did boil down to an ABC choice but the ramifications of a few choices that you made since the first game still absolutely had an effect. A mass effect, if you will (please kill me). Ultimately I feel like there’s a lot more to do in ME3. I’ve played it for a few hundred hours, changing something big every time I do it. I take on a different lover, I switch sides and sabotage the genophage (which I will never ever do again because holy shit). I hop between Paragon and Renegade because it’s fun to watch the world change before my eyes as I decide to murder people that I would not otherwise have done. I do run out of things to do however as the level cap is 60, and if you’ve imported a ME2 save you’re probably already level 25-30 so it takes a single playthrough to max out. After that point, doing NG+’s only change a bonus power and maybe you can fiddle around with different weapon types and adjust playstyles. Which I did often. While I wrap this up with a sort of game-by-game summary, I want to give an honorable mention to ME3′s DLC, The Citadel. It’s often considered the ‘true’ ending to the series and is my personal headcanon post-final battle regardless of lives lost. It takes place on the Citadel (obviously) while most of your crew is on shore leave while the Normany gets cleaned up as it presumably does every time you dock anywhere across the franchise. Shepard’s life is never simple as it turns out there’s a plot against their life and must scramble to figure out another mystery. It’s an incredibly funny DLC with a ton of humor and mostly acts as a tone-shifting breather for the general “We’re all fucked” aura the game mostly gives you. It even ends on a “We’re all in this together” high note with most of your crew (And some from ME2 come back!) overlook a beautiful view while in the titular Citadel. So. We’ve reached the conclusion with my overarching thoughts on the franchise as a whole. It’s good. It’s an experience, and I highly recommend playing through it because there’s a lot to talk about. I’ll give a basic rundown. Mass Effect 1: Fine game, but has not aged well on a visual standpoint. Story is perfectly solid and moderately self-contained without originally relying on a whole franchise to carry it. RPG elements are excessive and each individual upgrade doesn’t feel like it does much until the higher levels. Mass Effect 2: Basically sidesteps its predecessor. Weak story that takes the plot nowhere but with crisper, actionized mechanics and less inventory menus to worry about. Mass Effect 3: Is the culmination of everything they learned from the last two games. More nuanced RPG systems that seem like a middleground between 1 and 2. Story comes to a solid conclusion, and I don’t agree with all the constant whining about how the endings ruined the entire game for some people. Grow up. I’m sure the game has some kind of anthology pack you can buy on sale at this point and I’d recommend giving it a go. If you’re a newcomer to the franchise, be prepared to set aside anywhere from 50 to 200 hours between the three games. If not, Andromeda takes place between the events of 2 and 3 while taking place in a completely different galaxy and will very likely only slightly reference the previous games. There’s the occasional nod, like you meet a sibling of the Turian female in Omega. Other little nods like that but it won’t be necessary to go through all three to enjoy the full experience of Andromeda. Can’t wait!

#Mass Effect #mass effect: andromeda #Andromeda #Bioware #EA Games #Electronic Arts